The World’s First Autofocus Adapter for Leica M Lenses
The Techart PRO AF Leica M lens adapter for Sony E mount cameras!
From Steve: THIS LOOKS AWESOME!! With this adapter we can mount a Leica M lens to our Sony A7 series body and it will auto focus them. If this works as advertised it will be quite amazing. The press release and video is below from the manufacturer which is “Techart PRO”. I look forward to testing this SOON! You can pre-order for $349 at their website HERE. Ships in March.
Guangzhou China, Feb 11, 2016– Techart, the Chinese adapter manufacturer who has previously launched the first Contax G autofocus adapter for Sony E cameras, has unveiled the world’s first Autofocus adapter for Manual Lenses named ‘Techart PRO’. The Techart PRO adapter is able to drive the manual Leica M lenses to reach focus by using the focusing system in Sony A7II and Sony A7RII, giving an unprecedented new user experience for all Leica M lenses owners.
Techart PRO has adopted the z-shift technology where the Leica M bayonet is able to extend and retract. The distance between the lens and the camera sensor is hereby changed in order to reach the focus. The mechanism is quite similar to Contax AX system where the flange distance is changed for autofocusing. Techart PRO has electronic contacts to communicate with the Sony A7II and Sony A7RII and uses its PDAF system to measure focus. The built-in motor will then drive the bayonet forward by a maximum of 4.5mm and reach the focus point for shooting.
Techart PRO is super light and powerful. The adaptor weighs only 133g and is able to drive a lens system as heavy as 700g. Apart from pairing up with the Leica M lenses, users can also further adapt lenses with longer flange distance (e.g. Leica R, CY, PK, MD, etc) with add-on adapters and enjoy the autofocusing experience with other manual lenses. Techart PRO supports both AF-S and AF-C modes and it can also serve as a close focusing adapter which can reduce the minimal focusing distance of the lenses. A complimentary mobile app will be available for users to save 10 sets of lens data to the adapter and perform firmware upgrade via bluetooth.
Techart PRO is an evolutional product which can give users a completely new experience with their manual lenses. The fast and precise focusing allows users to take quick and sharp photos with their favourite manual lenses. More product information and testing videos can now be found via our official website. (http://www.techartpro.com/)
Pricing and Availability
The Techart PRO Autofocus Leica M Adapter for Sony E cameras is currently available for pre-order at our official website (http://www.techartpro.com). The recommended retail price is USD 349/pc. Free shipping will be provided during the promotion period. Delivery will commence from March onwards and will be shipped from our US / UK / Hong Kong warehouse. 1-year warranty is included.
I began making photographs in the 1960’s using a 35mm rangefinder and developing my own black and white film. I also made contact prints and did some enlargements. But I fell away from photography through college, professional training, career and early family life; no time, no money. And color photography eluded me. But when digital became affordable with the Nikon D70, I began again. Initially I went the SLR route, but as I got older I disliked the size and weight so I ended up back with rangefinders, eventually acquiring a Leica Monochrom to complete the return to my roots; or so I thought.
Using the Monochrom with just about any decent lens produced unbelievably sharp images.
This image was made using a 60+ year old 50mm Summarit during the Memorial Day Parade in my town (Summarit yellow filter, handheld) – Leica Monochrom
I made this image I made at the Military Cemetery in Bourne, Massachusetts. Normally the graves can have NO decoration. But the father of a posthumous Medal of Honor soldier buried there won the right to have flags placed at every grave site for the Veterans Day and Memorial Day weekends. An amazing event in which hundreds of volunteers appear, place the flags and then remove them. (Monochrom with a 21mm SEM on a tripod with a yellow filter) – Leica Monochrom
On a trip to my old stomping grounds in the South, I made this pic with the Monochrom and a 35mm Summilux FLE (UV filter).
I like all of these images. The prints have a medium-format acuity to them. But I just found/find them a bit sterile; they lack(ed) a certain “je ne sais pas” for me. So when I saw an announcement of a Leica Akademie workshop on film photographycoincident with a trip to LA, I decided I’d take a second look at film. What I like about workshops is not only the focused time devoted to learning and practicing, but also the people the people I meet. I wasn’t disappointed by the cast of characters who assembled. And I was given 2 36-exposure rolls of Ilford XP2 for a sojourn through Chinatown and environs. Great fun, great instructor and a real adventure! Film DOES make you slow down and think about the images you’re making.
