Nov 212014
 

A taste of the Leica 50 APO on the Sony A7s

Many have been asking me “when is your part 2 of the Leica 50 APO coming out”?!? To be honest, I have been so busy with other cameras and lenses that this one has fallen to the wayside. I felt that my part 1 review of the 50 APO was quite complete in what I wanted to say about it. Quite simply, it is the finest 50mm lens I have ever tested or owned, and it is one of 2-3 lenses that bring out the best of the Leica M 240 or M-P (others are 21 Elmar and 90 APO).

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I have been using it here and there on the Sony A7s with the Voigtlander adapter and it holds up just as well on the Sony with gorgeous color (the main signature of the APO) and sweet sharpness. What I mean by “sweet” sharpness is that the lens is sharp on the M and Sony but not in any kind of clinical or harsh way…at all. It has all of the ingredients of a legendary lens. Sharp, no distortion, no flare issues, VERY low CA and outstanding color. These ingredients bring the images to life no matter the camera though I feel it does its best on the M 240 or M-P or MM.

My part 2 review will be up within 2-3 weeks (first will be the Sony 16-35 lens review) using the Sony A7s but for now I wanted to show a couple of files so you get an idea of how gorgeous this lens can do on the Sony A7s. This lens is insanely expensive and is in reality a “statement” piece from Leica to say “look what we CAN do”. The lens has jumped in price since launch to over $8,000. It is tiny, it is built to Leica standards and it is a modern-day marvel of optical quality. The 50 Lux ASPH can not compete with it in any area of optical quality and that 50 Lux ASPH is considered a legend as it is. (It is also half the price of the 50 APO).

As for the Sony 55 1.8, I will be doing another side by side using the A7s. The under $1000 Sony vs the $8000 Leica. Will we see $7k difference? No. I do not think so. I have used both lenses extensively and the Sony/Zeiss is fantastic. The Leica is better (for color and character especially) but with Leica you pay the price for jewel like build, small size, and stellar optics. Just how it is and always will be. I will also pit it against the Voigtlander 40 2.8 that I recently reviewed. Should be fun :)

See my part 1 review of the 50 APO here, and an extension of that HERE. Part 2 soon!

A couple of dealers may have one of these in stock. If you want one, check Ken Hansen, The Pro Shop or PopFlash.com 

Sony A7s – Click this image for larger..

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Click this one to see the true 100% crop

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and a couple more…

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one at ISO 3200 and zero NR

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Nov 182014
 

Leica Sale: INSTANT Cash Discounts..here is the list..

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With the holidays coming even Leica is in the giving mood (sort of) – with $750 off on the Leica M 240 and $250 off of most lenses, this is a chance to save a little more on your new Leica lens purchases. Below are direct links to B&H Photo and each lens that took me over an hour to compile..by using those links to purchase anything it will help this site move on and continue ;) So I thank anyone in advance that uses any of my links on this website.

You can also get these discounts at my other recommended Leica dealers – Ken Hansen ([email protected]), PopFlash.com, LeicaStoreMiami.com, and the Pro Shop. 

THE LEICA M 240 – $750 OFF, NOW $6500 NEW

http://www.bhphotovideo.com/c/product/893170-USA/Leica_10770_M_Digital_Camera_Black.html/BI/4399/KBID/4837/BI/4399/KBID/4837

Here is a list of Leica lenses on sale:

18 3.4 Super Elmar – $250 off

http://www.bhphotovideo.com/c/product/609382-USA/Leica_11649_18mm_f_3_8_Super_Elmar_M_Aspherical.html/BI/4399/KBID/4837

The 21 Super Elmar f/3.4 – $250 Off

http://www.bhphotovideo.com/c/product/798854-REG/Leica_11145_Super_Elmar_M_1_3_4_21mm_ASPH.html/BI/4399/KBID/4837

The 21 Summilux f/1.4 – $250 Off

http://www.bhphotovideo.com/c/product/586191-USA/Leica_11_647_21mm_f_1_4_Summilux_M_Aspherical.html/BI/4399/KBID/4837

The 24 Summilux f/1.4 – $250 Off
http://www.bhphotovideo.com/c/product/586206-USA/Leica_11_601_24mm_f_1_4_Summilux_M_Aspherical.html/BI/4399/KBID/4837

The 28 Elmarit f/2.8 – $250 Off
http://www.bhphotovideo.com/c/product/461972-USA/Leica_11606_28mm_f_2_8_Elmarit_M.html/BI/4399/KBID/4837

The 28 Summicron f/2 – $250 Off
http://www.bhphotovideo.com/c/product/214061-USA/Leica_11604_Summicron_M_28mm_f_2_0_Lens.html/BI/4399/KBID/4837

The 35 f/2.5 Summarit – $250 Off
http://www.bhphotovideo.com/c/product/520349-REG/Leica_11_643_35mm_f_2_5_Summarit_M_Manual.html/BI/4399/KBID/4837

The 35 Summicron f/2 – $250 Off!
http://www.bhphotovideo.com/c/product/134723-USA/Leica_11879_35mm_f_2_0_Summicron_M.html/BI/4399/KBID/4837

The 35 Summilux f/1.4 – $250 Off

http://www.bhphotovideo.com/c/product/720355-USA/Leica_11663_35mm_f_1_4_Summilux_M_Aspherical.html/BI/4399/KBID/4837

The 50 f/2.5 Summarit – $250 off!
http://www.bhphotovideo.com/c/product/520350-USA/Leica_11_644_50mm_f_2_5_Summarit_M_Manual.html/BI/4399/KBID/4837

The 50 f/2 Summicron Original – $250 off!
http://www.bhphotovideo.com/c/product/86059-USA/Leica_11826_50mm_f_2_0_Summicron_M.html/BI/4399/KBID/4837

The 50 1.4 Summilux ASPH – $250 Off
http://www.bhphotovideo.com/c/product/332585-USA/Leica_11891_50mm_f_1_4_Summilux_M.html/BI/4399/KBID/4837

The 50 0.95 Noctilux – $250 off
http://www.bhphotovideo.com/c/product/586190-REG/Leica_11_602_50mm_f_0_95_Noctilux_M_Aspherical.html/BI/4399/KBID/4837

