Jan 232015
 

RX1TTH

6 Months With The Sony RX1

By Simi Tometi

Hello Steve, Brandon, and fellow site readers. My name is Simi Tometi, and I am a medical student from Dallas, Texas. School usually keeps me busy(and broke) for the most part but whenever I do have some spare time I indulge in photography.

Last summer I was presented with an opportunity to purchase the Sony RX1(with viewfinder) in immaculate condition for roughly 1/2 of its initial price. With the Fujifilm X100S selling on Amazon for as low as $850(used), I was a bit hesitant. After reading countless reviews and analyzing the specs sheets I went with the RX1. To be honest the deciding factor was that I didn’t want to look back months later wishing I would have just spent the extra cash on the RX1 instead of the X100s.

It’s been just over 6 months, and I’m glad to say I’m more than happy with my purchase. Though the camera as a whole isn’t perfect, it never ceases to amaze me.

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When I purchased the camera, the first thing I noticed was its cold utilitarian build. The whole camera is composed of metal, giving it a solid feel reminiscent of the Canon 5D Mark III(however I’m not completely sure if it’s made up of the same magnesium alloy). The buttons and dials are laid out logically, except for the record button, which is positioned between the rear and right side of the camera. I didn’t find this placement problematic until I added a Black label braided silk strap to the camera, which often presses the button activating the movie mode function.

The Carl Zeiss 35mm f/2 lens, is nothing short of a masterpiece. From its buttery smooth focus ring, to its clickable aperture dial, it just does not disappoint. Wide open, it’s just a treat to use due to how jaw-droppingly sharp it is. Stopped down sharpness really doesn’t increase much, yet the increase in micro-contrast may make you think otherwise. Optical performance is just stunning; rarely do I find any traces of chromatic aberration.

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In regards to ISO performance, the camera once again doesn’t disappoint. At 6400, noise is present but very well controlled with files retaining plenty of detail and files still being remarkably flexible.

Together, the Carl Zeiss lens, functional camera body, and full frame 35mm sensor(from Sony’s flagship a99) make a formidable little camera that best nearly every other comparable option. When shooting the rear LCD screen only gives you a taste of the outstanding 16-bit raw files did this beast is able to capture.

Admittedly, the RX1 falls short in numerous areas that can’t ignored due to its initial price tag of $2800.

Most notably the auto focus of this camera just plain sucks. It really is hit or miss. I feel as if this issue could be resolved with a firmware update, but the RX1 hasn’t received any since launch. For this type of investment one would expect more than this sluggish contrast detection AF system.

Regarding accessories, they’re just too expensive. I understand this is a premium item, and should be surrounded by such, but seriously… Why would anyone pay $250 for the Sony leather case(with no access to the SD card or battery when attached), when the Gariz version can purchased for $125? The Sony brand lens hood sells for $120, while the third-party metal hood that looks and feels the same is being sold on amazon for $7. Really the only individuals I could see purchasing these accessories are those who’ve previously considered purchasing the Hasselblad Lunar(rebranded Sony Nex-7) for $5000.

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For my style of shooting the EVF($450) is a must have, and without it I probably would have went with the Fuji X100s. I really wish Sony included it with the camera or implemented the same way they did in the RX100 III.

Weather sealing is something I feel Sony could have added at this price point. When you own something of this value, you’d like to be assured its protected against the elements(e.g. Unexpected light drizzle).

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To sum it up, the Sony RX1 is stellar tool for few photographers. If you can tolerate the sluggish autofocus and the daunting price tag, you’ll be rewarded with outstanding build, superb high-ISO performance, and top tier image quality.

Simi Tometi

http://instagram.com/justsimi_

https://www.facebook.com/simi.tometi

https://www.flickr.com/photos/simitometi/

Jan 162015
 

markseymourc

Kolkata India – Shooting the streets and smiles

by Mark Seymour – His website is HERE

My photography travels have taken me to some of the most beautiful, interesting and diverse locations but I can honestly say this was unknown territory for me and before I left I really didn’t know what to expect. The little knowledge I had of India from its unique colour and spices to its religious and cultural heritage, the ornately carved temples to the lush landscapes, the fabulous history of the maharajahs to the well broadcast poverty, did not prepare me for what I was going to experience. Kolkata, once known to the English traveller as Calcutta, it is the capital city of the Indian state of West Bengal. Kolkata is the principal commercial, cultural, and educational centre of East India and is the third most populous area in India.

My opportunity to photograph the streets and people of Kolkata came from the Hope foundation and professional photographer Mark Carey who regularly runs a week-long training workshop that in addition to providing photographers like myself the most amazing opportunity to build their personal portfolios, but also enables the Hope Foundation to raise some important funding and their profile for their valuable work with the local children.

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Over 250,000 children are forced to exist on the streets and in the slums of Kolkata. 30,000 children are trafficked into Kolkata on an annual basis to be forced into child prostitution, child labour and child slavery. The Hope Foundation was established in 1999 by Irish Humanitarian Maureen Forrest to help these children.They provide support to over 60 projects including education, primary healthcare, child protection, children’s shelters, vocational training and drugs rehabilitation. HOPE has extended its support and now provides a holistic approach to development which includes working with the children, their families and the community in Kolkata.

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Joining four other photographers we prepared ourselves as much we could before heading out onto the streets and slums that form the living areas of the local people. I can honestly say that what confronted me was challenging and life changing. But what struck me most and what I believe I captured was the spirit of the adults and children as they lived their lives, photographing everyday moments. For me the power of the images was in the expressions on their faces, there was so much joy and laughter in such difficult circumstances.

Initially they were curious and taken aback by our presence as we wandered in and out taking photographs, but they relaxed and engaged with our cameras, smiling and welcoming us into their world. I can honestly say these people touched me in a way I was not expecting. Their sense of pride and joy was humbling.

Whilst we were there we were invited to a special event put on by Hope, a picnic for some of the projects they fund. They ate, drank, played games and enjoyed colouring activities.

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I predominantly photograph my street images in black and white, but colour is an important element of visually recording India. My photos captured the very young through to the very old, living, working and getting on with their daily lives. My favourite images are of the children at play, just like children all around the world, enjoying climbing, exploring and making up their own games. The difference was in where they were found playing, not play parks and gardens, instead railway lines and amongst the confined spaces between the homes and make-shift buildings.

I travelled all the time with my Nikon D4s and two lenses The Nikkor 35mm F1.4 and the 28 1.4 although some days I alternated with the 35 and old but superb manual focus Nikkor 58 1.2. All the shots were handheld, the light was generally really good however it got dark quite early which is where the Nikon D4s really coped well as I quite often upped the ISO to 8000 to let me continue shooting without flash. I’m a great believer that it’s not about the size of the camera more about how you conduct yourself, how you move around and communicate that gets you the best images.

For me I can say that with all my heart I will be returning to India and extending my experiences of this beautiful land of extremes.

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Jan 142015
 

titleshort

My short and sweet Fuji X100T review

by Steve Huff

You can buy the X100T at B&H Photo, Amazon, or PopFlash.com 

Here we are, just about mid January 2015 and I have had the Fuji X100T on hand for 3 weeks. During those three-week I have used it for about 15 days and have had my ups and downs with it, mostly ups. At the price of $1299, we are still getting the tried and true Fuji X100 formula. Retro small body, light weight, the same 35 f/2 lens and overall, the same feel and vibe as the previous X100s. This is very much still a tried and true X100.

For me though, the X100T is not a HUGE upgrade over the previous X100s. When it comes to handling, speed, AF accuracy and metering, they seem exactly the same. When it comes to feel of the body, weight of the body and controls, it is really the same.

Nope, the X100 has not changed much since the 1st original best-selling X100 except in regards to speed (the X100s and X100T are much faster and more responsive than the original) and the sensor, which is now an X-Trans sensor. The X100 and X100T share the same sensor, so IQ between the two, for me, was exactly the same.

Click any image in this review to see a larger version

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I was and still am a HUGE fan of the original Fuji X100. For its time, it was quite the show stopper. It sold in mass amounts and was touted by many at the time as a ‘Leica M Killer” (which is in no way was). Many also were confused and called the X100 a rangefinder camera when it was and is nothing like a real rangefinder camera. The X100 V1 was something to behold. Fuji colors, a sensor that rendered in a sweet organic way and class leading high ISO for the time. It is the best-selling X100 to date due to the massive BUZZ surrounding it at the time of release.

1st things 1st…Research:

You can read my original huge X100 review HERE. You can see my X100S review HERE. This T version is really the same in most ways which is why this is a “mini review” so if you want more details on the X100 in general, read those two reviews to get the idea of the X100 series and what it does and who it is for.

Back to the X100T

I loved the X100 V1 but the speed of the AF was very frustrating at times. The main drawback of the X100 was SPEED. From AF, to menu browsing lag, to respond lag. The one thing it had going for it was its hybrid EVF that switched between optical and EVF as well as the delicious color and image quality. For me, that sensor in the X100 V1 was the best of the three, but now that Fuji is  using the X-Trans sensor in the S and T we still have a wonderful small camera that is capable of gorgeous results. I may prefer the old X100 sensor but that does not mean my word is final. Many prefer and adore the X Trans sensors and thousands of others can not be wrong.

*Also, for those who are thinking of an original X100, Fuji have improved on the speed dramatically with firmware updates, so while not as fast as the X100s or T, it is much faster than it was at launch. 

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When I was shooting the new X100T I remember thinking on more than one occasion..”I do not feel or see much difference between this and the previous X100s“. IQ appeared to be the same, speed seemed to be the same (though I was missing more shots as the AF seemed to miss 10-20% of what I was focusing on) and the only thing I found to be different in real world use was the new viewfinder, which many were raving on and on about.

Me, I actually was not a huge fan of the new EVF feature that allowed a sort of “picture in picture” effect when shooting with the optical viewfinder. What it was doing was planting a live EVF view in the same viewfinder frame with the optical, but that live EVF view was so small it made it very odd and cramped. It seemed to block the VF and for me, it was more of a hindrance than anything useful so I used it a few times and then just reverted back to the old way. Then it was just like shooting an X100s. The new feature is helpful for one thing though..which I will discuss in a minute..

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So away I went, shooting the X100T and it was a nice experience. Nothing new, nothing extraordinary, nothing surprising and nothing that screamed “I MUST OWN THIS CAMERA”. For me it essentially was the same old X100s. Same body, speed, IQ and bloodlines. After shooting the A7s and A7II extensively and recently I was sort of spoiled by this massively rich full frame color and image quality. I was spoiled by using my Leica M glass on those bodies and when going to the X100T I was a little let down by the flatter files and more limited dynamic range.

Even so, I really enjoyed the X100T as I have a soft spot in my heart for this Fuji series. I adore the X100 series almost as much as I adore the Leica M series. Not because the X100 is in any way like an M but because the X100 was first to come out with a body that resembled a Leica styled body and it had the same message, which was “take me, use me, be motivated by me”. The manual dials and controls were perfect.

The X100, X100S and X100T are all cameras that will make you WANT to use it. It’s fun, it’s stylish, it’s easy to use and all controls are laid out in a super easy way. I did have MANY issues with that damn X100T exposure comp dial though. It seemed 8 times out of 10 when I went to use the camera the EV dial was turned all the way down to the highest negative setting. The wheel is just too easy to turn and it turns constantly when I do not want it to. I would think that Fuji would have fixed this by now in this third X100 version.

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As the title of this review states, this is just a “short and sweet” review as to me, I feel the X100T is just a refresh of the X100s. It’s the latest version but not so much different from the S. Besides the new EVF/OVF features, there really is not much to mention that I did not already say in my X100s and X100 review.

One thing that is also new is the “Classic Chrome” JPEG color setting. This is a cool setting and is supposed to simulate a classic chrome film, and it does pretty well. I used it from time to time but this only really works when shooting JPEG depending on what software you are using to convert the raw files.

A JEPG using the “Classic Chrome” color setting. A bit subdued but nice…

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…compared to VIVID which boosts not only the saturation but the contrast and hue as well

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So what else is new in the X100T? 

Besides the new EVF/OVF feature of having the EVF overlay, the X100T now offers something pretty useful..Manual focus parallax adjustment. This will basically allow you to use the OVF and get the shot you wanted. In prior versions of the X100 the frame would be off from what you saw in the OVF, especially for close up focusing. Now this is a non issue as what you see is what you get. The X100T will shift its window to show you exactly what you are going to capture. This is a  godsend for many. Me, I always just used the EVF portion of the VF anyway, so this is a very nice upgrade for those who prefer to use the OVF.

The LCD screen is now 3 inches with a 1.04 million dot resolution.

The shutter speed max is now 1/32,000 of a second. This is cool.

Other than those updates and the new classic chrome filter, the camera is pretty much the same as the X100s.

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Personally, if I were buying an X100 today, I would spring for THIS ONE while there are a few left. If they were sold out I would go with THIS ONE and save some cash. But if I were one who loved the X100 series and always used the OVF instead of the EVF I would go with the X100T as yes, it is the most refined and polished X100 to date. I expect Fuji to do a major overhaul of this camera in the next 1-2 years with a new body style, new sensor and possibly a new lens.

Well, that is what my Crystal Ball sees :)

On our way to Cleator, AZ, passing through Bumble Bee.

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So do I recommend the X100T?

Did it motivate me and push me to get out and shoot? Well, yes it did. Not as much as a Leica but it’s a camera that makes you happy to own it. It is a camera that will reward you with beautiful colors and images. In the right light it can be unstoppable, in the wrong light it can be a bit flat. High ISO performance is pretty much what we had in the X100s (be sure to read that review HERE if you missed it as it goes over more as does the X100 review). 

I had some issues with the AF missing its target (using center point) and I had the same overexposure issues that plagued the camera since the version 1 X100. Those who shoot the X100 series usually dials in some negative EVF comp to make up for  the slight overexposure of the cameras metering system.

X100T vs Same Price Range. Anything better?

For the cost of $1299 I would look into the fabulous and pro level Olympus E-M1 as it is a better camera in every way but size (its a tad larger/thicker) and comes in at $100 less. Of course that is without a lens but man, so many great M 4/3 lenses out there. The E-M1 for me bests all cameras up to full frame where it can not compete but I have yet to use an APS-C or smaller camera that beats out the E-M1 in 90% of situations.

