Apr 172014
 

Bags, Bags and a Strap! New from ONA Bags

ONA bags, the company that brings us the very cool ONA Bowery and brought Leica users the Limited Edition “Berlin” that sold out within a day now brings us a few new bags to choose from in our constant quest for the perfect travel and protection companion. These were announced this week and while I have not seen them up close and in person, I have received the press release so take a look at the new offerings from ONA and to read all about them click on over to ONABAGS.COM to see pricing, colors, and all of the other good stuff they have available. ONA is a top quality manufacturer of camera bags and they make some of my all time favorites. Below are a couple of new bags, even one that may fancy the ladies ;)

The Astoria:

Astoria Sell Sheet

The Astoria camera and laptop messenger bag is designed to accommodate a 13″ laptop, 1-2 full-frame DSLR cameras, 3-5 lenses and small personal items. Handcrafted with water-resistant waxed canvas and detailed with full-grain leather, the Astoria features four exterior pockets and a front zippered compartment for memory cards, batteries and everyday essentials. A discreet luggage sleeve on the back of the Astoria can be opened to slip through the handle of a rolling suitcase or closed to act as a slim pocket for a magazine or tablet. The completely customizable interior is padded with closed-cell foam.

 

Click HERE To see more at ONABAGS

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The Capri Tote

Astoria Sell Sheet

The Capri is a chic, understated camera tote bag designed to protect a camera,
up to three lenses and small personal items. Handcrafted with dark tan waxed canvas and
trimmed with luxe leather, the Capri has a personal items compartment that can fit an iPad or 11-inch MacBook Air, two interior pockets for personal items, and a zipped back pocket. The soft leather handles allow you to wear the bag comfortably over your shoulder and a zip closure keeps items safe and secure.

 

See more at ONABAGS

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The Leather Presidio Strap

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The Presidio camera strap is handcrafted with an Italian-tanned leather neckline that is
padded with soft neoprene. Two sets of chrome buckles allow for adjusting the length, while custom rivets provide an extra style point. The Presidio camera strap is most comfortably worn crossbody and is designed for use with camera kits weighing up to 6 pounds.

Drop Length: Adjustable from 19.5” to 23.5”
Total Length: 63”

 

See more at ONABAGS!

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Apr 142014
 

Fuji X-T1 Ergonomic DYI Improvements

by Ronald Grauer

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I will not talk to you about the quality of the camera, we all know it’s a good camera with some little problem like every camera has. Of course, I couldn’t do anything about what’s going on inside, but I could do something about 2 of the major problem I’ve found on it:

- The eyecup is to small and not deep enough. Mostly when shooting in bright light. And also after 3 years with the Sony Nex camera (Nex 7 than Nex 6), I missed a bit the left side EVF found on the Nex Camera

- The rear 4 pad, which has been discussed on every single review on the net… Almost a shame to design such a pad.

So If you want to try this little fix, feel free…

For the eyecup I used a Nikon dk-4. But I think most of the wide, round rubber eyecup should fit. Plenty of them on Ebay.

The eyecup is glued on the plastic base from the original Fuji eyecup. Unscrew the 2 screws to remove the Fuji rubber eyecup.

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But you need to use the Sugru material (I have nothing to do with them…!) or any other similar material. Cause just the glue won’t be enough. I’m not a glue expert, but I tried different very good glue, nothing could hold it. The rubber material is a porous material so you need to shape something on top of these 2 elements. And this will make them more homogeneous for the look.

It’s called ”Sugru”, www.sugru.com

I’ve also used this amazing product to customize the rear 4 pad.

It’s made in England.

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You have an hour or so to shape this “king of rubber”. Let it dry for 12 hours and it will keep the shape and have some elasticity. As sugru says, this material sticks to 99% of the material in the world.

It has been awarded as one of the most amazing material invented in the last years…

It cost around 15 euros for 8 little package…

Hope this post will help many other users…

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I’ll finish by telling you that after all, I’m a passionate photographer.

here is my website link: www.ronaldgrauer.com.

Keep with what you’re doing.

Regards,

Ronald.

Apr 142014
 

My Leica M9 & Grafea bag in London

By Dan Bar

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Hello Steve,

Just got back from London , took my MM as always with my 35 LUX, but this time I also had my M9 + 50 Cron with me, When I sold my previous M9 I knew that I lost a camera I loved dearly, and although I love my MM I knew I wanted my M9 back. I know the market is full off fantastic cameras, like Sony’s , Olympus, Fuji with much better ISO’s , and yet I love the simplicity and colours of the Leica cameras.

So I mostly shot my M9 with the 50, and some b\w with the MM Before leaving to London i was sure I shall buy the Ona Berlin as I needed a bigger camera bag. The Ona Brixton was to be for my taste, but then I found out about the GRAFEA PHOTO bag, which I thought was beautiful and was although the right size I needed. The bag is of great soft leather and has the exact size i was looking for. I called them in England and asked them if they had a bag with a slight defect, Honestly I expected a ” NO ” answer but against all odds they said they had one Caramel Bag ( which was exactly what I wanted ). They sent me a picture and I could not see any defect at all, so I asked them how much would I have to pay, and they said they will make me a 50% discount. :) The bag is big enough to hold 2 Leica M cameras + accessories. The side pockets are soft and contain a lot of filters, cards, cell phone etc. As said big enough for my needs.

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You can find the Grafea bag HERE.

Now for some photos:

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Mar 272014
 

Initial User Report on the Metabones Sppedbooster for Fuji X

By leosilve

Fuji X-E1 Speedbooster_web

Hello Steve! Long time reader and follower of this site. Thank you for the great work. You are an inspiration to many. This article first appeared on my FB page where it was first seen by my friends, and was thus written for people of all levels of photography experience. Here goes…

Unless you might think I’m writing about some new dietary supplement, or a miracle cure for (my) aging bones… The Metabones Speedbooster is a lens adapter with an optical element at its rear end. Ok, I probably lost most of you by now. Ho hum, just another boring gear review. Yup, but to my photog friends and camera buffs, this is one piece of gear you just might find interesting. So, read on!

The Metabones Speedbooster adapters are available in several lens mounts, adapting various full-frame lenses to Sony NEX, Panny/Oly Micro 4/3, and Fuji-X cameras. The rear optical element (made by Caldwell Photographic) is a focal reducer, shrinking the full frame image by a factor of 0.71X. This means, the lens’ focal length changes by this factor and the intensity of the reduced image causes an increase in brightness equivalent to one full aperture stop! When you factor in the 1.5x crop of an APS-C sensor, a 100mm f/2.8 full-frame lens will have a field of view equivalent to 106.5mm f/2.0 lens when mounted on an NEX camera by a Speedbooster. Not too shabby huh?

