David Hockney, a Rolleiflex and The Road To Prescott
By Huss Hardan
Hey Steve and Brandon. As always, thanks for providing such a great forum.
A few years ago I was watching a tv show on the famous British painter David Hockney. One always wonders what goes through the mind of such an artist, the process and how they envisage the image. What struck me was one scene where he was walking down a grey, damp, almost monochromatic country lane. And describing the explosions of colours everywhere.
I couldn’t see it, but then they showed a painting of what he had described and it was stunning. It was almost like he was looking at a negative film image. That taught me a lesson – never just look at a scene – imagine what that scene could be if you just let loose your color palette.
Fast forward to the present time. I was taking a long weekend trip from Venice Beach, California to visit a friend in Prescott, Arizona. It would be good to get out-of-town and away from the crowds, but I wasn’t prepared for the emptiness, nor the heat! Stepping out of the Jeep into the searing brightness was an experience. Initially everything looked bleached out and colourless. But as my eyes adjusted, colours began to saturate and condense.
A Rolleiflex 2.8E was used with polarizing and warming filters to create the imagined scene.. The film was expired Kodak E100G from my buddy Jim at Studio3 in Portland, Oregon.