Don’t hate on me now…I just call it like it is. The E-M1 at $100 less has a much better weather sealed build, is much faster, much more accurate, has 5 Axis IS, better video and is much more responsive. It’s a joy to use and own. Of course a good lens will mean you have to spend at least an extra $350 (45 1.8) but in the long-term it is a camera that will last you many years. I still own one myself. It’s too good to let go. Check out what Neil Buchan-Grant does with his E-M1. 

But be warned, the E-M1 though is like a Mini DSLR and does not stand for what the X100 series does, which is simplicity..one focal length and a camera that is nice and slim and more compact. If this is what you seek, the X100T is fantastic.

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Fuji is one of the “Big 3″ for mirrorless cameras in 2015. They are going no where. We have Sony who is IMO leading the pack with the mirrorless bodies and full frame sensors as well as the tech/build and overall usability. Then we have Olympus who IMO makes amazing bodies with gorgeous IQ and the lenses from Olympus are nothing but the finest you can get in the mirrorless world for size and quality. Then we have Fuji who is pushing along with new bodies every year or so and great fast primes that many of us want. For me, these three companies are as good as it gets in the Mirrorless world. The Fuji X100T is the latest and greatest for Fuji’s X100 line, and if this camera attracts you or pulls at you heartstrings, $1299 is what it will cost you, and its worth it.

I wil not buy an X100T because I already own 5 cameras but to those who want to get into Fuji with the most simplicity, beauty and the most zen like camera of all of the Fuji’s, the X100T is your best bet!

Highly recommended.

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You can buy the X100T at B&H Photo, Amazon, or PopFlash.com 

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREE for you to HELP OUT!

Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple, and no, I am not asking you for a penny!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

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Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Jan 132015
 

OLYMPUS DIGITAL CAMERA

Italy, Transylvania, Austria with Sony A7s, Olympus E-M1 and Leica

by Neil Buchan-Grant – See all of his guest posts HERE

Hi Steve,

I thought it was about time to share with you some of the pictures I’ve been making over the last year. As ever my photography has been mostly made with the Olympus EM1 but following on from your enthusiastic response to the Sony A7s, I decided to trade in my A7 for one. I only use the Leica M 50mm Summilux ASPH on the A7s but its a combination that, although limited in application, has proved to be a great one.

I spent most of the summer at home in England enjoying the fine weather we had here, but I booked myself a week of shooting in a villa on Lake Como in northern Italy for the end of August. The village I stayed in was buzzing as George Clooney was in town shooting his latest coffee commercial just before his wedding in Venice. I then had a very fruitful week in the marvellous city of Sibiu in Transylvania. I was given backstage access to a fashion show there which led to some intimate low light shots made with both cameras.

This was made in the hotel Villa D’Este, in the games room, with a Sony A7s and Leica M 50mm Summilux, 1/160s, f1.4 ISO 1600 Model: Thorn

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Shot with the Sony A7s + Leica M 50mm Summilux in available light, 1/320s, f1.4 ISO 100 Model: Bethany Cammack

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Another shot in the city of Sibiu made with the Olympus OMD EM1 + Leica DG 25mm 1.4, 1/200, f1.4, ISO 200, available light. Model: Amalia Beksi

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In London this shot used only available light and was made with the OMD EM1 and the new 40-150mm 2.8 lens @ 45mm, 1/50s, f2.8, ISO 1600

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During a quick break in Vienna Austria, I was lucky to come across an exhibition featuring the work of a New York fashion photographer of the 1950’s called Lillian Bassman. I found her work incredibly beautiful. She was a contemporary of the likes of Richard Avedon and Irving Penn but for me she took things to new levels of artistic endeavour with her innovative printing techniques and her eye for elegance and drama. I’ve since bought her book “Women” and I now long to work with long-necked women and couture hats!

This was shot in the villa on Lake Como with the Sony A7s + Leica M 50mm Summilux, 1/200s f1.4 ISO 800, available light (grain added later in Silver FX) Model: Donutella Viola

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This was made in the villa on Lake Como with some continuous lights I had brought with me. Shot with the Olympus OMD EM1 + Olympus 17mm 1.8, 1/80s, f2.8, ISO 800 (grain added later in Silver FX) Model: Chiara Sgarbossa

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I made this shot in the garden in Como with the Sony A7s and Leica M 50mm Summilux, 1/80s, f1.4. ISO 100, available light Model: Jessica De Virgilis

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Another shot of Jessica made at the edge of Lake Como. It was shot at dusk with an off camera flash through a mini softbox on the Olympus OMD EM1 and the Olympus 12-40mm 2.8 lens @ 12mm, 1/250s, f3.5, ISO 200. The image is a composite of the original colour version and a black and white conversion, blended to give a dramatic effect. Model: Jessica De Virgilis

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Shot with the Sony A7s + Leica M 50mm Summilux in available light, 1/320s f1.4, ISO 100 Model: Bethany Cammack

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Finally the prospect of more dark winter skies was too much so I booked a week in the Spanish Canary Islands over Hogmanay. I had the new Olympus 40-150mm 2.8 PRO lens on loan, it just went back today..:( and I was dying to use it in good light. Its’s a lens which I would happily recommend to anyone with a micro four thirds camera, it’s bitingly sharp! By some ridiculously lucky chance encounter, I ended up shooting a UK model who was there on vacation. This gave me some great opportunities to test this new lens on something other than landscapes. Thanks again for the opportunity to share these pictures with your readers.

I took this shot backstage at the fashion show in Transylvania with the Olympus OMD EM1 + 45mm 1.8, 1/60s, f1.8, ISO 3200 available light, (grain added later in Silver FX) Model: Raluca Mararu

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This was also made at the same event with the OMD EM1 + 17mm 1.8, 1/100s, f1.8, ISO 1000, available light (grain added later in Silver FX Model: Rosalinda Mihaela Zadaroinea

Behind the Catwalk

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This image was made in the changing rooms with the Sony A7s and Leica M 50mm Summilux, 1/125s, f 1.4, ISO 1000, available light, (grain added later in Silver FX) Model: Cucerzan Adelina

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During my stay in Sibiu I was lucky to work with some of the models on locations in the city. This was made with the Olympus OMD EM1 + 12-40mm lens, 1/320, f2.8, ISO 200 using an off camera flash through a mini softbox (18”) Models: Amalia Beksi and Flavia Bodi

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Kind Regards
Neil

Neil Buchan-Grant
http://buchangrant.com
British Travel Press Photographer of the Year

A few more…

This landscape in Fuerteventura was made with the OMD EM1 + 40-150mm 2.8 PRO @ 40mm, 1/320s, f4, ISO 200 Polariser

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This image was made at sunrise in Fuerteventura with the OMD EM1 + 12-40 2.8 PRO @ 12mm, 1/2500s, f2.8, ISO 200, Polariser

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Another one in Fuerteventura this time with the Olympus OMD EM1 + 40-150mm 2.8 PRO @ 115mm, 1/1600s, f2.8, ISO 200 available light Model: Bethany Cammack

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This picture was made in Fuerteventura in available light with the OMD EM1 + 45mm 1.8, 1/3200s, f1.8, ISO 200 Model: Bethany Cammack

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This picture was made during a rehearsal of the English National Opera’s Nutcracker at the Colosseum in London. It was made with the OMD EM1 + 75mm 1.8 lens, 1/400, f1.8, ISO 3200 (grain added in Silver FX)

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This photo of people watching a firework display in Winchester was made with the Sony A7s and Leica M 50mm Summilux, 1/125s, f1.4 ISO 25,600

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Jan 052015
 

All Rights Reserved

The Southwest in Infrared 

by Alexandra Shapiro

Last November I attended Steve Huff’s Southwest Workshop along with about two dozen other photographers from all over the world. We visited some beautiful places in Arizona and Utah, including Antelope Canyon, Rattlesnake Canyon, Horseshoe Bend, Zion National Park, and Sedona. These sites presented extraordinary opportunities for landscape photography. The workshop was also a great opportunity to meet some amazing photographers and do some hiking (Angel’s Landing at Zion was a particular highlight in terms of stunning scenery and a challenging ascent).

At some of the locations I used a specially converted digital camera that captures infrared light. A few years ago, I began experimenting with digital infrared photography, and found that it to be an interesting way to capture unusual and sometimes surreal images. My earlier user report can be seen HERE.  It provides some basic background on digital infrared technique and examples of infrared photographs that I took before the workshop.

On this trip, I used a converted Canon 5D, which has an “enhanced color” infrared filter, with a Canon 16-35 F4 L lens or a Canon 8-15 F4 L fisheye lens. Even though the 5D model is almost 10 year old, I have found it works extremely well for infrared work and can produce stunning images when paired with the right lens. (The main downsides are an out-of-date LCD and lack of live view, since manual focus is sometimes necessary for infrared work; personally, I don’t mind the 12 megapixel sensor and have even made some relatively large prints from images taken with this camera.) The 16-35 zoom, a relatively new offering from my Canon, is very sharp, and the image stabilization was particular useful in some spots, because the 5D is best shot at low ISOs and I prefer to shoot at f8 to f16 for infrared landscapes. The lens can also produce some amazing sunstars.

These are a few shots from the trip, taken at Antelope Canyon, Horseshoe Bend, and Zion. All but one of the images was taken with the 16-35. I shot in raw and used Capture One for white balance and exposure adjustments, and then converted the images to tiffs. After that, I used photoshop to swap channels, and tweaked the colors and/or converted to black and white using plug-ins such as Nik’s Viveza 2, Alien Skin Exposure 7 or MacPhun’s Tonality Pro. The same image of horseshoe bend appears in both faux color and black and white, so you can see some of the different possibilities with color and black-and-white infrared technique. There are also a couple of examples with strong flare — some may not like this, but I think the flare that infrared photography sometimes produces can create interesting effects.

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Some of my other infrared work can be found here: https://www.flickr.com/photos/alexandrashapiro/collections/72157633129472726/

This is my flickr account: https://www.flickr.com/photos/alexandrashapiro/

And here is another guest post I did for Steve: http://www.stevehuffphoto.com/2014/01/14/user-report-iceland-with-the-leica-m-240-by-alexandra-shapiro/

Alexandra Shapiro

Dec 272014
 

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The Sony A7II  Real World Camera Review. My Camera of the Year 2014.

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**Direct Links: Buy the A7 II at B&H Photo HERE or Amazon HERE**

You just gotta love Sony. They are back yet again at the end of 2014 and have released a camera that is not only a fantastic update, but this one is my pick for camera of the year 2014! 

Yep, they squeezed in the last couple of weeks of 2014 and captured my #1 fave camera of the year. My #2 for 2014 is the Sony A7s, and those who know me and know this website know that I LOVE the Sony A7s. If you did not see my A7s review, you can see it by clicking here. 

The low light monster A7s really grabbed me in so many ways, from the full frame 12MP sensor that can literally see in the dark to the beautiful color and quality that comes from it. The fact that I can shoot at ISO 40,000 and get usable images from the A7s is pretty amazing. To my eye (and many others) Sony improved the image quality/color and AWB with the A7s and this made the images POP and have a more beautiful color. The Auto Focus could/can see in and focus in the dark, even without an AF assist light. So the A7s has been my #1 camera ever since it was launched. The silent shutter and ability to shoot wide angle Leica M lenses was icing on the cake.

So now today I am here to sit at my desk in a Log Cabin in the woods I rented for the Holidays..for the long haul..to write about my real word experience with the new and quite popular Sony A7II. As you already know, from my opening statement above…I love the A7II enough to have made it my pick for Camera of the Year 2014.

For me, Sony stepped it up in many ways with the A7II compared to the over one year old A7 yet it will not replace my A7s. Instead it will be an addition to it.

Wow. The Leica Noctilux on the Sony A7II at f/0.95. Look at the color..the depth..the magical rendering that adds emotion and soul to the image. This lens on the A7II is MAGICAL and in no way inferior to  using it on a Leica M, in fact, the color is much better here than with the M. Click image for larger version.

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For one, the build of the A7II is all new and more beefy and solid. The camera feels like a  “pro” camera. It’s very nice.

They also changed the ergonomics by adding a new bigger grip and changing the buttons and dials around a bit. The shutter button and custom buttons are placed in a much better way allowing your fingers to naturally fall where the buttons lay. Perfect. After much use with the A7Ii and A7s, I prefer the shutter button placement of the new A7II. Take a look at my 1st look video below which was shot the day the A7II arrived…

My 1st look video when I received the A7II

 
The AF speed has improved by 30% over the A7 Mark I according to Sony (and I agree) and what may be the biggest news of all comes in the form of in body image stabilization. Sony is now using the 5 Axis IS system which moves the sensor itself to compensate for any hand movement or shake. This means that you will now get up to a 4 stop advantage when shooting low light and needing that extra bit of help keeping things steady…

…and yes, the 5 Axis IS works with classic lenses as well as modern day Leica M mount lenses though the system will revert to a 3 Axis IS (similar to what is in the Olympus E-M10). The 5 Axis will not make the A7II equal the A7s but it does indeed help in low light situations.

The Sony/Zeiss 35 f/2.8 at 2.8, a fantastic lens on the A7II. Click for larger. 

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Sony also upped the Ante with the video, bringing in the same video possibilities as the A7s which has been heralded by some video pros as a fantastic camera for making films. I feel the video works very well with the image stabilization though I am not a video wizard and will be evaluating this camera mainly for photos. Even so, the video I shot with the A7II was fantastic. It has a mic input and the on board mics are quite beefy. By that I mean they are not tinny sounding. They sound nice and full as a good mic should.

With all of these improvements in the A7II you would think Sony would have priced it at the A7s level, or around $2500. Nope! The A7II is $1698 for the body only, which is a HUGE HUGE bang for the buck and worth every penny. Every cent. Every bit of it. I remember many years ago buying an original Canon 1Ds. I spent about $10k on the body and a couple of NON L Canon lenses. Today in 2014 this Sony A7II beats that old Canon 1Ds in EVERY single way from speed to image quality to high ISO to usability and versatility. Digital Photography has come a LONG way over the past 10-15 years.

With the Sony A7II comes a camera that will let YOUR abilities shine or your NON abilities to also shine ;) It is a camera for an amateur, enthusiast or pro, as it has enough to handle almost anything besides fast action sports shooting even though the continuous AF has been improved quite a bit. If you want a camera for the long haul, one that does not cost a fortune yet gives you results that appear that it does, one that will grow with you or allow you to flex your own photographic muscle, then I urge you to read on as this A7II may be just what you have been looking for.