XP2 is a Black & White ISO 400 negative film developed using the C-41 process for color films. The images shown here were commercially scanned at the time of development with a 3,000 x 2,000 pixel resolution. All images were made with my Leica M7 and Voigtlander 35mm Color Skopar, except for Bruce Lee – 90mm macro elmar. I used a yellow filter for about half of them. I post-processed in Lightroom and Nik. I think the color processing gives the files a good bit of latitude for digital post-procesing. The grain is very fine and uniform. For those do-it-yourselfers, I imagine that Kodak TMax would give similar results.
Peculiar – an open but very hostile gate.
Church in Hispanic neighborhood next to Chinatown
Building next to the Church. As I unloaded the second roll at the end of the day, I realized I had not rewound before I opened the camera. Steve can’t publish what I said at that moment, but I quickly closed the camera back up and hoped for the best. This bit of serendipity occurs with film and can make for some interesting images. The light from the sprocket holes provides celestial framing for this otherwise boring composition.
My favorite image of the day. Simple story within a complex image – maybe a metaphor for most of us seeking to find a path through the complicated thing we call life.
Statue of Bruce Lee. The sprocket light made a spotlight for his face. I had a very difficult time framing since I wanted to get his hand in-between the lanterns, like he was balancing them. I had to account for the lens/viewfinder parallax while I held the camera upside down.
A bench. The Voigtlander lens renders very nicely on film. It’s as sharp as a 35mm Summicron (had one a while back) with very nice bokeh. Small and light, I find it’s short focus throw terrific for street photography. I spent about $350 for the screw mount lens and adapter. It also looks great on both my M7 and my Leica IIIf.
For me, I saw these images and knew I was home again – at least for B&W. They just breath more that the Monochrom pictures. I don’t really know what it is. Certainly a lens will interact with a 20µ thick film emulsion differently than a 1µ micro prism at the top of a photocell in a digital sensor. It may also reflect an analog vs digital tonal range. Perhaps some/most of you reading this (thank you for taking the time to read this piece and look at the photographs), will think me deluded. That’s okay. Art is art, and a wise man once said, “There are as many paths to God as there are people on the Earth”. I’ll paraphrase him by saying that each of us has our own path (i.e. camera, lenses, etc.) to making THE PICTURE which we all seek.
Cheers and blessings, JNSuojanen
P.S. Given the rapid depreciation of digital cameras, I don’t think there is any significant cost between film and digital for most of us amateurs (except if you shoot action stuff). My Leica IIIf is 60+ years old and works perfectly (I can’t say the same about myself).
It has been a long time. Just got back from Venice. I took my 240 and my MM 246 with my 35 LUX and my 50 Apo cron. I shot some photos with the 240 but then decided i love B\W more and shot the MM 246 + 50 Apo only. No filters
It was the carnaval time in Venice , no doubt a beautiful event with tones of visitors, I knew I dont want to go and shoot the masks and the routine shots , I hope I succeeded in shooting different photos than usual.
I submitted some images to you almost exactly a year ago (back stage with the x-pro 1), which you kindly placed on your site. Since then you have had some really valuable reviews of various new camera models, and the one that tempted me most was the Leica Q, so much in fact that I put my name down on the pre-order list!
I must say it has not disappointed…it is an ideal tool for the type of street pictures I like to take.
As you see from the images here I like to work very close to the subject, but at the same time to keep “invisible”. I am not a very patient person, so I try to squeeze interesting images out of the mundane, and I thrive on very busy streets where it is easy to blend in and not ne noticed.
The 28mm lens on the Leica is ideal for me as it creates a feeling that you are “in and amongst” whatever you are shooting, which you do not achieve if you are zooming in (I think this gives a more voyeuristic feel…which is fine if it is what you are after). The very quiet shutter is perfect and nobody has heard me yet…which used to happen sometimes with the Fuji, and I also have the option of the silent electronic shutter. The EVF is perfect and shutter lag is virtually non-existent.