From this we learn 2 very important and useful information;

1) A full frame lens’ field of view (FOV) suddenly becomes almost what it is again on a cropped sensor camera. Very useful especially for wide-angle lenses on cameras with smaller sensors.

2) An instant 1 FULL STOP aperture gain! Because the image focal length is reduced to fit the smaller sensor, an interesting “side effect” is the stronger intensity or brightness of the incoming image, which has been measured to be equal to 1 full stop! So, a f/2.8 lens becomes an f/2, an f/1.8 becomes f/1.4, and so on and so forth.

There are other amazing promises; higher MTF rating (sharpness), the “bokeh” very similar to the increased f-stop on a full frame camera… so much so that after the initial hype, skeptics felt this was all too good to be true. So was it?

Earlier this month, I won a Speedbooster (Nikon G to Fuji-X) in an eBay auction. Normally this pricey adapter retails for $429. I won it for $213! But that, is a whole other story! Anyway, I was going on a trip, and was excited when the package arrived the day before I left. I got to take it with me and play with it! The images of the two lovely ladies below were both shot on a Fujifilm X-E1 camera coupled to a Nikon 35mm f/2 AI-s manual focus lens from my film days. You can see the setup in the picture with the Fuji X-E1, and the Speedbooster adapter between the camera and lens. I have set the camera to shoot RAW+JPG fine. The RAF(raw) file retains the color info. The JPG is set to Fuji B&W+yellow with a +1 exposure compensation. Other than some minor contrast tweaks, these images are both SOOC (straight-out-of-camera).

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Both images were also shot at f/2.8 (or, was it f/4?) with a 1/52 sec. shutter speed at ISO-200. I have to make a conscious effort to remember the aperture, however the shutter speed and ISO are from the images’ EXIF data. But wait! Remember the aperture gain mentioned earlier? Well, this “old” f/2 lens just became a f/1.8, amazing! Now, there are a lot of reviews online and you can read more about the MTF ratiings, if the adapter did or did not affect sharpness, if the “bokeh” did in fact look like it was shot with a full frame camera, etc. I don’t even have time to do 100% crops, so I’m sorry to disappoint the pixel-peepers. I am going to say however, that I am quite happy with the over-all performance of the adapter, and that it has lived up to my expectations. Yours, of course, may vary ;) This is about MY user experience. And although I have just started using it, I now have it permanently attached to my X-E1, which I use exclusively with legacy manual focus lenses.

There are 2 other sample pictures with this article. The first one is the colored 3-series long exposure on the beach. The second is the B&W daytime long exposure of a small waterfall. I used to lug around my DSLR’s to do this kind of shooting, but now with the Fuji X-E1 and the Speedbooster, my full frame wide-angle lenses are almost what they are – certainly wide enough for this APS-C camera. My old Nikkor 24mm f/2.8 AI-s lens is back to life with a FOV of 25.5mm f/2 – not bad at all! And my backpack is now much lighter with this setup. The DSLRs stay home!

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There are other few things I’ve found out in my short time with the adapter;

1) Build Quality – In a word – Excellent! The adapter feels solid and mounts securely onto the camera with no play whatsoever. The adapter is heavy, but not too much. In fact the weight adds a good heft to the lighter feel of the camera. The rear optical element is made by Caldwell Photographic – ‘nough said. If you don’t know them, ask Google.

2) Since I now have the adapter on the camera all the time, the thought occurred to me that my camera’s sensor is better protected – especially during lens changes. I mostly use manual primes with this setup. So I am very careful during lens changes. The adapter covers the sensor and it is far easier and less risky to clean the adapter than the sensor.

3) I love the built-in (but removable) tripod foot. Some users remove it because they feel it gets in the way. This could be true if you do a lot of handheld shooting. I have gotten used to is as an additional point of contact thus making for a more secure hold on the camera. But I appreciate it more is because it places the tripod hole squarely in the middle line of sight of both lens and sensor. The camera tripod socket is NOT in this line of sight. Also, the solid build of the adapter with its tripod foot takes the “stress” away from the camera mount when using large heavier lenses.

I’m sure there will be other surprises as I spend more time with the Speedbooster. The adapter is pricey. And I’m not sure I would have bought it new, if I didn’t win it in the auction. It is not for everyone. Remember, there is no electronic communication between the lens and camera body*. There is no autofocus. There is no lens stabilization unless it is on the camera. To me, it lends itself more to an “old school” way of shooting. Its really great if you have a stable of legacy manual lenses, because now you can enjoy them again. In the end, the important thing is that it works for me. And I am happy to have and use it.

*The ONLY exception is the Speedbooster for Canon lenses that communicates focus confirmation, aperture and image stabilization. However, there is still no AF capability.

More info on the Metabones Speedbooster http://www.metabones.com/products/?c=speed-booster

 

Caldwell white paper on the Speedbooster (really techie stuff)

http://www.metabones.com/assets/a/stories/Speed%20Booster%20White%20Paper.pdf

About myself:

My Facebook page - https://www.facebook.com/photosbynoel

My Flickr pagehttp://www.flickr.com/photos/cuzincali/sets/

My 500px page - http://500px.com/Cuzincali

Mar 212014
 

The CosySpeed Camslinger Camera Holster Review

The new CosySpeed Camslinger series of camera bags are here and they are quite unique and different from your ordinary camera bag that slings over your shoulder or chest. The Camslinger series is designed for use on your HIP, just like in the good old wild west days when cowboys wore a six-shooter on the hip. Instead of a gun, the Camslinger bags allow you to store your mirror less camera inside, sort of like a holster, where it is ready to rock and roll at any given moment.

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There are some very cool things about these new bags and I am always a fan of “different” and even though there were a couple of small irritations, I found them to be a very enjoyable product. Basically, these bags are are pretty nice and affordable solutions to carrying around a small mirror less system without the weight on your upper body.

The Camslinger comes in two sizes. The smaller 105 and the larger 160. I was able to fit a Leica M and one lens inside of the larger 160 bag. The smaller 105 is meant for smaller cameras and lenses, much like an Olympus E-M1 or E-P5. Think “mirrorless” as this is what the bags were designed for. Small system cameras and a lens or two. For this it works very well. I took out the 160 for a couple of days and it held an E-M10 and 12-40 zoom. It held it perfectly even with the larger zoom and I had it at my hip and at the ready at any given moment.

While at a party a few asked me a question when they saw me: “since when do you wear fanny packs”?

