Oct 052015


The Olympus E-M10II and 7-14 Pro Lens Review

by Steve Huff

Buy the E-M10 at Amazon or B&H Photo

Buy the 7-14 Pro at Amazon or B&H Photo

Seems like it was just  yesterday when I was reviewing the Olympus E-M10 (Mark 1) and shooting the streets of Las Vegas with it…thinking all along just how far we have come with camera technology. The E-M10 Mark 1 was a tiny little guy, but not too tiny, and it was as powerful as the larger more expensive Micro 4/3 cameras. It was a popular choice for those getting into the Micro 4/3 camera world due to its much more affordable price over says an E-M1 or even E-M5 II, and it offered plenty for most to really understand what micro 4/3 can do for them.


Now here we are today with the new E-M10 II and while not groundbreaking “new” as in, just came out today..I have been shooting with the E-M10 II and 7-14 for a couple of weeks and have grown to really enjoy this combo. Now, I am an E-M1 and E-M5 kind of guy as the size of the E-M10 is on the small side for my tastes but if you have small hands and want an easy, enjoyable and quality experience, the E-M10 II will give you just about as much as it’s larger siblings, the E-M5 II and E-M1.


Of course with the new Pro 7-14 f/2.8 lens attached, the camera is no longer “tiny” nor will it ever fit in a pocket, but what a combo this could be, for those who really enjoy soaking in the entire environment in a photo. Yep, even with the 2X crop factor of Micro 4/3, the 7-14 still comes in at an ultra wide 14-28mm focal length, and yes, light gathering is still f/2.8 and I find this the perfect ultra wide lens, in fact, with its fantastic solid but smooth build, its amazing lens performance which is sharp across the frame and its nice size which is bigger than most Micro 4/3 lenses but still smaller than a full frame ultra wide zoom (though better made) it is the perfect ultra wide, in fact, the best I have ever shot with.

DSC09020 DSC09021

When I factor in the size, build, speed, performance and equivalent focal length I can put it up against my Sony/Zeiss 16-35, which is a beautiful lens itself. It is smaller than the Sony/Zeiss, built better, and gives just as good if not better IQ. Color is also more “pleasing”…”warmer” with the Olympus, which many find more pleasing. So for Micro 4/3 shooters, using a lens like this you are not giving up a thing over a full frame sensor and ultra wide except maybe some overall crazy resolution (especially with a camera like the Sony A7RII or the new Canons).


With a lens like this, the 7-14 Pro and a camera like the E-M10 II with offers true 5 Axis image stabilization we now have an incredible thing. Already, using an ultra wide lens like this we really do not need much in the way of image stabilization, but turn on video shooting on the E-M10 II and wonder at the silky smooth performance that almost mimics a hollywood steady cam style rig. You can walk, run and shoot video and your footage will be smooth due to the combo of ultra wide lens and the 5 Axis IS. VERY cool as Olympus has seemingly perfected this tech now as it works so so well.

Night Shooting with the E-M10 II and 7-14 Pro

Middle of the night, AZ desert, some light painting with the E-M10 II in Live Time mode which makes it super easy to do light painting as you preview the progress on the LCD in real-time, and just stop capturing when the camera shows you the exact image you want. Genius and Olympus has been implementing Live Time and Live Composite now for a while, and its a great feature to have as it just works so so well.

Click images for larger view




Truth be told, while out in the desert shooting at midnight using the E-M10 II and 7-14 2.8 Pro I was very happy with the ease of use when it comes to long exposures. If you shoot at night, and want an EASY way to do long exposures look no further than Olympus. ALL of their Micro 4/3 cameras will allow you to do some very cool things at night using the previously mentioned “Live Time”, “Live Bulb” and “Live Composite”.

Late night, AZ desert. 7-14 Pro, tripod mounted, 97 seconds, f/3.5, 7mm (14 equiv). Give it a click!


E-M10 II – revolutionary or refresh?

If you missed my original review of the older mark 1 version of the E-M10, see it HERE. I have been reviewing Olympus digital cameras since their very 1st PEN, the E-P1 and have not missed any major release to date. The original E-M10 was revolutionary IMO as it was  tiny, had 3 AXIS IS and performed to a level of the larger and more expensive Olympus Micro 4/3 cameras. The new E-M10 II is an improvement in many areas but still more of a “refresh” than anything crazy new or exciting.

They added 5 Axis vs 3 Axis, which is awesome but the 3 Axis was also quite good. There is a silent mode for 100% silence when shooting and the electronic shutter has a capability to go up to 1/16,000 of a second, perfect for bright sunny days when you want that shallow DOF from a fast prime.


More features of the E-M10 II…with great features in bold..makes you really see how powerful this little guy is…

A high-resolution 16.1MP 4/3 Live MOS sensor pairs with the TruePic VII image processor to facilitate up to 8.5 fps shooting and full HD 1080p/60 movie recording, with a top sensitivity of ISO 25600. In-camera 5-axis image stabilization compensates for up to 4 stops of camera shake to benefit working in difficult lighting conditions and a FAST AF system employs 81 contrast-detection areas for quick, accurate performance with dedicated subject tracking modes. The retro-themed body incorporates a range of assignable function buttons and dials, as well as a 2.36m-dot OLED electronic viewfinder and 3.0″ 1.04m-dot tilting touchscreen LCD for clear image monitoring and playback. Besides the handsome appeal of the E-M10 Mark II’s design, its main assets lie in its versatility of shooting functions and performance to benefit photographers and videographers alike.

7-14 Pro. around midnight in the AZ desert in an old ruin that sits there with tunnels and passageways. 


Benefited by the range of imaging capabilities, the E-M10 Mark II also incorporates a variety of shooting modes to suit working in various situations. A Silent Mode utilizes an electronic shutter for perfectly quiet picture-taking, with shutter speeds up to 1/16,000 sec. available. Live Bulb and Live Time modes are well-suited to creative long exposure photography and a dedicated Live Composite mode lets you watch a long exposure gradually build up during the course of the shot. Built-in Wi-Fi allows you to pair the camera with your smartphone or tablet for wireless sharing and remote camera control, and an interval shooting mode can be used to produce in-camera 4K time lapse movies.

Left to right: Best friend since childhood Mike, then my wonderful Debby and me during a mid day beer/pub crawl event in Phx AZ which was LOADS of fun. 


When reading the above text, with features in bold, I say to myself “wow, this camera is offering a TON for $649 USD. I have shot with cameras costing up to $35,000 and down to $69. More expensive does not always mean “better”. I have had experiences shooting a $15k camera that was awful. I hated it. I had an experience shooting a $300 camera once that was delightful (though it was no where near the E-M10 II for capabilities).

This little E-M10 II, while not immediately different from the original E-M10 really shows its stuff when you are out shooting with it. I notice quicker AF, better low light, better IS, and well, an improved EVERYTHING. So I take back y :refresh” comment as it is more of an “evolution” of the wildly popular E-M10. It offers just enough that if I was shooting and only owned an E-M10 I would be pretty tempted to upgrade for these new features. In use and practice they are quite nice.

One new feature I did not yet mention is FOCUS BRACKETING, which is basically just like FOCUS STACKING. According to Olympus, this feature is really for Macro shooters as it allows you to get tack sharp macro shots without worrying about missing or having a part of your subject out of focus. The camera will take several shots, focused at different points and then you can use something like Helicon Focus and BAM you have a perfect, in focus, stacked image. This is the 1st camera I know of that offers to bracket focus for you in camera.

I expect the next pro Olympus, whatever it is called (E-M1 II perhaps) will have this feature as well and I also feel it is close to being time for a new E-M1 II, my spider senses are feeling it. ;)

So Olympus is continuing to do innovative things with every camera release, with this one it is the focus stacking/bracketing. More so than ANY other camera company, Olympus seems be on top of it when it comes to creating a camera that is polished, finished and works VERY well with just about any feature you could ever want. Focus peaking is always there, 5 Axis now standard, fast AF speed all around, gorgeous lenses (some of the best in the business) and an IQ that is pure “Olympus”.




Again, this is a quick review as my original E-M10 review cover more about what the E-M10 is all about HERE. This review is just to talk about the new lens and the new features of the camera. When I did that review I used the then new 12-40 f/2.8 pro lens. I like this 7-14 better as it seems to be sharper with better contrast and pop.