The  75 2.5 Summarit – $250 off
http://www.bhphotovideo.com/c/product/520351-USA/Leica_11_645_75mm_f_2_5_Summarit_M_Manual.html/BI/4399/KBID/4837

The 75 f/2 Summicron – $250 Off

http://www.bhphotovideo.com/c/product/378040-USA/Leica_11637_75mm_f_2_0_APO_Summicron.html/BI/4399/KBID/4837

The 90 f/2.5 Summarit – $250 off

http://www.bhphotovideo.com/c/product/520352-USA/Leica_11_646_90mm_f_2_5_Summarit_M_Manual.html/BI/4399/KBID/4837

The 90 f/2 Summicron APO – $250 off

http://www.bhphotovideo.com/c/product/162726-USA/Leica_11884_90mm_f_2_0_APO_Summicron.html/BI/4399/KBID/4837

The 135 f/3.4 APO – $250 Off

http://www.bhphotovideo.com/c/product/162727-USA/Leica_11889_Telephoto_135mm_f_3_4_APO.html/BI/4399/KBID/4837

The 90 f/4 Macro – $250 off

http://www.bhphotovideo.com/c/product/1054674-REG/leica_11670_90mm_for_4_macro_elmar_m.html/BI/4399/KBID/4837

The Wide Angle Tri Elmar – $250 off

http://www.bhphotovideo.com/c/product/461969-USA/Leica_11626_Tri_Elmar_M_16_18_21mm_f_4_Asph.html/BI/4399/KBID/4837

Nov 132014
 

Photographing the bride on my own wedding

by Milan Swolfs

On the 27th September this year my wife and I got married in Belgium. We both like vintage clothing and love all things from the 20s, 30s, 40s till 50s. My wife www.macheried.com is my muse and we often do (commercial) shoots together.

I couldn’t resist taking some pics of my wife during our wedding with my Leica M9P and Noctilux f0.95 ASPH.

Thanks to your excellent reviews Steve I bought now the Sony A7S together with the Voigtlander Close Up adapter and use it with my Noctilux too. It’s much easier to focus and I can use it at night.

More of our work you can see on my website www.milanswolfs.com

Keep up the good work.

Kind regards

Milan

Milan Swolfs

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Nov 112014
 

The Sony A7s – Handlheld Antelope Canyon

Using the Voigtlander 15 4.5 and Leica WATE

During my Southwest Road Trip one of our stops was Antelope Canyon. With 28+ of us inside we broke it down into four groups and went to different areas so we would not all be crowded together. Most had tripods (which are 100% recommended for shooting Antelope Canyon) and only a few were shooting handheld which meant they would need a camera capable of great high ISO performance. Me, with my Sony A7s and very slow aperture Voigtlander 15 f/4.5..I knew it would be a challenge even with this powerhouse as the Canyons are dim and dark. With an f/4.5 lens, could the Sony pull off some handheld shots at high ISO and keep the dramatic color and light needed for these kinds of shots?

Before I get to those, let me share an image I took with the A7s and Voigtlander 15 at Horseshoe Bend (our 2nd stop on this tour). This image has some PP and color boost to give it some drama but with the A7s and 15, no corner fix is needed. It does not have the same issues that the lens has on the A7 and A7s.

Click it for larger version to see it the correct way – the light was not ideal at all on this day but was still a great experience.

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As we traveled through the Canyons I was a little worried. I had others on this road trip who were shooting with some SERIOUS gear, costing as high as $65,000. Some were shooting with M9’s, some with M 240’s, some with Sony A7r’s, and some with Nikon D750’s and D800’s. Many had the Olympus E-M1 or E-M5 and I was the only guy with the A7s because the mindset here was MORE RESOLUTION is better. In this case, yes, that is true. Shooting landscape is always better with more resolution if you want a very large print. If you want a 20X30 print you will see more details up close with an A7r, D800 or Leica M9 even. But for just hanging a 20X30 in my office, from normal viewing distance, 99% of people would never see a difference between my A7s and a D800 file.

In any case, I had to crank the ISO to 3200, 6400 and in some cases 12,800. The good news is even at these high ISO’s the Sony did fantastic. Are they 100% noise free? No, of course not but they look pretty damn  good for these high ISO’s.  Just think, if I attempted this with digital cameras from 3-4 years ago it wold be impossible. Images would be grain city, washed out, harsh…but the Sony A7s, as I have been saying since its launch, is quite special. It is an ANY light camera capable of so much. To see more from this trip using the A7s click here.

I was using the Voigtlander 15 for many shots and they looked great. When I switched to the Leica WATE (borrowed) it got even better with color and contrast. NO edge issues with either lens on the A7s but the WATE is a much better lens (as it should be for 12X the price).

SO yes, I still adore my Sony A7s. 

Below are a few images, all handheld. Some with the Leica WATE, some with the Voigtlander 15. All without ANY NOISE REDUCTION. What you see is what you get. 

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Some of the images looked interesting in B&W and what we were looking for here were shadows, light, texture and detail. 

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Nov 062014
 

Street Photography to Me

by Steve Huff 

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Many have asked me about doing a video on my thoughts about Street Photography. Why I am FAR from an expert on shooting Street, I do in fact enjoy it and I enjoy the interaction with the subjects as well. Not everyone shoots the same way, and me, I prefer to go about it in a couple of different ways. Sp enjoy the video below as everything is explained there :)

Nov 042014
 

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The new Artisan & Artist CLCAM-1000 Camera Bag

Artisan & Artist have released a new camera bag, the CLCAM-1000 in a new Navy Color, and it is a beauty! This bag is perfect for a mirrorless system or Leica M system. In fact, a Leica M would be perfect for this bag as it would fit a 1-2 bodies and 2-3 lenses as well as a charger and accessories. It has “Rangefinder Bag” written all over it and is up there in quality with the best I have seen (in this niche) :) It is made of canvas and Leather.

Artisan & Artist sent me the CLCAM-1000 for review and it is one clean-looking design with the typical Artisan & Artist usability and functionality…and of course, the usual A&A BEAUTY.  The new Navy color is fantastic and is not usually seen in higher end camera bags. It is a step away from the typical black or brown leather and canvas we usually see in these sorts of bags. Artisan & Artist have always been in my top three bag companies with my #1 longest lasting bag coming from them. These days I enjoy a few bags from Wotancraft, Hold Fast Gear, CosySpeed and Ona but also have fallen for this bag from Artisan & Artist. I may need an extra room in my house soon to house all of my camera bags, lol. (maybe a giveaway soon)?