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Yep. It does look like a fanny pack and I am not a fan of fanny packs. As useful as they are I am just not the fanny pack kind of guy. With that said, I personally did not feel like I was wearing a fanny pack because I knew what it was and I knew that my camera was there at all times without me even realizing it. The fact is that while wearing the camslinger it literally put no weight on my body. I felt like I was out without my camera but there it was the whole time, on my side. I also had a lens pouch attached holding an additional lens.

These bags are aimed at street shooters and owners of mirror less cameras. I would also aim this bag at wedding shooters as with the accessories you can add to the belt it makes for one hell of a wedding set up (if you do not use large DSLR’s of course).

Would I use these on the street? Possibly… most likely. If I were going to bring one camera and two lenses, sure. If I were going to shoot somewhere that required walking around, for sure. It is so comfortable to use and wear as well as being 100% functional  that it was a pleasure to wear and walk around all day with.

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BUT, I do have a couple of niggles..

If you are out and about with this around you then every time you want to sit down (comfortably) you will need to remove it but to be fair, same goes with a traditional camera bag.  Also, sometimes the bag latch is a but tricky to unlatch and latch as it requires a pull out before unlatching (for safety reasons, which is good) but also, with practice it gets easier.

It’s a great concept and the company seems very well planned out with the two sizes, accessories to hold lenses, flash, memory or what have you. It is a complete camera holster system for mirror less cameras.

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They also sent me a very nice “cam pillow” which was pretty cool. It came with paperwork describing what it is and how it was made and a picture of the woman who made it along with her story. I really enjoyed that and thought it was a nice touch. I probably will not use it much, if at all, but again, nice touch.

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The Camslinger bags could be just what some of you have been waiting for. They are well made, adjustable, easy to wear and use (once you get the hang of the belt) and are a quality product that will not cost you an arm and a leg.

To read much more about them and order them visit CosySpeed HERE.  The USA order page is HERE.

Mar 142014
 

The Me-Foto Road Trip tripod review

By  Zev Hoover

Hello everyone! I have had the MeFoto Road Trip tripod since December, but I didn’t really see any point in making a first impressions type review, because the true test of a tripod is how it holds up over time. I have used it for almost every photo shoot since I got it, and my sister has used it for over 100 days of her 365 project. it has seen quite a bit of use. Let’s jump right in. (note, all measurements and weights are calculated by myself, not from the manufacturer)

The folded tripod (shown here with banana for scale), comes in at a puny 40cm (15.5″ish) with qr (quick release) plate. it manages to get so small by inverting the legs upwards. a really nice design I think, as it means the center column is already extended and ready for use. it fits inside carry on luggage with ease, in fact I kept it in my personal item backpack when I have flown trans-continental with it.

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It comes with a lovely orange trimmed bag, a hex key for adjusting the leg tension, and spiked feet to replace the rubber ones if needed. the extra feet and hex key come in a nice little package that fits into an inside pouch of the bag. the rubber feet that it has work alright, but because the bottom leg section can turn, there really can’t be that much rubber on the ground plane, only a small section. this is an advantage of tripods with D shaped leg sections. more rubber on the ground = more grip = more stability. as you can see in the below picture, there isn’t a hex key. this is because security in Bergamo airport (Italy) confiscated it. No idea what they were thinking, and I doubt this is ordinary procedure anywhere else in the world. anyway, you don’t really need to adjust your leg angle tension on the go, so I should have just left it at home.

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The head that comes with the tripod is really quite nice. it has separate pan and ball locks, a ball friction knob, a bubble level and very smooth movements all round. It takes the Arca Swiss style qr plate, which isn’t my favorite but is pretty much industry standard and does the job. it locks onto the ball head with a knob, not a lever. this works flawlessly, and is very easy to tighten it to a point where there is no chance of the camera slipping, without busting your fingers.

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The only real disappointments with the tripod were with the qr plate. it doesn’t have the right rubber on top, so no matter how hard you crank it onto your camera, after a shoot or two (especially if you are shooting vertical) it will be loose. not a huge issue, right? just tighten it up. well, no. for some reason it requires a key or coin to turn it. this is the reason I don’t like Arca Swiss style plates, they all seem to not have hand operable knobs for tightening them on your camera. the turning problem can be solved by buying another brand’s plate, and if you are only using one tripod system, the fact that it needs a coin to operate won’t be an issue. but for me, it was a pretty big annoyance (as I do switch systems) so I went ahead and switched the plate holder from an old Manfrotto ball head and screwed it onto the lovely MeFoto ball head. perfect.

this is the original qr plate

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the Manfrotto plate holder on the MeFoto

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hand adjustability!

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The leg angle locks work perfectly, they can be either at a normal tripod angle (30 degrees ish) and the low down 80-ish degree angle. they are not sprung, so they don’t ‘click’ into place, but they feel very solid and work very well. the leg length locks also work well. it takes about a half of a turn to lock/unlock the legs, and they lock very solidly. I have used the tripod in heavy rain and snow, with no ill effects, and occasionally in sea water, but in those cases I always have been careful to not let the sea into the leg locks, other than on one occasion but I disassembled it and cleaned it afterwards (according to this fantastic guide on the MeFoto blog. shouldn’t every product come with a disassembly guide?). the leg locks feel as smooth and precise as new (which is to say, smoooth).

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One really cool feature of the tripod is that it can convert to a monopod! just unscrew one of the legs, take out the center column and put them together! it works very well, though I don’t really have much need for a monopod. speaking of the center column, the locking mechanism on it i not as nice as the ones on the legs. it feels like it takes about 3/4 of a turn to lock and unlock it, unlike the legs half of a turn.

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the carbon fibre version I have weighs in at 1.389kg (3.0625 pounds) with head. the tripod itself weighs 1.066kg (2.35 pounds) and the head weighs 323g (0.7125 pounds). the cheaper aluminum model apparently weighs 1.633kg (3.6 pounds). I am not sure if the difference of 0.5 pounds really is worth the difference in price of $140, but that is up to you. there certainly are more budget options in the world of carbon travel pods, but the aluminum one is a very good deal. also, for some reason the carbon isn’t available in all those awesome colors, which is a shame.

the tripod has a maximum hight of 153.7cm (60.5 inches), and a minimum of 38.7cm (15.25 inches) the monopod’s max hight is 161.3cm (63.5 inches) and its minimum is 71cm (28 inches). basically, the tripod is tall enough for any travel pod use, but maybe not short enough for a landscape enthusiast. a shorter center column would be a fantastic add-on. the monopod is tall enough for really anything, and I don’t know anyone who uses a monopod at anything but full extension.

over all, it is the nicest tripod I have owned (I have had a manfrotto 294 and an old aluminum gitzo) or used. for what I do, with the qr plate holder swap, it is pretty near perfect and I can’t see needing to upgrade unless my camera system gets a lot bigger. any light tripod will blow over easier, and not be as stable as a heavier one, but that is a compromise I am okay with making.

