Nov 192014
 

Quick 1st Look video on the Sony – Zeiss 16-35 F/4 FE OSS Lens!

A few days ago Fed Ex delivered a brand new Sony 16-35 FE OSS F/4 lens and it is a beauty! While large, it is smaller than a Nikon 14-24 and just as good in the IQ department. This new lens is Sony’s wide angle answer for all A7, A7r and A7s owners as it is a full frame FE mount lens of astounding quality. The color, the sharpness and the pop are here. No need for an f/2.8 lens as f/4 is fantastic and hits the sweet spot right from the get go.

I will be doing a full review of this lens with loads of samples within 1-2 weeks. For now, enjoy the 1st look video I posted on YouTube a couple of days ago as well as a couple of snapshots I took in my house this morning of my dogs sporting their new X-Mas PJ’s. :)

ORDER THE 16-35 AT AMAZON or B&H PHOTO

I have some shots from outside that tell me this lens will be THE lens for wide angle Sony full frame E mount shooters…

BELOW: The 1st look video. This is NOT my review, this is my 1st look :) Enjoy. 

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Three snapshots taken today! Direct from camera color – Sony A7s and the lens at f/4
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Oct 112014
 

The IBELUX 40mm f/0.85 Lens. World’s Shortest Review

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The new Ibelux lens has arrived to me for a quick review and I have shot a few frames with it since the video below was made and have to say I do not find it worth the $2300 asking price, and I know this just from my 1st couple of uses. I have found the lens to be much too large, much too heavy and a bit soft when wide open, which means I would not use it wide open. I feel it was made for the f/0.85 aperture so it can be presented as one of the worlds fastest lenses over anything else BUT it lacks sharpness as well as character.

Being an APS-C lens (not full frame) it just seems a bit too “much” in everything from weight, size and price.

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Also, was shooting with it and went to twist out the Leica copy slide out hood and it just fell off, during my 1st use with the lens (it is not supposed to come off). This does not inspire confidence in build IMO. The shots I have taken also lack any kind of special character IMO. By f/1.4-f/2 its sharpens up but at this price there are MUCH better lenses to be had. For example, a Zeiss 50 Planar at $800 or a Zeiss ZM 50 1.5 Sonnar for $1100 or even better a real Leica 50 Summicron f/2 which will be sharper at f/2 than this lens at about 1/7th the size. The Zeiss Touit 50 f/2.8 is STUNNING in sharpness, colors, 3D pop and comes in at $999 and is MUCH smaller and lighter. Sure it is not an f/0.85 lens but my professional opinion is that this lens was made  to be 0.85 for marketing reasons, not performance reasons.

This lens also has an issue on the Sony A6000 as there is banding when using it at any ISO. I have shot with MANY if not ALL uber fast lenses and this one has left me the most disappointed.

Below is the lens on the A6000 at f/1 – click to see 100% crop and banding. 

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Long story short, I will not be doing a full review of this lens because it is something I would never recommend due to the cost, size, the fact that it is APS-C only, the heavy weight and underwhelming performance when shot wide open, which is what the main draw to the lens is. Also the fact that on the A6000 Sony it has a banding issue as well as construction concerns. I would recommend a Zeiss ZM lens any day over this for less money and better performance. Usually I would not write anything, I would have just passed on it but many have asked me to start to write about the things I use and DO NOT like as well, so here you go :)

It seems like they concentrated on packaging and making the lens look like a uber large Leica lens, with Leica style case and all to give the appearance of high quality. They also made a point to say “Designed in Germany” yet the lens is made in China.

One more thing..the lens is VERY long as you can see in the image at the top of the screen.

If the lens was $899 it would be a different story but at $2079.00, for me, it is a no go.

Below is my 1st look video before I even shot with the lens..when I was more optimistic about it.

You can read more on this lens at B&H Photo HERE.

If you do not mind a large size and weight then you may actually dig this lens, but be warned..it’s HEAVY!

Oct 032014
 

Testing the Zeiss Loxia, ZM 35 1.4 and Otus lenses on the A7r

(some quick shots from Photokina)

by Dirk De Paepe

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Recapitulation of a Problem

Perhaps you look upon the Sony A7x series as the first full frame alternative to the Leica M: a compact, high quality full frame camera, that’s about perfect for manual shooting – although not without issues, but then, I’ve yet to see the first perfect camera. :-)

Today the A7s gets a lot of applause, not only for its high ISO capability, but also because it “fixed” some of the issues of the A7r: the shutter sound is one, but IMO the questionable compatibility with quite some M-mount wide-angle lenses is an even more important item.

For many photographers, the possibility of using the compact M-mount lenses on the A7x, via adapter, is one of the attractive features of those cameras. But particularly the corner problems that primarily the A7r poses, when used with (quite some) wide-angle M-mount lenses, are mentioned frequently as a set back, reducing the A7r owner’s choice regarding compact wide-angle glass. Not all M-mount wide angles pose this problem though: some of the Voigtländers work flawlessly. But most Leica M en Zeiss ZM wide angles render this purple/magenta color shift and smearing in the corners, which we really don’t want.

I own the Zeiss Biogon 28 ZM and have experienced it too. Although with certain apertures it’s possible to avoid almost all of the smearing and the color shift can most of the time easily be neutralized in Photoshop, still it limits the possibilities and ease of work. So I mainly use the Voigtländer Nokton 35/1.4 (very compact M-mount) and some wider Canon FDs as WAs for now. For now, indeed, because I was pretty confident that a “solution” would be in the make. As a matter of fact, I hoped for some time that Sony would somehow fix this problem. But is it really Sony’s problem to fix? Well, recently I changed my mind about it…

The solution has a name: Loxia.