The Voigtlander 40 2.8 for Sony E mount using the Voigtlander close focus adapter. This $400 lens is very nice with a classic rendering though does have some slight vignetting. I reviewed it HERE.

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But the A7II is not perfect, and I will get into all of this as the review goes on.

DISCLAIMER: As you have already seen, I will also show image samples from the A7II using all kinds of lenses from the Sony/Zeiss offerings (35 2.8. 55 1.8 and 16-35) as well as some M mount lenses from Leica, Zeiss and Voigtlander. Even a few from the teeny Nikkor 5cm 1.4 S mount. With the A7 series, almost ANY lens can be used from any manufacturer with the use of adapters. For this reason, I will be showing the results from all kinds of cool lenses in addition to my favorite three Sony/Zeiss lenses.

THIS, to me, makes the A7 series so much more desirable than any other camera system available today. Sure, you can mount most lenses to an Olympus E-M1 as well but you lose out on the full frame sensor that gives you the full lens character. So a Leica 50 Summilux or Noctilux will retain the same character that it does on a Leica M, in some cases even better. Amazing!

Just think about how special this is. Many of you will be saying “I have no interest in manual focus lenses” because you probably have a DSLR history or are just so used to AF lenses you are nervous to try a nice manual focus lens. I am here to tell you though  – DO NOT FEAR MANUAL FOCUS lenses on the A7 II! Shooting old classic RF lenses is a joy and SO BEAUTIFUL. Lenses can be had from $30 to $13,000 so there are affordable choices that are quite nice.

Manual focus with a Leica Noctilux, at f/0.95. Added a filter using VSCO filters and with the focus peaking and magnification of the A7II, manual focus is a breeze and is actually in a way more rewarding and makes using the camera even more special. 

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With that said, the original Sony 35 2.8, 55 1.8 and new 16-35 perform fantastic as well on the camera. There is something for everyone with this camera and that is the beauty of it.

The A7II at ISO 8000. An out of camera JPEG with Noise Reduction turned OFF. Sony/Zeiss 35 2.8. 

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The Sony/Zeiss 35 2.8 at ISO 1600 – click for larger – OOC JPEG – The color, the crispness and the overall rendering is fantastic here! OOC JPEG at night!

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The Sony/Zeiss 35 2.8 once again, at night! OOC JPEG

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The Sony/Zeiss 16-35 with the A7II at ISO 3200, zero noise reduction. OOC JPEG

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The Sony/Zeiss 16-35 at ISO 2000 – OOC JPEG

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The 16-35 2.8 zm Zeiss at my Christmas 2014 Getaway ;) Where I wrote this review!

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The 16-35 and A7II at a Comicon fanfest in Phoenix AZ

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First Impressions & Build

Wow, so many photos already and I am just getting started on this review! Phew!

My very 1st impressions of the Sony A7 Mark II was quite surprising. I was expecting an A7 with 5 Axis thrown in but when I took it out of the box I was a bit shocked to feel how much better built it felt, and the A7 already had a good build as it was. This was different. The new body with new grip and button layout feels more beefy and solid. It is slightly larger now due to the 5 Axis inside but it’s still much smaller and thinner than a DSLR.

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When I held the camera in my hand I was impressed with not only the feel and heft but the new finish of the camera which is now a matte and a slightly rougher finish compared to the almost candy coated glossy black of the A7’s that came before. It has the metal build of the A7r and you can feel it. The camera is not thicker but the grip is, and this makes the camera appear larger than the older A7 and A7r as well as the A7s. Adding in the 5 Axis IS made the body slightly bigger so for some of you, this is good. For others you may not like the extra size.

When you hold this camera you instantly know you have something of great quality here, even more than the $1698 that it costs. It feels like a $2500-$3k body and no matter what anyone tells you, it is SMALLER than ANY DSLR and quite a bit smaller than even the Nikon Df. It’s not quite DSLR sized, and the way I love to shoot it is with small rangefinder lenses. BTW, Manual focus is a breeze (as already hinted) with the large EVF (same EVF from the previous A7 series).

You can set up any of the custom buttons to whatever you like. I have the C3 button on the back set up for focus magnification (and yes, you still need to do two button presses to get it magnified) and it makes for a quick and easy way to manually and critically focus any RF lens, such as a Leica Noctilux 50 0.95 which is the most critical lens to focus wide open. Basically, all of the buttons can be assigned to whatever you like meaning your A7II can be customized to your preferences.

Speaking of the Leica Noctilux

When using the Noctilux on the Leica M, you HAVE to make sure your rangefinder is 100% spot on or else it will be a lesson in frustration. Your shots will be slightly out of focus and makes the lens an expensive paperweight. On the A7II, using the Live View EVF with peaking or magnification means you never have to worry about your camera being calibrated. What you see is what you get. As much as I love and adore Leica M bodies, I would be lying if I said I never had Rangefinder calibration issues. When this happens it is NOT fun so using these “best lenses in the world” on the Sony A7II is a joy.

Below are a few examples of this stunning and unique lens on the A7II

All shots using the Leica Noctilux, 0.95, and shows the same gorgeous quality that it does on the Leica M but in some ways, slightly better. 

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and below…ISO 12,800, from RAW, ZERO Noise Reduction. THIS is what makes these Sony cameras special. ISO 12,800 and with a lens like the Noctilux lighting up the scene, it gives the impression that there was light to work with. When shooting this I could not see her with my eyes yet looking through the EVF allowed me to “see in the dark” and the image appears to be lit up when it was not really like this in real life. The A7s or A7II with a Leica Noctilux offers things that are not possible with any other camera system, period. ZERO noise reduction as always.

If anyone is interested in a Noctilux for their A7, A7II, A7s or A7r, I recommend Ken Hansen ([email protected]), the legendary Leica dealer.

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An Artist’s Tool

The buttons on the back are all laid out nicely, in place where you would and could easily access them. I am sitting here writing this and I have a Nikkor 50 1.4 S mount rangefinder lens on the camera. It feels SO SO solid and is nice and compact with this lens on.

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The bonus? This lens has some magic in its rendering and while I once had it for Leica screw mount (which can run you up to $600-$800) this time I was able to buy the S mount for about $100 and pick up an S to E adapter from Cameraquest. Same lens as the screw mount but until now, the S mount lenses were not desirable as they were not usable on any digital cameras. As of today, it is quite easy to find S mount RF glass quite cheap. I have a feeling this may change with so many Sony shooters out there and the new Adapter ;)

There I go again, talking about lenses!

The cheap but super cool Nikkor 5cm 1.4 S mount Rangefinder lens works perfectly with the Sony A7II and S to E adapter (available at CameraQuest here)

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The Sony A7 series is like a true artists tool because you can literally mount ANY lens to it and there are some very cool, very funky and mighty fine lenses out there that can be had for a song. Even my $30 Jupiter 8 does fantastic on the A7II. No DSLR can do this, none. You can not do this on a Fuji body THE RIGHT WAY as the lenses are all compromised seeing that you do not use the full frame of the lens on an APS-C crop sensor. Same goes for Micro 4/3. To date, the ONLY cameras capable of such versatility with lenses is the Sony A7 series. Even the Leica M can not do what the A7II does. The A7 series of cameras are unique for this very reason.

The Jupiter 8, a 50mm f/2 that is light, cheaply made and CHEAP to buy (mine was $30). This lens is even fantastic on the Sony A7II! It’s a Leica screw mount lens so I use a cheap $10 Adapter to turn it to M mount then use my Voigtlander close focus adapter to mount it to the A7II. 

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So my 1st impressions on Day one of the camera were pretty amazing. In fact, two hours after getting the review unit I placed an order for my own A7II. I put my money where my mouth is as I always do when I rave about something. With that out of the way (and already over 2800 words written, geez) let me get started by breaking down what I LOVE about the camera, and then I will talk about what I think should have been different or improved upon.

I will break this down into oddball sections that pop into my head as I write..when I do my reviews I never have a plan or template or even an idea of what I am going to say…it just flows out as I write, so keep that in mind.

The A7II with the super cool Voigtlander 40 2.8 (my review of that lens is here). Crisp, clean, slight vignetting but super sharp for $400. These are OOC JPEGS.

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The A7II Sharpness and Detail

While I love the Sony A7s and have used it ever since its launch, almost daily, the A7II will obviously have more detail due to the 24MP sensor (vs the 12mp sensor of the A7s). The bonus? For the most part, the A7II gives us the color, AWB and more pop of the A7s, which improved from the A7 and A7r. Below take a look at simple OOC JPEGS, yes Out of Camera JPEGs showing how sharp this camera can be without any muss of fuss of RAW processing. Make sure you click on each image to show the 100% crops correctly!

The 1st shot is from the A7II and 55 1.8 lens, at 1.8 This is a JPEG ladies and gentleman, usually this means mushy details but for this one I was very pleasantly surprised to see Sony improved the JPEG rendering of the A7II. Click for larger,

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This next image shows a 100% crop. I used an old 50 year old Leica 50 2.8 Elmar. Click the image to see the full size crop..the detail and the nice looking JPEG file. Again, OOC JPEG!

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Even more details. Rich deep color using the “CLEAR” JPEG preset. 

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…and one more with a crop..the Voigtlander 40 2.8 at 2.8. This lens give a nice color rendering that borders on watercolor and reality. It’s quite beautiful. JPEG!

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…and a full size image  – out of camera JPEG using the Sony 55 1.8 – YES, A JPEG!

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While we get most of the good stuff from the A7s (color, AWB, pop, video specs) we do not get ALL of the good stuff. For example, with the A7II we do not get the silent shutter option as this is sensor specific. We also do not get usable ISO 40,000 images but we do gain the 5 Axis Image Stabilization which helps with low light. We also gain the build and re-design of the A7II.

So basically the A7II should be compared to the A7 Mark I (which I do not own but have shot extensively) and not the A7s as the A7s is a specialty camera for those who do not mind the 12MP resolution. The A7II when compared to the now $1200 A7 is much better due to all of the improvements.

Let’s break down the details of the A7II..

24.3MP Full-Frame Exmor CMOS Sensor

This sensor is fantastic yet it is the same sensor that we had in the original A7. Sony tweaked things a bit though to deliver the better IQ and color over the A7 Mark I.

BIONZ X Image Processor

Sony’s processing that gives us more speed in the A7II.

5-Axis SteadyShot INSIDE Stabilization

First seen in the Olympus bodies such as the E-M5, E-M1 and E-P5, 5 Axis IS is powerful. For video it is superb and for images it allows you to shoot in lower light than before as the 5 Axis IS will move the sensor itself to compensate for your own hand shakes. It works well and I was able to shoot an image at 1/15th of a second with the 55 1.8. Some will say we should be able to do 1/8th of a second with the 55 but without the 5 Axis I was only able to pull off 1/45th. Click below for my 1/15th shot indoors, ISO 1600 with 100% crop. (click on the image).

So any way you slice it, the 5 Axis IS is a nice help and it is worth having it for photo and video. With video it gives some wide angle lenses such as the 16-35 a steady shot kind of feel. No shakes, no jitters, just smooth video.

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Enhanced Fast Hybrid AF and 5 fps Burst

Sony sped up the Auto Focus speed for the A7II and I can tell that it improved. Continuous AF is also improved with much better tracking of your subject.

Full HD XAVC S Video and S-Log2 Gamma

For the video guys, this is good stuff.

3.0″ 1,228.8k-Dot Tilting LCD Monitor

Same LCD as the previous A7 series

XGA 2.36M-Dot OLED Electronic Viewfinder

Same EVF as the previous A7 series

Weather-Resistant Magnesium Alloy Body

The A7II is weather resistant and has weather seals. Body is made of Magnesium Alloy.

Refined Grip & Robust Lens Mount

We gain a beefier lens mount and the larger more refined grip. This is a nice improvement but some will prefer the smaller grip of the old A7 and some will prefer the A7II grip.

Built-In Wi-Fi Connectivity with NFC

The A7II still has the WiFi and NFC built in.

So all in all, the A7II uses the Same A7 sensor with tweaked image quality in color, AWB and overall JPEG rendering. The Body is redesigned to feel like a pro body with a beefier grip and lens mount. The 5 Axis IS is the big news here and gives the camera an overall polished feel. The A7II feels complete. It feels like a camera and not a computer. This is good.

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Low Light/High ISO of the A7II 

Ever since I acquired the Sony A7s I have become spoiled by the spectacular ability it has in low light. I have shot images at 102,000 ISO and they were PUBLISHED and usable. Insane capabilities. Of course ISO 102,000 will in no way create a clean image but it does better than any other camera I ave ever used when it comes to cranking up the ISO to get a usable image.

The A7s is quite a bit better than the A7, A7II, A7r when it comes to extreme high ISO because of the 12 MP sensor. Having those big fat megapixels on a full frame sensor helps to kick it into overdrive when it comes to low light abilities. But many could not get along with the 12 MP sensor. Some had a problem with it mentally, others just had a problem with it because they did not want to spend $2500 for a 12MP camera. Me, I printed 20X30’s from my A7s and the prints are gorgeous so I do not need 24, 36 or 54 megapixels to be happy. I am not one who stands an inch from a print trying to see how detailed it is…to me, this is not photography but a pixel peeping disorder. These are the things that can take away the true meaning of photography yet many suffer from it.

With the 24 Megapixels of the A7II we get to a happy medium between low and crazy high. I feel 18-24 MP is perfect and higher is usually when I start to have issues with file sizes, blurred images from hand shake, etc. Also, this is the first Sony body for me that meets or exceeds the legendary Sony RX1R. 

So after using the A7s since launch and not having a worry in the world using Auto ISO up to 80k, low light with the A7II made me nervous. I decided that I would cap it off at 12,800 which to me, is about as high as one would want to go with the A7II. But even so, 12,800 is massive!

Below are some shots taken at various high ISO as well as a side by side with the A7s at ISO 12,800 and 25,600.

ALL with ZERO Noise Reduction. ZERO. 

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Many have asked me how much better the Sony A7s is with high ISO. Well, remember that the max ISO of the A7s is 402,000. The max ISO of the A7II is 25,600. I have shot the A7s at 102,000 ISO and had a shot published at that ISO though it was noisy.

The A7s at 12,800 and 25,600 has an edge over the A7II of course but the difference may not be as huge as you think. I found the A7II is also pumping out even more bold color than the more natural color of the A7s. Still a different rendering than the A7 Mark I though. These files were all Out Of Camera RAW files, meaning, nothing was tweaked at all. No noise reduction was applied at all. What you see is what you get.

