These are photographs taken along the California West Coast during a trip in march 2015. The route was roughly LA – San Clemente – Joshua Tree – Morro Bay – Big Sur – Santa Cruz – Point Reyes – San Francisco.
As I like to keep it simple I brought only my M6, 35 Summicron IV and a bunch of Kodak TriX film. It doesn’t matter if it’s cameras, lenses or film – if I bring more than one I can never decide what to use so limiting myself in that way actually gives me a lot more peace of mind.
For the past year or so I have been almost exclusively shooting 35mm color film but for this trip I wanted to give the black and white another go. This decision was actually made a couple of weeks prior to the trip when I went through my archive and rediscovered some of my older black and white film photos. You can check my little user report on that HERE.
Another reason for going with black and white was that I had already been to do southwestern US the year before where I shot all Kodak Portra 160. So to avoid ending up with very similar photos from two different trips using Kodak TriX 400 made sense. If you like you can see the color shots from last year here: https://www.flickr.com/photos/derphilipppp/sets/72157648794789646/
So overall the trip was a blast and although I didn’t shoot as much as I had hoped/planned/anticipated I’m really happy with some of the shots I got. I will probably need to find a darkroom to do some prints soon.
Hi Steve & Brandon! About 8 years ago a friend of mine , a well-known photographer in Israel told me he wanted to buy the new digital Leica M8. I thought very highly of him and decided to go and see the new wonder. Yes it was a Leica, looked like one and was VERY expensive.
I have always dreamed of one but never wanted to spend so much , so I offered the salesman my Canon 5D + some lenses and to my great amazement he agreed to switch. I had to add some money of course as I also wanted 2 lenses with it. Since then I sold the M8, bought the M9, than sold it for the MM .
I also had the M6 for some time but the trouble dealing with film and development made me sell it too.
The purchase of the M8 , MM and M6 incited my love for black and white again. With my Canon 5D I only shot color. There is something about Leica that draws the user to b&w and I don’t know why. This odd attraction made me buy the Leica MM which I think is a fantastic b&w camera, as close to film as can be ( at least in my opinion. ) I know Steve prefers the 240 and so does Mr. Thorsten Overgaard, ( he told me so). I love the 240 but i mainly use it for color photos but here are some of my B&W photos which I like and hope you will like too.
Leica MM\35 mm
Leica MM\35 mm
Leica MM\ 35 mm
It is not easy to decide which photos to send, I am not saying I dont like color photos and yet BLACK & White has its uniqueness. I love your site and look at it on a daily basis.
The NEW Leica Summarit Lenses. 35, 50, 75 and 90 2.4. Part 1.
These lenses were sent to me to review by Leica Dealer Ken Hansen. He has these and many other Leica items in stock, so email him if interested at[email protected].
**This review will be in two parts. This part will mainly focus on the 35 and 50 with a few 75 samples thrown in. I will show many images and talk about the character of the lenses. Part 2 will feature more 75 and 90 and go over my final thoughts on the Summarit line as well as some comparisons. So my conclusion, comparisons, and more images will be in part 2 in about 1-2 weeks. Enjoy!**
Man, these brand new 2015 Summarit lenses from Leica REALLY surprised me, and these days it takes A LOT to Surprise me. The fit, the finish, the build, the design, the smoothness, the hood’s, the caps, the whole package with these little Summarit line has gotten better than ever before with the new improvements. Optically they are STUNNERS and IMO beat many of the classic Leica lenses. For example, I prefer the new 2.4 Summarit 50 to the older 50 Summicron f/2 (non APO). The 35 Summarit is TINY but STUNNINGLY sharp. The 75 is probably the coolest of the lot with its 2.4 aperture, close focusing distance of .7 and the slim slender profile. I loved the old summarit line (which are not really that old) that Leica introduced at the end of the M8.2’s life as they released them to create a more affordable lens for what would be the M9. They did a great thing with that lens line as they were Semi Affordable in Leica terms and they were fantastic performers.
The new line is even better with a new design, new metal hood designs, new metal lens caps, new silver or black finish, improved optics, new closer focusing distances, and each lens comes with a real Leica leather case (the old line came with a bag). So the prices have went up from $2000-$2350 but they are still the least expensive REAL Leica lenses made today for the M and they give up nothing in performance to their more expensive siblings.
The 35, 50, 75 ad 90..look at the stunning silver finish. I am not a HUGE fan of the black focusing rings on the silver body but I would still choose Silver for my Safari M-P.
After shooting with the 35, 50, 75 and 90 I can say that I would love to own the 50 and 75 AND 90, but may end up buying the 50 for now, and one of the other telephoto options later. I own a 35 Summicron so do not need another 35 but man oh man. The details and color..some of these have that old M9 pop that many look for IMO – all from Leica’s latest and most affordable lens line for the M.
Click this image for a larger 1800 pixel size to see the details, and depth. This was with the 50 f/2.4 and it is STUNNING at any price. If Leica packaged this as an all new special 50 with a new name, they could have priced it at $3000. It is crisper than a Summilux, sharper and has better color than the old 50 Summicron, along with a smoother Bokeh and it is smaller and sleeker and looks amazingly beautiful on the camera. Click the image of the Cowboy to see the depth, detail and character of his face. Amazing lens.
