The new Fuji X-T1 has landed, pre-order now!
Expected Ship Date – March 07th, 2014
Pre-order the Fuji X-T1 Body only HERE at B&H Photo – $1299
Pre-order the Fuji X-T1 body and 18-55 kit lens combo HERE at B&H Photo – $1699
PRE-ORDER THE SWEET Fuji 56 1.2 Lens (as seen on the camera above) – $999
You can also pre-order this Fuji at PopFlash.com
You can pre-order the X-T1 BODY ONLY at Amazon HERE
You can order the X-T1 KIT LENS COMBO at Amazon HERE
So here it is! The rumored Fuji X-T1 is 100% true and ready to pre-order now at B&H Photo. From the looks, the design, the specs..this may just be the best Fuji X body to date. The design brings me direct to the Olympus E-M1 and Sony A7. I guess Fuji did not want to be left out of the EVF hump party but that hump means a much nicer EVF, so I welcome it. The manual controls on top remind me of the E-M1 and Nikon Df a bit and yes, this is also a good thing. All around this will be the best performing Fuji X body to date. $1299 for the Body only and $1699 for the Body and Kit Lens. I will be reviewing this as soon as I get my hands on one!
AS MANY OF YOU HERE KNOW…if you WANT this camera then pre-ordering is the way to go. Why? A: You do not get charged until it ships so if you change your mind between now and when it ships you can cancel with no penalty. If you decided you do want it 100%, just keep your pre-order in and you will be one of the 1st to get the camera. This is how I buy all of my new cameras..by pre-ordering. B: If it arrives and you do not like it or it has issues, yes, it is returnable and NO the stores do not resell it as new, they sell it as an open box discount. But the bottom line is pre-ordering is smart if you know that you do want the camera. If undecided then you just wait to read reviews.
I have a feeling this one will be a big seller for Fuji. Some will call it ugly, some will call it beautiful. Some will say it reminds them of old school design and others will say it is going the way of Olympus and Sony. Either way technology moves on my friends and those of us with severe G.A.S. will unfortunately want to try this out, especially fans of the Fuji rendering style. The Fuji and Mirrorless rumor sites have been buzzing non stop about this one and hyping it to now end. I hope it can live up to the hype!
I am excited to get a hold of this for review..so stay tuned!
16.3MP APS-C X-Trans CMOS II Sensor
A large 16.3MP APS-C CMOS image sensor is integrated into the X-T1 to provide high image quality and detail. Using Fujifilm’s unique X-Trans bespoke pixel array, the sensor is designed with a randomized pixel pattern to eliminate the need of an optical low-pass filter for reducing moiré and aliasing. By removing this filter from the design, higher image sharpness is possible. Lens Modulation Optimizer (LMO) factors are also taken into account using the EXR Processor II, which helps to automatically compensate for aberrations and diffraction blur in order to produce images with the utmost inherent sharpness.
The X-Trans sensor also works to provide highly effective noise reduction and a clean signal-to-noise ratio. This enables smoother-looking imagery that becomes especially apparent when photographing in low-light situations with an expanded sensitivity range of ISO 100-51200. Additionally, a top continuous shooting rate of 8 fps is possible, for up to 47 consecutive frames, to benefit working with moving subject matter.
EXR Processor II
Aside from benefitting low-light performance, the EXR Processor II also provides quick performance throughout the entire camera system. The camera start-up time is about 0.5 seconds, shutter lag is about 0.05 seconds, and the shooting interval time is about 0.5 seconds. A fast autofocus performance speed of 0.08 seconds is also enabled using the advanced Intelligent Hybrid AF system using both contrast- and phase-detection focusing methods.
Intelligent Hybrid AF and Enhanced Manual Focus
Intelligent Hybrid AF is a quick, responsive autofocus system that employs both contrast- and phase-detection methods to acquire focus quickly in a wide variety of lighting conditions and shooting situations. Clear focus can quickly be attained to aid in catching fast-paced movement more easily. Three focus modes are available (AF-S, AF-C, and M) for greater control over how the X-T1 achieves sharp focus. When working with autofocus, the AF area is divided into a 49-point matrix in order to gain clear focus of any type of subject matter. Additionally, a built-in AF assist lamp is available for aiding the focus system when photographing in low-light situations.
When working with manual focus, two additional features can be employed for enhanced critical focusing in a more controllable manner. By using the phase-detection pixels located on the imaging sensor, Digital Split Image technology is able to assist in acquiring precise focus through the implementation of four striped focusing aids; akin to a rangefinder focusing method, once these stripes have been lined up, sharp focus can be ensured. Also contributing to manual focus accuracy, Focus Peak Highlight has been integrated and enables a more objective system of focusing by way of highlighting sharp edges and lines of contrast, using one of three colors, once they are in focus.
Multi Mode Real Time Viewfinder
An advanced electronic viewfinder has been incorporated into the X-T1’s design to support clear eye-level monitoring along with a host of unique viewing features to better support a more efficient overall workflow. The Real Time Viewfinder is comprised of a 2,360k-dot OLED display and features an exceptionally high magnification of 0.77x, along with a 31° angle of view. This perspective is further complemented by the 0.005 sec. lag time, which smoothly and seamlessly renders scenes and moving subjects.