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Many love higher end fashion camera bags and many complain about them not understanding why anyone would want such a pricey bag. Me, I love all bags but there are so many fantastic camera bags out there. How do we find the “right one” for our needs when there are so many awesome companies making these higher end super quality bags today?

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It’s all a personal choice really. Wether we go for a high end beautiful luxury bag or a low end $49 special, all that matters is that WE like what we use and buy. If I hate a bag I will not use it. If I love a bag it will go with me everywhere and be functional, doing more than just carrying my camera. When I first started getting into really nice bags, Artisan & Artist was my 1st choice. I used some of their bags for years..taking them all over the world in rain, sleet, snow and blistering heat. From airport to airport and on the streets, on the beach and everywhere in between. I had a nice large one that I used for travel and it never let me down in construction or stealthy looks. These days I use a very sweet Hold Fast Roamographer for my travel but when I need to go on a day outing with a Leica M I have found that this new A&A CLCAM-1000 can easily fit the bill. Sure, many bags can but some may adore the classic styling of this bag as well as the gorgeously functional interior. The front flap snaps into place instead of using buckles or velcro, which is nice.

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The new CLCAM-1000 exudes class and is yet another bag in the A&A line that will get compliments on the design and looks of the bag itself. The padded interior is typical Artisan & Artist Red and as stated, large enough for 1-2 Leica M’s and a couple of lenses. A Sony A7 and 3 lenses or something like an Olympus E-M1 and a few lenses. It’s a mirrorless bag for sure, not really for a DSLR system. I was able to fit my 13″ Macbook Air inside but it was tight. I think it would be best with an iPad Air or the smaller Macbook Air. I see this as a day trip bag or something to keep you beloved mirrorless safe and sound when in use and when not in use.

Some bags I have used over the years age very well and some do not. The ones that have has always been from Ona, Artisan & Artist and Domke. I have not used my other bags long enough to speak about longevity but this one gives me no doubts. The inner flap is lined with zipper pockets to hold memory cards, film, or cables. Even your iPhone.

Overall this is a fantastic looking, feeling and functional bag. Add it to the growing list of useful camera bags that not only perform but look the part as well. The price for this bag in the USA comes in at around $500.00. I was not able to find any dealers selling this bag, nor was I able to find any information about the bag on A&A’s own website, which was odd..but I did see one on E-Bay for $530 and shipping from Japan. I am sure the USA dealers will get a hold of this bag SOON. It is expensive, and there are many other options out there for the same or less money but if you are an Artisan & Artist fan like me you may just fall for this one.

Things I would have changed about this bag? Maybe a rear pocket could have been added (I find these very useful). That is about it.

Artisan & Artist dealers I recommend are PopFlash.com and LeicaStoreMiami.com

 

 

Oct 312014
 

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From the Leica M9 to the Leica M240…and Back to the M9

By Ashwin Rao – Follow him on Facebook HERE

Hello my friends. It’s Ashwin, back to talk about my recent GAS (Gear Acquisition Syndrome) journey with Leica. I have been a huge fan of both the Leica M9 and Leica M Monochrom over the course of the life cycles of these cameras. I have always enjoyed the rangefinder way of seeing, from the time I first came upon my very first rangefinder, an M6 TTL. I joined the digital rangefinder transition, as did many others, with the Leica M8, and while that camera had many benefits (incredibly clear and crisp sensor), it was not quite ready for prime time due to its IR sensitivity issues and operational foibles, all of which have been well documented. That being said, many Leica M8’s remain in service today, over 8 years after it first came into production in September of 2006. The Leica M9 was released to much fanfare on September 9th 2009, heralded as the first full frame digital rangefinder, featuring a high quality CCD sensor with the same pixel pitch as the M8, and some cosmetic and operational refinements. The infrared sensitivity issue ,which plagued the M8, was mitigated for the M9, and for many, it is considered a modern legend of digital photography. I received my first Leica M9 in December of 2009, and soon thereafter wrote my first article for Steve, reviewing the M9 and a “travel camera extraordinaire.” 5 years later, I believe those same words hold true. The Leica M9 remains a remarkable camera, capable of capturing the decisive moment and motivating the eager photographer.

Leica M9 and 50 mm f/1.4 Summilux-ASPH

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M240 and 50 mm f/1.4 Summilux-ASPH

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Leica M9 and 50 mm f/1.4 Summilux-ASPH

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With time comes progress (right?) and in September of 2012, Leica announced the Leica M240, or in short, the Leica “M”, the first full frame sensor to feature a new CMOS sensor, which would permit higher ISO shooting, and importantly, live view. In theory, the Leica M240 boasted many performance and design refinements learned from the limitations of the M9. It also allowed rangefinders to compete with other modern cameras in providing an option to focus lenses with live view and it can shoot video. For many rangefinder enthusiasts, particularly those with aging eyes and a large collection of R lenses, the M240 represented an option by which to focus more accurately and use their R lenses, which have not been supported by a modern digital Leica R.

Like many, I was very curious when the M240 was launched. I kept a close eye on those who were able to use the camera early in its production cycle, such as Steve, Jono Slack, Gary Tyson, and others. As the camera became more widely available, I regularly browsed online photo forums and facebook enthusiast pages to find compelling images and reasons to justify upgrade….this process was a year long journey, and one accompanied by great struggle. I truly loved my M9, the “CCD look” that I perceived to be true, and had truly bonded with the camera over years of use, but new cameras are always compelling and entice the prospective buyer with the promise of new features and improved image quality. I also struggled with the concept of investing another $7000 in a camera, when I had just done this a few years back.

Leica M9 and 35 mm f/1.4 Summilux ASPH pre-FLE

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Finally, in the spring of this year (2014), I purchased the M240. It was a harrowing, yet exciting moment. In the year that I had debated whether or not to purchase the M240, I remarked that the color palette, dynamic range and look of files from the M240 was vastly different M9 files. Initially, the M240 seemed to be plagued by inconsistent white balance, but over the year, through firmware upgrades, Leica seemed to improve upon this. Yet, the colors coming from the camera, and skin tones in particular, seemed so different, warmer and more red/orange (a common problem with CMOS digital sensors, by the way), than what I had accommodated to with my M9, which provided a seemingly cooler skin tone profile. As I reviewed images, I came to compare the M9 and M240 images to different image stock. Ultimately, I was compelled to try the M240 to see if I could adjust to this different way of seeing.