The 7-14 f/2.8 Pro

As already stated, I LOVE This lens. It is quite amazing really and the good press it has been getting is well deserved. In general terms, it is still small for an ultra wide, but this ultra wide is built to a HIGH standard while keeping it as small as possible for a super quality f/2.8 lens. It is dust, splash and freeze proof, and I tested this out in the desert at night while shooting some long exposures and self portraits. When I returned home my gear and clothes were COATED in dirt, grime and dust. I blew off the direct carefully from the lens and body, then once all dirt was off of the lens, it was cleaned gently with a lens cloth and the barrel was wiped down. Looks and performs as new.

This lens will offer you an amazing perspective and if you own a Micro 4/3 camera, it beats the old Panasonic 7-14 f/2 (that I used to own) in EVERY way from build, performance, AF speed, quality and of course Aperture speed.




It seems no matter what I wanted to capture, no matter how tight the quarters were or how much of the subject there was to capture, the 7-14 always pulled it in. Truth be told, I’d probably rather have seen a 7mm f/1.8 pro ;) If I owned this lens I think 99.9% of my images would be shot at 7mm. ;0 Even so, I know many would use the full range of the glass.

I have shot with the Nikon 14-24, the Canon 16-35 and the Sony/Zeiss 16-35. This Olympus pro, for me, beats them all in all areas. It holds up to the high quality tradition that Olympus applies all of its pro lenses and then some. While not cheap at $1299, it is priced accordingly and priced right.


The new E-M10 II and 7-14 f/2.8 Pro lens is a stunning combo and the set would set you back around $2000, or $1500 less than a Sony A7RII body only. ;) Think about that one.

While the E-M10 II can not compete with a full frame camera at high ISO, dynamic range or depth of field (shallow) it can take on something like a Sony A7RII for sharpness, color and FEATURES that make shooting FUN, ENJOYABLE and at times, THRILLING. I always seem to have a smile on my face when shooting with Olympus as the experience is just so user friendly and rich. The cameras never hold me back, no matter what I want to shoot..which is why I always have an Olympus M 4/3 camera on hand to go along with y full frame cameras. Sometimes, the job calls for things the Olympus would excel at, other times I need the full frame for the DR, DOF or richness.

I never have focus issues with Olympus cameras or lenses. I never have problems using these cameras and at the end of the day when I sit down to do image review, I am always pleased with what comes from a camera like the E-M10 II. They just “work” and if you are someone getting into photography, I HIGHLY suggest taking a serious look at the E-M10 II body with a lens like the 25 1.8 prime which would give you a 50mm equivalent field of view. So like a fast 50. See my 25 1.8 review HERE. 

In my experience Olympus, much like Sony, is on a roll in 2015 and going into 2016. They can do no wrong, and any of their current cameras are top notch from the PEN E-P5 to the still fantastic E-M1. Olympus also always rolls out MASSIVE firmware updates for all of their OMD line giving even owners of older models all of the new features of the newer cameras. Well, most of them. A sign that Olympus cares about its current base of customers instead of just releasing new cameras to fix issues.

While I am still partial to the amazing E-M5 II, I’d shoot the E-M10 II and be thrilled to if it was all I had. It’s a gem indeed.

$649 body only. Wow.


I would buy from B&H Photo HERE









Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple, and no, I am not asking you for a penny!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Oct 052015

Canon EOS M Review (Or Why I Learned to Stop Worrying and Love the Camera)

By Jonathan Acierto


Hello Steve and Brandon,

The Canon EOS M got a lot of bad reviews when it first came out. It was basically dead on arrival due to all of its shortcomings and perceived lack of effort on Canon’s part to design a camera that could rival the other mature mirrorless system cameras from Sony, Olympus, Panasonic, and Fuji. So when it came time to choose a mirrorless camera to carry around to replace my Sony RX100 compact, I chose the Canon EOS M. Why on earth would I choose the apparently worse mirrorless offering? I’ve been using it for a little while now and, even with all its shortcomings, let me explain why I’m happy with the EOS M.


When the EOS M was first released, it was originally priced for retail at about $800 for the kit with the 22mm f/2 pancake lens. Ever since the camera flopped, the price has been dramatically reduced to about $379 for the same kit on Amazon, and even less for the body only. You know what that means: really low used prices. Heading over to the fantastic KEH, I was able to get an EOS M with the 18-55mm kit lens for under $300, less than I paid for the RX100. Even compared to the entry level m43 cameras, the EOS M is a steal. Kudos to all of you who have enough disposable income to buy top of the line mirrorless cameras and glass from Leica, Sony, Fuji, Olympus, Panasonic, etc. Reading headlines of people who have multiple mirrorless cameras and can buy f/-1.0 lenses for all of them makes me jealous. But for the rest of us folks who have a limited amount of disposable income, price is and always will be a major factor.




While the photographic community has shunned the EOS M, the video community has embraced it and it has become somewhat of a cult video camera. I was originally looking to get a camcorder, but entry level enthusiast camcorders with relatively larger sensors start around $1,000. I simply wasn’t interested in getting a consumer grade camcorder due to the small sensors, hence the lack of DOF control. Entry level HDDSLR’s and high end superzooms (like the Sony RX10) have become a great value for getting professional looking video, but they are still relatively bulky and the ergonomics aren’t the best for video. Action cameras are tiny and can withstand all kinds of abuse, but they are just not designed for shooting everyday videos of your kids (unless your kids are surfing or riding a dirt bike and you want to get footage from their point of view).

The EOS M has became a popular camera to use for video because it has a large sensor which enables it to get the same DOF control as HDDSLR’s, it has a mic input so you can get better audio by connecting a much higher quality mic, and it is very compact and light weight, perfect for run and gun video shooting. Years ago I had a Canon Rebel T1i and I loved using it for video, but it didn’t have autofocus or tracking focus in video mode, so I had to manually focus. After a while, manual focus became a real chore. If I was a DP or first AC, I’d probably do a better job with manual focus, but I’m just not that good. The EOS M has auto and tracking focus in video mode. It’s not perfect by any means, and other mirrorless system cameras have better auto and tracking focus in video, but the EOS M is still better in most situations compared to my crappy mannual focusing. Keeping the aperture closed down a bit to get a deeper depth of field helps too. While having a razor thin DOF in a still photo is all the rage nowadays, having a razor thin depth of field for long lengths of time in video footage is now cliche and tends to get really monotonous and hard to watch. Video is a whole different art compared to photography, all you have to do is pay attention to what you see in movies and on TV. In the video world, shallow DOF is used very sparingly.



Operational Speed

Trying to use the EOS M like a DSLR or enthusiast camera sucks, and sometimes it can be painful (sounds like the complaints about the original Fuji X100, doesn’t it?). I’m used to just pointing the camera towards the subject, half pressing the shutter button to acquire focus, and pressing the shutter button all the way down once the camera gets focus. With the Sony RX100, I’m able to get focus and snap a photo or 2 of people on a sidewalk while I’m in a moving car. Letting the EOS M decide what to focus on is a crap shoot, it could focus on the correct subject fairly quickly, or it could take a while to hunt for focus. The slow focus is the main reason why the camera has been criticized so heavily.

Then I had a revelation: the EOS M was designed for regular consumers who are used to a smartphone touch interface. This may be obvious at first, and many reviewers mentioned this, but it’s easy to forget if you’re an enthusiast or professional who normally uses a DSLR, mirrorless system camera, or other more advanced camera. Once I started using the touchscreen to focus, the camera felt much quicker to use. Using the touch screen to focus, then pressing the shutter button to take the photo, works much like my iPhone. The EOS M also does a fairly decent job tracking the subject once you acquire focus via the touch UI. It’s also much quicker to change settings (white balance, ISO, etc.) using the touchscreen compared to using the physical buttons and wheel to dive into menus. People always complain that camera interfaces are stone age, but Canon designed a pretty good touch interface for the EOS M, and reviewers complained it’s too touch oriented for more serious photographers. Go figure.

The biggest slow down after getting over the touch UI focusing seems to be after pressing the shutter button all the way down. The camera takes almost a full second to write to the memory card. I’m not entirely sure why this process is so slow, as the camera can write 1080P video at 30fps to the card without any slowdowns. Is it annoying? It can be, especially when I’m trying to fire off 2 or 3 shots quickly as I do with the Sony RX100 or Canon 6D. Does the slow write speed stop me from shooting the moments I’m trying to capture? No. I actually think the slow write time helps slow me down and be more selective of my shots. With my Canonet QL17 GIII 35mm film rangefiner, I have to wind the film after every shot, so I’m used to not being able to take shots in quick succession. With the EOS M, I’m shooting more in the Cartier-Bresson, wait for the decisive moment style, rather than spraying and praying.