Beyond the technical aspects of the viewfinder, an adaptable graphical user interface has also been designed to increase efficiency during shooting. Four different viewing modes are available:
FULL: This mode takes advantage of the high magnification ratio of the viewfinder and produces an image that fills the majority of the viewfinder in an unobstructed manner. Shooting information is presented at the top and bottom edges and does not interfere with the image frame itself.
NORMAL: This mode enables you to focus on the composition at hand while still having an in-depth understanding of camera settings and shooting conditions.
VERTICAL: When the camera is held in a vertical orientation, the information display automatically rotates so it is facing upright for easier reading of camera settings. When working in this mode, images can also be reviewed in the vertical orientation.
DUAL: Serving to benefit those working with manual focus, this mode presents a split screen view of the scene where you see both a regular view as well as the Focus Assist View (Focus Highlight Peaking and Digital Split Image) at the same time, allowing you to concentrate on the image composition as well as critical focus accuracy.
In addition to the four viewing modes, the shooting information displayed within the viewfinder can also be customized to suit one’s needs. 19 different settings can be toggled on or off depending on preference.
Classic Camera Design
Featuring a body design reminiscent of SLR film cameras, the X-T1 exhibits a meshing of both analog exposure controls along with intelligent automated technologies. The clean and functional body design incorporates physical shutter speed, ISO, drive mode, AF mode, and +/- 3 EV exposure compensation double-deck precision-milled aluminum alloy dials that pair well with the manual aperture rings found on many of the XF lenses for intuitive exposure setting selection. Depending on individual needs, six customizable buttons, dual command dials, and an easily-accessible Q Menu provide an efficient solution for modifying some of the most frequently used camera settings, such as ISO, white balance, and file settings. For more extensive menu navigation, as well as live view monitoring and image review, a 3.0″ 1,040k-dot LCD monitor is available and features a tilting design to better support working from high and low angles.
Furthermore, the magnesium alloy body also features approximately 80 points of weather sealing to protect itself from dust and moisture, as well as temperatures as low as 14°F, for confident use in trying conditions.
Full HD Movie Recording
Full HD 1080p video recording is supported up to 60 fps, with other frame rates and formats also available. Full-time AF tracking is available during recording with subject tracking capabilities for ensured sharpness when either the subject is moving or if the camera is moving, panning, or zooming. +/- 2 EV exposure compensation is available during recording as well as the use of Film Simulation settings.
An HDMI port enables high definition playback of movies to an HDTV and the inclusion of a 2.5mm input supports the use of an optional external microphone for enhanced sound quality.
Built-In Wi-Fi Connectivity
Wireless connectivity is built into the camera and allows for instant sharing of images directly to an Android or iOS mobile device. The Fujifilm Camera Remote app allows you to browse the image contents of your camera from your mobile device and transfer both videos and photos, and the entire sharing process is further expedited by simply pressing and holding the dedicated Wi-Fi button to begin transferring immediately. Remote camera control and monitoring is also supported through the use of the app, which enables Touch AF, shutter release, exposure settings adjustment, Film Simulation modes, white balance modes, macro, timer, and flash controls to all be adjusted from the linked mobile device. Location data can also be embedded into image file’s metadata for geotagging.
Film Simulation Mode and Advanced Filters
Taking advantage of Fujifilm’s vast history in traditional film-based photography, the X-T1 integrates several Film Simulation modes to mimic the look and feel of some Fujifilm’s classic film types. Pulling from their line of transparency films, PROVIA offers natural-looking tones for everyday shooting, VELVIA produces a more dramatic and rich tonality with deeper color saturation, and ASTIA gives less contrast for a softer depiction of skin tones. Mimicking their negative films, PRO Neg. Std. gives smooth image tones that are suitable for accurate color renditions, while PRO Neg. Hi produces a more dramatic feel with the ability to draw color out of a variety of lighting conditions. In addition to the colorful benefits of these Film Simulation modes, there are also monochrome modes that simulate the look of traditional yellow, green, and red black and white contrast filters. A sepia mode is also available for producing an inherently nostalgic look.
Eight Advanced Filters are also available to creatively enhance the look of imagery, and include: High Key, Low Key, Soft Focus, Toy Camera, Miniature, Pop Color, Dynamic Tone, and Partial Color (Red, Orange, Yellow, Green, Blue, Purple).
Other Camera Features
An in-camera RAW converter lets you record your images in 14-bit RAW and process them prior to computer-based editing procedures. This process enables you to modify the exposure, white balance, and other controls directly through the menu interface. Additionally, for more thorough processing of files, RAW File Converter software is included for RAW image processing on your computer.
Interval shooting is possible with intervals of 1 second to 24 hours for up to 999 frames.
Compatible with UHS-II memory cards for fast transfer speeds during shooting.
Multiple exposure mode gives you the ability to overlay imagery in-camera. When working in this mode, subsequent exposures can be paired and the final appearance can be previewed on the LCD or in the EVF before making the final exposure.
Motion panorama mode allows you to record expansive views up to 360° wide in a seamless, sweeping manner.
The included EF-X8 shoe-mount flash has a guide number of 26.2′ at ISO 100 and provides additional illumination to imagery for photographing in dark conditions. A sync terminal is also available for use of additional optional external flashes.
Four different auto bracketing modes are available: Dynamic Range, Film Simulation, AE, and ISO Sensitivity.
The included NP-W126 battery enables approximately 350 frames to be recorded per charge.