M9 and 50 mm Noctilux f/0.95

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M240 and 50 mm APO Summicron-ASPH

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In the process of buying my M240, I quickly sold my M9 to be able to focus on one color rangefinder option. I set into getting to learn my camera, and was able to have the M240 around for a very important part of my life, that is, my wedding and the months around this event. I managed to shoot the camera regularly.

What were my conclusions, you might ask? What was my conclusion from this costly experiment? Well, the title of the article summarizes the basic experience, but let me elaborate. I simply couldn’t get used to the M240 and I could not find a bond with the camera. First, and most challenging for me, was the color reproduction of the camera and its inconsistent white balance reproductions under artificial light, particularly in rendering skin complexion. I often found skin tones to render excessively yellow or orange, and I simply could not find ways in Adobe Lightroom, to get skin tones to look as I enjoyed. I could get close, but adjusting skin tones would often affect the color reproduction of the rest of the image. Apparently, I had accommodated to the look of the M9, and I could not get close enough with the M240. Second, and disappointing to me, was an issue with banding at higher ISO’s. Whenever I took a shot that was underexposed, lifting the shadows resulted in noticeable banding at ISO’s of 3200 and higher (and occasionally at ISO 1600). I was able to remedy the banding issue using software fixes (Nik software’s has a de-banding tool that’s very useful). In practice, shooting in low light was nearly as limited for the M240 as it was for the M9, which has a practical ISO limit of around 640, after which banding behaviors are the norm with image adjustment.

M240 and Summicron 28 ASPH

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Leica M9 and Noctilux 50 mm f/0.95

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For the M240, I also struggled mightily with the “start up time” of the camera. When powering the camera on, it takes about 2-3 seconds before the photographer can actually take a shot. Initially, I thought this was a camera defect, but trying a few friends’ M240’s, I found the behavior to be universal. I tried to remedy this by leaving the camera on all of the time, given that the M240 sports a much-improved battery than the M9. However, after prolonged periods when the camera went back to sleep, I noticed the same lag. There were several instances where I missed an important shot , and this became an increasing turn off as I used the camera more.

M240 and Noctilux f/0.95 – Lauren

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As I used the M240 more, I became increasingly aware of the weight of the camera. At first, I felt that the camera felt more confident, more solid, less “airy” in hand, but after some time, I found the added bulk to be unwanted. My shooting arm would get sore. Not a huge deal, but enough of a difference to be annoying. After all, there was an outcry when the M8 and M9 were built with much thicker bodies than previous film M bodies, and here was a camera that provided even more bulk and heft to a shooter (myself) who valued size and discretion in his camera.

M240 and Noctilux f/0.95 – Andi

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M9 and Noctilux f/0.95

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Finally, I became increasingly annoyed over time with the menu layout. I wasn’t entirely sure when to press the “Menu”, “set”, and Info buttons. It was not nearly as intuitive an experience as to how best to adjust settings on the fly as it was with the M9. Even the ISO adjustment methodology seemed more cumbersome to me, who had gotten used to the simplicity of the M9’s menu and button implementation. The M240 had new buttons in unexpected places, and on occasion, which thought I was capturing images, I had accidentally triggered video shooting.

M240 and 90 mm f/4 Macro Elmar

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M9 and Rigid Summicron 50 mm f/2 (v2)

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As you read this, you may feel that I am unfairly bashing the M240, and that with more time, I would have adjusted to the cameras many quirks. While this may be true, I kept coming back to my struggles with the M240’s image rendering. As I looked on my screen at old M9 shots, and compared them to the M240 images that I had captured, I took note of several things. I find the M9 to have rendered a more “crisp” pixel, while the M240 renders a slightly softer pixel. Further, the M240 renders with much more dynamic range, but for some reason, images taken with this camera seemed to exhibit less 3D pop that I saw with my M9.

In summary, I began to find reasons to return to my Leica M9, and in August, after 4 months, I sold my Leica M240 and returned to the M9. I can say that I am happy with this choice and much more settled with keeping the M9 and its awesome CCD sensor and way of rendering.

Well, I spent a lot of time bashing the M240, no? Let me bash the M9 for some balance. The M9 is a camera full of quirks and deficiencies. First off, it has a completely inadequate and dated 200,000+ pixel LCD. It was an out of date LCD the moment it was released, and 8 years later, it’s ridiculously poor…One cannot count on confirming clear focus with the M9’s LCD. Further, there’s a slight delay between when the image snaps into focus on the LCD, making images seem blurry for a moment.

There are times when the M9 freezes operationally and won’t take a shot. And I don’t just mean when the buffer is full. At times, I have missed important shots because the M9 simply refused to take the shot. Further, battery life is quite poor (300-400 shots), compared to the far improved M240 sensor. The M9 has an ISO limitation that stems from its CCD sensor. It’s only capable of being shot reliably through ISO 640 (or 800 if you are willing to live with lost dynamic range, muddier images). Compared to today’s sensors (think Sony, Fuji, Olympus, and Panasonic), this ISO limitation seems arcane. Compared to the M240, which offers clean ISO’s through 1600 and inconsistent but occasionally decent performance at ISO 3200, it seems old as well. Yet, at base ISO through ISO 400, the M9 offers something unique. It offers a lovely color palette. Images, particularly of people jump off the screen. Skin tones and rendering can take on a lifelike look, while the M240 occasionally presents skin tones in a waxy (CMOS) manner. You’d never see this on your cell phone or laptop monitor, but on a calibrated larger home monitor or large print, there’s a difference there that’s continued to be noticeable to me.

Ultimately, I came to accept the limitations of the Leica M9 to gain its benefits. The M9 turns on and is ready to shoot instantaneously. It’s silent shooting mode is cleverly implemented and useful when employed. It’s a lighter and airier camera and is less fatiguing to hold in the hand for prolonged shoots. It’s menus offer operational simplicity, which seems to echo the rangefinder way of seeing. It’s CCD rendering (yes, I believe that the CCD “look” is real…sorry to all of the naysayers) is awesome and increasingly unique in a world where CMOS sensors have taken over.