Thanks for reading!

Zev Hoover

You can purchase the Road Trip direct from MeFoto HERE, or at Amazon HERE.  You can see Steve’s early impressions on the Me-Foto tripod HERE. 

Mar 122014
 

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The new ONA Berlin Leica M System Bag

The new ONA Berlin is now available and I have had one for the past 7-10 days putting it through its paces around town. This is a bag made for the Leica M system, but could be used for just about any mirror less system available right now. So Leica, Fuji. Olympus, Sony, etc. BUT, this bag was “designed” to be a Leica M system bag right down to the red dot on the buckle strap and shoulder pad and what a beauty of a bag it is.

Excuse the lighting and poor color in the video below, I will be re-doing this video in the next few days  - going through some medical/health issues right now and when I did this I just got back from Doc/ER – sorry!

I love ONA bags as they are well made, look handsome and rugged and are one of the few brands that offer a taste of the higher end in the bag world. A bag that is not only functional, but stylish and looks good around your body. The new Berlin sits right in with the other luxury offerings from ONA and this is a GOOD thing because ONA makes some of the best bags in the camera bag business.

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ONA states that this is a limited edition bag and below are the specs from their website and description page of the “Berlin”…

Created to celebrate 100 years of Leica photography, the Berlin is a limited-edition ONA bag designed for the Leica M-System. The Berlin is handcrafted with full-grain leather that will develop a rich patina over time.

The signature Leica red interior is fully customizable, padded with premium closed-cell foam, and can accommodate one Leica M-System camera, two to three lenses, an iPad and small personal items. The Berlin also features a zipped organizer pocket, a convenient removable top-grab handle, antique brass buckles, red rivet accents and a streamlined back pocket.

Limited edition

Handcrafted with full-grain leather

Designed for Leica M-System

Removable top-grab handle

Exterior dimensions: 12.5″L x 10″ H x 4.5″ D

Interior dimensions: 11″ L x 8.5″ H x 3.5″D

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I like that it can hold an iPad as well as your M and 2-3 lenses along with other necessities such as your phone, battery charger, and even some film if you so desire. This is a bag that feels a little stiff out of the box but over time it will soften up and develop a patina while wearing in and showing that wear. The one I have been using still looks new but it has only been on a couple of local trips with me. I examined the bag inside and out and it is up to the same Ona standards as the Brixton leather, but smaller and lighter (which is good). If leather is your thing, and you own a Leica M system, this is a bag that may just be the “one” you have been waiting for.

But quality does not come cheap at $369. This is a luxury designer limited edition full-grain leather bag. This is not a cheap fabric bag but more of a “functional statement piece” much like Fogg and Billingham bags. Fogg bags are now running into the $600′s and up for cloth and leather (but they are beautiful bags) and Billingnam round the gamut from $250-$600 or so for a good M bag. The ONA bag is created to celebrate the Leica M, and it looks, feels and plays the part well. If you have invested thousands in your Leica M system, why not dress it up with a new bag?

I think it is gorgeous but I am a fan of the leather camera bags. To me it sort of looks a bit old school and new school and the red interior is gorgeous but the cool thing here is that this bag will AGE VERY WELL. In 5-10-20 years it will look like a true well worn classic bag, even if you have the M 980 in it by then.

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When I took out the bag I had my M 240, 50 Nokton, 90 Summarit and an E-M10 inside with a lens. I also had an iPad mini, my phone and a charger for the M. I had some room to spare yet the bag is not huge and unruly. I think those that appreciate quality and function will really be into this bag. I have used a ton of bags over the years and for quality of build, the ONA is up there with the best I have used and tested. I love Fogg, I like Billingham and I enjoy Artistan & Artist but for the money spent, it is tough to beat the ONA for a mix of everything. I previously reviewed the Union Street and Bowery HERE but those were not the leather versions. I also bought and owned the all leather Brixton which traveled with me to Ireland, New York ad other parts of the world. It wore in quite nicely and now looks like a 20 year old leather bag. That Brixton received MANY compliments during my travels and I am confident that the Berlin will as well.

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For Leica M owners, the Berlin is a fabulous carry case for your valuable camera and lenses, if you like that sort of thing.

You heard it here first...I asked ONA to make this in black as I would personally prefer a black version with the red dots and red interior. It would look striking I think but this normal leather version is also VERY cool and classic..retro..M. How limited is it? Not sure, but if it catches your fancy, take further look at the ONA website.  You can read more or buy it.  $369.

As for my black request, only time will tell.

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Mar 042014
 

Grand Canyon Focal Reducers

By Riaz Missaghi

I love checking your blog everyday for updates on gear and the inspiration posts. Last year I sold my Canon 5d mkII and Zeiss lenses and bought a Fuji X-E1, a cheap Pentax to Fuji mount focal reducer called LensTurbo and almost every Pentax prime lens in PK mount. They were awesome lenses, great image quality, outstanding build quality, and smaller than a Leica lens. The setup was sweet, I loved the pictures it was making but I missed my sharpness of Zeiss glass and the flare control of modern coatings, I also heard that Sony was coming out with a FF mirrorless so I got ready for Sony by selling the Fuji and all the Pentax lenses on Ebay and picked up a Sony Nex-6, another Lens Turbo and just 2 lenses the Zeiss 21mm 2.8 and the 100mm f2 macro, both in nikon mount so that they had an aperture ring, I now wish that I got the canon mount so that the metabones speedbooster could have controlled the aperture.

When the A7r arrived I really liked the pictures since they made full use of the Zeiss glass but I missed that extra stop of light from the Lens Turbo and the performance of the Nex-6 compared to the slow and loud A7r. I now shoot with the Nex-7, the Metabones Speedbooster , the Zeiss 21 and 100, I’ve also picked up the Sigma ART 1.4, it’s sharp but the rendering is not as lovely as the Zeiss, so I’m on the fence about the Sigma. Here are some pictures with the nex-6 and the Zeiss 21mm 2.8 from a recent trip to the Grand Canyon and the Phoenix Botanical Garden. You can see a comparison of the focal reducers on my blog riazmissaghi.com

All shot on the Sony NEX-6 with the Lensturbo.

Thanks Steve!

Best,

Riaz

BoanicalZeiss21mm

CactusZeiss21mm

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Feb 262014
 

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The Gariz Leica M 240 case is in stock again, act fast!

When I reviewed this case a few months back they sold out on Amazon within a few hours. They not only have them in black but I noticed today that they also have 10 BROWN cases in stock over at Amazon via the seller “Viva Outfitters”. I have purchased a couple of items from them in the past and shipping was super quick, no issues.