When Zeiss announced its new Loxia series for Sony’s FE mount and when I saw that those were based on the compact ZM series, I immediately wondered: what about the corners when shooting a Biogon wide-angle on the A7r? The so far published images (that I’ve seen) didn’t mention which A7-type was used (there was no Exif data available), or they were taken with the A7s, on which the WA M-mount glass poses no problems. So I was stuck with the question: how will the new Loxia Biogon 2/35 perform on my A7r?

The Loxia Biogon 2/35 on the A7r

Living at less than 2 hours from Cologne, I decided to make the trip to Photokina, to get the answer. I was there on Saturday, when the fairground was pretty crowded, with lots of people thronging at the Zeiss technicians counter, wanting to get answers to their questions and trying all kinds of Zeiss lenses on all kinds of cameras.

So I had to take my shots pretty fast and I had to take them all from the same spot: my position at the technicians counter. Sorry for that. But my goal was not to shoot nice pictures, my goal was to get answers. Does the Biogon perform well on the A7r?

Short answer: YES it does! Absolutely!

I first checked if there was any color shift at the corners, putting the aperture wide open – the most sensible setting. With a booth made from white/greyish panels, it was easy to check. It’s very clear: the Biogon produces no color shift what so ever! It was immediately absolutely clear, from the first shot, but I can add to that: in none of my shots, at whatever aperture, there was even the faintest glimpse of color shift to be noticed.

Pic 1. Loxia 3/35, f/2, &/500s, ISO200. No color shift whatsoever. I focused in the left upper corner, to check the corner detail at f/2. IMO a bit ridiculous to absolutely want perfect corners when shooting wide open, but since some people come up with this issue, I wanted to check it. Next picture gives a 100% view of that corner

01. Loxia2-35 f2 corner focus

And what about the smearing? Well, again when shooting wide open the image remained pretty clear and detailed in the corners, with only some loss of detail in the farthest reaches and (IMO) no smearing. Considering how deep in the corners I’m talking about, I’d say only a slight loss of detail in the corners. But let’s be honest, when you really want every spot of your picture to be clear, you don’t shoot wide open, do you… In general I was absolutely astonished with the level of detail this Biogon renders at f/2. Without ever getting razor-sharp, the amount of detail is pretty amazing, even when looking at 100% and shooting with a 36MP sensor. And also the vignetting is at a very low-level, IMO negligible.

Pic 2. 100% crop. In the farthest reaches of the corners, there is some loss of detail. Not too much, I’d say, because I can even read numbers there. I certainly wouldn’t talk of smearing. There is some difference in detail to be noticed, due to some items being positioned slightly out of focus, like in the text on the left box. Don’t be mistaken there. Anyway, I find the detail that this Biogon renders wide open to be really astonishing. 

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Pic 3. Loxia 2/35, f/2, 1/60s, ISO250. Also the vignetting is negligible, even wide open. Focusing in the center.

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Pic 4. 100% crop (click to see full size).. Without being razor-sharp, all the detail is there. No added sharpness.

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Pic 5. Loxia 2/35, f/2, 1/60s, ISO250. No 2/35mm renders a spectacular bokeh. Still this one is pretty smooth and for sure renders a nice 3D separation.

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Pic 6. Loxia 2/35, f/4, 1/60s, ISO400. DOF is a bit larger, still with beautiful bokeh, also in front.

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Pic 7. 100% crop (click to see full size).. Even at f/4 focusing needs to be done with care on the A7r. I missed the focus on the watch here and placed it on the guy’s shirt, revealing all the shirt’s detail…

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At the more narrow apertures, those that are used when pursuing a wide dof, the detail is excellent all over. Is it absolutely perfect? Well, no. This is no Otus, but a three times less expensive Loxia. Still, IMO, the IQ is excellent, with clear detail all over, although still slightly soft when looking at 100%, but not at all to the extend that one can call this a weakness.

Pic 8. Loxia 2/35, f/11, 1/40s, ISO400. Only cropped horizontally.

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Pic 9. Loxia 2/35, f/14, 1/10s, ISO400. Only cropped horizontally.

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Pic 10. 100% crop (click to see full size)..

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This is absolutely not a lens test, so I won’t go into all lens characteristics. I couldn’t take enough different pictures, nor perform tests to do that. I’m sure there will be enough articles in the near future from professional photography journalist that will come up with all the details.

Still, what I also noticed is some fringing (diminishing with narrower apertures of course), which I always could correct with great ease in Photoshop. I didn’t check the distortion, but personally I don’t mind that too much, since this is also easily correctable. BTW, I understand that Zeiss also gave extra care in that department, so again, I have no worries here. Overall, I liked very much what I saw, also regarding the OOC color balance, dynamic range etc. – so I’m very confident that I won’t be disappointed in this Biogon and that it’ll render a typical Zeiss IQ – I expect it to be even slightly better than my ZMs.

Improved optics

When I told the technician that I was pleasantly surprised, after being worried when I noticed the great similarity between the Loxia and ZM Biogons, and that I wondered how Zeiss has solved the corner problems without considerably lengthening the distance between back lens and sensor, he told me that the two Loxia lenses are admittedly built after classic Zeiss concepts, but that the whole calculation has been redone, resulting in differences in the thickness of the glasses and the space between them, whereby the light approaches the sensor in different angles, thus avoiding the known problems of the older ZM lenses (lenses that were conceived for film cameras and Leica digital cameras, not for mirrorless sensors). Even the Planar, that in ZM version doesn’t pose any problem at all on the A7r (and is BTW my personal favorite lens) has been reworked and optimized with enhanced performance. Regarding the Biogon, even after a few shots, I can without a doubt state, that they did a great job. I leave it to the professional reviewers to determine exactly how great. But I’m impressed. And excited. There simply is not a shred of color shift in the corners and wide open there’s only a slight decrease of detail in the farthest corners, which I wouldn’t call smearing at (far from what we know from the ZM Biogons, when used on the A7r). What I also noticed was that this lens renders about the same detail wide open as it does stopped down (with the exception of the farthest corners, as I said), which was a véry pleasant surprise. There is some vignetting wide open (but really not much) and some fringing as well (always very easily removable in Photoshop). What did you expect. This is no Otus, it’s not perfect. It’s three to four times cheaper than Otus and still is an excellent lens. I’m sure future tests will confirm this.