When you view the above image, you will see that Leica pop and look from the contrast, sharpness, color and the WOW. It is in a class of it’s own. The gentle transitions from focus to out of focus is organic, the color is scrumptious and the glow is here as well. Take a look and click on the image below. From raw, wide open at f/2.4 on the new 50 Summarit.
But let us keep going as I think I want to make this review more image based as the images are what tell the tale.
Click on the image below for a larger sized version. Here, you can see Leica’s color signature, the glow, the detail (see the eyes) and the smooth transition from sharp to butter. :) This 50 2.4 is a smashing lens. Many will feel they need a Summicron or Lux and they will miss out. Today, there is no need to spend more for better. Each Leica lens, the Summarit, Summicron and Summilux each have a different character, but ALL are stellar and better than any DSLR 50 ;)
The 35 Summarit inside at ISO 2000. Still crisp, still “leica” in the feeling. Nothing special about the image but it does show that even in dark indoor interiors the 35 Summarit and M 240 can pull it off.
Always love old doors and this one was taken in Tombstone, AZ at an old abandoned building. The 35 now has a .8 meter close focus distance, is made to a higher standard, has improved optics and again, comes with metal hood, leather case and the full Leica treatment. This 35 goes for $2250, much less than the 35 Summicron or 35 Summilux. This lens feels amazing on the M. Small, solid, smooth focus. Not much more you could ask for. Click images for larger.
Another with the 35, right out of the camera (RAW)…
The 50 has its own unique mojo and character that sets it apart from the Summicron and Summilux. I know of one guy who has ALL of the Leica 50;s and chooses which one he wants to shoot depending on what he is going for in looks. For me, the 50 Summarit provides a crisp and “perfect” style of image while not being analytical or hard in any way. Look at the image below. The man WAS this red as he had a slight sunburn and he was HOT wearing his MARSHALL uniform. The Leica did color here better than my A7II did the same day and place. So Leica has finally got the old color issues settled. Now I see Leica color I remember.
Another with the 50, which became the most used Summarit for me while having them all. I shot with the 90 the least as I never use 90 but it is beautiful none the less. Look again at the detail the Summarit gives as well as the overall character of the rendering.
A quick grab shot this guy was a blast. He hung around all day dancing and playing his finger instruments. Never hounding anyone for money, just smiling for all who passed by. I used the 50 here again.
These two were on the street in the harsh AZ sun and I thought there is no way this image would come out OK. Usually these harsh sun images lead to faces in shadow, uneven exposure, etc. When I arrived home I was able to easily pull out the shadows on the faces while retaining highlights.
RICH reds here with the 50
Again, the 50 shooting a happy young man on the Trolley Tour. LOVE the way the 50 renders images..so crisp and so colorful..with ACCURATE color. I think Leica enhanced these for use on the M 240 as the color that comes from these lenses is superb.
The 75 is a lens I have a love hate relationship with. Not because it is a bad lens, because it is SO GOOD and SO gorgeous, I want it. Problem is, I rarely use anything above 50. Even so, I will own this lens one day. I loved the old version of the 75 Summarit and this one is even better. Retains the Summarit look of crispness, great color, smooth transitions and this time with the new 75 we get .7 meter close focus, which is AWESOME.
Horse with the 75 in the direct sun. Look at how it handles the harsh light. Contrast is a but high but that is what gives these lenses the pop and 3D separation.
The local high school band from Nogales Mexico in Tombstone. They sounded great! The 75, even from across the street gave me detail, snap and pop. Color is spot on and the M handled the harsh light VERY well.
I saw this lady having a BLAST watching the parade..she had her bubble machine and was getting the biggest kick out of it. She was enjoying life with a smile. I snapped this one with the 50..
One more with the 50..love the dog ;)
Just a simple shot to show the detail and the Bokeh of the 75mm at 2.4
…and a shot with a 100% crop from the 75 inside my home, no special light. Wide open at f/2.4.
It is safe to say that I am enjoying these Summarit lenses. I will be shooting over the next few days with the 75 and 90 more so my next report, which will be part 2, will go over these lenses more as well as a couple of comparison like the 35 Summarit vs the 35 Summicron vs the Zeiss 35 Loxia on the A7II.
REFERENCE: My old 35 Summarit review is HERE. My old 50 Summarit review is HERE. My old 90 Summarit review is HERE.
So that is all I have for now on these fantastic new lenses from Leica. ALL are stunning in their build, performance, styling and included accessories (Hood, caps, leather case, etc). The Summarits are now better than ever and are in no way handicapped by the more expensive line besides being a tad slower at f/2.4 vs f/2 or f/1.4.
If you want to save some cash and some weight, you will still get that Leica quality from the entire line of Summarit lenses. Watch for part 2 SOON which will have more on these beauties. Again, these came from Ken Hansen, email him and mention me for a GREAT buying experience ;) His email is [email protected].
JB Designs Leica M 240 Grip & HoldFastGear Roamographer Mini in the house!