In any case, one of my fave cases for the M 240 and it can be bought for $199.

If you want to take a look, see more or buy it, click HERE to go to the Amazon page. They also have it in RED. Also in BLACK!

See my review of this case HERE. 

Feb 172014
 

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My favorite ND filter for fast Leica lenses!

Finally! I found THE ND filter to own for my fast Leica glass (Thanks Ken Hansen)! Yes my friends, in the past I have owned many ND filters and I always had to figure out which one I would get. When shooting a Summilux lens or Noctilux lens an ND filter is MANDATORY if you want to shoot your ones wide open where they were designed and optimized to be shot. Over the last few years I have had MANY e-mails come in asking me “which ND filter should I get”..and I am happy to say that the one I own now is hands down my #1 favorite that I have ever owned/used.

It is a made in Germany Heliopan Variable ND filter that gives you a range to work with..from 0.3 all the way up to 1.8 or from 1 to 6 stops. This means you can use this single one ND filter for all of your ND filter needs. From slight brightness to brutal harsh light (like I shot the images in below), this ND filter will give you what you need with a smooth twist of the front ring. When Ken Hansen told me about it I had to give it a shot.

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If you are not familiar with the purpose of an ND filter I will break it down for you very quickly.

Let’s say you love shooting your Leica and Noctilux but you love shooting that lens wide open at f/0.95. If it is sunny outside or the light is bright you will not be able to shoot wide open because the shutter speed in your 9 or M 240 only goes to 1/4000s. This means that without an ND filter you will have to stop down the lens to f/4 or f/5.6 or in some situations even f/8.

With an ND filter in place you can shoot that lens wide open as the filter blocks some of the light. With this particular filter you can adjust how much light gets let in and it is marked from 1-10. I tested this filter in the super harsh mid day sun of Phoenix AZ and my filter was usually between #3 and #6 with the Zeiss 50 Sonnar at f/1.5.

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Using this filter it allowed me to shoot wide open to retain that classic Zeiss Sonnar look that disappears once the lens is stopped down. I shot the SLR Magic Hyperprime 0.95 M lens a couple of years ago with an ND filter as well, and all of the images shot in that report were with a Leica M9, the images below were shot with an M 240 and the Zeiss.

You can also use an ND filter if you want to shoot at longer shutter speeds, for example, a running waterfall. The ND will block the light to your sensor and allow you to drag out that shutter for as long as you need.

Anyway, this is an amazing ND filter and is the only one you will need for ANY situation. No need for 2-4 ND’s, just one. The build is superb and of very high quality, the ring to adjust the strength of the filter is smooth as silk and this filter is available from Ken Hansen in the two sizes any Leica shooter would need. 46mm (35 Summilux, 50 Summilux) or 60mm (Noctilux 0.95). These filters are NOT cheap but no good ND filter is. I believe this one goes for $260 but I found it to be a very worthwhile investment because it is the last ND I will ever need and will fit any 46mm lens I attach to my camera.

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I tested it with the Zeiss 50 ZM Sonnar which also has a 46mm filter thread and the filter presented no issues or problems at all. The Zeiss ZM Sonnar is a very unique lens and when shot wide open at f/1.5 it almost resembles a Noctilux in its rendering. Not quite, but close. The best part is that the Sonnar comes in at around $1100. B&H is back-ordered but Tony at PopFlash has one or two in stock right now (in silver) for anyone looking for this now legendary classic lens.

You can e-mail Ken Hansen here if you want one or have a question. ([email protected]) Not sure how many he has but he did tell me he had a “few” available in 46mm and 60mm filter thread sizes and I recommend this filter 100% for ANY users of these filter size fast lenses (Leica). 

Below are the images I shot with the ND attached, all with the Zeiss Sonnar 50mm ZM and all wide open at f/1.5 at the local Ren Fair here in AZ. BTW, it was almost 90 degrees in mid Feb and the sun was HARSH. AZ mid day sun sucks for taking photos, but I purposely took these at the worst time to test this filter, which did fantastic. 

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Jan 312014
 

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The Classic Cases Leica M 240 Case

Hello to all! Today I wanted to share some news about a case I am trying out for my Leica M 240, made by classiccases.co.uk. Paul Glendell is the guy who is behind these fabulous cases and he makes them for the Leica Monochrom as well. You can see the Mono in his case HERE in my part 1 review of that camera. He also offers M8 and M9 cases and all of them have different options available (with back flap, without, etc). These are all hand-made with quality leather AND hands.

His M 240 case is of fantastic quality and it is not too stiff, and not too soft…which IMO is just right. It is a case I really like and much different from the Gariz case I reviewed a while back (can see that HERE). While the Gariz was nice, small and fit like a glove the Classic Cases 240 case is more traditional when it comes down to the case design and offers a little bit of grip to hold on to. Not because there is a grip but because it adds a little size to the camera and those with larger hands will get a better grip when shooting the camera. It FEELS like a higher end product as well.

Take a look at the case on my M from all angles…

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I had planned to do a video review of 3-4 M240 cases all at once but the two others I was expecting over the past three months never showed up for review. Paul was the only one who sent in the case so his is the only one I will be posting about today.

In the hand it feels nice and the fit is very good (better than the Luigi I had for my M9 that I couldn’t use due to the fit being so off). In fact, the fit of the classic cases case is superb and if I had to complain about anything it would be that the live view button is slightly covered. It is tough to design a full half case for the 240 without this happening though. The upper sides, unlike the Gariz, are well protected and the leather feels like a real quality leather.

Some of you out there love cases and some of you out there hate them. I like cases but sometimes i prefer to go naked because it is much easier to unload batteries and memory cards without having to remove a case to do so. On the other hand, there were times when I went naked (my 1st M 240) and it got beat to hell when I dropped it. So these days I prefer a case.

There are quite a few cases out there for the M240 and this is the highest quality/best made case I have tried to date. It is not cheap at about $285 US Dollars (ships from the UK) but it is one of the best cases among the sea of half cases to protect that $7000 investment. Many wonder why a case would be so expensive but think about it. A full leather, hand-made and stitched case for under $300 to protect a camera you spent $7000 on (without a lens) is not bad at all. You can go up to $390 and buy an Art Di Mano case which offers a different design and colors (hope to review the Art Di Mano soon) and spend even more for a famed Luigi. $285 is about right for the Classic Cases M 240 case and offers up some style, beauty, protection and luxury to your already luxurious M.

if you are one who enjoys cases, you can check out all of what they offer HERE at the Classic Cases website. 