General Loxia advantages for Sony’s A7x

So the Biogon is absolutely “good to go” on the A7r IMO, or in other words, it’s a great option to buy, if you’re into manual prime glass. You won’t be surprised that I placed my order for both Loxias. Also the Planar, which maybe will surprise you, since I own the ZM Planar that really is without issues on the A7r. But Loxia offers a lot more than ZM. First there is the better optical performance (reworked for E-mount), then there is the shorter minimal focal distance (30cm for the Biogon and 45cm for the Planar versus 70cm for both ZMs), further there is the transmission of full Exif info, which I applaud because after a series of shots with different lenses I tend to forget what lens I used for which shot, let alone what aperture. Often I can “see the lens in the shot”, but really not always with absolute certainty. And I find it very interesting to know the exact aperture afterwards. And finally, the last big advantage of Loxia over ZM is the activation (which is to be programmed on your A7x) of the automatic enlargement in the VF, by the slightest movement of the focus ring, which completes all means for performing “modern manual focusing” on the A7x. IMHO, all the focusing functionalities of the A7x/Loxia strongly outperform any optical viewfinder. OK, a range finder is something special, but personally, I don’t wanna do without the modern EVF functionality anymore. No way. They abundantly outweigh the range finder’s advantages (all IMO of course).

Pic 11. Left half: Loxia Planar 2/50, f/16, 1/40s, ISO1600. Right half: ZM Planar 2/50, f/16, 1/40s, ISO1600. Both picture were shot at minimal focal distance – Loxia at 45cm, ZM at 70cm and they were only horizontally cropped. Impressive difference. A big advantage of the Loxia. (The ZM picture was shot back home.)

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Personally, I’m really thrilled about Zeiss developing the Loxia line. There has been lots of reactions on it, with many complaining about the first two lenses being 50 and 35mm again. Why not chosing other focal lenghts that people miss right now? The answer is really simple. Loxia is for a totally different type of photographer, namely the typical manual shooter, like I am. As much as I admire the image quality of the AF Zeiss lenses, I’ll never buy them because I don’t feel good when the camera decides for me. The only “automation” that I use is aperture priority and still, I’ll determine the exposure with the compensation dial or by holding the release button halfway while reframing.

The core of any optical system is, no doubt, the lens. I think we can say that Zeiss plays in the same league as Leica. Both have passionate proponents. I guess it’s probably the kind of photography one practices, that make one belong to either camp. Personally, I’d mix both brands, if the Leica prices were at Zeiss level. But they aren’t. So I don’t buy Leica… a personal matter.
The core of the body is, without any doubt, the sensor. Sony, a leader amongst sensor manufacturers has an excellent position in this department. The rest of the body is functionality, in other words advanced electronic applications, and build quality. It needs no saying that Sony is an electronics giant and in many branches, and in general the Sony quality is legendary. I’m not saying there are never issues with Sony products, everybody makes “mistakes”, but this a giant and I believe that this giant is determined to succeed in photography. So the Sony/Zeiss combination has for sure a lot of things in its favor. Now, with Loxia, the glass is perfectly maching the body, adapter free, with transmitted Exif data, automated magnification in the EVF and a design and feel that perfectly matches the body.

I told you that I already placed my order, even for the Planar, while I’m owning an Otus 55 ànd ZM Planar 2/50. But the Planar is my all time favorite lens. Its compact size, ease of use and always reliable IQ grants it this status. This is the lens that I always carry on my camera, making it possible to carry a high-res/high-IQ camera with me whenever I want, wherever I go to, without ever being bothered by it. Now, with the Loxia Planar, my carry-all-time lens will match my body for 100% and add some functionality that I welcome very much.

Loxia is made for sensors of mirrorless cameras, Zeiss ZM (and Leica M) is made for film. In its digital M bodies, Leica corrects its lenses with software. The Zeiss Loxia doesn’t need to be corrected, because it’s optically designed for sensor. BTW, I wonder if Zeiss doesn’t think of making Loxias in M-mount, or at least come up with a new generation ZMs, that would have the Loxia optics. Makes sense IMO.

The Otus 85 on the A7r

With so many Otus lenses on their Photokina booth, ready to try out, of course I asked for the new 1.4/85. You probably already knew from a former article that I own the Otus 55 and believe that Otus is a great combination with the A7r. This top-level Zeiss line is developed for the latest (and future) generations of hi-res sensors, and Sony plays a leading role in this, with the A7r still leading the pack. So I pulled out my Novoflex adapter and mounted the Otus 85 on the body. The bystanders payed extra attention, when I then pulled a vertical grip out of my bag and mounted it with some swift moves on the A7r body.
My goal was in no way to test the lens on itself. Knowing the 55 and reading from all thrustful sources that the 85 is even a todd better (is it really possible?), I have not the slightest doubt that this lens will perform to its expectations. What I was curious about was how it felt in the hand, when mounted on the A7r, and I also wanted to get the “focus experience” at f/1.4, because already with the 55, focusing at 1.4 needs to be done with great care.
I immediately felt that the 85 is an even heavier and thicker beast than the 55. It’s a muscle trainer for sure. I don’t know how long I would be able to shoot continuously with it, I can only say that I felt it considerably more than when holding the 55. But I can’t tell if it’s only because the physical geometry is different and that it’s gonna be a matter of getting used to it, or if it really would tire me out faster. But what I can tell you for sure is, that, with the same way of holding it as I described in my Otus 55 article, this lens/body combination lies incredibly stable and well-balanced in the hand. I already said that the shots were to be made fast at the Zeiss technicians booth, so I took a fast picture of the gentle technician that was helping me. He was standing pretty close, at the other side of the counter. I focused on his eyelashes and took the shot at 1/25sec, which is in fact insanely slow for an OOH shot with a 85mm lens. But the total absence of motion blur proves the perfect balance of this lens/body combination, again indicating that the A7r is a body worth considering for use with the Otus 85, as it is with the Otus 55. That’s exactly what I wanted to know with my trial shots.