It’s Friday and what a great beautiful sunny mid 80 degree day here in Phoenix AZ! Also a great day as I had several surprises in the mail today. First up, a slew of new hand-made in the USA grips for my Leica M 240, my A7II, the Olympus E-M5II and the Olympus E-M1, and JB Designs has been stepping up their game lately with BEAUTIFUL new designs. The Leica M 240 Grip is FANTASTIC and beats Leica’s own grip at a much lower price! It fits perfect, it looks beautiful and it feels so natural and smooth. The smell is amazing to boot. I also received the new Roamographer Mini bag from Hold Fast Gear. WOW, what a stunning bag. A work of art.
JB DESIGNS LEICA M 240 GRIP
I was sent a slew of new designs from JB Designs and have to say, I love the M 240 and E-M5II grip the most. Gorgeous. But do not take my word for it, take a look for yourself and see what it looks like on my Safari M…
Makes the M feel so much nicer. The best part? He sells these on Amazon for $85 and each one is hand made in the good old USA.
At the time of this writing he has 6 in Bamboo left. The version you see here is his latest creation, with the darker Brazilian Chestnut wood. Stunning. You can see more at the JB Website HERE. If you own an M 240 and want a unique, great feeling and beautifully made wooden grip, this is IT and it is a GREAT price for a wonderful hand crafted product.
He also has a fantastic grip for the E-M5II as well..on Amazon HERE. $85 and in stock in the new dark Brazilian Chestnut. Six left in stock there. A bargain.
JB Designs is fantastic. A USA company that takes pride in their work, keeps prices decent and delivers a super good looking and functional product. Awesome.
HOLD FAST GEAR – ROAMOGRAPHER MINI
The new Roamographer Mini from HOLD FAST GEAR is a stunning “mini” version of the original Roamographer that I reviewed a while back. GORGEOUS bags but the original is LARGE. The Mini is PERFECT. Hand made in the good old USA, I may not have seen another bag like this that was under $1500. This one comes in at $525 but it screams beauty, quality, pride, and is quite functional as well. Sure, you can go get a canvas bag for $50 but this is for the discriminating enthusiast or professional who wants a bag to last them their lifetime, and then they children lifetime. This is one of those bags that will be handed down generation to generation. Imagine what the bag above will look like in 50 years ;)
I love this company and what they stand for and the owner, Matt Swaggart is a super nice guy. I own the Money Maker Strap, the large Roamographer and now the Mini. Along with Wotancraft, this is one of my all time fave bag maker (and straps). Check out all they have to offer at HOLDFASTGEAR.com!!
THIS IS QUALITY and as I always say, YOU GET WHAT YOU PAY FOR!
The Leica brand has always been known for crazy special edition versions of their M camera line. Some speculate they do them when they want to clear some stock of bodies (and paint them to match the special editions) and some just accept it as part of Leica’s way of doing business. Like it or not, Leica has a base of fans and buyers who LOVE the special edition sets. From the Titanium M7 and M9 to the Stainless Steel M 60 to the Safari sets that go back to even the R bodies.
My video look at the Safari and Summarit Lenses
I remember when Leica released the Safari M8.2 and I wanted it badly. At the time, it came with a silver 28 Elmarit and was under $10k if I remember correctly. I loved the Olive Drab color and thought it was a great looking camera while others thought it was tacky and ugly.
When Leica released the M9 there were no Safari sets but they did release many M9 and M9-P special editions such as the all WHITE edition and the Hammertoe LE set. Today Leica has the Lenny Kravitz Correspondent edition as well as the new M-P 240 Safari and of course the M 60. Out of these sets, the best value is with the Safari because it actually comes in CHEAPER then if you were to buy the pieces in the set separate in a normal standard production run color.
The M-P 240 is a Leica M-P 240 ($8000) with a Leica 35 Summicron f/2 Lens in Silver with an old school Lens hood and metal lens cap included. This lens in standard black will set you back $3200, so already with the M-P and 35 Cron we are looking at $11, 200. Add in the strap and accessories and you can easily add another $300. So say $11, 500. THAT is if you went out and bought a standard black or silver set yet this special limited run of Safari sets will set you back $9800, or in some cases a little less. So yes, it is odd that Leica did this as usually their special editions cost you MORE, by anywhere from $1000 to $10,000. So if you can deal with the Army green color you will save a couple thousand dollars, and have a limited edition to boot!
The set is complete with an amazing display box, typical of Leica Special Edition cameras. Open the top box and you will see the camera in Olive green with silver knobs and dials. You will see a 35 Summicron with old school metal lens hood and metal cap. An exclusive Leica leather strap and wallet is also included. I acquired this set in a trade deal from POPFLASH.COM. They had six of these in stock when I acquired this one, not sure how many they have now but I do know the Safari set has sold pretty well considering Leica sales have been slowing lately (just due to not having anything new and WOW….yet).
I like the fact that Leica did the Safari in the M-P style and not the standard M 240 style. So we get the Leica log engraved up top and the special Sapphire LCD as well. So if you have the itch for a new Leica M, and want to save a couple grand over a black or silver and do not mind the Olive Green, this set is actually the rare deal from Leica where you will spend less and get more. I think this may be a first ever. ;)
Lots of new stuff arriving!! Bags, Cases, Goodies..