Focus wise it is a game changer. I use three different settings for focusing depending on the situation, zone focusing and face detection auto when I am shooting blind, and manual focusing when I am shooting using the viewfinder. The face detection mode is very fast and has allowed me to get shots I would not have been able to catch manually (the girl wearing a blue hat is a prime example of this) Granted sometimes it focuses on the “wrong” face, but this is a price worth paying for when it works as you wish. It also allows you to shoot blind with a wide aperture and throw the background out of focus…even with the 28mm lens.
Thanks again for all of the great work you put into your site. Do let me know if you would like any more information.
If you are looking for a target rich environment for a little street photography, there are almost always those local spots where we all know we can go to strike gold. Is this cheating? No, not really, but it certainly helps get the creative juices flowing. For me, well, I have the distinct pleasure of being both close enough and far enough from the famed Hollywood Blvd, home of Mann’s Chinese Theatre, the Hollywood Walk of Fame, and of course, millions upon millions of locals and tourists that flood the street daily to get a glimpse, or perhaps just feel like they are in the thick of it. So when I got the call to accompany a few photographer friends into this jungle for a day street photography, it was simply an offer I could not refuse.
While Hollywood Blvd is thought of as more of an adult’s playground, apparently it can be fun for children of all ages.
This kid was having a blast, the the Globetrotter could not be more entertaining to the little guy. This went on for some time andwas a joy to watch. Lets just hope he doesn’t grow up and take advice from this guy.
And speaking of less than stellar advice, here is one I wouldn’t recommend, but then again, I take sides with Indiana Jones when it comes to the slithery in nature. Too bad this isn’t sin city because the symbolism really struck me here.
But giant reptiles were not all that was lurking on this day, and something march larger, and perhaps much more sinister was afoot. It is always great to be aware of your surroundings, lest you be caught off guard…
But no matter where evil lurks, there is always a watchful eye keeping the people safe. One need not look too far on this stretch of the boulevard to find a hero, and in this case, the calm fell over me when I noticed that we were under the protection of none other than…
And so it was that people celebrated the day, paying tribute to the arts, each in their own way.
While people from all walks of life shared common distractions…
Because who doesn’t like a slice of pie?
But in the end, after a long day amongst the stars (the ones embedded in the sidewalk), we found our true calling. In the midst of the glitz and glamour (not really), we learned that the lesson to take with us was, “Defend Democracy in Poland”.
My name is Darwin Nercesian. I am an architectural, street, and travel photographer based in Los Angeles, CA. You can see more of my work at: www.dna-image.com
I hope this email finds you both well. Recently we had a chance to escape the Canadian cold and take a (short!) family winter getaway. I brought only the Leica M6 classic, the Voigtlander Nokton 40mm f/1.4 SC, a 3-stop ND filter, and a pile of Portra.
It is always exciting to get home, process the film, and relive the experience. (Though there is always that tiny bit of concern that the rangefinder was bumped out of alignment, and you actually have nothing to show for it!)
It’s Friday! WooHoo! Enjoy your weekend and be sure to come back NEXT WEEK!
Hello to all here! It’s Friday and I just wanted to wrap up this week by saying ENJOY IT! If you are in the path of the Monster SnowStorm heading throughout some states in the USA, STAY SAFE, STAY WARM and get some images if you can! I will be here NEXT WEEK with some testing of new exciting gear, reporting from Austin TX and then New York City! So start checking back Monday for some cool news and info.
This past week I have been using my RX1RII more and more and have been really getting into it. My RX1RII has no issues – at all. It is stealthy, quiet, quick, and provides rich stunning IQ. I bought THIS hood for mine and it’s nicer than the Sony version that costs so much more. All metal too.
Debby as an Evil Clown. RX1RII and PP
I have also been testing the Leica 50 Summilux Limited Edition (GORGEOUS VERSION OF THIS LENS!) on my Sony A7RII and it is just as lovely using the Sony as it is on the Leica SL for most shooting. It’s got some crazy pop, color and sharpness that is somehow beating my last couple of 50 Summilux lenses. Not sure if they lucked out and had a superior glass chunk for this addition or if they were assembled with more precision or if the housing of the 1959 version helps it. Maybe my last two standard Lux’s were not 100%. Who knows. I just know the last time I had a 50 Lux designed like this, it was also PHENOMINAL (The LHSA Edition many years ago). See more of what I wrote about it HERE.