Hagerstown Road Trip 10-3-2015 - 1 of 1

Image Quality

It’s good, what more do you need to know? Just look at the photos. We’re at a point where any camera with a sensor 1″ or larger can take fantastic photos, the only limitation is the quality of the lenses. While the native EF-M mount lenses aren’t professional L glass quality, they’re good. I’d even say they’re better than the older, pre-STM Canon DSLR EF-S mount crop sensor lenses I’ve used. The EF-M 22mm f/2 STM (35mm full frame equivalent) is certainly as good as any of the mid level Canon EF USM prime lenses, it’s about 1/4 of the price, and it’s tiny. Putting this lens on the M makes it almost as compact at the Sony RX100. I don’t plan on using the EF-M 18-55mm IS zoom lens much for stills, but it’s more than good enough for shooting 1080p video. The image stabilization really helps to eliminate vomit-inducing camera shake.

Huntington Pioneer Festival 9-27-2015 - 1 of 1

Closing Thoughts

For all the talk of the convergence of stills and motion in one camera, it still hasn’t quite happened yet in the enthusiast/professional space. In the consumer world, I think the iPhone and smartphones have become the only camera normal people need for stills and videos, making smartphones true convergence devices. That leaves pros and enthusiasts as the only people left who are willing to spend money on a separate camera and/or camcorder.

Mirrorless system cameras have changed the stills world and HDDSLR’s have changed the motion camera world, so it makes sense that the newest convergence cameras will be a combination of those two devices. Mirrorless system cameras are gaining better video capabilities all the time, but Canon started the HDDSLR revolution, so they are coming at the mirrorless world from the opposite direction of taking the HDDSLR video capabilities and cramming them into the EOS M. They did a good job, all they need to do now is match the stills photography performance of their entry level DSLR’s. I think they’re getting there; the reviews for the third generation EOS M3 have been very good. Canon has had plenty of time to improve the M since the original was released 3 years ago. The reviews of the M3 have been so good that Canon decided to release the M3 in the US after initially announcing they wouldn’t. A couple more iterations of the EOS M and they’ll not only catch up to the other mirrorless cameras, but they may even surpass them. In the meantime, I’ll have my EOS M in hand, capturing fantastic videos and photos and having a blast.

All the photos included with this review were shot with the 22mm f/2 EF-M STM lens. For more of my photos, please visit my Flckr page:


Jonathan V. Acierto

Oct 012015

Leica Monochrom 246+ 35 LUX

By Danny

Hello Steve and Brandon

I just got back from a beautiful town called Acre. It is a very old town where I especially  love the old arabic part mostly. You can find the best Humus in the world there :)

Lately I hardly see Leica photos being posted on this site, , mainly Sony A7!!  photos (from Steve: Because Sony has new cameras to cover, Leica does not at this time). It is no doubt a wonderful camera but I still love the Leica rangefinder cameras , it still feels like old film cameras to me unlike all the other brands. I love the Leica viewfinder, the feeling of the camera in my hands. I love the manual focus and the camera sound.

In short I am hooked on Leica cameras as well as on their fantastic lenses. Yes it is all very insanely expensive but so are cigarets(I don’t smoke, ) people spend a fortune on getting ill, but when it comes to cameras …… I took my beloved Leica 246 ( what a fantastic camera) + the 35 Lux with me.

Here are some shots, I do hope you will like them.

Take care








Sep 302015

A Hot Summer in Rome

by Massimiliano Tiberi

Dear Steve how are you!

I am here in Rome waiting for the autumn looking back at what I shot this summer and I would like to share with you all my roll of film done with the Leica M2 and a great Tri-X. So refreshing to shot with a so simple camera.

Rome in August can be very hot and the city is a bit empty and lonely but so interesting because something that is hidden became more visible. The people in Rome are so incredibly surrounded by masterpieces that sometimes you forget the living ones to focus on what was done by the ancient inhabitant of this city.

Something of the beauty of this city is fading away so do not miss the chance to visit soon.

more if you like there : http://blog.massimilianotiberi.com/rome-in-an-empty-summer/

I wish you can enjoy :-)










Sep 292015

The Sony A7R (Mk 1) in Japan

by Michael Morris

Dear Steve and Brandon:

I have been reading your site daily for the last few years and have enjoyed reading your reviews and guest posts. I started my venture into the mirrorless world from Nikon with the purchase of the Leica M9 and 3 Leica M lenses in 2010. I tried micro four thirds and APS –C sensors and came to the conclusion that I am a full frame shooter. Over the last year I made some changes in my list of cameras. I sold my Olympus OMD–EM5, my Fujifilm XT-1, and my Leica M9. I now have a Nikon D800E, which I use for portrait work and sports, and a Sony A7R which I use for travel or when I want to travel light. I am anxiously waiting for my A7Rii to ship.

I recently traveled to Japan and brought my Sony A7R with the Sony/Zeiss FE 55mm f 1.8, Sony/Zeiss FE 35 mm f 1.4, Leica M 90 mm f 2.0 APO, Leica Super-Elmer 21 mm f 3.4 (borrowed), and my Nikkor G 14-24 mm f 2.8. I strongly considered purchasing the Sony/Zeiss FE 16-35mm for the trip. In the end I decided to bring the Nikkor zoom despite its size, and use something that I already owned. I used Novoflex adapters for both the Leica and Nikkor lenses.

Here are some sample photos.

Shibuya Crossing – Sony A7R with Nikkor G 14-24 mm f 2.8 ISO 200 1/250 sec


Sumo Wrestling Close shot – Sony A7R with Leica M 90 mm f 2.0 APO – ISO 1600 1/640 sec f 3.4


Sumo wrestling – Wide shot – Sony A7R with Leica Super-Elmer 21 mm f 3.4 – ISO 1600 1/100 sec f 3.4


Leica Store Tokyo – Sony A7R with Sony/Zeiss FE 35 mm ISO 200 1/100 sec f 5.6


Mount Fuji taken from the Shinkansen Nozomi at 170 mph Sony/Zeiss FE 35 mm ISO 200 – 1/200 sec f 4.0


Lobby of Ritz Carlton Kyoto –Sony A7R with Sony/Zeiss FE 35 mm ISO 200 1/4000 sec f 2.0


Maiko – Sony A7R with Sony/Zeiss FE 35 mm ISO 6400 1/250 f 4.0


Kinkaku-ji (The Golden Pavilion) Kyoto – Sony A7R with Sony/Zeiss FE 35 mm ISO 400 1/640 sec f 4.0


Michael Morris MD

Ocala, Florida USA

Sep 282015

Traveling Light – Big Fun with little cameras!

By Rob McKay

Hi Steve and Brandon, as always great work on the site! I love these tiny pocket cameras so figured I would submit some snaps from them to your fine website.

Ricoh GR

This has to be my all time favourite pocket camera. I love the ergonomics of it, the size is perfect, the layout in my opinion is also perfect. Keeping the body clean, and the lack of external dials, buttons and knobs means I rarely screw up a shot due to something getting moved or switched on or off.
A few snaps with Ricoh balancing on some rocks.



Sony RX100 III

Another awesome pocketable camera, and after looking at a few snaps I made with it, I am kind of missing it. Tiny powerhouse of a camera, but I ended up selling it because it was cutting into my Ricoh time. But thinking I might need the IV!



Sony a6000 + E 16mm 2.8

Obviously the a6000 is a system camera, but it is pocketable as long as you have the right lens on it. In this case the cheapo 16mm.




Rob McKay – https://www.flickr.com/photos/caughtintheair/

Sep 272015

Bringing life to old glass with my Sony A7II & Leica

by Robert Tam

Hi Steve and Brandon

I am a new comer to your blog. I am impressed by the opinion provided. I have some old Leica lens, Summicron DR 50mm F2, Elmar 50mm F2.8 and Summaron 35mm F3.5. The latter two are screw mount. They are still in perfect condition and have been gathering dust over the years since Leica have been falling behind with the digital age. Having read your reviews on the Sony A7 Mark 2 series, it suddenly dawn to me that I can bring these old lens back to life.