Hey to all! Hope you are having a wonderful start to the week! It has been busy here for me with work, family time, hobbies and non stop LIFE happening. Time sure does fly when you are having fun, that is not a lie! In any case, just an update on some new things coming in, upcoming reviews and maybe a rumor or two…
The beautiful new Summarit 35..review VERY soon along with the 50, 75 and 90.
Leica seems to have been slipping a but lately but I am confident that they will bounce back with something new, special and WOW. I mean, they HAVE To. They have a new CEO yet again and maybe they are going to change strategies? If they got me into a meeting I would tell them to release THIS:
A REAL Mini M rangefinder. M mount. Basic, no video, no-nonsense. Just the camera, the exposure dial, the power button and the shutter. Make it mini-fied, not as solid as the M 240, but a compromise between a real M and something like an X. A mini rangefinder M camera WITH built in RF/EVF hybrid. A real RF though, not a fake on like Fuji uses. Price: $3500-$3700 MAX. THIS would be a hit. This and the new Summarits would rock the world. Will it happen? Probably not but one can dream, and it would boost Leica’s sales in a huge way.
Speaking of the Summarits, Ken Hansen (email:[email protected]) was kind enough to ship me ALL four new Summarits so I can review them! (when I send them back he will be selling them as Demo’s at a great price, so be on the lookout). I hear nothing but GREAT things about the new Summarit line and being Leica’s most affordable lenses, I am anxious to give them a try. My Safari M is waiting :) HOPEFULLY I do not fall for the 50, 75 or 90 as I will want to buy them. Being a reviewer has it’s pros and cons you know. Lol. I always review stuff that I want to keep.
So look out for the Summarit reviews in 2-3 weeks.
Also for my Safari set I have a VERY cool bag and case on the way from Angelo Pelle. He is sending me his Henri bag in Camo as well as a Half case in Camo, perfect for the Safari. Angelo does amazing work, each case is hand stitched and takes a few days to make. He is working on mine as I type this. The bag will hold the Safari with lens and one other lens inside a lens pouch. Take a look at the bag, and the Camo case on a Sony A7II. Pretty sweet! When it arrives I will be doing a full video review of the bag, the case and my Angelo Pelle case for my A7II. Lovely hand made items for two amazing cameras.
Speaking of the Leica Safari M-P set, check with PopFlash.com and Ken Hansen if you want one while there are a few left. To me, it is the best deal ever for a Leica special edition as it comes in CHEAPER than if you bought the standard pieces separate! You save about $1000 and get a limited edition set with a gorgeous silver 35 cron. The cron is YUMMY. It’s a gorgeous set which I will also have a video on this week. But yea, the cron on the M is beautiful..
All 35 Summicron, at f/2 – the color, the detail the “organicness” is all there..at least I see it! I chose to make them VIVID with color pop! All test shots to see if my RF was focusing correct and it was.
Check out this beauty above. It is the HoldFastGear.com Roamographer Mini. I own the full size Roamographer and for me it is the highest quality bag I own, even surpassing the amazing and great Wotancraft bags for construction and quality. When the full size Roamograoher arrived I requested they make a MINI version, and they told me they were working on one, and here it is.
I love my full size Roamographer BUT for me it is a tad too large. I have a Mini on the way and will be reviewing it as soon as it arrives. For me it looks like it can hold a Sony A7 system with a couple of lenses or a Leica M system with a few lenses or an Olympus system with a few lenses. It is small enough to remain compact yet not so small as to cause a problem. I use my Wotancraft Ryker EVERY single day. I love my Wotancraft THOR..will the new Roamographer Mini be my new fave? Check back soon for a full review. If you want to check out the Roamographer in more detail, see my review of the original full size bag HERE or see the website at HoldFastGear.com for more. Yes, some of you will cry MAN PURSE but hey, these are amazing quality bags from build to style, and I am confident as can be in my masculinity, so I like Man Purses. They do the job when I have to carry goods around with me. :)
I still have to finish my Sony 35 1.4 Zeiss lens review (1st hand on look is HERE). This lens is a BEAUTIFUL beast. Large, in charge and outputs some serious IQ, in line with the Leica 35 1.4 Summilux. Only neg is that it is LARGE. I also hope to try the wide angle converters for the new 28mm lens (my review here) and the new 90 Macro should be arriving SOON. Sony is always releasing new goodies and I have a hard time reviewing them all, so I stick with what I know will be FANTASTIC.
The new 15 f/4.5 Heliar is GORGEOUS. It fixes all past issues when used on digital full frame bodies. It works perfect on the Leica M or the Sony A7 series. No more colored edges or soft corners. THIS is a true 15mm wide angle with no distortion and yes, is the BEST choice IMO for a 15mm view on your Leica or Sony full frame. Price is $750 but it is about equal to other lenses in the $2-$5k range as far as I am concerned. A true deal if you enjoy wide angle from time to time. You can buy it at CameraQuest.com with free shipping and free BW filter. HIGHLY recommended.