I believe that the Leica M9 continues to represent the pinnacle of Leica’s imaging achievement. Like many countless others who’d hope for a camera that offers the best of all worlds, I strongly suspect that such a camera will never materialize. I doubt that there will ever be another CCD-sensor Leica. And thus, I am “stuck” with the M9, and of course, my beloved Leica M Monchrom. For those times when I desire revelatory ISO performance, I have moved to the Sony A7s, which I have used extensively (nearly exclusively) with Leica M lenses, and I find that its limitations (primarily the 12 megapixel sensor and tunnel view SLR way of seeing) don’t bother me all that much. The Sony is not built anywhere as confidently as the Leica (in terms of feel), but it’s a great camera worth checking out for a modern CMOS option. IT’s colors are not Leica colors, but I have found that I can get skin tones that I like with this camera.

Leica M9 and 35 Summuilux FLE

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Leica M9 and 50 mm f/1.4 Summilux ASPH

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Thus, for me, the Leica M240 is now part of my photographic past. The Leica M9 has returned to my kit. It represents my photographic present. I certainly hope and expect that Leica will continue to re-invent itself with new innovative products and improved rangefinders. The Leica M240 was not the right camera for me, but I hope that the next iteration will be a better fit. At that time, the M9 will remain with me. It’s a lifetime camera, unless Leica finds the guts to go back to CCD or a sensor the renders similarly. It offers a unique rendering that blends so well with M lenses. It’s a great option for photography, even today.

M240 and 50 mm APO-Summicron ASPH

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I imagine that many of you will take exception to my thoughts and comments. I welcome your thoughts, your debate, and your criticisms to this argument. It simply represents my opinion and current thinking on the matter.

Here’s a summary of what I consider the strengths and weaknesses of the 2 cameras discussed:

Pros of the Leica M9
• CCD sensor – per pixel microontrast and dynamic range at low ISO
• Menu and operational simplicigty
• Weight
• Heft
• Instant On
• Silent shooting mode

Cons of the Leica M9
• ISO limitation
• Rear LCD is terrible
• Poor battery life
• Indoor and outdoor white balance inconsistency
• Reduced dynamic range compared to modern sensors
• Occasionally the shutter doesn’t fire
• IR sensitivity is still there, though less so?

Pros of the M240
• ISO improvements (though banding limits realistic ISO to < 3200, and in some cases, 1600
• Moderate Dynamic range improvement
• Solid battery life
• Build Quality
• EVF capacity, for those who want it
• Much improved shutter sound and less shutter shake
• Fantastic Black and White Conversions

Cons of the M240
• Heavier
• Meno complexity and dials
• Adds complication to a simple RF concept (i.e. video, EVF, etc)
• Unnatural Color reproduction of skin tones
• Indoor white balance inconsistency
• Shooting lag, when camera is first activated
• More IR sensitivity?

Feasible areas of improvement for the next Leica M:
• Improved color stability for white balance
• Improved color rendering of skin tones
• Reduced banding artifacts for high ISO, particularly when adjusting images
• Baseplate access to the battery and SD card
• Make the camera thinner, rather than thicker
In fairness to bias, my time with the M240 was self-limited to 4 months. My time with the M9 has extended to nearly 5 years. There may be much in that difference in experience that may explain some of my experiences with these cameras. All the best to you, and most importantly, keep your hand on the shutter and keep making images, regardless of camera.

M240 and Rigid Summicron 50 mm f/2 (v2)

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M240 and 35 mm Summilux ASPH FLE

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Oct 302014
 

Some Leica M 240 love..

by Per Bendiksen

I’ve been an on and off hobby photographer for some years now. Born and raised in Viking land, Norway. We have the nicest fjords and the most beautiful blondes in the world!

I’ve started analog, went digital, back to analog and now digital again. I’ve had many different system and brands, mostly Nikons – but where I am now feels like home.

Leica M typ240! Shooting rangefinder is somehow religious. Being able to shoot with a Leica is even better. OK, I sound crazy – but the last years of photography nothing has given me a better feeling similar to that first time framing, focusing and BAM the shutter speed. Love it!

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Mostly I like to put a person in my pictures, when no one around – landscape, street, buildings etc.

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Thanks for hosting this inspiring site!

Happy shooting folks!

more pictures @ perbendiksen.wordpress.com

Oct 292014
 

The Winterless North and the Leica Film M’s

By Jason Howe

Much earlier in the year I had some surgery on my knee, I can tell you there is plenty of time to think when you spend weeks sat around on the sofa watching daytime tv!! During these weeks of boredom I figured out a few things I needed and wanted to do once I was back on my feet.

Firstly I created my own little photography space, part darkroom and part office, this has been a huge advantage, no more migrating from room to room around the house. Secondly, I really wanted to get back to basics and shoot more film, not only did I want to shoot more film, I also wanted to take more ownership of the whole process. I got lucky and managed to pick up a relatively unused Jobo CPP2 with lift, an achievement in itself here in NZ. The tanks and reels I picked up from the helpful and equally awesome guys at Catlabs.

I few weeks ago I managed to fabricate another road-trip opportunity and with it a chance to visit another part of New Zealand, one that I haven’t explored before. As a continuation of my enthusiasm for shooting film I’d maybe crack out a Leica film camera or two for the trip.

Route -
Head to Cape Reinga at the extreme tip of the North Island, taking in a few other random places on the way. Experience has taught me to have a plan to fall back on but to follow my nose most of the time……

Gear -

Leica M7 & Leica M3 DS
35mm Summilux f/1.4 Asph
50mm Summilux f/1.4 Asph
15mm Voigtlander Super Wide Heliar f/4.5 Asph

I have now mastered the art of travelling light, well lighter when it comes to gear.

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I grabbed a random handful of films, well 24 rolls to be exact, safe in the knowledge that there’s absolutely no way I’d be able to shoot that many rolls in a few days but I did manage 12 which for me, is quite a lot.

Kodak Ektar 100
Kodak Portra 400
Agfa Vista 200
Fuji Superior 400
Fuji Velvia 50
Fuji Astia 100f
TMAX 100
TRI X 400

Developing -
I’ve developed the C41 films myself in the JOBO CPP2 using the same Digibase C41 Pre-mixed kit I’ve used recently. Likewise I’ve also developed the B&W, this time using XTOL. I’ve not got my E6 Chemicals yet so these were kindly developed by the awesome Film Soup.