Click the images below to see the 12,800 and 25,600 shots. This was taken inside a kitchen without lights on in the kitchen, just some window light.

And now a comparison with the Sony A7s at ISO 12,800 and 25,600 (the max of the A7II)

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So while the A7s is still the king of the night, the A7II does mighty fine at higher ISO’s. I found ISO 8000 is a sweet spot for high ISO work, and ISO 12,800 will work well if needed. Not too shabby! Images above were taken with a Voigtlander 35 1.2 Lens.  Another mighty fine manual lens for the A7 series.

The Wide World Of Lenses for the A7II!

NATIVE LENSES: There are many lenses for the full frame A7 system even though the A7 (FE) mount is only 13 months old! Not sure why people claim there are no lenses. Sony has release a slew of them in a short time with many more to come.

16-35 Zeiss – Superb Ultra Wide Zoom, SUPERB!
28-70 Kit Zoom – CHEAP and Decent..did I say CHEAP?
24-70 Zeiss – Excellent Zoom, just as good as any Canon or Nikon!
35 F/2.8 Zeiss – Bests my Leica 28 Elmarit at 1/2 the cost. Yes, really.
55 1.8 – Gets close to the Leica 50 APO at 1/8th the cost. (I have done side by sides on this site. many preferred the Sony lens)
70-200 f/4 – Here is the 70-200 most people wanted! 
There is also a 28-135 Cinema lens for FE mount by Sony.
Zeiss 35 f/2 Loxia for FE
Zeiss 50 f/2 Loxia for FE

Also, the 50 Mitakon Speedmaster f/0.95 – I reviewed it HERE but this is a full frame FE mount lens. Super speed.

New primes on the way this year. Within 3 years there will be more lenses for FE then you know what to do with as third parties are making them for FE as we speak.

Those lenses above cover 16-200mm right now. The A7 series is only 13 months old. In 13 months that is quite a number of lenses released. More than Fuji managed to release or Olympus for that matter. The FE mount is NEW so for this many lenses to be out already is quite amazing really.

More details…

So if you want NATIVE mount lenses, there are plenty here now with more on the way. If you want to be adventurous there are so many lenses you can use and have more fun with and get even more beautiful results with for not any more effort. It is the most versatile system you can buy right now with more lenses available to shoot than any other system.

To date, my favorite native lenses have been the 55 1.8, the 35 2.8 and the newer 16-35 which is a stellar wide angle lens. So for Sony native lenses you have quite a few excellent choices, even a nice 24-70 Zeiss.

Then we have the new Zeiss Loxia lenses, the 35 f/2 and 50 f/2. These are stellar in quality but are manual focus and a little larger in my opinion. They will offer you great Zeiss color and pop but do not expect the size and feel of the Zeiss ZM lenses, which also perform well on the A7II.

Of course there are all kinds of lenses that can be used on the A7 series with the correct adapters. Leica M mount lenses, Voigtlander M mount lenses, screw mount lenses, Nikkor S mount lenses, Canon and Nikon lenses, Contax lenses, etc.

When you sit down and think about it, the A7II has thousands of lenses that can be mounted and used. From vintage to artsy to creative to modern day masterpieces. I love shooting of rangefinder glass on these cameras as it is a sinch to focus and the results are quite different than the native lenses, with more character and pizzaz as well as being quite a bit smaller and better made.

I use Leica M lenses, Voigtlander M lenses, Zeiss ZM M lenses, and even a Nikkor S mount lens. All are fantastic in their own way, even my $30 Jupiter. ;) All are simple to use and make shooting more fun IMO.

Taken with A vintage Nikkor 50 1.4 in S mount. An old rangefinder lens that I am using thanks to the new Adapter available at CameraQuest.com. If you have old S rangefinder lenses, this adapter will let you use them on the Sony A7 series of camera. 

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The Voigtlander 40 2.8 on the A7II

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So whoever buys into the Sony A7 system, you have thousands of lenses at your disposal to use and have fun with. From a cheap Jupiter to a crazy Leica Noctilux  to the Native lenses from Sony, all will deliver a different feel and vibe which makes using this camera very motivating. You never know what jewel you may uncover on you lens hunts.

If going with a Leica M mount lens, wether it is from Leica, Voigtlander, Zeiss or whoever, I highly recommend THIS adapter from Cameraquest.com. I own two and they are hands down the best adapter available, even allowing close focus with any M lens, something even the M can not do. Pricey but you get what you pay for and I always believe it is better to buy ONCE instead of buying, selling and buying again.

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Shooting Wide Angle M Mount Lenses on the A7II

From my experience, anything less than 28mm will bring in some color distortions with the A7, A7r and yes, A7II. The A7s is the best A7 camera for Leica wide angle lenses and the A7II has done OK with even the Zeiss 25 2.8 Zm lens but not so well with the Voigtlander 15 4.5. So if you mainly shoot wide angle Leica lenses, the A7II will not be your best bet. It is indeed the same sensor as the A7 Mark I, so I did not expect any major improvement there.

Below are three shots using the Zeiss ZM 25 2.8 Lens. A tiny and superb wide angle  that is between a 28 and 21. It did not do quite as well on the Leica M9 or M 240, and was a little off on the A7r due to colored fringing and edges. On the A7s and A7II it seems to do pretty good with the best performance on the A7s.

Three shots with the A7II and Zeiss ZM 25 2.8. You can buy this lens at B&H Photo HERE.

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To my eyes the 25 is not perfect with the A7II but it is perfectly acceptable for me. I am not a massive pixel peeper though and go for the memory/emotional aspect of the photo, not the perfection aspect. Still, I am LOVING the A7II colors with almost any lens I attach to it. With that said, the best choice for Leica lenses from 28mm and wider would be the A7s.

The Video of the A7II

I am not a huge video guy and 96% of my use with the A7II and A7s will be for photo purposes but the A7s and A7II have fantastic video quality from what I have seen, better with the A7II due to the in camera 5 Axis IS. Shooting video with the 16-35 Zeiss was awesome as it stabilized the lens in a way that made the video appear almost steadycamish. NO shakes or jitters, just smooth video.

Some have complained about artifacts in the video but in my short and limited use, I saw no such things. Nothing that would bother me in the slightest. Then again, if I were making a full length pro feature film, I would be using something besides a mirrorless camera to shoot it. If you want the low down on the video I suggest searching the video sites such as eoshd.com. 

Even so, my humble little video using the A7II is below. It is a hodge lodge of nonsense just to show how the 5 Axis works, and you can see just how well it works when I attach the Leica 50 Noctilux to the A7II and then the A7S. The A7S video is much more shaky where the A7II video is smooth and silky.

Video test of the 5 Axis IS and A7II along with a side by side with the A7s to show the difference 5 Axis makes for video

My Fave Accessories for the A7 II

With a new camera always comes new accessories, at least for me. I have to figure out what strap I want to use, what bag, what memory cards, what case (if any) and even things like shutter soft releases and items that sort of pimp out my cameras. Below is a list of the things I will be using with my A7II and things I already have on my A7s:

STRAPS: My most used straps these days are the Street Strap Long (available HERE) and when I want to get serious, the MoneyMaker from HoldFastGear.com. BTW, The Street Strap has outlasted my expensive Artisan and Artist silk strap which was messed up within one week.

SOFT RELEASE: Amazing soft release for Any A7 camera? The Artisan Obscura Sticky Back release is beautiful. One has been on my A7s since I got it and it has never fallen off. I love these as they will not come off or come loose. Check them out here. 

TACTILE: I attached these little metal buttons to my A7s and love them. They give the camera a better tactile feel when button hunting and works on the A7 or mostly all digital cameras. You can check them out at rluther.com 

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BAG: My favorite bag EVER. The Wotancraft Ryker. Black or Brown, either one is GORGEOUS. My review is HERE.

WRIST STRAP: The nicest wrist strap I have used lately is from Classic Cases. It’s high quality leather and super comfortable. You can see them or order them HERE.  I have one of these attached to the A7II and a Street Strap on my A7s.

MEMORY CARDS: I use a Transcend 64GB and it has been reliable, fast and it was affordable. It is a 60MBPS card and you can nab one on Amazon for under $34. I bought FIVE. 

BATTERIES: I saved some cash and bought a few of these Vivitar replacements as they are cheaper and work just as well as the Sony branded batteries. THIS is the exact deal I bought..TWO batteries, a charger, a rocket blower , lens brush and cloth..all for $24.95. THIS is a steal! Just to verify, these are the A7 batteries and will work in the A7, A7r, A7s and A7II.

LEICA M ADAPTER: My #1 recommended adapter for Leica M lens use is the Voigtlander Close Focus adapter. To me, it is the best made, and allows for close focus. No lens play, just a solid locking connection. I bought mine from Cameraquest.com. 

NIKON S/CONTX RF ADAPTER: Picked up one of these new Adapters and was impressed with the quality and the fact that I can now use Nikkor S mount RF lenses on the A7 series. These are fantastic well made TINY lenses and can be found at great prices. Get it HERE.

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OFFICIAL SONY BATTERY GRIP (above) – This grip is all new for the A7II as the old one will not work. This is a weather sealed grip built to a pro standard and when it is on the camera, it feels like a PRO camera. It makes the camera much larger of course but also doubles the battery life. If I were to buy this I would only use it on heavy days when I needed lots of battery life. The price seems steep to me at $349 but some of you LOVE your battery grips, so Sony is offering this one for the A7II (and possibly whatever comes next to replace the A7r). You can order the grip HERE.

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JB WOODEN GRIP (above): JB has released a new wooden grip for the A7II. You can order it here for under $70

A7II – ISO 6400, Zeiss 35 2.8, OOC JPEG. It was dark! – ZERO Noise Reduction!

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My Favorite Lenses for the A7II, Native and otherwise

I often get e-mails asking me..”what is the best lens for XXXX” – I get this question day in and day out. Truth be told, there is no “best” lens as what lens you choose depends on what you like to shoot! Me, I have always been a 35 and 50 guy and I love fast primes. Even so, the Sony/Zeiss 35 2.8 SHINES on the A7II, more so than it did on any other A7 body. Same goes for the 55 1.8. No idea why the is but others have noticed it as well.

These two lenses are my go to lenses when I want AF, and reliable performance.

The Sony 35 2.8 Can be seen HERE

The Sony 55 1.8 Can be seen HERE

Other lenses I adore with the A7s and A7II are the Voigtlander 35 1.2, the Leica Noctilux 0.95, the Zeiss 50 1.5 Sonnar ZM, the Zeiss 50 f/2 Planar ZM and even the Voigtlander 21 1.8. 

So many lenses are amazing with these bodies, just choose what you enjoy the most and have at it! If you are unsure you can always rent lenses from lensrentals.com.

PopFlash.com also has deals on Leica M glass most of the time.

16-35 Zeiss at f/4

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The Shutter Sound of the A7II

Many people were not happy with the loud shutter of the original A7R. In fact, it is the loudest of all A7 cameras. The A7II takes it down a notch from the A7R and is pretty much the same as the A7. My A7II is a bit more subdued though and sounds a little more muted than my A7s. While it does not have the silent shutter of the A7s, the shutter sound never caused me one issue when shooting street, portraits or anything. Below is my video showing the shutter sound of MY A7s and the A7II I have on hand.

A few more words about the Leica Noctilux with the A7II (or any A7 body)

I am a lucky guy and thanks to Ken Hansen, who has been part of this site since day 1 (Ken is a legendary Leica dealer with over 50 years experience) by helping me to get it going, I was recently able to obtain a Leica Noctilux again after selling off my last one 1 1/2 years ago due to needing funds more than the lens.

It has been a year and half since I shot with the Noctilux on the Leica M 240 (see a post here) and while it is always a magical lens and what I call a “Lifetime Lens”, it is a lens that is not only hard to justify for mere mortals, it is a lens that is so unique it may be the most lusted after rangefinder lens in history. It is a controversial lens due to the cost where half of the people never understand it and the other half 100% do.

The draw and rendering of this lens is nothing short of breathtaking in the right circumstances, something that is not easy to achieve every time you use it but one thing is for sure, when you DO use this lens it will deliver a WOW rendering that most non camera people will rave over. But be careful, overuse will make it boring after a while so use it sparingly. Bring it out once a month or so and it will retain that wow factor.

From the f/0.95 aperture to the legendary Leica build to the shallow and dreamy depth of field as well as the rich color and contrast, this is a lens that can deliver deep emotion. At $11,000 it is a hard one to swallow and is quite ridiculous in pricing IMO. Even so, I love it, I adore it and I hope that I can keep this one (and plan to). Seeing friends like Ashwin Rao who still has his original Noctilux (also from Ken Hansen) and still loving it makes me feel lucky to own one again.

On the A7II you will get 3 Axis IS with manual Leica M lenses, still a wonderful IS system that helps eliminate the shakes. (same as the Olympus E-M10 which uses 3 Axis IS). Just set the A7II menu to 50mm and shoot away!

Also, Anyone who shoots this lens on the M or the A7 series I HIGHLY recommend the Variable ND filter for it (Ken Hansen has loads of them). Best ND I have ever used and allows wide open aperture in full sunlight which gives an altogether different effect. You can contact Ken at [email protected] and ask him about it. Tell him I sent ya!

A few more images from the combo of Noct and A7II are below…

PS – The Leica M and Noct will cost you $19k. The A7II and Noct will set you back $12500 or so. Insane I know, and it is NOT for everyone but just showing that you can save some cash by using it on the A7 bodies. Keep this lens for 7 years or more and you will make money if you ever decide to sell it. It IS one of the rare lenses that can indeed be considered a true investment. For example I bought a brand new F/1 Noctilux long before the 0.95 was released. I paid $3500 from B&H Photo. NEW. Today I see them going for $8000 if new in the box or true mint with box. Amazing. In 10 years the f/0.95 may be up to $18k or more. You never know, but Leica lenses have a history of appreciating over the years.

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The three images below had filters applied using VSCO film filters – B&W is not a problem for the A7II ;) 

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As you can see, the combo of Noctilux and the A7II seriously rocks. These were all wide open at f/0.95. When you stop down to f/1.4 you get the performance of a Leica Summilux ASPH. Stop down to f/2 and you get the performance of a Summicron but with the added benefit of the 50 APO colors, and the contrast of the Noctilux. To me, the Noctilux beats the old F/1 version handily.