1st three is the new 15 VIII on the A7II
- 2nd set, all on the Leica M
Other than that I know there is new stuff coming from Olympus, Sony and others. As always I will review the best of the lot and what I think you guys would enjoy. New bags, new cases, new lenses, new cameras…all on the way. Stay tuned right here as always! Also, keep on the lookout for my new one on one Sedona photo adventure..details soon.
First I want to say thank you for all the great work. Your site has been part of my daily inspiration for some time now so I thought it would only be right to make a small photographic contribution. My name is Jay Lynn and I got my start in photography as a junior in high school back in 1985.
My school had a school newspaper and if you were selected to be on the paper’s staff you got out of school three hours early everyday to sell ads to local businesses and follow-up leads on local interest stories. That was too good an opportunity for me to pass up but I had one problem. The paper had plenty of stand out writers and my writing skills were average at best. Just as I was about to resign myself to not making the staff, the faculty coordinator asked me if I had any experience with photography. I did not but I knew that my father had an old Pentax ME Super along with a few lenses that had been sitting in a bag in our basement for years. I had never so much as picked it up but I sure wasn’t about to blow my chance to get out school early.
What followed was a steep learning curve but I got the hang of it and when I got my first good roll of film back from the lab I was hooked. I went on to “upgrade” to a Nikon FG and eventually began developing my own film. My passion continued unabated throughout college until I joined the Marine Corps and became a Marine officer. After the events of 9/11 and the subsequent invasions of Iraq and Afghanistan, I just could not justify making time for photography amidst the constant training and combat deployments. Of course there were so many moments that I experienced during those deployments that would have been amazing photographs but for obvious reasons I could not even allow myself to think about that. In those environments you have to be 100% focused on the job at hand. Still, the passion never died and every time I had a photojournalist embedded with my unit I did find some time to talk photography and admire their gear and their photos.
Leica M6 with 90mm f/2.8 Elmarit M and Kodak Porta 400
In 2011 I was assigned to the Marine Forces headquarters in the Pacific, which is located in Hawaii on the island of Oahu. For the first time in over 10 years I picked up a camera again. So much had changed with the progression of digital photography since I had last enjoyed photography but so much remained timeless. I bought a Nikon D5100 and a few lenses to get back in the game. Within six months I sold the D5100 and purchased a D7000. Ergonomically the D7000 just worked better for me and I got a lot of mileage out of that camera. Being in Hawaii affords me an opportunity travel throughout Asia and to photograph a lot of amazing landscapes. In 2013 I jumped at the chance to purchase a D600 for use with wide FX lenses and that has been my primary digital body ever since.
I love digital photography and about half of my work is digital. But as much as I enjoy the convenience of digital I really began to miss the tactile aspects of film photography and the deliberate nature associated with the process of shooting a role of film. The other thing that had changed since I took my break from photography was that all the film cameras and older lenses that I had lusted after in high school and college were now readily available for next to nothing on online auction sites or even for free in some instances. So I bought them all! Well, practically all of them. And I do love them but I noticed that I was spending more and more time shooting the old manual cameras like the FM2 or the F2 versus the more modern film cameras like the Nikon F5 or F6. I have a Mamiya 6 rangefinder that I travel with a lot and I really began to appreciate the process of using a manual focus rangefinder over the more automated cameras. You know where this is going, right? Yup, you guessed it.
Leica M4 with Zeiss 35mm f/2.8 C Biogon T* ZM and Kodak TriX 400
In October of this past year my wife and I took a three-week backpacking trip through Vietnam. I used that trip and the need to travel lightly to justify buying two Leica film cameras, an M6 that I used primarily for color film and an M4 loaded with Kodak TriX 400. With the addition of the wonderful Zeiss 35 f/2.8 ZM and a Leica 90 f/2.8 Elmarit M, I was set. I knew that I wanted to take portraits, landscapes, and street photography while in Vietnam. I carried only the two Leicas and the Mamiya 6 for the duration of the trip and I have absolutely no regrets. This was a huge step for me because I am usually the guy who brings along the proverbial kitchen sink “just in case”.
Mamiya 6 with G 75mm f/3.5 and Kodak Portra
Traveling with light gear that I could carry in a small, inconspicuous sling bag was such a liberating experience and I am so happy with the results. I really do believe the adage that the unobtrusive nature of the Lecias allows for more candid shots because your subject is not intimidated by a giant camera and lens combo. I also love the all manual approach that the Leica rangefinders require.
It makes me think more about what I am doing and it also makes me feel like I am more involved in the decision-making cycle that occurs before the press of the shutter button. I especially enjoy the M4 which I do not use with a meter. I practiced estimating exposure for weeks before the trip and got comfortable enough determining exposure that I never regretted not having a meter when using the M4. I am attaching just a small sample of the nearly 1000 images I made during the trip. One from each camera. Of note, I have more “keepers” from this trip than I have ever had since I began shooting film again. I have to believe that the process of using all manual film cameras has something to do with this and that this translates to digital photography as well and will ultimately make me a more discerning photographer. Enjoy the photos and keep up the great work.