Scanning -
Again, I’ve done this myself, I’m certainly still getting to grips with my current scanner.

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There are no such things as strangers, only friends we haven’t met yet!! I don’t know where that saying originated but I can’t help but think it was based on someones experiences in New Zealand!!! People, especially in small towns are more likely to engage in conversation with a stranger, put a film camera in the strangers hand and they are more likely still!! Throw in an English accent and well you can pretty much speak to anyone, anywhere……..

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I’m trying to be more present in the moment, less rushing around chasing photographs and more relaxing and just accepting what comes along. Obviously I huge part of photography is creating memories, not all images can be beautiful, nor should they be, I’ve included the image below to highlight that.

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Whilst undoubtably slowing progress my continued inclination to drive down random side roads does yield the occasion benefit. I followed one such road for several kilometers until it eventually ended at a deserted white sand beach, deserted that is apart from a small campervan. You see these vans in NZ, half a million km’s on the clock, no doubt carried endless numbers of travelers around the island before eventually being sold on and on and on. It appeared to be empty but as I began to walk away from it a voice yelled out “Kia Ora Bro!” as I turned a face popped up in the rear window. Five minutes later and I was sat at a makeshift table and chairs sharing a cup of tea with this generous stranger. The kiwi’s call it having a yarn and as we sat putting the world to rights, sipping tea and discussing the beauty of the “winterless north” he made an admission…… “The truth is I was only hitting the road for a few weeks, in actual fact I was supposed to be back at work by now, well 2 months ago to be honest!!!” We cracked up, New Zealand can do this to you, “S**t! I need to do a lot better than you” I said.

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For me, there’s always a period of reflection when you return from a trip. With the exception of the E6 processing, the dune and cloud shot, this entire analog post is my own work from start to finish. When you actually stop and think about the process it’s actually a little bit daunting, that said it’s also incredibly satisfying. Breaking it down, from seeing a photograph, executing the shot, developing the film and getting a scan you’re happy with there’s actually quite a lot of margin for error…..Had I shot these images on digital I’d have known immediately if I’d got the shot, there’s no risk to processing them and they could have been posted within a couple of days, don’t get me wrong, I’m not saying that’s a negative in fact most of the time that suits! Nor am I saying these are the best photographs I’ve ever taken, but I’m going to stick my neck out and say that right now they are the ones that have given me the most satisfaction.

This is just a small extract of my trip, the entire post including processing details can be seen on my website HERE.

Cheers, Jason.

Oct 282014
 

Quick 1st Look: Voigtlander 40/2.8 Aspherical Heliar for Sony E-Mount!

My Sony A7s with the brand new Artisan & Artist ACAM-310 Red Silk Strap

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Yesterday another new lens arrived via the wonderful mailwoman who delivers so much gear here she had to ask me what it is I do for a living :) The new Voigtlander 40mm F/2.8 Heliar Aspherical lens is a beauty, especially on the A7 series of cameras. It is small, collapsible, solid and made to a high standard. But this lens is unique as it is a Leica M mount lens (Voigtlander VM) but can not be used on a Leica M as there would be no way to focus it. Instead it is designed to be used with Sony E Mount using the Voigtlander VM to E close focus adapter. Yep, just mount this lens to the adapter and then on to your A7 or A6000 or any E mount camera, full frame or crop sensor, and you will have a gorgeous small lens that will deliver sharp yet beautiful results.

Image below is from cameraquest.com where I received the lens from… you can see the cap, hood, etc. 

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When I mounted it to my A7s it gave the camera a solid heft that I loved and in use it was very easy to focus. The color is rich, the sharpness is there without being analytical or overdone and while there is slight vignetting wide open at f/2.8, it adds to the character of the lens.

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The lens comes with a cap, a hood and is collapsible on the A7 series of cameras. When collapsed it makes for a very nice compact lens. Even when extended it is compact. After only testing this lens for a brief moment yesterday after it arrived I was very impressed with the handling, build and image quality. I only snapped three shots with it so far but will be getting out this week and weekend with the lens so a full review will be on the way soon..and damn, looks like yet another lens I will want to purchase. At $400 it is a very good buy and if you have the VM to E adapter already, a no brainer. NOTE: This lens is only designed to work with the Voigtlander close focus M to E adapter but I think any adapter that is similar (close focus) will work (HAWK). Still I recommend the Voigtlander 100% for adapting M lenses to E mount. 

So if you own this adapter, which IMO is the best adapter made for converting Leica M lenses to Sony E mount, then this gorgeous lens is a MUST BUY! It gives that old school feeling, look and the rendering is quite nice.

The lens is IN STOCK now at Cameraquest at the direct link HERE. 

My full review of this lens will be up in about 10-14 days!

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Oct 202014
 

Which is Which? Leica Monochrome vs Sony A6000

UPDATE: #1 is the A6000 and #2 is the Monochrome! You guys got it right, (most of you)!

Have not done one of these in a while and I always get asked to do these crazy comparisons so here we go. Which is which?

ONE image was taken with a Sony A6000 and one with a Leica Monochrome. Not going to say what lenses were used with each but let’s do a fun poll to see who can guess it right.

So seeing that the Leica is an $8000 camera vs the Sony at $648 pick which one you feel is from the Leica. EXIF has been stripped. 

IMAGE 1

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IMAGE 2

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If you are unsure which is from which camera, then just take your best guess. :)

UPDATE: Sony is #1 and Leica is #2!

Oct 172014
 

Faces of the World Cup

By Caesar Lima – His website is HERE

Every 4 years the World Cup hosts 32 countries and an amazing soccer tournament in a different country. Since it was hosted in Brazil this time and being from Brazil and a photographer, I couldn’t resist making my 6 week trip down there into a project of capturing some of the excitement of this unique event. I decided to take mirrorless cameras because of their smaller size. I took a Sony RX-1, a Leica T with a 23mm and 5 M lenses plus a Sony A7r with 50mm and the new 70-200mm. I was able to take all this gear into the stadiums with no problem.

The games were held in different cities and I also ventured out into the streets and bars to capture the faces of the fans. There were amazing crowds of people from different countries, like a huge party. The Brazilian people are amazing hosts and they love to party. They were very proud to have all these visitors, the combination of great soccer games, 12 brand new stadiums, great food and lots of beer made it the best World Cup ever.