The Bokeh of this lens is legendary, the stuff of fantasy and dreams. I have seen some pretty special photos with this lens when in super  talented hands. Get the light right, the mood right and the scene right and masterpieces can be made with this lens.

Things about the A7II that I wish would have been different

The A7II is one hell of a camera, and again, my “Camera of the Year 2014″ but it is not perfect. Yes, the IQ is stunning. Yes, the 5 Axis IS is wonderful. Yes, the color saturation and depth of the 24 MP sensor is fantastic. Yes, the fact that so many lenses can be used and mounted is awesome. Yes, the new design and beefy build is welcomed and yes the video is stellar. Yes, you can shoot at ISO 8000 and up to 12,800 and get usable results.

But if I could make a change or two the 1st would be to the BATTERY. The battery life is not so hot with the A7II and seems worse than it does with my A7s. It uses the same battery as the previous A7 series but with the new 5 Axis IS being used, it seems that the battery life is even shorter. I found I needed a couple of batteries for a full day of shooting, and I am a light shooter. If you get the A7II I suggest buying 2 or 3 extra batteries. I bought 3-4 Vivitar branded batteries for mine off of Amazon and saved a bundle while getting batteries that work just as well as the Sony branded batteries. The link to the Vivitar batteries is HERE and what a deal it is. Just click it and see what you get for under $25..it’s amazing.

So it seems the battery should have been made better. The Nikon Df battery is awesome and I wish Sony would develop something similar.

Also, I wish the A7II had the silent shutter of the A7s. I use it every now and again and while it is not mandatory it does help sometimes when you need ultimate silence.

One last thing…if the Auto Focus was maybe 15% faster it would be hard it fault at all. As it is, the Af may hunt in low light (The A7s does not) but the good news is that the Auto Focus is CRAZY accurate. I have never gotten a false AF hit with the A7II (but did a few times with the A7 and A7r). In low light it is much faster than the old A7 but not up to the A7s for low light AF. Still, its just as good if not better as most mirrorless cameras that are out these days. I have been testing the Fuji X100T and it has been frustrating the hell out of me with its constant AF misses (though the camera says it is locked). The A7II never has this issue.

The A7II and Sony Zeiss 16-35, a SUPERB wide angle for your A7 body.

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The Sony A7II vs the Leica M 240. 

Many have asked me this question lately and it is not an easy one to answer. The M 240 is a special camera with a special build, feel, emotion AND price. Coming in at $7k (deals can be had) and limited in high ISO and close focus and video use, it is mainly for those who want and love to shoot a rangefinder. The RF system makes the Leica M a 100% different camera to shoot than just about ANYTHING out there today.

The M feels fantastic, one of the best feeling cameras made today. The battery life is amazing, and the quality is superb. But, compared to the A7II, I feel the A7II can give better image quality, better color, and even more detail with 85% of Leica M lenses. Plus, the A7II beats the M in low light as well. Video? Sony 100%, no question. At the end of the day the Sony has a better sensor than the custom made one in the M 240.

All in all I find the only thing the M has over the A7II is the user experience and shooting ultra wide Leica branded coded M glass such as the 18, 21, Tri Elmar, etc. . Shooting an RF camera is a wonderful thing..a state of mind..an inspiration and brings passion into my shooting. I get some of this with the A7II but not as much.

At the end of the day, $1600 for an A7II that puts out better IQ and color and has more versatility is a steal compared to the $7000 M. Even so, I love the M. Always will. This is something that is personal preference and only you can decide. Have the cash? Buy both :) Bank account suffering after the holidays? Buy an A7II and know you ill be getting image quality that actually surpasses the Leica M in good light, low light, high ISO, low ISO, with much better video capabilities (if that’s your thing). I am not knocking the M at all, but I always speak the truth and 2 years after the M 240 arrived, we now have a camera from Sony that literally kicks its bootie in most areas, for 1/5th the cost.

Even so, the M will always have a place in my heart as it provides a “connection” to the user. It’s a thing of beauty.

Night time, Sony A7II and Sony/Zeiss 35 2.8 – No issues focusing!

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The Sony A7II Vs the Fuji X-T1

Here there really is no contest for me. I like the X-T1. I feel it is as good as it gets for Fuji, but for me, many of you know that I dislike the X-Trans sensor. The IQ from that sensor excels in perfect lighting but in anything other than that, it fails. You lose punch, sparkle, depth, color, and pop. You gain flatness and a dull sheen. I have seen 10’s of thousands of Fuji images and I have seen some that blew me away (perfect light, natural or studio) and most, around 95%, are flat and dull to me. They are “nice” but lack depth and punch and seeing that the Fuji uses an APS-C sensor you will also lose out on other things such as using 3rd party lenses to their full potential.

For me there is no contest here, if I were offered a Sony A7II at $1698 or a Fuji X-T1 at $499 I would splurge for the Sony. The Sony is $500 more than the Fuji ($1698 vs $1198) for the body only but I always say “you get what you pay for” and this is usually 99% true. I’d rather spend the extra $500 and be 100% happy then spend $500 less and wonder “what if”. I have learned that lesson in life many years ago.

With that said, the Fuji X-T1 is fantastic, and I feel Fuji’s best mirrorless to date. It’s fast, looks great, feels great, has great controls and some wonderful lenses. But when directly comparing, for me, I prefer the A7II in every way from build, feel, IQ, abilities, lenses that can be used, and so on.

To those that love their X-T1 that is awesome, as it can indeed put out some beautiful colors and images but for me, full frame will win out due to DR, Punch, Pop, etc. If there were no full frame Sony mirrorless, then the Fuji would be near the top of the heap but with the A7II and A7s, the Fuji drops below them for me.

You can read my X-T1 review HERE.  As you can see, I raved about it as Fuji got it right and it is something that will make any Fuji fan proud.

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The Sony A7II vs the Olympus E-M1

Another AMAZING camera even two years after its release. The E-M1 is the pro grade Micro 4/3 and does just about everything right. The body is awesome, the feel is superb, the controls just work and the speed of this thing is impressive. The lenses available are 2nd to none and it was the 1st camera with 5 Axis inside. It’s a jewel for sure and many poo poo’ed it due to the smaller sensor but this sensor in the E-M1 easily stands toe to toe with any APS-C sensor around except for low light ability. The one main weakness of the E-M1 these days is the high ISO performance which lacks. Shoot in low light at ISO 3200 and you will get noise. Low light is a great test for high ISO and while many reviewers test it in studio light (which is silly) the real test is using it when you would need it..low light. So the E-M1 falls short for low light work when compared to most modern day cameras.

Compared to the A7II you are saving $300 with an E-M1 (not much) but losing the full frame sensor, better high ISO capability and all that comes with this such as DR, less noise at base ISO, etc. To me, these two are much closer than the Fuji X-T1 and A7II as the E-M1 is one of my all time faves. I still own one. Will take a lot for anything to get me  to remove it from my collection. Even so, I can get more use, better IQ and color, and better low light and DR from the A7II for $300 more. I feel the E-M1 may need to see a price reduction to $999 in the very near future. Will be interesting to see what Olympus comes up with in 2015.

The Sony A7II vs the Sony A7r

The A7r has not yet been replaced and Sony may be pairing down the A7 system to the A7 and A7s and creating a “pro” A9 to replace the A7r. Of course this is speculation as I know nothing at all about what is to come but rumors have been pointing to this.

If choosing today I would take the A7II over the A7r, 100%. No contest.

The A7r is clunky, loud, slower, worse in low light, no IS inside, has inferior AWB and color performance, and has too many MP when they are not needed for 99.5% of people. Every aspect of the II beats the R for me, all of it. The body, the performance, the IS, the video, the experience.

The II is more responsive and again, quieter. The R is the loudest of all A7 bodies (no, they are not all the same).

So to those who asked which one I would go for, the answer is clear. The one I did go for over the R, the A7II. It’s a more finished product and more enjoyable in real world use.

A7II vs the A7s

As for which camera I will use more, my A7s or A7II, that is hard to say as I love both. I see myself using the A7s in the low light scenarios or when I need the silent shutter. The A7II puts out such beautiful images in normal light that I may prefer it for my day to day shooting as it has slightly more oomph to the final image (though not a huge difference). Add in the 5 Axis, pro beefy build and feel and it bumps the A7s from daily driver to 2nd fiddle. Both have a place in my bag. The cool thing is the A7II is $1698 vs the $2498 of the A7s. That is quite the price difference so for new buyers I say go A7II. I own both and love both but if buying one it would be the A7II for me.

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Pros and Cons of the Sony A7II

PROS (for me)

  1. Fantastic build, better ergonomics than old A7
  2. Button placement much better than previous A7
  3. 5 Axis IS really works well (for video as well)
  4. Video is stepped up from A7
  5. Weather Sealed
  6. Can mount almost any lens made for 35mm (this is huge)
  7. Improved color, pop, and overall IQ over A7
  8. Faster AF and overall response than A7
  9. Nice detail and sharpness
  10. Improved OOC JPEGS means you could shoot this as a JPEG camera!
  11. PRICE! $1698 is a GREAT buy. No one can say this is overpriced.
  12. Same great EVF/LCD from previous A7 bodies.
  13. Makes a great 2nd camera to a Leica M or A7s
  14. Still smaller than the smallest DSLR’s, MUCH smaller than a D800 style camera
  15. More Sony Native lenses (and primes) on the way in 2015!
  16. Still usable images at ISO 12,800, which is fantastic.
  17. Sony/Zeiss 35 and 55 seem to take on a new life on this camera for some reason.
  18. Worlds 1st full frame with 5 Axis IS!

CONS (for me)

  1. Battery life is disappointing. Needs a better battery. 250-350 shots per charge. Should be 1000.
  2. No silent shutter that is in the A7s – Boo.
  3. In really low light AF slows down. My A7s is faster in low light.
  4. Still no go for ultra wide Leica M mounts such as Voigtlander 15. Color issues with these lenses.
  5. Can have Moire in certain situations as the sensor is VERY detailed and has loads of resolution (but rare)

Sony/Zeiss 16-35 – crisp and clean – This is a stellar wide angle zoom besting my old Canon 16-35 from back in the day, easily. 

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My Final Word on the Sony A7II

Sony is just hitting it out of the park lately (last 2-3 years)  – The RX1, the RX100, the RX1R, the A7 and now the A7s and A7II are all superb cameras that are pushing the tech and the experience up a notch compared to anyone else. It’s pretty amazing what they have done over the last 3 years.

When the original A7 bodies were released I spoke with Sony about their passion for this project. Basically, I was told they are not holding back and will be pushing forward to develop this system, lenses and all, for the long haul. They have many lenses on the way in 2015 (and ten lenses already for the FE full frame A7 system within a years time)  and it appears they are just getting started. I had the feeling that this was their baby..the one they were banking on (instead of DSLR production) and from my experience, it is working.

The Sony A series update cycle seems to be on a 12-15 month thing right now since it has been just over a year since the A7 and we now have the A7II. I am guessing the A7r replacement will be the rumored “Pro A9″ but believe me when I say it will be much more expensive and have a larger MP count. Many may want to hold out for that one even though right now it is all speculation and rumor (and no, I know nothing). Rumors say Feb 2015.

I was a fan of the A7 and A7r but did not buy one for myself after much thought. The things that held me back were slower than expected AF in low light, a teeny bit of clunkiness and in the case of the R, too noisy of a shutter and too high of a MP count for my tastes. When the A7s arrived I was in heaven as it solved these issues and became the most capable camera I have ever owned or shot with. The A7s, for me, was and is a game changer in the world of mirrorless photography and I am fine with nits 12 MP resolution as it does all I will ever need.

With the A7II Sony has done it again, and damn them! When a company releases a camera that is so good it motivates me to go out every day and shoot, then they have done something right. In 2014 it was a slow year IMO for stellar camera releases. Even the Fuji X100T failed to excite me (AF misses, X Trans Sensor, same old same old). The Panasonic LX100 failed to ignite the passion in me (massive lens flare issues, mushy details). It was not until the Sony A7s and now A7II that my passion was kickstarted in 2014. Passion, motivation and endless possibilities are what these cameras brought me. Sony is costing me more money…Ugh.

No one NEEDS a camera upgrade if you have one that works well already. I did not NEED an A7II as I have a few other cameras already. But when I saw what it could do, how it did it and the endless creative possibilities with it, I knew I WANTED it and the last few weeks have been so much fun discovering what this camera can do. To me, the price of the camera already was worth it for the joy it has brought and the many memories I created with it. Could I have done this with the A7s? Probably, but having the extra punch and 5 Axis in the A7II is what sold me. If and when the Pro A9 comes out looks like I will have THREE Sony cameras as long as it is not some crazy 50+ MP sensor.

The most impressive thing to me about the A7 series in general, especially the A7s and A7II is the fact that not only can we use so many cool lenses on these bodies to the lenses full potential, but now they are ALL stabilized with the internal 5 Axis IS. THIS is impressive and many blow it off as it is nothing, but to me and many others it is a HUGE deal. Many like to trash Sony because they just hate the name Sony. Many will never give this camera chance because they are stuck on Leica, Canon, Nikon, etc. That is the wrong way to look at it as the A7II is one hell of a camera. IN fact ,when I tested a Nikon D810 lately I found the Af to be OK (missed some shots), the body much too large and fat, and the weight an issue. The A7II performed just as well for me in every situation and did so while remaining light, small and with that 5 Axis IS. Again, a pretty big deal. The ability to throw on a tiny Leica 50 Summicron or Summilux, something that you can not do on a DSLR is quite amazing as well.

Yes you can do this on a Fuji but the results are MUCH different when dealing with APS-C as you will not use the entire lens so the lens character goes out the window. Overall, the A7II is a fantastic update and well worth the $1698 price tag. Doesn’t get any better for this price, period.

2014 may have been a slow camera year but Sony came in and snuck this one in last minute. For me, nothing else released in 2014 betters it. To me, this is what I would have called the “ULTIMATE DIGITAL CAMERA” just 6 years ago. Today, I still feel it is just that and I can only imagine what Sony has up their sleeves.

I highly recommend the A7II. I had no issues with it besides the sucky battery life. Everything else is beautiful from the buttons, dials and ergonomics (for me), 5 Axis and IQ. 

No matter if you want to shoot the native AF lenses, Leica M mount lenses, funky mount lenses or anything in between the A7II is going to bring you beautiful image quality, fantastic low light ability, super nice video and pretty fast and responsive (but not the best) AF. Bravo yet again to Sony. I can not wait to see what lies ahead for 2015 as I expect the A7r replacement and near the end of 2015 an S replacement.