With the Metabones and screw mount adaptor, off I went to Winton festival. A small sleepy town till dinosaur bones were found on a sheep station. This is the first time dinosaur bones have been discovered in Australia. It is rapidly becoming a major tourist attraction and is the most prolific yielding site in the Southern hemisphere.

Uniquely Australian and I hope your viewers will enjoy the local colour.

Sony A7 Mark 2 with Summicron DR 50mm F2

Winton festival-4

Winton festival-2

Winton festival

Sep 242015


The Sony RX1R around the world

by Dick Hoebee

Hello Steve,

The subject of this write-up is the magnificent Sony RX1R and some of the places I’ve taken it so far. Every photo you see here was shot in RAW and edited in Adobe Lightroom.

Positive points and general comments

Going to New Zealand was something I wanted to do for a very long time, and in late 2013 I finally had the means and time to do it. My trusty Canon Eos 450D was becoming unreliable after five years of heavy use, and I took this opportunity to go out and get a new camera. The logical choice would be a new Canon, as I had accumulated two nice lenses and a great flash. Mostly thanks to the raving reviews on this site, I checked out the Sony RX1R as well, and ended up buying it, to my own surprise.


It was either this camera, or an EOS 5D Mk. III. That’s not an easy choice to make, but I’m ultimately glad I went with the Sony. I was a little anxious about limiting myself to one lens, especially for the monumental price tag that the camera has (I bought it when it just came out, too), but that turned out to be unwarranted, as I never enjoyed a camera more than this thing.


New Zealand was the maiden voyage of the RX1R for me, and boy was I glad I took the plunge before going. This country has many sights that are truly awe-inspiring, and I recommend anyone visiting it at least once in their lifetime. I felt very small there many times. It is a humbling, unforgettable experience.


Besides the incredible image quality of this camera, I absolutely love this thing for its size and weight (or rather, the lack thereof). It is also built like a tank, which gives confidence to carry it all over the place. And I do. Because it’s so easy to take everywhere, I take it everywhere. I left my EOS 450D at home many times when I shouldn’t have, because I didn’t feel like lugging it around, and that’s even a small DSLR. Another advantage about its size is that it is an unintimidating camera to subjects. When you point a big, professional-looking camera with a large lens at people, they sometimes get self-conscious. The RX1R looks more like a cool-looking hobby-camera than the full-frame monster that it is. The shutter is completely silent, too. Most people have no idea what it is (including those who have nice cameras themselves), and some even think it is an analog camera. An older gentleman I met commented that it looked like his Leica M6.






At low to medium ISO settings, photos are incredibly clean. That said, the high ISO performance of this camera is one of the reasons I fell in love with it. I can take it out at night, and take hand-held shots without having to use flash in pretty much any situation. The results are great, and photos still look alive and punchy at ISO 6400 and even 12800. Things naturally get more grainy once the ISO goes up, but it’s nice-looking grain, almost film-like. I leave luminance noise-reduction completely off in Lightroom. With a tripod and long exposure + low ISO, it really shines, too.

I use the RX1R for landscapes, portraits, and as a walk-around camera. The dynamic range is really something else, and it’s possible to achieve some amazing results. Colors are wonderful, and black & white is rich and deep. It’s easy to pull tons of detail out of shadows and highlights, and I’ve never felt the need to pull tricks like multiple exposure HDR. RAW files have an incredible amount of headroom. After having owned and used the RX1R for two years, I still get blown away every singe time I load the files in Lightroom. The image quality is absolutely staggering, still in 2015.



Settings & usage

I shoot in Aperture Priority (the ring is nice) or Program most of the time, and I use Manual for long exposure shots and stitch-panoramas. The exposure compensation dial on top is a useful tool for quick adjustment. I assigned the little C-button on top to ISO-settings, which I usually leave on auto with a range of 100-6400. Sometimes I lock it when I want to go for a specific look. All 5 buttons are programmable, as well as the four-way buttons under the wheel on the back. I set metering to multi-metering, and it is generally accurate. The auto-focus does a great job most of the time. It sometimes has a little trouble in the dark, but it usually catches what I want after a try or two. I set it to one focus point in the middle. Focus speed isn’t super fast, but fast enough for me.

I never really use the flash (not needed) or video mode (I’m a photographer, not a video guy). The only accessories I have in my bag these days are a GorillaPod and an extra battery. It really feels like everything I need now.




The Carl Zeiss Sonnar T* 35mm f/2.0 lens is incredibly sharp at every f-stop, and it seems to be at its sharpest at f/5.6 and f/8. The photos are so sharp in fact, that Adobe Lightroom’s default sharpening-setting of 25 is too high and creates harsh edges. Usually I end up setting it around 10-15. Having a 35mm prime lens is easy to get used to, especially when it’s as great as this one. I love primes in general; they force you to get creative and walk around to find a good angle.





The battery-life is not great. I immediately turn the camera off after I’ve taken a shot, and I don’t spend much time reviewing photos already taken. I have an extra battery, but since Sony doesn’t include an external charger (at this price point, I’d say that’s strange), I need to switch them around while the camera is hooked up to charge them. The camera has a standard micro-USB port for file transfer and charging, which means it is compatible with pretty much every standard phone charger out there, which is convenient.




Manual focus is useless without a viewfinder (save for forcing infinity focus), as focus-peaking only works with a magnified view. I don’t know why this is, as the Sony A7 cameras are able to do this on the overview view. Another little quirk is that the camera always returns to infinity focus when it wakes up or turns on. This is something I’d like to be able to lock when I’m waiting to take a shot of something that moves. Both these things are fixable with a firmware update, but Sony doesn’t seem to do those with this camera for some reason.

I miss having an infrared shutter release. That seems like a more logical choice to build into this camera than an external mic-input.

The prices for accessories are ridiculous. I’d like to have the viewfinder (partially because using a circular polarizing filter is almost impossible with the LCD screen), but I’m not paying 500 bucks for that. Even their simple metal lens hood costs 200 bucks (check eBay for knock-offs for 1/10th the price). The only official Sony accessory I bought for it was the leather case. Although that hurt my wallet, I’m glad I got it. It provides good protection, and it really emphasizes the old-school cool look.



I’ve never been this happy about a camera, or any electronic device I’ve ever owned. It is not perfect (no camera really is), but the positives easily outweigh the negatives. The more I use it, the more I love it. The Zeiss lens, overall image quality, build quality and size, make the RX1R nothing less than a masterpiece.

I would probably still love this thing if it gave me an electric shock with every photo I take.

It is that good.

If you liked this write-up and my photos, check out my personal portfolio and blog. I update it constantly.

I also have a Facebook-page. Give me a “Like” and tell your friends, it always helps!

Or, follow me on Twitter if that’s your thing.

I will visit Australia in the near future and many other places after that, so keep an eye on my website and social media pages for new photos soon. Feel free to get in touch if you have any questions or comments, I’m always more than happy to talk.

Many thanks again, Steve, for allowing me to send this in. Keep the website going, I enjoy the hell out of it.


Sep 232015


The Voigtlander 35 1.7 Ultron VM (Leica Mount) Lens Review

By Steve Huff

We are living in a GREAT  time for our hobby or our profession or our obsession..no matter what you call it..it is Photography. Today we have some pretty technologically advanced marvel cameras, simple basic cameras, amazing mid level cameras and even fantastic lower end cameras. Today we have more camera tech available at our disposal than at anytime in history. Even though the worlds #1 camera today is the iPhone, if you are reading this article then that must mean you are here because you appreciate quality and the process of photography, something you lose with an iPhone as you main camera.


Today I will be taking a look at the new Voigtlander 35 f/1.7 VM lens (Leica M Mount) but I will be shooting it on the Sony A7RII as that is now my #1 camera around here, and for me, the best full frame 35mm mirrorless camera made today. With the new backlit sensor tech, Sony has eliminated mostly all of the old issues when using wider angle Leica glass, at least the color issues ;) This lens works very well on the Sony A7RII, so every image in this review will have been shot with that camera and this lens (as well as the Zeiss ZM 35 1.4 Leica Mount for comparison).

One of my 1st shots with the lens which was indoors so not a ton of light. I opened up the lens, focused and shot. To me, the color is very good as is the OOF background rendering. Smooth rendering with a sharp subject. No issues.