I did nothing to the OOC shot below yet look how amazingly sharp it is where I focused. A7RII, 50 Lux. Click for 100% crop at the right size. Keeps the 50 Lux Character as well.
Old and new :Leica M vs Leica R Lens comparison on the SL
by Jean-Marc Bottazzi
Hi Steve, love your site.
Here what I was thinking with the SL being more SLR like in the leica world I got interested to look a bit at R glass on the SL and do some not so serious comparisons. Those lenses also are a popular choices for duclos cinemod. That is way cheaper than the new leica cine offering (which I am sure is better but well…). Anyway I bought the novoflex R adapter since I cannot find the leica one yet and bought a few old R lenses and decided to compare a bit with the 50 apo and the new vario elmar I own. I shot the same scene from the same spot with all lenses with the intention to compare crops.
-the 80mm summilux R f1.4
-the apo macro emarit 100mm f2.8
-the old vario elmarit 35-70mm f3.5
The scene is the following:
I used a lightbox making sure the speed is always at least 1/250s. I focused on the same flower in the shaded rectangle and here are the crops of that flower.
First two pictures are the 50 apo at f2 and f4 respectively… great as expected.
Next come 3 pictures with the 80mm summilux R @f1.4 2.8 and 4 respectively. A bit soft by comparison … if you step down to f4 the summilux gets sharper but there is room for more sharpness. At f1.4 you can get as much isolation of subject as the 50 APO at f2 but you pay with less sharpness on your subject. If you step down you lose isolation as more of the picture gets sharp and busy. The 80 summilux R overall is no match for the 50 APO.
The next two pictures are taken with the elmarit apo macro 100mm at f2.8 and f4 respectively. Now that is sharp! Especially at f4, but so should it be, it is a macro lens after all and a good one at that. But note that the 50mm apo is keeping up quite even when scaling up. In spite of the different focal length the APO manages to isolate its subject with micro contrast highest sharply around focus plane only — in other words the picture is less busy more on its subject — for the macro and the 50 apo more than the other lenses in this batch we have this nice combination of incredible sharpness in focus combined with strong isolation ability.
Next something very interesting : the new vario elmar 24-90 @50/f4 80/f4 and 90/f4 respectively now that is sharp as well at all focal lengths. Zoom will have more depth of field than the primes previously introduced but the new zoom looks extremely sharp.
Finally the last two picts are the old vario elmar R at 50mm/f4 and 70/mm f4. Not too bad especially given that the old vario elmar is much more compact than the new one. It makes it an interesting lens for travel in my opinion even without autofocus it almost keeps up with the new vario elmar in terms of sharpness. Now at same aperture it looks to me that the new vario elmar is better at being sharp only around the focal plane only (while the old vario elmar is more zero to infinity sharpness). This shows when you compare the 2 shots 70mm f4 between old and new vario elmar. Of course prime are more isolating that the zooms but the new vario elmar is showing an interesting behavior especially compared with its ancestor.
Again this is not meant to be serious but it helps me having a bit of intuition on how to compare those lenses.
New All Weather – Underwater – Any & All Situation Leica X-U
Leica has announced another new camera in the form of a new X (Type 113). This time around Leica beefed up the construction to make it UNDERWATER, ALL WEATHER and ALL SITUATION. It is shock resistant as well. Basically a take anywhere, anytime Leica X 113. This is an X 113..same sensor, same insides, same IQ but it is built to be TOUGH.
Take a look at the Leica Press release below and see what they are saying about their new addition to their ever-growing line of cameras.
Introducing The First Outdoor & Underwater Camera From Leica: the Leica X-U (Typ 113)
The new shock-resistant, waterproof and dust resistant compact provides outstanding picture quality under even the harshest conditions
January 20, 2016 – Leica Camera today announced the newest addition to its range of cameras, the Leica X-U (Typ 113) – the first model designed specifically for extreme outdoor and underwater use. Incredible ruggedness and easy handling make this waterproof, shock-resistant, winterized and dust-sealed camera the ideal companion for every outdoor tour or expedition; great for action and underwater adventures, travel and landscape photography, even in full HD video.