I will go ahead and say it…I have been reviewing cameras for 7 years. This Sony A7II is the most versatile, fantastic, useful and all around best priced for what you get camera I have ever reviewed. Bam! I also feel that the review image samples here are among the best quality I have put in ANY of my reviews in those 7 years. 

You can buy the Sony A7II at Amazon HERE or B&H Photo HERE. My two #1 recommended Sony dealers. 

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A few more images below, 1st three should be from the Zeiss 16-35 with the 2nd one at ISO 12,800 outside at night…

ZERO NOISE REFUCTION

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

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Dec 222014
 

wedm

Sixty Weddings with a Leica M 240

by Joeri van der Kloet

Hello to all of you! Thanks Steve for giving me the opportunity to share my thoughts with your readers again. I’ve posted a couple of times on shooting weddings with a rangefinder, but I thought it would be nice to give you an update.

I’m quite sure I’m a lucky person. 2014 was a crazy year and it’s not over yet. I just kept getting emails from people who were getting married and asking about availability. It was a very busy, yet immensely rewarding year. With an ever-increasing competition among (wedding) photographers this is something I don’t take for granted. I have found that staying true to the way I work does pay off. I don’t stage anything besides the group portraits and I shoot real moments only. Just snapshots of beautiful moments. Nothing more, nothing less. Sometimes my clients tell me it felt like I was just one of the guests, who happened to be there with a funny little camera. The M helps in this approach with its modest proportions, but behavior is just as important. I wear a suit if that’s the dress code, I mingle with the other guests and even my camera bag fits in. It may seem like just common sense, but you’ll be surprised how often this is forgotten.
Besides my documentary wedding work, the number of customers for my workshops are growing. Lots of rangefinder users are interested in the way I use my camera and they’re especially interested in my focussing training techniques. I really love this work, because I can help people to get more fun with their cameras.

In the last two years I’ve shot 60 weddings with my Leica M240 and although I already reviewed this camera here before, let me give you an update after many hours of shooting.
After having shot around seventy weddings with my M9s, a few years ago, I had gotten used to this camera. While I was on a four months journey around the world, I heard about the new M and I was quite excited, but also in doubt. A CMOS sensor? Liveview? Video? Seriously? Like most of you, the first pictures we saw that were taken with the new flagship were somewhat disappointing. Soon after that, the CCD vs CMOS discussion took off. And we’re still having this discussion today. Of course I also read about red skin tones, the lack of ‘crisp’, ‘pop’ and ‘3D’. However I also read that the M240 featured 2 extra stops in ISO sensitivity, a more silent shutter and a better responsiveness in general. For me, the increase in ISO sensitivity was enough to spend the 6300 Euros and start working with it.

The number one reason for me to work with the M240 instead of the M9 is ISO. I’ve really needed those two extra stops for low light circumstances. Even with a fast 35/1.2 I have used the highest ISO setting quite a few times. Of course the wedding receptions are the hardest moments to capture. As a rule of thumb I can freeze people who are dancing at 1/90th and at 1/60th, even though it will start to get slightly fuzzy, the look is very moody. People that are dancing slowly can be shot at 1/15th and still be sharp enough. By the way, sharpness is never my main concern. Emotion has top priority, then composition and only then sharpness. Flash is no option as far as I’m concerned, since I try to be as unobtrusive as possible. So for ISO only, I’d choose the M240.
Next is overall responsiveness. The M9 has a somewhat gritty shutter button, while the M240 has a clear two-step shutter button. The shutter itself is more silent and lacks the whining noise of the M9. Button wise, the M240 is more responsive, although I have heard people complaining about the start-up time. With my M, I have no problems with that and whenever I use my M9, it feels slower to respond on the buttons. Handling wise, I prefer the M9, simply because it significantly lighter. Don’t underestimate these 100 grams. You will notice the difference.

Much has been said about the M9 screen. Yes, it’s a joke, but it never troubled me. It was good enough to browse through the menu, check my histogram and check composition. If you’d want to check for sharpness, forget it. Though the M240 is not very good for checking for sharpness either (just compare it to the 5D3: now that works!) it’s a lot better than the M9.
But then the menus: I prefer the M9, simply because it’s more intuitive and easier to work with than the M240. Also, setting the ISO on the M9 triggers a clever menu: by clicking down you’ll increase one stop and by clicking to the right you increase your ISO with ⅓ of a stop.

Then there is the live view. First I thought I’d never use it on the M240. When I started using it, I discovered some benefits of this system. It always works, no matter how dark it is, whereas the EVF might get so dark that it’s almost too hard to focus. Live view also provides a way for very precise focussing. The drawback is that live view is very laggy. For me, during action it’s unusable, but for more static subjects it’s great. It’s also great for checking if your rangefinder is still calibrated properly. I do not use it a lot, but I wouldn’t want to miss it in a next M.

Battery life of the M240 is very good. With my two M9s I used to carry six batteries to a wedding. Now two is enough. So that compensates for the increase in weight of the camera itself. Sort of.

Issues then. The M9 has had quite a few and one more recent issue can be added to the camera: corrosion of the sensor. While the M240 has had its share of bad luck, it seems to be problem free at this moment.

The most important feature of a camera however, is its output and that’s what most people are talking about. It’s the CCD versus the CMOS. Yes, the files are different and everyone had to get used to these new files, myself included. Technically, the M240 files are superior: they have more dynamic range, less noise and they’re just more flexible. The issue with the skin tones has been fixed, though it never bothered me much. The M240 needs a little more punch than the M9 files: increasing the contrast a little is usually a good thing. For me, I’m really happy with the output the M240 delivers. Of course, you’ll have to shoot in raw, just like with the M9. Where the M9 really shines is base ISO. Those images, where light is good and focus is spot on are almost unbeatable. But as a pro I don’t shoot on base ISO that much. I don’t get to choose the light on a wedding and often it is dim, or very contrasty. So what do I want? Low noise high ISO and flexible files with a good dynamic range. And that’s what the M240 delivers. If you’re shooting in other circumstances and you don’t need to make any money with your camera, I can perfectly understand why you’d prefer the M9 over the M240. In fact, I still have my M9-P which I will keep as long as possible.

Maybe you don’t even need to make a choice between the M9 and M240. When I switched to the M-system, the M9 was the only full frame compact camera body in the world. Lots has changed. Sony has made the full frame compact system camera accessible for a much bigger group of people with the A7 series. I have seen many great reports about the A7 and A7s. Steve here rated his A7s as his number one camera! On the other hand: DSLRs have acquired features that make them more interesting for the documentary approach as well. The Canon 5D3 for instance, is just as silent as the M240 in its silent mode. Also, its AF-system is a lot better than the 5D2, which makes the 5D3 a pretty good smallish, silent camera for the documentary wedding pro. For me, I just like the way the M-system works with its simple lay out and its intuitive controls. I wouldn’t want to change that. Also, my M is my best marketing tool ever. Whether I like it or not, it sells.

So, in conclusion, can we finally say which camera is better? No, we can’t, because image quality should be one of the most important factors in deciding which camera to buy and this image quality can’t be described in numbers and sometimes not even in words. I just wanted to explain why I still prefer the M240 over the M9 after having read the renewed CCD vs CMOS discussion. Whatever camera you buy, get the one you can afford and just shoot with it. That’s what they’re meant for.

My wedding website: www.luta.nl
My workshop website: www.joerivanderkloet.com

and now, the photos!

1 Magical moment. The couple started dancing on our tiny boat on the Amsterdam canals. The sun came through and I just knew I had the best job in the world. With 28 Elmarit.

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2 The dance. They just kept dancing on this wedding and everybody had such a good time. Very low light, but I think I nailed it on 3200 ISO on 1.2 at 1/125th with the terrific CV35/1.2.

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3 Bride getting ready. I love to use whatever there is available for natural framing. With the small but very good 35 cron.

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4 The car. This bride just loved the classic Porsche 911 the groom arranged for their wedding. And it even worked with the dress. Shot with the CV35/1.2.

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5 Intimate moment during one of the speeches. I’m constantly looking for these moments. With the 50 cron, my workhorse.

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6 Waiting for the groom. While the bride was peeking through the window, this dog jumped on a chair and started peeking as well. I couldn’t have been happier of course. CV35/1.2.

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7 The vows. This was an intimate outdoor wedding and the couple had ordered birds made out of paper from Japan as a styling detail. I decided to shoot the vows through this curtain of birds. With the tiny 28 Elmarit.

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8 Father and child having fun. Shot at 6400 ISO at 1.2 at 1/60th. Is it sharp? No, but it conveys the message. CV 35/1.2.

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9 Bride and groom and umbrellas. It was a rainy day and the couple moved from the wedding venue to the next venue. I liked this scene and shot it quickly. With the 35 cron.

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10 I noticed this little moment just after the ceremony between the bride and her daughter. Shot with the 50 cron.

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11 The moment after the kiss. Couples relax after all the offical things are done and you can tell by just looking at their faces. WIth the 28 Elmarit.

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12 Soap and sunshine. During the ceremony it was dark and rainy, but when the couple got out the weather had changed completely. They were hugging each other and I liked this scene with its warm colours and all the reflections on the bubbles. With the 28 Elmarit.

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13 The laugh. While returning from a group shot, the groom (probably) told a joke and the bride laughed out loud. I like the flare and the soft light as well. With the 50 cron.

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14 The cake. This lovely couple just had a terrific day and I love the little moment with this interaction between the newly weds. With the 50 cron.

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15 The look. The groom was listening very carefully while the bride was secretly looking at her husband-to-be. I love, love this light and the way the 50 cron renders the scene.

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16 Magic light. When the couple walked towards their car after the ceremony they literally stepped into a ray of light. Smooth, warm, just beautiful. And the 50 cron has no trouble in rendering this scene.

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17 Boy and car. When the groom went for a cup of coffee, the kid sneeked in the car, an Audi R8, and pretended to drive the car. I could hear him imitating engine sounds. With the 35 cron.

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18 Smooth. The CV 35/1.2 is not just a low light lens. It’s also suitable for getting this smooth look. I’m not sure who the bride was looking at, but I just like this shot.

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19 Friends. Well, this one doesn’t need any explanation. Best friends captured with the 50 cron.

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20 Getting ready. I like the expression of the bride and the soft light from the window. Shot with the 35 cron.

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21 The kiss. An intimate wedding with only twenty guests. Being able to mingle with guests is even more important than at big weddings. With the 35 cron.

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22 Almost ready. After many years of shooting I’m still surprised that my clients give me the opportunity to capture all these delicate moments. Here the bride, probably quite nervous and so beautiful in the last moments before she’ll meet her groom. With the CV 35/1.2

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23 Light from above. This couple lived on a boat with windows in the ceiling. When the groom stepped on board, the bride heard him and looked up, trying to get a glimpse of him through the window. Shot with the 35 cron.

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24 The quote. While we were heading out for a boat trip we came across this quote and I quickly focussed on it. The groom turned his head to read it and I took the shot. CV 35/1.2.

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25 Kiss me honey. The bride reaching for a kiss in a train somewhere in Rotterdam. With 28 Elmarit.

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26 The first look. It was very narrow and I didn’t have much space to shoot the couple during the first look. Luckily, there was a mirror. CV 35/1.2.

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27 Father and bride. Long after the wedding, this bride told me that this picture made her father cry. I’m still honoured she took the effort to tell me that. Shot with 50 cron.

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28 Kiss and dance. Working with a rangefinder in low light conditions can be hard, but also very rewarding. The couple loved this shot and so do I. CV 35/1.2.

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Dec 052014
 

1STLOOK

The Sony A7II – First Look and Video!

Order the A7II at Amazon – Amazon says they start shipping on the 11th of December

Order the A7II at B&H Photo – B&H says shipping starts December 9th

Steve

The Sony A7II has arrived and is in my hands and I am much more impressed than I expected to be. I assumed it would be an A7 with 5-Axis IS but it is quite a bit more than that. At the price of $1698, this is THE full frame camera to have for any enthusiast, hobbyist or anyone who has the passion of photography and wants extraordinary results with their camera gear.

1st off, take a look at my video below where I talk about my 1st impressions of the Sony A7 II…

 

The camera feels awesome in the hand, so much better than the old A7, A7r or even A7s. The new button placements are just about perfect and the larger grip (that I thought I would hate) feels JUST right. The camera also looks nicer, and feels much better built  – more solid. Feels like a pro camera in my hand and the 5-Axis worked wonders during some test video footage I took today. Made it appear like I was using a steady cam. The AF is indeed faster than the old A7 and the IQ, just as Sony has claimed, has been improved. I now see the better color, AWB and punch of the A7s but with more detail..amazing detail..even when shooting plain old JPEG.

Three 1st snaps with the A7II in my house, which was dimly lit BTW – One with the Zeiss 35 2.8 and two with the Voigtlander 40 2.8 – you MUST click them for larger and true 100% crop. These are JPEG! AWB did well for all three with no odd color casts.

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Click the image below to see just how rich, deep, colorful and detailed an OOC JPEG is from the A7II using the 35 2.8

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and one in B&W at ISO 2500 – NR turned off – 35 2.8

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So my enthusiasm went sky-high after taking the A7II out of the package and putting it in my hand. My A7s can not be replaced by the A7II as the II can not do low light like the A7s but it will be the PERFECT companion to the A7s (which will be moved to low light status) as  the A7II now has stellar color and IQ.

Sony is kicking ass and I have yet to use a camera this year that feels as good, looks as nice and performs like this one. No Fuji, no Olympus, No Leica, No Nikon has done it. The A7II makes the Nikon Df feel like a toy in the hand, that is how much better it feels over the A7 Mark I. I love the Nikon Df, it is the only DSLR I would own (and did for a while) but the A7II has shown that Sony still means business and they are not backing down.

An OOC JPEG from the A7II and Voigtlander 15 (The A7s is on the table)

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and another shot of the A7II

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As you can tell, I am excited about this one..more so than the LX100 and X100T I have here to review as well (though I prefer the LX100 to the X100T).

I will be posting a full review of the A7 Mark II within 2-3 weeks. I need to make sure I get some quality time with it and snap all kinds of images in all kinds of situations to see just how well it behaves when pushed. 1st impressions are all positive so far!