When Stephen Gandy, head dude over at Cameraquest emailed me and said “The new 35 1.7’s are in, do you want to review one”? Of course I said YES YES YES! I have been curious about this lens but I wasn’t excited about it as I “assumed” it would be average. Not sure why I thought that when the Voigtlander 50 1.5 Nokton hit it out of the park with bang for the buck. That little 50 1.5 came so close to the Leica 50 Summilux at 1/4 the cost it was a no brainer for those who wanted that fast 50 rangefinder lens experience without spending $4000. You can see my review of that lens HERE, well worth a read and look if you missed it as that lens is a stunner for the money. Then again, Voigtlander has always been known to be big on “bang for the buck” but what I have noticed over the past 7 years is that each time Voigtlander releases a new lens, it seems to be notch up in quality from design, build, operation and image quality. Yep, in 2015 Voigtlander lenses are kicking some serious bootie, and the new 35 1.7 VM is no exception.

My dog Olive who is a total ham. She knows when I am taking her picture, and when I aim the camera she sits and looks, as if to pose. She also watches full TV shows, interacts with animals on TV and sleeps like a human, on her back. Odd ball dog, but here she is at f/1.7 with the new 35 VM. 2nd shot wide open again!



Over the years I have reviewed many Voigtlander lenses on these very pages. Usually on a Leica M, but these days the Sony A7 series has improved considerably since the beginning about 2 1/2 years ago. While the Leica M is a gorgeous body, camera and the ultimate in “pride of ownership”, it is expensive and many are buying the Sony’s as an alternate to the full frame M and many M owners have an A7 of some sort as a backup and extra camera to their M. Many ask me daily how these lenses do on the A7RII, so this is where I will be concentrating. Of all the Voigtlander lenses I have used, reviewed, and tested the 50 1.5 is my fave, followed by this one. While I loved many of the lenses these two recent additions are really showing what this company can do when they set their mind to it.

The Lens Arrives


When I received the lens and opened it up I saw I had been sent the CHROME version, and it looks quite a bit like the 50 1.5 I have been speaking about here. This is good as it is a retro but cool design and it is easy to focus and change your aperture. Smooth yet solid, and the lens is a joy to use. It is also thin and small which is nice. MUCH smaller than the Sony/Zeiss 35 1.4, smaller than the Zeiss 35 1.4 ZM and while not as small as the Sony 35 2.8, it is a much different type of lens.

When I attached it to the camera and took my 1st shots I was happy to see the color performance was gorgeous and the lens was pretty damn sharp wide open. It offered that “Voigtlander Look” but to me, it seemed sharper, crisper, better bokeh and color than normal. I liked it. Maybe it was the Sony but what was coming out of the camera with this lens wide open made me happy :)

Both shots below were shot wide open at f/1.7. 1st one I had some natural light coming in, the 2nd image was different. It was much dimmer here than the 1st image but the fast aperture let me get as much light in as I could. 

CLICK them for larger



As I used the lens more and more over the 2 weeks I had it, I was liking it and decided that I wanted to see how it would stand up to the Zeiss 35 1.4 ZM that comes in at $2300. The Voigtlander comes in at under $900, so it is more than 2X less than the Zeiss. I would expect the Zeiss to come out ahead but had to see for myself what an extra $1300 would buy me ;)

Zeiss vs Voigtlander

The Voigtlander 35 1.7 next to the Zeiss 35 1.4 ZM


Below are some images comparing both the Zeiss 35 1.4 ZM and  the Voigtlander 35 1.7 VM, both Leica M mount and mounted to my A7RII with the Voigtlander close focus M adapter.

Click the images to see larger and full 100% crops. These are right from the camera with no tweaks at all. FROM RAW.

1st one is the Voigtlander, 2nd is the Zeiss. 



For this set the Zeiss is showing a tad more color pop and sharpness in the crop (click them for full crop)



At the end of the day, the Zeiss is a tad better for sharpness at 1.7 but I prefer the bokeh of the Voigtlander which also seems to be giving a more shallow DOF than the Zeiss wen using the same aperture. Very odd but I have seen this before with different lens brands. I love the Zeiss, and it’s about as good as it gets in a 35mm for Leica M mount (it has been compared favorably to the Leica 35 Summilux that comes in at $5500). The Voigtlander is really only a teeny but behind in sharpness wide open. Both are fantastic but one is $1300 less expensive and smaller. Hmmmm.

The Voigtlander also focuses closer than the Zeiss. 

Ultimately it is up to the user which one is preferred, if any. In the world of 35mm for Leica we have many choices from old to modern. For Sony FE we have a load of lenses as well that can be used, so they should be chosen like an artist would choose his brush or pencil. Choose the lens for the desired “look” or “character” of what you want to see in your final image. This lens will give you a creamy look with you subject popping from a 3D background when shot wide open. Just like a good fast 35 should do. It has a decent background blur (Bokeh) rendering and I find it quite pleasing, even better than the Zeiss. It is small, well made (feels leica-ish) and gorgeous in black or chrome. Can’t go wrong.

#1, mailbox at f/1.7. #2, Hula Hoopers at The Duce. #3, Mailbox up close (and the top is OOF due to the depth of field being so shallow, not a lens issue)




ONE MORE BIG COMPARISON – “Against all the others”

Left to right: Sony/Zeiss 35 1.4 Distagon, Zeiss Loxia 35 f/2, Zeiss 35 1.4 ZM, Voigtlander 35 1.7 VM and the Sony/Zeiss 35 2.8


Many have asked me just this morning to add a quick comparison to the Sony 35 1.4, Loxia 35, and Sony 35 2.8 in addition to the Zeiss 35 1.4 ZM. Well, see the image above for the size differences, and see below for the image samples with each lens! Your wish is my command! (sometimes, lol).

I am using the Sony A7s for  this one and below are full size images from camera (RAW) without any modifications. What I am looking at  here is sharpness of the subject (face of the bottle) and the Bokeh (background blur quality) as well as the color performance. What do YOU think? Leave a comment and let me know! For me, the ultimate IQ comes from the Sony/Zeiss 35 1.4 but it is huge. The 2nd fave of mine is now the Voigtlander, then the Loxia, then the Zeiss 35 1.4 ZM and then the 2.8.






So there ya go ;) Let me know in the comments which rendering you prefer. 


No wide angle lens will be perfect on the Sony A7 series, even the RII. While the A7RII has improved considerably with M lenses, there is still one issue that seems to remain. SOFT edges with some lenses. Instead of magenta side we now will be left with soft sides on many occasions. THIS only comes into play if you are stopped down and wanting perfect corner to corner sharpness. ON the Leica M it will work well, on the Sony not so much.

If you shoot this lens wide open you will never see it. That is where the character lies in this lens anyway. Stopping it down to f/8 will give you no better quality than almost any other 35mm that will fit on the Sony. For me it is a non issue, but for many they want that stopped down corner to corner performance. If that is the case, and you shoot with a Sony A7 series camera, I highly recommend the Sony 35 1.4 which is STUNNING but HUGE. See that review HERE.

You will also see some slight vignetting with this lens when wide open on the Sony A7RII or A7s or A7II, but you will also get that with the Zeiss 35 1.4 ZM on the Sony. You will also get the slight vignetting wide open when using it on the Leica M.

If you want perfection in 35mm, buy either a Leica M and a Leica 35 Summilux FLE or buy an A7RII and the Sony/Zeiss 35 1.4 Distagon. Both of those will offer you about the best 35mm performance you will see in full frame, no matter the type of camera. If you want a fun unique lens that also comes with a very cool and fun user experience of using an all manual lens all while getting massive character and IQ, take a look at the Voigtlander. I love it just as much as I do the 50 1.5 Nokton. I highly recommend it for Leica M or A7RII shooters!!! 




You can buy this lens at Cameraquest HERE. Best prices, and free filter and overnight shipping.  

They are the official USA distributor for Voigtlander and top notch all the way!! 




Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple, and no, I am not asking you for a penny!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Sep 212015


The Olympus 8mm f/1.8 Fisheye Quick Lens Review

Well well. Olympus has been successfully creating cameras and lenses for decades now. When the original E-1 camera came out in 2003 (Four Thirds mount, NOT Micro 4/3) I loved it to pieces. For me, that camera had some magic at the time. While today that’d E-1 falls way short I do know some who still shoot with that camera every now and again and still treasure it. There is just something about Olympus that always keeps me with a body and a lens or two, no matter if I move on to bigger and better things (like full frame).