Optimal picture quality with the Leica X-U is guaranteed by the same cutting-edge technology of all cameras in the Leica family. Combined with the high performance APS-C format CMOS sensor of 16.5 megapixels, its Leica Summilux 23 mm f/1.7 ASPH lens ensures natural color reproduction with maximum detail and sharpness, while the camera’s fast maximum aperture of f/1.7 allows for selective focusing. With its rugged underwater protection filter, the fully waterproofed camera guarantees pictures with exceptional brightness and clarity under even the harshest conditions and at depths of up to 49 feet.
Although all settings and features can each be changed individually, the intuitive handling of the Leica X-U follows Leica’s philosophy of a focus on the essentials. The options for automatic functions and the high-resolution, 3-inch LCD monitor help photographers find the precise settings in seconds, to avoid missing a moment. For the underwater photographer, the underwater snapshot button makes it easy to capture an image at the press of a button, without having to search through a menu.
Made in Germany in collaboration with Audi Design, the stylish and minimal design of the Leica X-U ensures easy, intuitive handling and ultimate precision. The sleek, eye-catching camera features a top plate made from premium aluminium and an anti-slip TPE protective armor. Aluminium control dials show an attention to detail and an integrated flash above the lens provides exceptional picture quality when no natural light is available. Finally, the X-U’s non-slip body features a hardened protective cover for the monitor screen, with a failsafe double locking system for the battery compartment and memory card slot, to ensure total safety and control in all conditions.
When a single photo is not enough to capture the moment, the full HD video function of the Leica X-U makes it easy to capture moving pictures in high definition quality. The camera records video in a choice of 1920 x 1080 or 1280 x 720 pixel resolution at 30 frames per second in MP4 video format, delivering high-quality results that perfectly capture any adventure or journey.
The Leica X-U (Typ 113), priced at $2,950 will be available by the end of January at your local Leica Store, Leica Boutique or Leica Dealer.-U
NOW SOLD: 1940’s Leica Collapsable Elmar 5cm – 9/10
****THIS LENS HAS BEEN SOLD – A FEW MORE FOR SALE BELOW****
Just wanted to offer up a lens I am selling to all of you here, my readers. It is a special lens to me as I have owned it for years and it is simply gorgeous. It is a screw mount lens but has a thin Screw Mount to M adapter on it, and was on it when I purchased the lens from an older gentleman who was clearing out some of his old Leica gear. Why am I selling? Well, every 3 months or so I have to clear off some thing from my shelves in my office as they start to get overloaded. These days I have one shelf for all of my Sony gear (of which I have the most) and another for Leica and another for Micro 4/3.
This lens, while GORGEOUS..I just never use it anymore as I loved it on my Monochrom which I no longer own. So this is a chance to get a gorgeous perfect copy of this lens. I also have other gear for sale at the bottom of the page, all with fair and aggressive pricing.
I am asking only $200 for this lens and if you are looking for a super compact 50mm lens for your Leica or Sony then this one will give you a classical look. My fave use of this was when I owned a Monochrom. Matched up perfectly to it as you can see in the video below where I used the MM and this lens exclusively. All images you see were shot with this lens:
If interested, 1st one to email me at [email protected] and pay for it gets it. Paypal only, $15 shipping, no fees. So $215 total gets it. This is a lovely copy and yes you can collapse it on an M, I did. I paid $200 for it when I bought it. You can see my little review of it HERE with loads of images.
Also for sale: Leica 90 Elmarit 2.8, latest version before discontinuing it – slide out hood, review HERE. $1250.
Also for sale: Leica 50 Summicron PRE APO – current normal version w/slide out hood- $1200 – review here
Jupiters have SOLD. Also for Sale: Jupiter 8 and 9 – BOTH for $100 – review of the 8 HERE – SOLD
New E mount and M Mount Ultra Wides from Voigtlander!
YES! Voigtlander has once again announced new glass and this time the new lenses are not only for Leica M mount but now Sony E mount as well! It seems Voigtlander has taken notice of Sony’s popularity in the full frame mirrorless world and have created a 10mm, 12mm and 15mm lens for the E or FE system. Yes, these are manual full frame lenses and they look as beautiful as can be ;)
The new lenses for Sony FE include a 10mm f/5.6, 12mm f/5.6 VIII and the ever so popular 15mm f/4.5 VIII. These versions will work perfect on the Sony system as they were designed for the Sony system. No more issues using these ultra wides in M mount on the Sony. So THIS IS AWESOME as the 12 and 15 are fantastic pieces of glass that can go up against any Ultra wide in the same Focal Length. See them below:
Voigtlander is also releasing new M mount lenses. The 10 f/5.6 and the 12 f/5.6 VERSION III which is improved yet again like they did with the 15 Version III. I can not wait to see the 10mm in action as 10mm is WIDE.