Just some quick notes: This does NOT have a touch screen, it does not have the silent shutter and it will not perform as well as the A7s with Leica M ultra wide angle lenses. When using manual lenses the 5 Axis works well – you can assign what focal length you are using and the camera does the rest. Easy as pie. Buttons are all customizable..Sony has come a long way since the NEX series! The A&II also has a sturdier/beefier lens mount than the previous A7!

You can order your A7II at the links below, starts shipping December 9th! My order is in ;) 

Order at Amazon – Amazon says they start shipping on the 11th of December

Order at B&H Photo – B&H says shipping starts December 9th

Steve

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 6 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Dec 022014
 

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Hasselblad Stellar Special Edition Video & Samples!

**B&H Photo has a few of these left, blowing them out at 70% off at $999**

Many of you e-mailed me asking for an update once I had the Hasselblad Stellar SE in hand. Well, mine did arrive and it is a beautiful little camera. If course we all know it is a Sony RX100 V1 in a Hasselblad disguise but the cameras high end extras, design, wooden grip and sturdier controls as well as offering Adobe Lightroom software makes it stand out from the standard (now $500) RX100 V1. Much like the Leica D-Lux is the same camera as the LX100 yet $400 more expensive. Same concept.

My quick look video is below!

It has become the “thing to do” in the photo world to trash this Hasselblad, but this was well deserved as Hasselblad went insane with the pricing out of the gate at $3500 for this SE model. I will tell you now that this camera is in no way worth $3500. So since its launch it was laughed at, trash talked and made fun of (though not as much as the LUNAR which is even more insane with pricing and has an ugly design) ONLY due to price and the fact that it is an RX100 with some new cosmetics and sturdier dials, etc.

Leica has been doing this for years with Panasonic cameras and raising the price, but they kept it in check, sticking with a $400-$600 price premium, not a $3000 price premium as Hasselblad attempted. Now that we can obtain one for $999 instead of $4000, it makes it MUCH easier to swallow and the reality is that this camera is nothing to balk at , laugh at or out down. It is a VER capable and beautiful camera.

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After snapping some images with it I was reminded how lovely the original RX100 renders an image (slightly different and more organic than the II and III) and while the III has the most nag for the buck with the pop up EVF, the Stellar SE, now that it is 70% off ($2300 OFF) it makes for a special buy. B&H Photo have sold out of one color but have a few left of the others and once they are gone they are gone for good. Other shops did not reduce the cost of this camera so stores like Amazon are still selling it for $3500-$4200. Other shops who carry this camera are sticking with the $3500- price tag which means when B&H Sells out, there could be a possible resale on eBay profit so I will buy a couple more to do just that ;)

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In the flesh the camera looks killer (IMO) and I bought the orange as for me, it sticks out and screams “what the hell is that”?!?!? The main thing I prefer over the standard version is the wooden grip, it is perfectly placed for maximum gripe and comfort.

To those who say “you are buying old tech, and it is just GAS” well..I say those who chase the latest tech are the most guilty of gas! This camera, the RX100 V1 is highly capable of gorgeous and stunning results. Just see this post here for proof of that.

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It will take gorgeous images today and in 5 years it will as well. Cameras made in trees last 2-3 years are mostly all fantastic today just as they were years ago. Look at the Nikon DF using the old D4 sensor. Amazing camera.

Differences of the Stellar SE over the standard Sony RX100?

  • Different cosmetics
  • Hasselblad name
  • Italian Leather Strap & Wrist Strap included
  • Wooden Storage/Display box Included
  • Exotic Wooden Grip
  • Metal parts and sturdier dials
  • Adobe Lightroom Included

Now 2X the cost instead of 8X the cost of the RX100 V1 ;) 

In any case, I recommend either the RX100 V1 for under $500 or this Hasselblad version of it for $999. Either would make an awesome X-Mas gift for the special photo enthusiast in your life.  Other great options are the new Panasonic LX100 or even Fuji X100T. 

PS – Oh! Before I forget...For those of you who are angry, bitter, full of negativity and hate about me posting the deal on this camera, get over it. Your negative remarks will not be approved if that is what you decide to leave. Cameras are PERSONAL CHOICE and we buy what we enjoy, like, use and cameras that can be fun, inspirational and ones that get the job done. If someone wants to buy a Leica M for $8000, so be it! If someone wants a Canon Rebel, then good for them. If someone wants a Leica D-Lux over an LX100, more power to them. If someone wants a 70% off Stellar over an RX100 then that is cool as well. Beauty is in the eye of the beholder, and to me this camera is gorgeous. It was just insanely priced before and that is what made it the laughing stock that it was. At $999 it is a great buy, and again, one that can be resold later for more (mark my words), so nothing to lose :) I may buy 3 more just to sell later!

UPDATE Dec 3rd 2014: Some stats..over the past three days nearly 30 of these have been sold from my link to B&H Photo here. This means that 30 of you bought one after reading this. The interesting thing? Orange has been the top color with over 22 sold! White sold 5 and black sold 3. I figured most would go for the classic black but it appears many of you have the same taste as me  and went for the orange! My guess is that B&H has about 20 of each color and it started with two orange combos, one sold out. For those who asked, I will be doing a just for fun crazy compare between this camera, the X100T and the Lx100 soon! 

UPDATE Dec 5th 2014: I just re-read an article I wrote about the Stellar SE when it was announced and it is funny as I said “I would pay $1000 for one” and here we are, at $999. Priced just right. You can see that article here. 

 

You can buy the RX100 V1 HERE or the Hasselblad Stellar SE HERE. 

My 1st three snaps with the Hasselblad Stellar SE at home!

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For reference, Amazon has one listed for $4,250 as of December 2nd 2014 – $999 at BH is a great buy.

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Nov 262014
 

TITLEA7II

The New Sony A7 Mark II – Pricing and Ship Dates!

**Pre-Order the A7 II at B&H Photo NOW! – $1698 – Ships December 9th**

The KIT Lens version with the 28-70 Zoom is $1998 HERE

As many of you have seen, Sony Japan announced the new A7 Mark II with a slew of improvements. I had a meeting with Sony where I heard all about the new camera last week and wow, they really did their homework. The A7 Mark II is not only going to be just a full frame mirrorless, but a powerhouse of a photographic tool. Yes, I am excited. I fell in love with the A7 series a year ago and even more so when the A7s was released (My current #1 camera). With the A7II, Sony has struck a nerve and finally added the game changing 5 Axis Image Stabilization. YES. This is good.

There are a few improvements over the old A7 and the best news is that you can PRE-ORDER the A7II (links coming today) at $1699. yep, $1699. Sony did not gouge the price of the A7II, instead they kept it the same as the older A7 and have now lowered the price of the original A7 to $1299 (as of this weekend)! A full frame mirrorless that accepts ANY lens made (just about) for $1299.

Order the original A7 here. It will be lowered to $1299 by Friday. 

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But the A7II is the one I am lusting for just due to the fact that it is now even beefier in build with a new more robust mount, better weather sealing and now 5-Axis Image Stabilization. This is the best IS you can get in a digital camera, period. Better than ANY lens, or any in body IS. This is basically what we have in the Olympus E-M1 and it is AMAZING. The best news is that this 5-AXIS will work with ANY lens, even Leica M glass, Canon or Nikon. Sweet! You will gain 4.5 stops by using 5-Axis. This seems like a polished and very capable camera. The 5-Axis IS is what set apart the Olympus E-M1 from the pack, and now Sony has it.

Sony tells me IQ of the A7 II is improved from the A7 even though the A7II is using the same sensor as the A7. Yes, it is the SAME exact 24MP sensor, but the processing has been tweaked (hopefully to match the superb A7s).

The Af is now 30% faster than the A7, video has been improved to A7s specs, and the re-design places the shutter button in a much more comfy spot as well as adding a bit more grip to hold on to.

Sony is on fire yet again and I can not wait to see what else is coming down the road from them. Rumors of a PRO A9 series is making my mouth water and I can only imagine the possibilities.

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PRE-ORDER the SONY A7II for $1699 – Shipping starts December 9th!! Just in time for X-Mas!

Order at Amazon – – – – Order at B&H Photo

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  • Higher bitrate video – 50MBPS – same as Sony A7s, which is astounding
  • Same Sensor – No changes to sensor but A7II has improved IQ due to new processing
  • Worlds first 5 – Axis IS on a full frame camera model
  • IQ improved over A7
  • ALL lenses stabilized – even Leica, Canon, Nikon, etc
  • 30% faster AF, improved tracking
  • More robust mount
  • Body redesign, new shutter placement

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PRICING of the Sony A7 Mark II:

$1699 BODY ONLY – Ships December 9th 2014!

$1999 KIT lens  – Ships December 9th 2014!

AND YES, I will be doing a full “real world” review of this new Sony A7II as soon as I can one shipped to me for review, which should be less than a week from now!

 

PRE-ORDER the SONY A7II NOW for $1699 – Shipping starts December 9th!! Just in time for X-Mas!

Order at Amazon – – – – Order at B&H Photo

Nov 252014
 

thor

The NEW Wotancraft THOR and Ryker Brown Camera Bags!

I love Wotancraft bags. Today, at the end of 2014, I have tested and tried bags from so many companies. Many have been reviewed here, some were used and not reviewed (when I did not care for the item) and a few were used and given away to readers on my Facebook page.

One company that NEVER EVER fails to impress me 100% of the time is Wotancraft. When it comes to QUALITY and FUNCTIONAL and FASHIONABLE bags, Wotancraft is #1 in my book. Sure, there are some mighty fine bag companies out there making beautiful bags today. Artisan & Artist, ONA, Billingham and Hold Fast Gear. Sure, there are bags that are basic and cheaper and VERY functional. Bags like Think Tank are #1 when it comes to function but stylish they are usually not.

Some people could care less about style, and others MUST have style along with the function. For me, the best I have seen EVER for this kind of bag (style and function) is from WOTANCRAFT, without question. This is what makes them my #1 favorite bag company ever. In my last review of their Ryker (black) I was so excited about this bag that they sold out quickly after my review. Many waited 2-3 months for their Ryker as they are produced in limited runs. Many asked me “do they make this beautiful bag in Brown leather as well as black”?

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Well, I am happy to announce that yes, the Ryker is NOW available in Brown as well as black. The brown and black are both here sitting next to me at my desk and I can say that both are just BEAUTIFUL. I feel the brown will wear in better over the years and develop a rich patina but both are equally as impressive in the looks, build quality and materials used as well as FUNCTION, the #1 reason we need a camera bag. This brown would look SO SO good with a silver chrome Leica M housed inside, or even a Fuji X100 or X-T1, Leica TOlympus E-M1 or a Sony A7 series camera. Have a Leica X, that will work as well :)

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In fact, I find for my use that the Ryker is the most functional bag I have owned when using a Leica M or mirrorless system. It’s really that good. 

The new Brown Ryker can be seen in my review video below where I talk about it and the new Thor bag (which is a beautiful beast of a bag). Both are beautiful as well as the best constructed bags I have ever used, tested or owned.

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The new Thor is very interesting as it comes in at a VERY high price tag of $849 USD. Yes, just $150 less than a cool grand. EXPENSIVE? HELL YES. Worth it? Well, that depends in YOU and how m much you are comfortable with when buying a bag of this quality. These are high end bags and are made to a very high standard as well. If you want quality, as in, lifetime quality, these bags will stand the test of time without questions. When you buy a bag such as the Thor ($849 USD) or Ryker ($379 USD) you can expect to own it for the rest of your life. It will travel with you everywhere and only develop character scars from your own use. Patina will develop over time and in 20-30 years the bag will be rich in history and beauty. That is the kind of bag you can expect from Wotancraft. One thing I have learned in my 45+ years on this earth. Buying quality 1st saves you money later as you do not have to replace your items when you buy the good stuff up front. ;)

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I have nothing but high praise for Wotancraft. Premium materials, premium construction and build and super function. These pieces are as good as it gets for me. Highly Recommended.

You can see more about these bags or order them at WOTANCRAFT direct using THIS LINK. You can also see more of what they offer by clicking HERE. 

Wotancraft is also having a special for the Christmas Season. Anyone who buys a bag will receive a very nice travel pouch with their order!

free

Nov 192014
 

Steve Huff in Las Vegas (10)

Testing the new CosySpeed Camslinger Bag for Street Shooting (Video)

A month or two ago I was out in Las Vegas with the Head Honcho of CosySpeed (Thomas Ludwig) who travelled all the way from Germany to let me see his newest bag as well as shoot some video of me street shooting while using it and putting it to the test. I also did an interview where I answered quite a few questions about photography as well as discussing things I enjoy, my style and what drives me. It was a great time and I enjoyed it as I was doing what I love to do in a city I enjoy for its vast amount of photographic subjects.

Here I am using the new “Paris Grey” Camslinger in Las Vegas NV a few weeks ago. See how I prefer to shoot on the street…

I talked about the CosySpeed Camslinger bags when they were launched and I actually really enjoyed them. I even used on my recent Southwest Road Trip workshop during the Antelope Canyon portion of the event. It worked out VERY well as it allowed me to carry my Sony A7s without even realizing I was carrying it. Much lighter than a backpack, less noticeable on my body than a strap and a great fast way to get your mirrorless camera ready for action.

CAMSLINGER 160 Paris Gray

In Vegas I used the new Grey model which I thought was pretty nice, especially when compared to the Green and Black original. The grey was classy and looked great. As I walked I even had a couple of people ask me what bag it was. The whole concept of the bag came to CosySpeed owner, Thomas Ludwig while he watched two of his favorite movies. One was a Clint Eastwood western, which insider him to make a holster style case that was a bit different from the typical “Fanny Pack” we see today. The Camslinger does not sit on your waist like a fanny pack, it sites more like a holster for your camera…slightly lower on one side for easy access to the camera inside.

Steve Huff in Las Vegas (10)

As I walked the streets of Las Vegas with the Camslinger I found that I never even noticed I was carrying a thing, until I went to grab my Camera. It is that light and un-obtrusive. After that shooting session I was sort of hooked on the holster bag. It was functional, it was attractive and when it was on me, I did not even realize it. Thomas told me they also were releasing an all black version MINUS the green, which is also killer for those who want their case/bag/holster to be all black and stealthy.

CAMSLINGER 160 Street Edition

The belt is adjustable, the bag is adjustable and can be made wider depending on your needs and they come in a couple of sizes. They also do not and wilt break the bank. These bags are well worth the cost at $99 for both the special edition Camslinger 160 in Paris Grey and the 160 Street Edition in al black.