Jan 232014
 

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A look at the new Apple Mac Pro 2014

I love Apple products. I know many who read these pages do, but I also know many readers here do not use Apple products. In any case, yesterday I received a brand spankin’ new Mac Pro powerhouse from B&H Photo in THIS exact configuration. (Happens to be in stock right now). I have been using Apple computers since the 90′s going back to the G3 tower, G4 tower, G4 cube, and everything in between from the bubble colored iMacs to the folding clam shell iBooks.

I switched to Apple after many frustrating years of using Windows  - drivers, viruses, crashes were not my thing and ever since switching to Apple I have had none of those issues…ever. Call me lucky but whenever I upgrade my Mac I have no issues..it just works. Lately though it seems some of have been complaining with issues related to the latest version of OSX, Mavericks. So I hope Apple scan stay on track and continue to deliver the user experience we Apple lovers have come to expect.

In any case, this Mac Pro came in to  my house and I actually waited 24 hours to open it because I wanted to do a video of the opening and 1st look..and I just did not have the time yesterday. So finally..just today, Jan 23rd I cracked it open, took a look, hooked it up to my display for a quick spin and gave my 1st look report in the video below:

 My unboxing and very 1st look at the new Mac Pro. This one is for power users for sure!

 For those who crave speed..

I really do not review computers..ever. But this is not really a “review”. Instead it is a first impression report and overall look at the new machine just to share my enthusiasm for this product. Just as I do not do tech reviews of cameras I do not do tech reviews of computers. I feel too many people take too much time worrying and stressing over little details when they should be using the equipment and getting the most from it. With that said, the new Mac Pro is the fastest mac ever when used with Pro apps such as Final Cut Pro, Adobe Photoshop, etc.

If you need speed, the new Mac Pro is the beast you want. Editing 4K video? The Mac Pro is the one you NEED. Editing huge 37Mp RAW files? The new Mac Pro will shave some time and frustration off of your day. Yes, it is all about the user experience and from unboxing this piece of art to hooking it up, it was up and running within 2 minutes. Easy Squeezy.  The boot up time is insanely fast due to the PCIe flash-based storage that is said to be 10X faster than a 7200 RPM SATA Hard Drive. Yes, that is FAST.

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The Design 

The new Mac Pro is really indeed a work of art. The Aluminum shell fits over the guts and easily slides off with a flick of the unlock switch. The back lights up when you touch or move the computer so you can see what you are doing. I found this to be a nice little touch and it can really help if you are in a dark office and needing connection ports.

Speaking of ports..how about 6 Thunderbolt 2 ports? 4 USB 3 ports? HDMI? Speaker and Headphone? It’s all here, in one convenient location on the back.

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Take off the shell and you see the guts and the brains of the Mac Pro…

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But Beware..you may be seeing a speed DOWNGRADE!

HOW SO? How could this be? The fastest Mac ever built..no way there could be a speed decrease!

My main office machine is a loaded up iMac 27″ (latest). It has a 3.5 Ghz i7 QUAD-CORE processor and 32Gb ram (there are times when my system is using 28 of that 32 at one time) and I have 13 Terrabyte of external storage hooked up with a 3TB fusion drive inside the computer. It is fast. VERY fast. I mainly do three things on my computer. The 1st is Photoshop and Lightroom. I use Photoshop quite a bit for my reviews and Lightroom for my personal photo collection. My iMac is very fast when doing photo work. The Mac Pro was even faster. Secondly, I use plain old basic iMovie on a weekly basis for Youtube videos and personal projects. I love it. Simple, easy, and plenty for my needs. It blazes on my iMac. When I imported a video and edited it on the Mac Pro (the video above at the top) – exporting the video took about 3-4X longer than it does on my iMac. When I researched this I found other reviews say that if you use PRO apps/softare then the Mac Pro will be blazingly fast..beating any iMac that challenges it. Use apps like Ilife apps (iMovie, iPhoto, etc0 and it will be SLOWER!

Since my iMac is pimped out the Mac Pro is 100% overkill for my needs. Will it come in handy for Photo work? YES, and it will last a long time. If I upgrade to Final Cut for video editing then I will see a speed and performance boost, so this would be the thing to do to take advantage of this power.

The bottom line is that this is one hell of a computer. It look futuristic, sleek, comes in at 11lbs and is quiet, cool and nothing I threw at it even made it warm up. Putting your hand over the top will let you feel the gentle breeze of the silent fan that cools the machine down. It is a genius design and also TINY when compared to the huge and hulking old Mac Pro. It is the best and most powerful Mac ever. If you are in to power then you will not be disappointed.

The one I show here comes in at $4k. Add a display and you can be yup to $5k in a hurry. If that is too much then I also highly recommend the iMac I use. You can see that one HERE. 

Where to Buy

To order or check out more specs on this Mac Pro, click over to B&H Photo HERE.  ALSO REMEMBER that this one is pretty low in specs. You can spend almost $10k for one of these bad boys if you want it super pimped out and ready to rock and roll for many many years down the road! If you did not see the video at the top of the page be sure to take a look!

More Mac Pro!

Thanks!

Steve

This Mac Pro: Details…

Six-Core Intel Xeon E5 Performance

This Mac Pro features a 3.5 GHz Intel Xeon E5 processor with six cores of processing power on a single die. The processor can also be overclocked up to 3.9 GHz. And with 12MB of L3 cache, 40 GB/s of PCI Express Gen 3 bandwidth, and 256-bit-wide floating-point instructions, you’ll never be at a loss for speed

Dual AMD FirePro D500 Graphics Cards

Traditionally, professional computers have relied primarily on the CPU for their computing power. But as GPU performance has dramatically increased, software developers have begun to leverage that power in their apps. With the Mac Pro, Apple engineered an even more powerful GPU architecture. Not only does it feature a state-of-the-art AMD FirePro workstation-class GPU – it features two of them. And each is available with 3GB of dedicated VRAM and 1526 stream processors. With 4.4 teraflops of computing power between the two, you’ll be able to do things like seamlessly edit full-resolution 4K video while simultaneously rendering effects in the background – and still have enough power to connect up to three high-resolution 4K displays

Memory

Every component in the Mac Pro is optimized for performance. That includes a four-channel DDR3 memory controller running at 1866 MHz. It supports 16GB of memory and delivers up to 60 GB/s of memory bandwidth, which means you can fly through even the most computer-intensive tasks in no time. And since it’s ECC memory, your render job, video export, or simulation won’t be stopped by transient memory errors

Design

Apple reorganized the architecture of the internal components as well as the entire enclosure of the Mac Pro. Its unique cylinder design is made with refined impact extrusion technologies for effective material use and a polished aluminum enclosure. It stands at just 9.9 inches tall with a diameter of just 6.6 inches, allowing you to place it on your desk