Pic 12. Otus 1.4/85, f/1.4, 1/25s, ISO100. Shooting at this shutter speed with an 85mm lens is only possible when the lens/body combination is in perfect balanse, which IMO is the case with the A7r + vertical grip. At the crowded Zeiss booth, this shot of a (very busy) Zeiss technician needed to be taken in seconds.

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Pic 13. 100% crop (click to see full size). What stroke me is the extremely shallow dof. I don’t know how this can be possible (maybe somebody can explain), but I have the impression that the Otus 85 produces an even more shallow dof than the Canon FD85 at f/1.2, that I also own. And if not, it must be véry close. But for sure, I’d swear it’s the Otus that wins this trophy. While the eyelashes are in focus, the eyeball is already out of focus. The eyebrow is only partly in focus. At this distance, I normally wouldn’t take this shot at f/1.4, because I’d surely want a somewhat larger dof. Still it’s nice to have the potential at hand and for greater distances it will surely do a great job.

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Focusing at f/1.4, for use at full size images with a 36MP sensor (or more in the near future), must be done with the greatest care. This was no surprise to me, with my experience with the Otus 55, it was just a confirmation. It’s odd that I have the impression that focusing the Otus 85 at f/1.4 requires even more precision than with my Canon FD85 at F/1.2. I even think to notice an even shallower dof with the Otus. It’s just an impression, a feeling. But a strong one. Maybe it’s because of the incredible detail Otus renders, combined with 36 megapixels. Again, I didn’t perform test procedures with this in mind, it’s just a feeling. BTW, I love the FD85/1.4.
Last thing about the Otus 85: I absolutely love the super creamy bokeh!

Pic 14. Otus 1.4/85, f/1.4, 1/20s, ISO100. Only horizontally cropped. Is this a creamy bokeh or what?…

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The ZM Distagon 1.4/35

By then, after shooting the Otus 85, the guys behind me were increasingly insisting to get a place at the counter. But still I managed to get the new ZM Distagon 1.4/35 for a few super fast shots. I simply wondered whether Zeiss, knowing of the problems that some of the ZMs have with modern hi-res sensors, would take this into account when developing new wide-angle ZMs. I quickly took two shots with the new ZM Distagon. In the first I just shot the grey-ish white wall, to check for color shift. The picture is absolutely dull, of course, but it was conclusive: no color shift.

In the second (and last) super fast taken shot, I focused on a guy in the upper left corner, to check for smearing. No smearing (although the picture isn’t perfect, with a tiny bit of motion blur, but no smearing). What I did notice in those shots was that, wide open, the vignetting and fringing was more prominent than with the Loxia Biogon. But then, this is a f/1.4 vs. the f/2 Loxia. So this is normal. And nothing that I couldn’t correct in Photoshop.

So I guess that future Zeiss ZM lenses will work perfectly on film bodies, Leica M bodies ànd fullframe mirrorless bodies – from Sony and other brands to follow.
And I’m very much looking forward for future new products in their new lines, Otus and surely Loxia. I’ve been having a soft spot for Zeiss for about 50 years now. I think this spot is only going to further grow in the years to come… :-)

Pic 15. ZM 1.4/35, f/1.4, 1/25, ISO100. A clearly more explicit bokeh than with the Loxia 2/35, but also more fringing (as well as vignetting, which this pic doesn’t show clearly) – though nothing that can’t be corrected, I guess.

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Pic 16. Defringed crop. I thought, since the shot was not really OK, it wouldn’t be fair to show the fringing. So I corrected it in Photoshop for this crop.

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Epilogue

IMO, the Loxia line, once it’s to be completed as yet, will definitely turn the A7x series into today’s superior compact system for manual shooting, offering a more modern concept than Leica. I can truly say that I don’t dream of Leica anymore. This Sony/Zeiss FE-system really is more desirable to me than the Leica M-system – outperforming it (again IMO) and… reasonably priced! My personal dream of today: owning both the A7r (for resolution) and A7s (for ISO) with a complete set of Loxias. But what I expect (of course I can’t be absolutely sure about it) is a future Sony sensor that will combine resolution and high ISO. I’m sure it will happen, maybe in some years time, but probably earlier than I expect. And it will be mounted in an FE-mount Alpha body! Thàt will be my next camera…

Dirk De Paepe

B&H Photo sells the Loxia lenses HERE, the OTUS is HERE and the new Zeiss 35 1.4 ZM is HERE

Sep 262014
 

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A quick 1st look video on the Leica X Typ 113!

Yesterday the new Leica X arrived to me direct from Leica for a 2 week review period. When it arrived I took it out of the box and sapped maybe 7-10 shots in my yard to see if the output is similar to the X1, X2 and X-Vario or if it was changed. I am happy to say it retains the same image quality as the previous X2 and X Vario. By that I mean it has the same color signature, the same crisp snap to the images and the same overall rendering. This time though we get a more “Leica Like” rendering with the new Summilux f/1.7 lens.