I am thrilled to see Voigtlander start making lenses for the Sony FE system. Especially well made manual lenses such as these as it adds a unique twist to the usual auto focus experience. Reviews will be coming soon!
Leica releases new versions of 28 Summicron, 35 Summicron and 28 Elmarit!
Seems like Leica has updated some lenses and they will start shipping in Feb. A new 28 Summicron ASPH f/2, and an updated 28 Elmarit and 35 Summicron. They all have all new metal hood designs which is AWESOME as the 28 and 35 Cron hoods were awful, always falling off. The new metal screw in design will keep them intact! If this floats your boat, you can pre-order these new “refresh” lenses at my top recommended Leica dealers Ken Hansen (email: [email protected]) or PopFlash.com or B&H Photo. Links below for B&H.
What I am unsure of if these lenses have been changed OPTICALLY at all, I do not think they have been.
UPDATE: A reader commented below that there are new optical formulas for these. The 35 cron used to have 8 Aperture blades, it now has 11. Others have less field curvature, so YES these are improved optically as well!
If you have been in the market for a new 28 or 35 for Leica M, I’d be sure to grab the newest versions here, if buying NEW of course!
The Great Lemmy Kilmister from MOTORHEAD passed Dec. 28th 2015. To memorialize and celebrate his passing The Rainbow Bar and Grill on Sunset Blvd held a memorial for him. Here are a few pictures Taken with a Leica SL and Summicron 50mm APO.
A Look at The Leica 50 Summilux ASPH Black Chrome Special Edition. Beautiful!
Ahhhh, gorgeous! Recently I was able to get a hold of a Leica 50 Summilux ASPH Special Edition. This is the beautiful matte black edition of this legendary lens with a different design (from 1959) and even smaller filter size (43mm vs 46). The last time I had a 50 Summilux ASPH that looked like this was during the M8 days when I bought the LHSA Special Limited Edition version, which was exactly the same as this one, just in black paint (also came in Chrome) instead of matte black chrome. That lens..I paid $3600 for back then and sold it for $8000 later on as it appreciated like mad. Even today that version of this lens sells for $7500+ USED. It came in Black paint of Chrome. Take a LOOK HERE at a used LHSA 50 Lux on B&H. $7500. It is exactly the same as this new limited edition inside and out! Design, hood, everything. SO why would one pay $7500 for a used version of this lens when you can get it new for $3900 or so? Well, if you are a hardcore collector and want the LHSA edition for the LHS name (on the box) then maybe you would. If you want to use the lens, this new Limited Edition is the way to go over all versions of this lens, IMO.
My video showing you this lens and why I think it is the best 50 Lux you can buy today..
To date I have tried around 8 50mm lenses on the Leica SL and Sony A7RII so far and my faves have been the 50 APO cron and now this 50 Lux SE (others are the Zeiss 50 Planar, Zeiss 50 Sonnar, Voigtlander 50 1.5). But for me, this Lux Limited Edition makes much more sense to be my main 50 for my SL and my Sony as only 500 were made, and it is a lens that will go up in value instead of down like all other lenses today. Just like the limited number LHSA edition that even today sells for $7500 used ($4k more than it sold for new), this version should creep up over the years, not down.
50 1.4 Lux ASPH LE at 1.4 – click it for better version – All images here shot on the Leica SL
This one was sent to me by Ken Hansen to try out and what a beauty it is. The lens has a heft to it that makes it feel UBER solid. Much more solid feeling than the standard 50 Lux. The focusing is also smoother, and no focus tab which is a plus for me. The scalloped focusing ring is easy to twist and dial in. This and the LHSA edition are the most beautiful 50 Lux ASPH’s I have seen, and I also have one more reason I prefer it to the normal Lux. Overall Quality.
For some reason when I used to own the LHSA LE edition of the Lux ASPH it was sharper and performed better than the standard Lux ASPH I had at the time. Same here, this Limited Edition is PERFECT and seems snappier and crisper at the focus point than the standard Lux I have here.I feel that these limited runs may be made to a higher standard as I have now experienced this TWICE. I feel these LE’s may be assembled with a little more perfection as they are a limited run. No other way to explain it.