Talked with Legendary Leica dealer today, Ken Hansen. He informed me he has only TWO Leica M60’s left. You know, the M60 – The M Digital without the rear LCD screen and simplified controls. It is like shooting a film Leica M in digital form. Only 600 sets were made worldwide, and Ken has two left.
This camera ONLY shoots RAW. No LCD. Stripped down to bare necessities. It’s a beautiful beast but does not come cheap. This is for those with deep pockets and a lust for Leica. They will never re-create this camera.
If you are interested in the slightest, e-mail Ken and ask what he can do for you, tell him I sent you :) E-mail him at [email protected] if you are looking for ANY Leica gear at all. He has it all.
Here is the info from Leica on the M60 set with the Stainless Steel 35 1.4 Summilux FLE.
Leica Camera proudly presents the Leica M Edition “LEICA 60” set that pays homage to Leica’s tradition while embracing the future. This set comprises of the first digital camera to concentrate exclusively on the bare functions of photography – shutter speed, aperture, focusing and ISO sensitivity and a newly designed Leica Summilux-M 35mm f/1.4 ASPH stainless steel lens. The camera design excludes the LCD and shoots in RAW. Designed in collaboration with Audi Design, there are only 600 sets worldwide. Each set is presented in a specially designed hand-made presentation box.
BENEFITS OF THE LEICA M EDITION “LEICA 60″ SET
Easy to use -only four buttons to capture a moment New, classical design for camera and lens provides a special tactile experience Outside metal parts made of stainless steel & cladding of cowhide leather with special embossing Central ISO dial made of stainless steel on camera’s back side Carrying protector made of steel and leather to protector the camera and lens Use of a wide range of M lenses from 16-135 mm Set is presented in a hand-made presentation box made in Germany Special engraving on camera’s top cover and ‘Made in Germany‘ seal The Leica M(Typ 240) Edition “Leica 60” Set consists of the camera, lens, battery, charger with power cables for EU and USA, carrying protector, accessory port cover, body cap, metal front and rear end caps, metal lens hood, metal screw ring for use without lens hood.
If you are interested in the slightest, e-mail Ken and ask what he can do for you, tell him I sent you :) E-mail him at [email protected] if you are looking for ANY Leica gear at all. He has it all.
Hello everyone. First off, a big thank you to Steve for giving me the opportunity to write again on his great site.
I heard very good things about the first and second versions of the Voigtlander 15mm f/4.5, namely their low price, compact size and classy rendering. They were however known to colour shift on the M9, M240 and the A7 series, meaning many digital users used the lens as a black and white tool. From what I can tell from my pictures colour shifting has been completely sorted in this third version of the lens, which of course is a great thing. Also worth mentioning is the incredible lack of distortion.
I happened to have a holiday booked to the South of France a few days after I received my lens, and thought it would be the perfect place to let this super wide-angle flex its muscles! The region I went to (The Côte d’Azur) features crazily photogenic villages, street scenes, the sea and mountainous areas, so I had a lot fun shooting in a variety of environments with the 15mm on my Sony A7s and Leica Monochrom. The shots in this review were all taken on that trip.
Sony A7s ISO 2500 – f/4.5 – 1/40 sec
I had not extensively used a lens wider than a 35mm before getting this 15mm prime. My main reason for buying a super wide angle lens was to shake up my shooting style. I can confirm that it has, and recommend trying one if you haven’t already! I enjoy the 50mm focal length most of all, and being so used to looking for photo opportunities through the ‘eye’ of a 50, what I was seeing through the 15mm viewfinder initially seemed almost comical. The first day I had the lens, I walked around London with it on the Monochrom, initially marvelling like a child at how I could get whole buildings in frame whilst standing a few meters away from them.
I eventually calmed down and started thinking about how I could get the most out of my new lens. It seemed immediately obvious that it would be useful for shooting landscapes or epic sky scenes, but being primarily a street photographer, I wanted to try and use it on the streets too. Initial test shots proved this to be tricky! A lot of the time you have to get extremely close to the subject to make an interesting shot. The silent shutter on the A7s made me feel more confident to do so. It’s something I am going to enjoy experimenting with.
The thing I have found most interesting and creatively rewarding about using this super wide angle lens is the way it presents an image with such an unfamiliar perspective to the human eye. A 50mm lens is great as it is so familiar to our field of view, but I am really interested by the way this lens is so unfamiliar. Certain scenes that would be very mundane with a standard focal length can become surprisingly interesting when you use a super wide angle. This one was taken on the plane going to France:
Leica Monochrom – ISO 320 – f/4.5 – 1/30 sec
The Monochrom gets on very nicely with this lens! Images are detailed and have great contrast. If you stop down to f/8 the depth of field is impressive. Also, as the DOF is so deep on a lens this wide, at f8 the lens is focusing from its closest point of 0.5 meters all the way to infinity, so there is zero need to adjust focus! This is a welcome attribute as it takes more consideration to get a shot perfect with a 15mm due to the extra surrounding context inevitably being in frame, and not having to worry about nailing focus helps speed up the whole process.
I have found sharpening to be totally unnecessary when using this lens on the Mono. This lens and camera combo feels great to use, and is perfect in terms of size and weight. They feel seriously solid together in the hand, and look great too! Same goes when it is used on the A7s. It feels well-balanced.