The X is GORGEOUS in the flesh (or metal) and it will indeed inspire and provide true pride of ownership. The camera focuses about as fast as the X-Vario and behaves just like an X. It starts up quicker and has a nice metal lens cap included in the box as well. While not a speed demon when comparing to the super  fast cameras, it gets the job down from what I have seen. BUT this is a first look only, my full review will be up within 2 weeks or so where I will know MUCH more about how the X Typ 113 operates.

Check out the 1st look below BUT LEICA, C’MON…GIVE US A BUILT IN EVF ALREADY! If you did this it would sell in much larger numbers.

You can pre-order the X from Ken Hansen ([email protected]), PopFlash.com, Pro Shop, B&H Photo, and Leica Store Miami 

 

Sep 252014
 

Three quick test shots from the Petzval Lens on the Sony A7s

Received the gorgeous Petzval lens today and was expecting it to be soft and low contrast. Hmmm. Not on the Sony A7s. This is a crazy lens and reminds me a ton of the Canon Dream Lens I just re-visited. Like, a lot. This is a GOOD thing. Really good. With just four quick test shots I know it will deliver that dreamy artsy look that I love on some occasions, and the best part is that it is so easy to use and focus on the Sony A7s. A breeze to focus. I am using the Nikon mount version with an adapter for use on the Sony and it is a joy to use. I will be doing a full review of this lens in the next two weeks but for now, due to about 10 requests via email, I will post the 4-5 test shots I snapped in my yard today. This will give you an idea of how it renders an image. VERY classic, VERY dreamy, VERY intense. It is an 85mm f/2.2 lens and based/re-created from the 1839 version of the lens. This lens was considered the 1st successful portrait lens back then and now it has been recreated and it offers up the same look and swirly bokeh as the original.

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FULL review soon. Will be shooting in Vegas with this guy, the Leica X and more next week. I have to say…this A7s from Sony is such an amazing camera capable of using so many lenses and with its low light and full frame abilities, it may just very well be my favorite camera. I am able to shoot the well corrected and modern Sony/Zeiss lenses, manual Leica M mount lenses, old screw mount classics and so many more including this unique Petzval lens. I would NOT want to use this lens on a DSLR, the mounts they made it for..would be too hard to focus. With the A7s’s large EVF it is easy to nail focus using the peaking (which is how these were all shot).

This one came to me from CameraQuest.com as they are now a Lomo dealer, and they have this lens in stock at $599. From its unique packaging, styling, design, heft, and rendering of course.

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Sep 212014
 

A Quick Look (with samples) at the new Voigtlander 15 4.5 II VM Lens by Foto Ingo

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From the Specs Sheet : Super Wide Heliar 15mm F4,5 VM II aspherical Here we proudly present a completely new ultra wide-angle lens.

Current high-resolution digital cameras are demanding and so they often need a new lens construction to satisfy those megapixels in regard to sharpness, detail, colour and so on. A lot less colour-shift in the corners even (when combined with really high resolution) and better contrast, especially when using the widest aperture, are the main differences between the current and the NEW Heliar 15mm.

The NEW 15mm Heliar consists of 11 elements in nine groups.

Hello Everyone!

I’m a long term reader of Steve’s Site and it wasn’t until “The Criuse” 2012 that I was to meet him, his beautiful fiancée Debby and some other interesting people… It was an awesome trip for sure. So many friendships were born back then. But back to the present (or future??).

Right now I use a Sony A7 and an A6000 with various manual lenses (and some Sony lenses) and I’m  kind of happy with everything… Except for the fact that there was no small “rangefinder like” wide angle available for the A7/A7r series. Today I visited Photokina in Cologne (1 hour drive from where I live) and had the chance to check out the new Voigtlander 15mm for M-Mount II !! I was really happy that I had my A7 and my Leica M to NEX with me when I heard that I could use it on my own camera and take pictures with it!  (Delivery should start in February 2015!!!)

So, I thought I would give my findings to Steve and all lovers of the A7 series.

Summary: I could see no or maybe a REALLY small amount of color cast in the corners ! (maybe it was only a tiny bit of vignette?) I could see no or maybe a REALLY tiny bit of vignette ! The sharpness is nice and NOT much mush in the corners ! I sold my 15mm M39 only 1 week before so I can tell you, that the differences are HUGE ! I will preorder it for my A7 the day it becomes available ! (depending on the price of course) No word on the price so far, but I ́m really looking forward to February 2015 and not only because I have my birthday there… ;-) Thx everyone and good night.

Ingo Schäder www.Fotoingo.com

Quick Samples below:

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Aug 282014
 

VIDEO: The Leica M-P and Silver Monochrom

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Ahhhhhhhh, the beauty of Leica. No matter what anyone will ever say, there is nothing like the beauty and feel of a Leica M camera, and I feel this way about the M3, M6, M7, M8, M9, M9-P, Monochrom and M 240/M-P. To me, they are just what I want in a digital camera and have all that I could ever need (except an affordable price and super low light which the A7s covers for me very well). Even after all of these years the Leica M is the ONLY digital rangefinder on the planet (not counting the no longer made Epson RD-1) that is available. So if you are an RF fan, this is it.

Nikon, Canon, Sony, Olympus..none have even attempted it although I was hoping Nikon would do so a few years ago. So as of today, mid 2014, Leica is the only game in town if you want a real life back to basics digital rangefinder camera and NO, Fuji do not have ANY RF cameras (some seem to think they do).