In this world of $400-$600 camera bags, getting a simple, functional and very lightweight holster for your camera at $99 seems like a bargain of the year.

Don’t be put off by the looks, in use it is fantastic. You can buy these Camslinger Bags at B&H Photo HERE.  I now own the Paris Grey version I used in the video above and love it. When I need to take one camera with me, the 160 Camslinger goes with me and it is like not even bringing a camera as you really do not realize it is on!

Steve

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PRESS RELEASE BELOW:

New CAMSLINGER bags from COSYSPEED.

Just in time for the Christmas season, COSYSPEED introduces two new color editions of its CAMSLINGER camera bag for compact system cameras: the CAMSLINGER 160 Street Edition and the CAMSLINGER 160 Paris Gray. Both versions of the bag will be available by mid-November for a special price of 79.99 Euro / US-$ 99.00.”

AD Steve NOV14

A quick word about Street Photography

A week or two ago I posted a video I whipped up about how I GO ABOUT shooting images on the “street” and a few of you (only a few) chimed in saying “taking portraits in not street photography” – well…who defined what street photography is? Those who like to shoot the backs of heads or sniping shots of unaware people? To me, that is just random shooting.

For example, Vivian Maier is one person I consider to be an amazing “street photographer”. In fact, I prefer her work to any of the old masters many rave about. She did a mix of “decisive moment” shooting as well as “street portraits” and she is now known as a great street photographer, as she should be. That is what she did and she was fantastic at it. But saying portraits of strangers is NOT a form of street is incorrect, as it is.

Steve Huff in Las Vegas (6)

I do not and have never posed anyone though sometimes they pose themselves if I am doing that sort of street portrait. I like to mix it up and get people without me telling them up front and I also like to chat it up with others, and then ask them for a photo. It works both ways but I do not “pose”  – I just go out, walk around, look for interesting people to meet and try to be as social as possible as this approach usually yields some great results, more so than sneaking shots of people walking by or “decisive moments” of someone walking out of a shadow in front of a building which is so overdone it is quite boring to look at today.

I find people interesting and in a place like Las Vegas, most are willing and excited to talk with you. It’s a fun time and shooting strangers is something I have always enjoyed. Its therapeutic and feels great and yes, this is indeed a form..a version..a variant of “Street Photography”.

I enjoy it and in the grand scheme of things, that is ALL that matters ;)

 

Nov 172014
 

retina

The New 27” Apple iMac 5k, Trick or Treat?

by Charlie Webster – See his Flickr HERE

For high-performance digital photography you need a great body. And, you’d like a great lens. Finally, you’d like a great way to view your results. A fundamental Troika. In analog, this could be a M6, 28 Cron and a really fine print. You get the picture.

I’m a photographer and ski instructor in Sun Valley, Idaho, where I’ve lived since 1978, but my main business is computer consulting. For years I had almost all my clients on Windows machines, and I built many of them myself. Since the introduction of Windows 8, I’ve been switching them all to Apple. After years with fast Windows machines, my main rig has been a Mac for two years now.

For me, it pays to keep up, so on October 16th I caught the live feed for the “Apple Event”. I’m cleaning the house while silly skits play to raucous fanboy cheers, etc, when suddenly the subject is a new “5K iMac retina”. My ears prick up like a labrador who hears a hand in the milkbone box. Rut-ro, 14 million pixels? Woof! 70% more than 4K display, which I’ve been drooling over! By the end of the presentation I know one thing: the earth has moved and I must have one of these. I smell the third leg in a digital troika: M9, M Lens, and now……. 5K 27” Retina display.

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To this point I’ve always built my own desktop machines. Never dreamed I’d buy an iMac. Build a hackintosh? Sure. Spend thousands on a big all-in-one? Not this chump! But the luscious Scoobie-snack prospect of seeing M9 files at near full resolution on a 27 inch monitor brushes my DIY ethos aside in an instant, and I dig out “the card”. Fundamentally cheap at heart, I pull the trigger on a basic model with one upgrade: a 3 TB fusion drive. I order an extra 16 gigs of RAM from a third-party vendor to save some money. I’m spending the value of a 50 Lux on the used market today for my brand new Apple 5K. Will it be worth it?

*See the new iMac 5k Right HERE*

I track the iMac from the factory in China, to Japan, to Memphis, to Salt Lake, and finally to Hailey, a few miles away. It arrives, I fire it up, transfer my stuff from Time Machine, set desktops/spaces to cycle my better shots, open several tabs in Safari to follow some discussions, then get into some of my huge libraries of Sony and Leica Raws in Lightroom, resizing some favorites to 16×9 to use every pixel. All the time I’m checking my desktops for the full size images they show.

How do the files look?

Remember when you opened your own full frame digital files for the first time? Maybe it felt like you’d left the earth and taken flight once you saw the rich depth in those images. The 5K gives that sort of rush; and then some. This is the M9 of displays, even calibrated with the same feel and rich contrast of color slide film. Words cannot describe a mountain landscape with the 21SEM pushed to your eyeballs by 14,700,000 pixels on the 27” Retina display. You feel at once astounded, and instantly entitled: of course my shots should look like this! I knew I was a genius!

My first days with the rig were spent figuring out the best ways to view and edit Sony A7 and Leica M9 images, while carrying on with day-to-day computing. On background, I learned there are some great 27ish 4K screens under $2000 which may have a wider color gamut and superior calibration potential for printing than the Apple 5K. Users report that Windows operating systems scaling to 4K, let alone 5K, renders icons, menus and even web pages in curious, not optimal ways. Ideally you would want a 2560x1440ish display for surfing and GUI interaction, and 4k to look at fine stuff.

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With the 5K iMac, Apple has tackled the scaling issue head-on. When “Best for Retina” is selected in display options, this beast runs 2 resolutions simultaneously! One mode is 2560×1440, like a standard thunderbolt display. So your dock icons look normal and webpages are normal size, but Velvia clear, with 4 pixels making one, or something like that. We don’t realize the pixel noise in a native 2560×1440.

Imagine Safari taking up a box about 40% of the total screen space with an interior resolution of 2560×1440, with Steve’s site looking creamy smooth, surrounded by a desktop background—glittering as if from another world. Maybe some sweet shot with a CV 35/1.2 and lots of character, or a sharp UWA landscape with lots of tiny details. What rez will that be? 5120×2880, AKA 5K. Right behind your Safari window! I’ve been using cmd + h to hide Safari and check out my backgrounds as they rotate every minute, then cmd + tab brings back your work window. When you see a favorite shot on the 5k for the first time…

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Some programs, or sites appear to do exactly the same thing. Flickr, for example, seems to really “rez up” images for the 5k. In Lightroom you pull up that sweet etching of light from a wide open 28 cron, and how do you see it? 5120×2880, while sliders and controls are normal size. That sight will drop your jaw and change your workflow. Here is the crux of this quantum leap: with an M9 RAW up on the 5K we interact with the whole image, like a great print. When we study a smaller part of the image, the rest is still attached. You want to know if your ZM18 managed to resolve tiny details deep in the corners? Just look. Don’t zoom, just look. It’s obvious. You want to really check it out? Move your head closer. You don’t see pixels till your nose is getting close. Both lens and image character are revealed in breaking clarity. You find yourself exploring parts of shots you made which you’d never really appreciated.

Only a high quality print could compare and I doubt many are sharper than this. If the color gamut is richer in print, colors still look great on the 27 Retina. As I read in board discussions, the Eizos and NEC monitors may have a wider gamut and can be better calibrated for printing accurately. Yet, in person the 5k Imac is routinely described as “the best display I’ve ever seen” by geeks who’ve seen all the wide gamut 4k stuff. Which is not to say it’s the best predictor of print colors.

The 5K 27” display has an aspect ration of 16×9. Of course, it should have been 5212×3468, like the M9, but oh well. Many of my shots go from pleasing to not so pleasing in composition when cropped 16×9. A few look better. You put the right shot in there and it looks awesome. In future, I make some images especially for this aspect ration with the M9. Meanwhile, pristine un-cropped images glisten with two thin border edges. They look fantastic on the thing. And you can put some icons on the sides, too.

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How does it perform? Well 14.7 million pixels require considerable attention, so this generally snappy rig does gasp here and there in the heavy lifting, like some tasks in full screen photo editing. It doesn’t freeze, but it will drop frames or hesitate at certain times. We are at the frontier of what’s possible, after all.

After playing around quite a bit in LR, my conclusion is: once again library size may matter. In my large catalog, I was surprised to see the machine hesitate to apply a 16×9 crop and stagger to adjust the orientation of a graduated filter, while in other aspects and other spaces the machine was running fine. Finally, getting this report ready, I made a fresh library to edit shots for this piece, and the machine really ripped, very smooth with all the features at full screen. Going back to the big library it seems better, perhaps there is some resizing of thumbnails going on etc, which will make a big library run fast in the future. But short-term, you may want to use smaller libraries if performance becomes an issue. There is also the option, with a few quick clicks, to reduce the overall resolution for heavy editing, which does increase performance, then return to “Best for Retina” for viewing pleasure. 5K quirky? A tad, but like with the M9, the pudding just tastes too good to really care.

My advice is to get as many extras as you can afford in configuring a 5K Retina. It’s Apple so there aren’t many. A faster Card, a faster processor and some drive and ram options, that’s it. Get everything you can afford, but if you can’t afford anything more than the base price of $2499, my advice is: order tomorrow. A few staggers with tough tasks is small ransom to release your images from the smeared filter of coarse sub-4k pixels. Let your images blaze on one of these things and they will inspire you all over again. Here is a new and fundamental piece of digital kit, like the camera body and lens. Finally…..we have a display at the level of an M9 and 50 Lux, which can show you those results with a click and little compromise.

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Bottomline: 5K iMac Retina is a game changer for digital photography and desktop computing. Nothing like this has ever been built before. Like a digital Leica, it’s a wonderful step into the future and an incredible tool to use. Not without quirks of course. Thumbs up, Cupertino!

Thanks to Steve for his wonderful site and I hope everyone enjoys my take on the new 5K. “K” is for “Keeper”!

Charlie Webster
My Flickr:
https://www.flickr.com/photos/55299472@N07/

I shot the images in this report with A7 + Bokina 90/2.5 and M9 + CV 35/1.2

*See the new iMac 5k Right HERE*

Nov 142014
 

loxia

The Sony A7 and Zeiss Loxia 50mm f/2 Lens Review

by Tomer Vaknin

Dear Steve,

First let me say how much respect I have for you and the other members of your website, I have learned a lot by exploring the wonderful photos you all shared, equipment reviews and inputs. I would like to share my own personal experience with the Zeiss Loxia 50mm f/2 Planar T* lens.

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As a proud and very happy owner of the Sony Zeiss 55mm, I was hesitant to purchase the Loxia. However, after reading the positive impression of the lens in Photonika 2014 and as a huge fan of M mount lenses that I am, I simply had to try the Loxia. Here are some photos I took with the Zeiss Loxia 50mm f/2 Planar T* in Amsterdam streets, Marken village and Rennstrecke Zandvoort, during a holiday I took with my wife in the Netherlands.

I hope these photos, along with my personal impression of the lens, will help some of undecided readers in making the right decision for themselves.

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My personal take on the Zeiss Loxia 50mm f/2 Planar T*:

- Great 3D feel (Check the box shot that was -take on a bed)

- Wonderful Bokeh

- Lovely Creamy look

- Great character

- Great colors and contrast

- Very sharp!

Overall, The 3D look, the creamy bokeh and feel + the very nice tone and color makes it a winner. The shots taken with the Zeiss Loxia 50mm f/2 Planar T* looks like they were taken with the Leica lens.

Although the Sony Zeiss 55mm is an amazing lens and you can’t go wrong with it, I personally prefer the Loxia.

www.facebook.com/tomer.vaknin.5

You can order the Zeiss Loxia lenses at B&H Photo HERE

Nov 122014
 

Cubans

The Ricoh GR in Havana Cuba

by Lorenzo Moscia – See his website HERE with some beautiful photos

This trip to Cuba was for family reasons. My wife has not see her father since 2008, so it was basically a pretty intense trip. I decided to go very light with photographic equipment because for the first time in the past 8/9 years I was travelling abroad with no photo assignment on my shoulders or any particularly freelance plan on my mind.

But Cuba and la Habana are always a very good place to be with a camera.

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Cubans

I bought a Canon 6D with a 50 1.2, and a Ricoh Gr V 28mm fix lens.

Each time I was walking down the street and take out the Canon all sort of people would approach me because I would represent the typical “yankee” with dollars. I would start to talk to them in a sort of cuban slang (I have been married to my cuban wife for the pst 14 years) so they would let me alone. But going around with the Ricoh was a totally new experience for me. I rediscovered the pure pleasure of the “street photo”, just going around with no particularly subject in mind with a little camera in one hand, and none would be pay attention to me.

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I usually use it with A, and find very easy to play with the apertures. But I love as well the TAV function, where I set the aperture (lets say 5.6 or 8) and the speed ( something above 125) and the camera just find the ISO to match the timing. That is very useful when you walk around and you just shoot on the move and you don’t want panning pics.

No one gave me any attention with that camera even in some more extreme “barrio” neighborhoods where the average tourist does not normally go. I really felt like I was invisible.

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The bad part about Ricoh is battery life very poor even if I had the “blind screen” option. I will have to buy an extra battery. The problem is here in Rome is very difficult to find.

Second issue is the auto focus in low light condition which is a bit slow,  even if there is a manual and snap options wich are very good by the way. The files look amazing with very balanced color and a very good dynamic range.

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Cubans

Cubans

Cubans

The Canon stayed in the bag most of the time and I used it basically for the portrait series (See Below). Some days I went around with just the Ricoh inside the pocket of my shorts and I would take it outside holding in one hand like a pocket of cigarettes, spot a scene from a distance get closer and take pictures without looking at the screen. If I would go buying “fuel” at the local market down the road, for the family, the Ricoh would be always in one hand allowed me to take pictures even if I was carrying market bags on bought hands.

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Cubans portraits

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I m sort of happy because I can see that in the market there are more and more new options each day of small compact cameras with even better sensors, quicker focus and more general functions. Using this camera in the streets of Havana It was not exactly like my first love, the one and only Contax G2 black with the 28mm, but, I must admit that the feeling it come pretty closer.

Lorenzo Moscia

http://www.lorenzomoscia.com

You can buy the Ricoh GR these days for under $700 at Amazon – HERE.

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