I expected the lens to work fantastically on the Monochrom (as the previous version did too), but I have been super impressed with the results on my Sony A7s. The colour is to die for!
Sony A7s – ISO 100 – f/8 – 1/200 sec
Sony A7s – ISO 100 – f/8 – 1/250 sec
As many people know the A7s is a low light monster, which meant I could shoot at any time of night despite the fact that this is a pretty slow lens. Simply crank the ISO to 8 or 10 thousand and snap away handheld, knowing the images will retain great detail and colour. Simple! As I mentioned before, the edges retain their colour well, even under pixel peeping scrutiny, so hats off to Voigtlander for taking the time and putting in the R&D to revise this lens so well for digital sensors. Chromatic aberration seems very well controlled, but can still be spotted if you pixel peep. I am sure Voigtlander will sell many of these, as the price, although an increase from the previous generations of the f/4.5 15, is still way way below the outlay for similar offerings from Leica or Zeiss. Despite being relatively cheap, the lens is built excellently, has a metal hood and body, and takes sensible 58mm filters. Most importantly, from what I can tell, the image quality is right up there with those more pricey offerings from Leica and Zeiss.
Leica Monchrom – ISO 320 – f/5.7 – 1/125 sec
I can already tell that this lens is a keeper, which means more of my shots taken with this lens will be going up on my Flickr page for the foreseeable future! So if you are interested in seeing more shots, feel free to have a look!
I wouldn’t advise anyone to overload a shoot with unnecessary bodies. The fewer people cluttering your space, the better. The less people to organise the better. It’s an absolute if you’re trying to create a sense of intimacy or intrigue and a simple practicality when you’re working to a budget or a tight time scale as most of us are. But ‘one man and his lens’ is not always enough – indeed, modern professional work is hardly ever created so. It’s a creative collaboration between the photographer, an art director, a stylist, a make up artist, a hair stylist, a lighting technician and possibly a set dresser. That amazing image in magazine ‘X’ is usually the result of a tight team who have a good working dynamic – not ‘one man and his lens’.
If you’re thinking about crossing this river and working your shots with a team it can be daunting at first. My advice is to keep it simple and pick your team carefully, don’t waste your resources and know who you can and can’t live without. I get my moments, but I’m still no pro – so I won’t worry about an assistant until i try a complicated location set-up. And a stylist isn’t even on my list unless I get involved in a commercial fashion shoot and the client specifically requests one – and even then they will probably be chosen by the art director.
So I’d suggest that for an amateur or hobbyist, the bodies to make sure you have covered on a model orientated shoot are the make up artist and the hair stylist. Sometimes the model can cover this off herself, but indispensable doesn’t even come close to describing the best I’ve worked with. And without even thinking I can give you three very good reasons why they’re always worth stretching the budget for.
A skilled makeup artist can simply transform a face. Try these two of Emily, one with ‘normal’ self done makeup and the Next from a Make Up artist.
The Devil is in the Detail
Much of my work revolves around vintage themes. Having the right make up or a particular hair style makes the world of difference. In these portraits of Olivia, the lighting may well have achieved the look on its own, but the work of the hair stylist in those thirties style fingerwaves added the polish – making the vintage feel of the final image effortless and complete.
Tricks, Shortcuts and FX
These Lonsdale shots aren’t just about beauty and boxing, but also strength, character and control. The make up artist on this shoot pulled the FX off with ease: Jammy the model was engaged with the concept and we got some great shots as a result.
Saving Time in Post
Doesn’t digital mean make up artists are a waste of money? If you don’t think of the hours you’ll spend in post-production as money, then I’ll grant you that a hair or make up artist might not be your best use of budget. But I’d rather get it right for real on the day and trade that time in front of a screen for more time with a camera thanks – a good MUA allows that.
The Voigtlander 15 f/4.5 III – Great on the Leica M 240 and Sony A7 series!
Old version on the left, new on the right!
I have been testing the brand spanking new Voigtlander 15 f/4.5 Version III lens on the Sony A7II and the Leica M 240 and have only good things to report back. The new V3 can now be used on a Leica M without ANY color issues whatsoever. It is a small, sharp, versatile wide-angle for your M that will not set you back $3k+. The new 15 f/4.5 III is $750 with free next day shipping at CameraQuest.com and below are just a few test shots on the Leica M 240 and Sony A7II. I will eventually write a full review of this lens but for now, I have too much on my plate as it is (New Sony 28 f/2, Sony 35 1.4, two cases, new bags, Leica M-P 240 Safari Edition and more). Just wanted to let everyone know this lens is finally good on digital full frame!
Take it from me, the new 15 4.5 III is a winner on the A7 series AND Leica M series. No issues and a true ultra wide 15mm ;)
Leica M-P 240 Lenny Kravitz Edition “Correspondent” Special Edition – Let’s get dead serious here!
By Dirk Dom
When I saw that camera, I thought it was pretty cool. Until I discovered the price. This was the first camera that made me feel sick to my stomach.