With that out-of-the-way, here we are a couple of months before PHOTOKINA where all kinds of goodies get released and announced. I am sure Leica will have something new, Sony will have something new and huge and Nikon and Canon will probably have the same old same old. Olympus will have something new, probably Panasonic as well. But just a couple of months early Leica not only announced but released the black paint M-P.

The M-P is basically an M240 with a larger buffer, sapphire LCD screen and all black paint without any markings on the front. This means NO “M” and no RED DOT! On the top you have the classic Leica logo which appears just as it did in the M-9P (which was crazy popular, sold out at launch for months). The M-P is not selling out at launch and that is mainly due to the fact that at the price of $8,000 it is too expensive in 2014 even for a Leica. With Sony rocking the A7 series that have an even better sensor at 1/3 the cost it makes it hard to justify a digital Leica today. With that being the case, why did i just purchase TWO of  them? EEEK!

The deep rich tones of the MM (with a Zeiss 50 Planar, one of my fave M lenses ever due to bang for the buck)

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Well, part of it is passion. Part is foolishness. Part is from my heart and the rest is due to the fact that no matter how many times I drift away from Leica…I ALWAYS COME BACK. I have an emotional connection to the M and when I am out with it I enjoy it more than any other camera, even if other cameras can do more for me. The Leica M 240 is my favorite camera of all time, previous to this it was the M9. When the Sony A7s was released it was tied with my M 240 and I said “why would I keep this M when I love the Sony so much”. So I sold my M 240 and banked the money.

Two months later, while I still am in love with the A7s and have no desire to get rid of it, the M has creeped back in to my head. Just days before the M-P was announced I was looking for a used deal on an M 240 yet again. So away I go and email Ken Hansen who said “I will have the M-P week, if you want one let me know”. Too easy. Bam. Ordered. He also said “I have a few silver chrome Monochrom’s in stock” – and that was it, BAM! I went crazy..I was foolish..but do I regret it? No, because I now have an M-P which is the most beautiful M 240 yet and the chrome MM is a sight to see and about as unique and pure as a digital camera can get. Both have their uses as does my Sony A7s.

In fact. I will use my A7s for low light, macro,  and some times when I need a hassle free AF camera. I will use the MM on those occasions when a pure B&W mode strikes me and the M 240 on all other occasions. The great thing is that the lenses can be used on all three cameras without issues.

Here I am almost 45 years old and still being stricken with GAS. Today though I will acknowledge that the prices required to get into a Leica M system are way too high, but for those who gain happiness and joy from it then it doesn’t really matter as long as you can swing it. Life is short and I would rather LIVE IT than sit around on my couch all day watching TV, waiting for something good to happen to me. So that is what I do and how I live life.

So the new Leica M-P is available and shipping NOW! For those interested, you can order them at Ken Hansen, PopFlash, Pro Shop, B&H Photo, Amazon and Leica Store Miami. The Chrome MM is also available from all of those dealers.

Below is my video featuring both cameras. Enjoy!

Aug 142014
 

 Sigma DP Quattro in the house! 

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Today the UPS guy brought me a package from B&H Photo with a shiny brand new Sigma DP Quattro, so this is an EARLY 1st look with a few snaps from around my house in the past 30 minutes. THIS IS NOT MY REVIEW, that will be coming soon.

In the past I have used the Sigma DP cameras and while I have always enjoyed the image quality from these little powerhouses I always hated the design, the cheap feel, the super slow operation, the cranky autofocus, awful high ISO performance and the awful battery life. The DP2 Merrill was jaw dropping for static subjects in good light but everything else, forget it.

When Sigma announced the DP2 Quattro and shown everyone what it would look like the reactions were split in the photography world. Some thought it was super cool and others thought it was ridiculously ugly. I was in the “super cool” camp, but hey, I am cool, so what can I say? Lol.

As soon as I saw the design and read that many of the issues were fixed with the Sigma DP cameras I had to take a look because I LOVE when camera manufacturers think outside of the box, and there is nothing like the design of the DP2 Quattro. In fact, it may be one of those cameras that end up as a classic just due to the design. I would not be surprised to see it in a camera museum in 30 years.

One thing that really irked me with the previous DP2 Merrill that I reviewed (see it here) was the AF speed. It was a camera only good for static subjects, period. I can state that after just taking 20 snaps with the Quattro, the AF is indeed faster than the previous DP cameras. Is it fast enough? No, not really. It will not be a camera one grabs to snap their running kids. Instead, it is really made for things like beautiful landscapes and colors, along with portraits. The Foveon sensor is very special for thing such as this as the detail and quality of file it can pump out at base ISO in good light is extraordinary.

High ISO also suffers with the Sigma DP series and I can say that the Quattro looks better at ISO 800 than the previous model but at the same time, I have noticed that for color work, nothing over ISO 800 will do. For B&W, even ISO 3200 can look good. Even so, I can tell that the Quattro will not be a threat to the amazing Sony A7s for low light shooting.

In the hand the Quattro feels good, looks cool but different and is faster than any previous DP series camera. While still slow, the new Foveon sensor inside is pumping out beautiful color and details even when shooting JPEG mode (all I have tested so far). One thing I already dislike is the fact  that there is no viewfinder of any kind, no swivel LCD and the side SD card door is not a door but a piece of rubber that will break off eventually after so many card changes. Not sure who thought up that design but for me, it is a fail. I can already tell that if the DP Quattro had an EVF, swivel LCD and an SD card door, I would buy one without hesitation.

A few images below, all JPEG from the Quattro within 30 minutes of it arriving to my house. My full review will be up in about two weeks. You can order the Quattro HERE.

ALL JPEGS from the Sigma DP Quattro

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Below an image resized to 1800 pixels wide, shot in B&W mode with the Quattro, JPEG..then a 100% crop! Click them for larger, how they were meant to be seen. 

