Five Weddings, Five Cameras, Five Images
Steve and Brandon, like so many others who visit your website, I want to thank you for providing a rich source of information for all of us who appreciate straight-forward, real-world reviews and insights about photography. You do a great job, and I appreciate all of your hard work to make such a wonderful website work so well.
My photography life was so much easier back in the days when I shot film. I had my Nikon F2 and Nikon FM, later to be replaced by an F4 and an FE. That was it. Three primes, two always on camera, and I was ready to go. No muss and no fuss. But, digital came along, I got older, and GAS crept into my life. I eventually wound up with five digital cameras (after buying and selling others!), and though I’ve wanted to thin the herd, I enjoy all of them and didn’t know which, if any, I could let go of to simplify my photography life a bit more.
Then, it happened. INSPIRATION! My wife and I got invited to five weddings over a seven weekend period this spring. Five weddings, all located here in North Carolina, but scattered throughout the state. I knew that each wedding would have a pro dutifully documenting each event, and many guests would have point-and-shoots, phones with cameras, and a few DSLRs. Everybody is a photographer, right?
What an opportunity for me! I had no obligation to capture the events. I had no responsibility at all other than to be there, be generous with gifts, and have a great time. So, I decided that I’d be selfish and take photos for myself and not be concerned with capturing images for the wedding couples or their families, despite the fact that each family knows of my passion for photography…the guy who takes a camera everywhere he goes. And besides, maybe I’d get a better feel for which of my cameras I should sell.
This was the plan. Having these five cameras and there being five weddings, I decided to use one and only one camera for each wedding. My goal was to create one shot from each wedding that I was really happy with. Of course, I took more than one shot at each wedding, but I didn’t take all that many. Remember, there was the professional and all those other folks with their image makers already doing that. Each of my five images was to be very different in content and rendition. I didn’t care what the subject was. All that mattered was that the shot had to be taken at the wedding. All shots would be taken in raw, and I would use Lightroom however I wanted to create my final versions. I wrote the names of my five cameras on pieces of paper, put them in a hat, and selected one piece of paper at a time for weddings 1 – 5. I was inspired!
For the first wedding, I shot my versatile Olympus EM-1 with 12-40mm lens. It’s ironic that my wedding one image turned out to be of the newly-married couple driving off to their honeymoon. One would think that that shot would be best if it was from the fifth wedding. But, this is not a photo essay. As for this image, I found it interesting that as I shot the sequence of the couple pulling away in the car, the two pros were fumbling with lenses and missed the entire thing. The newlyweds loves this shot. 😉
For the second wedding, I made a grave mistake! I brought my SONY RX1 with a low battery level. When the SONY went dead, I reached into my pocket for my backup battery only to discover that it was a battery for my Olympus. Don’t make this same mistake kids. Fortunately, I had already taken a few shots that I thought would be good candidates for my project. This one catches the mood and landscape for me, as we all relaxed after the wedding. There is something both formal and informal going on here.
I brought my Leica M-E and 50mm Zeiss Planar lens for the third wedding. I have a love-hate relationship with the Leica. I love the files…love…love…love…, but my aging eyes really don’t like manual focusing all that much anymore. More about this later. The image? Well, you can’t tell from my photo, but the young bride was wearing her great-grandmother’s wedding dress. Wow! I decided that I wanted a “vintage” feel to the image, but to also include the modernity of the moment, a young woman in her 20s getting married. Thus, the tattoo emphasized along with the vintage rendition.
I would have preferred to stay with smaller cameras for each wedding, but my Nikon Df came up on the fourth pull out of the hat. I didn’t want to be all that conspicuous with a camera, so I stuck with my 50mm kit lens with no hood rather than my 24-120mm lens. Not a small package, but not all that large either. The outdoor location for the wedding was the North Carolina mountains, west of Asheville, and I just couldn’t resist the shot, even though it doesn’t have “wedding” written on it. Hey, it’s my project, right?
The final wedding. The final camera. The final shot. I took my trusty SONY RX100 M2 for this one. I love this little camera. However, another SNAFU, but not with the camera, exactly. The wedding was to be taken outside near the water, but a storm was threatening and at the last minute, chairs were set up in the reception area inside the country club. It was dark (Where’s my Df when I need it?), cramped, and a lot of light was coming through those windows backlighting the couple. Nevertheless, I got this shot. With a lot of help in Lightroom and Silver Efex Pro, I created an image to my liking.
Five…Five…and Five. DONE!
I’m not a great photographer, I just know what I like. I was moaning about having too many cameras when a situation presented itself that inspired me to do a photo project. I had a great time with it and learned some new things from each of the wedding experiences, some while shooting, some while working in Lightroom. Now, I look for everyday situations to inspire me further. I love it.
As for the five cameras, all served me well. I did sell the ME…but I ordered a Leica T!
Thanks, Brandon and Steve!