Storage

The Mac Pro has next-generation PCIe-based flash storage, which is up to 2.4 times faster than the fastest SATA-based solid-state drive and up to 10 times faster than a 7200-rpm SATA hard drive. Most flash storage systems connect via SATA buses designed for slower spinning hard drives. But Apple designed the Mac Pro around new PCIe-based flash controller technology to deliver the fastest solid-state drives available standard in a desktop computer. So you’ll have 256GB of storage that will let you boot up, launch apps, and even open massive files almost instantly

Thermal Core

Rather than using multiple heat sinks and fans to cool the processor and graphics cards, Apple built everything around a single piece of extruded aluminum designed to maximize airflow as well as thermal capacity. It works by conducting heat away from the CPU and GPUs and distributing that heat uniformly across the core. That way, if one processor isn’t working as hard as the others, the extra thermal capacity can be shared efficiently among them

Fan

Instead of adding extra fans, Apple engineered a single, larger fan that pulls air upward through a bottom intake. As air passes vertically through the center of the device, it absorbs heat and carries it out the top. By minimizing air resistance throughout the system, Apple was able to design a fan with backward-curved impeller blades that runs at fewer revolutions per minute, draws air more efficiently as it spins, and creates considerably less noise

Expansion

Designed with built-in Thunderbolt 2, USB 3.0, Gigabit Ethernet, and HDMI 1.4 ports, the Mac Pro provides flexible, high-performance expansion. And it has everything you need to build a workstation completely customized to what you need and how you work

Thunderbolt 2

Thunderbolt 2 combines PCI Express and DisplayPort into one high-speed, versatile I/O technology. Thunderbolt 2 delivers twice the throughput, providing up to 20 Gb/s of bandwidth to each external device. So you’re more than ready for the next generation of high-performance peripherals, without being limited by the number of expansion slots inside your computer. You can connect massive amounts of storage, add a PCI expansion chassis, and work with the latest external displays – including 4K desktop displays and peripheral devices capable of broadcast monitoring in 4K. And since each Thunderbolt 2 port allows you to daisy-chain up to six peripherals, you can go all out by plugging in up to 36 external devices via Thunderbolt 2 alone

I/O Connections

The Mac Pro equips you with all kinds of connections for all kinds of peripherals. USB 3.0 gives you the versatility to hook up dozens of different types of external devices. Two Gigabit Ethernet ports let you connect to multiple networks. And an HDMI 1.4 port provides support for the high-definition televisions, projectors, and displays, including Ultra HD TVs. As you rotate Mac Pro to plug in a device, it senses the movement and automatically illuminates the I/O panel. So you can easily see the ports you need when you need them

Wireless

Access your network over three-stream 802.11ac Wi-Fi for high-speed wireless connectivity. For all your other wireless connections, the Mac Pro includes Bluetooth 4.0. It’s the easiest way to connect your keyboard, mouse, and other wireless devices without having to physically attach anything

Jan 162014
 

Max HeMe-Foto Tripod Review and Give-Away!

At the end of this review there is a link where I am giving away a free MeFoto tripod on Facebook! Be sure to enter to win the exact tripod you see below!

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I admit..I am not a huge fan of tripods for my photography. I rarely ever use them (for photos) and in the past 10 years I probably used a tripod a handful of times and that was mainly due to HAVING to use them at specific events or for camera tests. Nope, just give me a nice light camera, a lens and some memory or film and I am off and running  - nice and light.

But even though I do not use them often I do indeed own a tripod and have had the same one for 15 years! I use it mainly for video and it has come in handy for that when I needed to stabilize my camcorder. There are times when long exposures also get me to pull out the trusty tripod as it is the only way to do such photography and get good results. Long story short, my tripod experience is limited as I just do not like to lug them and use them. I am not a landscape guy nor a long exposure guy so keep that in mind when reading this. All in all, this will be my quick thoughts on using the MeFoto tripods but remember, I have limited experience with other brands of tripod.

My intro to MeFoto

A few months ago I ran into a rep from MeFoto and he offered to send me a couple of tripods for review. I was hesitant (because I never use them) but when I saw the tripod he had in his camera bag (yes, in his camera bag) I immediately had to know more about these small and tiny wonders. As I looked at the smallest model called “The Day Trip” I instantly wanted one. Why? I am not sure but I instantly fell for the design, colors and teeny size/ease of use. Maybe the reason I never use tripods is because I did not want to lug around my beast. Hmmmm. After a demo and a few words he promised to send a couple my way and that he did.

The small and tiny “DayTrip” will  hold up to 8.8lbs and can be used almost anywhere. At $119 it is a great buy in the small tripod world and is super cool at the same time. Ball head, smooth controls and a well made feeling makes these tripods a contender for those looking for small, light and quality.

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Over the past couple of months I have been in possession of three tripods from Me Foto. The Daytrip, the Backpacker and the Road Trip. All three are very nice, very well made and VERY affordable. No, these are not $1500 rock solid big and heavy tripods. Instead they are small genius designs that are light, easy to carry and they simply just work.

For tripod and landscape gurus these may not be the #1 choice but for those who are like me, and prefer a small and light tripod to stabilize their camera then the MeFoto line is right up our alley. They will not break the bank, they will work very well and they are small and attractive as well. The few times I was able to get out and use them I had no problems, issues or complications. They are simple to use as the legs pull out with a simple twist lock. Twist and the legs fall out, twist again to lock in place. The Ball Head is smooth and easy to position and the bubble level helps to make sure you are level. The #1 thing that I love about these tripods is the weight. They are light yet feel solid and they fold up nicely to be very compact. For example…

The little DayTrip tripod is TINY and will fit inside most camera bags. It is not a full size tripod but will do for those times when you just needs something to hold your camera.

The Road Trip is full size and will even quickly convert to a monopod, which I find extremely useful and cool. At $189 it is a full featured tripod that would be all many of us need. I really love this model and in Titanium it very nice to look at as well.

They are sleek, cool, fun, small, light and functional. My only gripe is that you need an allen wrench to loosen and tighten the mounting plate to your camera. The tripods come with the tool but I lost two of them already and on one occasion could not get the plate off of my camera because I did not have the wrench. Throwing on a hand tightening mechanism would be much better IMO. They do come with a carrying case to hold the tool but I always find a way  to lose small little items and I never did use the carrying case as the tripod resided in my bag most of the time.

From tripod to monobod in seconds..

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Besides that little niggle I love these things and not only are they great buys and a bargain for someone seeking a light and very portable tripod,  one of these now resides in my own stable :) Good stuff and highly recommended!