I feel very lucky to have been there and to have been part of such cool event.

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Oct 162014
 

LESSONS

Three lessons I have learned from shooting the streets.

By Steve Huff

Street Photography has enjoyed a huge resergance in recent years. With the many blogs writing about it, workshops showing others how to do it, and the constant barrage of street shooter hobbyists sharing their photos, street shooting has seemed to meld into all sorts of things, much of the time having nothing to do with the old school style of which most everyone was inspired. My favorite street photographs of all time were shot by none other than Vivian Maier. Not only are her photographs very special, they bring back memories of a time before I was even born. The cool part for me is that her amazing street photos were all shot in my hometown of Chicago, giving me a glimpse of the people of the past. If you are not familiar with her story, I urge you to watch the documentary “Finding Vivian Maier”.

I consider Vivian’s work to be more than “street photography” as many know and practice it today. I see her work as something special, something magical and more along the lines of “street portraits” much of the time. She loved shooting people and she had a talent for it that many of us (including myself) do not. As I browse through the book of her work “Out of the Shadows” (which I HIGHLY recommend, amazon link HERE) I am over-run with emotion as I am taken back to the past, to slices of life that we will never see again. Because Vivian captured this fraction of a second on to film, a memory was made. A time capsule if you will. I have said many times that we already have a time machine here on earth, and it is called a camera. While we can not physically go back in time, looking at old photos will take us there in our hearts and minds. A camera is a powerful tool when used in the right way.

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When I started shooting street images I was horrible at it (and still consider myself a street hobbyist with so much to learn). I was fearful to let anyone know or see that I was taking an image of them. I was afraid to lift it up and make eye contact with the subject, and I usually came away from a day of shooting with nothing to show for it. Eventually I told myself “you must never fear taking a photograph”! Fearing the actual act of taking a photo was killing my passion for photography and that was not good. If I wanted to get out on the street and snap those special moments, those slices of life, the people I meet and those time capsule memories…then I needed to just do it and NOT think about it.

*The 1st lesson I learned is to never fear shooting in public. Just do it, and act as if it is as natural as looking at someone and giving a smile. But also you must use your instincts as to WHEN and when NOT to shoot.*

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After a while I realized  there was absolutely nothing to fear when out shooting people out in public. 99% of the time I get a smile back, a nod or a grumpy face but never have I been attacked and I think that comes from my instinct. What I mean by this is that after a while you start to get an idea of whom to approach, who to raise your camera to and who NOT to do this with. I can sense if someone will have an issue with me taking their photo, and in these cases, I skip it. Many will say “take it anyway” but I believe in respect when shooting on the street in public. I also believe in some sort of acknowledgement if you want a “street portrait”. Not setting up the scene but making sure the person is OK with you taking their portrait.

Rio Brazil: Saw this happy smiling man sitting on the street and sat down to chat with him for a while. He did not speak English but he wanted me to take his portrait after he saw my camera, so I did. For me, making a connection to strangers is one of the appeals of taking street portraits. 

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Las Vegas NV: I noticed a rowdy bunch of guys on the street selling nightclub tickets so I walked up and asked if I could grab a shot of them. When I approached I was calm, cool and confident as confidence usually gets your subject to feel comfortable. Below you can see the shot and below that shot is an image of me taking the shot :) Shot using the Leica Monochrom.

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Walked by this Security guy who was directing traffic and people on the strip in Vegas. I passed him up then decided to walk back over to him. I made eye contact, nodded my head and snapped. It all happened so fast he said “you did not give me time to smile” 

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Many times I will sit down and chat with whoever I want to take a snap of. If they are OK with me shooting them after this, I will. If not, I thank them and wish them a great day.

*So the 2nd lesson I have learned for my style of street shooting is “be respectful to all and use your instincts”. Usually when you do this, you will also be respected back instead of someone getting angry and wanting to tear your camera away and smash it.*

Not all street scenes are portraits of course..all depends on the scene. Many like to catch human interactions and be invisible to the subject. I have seen some astounding images shot in this fashion from others and it is also a style that is nice to take on, but it requires patience. Many street shooters I know who shoot in this fashion will stay in one spot for hours..waiting for the one moment where they will get a nice shot. While I prefer human interaction, I do not always have a chance to chat first, and when this happens I just shoot.

When shooting street it can take years to be able to develop your senses or how to “see” things worthy of a photo. I am no expert on this, not even close but I have learned over the years that you should always keep your eyes peeled as many things happen in a split second while other situations need to be observed for a while.

*The Third thing I have learned is learning how to “see” and “observe” as things usually move quick on the streets*

Rio, Brazil: Seeing this elderly man sit down on the bench I observed his actions for a while. He was just sitting there like a statue for 10-15 minutes, moving very little in this time. What I saw is a man, sitting like a statue next to a real statue. The three younger ladies behind him were enjoying the Ocean view in Rio while this man may have been looking back on his life while listening to the water. 

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St. Petersburg Russia at Midnight (yes midnight) – Saw this couple ready to kiss with the midnight sun behind them and the boat chugging along..raised my Leica M9 and shot. For me this captures the romance of this city perfectly.

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Recife Brazil: This woman was not the friendliest looking person but who knows, she may have been sweet as pie. The look on her face tells me she may punch me if I snap, but then again, maybe not. I wanted to get a profile but as I snapped she looked behind her. This is not a technically great photo but it is edgy. I was recently asked if I like “Beauty” or “Truth” and I always say “TRUTH” as that is reality. Beauty and fake beauty is everywhere but truth trumps all. 

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Seattle: Saw this girl having a great time on the beach. The sun was setting and the weather was amazing. Wanted to catch her laugh to show that in this one moment in time, this person was having a great time in their life. Happy and full of life. 

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Inside of a truck stop somewhere in middle America: Was eating lunch when I saw a kid outside the window begging his grandmother for money so he could buy a toy he saw inside the shop. She refused at first, telling him NO NO NO! She then relaxed, pulled out a smoke and gave him her coin purse. Seems the cigarette gave her some peace :) I was watching the interaction take place for a while before deciding to snap a shot.