Must click images to see them correctly – always best on large screens!
Sof or the obvious reasons of beauty, construction, perfection and the fact that this lens will not go down in value (as it is a limited edition) means this will be my main go to 50mm on the SL or A7RII for me, and after testing all the 50’s I had interest in for my SL, this is the winner even though the 50 APO is technically perfect (this one is a better deal IMO at half the cost) It just feels so good, looks gorgeous and is much easier to focus without the tab (some may prefer the tab though). It has a serious little heft to it but as you know, it’s small. This lens also comes with a very nice and solid brass hood and cap (black chrome) and it sticks to the old 1959 version in all ways having to do with looks and design, but with modern internals. This means no slide out hood, instead you must attach it on and off manually.
Here is what Leica has to say about this Special Edition:
Resembling its predecessor from 1959, the black-chrome edition Leica Summilux-M 50mm f/1.4 ASPH. Lens features a unique matte black finish along with a classic exterior design akin to the first production run of this renowned lens. While recalling its past on the outside, this edition is also characterized by its contemporary optical design that incorporates one aspherical element and one floating element, as well as elements made from anomalous partial dispersion and high refractive index glasses.
This sophisticated construction helps to reduce chromatic aberrations and distortions throughout the focusing and aperture ranges, which contribute to high overall sharpness and clarity. Further benefitting the lens’ overall versatility, the fast f/1.4 maximum aperture also aids in working in difficult lighting conditions as well as offers greater control over focus for shallow depth of field techniques. Pairing a classic outer design with innovative optical components, this black-chrome edition is the epitome of Leica’s penchant for mixing both form and function.
As part of a limited edition of 500 pieces, this black-chrome finish Summilux-M 50mm f/1.4 ASPH. lens features a matte black exterior as well as an outer design that resembles the first edition of this lens from 1959. Other distinct design elements include a scalloped focusing ring, red-colored focusing distance scale in feet, and a finely-knurled aperture ring. In addition to the unique appearance of the lens, this edition also includes a metal front lens cap as well as a metal round lens hood.
One aspherical element and one floating element are incorporated within the optical design, along with anomalous partial dispersion and high refractive index glass elements, to control aberrations and distortions at all aperture and focus positions.
Fast f/1.4 maximum aperture benefits working with selective focus and shallow depth of field techniques, as well as working in difficult lighting conditions.
Manual focus design provides a minimum focusing distance of 2.3′ (0.7 Meters) with a maximum magnification ratio of 1:11.3.
WHERE TO BUY…NOW..for a NORMAL PRICE!
If you want this lens do not pay $5,6 or 7k on E-Bay where sellers are trying to take advantage of the limited edition name tag on this lens (it is limited to 500) Ken Hansen has a few IN STOCK NOW. You can e-mail him at [email protected] if you want one! Tell him I sent you! He has only a limited few left!
Zeiss Sonnar C ZM Lens for sale, As new in box! $680!
SOLD!!! The Sonnar is SOLD!
1st come, 1st serve! This is a 2 week old Zeiss Sonnar C Zm lens (Leica Mount). Works amazing on any Sony A7 body, the Leica M or the Leica SL. You can see my recent report on it here. This is a very unique lens, and so much different from just about any modern 50 out there. It has the creamy bokeh, 3D pop and creamy color that Zeiss is known for. The lens sells new for $1200, and I am selling it, as new in box, unregistered for $680 as a “reader appreciation” special. Every now and then when I sell a personal lens or camera I offer it at a much lower price than normal, so if you want this one, in black, in box, $680 via paypal will get it ($20 shipping).
**I also have a Leica 50 Summicron (pre APO, no 6-bit) in leather Leica case (latest version before APO) for $1250 and a 90 Elmarit 2.8 (latest slide out hood version before it was discontinued) ASPH I am selling for a friend at $1250. I have them in hand and both are a 9 condition. Just no boxes or 6 bit coding. This is actually my 2nd fave 90mm lens next to the $3600 90 APO. $1250 is a steal for this guy**
a few shots with this lens on the Sony A7RII and the Leica SL.