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and the 100% crop (you MUST click on it) in JPEG mode. Pretty damn good for JPEG mode!

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The color right from the camera in 1X1 mode

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and another 1X1 shot with 100% crop embedded. Must click it to see it correctly. ALL JPEG!

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iso 3200 B&W mode

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Jul 292014
 

A look at the Lumu iPhone Light Meter

By Brandon Huff

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Ahhh now here we have it! The Lumu, which is an external iPhone light meter! This little device plugs right into the headphone jack of an iPhone. Once you do this, all you have to do is download the Lumu app which then shows Aperture, Shutter speed then ISO you simply use it like a normal light meter, putting it next to your subject or pointing it in the direction of which you are shooting press measure then it shows all the information needed. Take this information and set your camera using it and you should have a perfect exposure!

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The light meter and app itself are very snappy. Let’s say you want to shoot at ISO 800 and need the shutter speed info for your lighting situation…you simply set the meter app to ISO 800 and then press the”measure” button and it will give you the shutter speed and aperture needed for that scenario. Same goes for if you want to shoot at f/2  – set the app to f/2 and it will tell you what ISO and exposure to use. Simple.

BUT! In use I have encountered one little issue. After you get used to the app and actually take a photo I noticed it was slightly underexposing when using my Nikon V1 to  test it with.  You can calibrate it inside the app although it does not really explain how to do it perfectly, but I was finding my shots slightly underexposed. This is great for preserving highlights but it is not a 100% correct exposure. See the samples below…

Using the Lumu  – Nikon V1

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Using the cameras built in light meter – Nikon V1

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These photos are straight from camera JPGS and there has been no editing of any kind. Yes, the difference is not huge and its nothing too crazy that a little Photoshop can’t fix but it is not perfect.

The price of this Device is $150 US Dollars and you can buy it direct HERE. In my opinion it is worth it if you wish to have a small yet useful light meter. Problem is when your phone dies you have no light meter, other light meters batteries last way longer than an iPhone battery will which makes them more reliable.

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So I decided to try the meter in direct sunlight, F4 with the Nikon 30-110 lens I must say it really underexposed on this one,  now could this be user error? Sure, it could be! I have only used this tiny guy a little bit, but imagine if I was shooting out of an old TLR and I thought all my images were coming out correctly, when all I’m actually doing is wasting film and money for images that may be unusable. I verified I was using the meter correctly and following the directions supplied with the device. It says to bring the phone by your subject and aim the meter towards the camera. This is what I did and you can see the results below:

Direct sun Lumu Metering

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Direct sun aperture priority mode – Nikon V1 meter (overexposed)

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The Lumu always seems to underexpose it and the in camera meters have slightly over exposed this photo, it seems you just have to mess with it a little bit, figure out what you are looking for. In the above situation the Lumu gave me the preferred exposure as I can always lighten that image up but can not really fix the blown highlights in the V1 exposed image.

If you are using strictly analog I recommend getting a proprietary light meter, however if you shoot mostly digital but film sometimes I strongly recommend this Lumu.  Another good feature of this little gizmo is that you can measure light intensity in the room at a constant scan rate. For the price though this product isn’t too bad. IMO it is better than spending $400+  on a light meter if you don’t need or rely on one all the time. It is pocketable and you can even wear it around your neck with the included necklace or carrying case (that will connect to your strap).

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If you are thinking about purchasing one of these Id look to see if it will work with your device if using Amdroid, I have a Samsung Galaxy Tab 4 and it won’t register even though I have the app. Its made for iPhones more than android devices and it works great on my iPhone.

Brandon

Jul 092014
 

USER REPORT: The Sony RX100 III, a very quick first look

by Rob McKay

Hey Steve,

Picked up the Sony RX100 III (At B&H or Amazon) for my pocket/travel/biking digi rig and love it!

I mainly shoot Leica, and especially love shooting film through my MP and M3 but still need a small digi for quick docu shots and instant chimping satisfaction. My fav pocket digi has to be the Ricoh GR, but the smaller RX100 with its 21mm f/1.8 to 70mm f/2.8 zoom lens can be a bonus and a great range (for me). Unlike the 4/3rd or NEX setups that need the lenses to be taking off (zooms) before truly making them compact/pocketable, the RX100 III is almost flat when turned off.

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First impressions, love it, but time will tell.. Attached a few snaps of the bike trails I recently used the camera on.

Great site and keep up the great work!

Rob McKay

https://www.flickr.com/photos/caughtintheair/
http://bokehenstein.com

Click images for larger and better viewing

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Jun 302014
 

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Hey guys! HAPPY MONDAY! Not many of us love Mondays but I always do as it gives me a fresh start to the week with a purpose and goal, and this week is a big one!

I have just arrived back home from an 8 day road trip vacation and have already started writing my Sony A7s review. Not sure how long it will take but the words are flowing about this little wonder. It is no secret that I loved it but I will tell you and show you exactly WHY that is the case. So look for the review in the next 24-48 hours! I shot the A7s with the Sony/Zeiss 35 2.8, Sony/Zeiss 55 1.8 and the Voigtlander 15 VM lens as well as a few with the Mitakon 50 0.95. 

Take a look at the shot below at ISO 80,000 and 1/10s with the Voigtlander 15. This is a 100% OOC JPEG with NR on its lowest setting.

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I have so much to say about the A7s and will say it all in my review..so stay tuned! You can order the Sony A7s at Amazon HERE or B&H Photo HERE.  Some have already started shipping but mass shipments start TOMORROW!