Even when I am shooting my Leica heavily, or my Sony heavily I always come back to Olympus in the form of the E-M1, E-M5 II or now the new E-M10II (currently reviewing). Olympus, for me, means I will always have a fun time shooting. It also means I will always get my shots as my Olympus cameras never seem to fail me, they offer a huge lens selection and they are fast and have some of the best features on the market. While not holding up to full frame image quality, the IQ from these little wonders is nothing short of astonishing when you consider the small sensor and size of these camera bodies.

Video showing off the 8mm Fisheye

So even today with the likes of the Sony A7 series, the Leica M, the Canon and Nikon’s of the photo world and all of the other amazing cameras out there today, the Olympus Micro 4/3 is still a solution for many of us who want the small size, some of the best glass (lenses) in the business and the largest selection of lenses for any mirrorless system. Speed, IS, color, and performance is top notch. Many pros are using Micro 4/3 and loving it.

That leads me to this new lens release from Olympus. The 8mm Fisheye f/1.8 Pro. Yep, Oly is listing this as a pro lens as it is dust and splash proof, and it offers a worlds 1st for a fisheye..an f/1.8 aperture. Usually these 8mm lenses come in with an aperture of f/3.5 but this one, at f/1.8, actually will offer you more creative possibilities than any other fisheye that I am aware of.

Olympus E-M10 II with the 8mm Fisheye Pro


I love fisheye lenses and while I only use them 3-4 times per year I find that owning at least ONE fisheye is well worth it. With so many less expensive fisheye’s out there today, most coming in between $250 and $350 with even the promo Panasonic 8mm fish coming it at round $600 how can Olympus charge $999 for this little guy?


Well, it is a PRO lens which means it will survive the elements. Rain, snow, freezing temps, dust.. this lens should survive any of that. It also has the worlds fastest aperture for a fisheye at f/1.8, and it has Auto Focus, something the less expensive models lack (and yes, you can mis-focus a fisheye). This lens is the nicest looking, feeling and well made fisheye I have ever used. I find it bitingly sharp contrary to one report I saw that said it was not that share wide open. My copy is VERY sharp wide open.

Next two shots, E-M5II and the 8mm Fisheye



If you have never shot with a Fisheye lens before, you are in for either a treat or disappointment. What a fisheye does is allow you to get massive surroundings into the frame. Usually offering a true 180 degree field of view, this means that it is WIDE..beyond ULTRA wide. It will also give you massive distortion, which is the character of these lenses, hence “fisheye”.



Micro Four Thirds System
16mm (35mm Equivalent)
Aperture Range: f/1.8 to f/22
1 Aspherical, 5 ED, and 3 HR Elements
Anti-Reflection ZERO Coating
High-Speed Imager AF with MSC
Expansive 180° Angle of View
Dust, Splash, and Freezeproof Design
Rounded 7-Blade Diaphragm


When used correctly (and it is very hard to do, I rarely can get a GREAT fisheye shot) the results can be spectacular. When used incorrectly, the shots are average. This is a challenging lens and if you slapped this guy on your M 4/3 camera and kept it there for one week, by the end of that week you will be much better with the lens than if you just use it sparingly.

This kind of lens can really put the viewer into the moment and scene.

1st shot E-M10 II, then E-M5II for 2 and 3




I have owned and loved the Panasonic 8mm f/3.5 but compared to this Olympus it was slower to Auto Focus and did not offer the pro build or the f 1.8 aperture. Coming in at $400 less I feel this Olympus is priced right for what it offers above and beyond that Panasonic. (speed, pro build, aperture). While not the fastest lens in the Olympus lineup for Auto Focus, it is fast for a fisheye. Imagine what the camera would think if it had a brain…

The sensor would see a MASS amount of information due to the ultra wide view…”what to focus on”?!?!? So this will not be as speedy to AF as a 25 1.8 or 12 f/2, rather it will be a touch slower but not slow enough to call it slow or sluggish. It is quite quick, and depending on light it can go from super fast to semi fast. So no worries on AF speed or accuracy. I remember my Panasonic would often times focus incorrectly and while many think you can not mis focus a fisheye, you very well can, ESPECIALLY when you have a faster aperture like f/1.8. Luckily the AF is working very well here.


While having this lens for review I started to really enjoy it..a lot. While walking through the catacomb like pathways of an old ghost town in the AZ desert I was doing some long exposures and the ultra wide view helped to show exactly where I was…THIS is when I found this lens invaluable. No other lens would have worked quite the same. I also have the 7-14 f/2.8 pro here and that lens did very well in these areas as well, but the fisheye really shows the viewer more of what I was seeing while in these spots.

E-M10II and 8MM Fisheye, long exposures. 




So at the end of the day, after 1st renting this lens for a week a month or so ago, and now having a review copy here I have a solid two weeks with this lens and I now want it for my Micro 4/3 lens collection. I sold my Panasonic month ago because I knew this was on the way, and it does not disappoint. I found ZERO weakness. No flare issues, no softness issues, no missed AF issues and no build issues. I even caked my review samples with massive dust and dirt while out in the AZ desert during a windy night where dust and dirt was blowing everywhere. The lens was coated but after a clean up that took 2 minutes it was good as new.



So now I must own this lens. Even for video it rocks – for Vlogging it does well though the distortion my bother some. I once did quite a few videos for public viewing using mostly a fisheye lens, and it works out great. In some tight situations, if shooting video, this lens would be fantastic (as would  the 7-14 without the distortion).

This lens mated to an E-M1, E-M5II, or E-M10 II or any of the other M 4/3 cameras out there will offer you a unique, different and sometimes surprising view of the world. While not an every day lens (no fisheye is) it is a lens that with selective use can expand your photo portfolio with shots that stick out. While not cheap at $999, I consider this lens to be priced JUST right for what it offers over other less expensive Fisheye lenses.




So once again I say BRAVO to Olympus for releasing yet another amazing lens for their M 4/3 system. The new 8mm Pro offers you a “no compromise” fisheye that can be used in nearly ANY situation and I find it to be a notch above the competition in every way. AWESOME! Highly recommended for those who have been itching for a Fisheye lens!!!

You can order the lens at my preferred Olympus dealers below:


B&H Photo – Olympus 8mm fisheye

Amazon – 8mm Fisheye




Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple, and no, I am not asking you for a penny!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Sep 162015

Ireland with the Olympus E-M1. A Photographic Journey

by Tom Ohle

My name is Tom and I’m from Ireland. A few years back while visiting my beautiful fiance in Canada I kicked my love for photography into over drive!

Your site is fantastic and largely responsible for fuelling my love for photography. For me it’s the equivalent of a great cup of coffee first thing in the morning.

These next two images are from my favourite place of all. The west coast of Ireland in Co. Kerry just off of the Dingle peninsula at a little place called ‘Inch Strand’. It’s a spectacular part of the world with huge wide beaches as far as the eye can see.

EM1 + Nocticron
“The Kite”


EM1 + Nocticron
“Misty Beach”


The west coast of Ireland (particularly Co. Kerry) is known around the world for its spectacular cliffs. If you ever make it to this part of the world check out Sleigh Head.
This next one was shot overlooking the peninsula. I set out not knowing what to expect and stumbled across this huge hill that overlooked the main peninsula providing a stunning view. I improvised a quick fashion shoot – lighting was very overcast – perfect natural soft box!

EM1 + Nocticron
“He left me in Ireland”


For the most part I like street photography and travel portraiture but I try not to pidgeon-hole myself into a particular genre. I’ve taken my camera and lenses around Ireland and the great white North in Canada. From portraits of random people on the street to portraits of wolves and wolf dogs I generally always have a camera in my hand.

EM1 + Oly 45 1.8
“We need to talk”


I find that the images that I am most drawn to from your other writers tend to have people in them. Either obvious images of people directly or may not so obvious images of landscapes that show the mark of peoples involvement. In more recent times having read some of Neil Buchanan Grants posts here I’ve been inspired to approach my subjects and subject matter from the perspective of a travel photographer. Even in my home town I try to ask ‘ what would be really cool and interesting about this place that I could show somebody in a completely different part of the world ‘.

EM1 + Oly 45
“Who are you lookin at?”