I happen to own the most brassed Canon F-1 in existence:
This is just so totally different from this Leica. It belonged to a pro sports photographer who shot 400,000 images of soccer through it, with a motor drive attached. I bought it for 200 Euro’s, and it didn’t even need a CLA! It just worked and light metering was spot on. He had changed lenses so often and so brutally fast that the bayonet connecting groove had worn a millimeter.
After a year or so I got the idea of sanding off the black paint from the viewfinder and polishing it:
For a while I was tempted to give the entire camera this treatment, but then I would take all the character away.
I also have a completely mint F1:
Not even the tiniest scratch. I decided to shoot it. After two years, shock!!! – I found a trace of brassing at the strap connection. I must say I felt real bad about it, but I got over it and continued using it, after all, that’s what a camera is for.
I’d sell my Canon for that price. But not for $ 10,000; my Canon is unique. It’s more a work of art than a utensil. No one has a camera that went through 400,000 shots and I have it. Maybe I’ll put another 50,000 shots through it.
The Leica craziness to get to the purest photographic experience plus their limited series thing made me think. I’m an experienced machinist having 3D design programs, computer controlled machines, CAM and fast prototyping to my hands. I work together with the Product Design department of the University of Antwerp. Maybe I could design the unique, ultimate camera for the Leica man.
It proved both very tough and simple: A Leica Man discovers images, recording them is already below him, that’s for other people. He doesn’t need film or silicon to convey his vision.
So I came up with this design:
Most importantly: the red dot.
No lens. The Leica man’s eyes are sufficient.
No film or sensor.
One hole to look through, superfluous, because the leica man needs no aids for composition. The hole is carefully crafted round because roundness is perfection, like the round red dot.
One hole for the strap.
316 stainless steel for thousands and thousands of years of non destructibility. Carefully partially deburred by hand by a dedicated, experienced craftsman while still showing the roughness of the initial machining. The 45 degrees angled edge is a very personal artistic statement and the only give to brutal functionality. The ultimate limited series of only one!
Price: if you want to know it, you can’t afford it, of course.
Sorry, I just had to get it out, this is what the Lenny Kravitz Leica does to me.
Last summer I decided to go on a quick vacation somewhere far, somewhere I have never been before or even thought about visiting. Looked up the map, found Korea to be distant, far, interesting and not top of mind destination for someone who wants to roam around and take pictures.
Without any preconceptions about South Korea, I took a plane to Seoul, accompanied with a small suitcase that barely carries a couple of shirts, and a backpack that for my laptop and camera.
Few hours before the flight, I had a quick debate with myself about which gear should I take along with my Leica M + Summicron 50mm (V4), should i take the tiny Fuji 100s ? or should I take along the Nokton 35mm 1.2.
I decided to keep both Fuji and Nokton lens at home. went to Seoul with only one camera, and one lens! which means I’m stuck with 50mm focal length for the entire trip.
Did I regret it? I don’t think so. I enjoyed the limitation of only one lens. and how I should adapt with the focal length rather than replacing it or take out another camera with a different lens whenever I need to.
I might have missed few shots that were easier with a wider lens, however I’d sacrifice them anytime for the experience I got from limiting myself to 50mm.
I decided to take the plunge and purchased the new 35mm Zeiss Distagon T 1.4 (how do they come up with such catchy names?). Now this is the first non Leica lens I’ve purchased and I had just got to the stage where I just couldn’t justify spending so much on the Leica 35mm 1.4 lens. The Zeiss has had a few tentative good reviews and at a third of the price of the Leica seemed like excellent value (if not a bargain). What’s interesting about this lens to me is that it produces the pop and contrast of the M9 with the tonal dynamic range of the M240.
It is now my favourite lens on my Leica and although a little chunky is beautifully built (Better than it looks in the photos of it). These shots were taken at Delphine’s, a wonderful 1950’s diner in the town of Aldeburgh, Suffolk. Caroline and Pete have given up the rat race to produce the best burgers and milkshakes in Suffolk… If you happen to be passing so hi to them from me! Anyway I’ve processed these in Lightroom but only a little and I think the colour pop is fantastic….
Quick Crazy Comparison! Leica M-P 240 with 35 Cron vs Sony A7II with 35 Zeiss Loxia!
JUST FOR FUN!! I have a Leica M-P 240 here with a Leica 35 Summicron ASPH. I also have my A7II with Zeiss 35 Loxia so I decided to run out back to take a couple of TEST shots, just for fun. I was curious about BOKEH of each lens and for my tastes, the Leica 35 Summicron won the Bokeh test for me. The Loxia is a tad busy in comparison. In either case, both of these cameras and lenses can do wonderful things but there are small differences in IQ and HUGE differences in using the cameras.
I have become so used to my A7II and Manual Lenses I adore the EVF and accurate focusing. With the M I adore the experience of shooting a rangefinder in a mature digital body. I also love the battery life of the M. Below are a couple of shots all wide open at f/2 to see the character of each lens. Nothing more, nothing less.
All were RAW and colors were not tweaked. What you see is what came out of the RAW conversion except for test shot #2 where I converted each to B&W to see if there was a difference. I used Alien Skin for the B&W conversion. Click images for larger versions.
You can read my A7II review HERE or my Leica M Review HERE.