Steve

Jun 232014
 

Having a blast with the Sony A7s

So I am on day one of an 8 day road trip through various parts of California with the Sony A7s and so far so good! Day and Night one brought us to Landers, CA where we stayed at Kate’s Lazy Desert which was a really fun time. We had the whole place to ourselves, six classic airstream trailers and a wonderful night under the stars. We leave this morning and area heading to see some friends in Crestline, CA and then we will be on our way to Santa Clarita for two nights. After that we will be heading to Santa Cruz, San Francisco and then to Long Beach before heading back home to Phx AZ. Will be shooting the A7s for the entire trip so I can evaluate it fully for my full review which will be up soon.

Yesterday and last night I shot with the A7s along with the Voigtlander 15 and Sony/Zeiss 35 2.8. Below are a few of the shots, which are all OOC JPEGS from Lightroom. Just using my tiny Macbook Air for this trip so for me, it is hard to do any editing..so what you see is what you get.

You can pre-order the Sony A7s at Amazon or B&H Photo.

ISO 12,800, 15mm, 1/10s – Handheld

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Voigtlander 15mm, tripod long exposure. 

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Inside one of the Airstreams with the 15mm – I think I was using the “Clear” color mode…but man, love this 15 on the A7s! Finally usable in color on a FF digital. This lens did not even work good on the cropped Leica M8 but on the A7s it is nice. 

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Zeiss 35 2.8 – It was a bright day and around 105 degrees at the Lazy Desert, but we had a blast regardless. 

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15 VM 

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15 VM – They have a little pool so we had some drinks and went swimming for a while before cooking up some dinner.

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15VM – The Camera m ay have been in Vivid for this one.. I used spot metering here.

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35 2.8 – The little Zeiss 35 is a fantastic lens.

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Jun 182014
 

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The Sony A7s: 1st Look…Testing the limits.

Hello to all! Just to let you all know I received the Sony A7s just today, just about 9 hours ago. In the past few hours I have taken it out and tested it for the one thing that it is claimed to be so good at which is LOW LIGHT and high ISO. I also shot some normal ISO images as well. Armed with the Sony Zeiss 35 2.8, the Sony Zeiss 55 1.8 and the Mighty Mitakon 50 0.95 I gave the A7s a workout with some intensely low light scenarios..even one that needed iso 102,400 with f/0.95. YES, that dark. How about that for a torture test? I mean, if you need ISO 102,400 with an f/0.95 lens then you KNOW it is DARK.

The A7s is a beauty of a camera for many reasons. One of them is that the sensor is a fat full frame with only 12MP. This means the file sizes are small and the low light capability is better. The pixels are nice and fat and this is how I prefer it. I have always preferred UNDER 20MP for my full frame sensors but it seems that most are trying to push the limits of MP on a sensor. Sony decided to make an A7 series camera that will be amazing for video, photo, low light and good light all while allowing for file sizes that will not require a mega computer to process. The shutter is also more damped it seems (not sure if it is or just my imagination but the shutter seems a bit quieter and gentler than the A7 and A7r). There is also the new SILENT mode which means you can use the A7s in complete silence. No beeps, no shutter sound..nada. Silent. That is the beauty of mirrorless.

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The camera feels great (same as the A7 and A7r) and again, not sure if it was my imagination but the AF seemed quicker as well to me. I was able to shoot in near darkness, using AF (with AF assist OFF) and the camera would AF. I had no issues with speed or accuracy.

So far so good but take this for what it is. My 1st 8 hours with a Sony A7s. I will be shooting it much more over the next week for a full review that will come within 2 weeks. For now, enjoy the 1st snaps from my 1st day with the camera. For me, it is the most desirable A7 already due to the low light capabilities, the silent mode and the lower pixel count. It truly is the KING OF THE NIGHT TIME WORLD.

You can pre-order the Sony A7s at Amazon HERE or B&H Photo HERE.

Click HERE to see the 1st test with the Voigtlander 15 Heliar and click HERE to see a comparison with the Leica M 240.

The following images are all JPEG. What you see is what you get. ISO ranges from 100-102,400. Click images for larger view. Review within 2 weeks! These are just the 1st snaps I shot in the 8 hours I have had the camera, to wet your appetite. 

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1st shot, ISO 6,400 indoors. Sony 55 1.8 – click for larger

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ISO 320 from this afternoon with the 55 1.8

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ISO 100 – 55 1.8

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55 1.8 at ISO 100 – f/2

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VIVID mode, 55 1.8

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ISO 100 – 55 1.8 at f/2

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ISO 100, f/3.5 with the 55 1.8

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55 1.8 – ISO 100

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ISO 8000 – 55 1.8

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ISO 400 – 55 1.8 at f/2

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Mitakon 50 0.95 wide open at ISO 5000

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ISO 32,000 with the 55 1.8

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ISO 102,400 at f/0.95 with the Mitakon..insane!

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ISO 125

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ISO 125

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ISO 64,000!

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ISO 1600 – Mitakon 0.95

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ISO 1600 – 35 2.8

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FULL SIZE DIRECT FROM CAMERA – ISO 3200 – 55 1.8

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NEXT THREE – ISO 25,600  – 50 0.95 Mitakon

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and ISO 32,000

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ISO 80,000 – 55 1.8 NR OFF

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Mitakon FLARE – 102.400 ISO, 0.95

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Jun 152014
 

The Sony A7s and Silent Shutter mode!

I just might have the Sony A7s THIS WEEK but check out this video showing the Silent Shutter mode. The #1 complaint of the A7 series, the loud shutter, seems to have been remedied in the new insanely low light capable Sony A7s. Take a look at the video below:


The focus confirm beep should be able to be turned off for a fully silent mode, so this is pretty cool. I should have the A7s any day now for review, hoping to get it before my big road trip. If I get it this week I will do a first look video the day I get it. You can pre-order the A7s at Amazon or B&H Photo. 

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