Em1 + PanaLeica 25 1.4
“Violinist on the street”


Busking and street performing are very popular and a large part of Irish city culture. A walk down Dublin’s Grafton street on a Saturday afternoon is an explosion for the senses. Stilt walkers, dancers, acrobats doing back flips, fire breathers – it’s got it all. The shot of the busker was taken in Co. Cork – many of these performers are very street photo friendly and do not mind you taking their photo once you acknowledge them. No better way than by throwing them a few euro :)

“Rebel without a cause”


Dublin has a bunch of really cool locally owned coffee shops. Unfortunately we are seeing more and more big chain coffee shops pop up about the place but thankfully the locals still support the local businesses. Many of these coffee shops make a cool studio for european style impromptu photoshoots!

Sunset in (not on) the Liffey!


For me, a photo has not completed it’s journey until it has been developed and printed. The printing aspect is a recent discovery and I have very much fallen in love with this aspect of the creative process. I now shoot for the print.

Fine art giclee prints on fiber paper are gorgeous. I spend hours trying to get the balance between the choice of edit, the type of paper, texture, color calibration etc… holding a finished product in my hand is immensely satisfying.

I’m very much a learner with a lot yet to learn but I’d hope to have my first article published and open to constructive criticism and feedback from the community. Thank you for taking the time out of your day to look at my photos and I hope that you enjoyed them.

My flickr is : https://www.flickr.com/photos/24434110@N05/



Sep 152015


Quick Comparison: Zeiss 35 1.4 ZM vs Voigtlander 35 1.7 VM

I have been shooting with the beautiful chrome Voigtlander 35 f/1.7 lens on my Sony A7RII and WOW, it is one hell of a lens if you are into manual focus small primes on your A7RII. In fact, I have been so impressed by this small wonder that I rented the Zeiss 35 1.4 Zm to compare. I will have a full comparison in my review of the Voigtlander (coming soon) but for now, just a quick snap in my backyard. Click images for larger and full 100% crops.

As for sharpness, the Voigtlander is just as sharp as the Zeiss at f/1.7 where the Voigtlander is wide open. When the Zeiss is at f/1.4 it is not as sharp as what comes from the Voigtlander when it is at f/1.7. So in regards to details, they appear to be pretty equal. Bokeh… there are some slight differences here and I mean slight. My money would go to the Voigtlander any day as it is smaller, looks nicer, and is less than half the price. Look for more samples with both in my upcoming lens review of the 35 1.7 VM.

Click images for larger and to see 100% crop




Sep 152015


Over 100 Leica Weddings

by Philip Thomas

Steve- thanks for the opportunity to share my love of the Leica. I’ve been reading this blog for over five years and it was part of your early reviews that finally moved me to try a Leica M9.

Over a 100 Leica weddings have come and gone since I shot my first wedding with a Leica M9 and a Leica M(240). This post is not for readers interested in a review of Leica gear. Rather, it’s more about how I feel when I use it and how it’s shaped my approach to taking photos. Perhaps even making me a better photographer for it.



The small non-intimidating cameras have allowed me to go about my wedding work as unobtrusively as possible and not be seen as the ‘professional photographer’. You see, I don’t want to draw attention to myself much like a street shooter. Couples booking me know in advance my philosophical approach and the idea of a photographer not directing their day has a strong appeal. It’s not just opened my mind up to a patient way of seeing, capturing moments and geometry, but how I carry myself throughout a wedding.




A photographer for over 20 years, I’ve always had an interest in the Leica history. When I first got my hands on a Leica six years ago, I knew from that moment, somehow I had to get one without breaking the bank. Discussing this with my wife’s approval was part of the deal. My first camera was the M9 with a 35mm f1.4 summilux and from that point on I was hooked. Over a 100 weddings later, the M9 and Leica M240 are an integral part of my wedding day along with a few lenses. A 1957 M3 is also part of my personal gear.




My philosophy shooting weddings is to react and anticipate moments throughout a wedding day. I take a few quick group shots. Other than that, I capture the day unobtrusively avoiding those done and dusted wedding cliches. People just ignore me because the Leica is so small, no one takes any notice and those Uncle Bob’s, the often annoying camera enthusiasts at every wedding just do not approach. Compared to lifting a big SLR to my eye certainly gets people’s attention and unobtrusiveness is certainly not part of the vocabulary. Of course, none of this can really be achieved without the appropriate body language throughout the long day shoot.




My reasons why I use a rangefinder are multiple. Along with the obvious history and inspiration using Leica, my mind has opened up to a world that I didn’t always see before and I strongly believe that as a work in progress my images are stronger. The full manual focus (yes, I can focus more often than not quicker manually than auto focus), the simplicity of shutter and aperture give me complete control over the final images. If I mess up, then I cannot blame the camera. It’s basic aperture and shutter operation. My eye pre-visualizes the type of images I want to create vs the former method of shooting a DSLR and reacting to everything and then the momentary blackness of the shutter closing may mean missing the shot entirely. With the rangefinder, I don’t miss anything, other than the occasional physical finger action not quite paired with my brain.






I rarely look or monkey chimp the reviews after each shot or if I do it’s just to check the histogram. My mind already has the image before pressing the shutter. It’s shooting with purpose versus the temptation to machine gun images that a SLR offers. Sure you can shoot multiple images albeit at a slower burst rate, but that’s not what the Leica have been designed for, It’s more of a cerebral thoughtful approach. This all takes practice in getting efficient. A recent wedding client, a Leica aficionado was kind to marvel how quickly I could focus and shoot their images on par with a SLR, just not wasting files space on a card with multiple shots that look the same.





I have and do often shoot a full days wedding armed with just two Leica’s, a M9 and M240 using just available light. Not only does this approach work wonders for my ageing back but it keeps me nimble on my toes without having to drag a heavy bag around. I’ve always been a huge fan of Henri Cartier-Bresson who not only used a Leica and a 50mm lens but marveled at how in his documentary films that remain how he moved around like a cat on tip toes.






There are many wonderful rangefinder type cameras on the market today compared to just five to ten years ago. At the end of the day, the final image is still the most important, not the camera. But the tools to make that image, surely can inspire and motivate you to take your passion and craft to the top. For me, those sublime Leica lenses and little cameras do the trick. The Leica enables me to just concentrate on the subject and my consciousness is focused on the decisive moment, not what menu option I should have.







Thanks for reading. My site is www.philipthomasstudios.com

Warm regards,
Philip Thomas

W: www.philipthomasstudios.com
Blog: www.philipthomasstudios.com/blog/

Nominated Top 20 Wedding Photographer in Texas

WPJA-Wedding Photojournalist Association® Multi-award Winning Photographer.

Sep 152015


New Performance Updates for the OM-D E-M1, E-M5 Mark II and Lenses Demonstrate Olympus’ Ongoing Commitment to Enhance the Existing Lineup


CENTER VALLEY, Pa., September 15, 2015 — Today, Olympus announces a series of firmware upgrades that significantly enhance the performance of the OM-D line for professional and amateur shooters alike, including Version 4.0 for Olympus OM-D E-M1®, Version 2.0 for OM-D E-M5 Mark II updates to M.ZUIKO® PRO and PREMIUM lenses as well as Advanced Olympus Capture Version 1.1 and OI.Share® Version 2.6. The updates, which will be available in late November 2015, are highlighted by new macro shooting modes, advanced video performance and other capabilities found on the recently announced OM-D E-M10 Mark II.

Version 4.0 for OM-D E-M1: Breathtaking Macro Images

Focus Stacking Mode, exclusive to Version 4.0 for OM-D E-M1, expands the expressive power of macro photography and brings out the true performance of M.ZUIKO PRO lenses. In Focus Stacking Mode, a single press of the shutter captures eight RAW or JPEG shots with varying focal positions and automatically composites them into a single JPEG file for a macro shot with incredible depth of field.

Users can also take their macro photography a step further with Focus Bracketing Mode, which captures up to 999 shots with varying focal positions. Third-party photo-editing software can be used to merge the files into one breathtaking image that reveals the details of any subject, from the small, like a bloom of a rose or an exotic insect, to a large depth of field in a telephoto landscape.

Enhanced Customization and Control

The firmware upgrade also give users more support and ease of use when capturing professional-quality images. The new simulated optical viewfinder (S-OVF) delivers a view similar to that of the naked eye, just like an optical viewfinder. Exposure compensation and white balance are purposely not shown so users who are more familiar with the optical viewfinder in their traditional DSLR cameras can use the OM-D in the exact same way until they become more comfortable with the benefits of an electronic viewfinder.