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Berlin Germany: While in Berlin I saw this couple cuddling and holding hands so I followed them down the street for one minute. At a street crossing I saw her embrace him and right after I shot this she smiled at me as she knew I captured some love right there :) 

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New York City: Hanging around NYC was a blast and it is a street shooters dream. I love this one that I caught of a man coming out Penn Station

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Rio Brazil: A woman massaging her man’s neck and back as she whispered sweet nothings to him. They acted like they were all alone and oblivious to the surroundings. I squatted down, snapped the shot and afterwards the guy looked and gave me a  thumbs up. I was alone on this walk in Brazil with my Leica and never hesitated to shoot.

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Scottsdale AZ: At a bar just before Christmas I was greeted by a dog at the bar. He was shaking everyone’s hand who came in and was just like an old bartender, but friendlier. I had to snap this hand shaking dog so I could always remember the laughs we had that night. 

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Berlin: Shooting people on a bus can be interesting. This woman looked deep in thought and I wondered what she was thinking about..of course I will never know that, or her, but I like the photo. 

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Somewhere in Brazil…another Bus shot. 

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Rio: I was eating lunch at an outdoor cafe near the beach when I saw these two guys. I raised my camera, gave them a nod and they gave me a pose :) 

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Seattle: A street performer who has been here for a long time singing to all of the tourists…

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Berlin: I saw this man riding a bike with some pretty nifty socks.Had to get a shot.

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While walking down the street I saw  these two parking attendants arguing. Usually one would stay out-of-the-way of  two guys getting into an argument but I snapped without them knowing until AFTER I snapped the shot. They were cool with it and ended up laughing at themselves in the end. 

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Seattle: Seeing this little boy skipping, dancing and enjoying an apple at the Gum Wall. I snapped when he looked over at me as he was taking a bite out of his apple

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So basically the moral of MY story is when I dropped the fear of taking images of strangers, and when I learned to use my instincts of when and when not to shoot and when I learned how to “see” better it all added up to improve my street photography to a higher level than when I first started. While I have lots to learn, and I do not do too much street shooting these days, I always have fun with it, which to me is the most important! If you do not have fun with photography then it will get old..fast. So always shoot what YOU enjoy shooting, even if it is flowers, leaves or trees. Whatever makes YOU happy is all that matters!

OF COURSE there is much more to it than those three things but that is a good starting point. Also being comfortable with your camera and lens will help you along the way. ;)

Recife Brazil: Two girls on the beach. This was late night and I was out with my M9 and Noctilux. When they saw my camera they said “TAKE OUR PHOTO”!! To me, this is what it is all about..interaction with others, having a great time and nailing a nice photo to take you back to that moment.

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SMILE! This one was taken somewhere in Seattle and she loved having the attention and her photo taken :) 

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Talin Estonia: Shot this girl on the street during an early morning walk

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To those who want to get better at shooting images on the street can start with losing the fear of shooting strangers, learn to develop their eye and how to observe and also to be respectful to those we approach and want to photograph. Most of all, have fun.  While I will never be a master of the street. I have loads of fun doing it :)

Steve

Oct 152014
 

The Leica X Edition Moncler – limited to 1,500 pieces

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PRESS RELEASE:

New York, New York (October 15th, 2014) — Leica Camera continues to celebrate 100 years of photography with the limited Leica X “Edition Moncler”. The new edition was designed in collaboration with Moncler and infuses both brand’s values of quality design and technicality. The aesthetically pleasing and highly technical camera pays homage to the French origins of Moncler with a premium leather trim in a three-color scheme of red, white, and blue. The silver version of the Leica X is appealing to both photographers and fashion forward camera users.

The exclusive Leica X ‘Edition Moncler’ is strictly limited to 1,500 units for the entire global market. The additional camera case was designed in accordance with Moncler’s world famous down jackets. The matching genuine leather camera strap bears the inscription, Leica & Moncler, highlighting the collaboration. The Leica X ‘Edition Moncler’ will be available from Leica Stores, Boutiques, and Moncler flagship stores, beginning October 2014.

This exclusive camera was first unveiled during the Frieze Art Fair in London at the opening of Fabien Baron’s exhibition, “Monuments”. The opening was hosted by Leica and Moncler at Sotheby’s on October 14th. Fabien Baron, Vanity Fair’s “most sought-after creative director in the world”, highlights the exemplary collaboration between Leica and Moncler with his exhibition. Baron’s photographs, captured with the Leica S medium-format camera system, show the spectacular ice and snow-bedecked landscapes of Greenland and express the fascination of nature with which Moncler is deeply involved.

The technical specifications of the Leica X ‘Edition Moncler’ are identical to those of the standard production model of the new Leica X camera. The camera features a professional APS-C-format CMOS sensor with 16.5 megapixels (effective 16.2 megapixels) with a Summilux 23 mm f/1.7 ASPH. lens, increasing creative freedom and guaranteeing exceptionally brilliant pictures.

It also offers a wide range of camera functions, an intuitively simple handling concept and the iconic, premium attributes of Leica product design. The Leica X provides everything an amateur or professional photographer needs for commercial, small business or family use.

About Moncler

Moncler was founded at Monestier-de-Clermont, Grenoble, France, in 1952 and is currently headquartered in Italy. Over the years the brand has combined style with constant technological research assisted by experts in activities linked to the world of the mountain. The Moncler outerwear collections marry the extreme demands of nature with those of city life. In 2003 Remo Ruffini took over the company, of which he is currently Chairman and CEO. Moncler manufactures and directly distributes the Moncler clothing and accessories collections Moncler Gamme Rouge, Moncler Gamme Bleu, Moncler Grenoble and Moncler Enfant through its boutiques and in exclusive international department stores and multi-brand outlet

Oct 142014
 

Use any strap on your Leica T! New T Strap Lugs…

Match Technical just released a couple of new items for the Leica T. First up is the new T Strap Lugs. As T owners know, the T comes with a proprietary system for connecting straps..only Leica straps. Many are not fans of the rubber Leica straps for the T and they have had no way to use other straps on their beloved camera..until now.

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Using these you just snap these into the camera and bingo, use any strap! You can order them at Leica Store Miami.

Match Technical also designed and released a new Thumbs Up for the T.

You can click HERE to see it and read more about it. Looks pretty slick!

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I have not tried or tested either of these as they are brand new but I have had experience with Match Technical and they have always been excellent. They have a knack for finding solutions to little issues with certain cameras and their solutions always seem to work so well.

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