Features and operation Breakdown: It is a tripod. You open the legs, attach your camera, set it up where you want it and shoot :) They are lightweight, have a built in bubble level, have an included very nice carrying case, 360 degree panning capability, two leg angle positions, a hook for adding more weight to the center for stability (or to hang your bag), easy twist leg locks. Great bang for the buck. You can see feature details HERE.

In use they are light and easy to carry (as mentioned) and even has a very nice carrying case that comes along with each and every tripod. I had no issues bringing any of these along with me. My son Brandon is using one for long exposures and even for his binoculars for night sky viewing. He really loved his time with the MeFoto as well.

All in all, a wonderful product that is very functional. If it had a finger screw base plate for attaching the camera  it would be perfect!

So there you go..my quick look. There really is nothing to dislike about these.

I did take many more photos of the tripods in use but somehow the Fuji X-E2 and 23 1.4 I was using missed focus in half of the product shots. (focused behind the subject). That means I will be going back to my tried and true Olympus E-M1 for product shots in my reviews! :)

Specs and Cost:

Day Trip – Max Load – 8.8 Lbs. – Max Height 24″ – Min. Height 9.4″ – 1.8 Lbs – $119

BackPacker – Max Load – 8.8lbs – Max Height 51.2″ – Min. Height 17.3″ – 2.6lbs – $139

Road Trip – Max Load  - 17.6 lbs – Max Height 61.6″ – Min. Height 15.4″ – 3.1lbs – $189 (the sweet spot in the line up IMO)

Globe Trotter - Max Load 26.4 lbs – Max Height 64.2″ – Min. Height 16.1″ – 3.7lbs – $209

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Where to Buy MeFoto and how to WIN one!

You can buy the MeFoto tripods at B&H Photo HERE

You can buy them at Amazon HERE

You can buy direct from MeFoto HERE (as well as see all of the color options, sizes and even Carbon Fiber versions)

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WIN A FREE DAYTRIP Tripod!

Win a free DayTrip Tripod courtesy of MeFoto and SteveHuffPhoto! Click HERE to enter on Facebook!

Jan 162014
 

How about some Canon or Nikon Coffee? Great deals on these LenZcups!

Just noticed that B&H Photo are now selling these famous lens cups/mugs and thermos bottles and at pretty nice prices. If anyone reading this is like me…then these may be something cool to grab (I ordered two t his morning). Every morning I wake up and within 2 minutes am at my machine making my 1st cup of coffee. Being such a photography and camera gear geek I wondered just today why I never picked up one of these cups! Especially since most of these are under $13!

I have seen these in the flesh before and they felt solid and nice. They are more of a conversation starter or for those of you who live to shoot. The thermos? Also very cool as you can bring it along on your photo journeys. Who here has ever left the house at 4Am in search of some nice scenery? I have and having a camera lens thermos would have pepped me up that extra percent :)

In any case these are now for sale and in stock at B&H photo starting at under $13. So click the link here to SEE ALL OF THEM! 

Enjoy!

PS – If you are a Leica shooter, yes, you can get a Leica mug as well – check it out HERE.  (image of Leica directly below)

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and the Canon/Nikon offerings…

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Dec 272013
 

Voigtlander close focus M Adapter, 50 Nokton 1.5 and Sony A7r

By Steve Huff

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Hello to all! The new year is almost upon us and last week I received a very cool item to check out. Not thinking it would be anything special I set it to the side for a day or two while I finished my Nikon Df review. When I did get around to mounting it to a Sony A7r I was so happy with this product that I decided to sell my Novoflex Leica M to Sony E adapter immediately! (SOLD)

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The product I am talking about is the Voigtlander Leica M mount to Sony E mount adapter WITH close focus adjustment/ability. This adapter is not only well made, but using the close focus dial allows you to focus MUCH closer than normal with Leica M mount RF glass. How cool is it that we now have a way to focus closer with these gorgeous lenses using a very high quality and well made adapter. Below is a chart showing how much closer you can get with Voigtlander brand M mount lenses:

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So there ya go. You can now focus closer and I am here to tell you that it is a breeze to use this adapter on the Sony cameras. There is a sort of focus dial you rotate to adjust the close focus. Turn it clockwise all the way over if you want full close focus or turn it counter-clockwise all the way to use the lens with normal focus range. You can also set it anywhere in between to dial in the close focus you need. As I stated before, the dial is smooth and well made. This is a VERY high quality adapter.

But what about in use? Does it work well with M mount lenses? Well, yes it does and my new 50mm favorite on the Sony A7/A7r is the Voigtlander 50 1.5 Nokton   - the newest version. Easy to focus, amazing sharpness and detail and beautiful Bokeh (imo). For some reason I prefer this lens on the A7/A7r over the Leica 50 Summilux, and this one is less than 1/4 the price (with free next day ship an B+W filter). I also used this lens extensively on the Leica M 240 and the results can be seen HERE but on the A7 the color is so beautiful and rich and the details are sharp and the 3D pop is there if you want it.

The Adapter is now for sale at cameraquest.com and can be seen HERE.  It is a jewel of a setup and the cool thing is that you can focus normally, or you can get up close if you desire. This adapter is built VERY well and feels like a precision tool. In no way does it feel cheaper than the Novoflex. In fact, it feels nicer than my Novoflex. Well worth the cost and this is now my #1 choice for an adapter to use M mount glass on a Sony body. If you do not desire to focus closer with rangefinder M mount glass then you probably do not need this adapter as its main claim to fame is the close focus ability.

Voigtlander 50 1.5, Sony A7r. This one was shot wide open on Christmas morning. No issues with focus or softness.

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Yet another one wide open, and even with a strong backlight. The A7r and 50 Nokton ROCKS.

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Getting up close with the Nokton and Adapter. Wide open Bokeh Blur!

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Insanely sharp results if you want it to be. This was shot at 1.5, wide open on the A7R

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Again, f/1.5! Brandon received many gifts this year but his fave may have been the $2 silly straw. Lol. 

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Using the close focus. This will not turn a 50mm into a macro but will allow you to get closer than the standard .7 meters of most RF glass. This one will go to about .4 meters.

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So all in all I highly recommend not only the Voigtlander Leica M to E mount close focus adapter, but the Voigtlander 50 1.5 Nokton for use on the new Sony A7 series of camera. You will get the full performance out of this lens on these cameras and it is ahoy to use. I have not had one issue with manually focusing as the viewfinder allows me to nail focus without any focus aids whatsoever. This and the 35 1.2 II along with a few other lenses would be a treat when using this adapter.

You can find all of these items HERE. Thanks to Stephen Gandy at Cameraquest for sending me the Adapter to test out! I think this one stays with me :) $309 is pricey (about $50 more than the trusty Novoflex) but this is the best and most versatile adapter you can buy for your Sony A7 or A7r to use those M mount lenses with. Period.

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