Advanced Focus Peaking adjusts settings and turns Focus Peaking on or off at a moment’s notice while shooting in Live View. And, just like the Advanced Focus Peaking already on the OM-D E-M5 Mark II, OM-D E-M1 users can now select the desired intensity level (low, standard or high) and color (black, white, red or yellow) for consistently sharp images during shooting.

Menu Cursor Position Memory further enhances customization by automatically returning to the last menu setting used , meaning less time navigating menus and more time is spent capturing moments. Anti-Shock Mode is now easier than ever and automatically switches to the mechanical shutter at speeds 1/320 and faster. And when users are shooting in quiet situations, Silent Mode eliminates all camera sounds for completely silent shooting, perfect for a piano recital or wedding ceremony with shutter speeds up to an amazing 1/16000th sec.

Innovative Movie Functions

Advanced movie capabilities include the ability to easily synchronize PCM audio and video recording when using the Olympus® LS-100. A Slate Tone can now be added to make it simple to perfectly synchronize audio and video during the editing process. Users can further optimize their 1080p Full HD Video with additional features, including Movie Image Stabilization with five-axis optical IS and digital IS, 24p/25p frame rate, movie record start with a release cable, support for time code setting and, finally, a movie info display that shows histogram, level gauge, audio level and time code.

Version 2.0 for E-M5 Mark II: Enhanced Video Power

In addition to many of the updates in Version 4.0 for E-M1, including Focus Bracketing and S-OVF, Version 2.0 firmware upgrade for E-M5 Mark II further enhances the camera’s ability to capture crisp, clear video with no need for additional editing software. Movie-Exclusive Picture Mode Flat provides for post-production color grading by lowering the contrast to minimize blown-out highlights and loss of detail in shadows. Additionally, new 4K Time Lapse Movie captures up to 999 images automatically and combines them in-camera into a stunning 4K file.

Tethered Shooting Gets Easier

Advanced Olympus Capture Version 1.1 makes tethered shooting in-studio even easier for both still images and video by allowing the user to customize the camera’s display and layout for quick and easy access to the most frequently used functions. Direct PC makes image transfer four times faster by saving images directly to a computer without having to record to an SD card. Features like Keystone Compensation can be utilized from a computer as well by simply connecting the computer and camera body.

More Advancements for the OM-D System

The latest firmware for the M.ZUIKO PRO and PREMIUM lenses will also be released and will include aperture drive, which has been improved for smooth exposure control even when shooting movies with sudden changes in brightness. The update also gives the shooter the convenience of disabling the MF Clutch and Snapshot Focus even at the MF Clutch position.

Finally, the new Version 2.6 update for the OI.Share app for Android® and Apple® is available now and enables Live Comp to be viewed in real time. Now users can make adjustments to their settings and monitor the progress of the image as it develops right on their smartphone or tablet.

Bottom line: New upgrades on the Olympus E-M1:

• Focus Stacking
• Focus Bracketing
• Silent Mode
• 4K Time Lapse movie
• Live Composite on OI.Share
• Advanced Focus Peaking (with 4 colors)
• S-OVF (Simulated OVF)
• MF Clutch Disable
• 24 & 25p Movie Frame Rate’s
• 5-axis IS for Movie
• Movie Time Code Setting
• Movie Slate Tone
• Movie info Display
• Advanced Olympus Capture

U.S. Availability

The Olympus Version 4.0 for Olympus OM-D E-M1, Version 2.0 for OM-D E-M5 Mark II and Olympus Capture Version 1.1 will be available in late November 2015.

To find out more about the firmware updates, visit the Olympus website at www.getolympus.com/upgrade.


Olympus America Inc. is a leading provider of digital imaging and audio technology solutions noted for its precision optics and groundbreaking technologies.

For more than 90 years, Olympus has innovated and developed best-in-class products that expand the boundaries of product design and functionality, empowering consumers and professionals alike to capture their stories. These include:

Digital Compact Cameras
Professional and Consumer Mirrorless Cameras
Related Underwater Products and Accessories
Digital Audio Recorders

For more information about Olympus and our award-winning products, please visit getolympus.com or connect with us and other fans like you through our social and photographic communities: @getolympus on Facebook, Twitter, Tumblr, YouTube, Pinterest, Instagram and Flickr.

Sep 142015

Cuba with an Olympus PEN E-P5, a VF-4 and Three Primes

By Richard Nugent

About two and a half years ago, you posted my user report detailing my experience with my Olympus OMD E-M5 and a Panasonic 12-35mm f2.8 on a trip down the Mekong River. There was some worthwhile discussion generated in the comments section, so I thought I would share my recent experience using the E-P5 and primes as a travel camera.

Owner: Olympus / Region: World Usage: all media

I flew to Cuba from Miami early this year on a people-to-people tour with National Geographic Expeditions. At the time, travel to Cuba from the US was restricted to this type of cultural exchange arrangement. I was eager to visit the island before the recent US-Cuba détente took effect and things changed. I certainly was not disappointed with the trip. Cuba is a marvelous place and its people are welcoming and friendly. Havana is an extraordinarily target-rich environment for photographers. The few areas outside of Havana that we visited also provided opportunities to test ones skill.


I purchased the E-P5 in order to have a smaller camera and a back-up body to my E-M1. I also bought the VF-4 electronic viewfinder because, after forty-odd years of shooting with SLRs and then DSLRs, I am most comfortable framing at eye-level. Last year, I tried the Sony R100 Mark III as my take-anywhere camera, but I found its controls difficult to work and the viewfinder too small and inconvenient. So I decided to try the E-P5, even though it is not really “small” nor does it have a built-in viewfinder.

The trip to Cuba was my first travel opportunity since acquiring the camera. So I opted to take only the E-P5, the VF-4 and my three primes, even though I usually shoot with zooms when I travel. The prime lenses were: the Olympus 45mm f1.8 (90mm equivalent), the Panasonic 20mm f1.7 (40mm eq.) and 14mm f2.5 (28mm eq.).


The short version of my experience is that the E-P5 captured some excellent images and was enjoyable to use. Its controls are very similar to the E-M5 and, to a lesser degree, to my E-M1, so operationally things were easy for me. However, the rear LCD was difficult to use because of the bright tropical sun (although indoors it was fine). So I wound up shooting with the VF-4 for most of the time. The detail and refresh-rate of the EVF are excellent; about on a par with my E-M1. Its 90-degree flip-up option was useful as well.



Changing lenses took me back to my early SLR days before zooms were perfected. But I found that I can still juggle two lenses at a time and I also remember how to “zoom with my feet”. I did miss a few shots though. Also, a 12mm (24mm equivalent) lens would have been useful for interiors and shots on the narrow city streets. And maybe something longer than 45mm (90mm equivalent) might have been useful for street shooting at a distance.
There were abundant opportunities to photograph Havana’s people, architecture and, of course, old cars. Also, as the trip had a cultural-exchange focus, we attended several singing, instrumental or dance performances by both school children and adults (all of whom were very talented and obviously well trained). The Cubans have been doing amazing things with very few resources.



The performance venues allowed ample opportunity to test the camera’s low-light shooting capability. There were occasional instances of problems locking focus in dimly lighted recital rooms, but with well-lit stages the camera generally focused quickly. High ISO performance (to 1600) was good with a little clean-up necessary in Light Room. Image stabilization worked fine for hand-held shots (I did not use my monopod or tripod).
I have attached some sample images below. More examples can be found on my Flickr page: https://www.flickr.com/photos/rsnugent/albums/72157650702299470. There are photos from some of my other travels in there as well.


To summarize: The E-P5 is a fine camera that has a full array of direct controls and it handles much like the E-M5 (or E-M1). With the small MFT primes, it takes high quality images both indoors and outside. However, operating it in sunny conditions, while relying solely on the rear LCD, can be problematic. In such situations, the VF-4 offers an excellent, though expensive, alternative. But, it also should be noted that the E-P5 with the EVF attached is not really a compact package. I have to admit that I underestimated this aspect of the combination. I had anticipated that I would be able to rely on the rear LCD for most shooting and need to attach the EVF only occasionally. This turned out to not be the case.

In the end, as much as I loved how the camera handled and the images it produced, I sold the E-P5 and VF-4 because, for me, the combination was a bit cumbersome as a travel kit. Now I am evaluating the E-M10 as my “small-camera” option. We shall see how that works out. I will update you all later.

Thank you.

© 2009-2015 STEVE HUFF PHOTOS All Rights Reserved

Get every new post delivered to your Inbox

Join other followers:

Skip to toolbar