Dec 182014
 

From a Nikon D800 (DSLR) to Olympus and Fuji (Mirrorless)

by Robin Schimko

Three months ago I had the opportunity to do a reportage on a sailing boat cruising along the coastline of Crete, in the Mediterranean Sea. Last year I did the same thing in the Caribbean but this time I didn’t bring a heavy and bulky DSLR, since I‘ve gone fully mirrorless at the beginning of 2014. For this trip I brought a Fuji X-T1, 23/1.4, Samyang 12/2, Samyang 8/2.8 fisheye and of course my Olympus E-M1, 42.5/1.2 and 75/1.8 with me. I was basically covered for almost any possible situation and at the same time my kit was relatively lightweight and compact.

The day I arrived I met up with my client and the moment he saw my gear he became skeptical. For him it was hard to believe that a camera this small is able to deliver good image quality and a certain look that screams “professionally” taken images. He was very pleased with the images I took in the Caribbean with my D800. So I gave him my tablet to have a look at some of my pictures I took prior this trip just to make him feel more secure and it worked fine.

So, how did it work out?

Well, the mirroless set up had two major advantages over my former D800. The first one is really obvious and that is the small form factor and the light weight. Compared to my DSLR, the Fuji for instance with attached lens is less than half the weight and that makes a huge difference. On a shaky sailing boat it can be really tough to move around safely, especially if you’re carrying heavy gear which needs to be secured with one hand to make sure it’s not bumping into something or someone. The mirrorless kit was much easier to handle and it was a breeze to use. Attached to the Fuji was the Easy Slider by Artisan & Artist which allowed me fit the camera very tightly to my chest, so I could use both hands to secure myself in case I needed to. With a bulky DSLR that would have been much more uncomfortable over the duration of a whole day or at least a couple of hours. The second advantage was the ability to shoot from the hip incorporating the tilting screen. When you look through the viewfinder it can easily happen that you punch yourself in the face with the camera and yeah that had happened to me in the past. :D Like I wrote before, the boat is constantly shaking around and the intensity of those shakes can vary randomly.

In two weeks there was only one thing I wasn’t really keen about and that’s the battery life. Especially the X-T1 tends to eat batteries very quickly and that did concern me. One could say that this is not a big issue if you bring enough spare ones. That’s totally true and I had five batteries with me, but I had no idea that these batteries had to last up to three days. Last year I could recharge every day, but not this time. The boat was quite old and electricity was only available every now and then. That was indeed the only issue I had using mirrorless cameras.

The sailing itself again was a very nice experience. The first week the weather was crazy good and we did sail a lot. The second week everything changed dramatically not just the crew and the second boat that joined us, but also the weather. There was a storm approaching and we couldn’t leave the harbor for two days. Eventually we left on the third day, but the sea was still very rough and half of the crew got seasick. Luckily I wasn’t one of them, but taking photos was almost impossible without a waterproof housing, because every couple of minutes there was a big wave coming in.

Here are some shots I took during my trip and if you like my work, you can follow me on facebook (https://www.facebook.com/RobinSchimkoPicture)
or check out my blog (http://www.fotodesign-rs.de/)

Thank you all for reading,

Robin

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Dec 132014
 

Switching to Mirrorless from a DSLR

By Mohamed Hakem

Hello Steve!

Whenever I’m into any stage of photography I come to my passionate website :)

Mirrorless really helped me unhinge a new passion for photography.

I always considered myself as a nature/landscape. I had a D800 and all what I was interested in was landscape, nature and architecture. I was never a people’s photographer, not because I couldn’t but because I’m a little bit shy and not the right personality for doing weddings and commercials. Despite loving street photography and portraits of normal people in the street, it is an absurd dream for me in Egypt. In conservative cultures, people get offended when you point a camera and snap a picture, they might even get aggressive. So for me this category was off the list. Until when I got a Fuji X100 and things change! magically people in the street began accepting the photos! I had more and more confidence and I liked the Idea of having a camera with me 100% of the time! I found myself leaving the D800 and other lenses at home despite knowing that they are way more capable.

I gradually began shifting towards Fuji, I got an Xpro-1 and a couple of lenses and began traveling with the Xpro-1 18mm F/2 + 35mm F1.4. I started to discover new horizons for me in street photography. I really liked it! It wasn’t long since I got an XT-1 and sold all my nikon glass and committed myself to Fuji.

I started to get the courage to get closer to people here in my country and surprisingly having a retro style camera shifts you towards an artist more than a spy or a CIA agent or even a journalist!. I went with some friends all lugging around huge backpacks full of equipment and I really pitted them, I was going light with just the Fuji XT-1, 35mm and a 23mm. I could move more easily, having just a small shoulder bag that doesn’t even look like a camera bag I was able to get closer to people. I took some portraits of amazingly kind and simple people all with a friendly spirit.

I just LOVED mirrorless more and I knew that I took the right decision. believe me people it’s not sensor sizes or charts or dynamic ranges. It’s only you who really knows what makes you happy, Don’t just sit and read articles like mirrorless VS DSLR or buying gears just because it has a PRO marks all over it! for me, being light and mobile allowed me to get more! to discover more and to move more!

before I had the D800 and Nikon’s trinity, I couldn’t wish for more quality and supreme performance, but with the Fuji, going around more and having a clearer mind allowed me to do settings more wisely, intuitively and faster. Yes the Fuji is a slower less capable camera than the Nikon, but its combination with ME is a faster package, even the Landscape that I come from is much easier and nicer.

It reminded me with the good old days when I had the Nikon FM2 and a couple of lenses.

My website:

http://www.hakemphotography.com

http://500px.com/hakem

below are some street photos that I took with my XPRO-1 and X-T1

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Dec 122014
 

Fuji X30 does CycLavia Los Angeles

By Art Codron

There are many situations where I do not feel like lugging my bigger cameras but want something better than my iPhone to shoot with. Enter the Fuji X30… I had one of the original X10’s when they first came out and while it was a pretty good point and shoot (orbs and all), I moved on and sold it fairly quickly. I reached a point where I was over the “point and shoot” thing and used my iPhone for my casual photography like many other people. After awhile I started to get real frustrated with the noisy images that had no dynamic range and few controls over exposure. Unless the light was perfect, the picture quality was poor. It was also hard for me to get used to holding my phone out to take a picture. It just lacked the “tactile” feel of a real camera. Meanwhile, the compact camera field has changed. Far less of them are being sold, but there are now some very solid performers such as the Sony RX series and the like. I had been looking at the new Panasonic LX100 as well. I ultimately settled on the X30 as it seemed closest in feel to my Fuji X-Pro1 and X-T1 which I adore. I know many of the other higher end point and shoots have bigger sensors which have better resolution and noise performance than the X30, but none of them have both the longer lens (112 equiv for Fuji) and fast aperture (1.8-2.8). The longer lens is important to me due to my shooting style. I like to hold the camera to my eye so I wanted a good viewfinder as well. I also factored in the lower cost and tank like build. Then when I considered the Fuji X aesthetic, it was an easy decision. While they are certainly not everyone’s cup of tea, the Fuji cameras have a real “soul” to me.

This past weekend, another CycLAvia event was held in Los Angeles. For these events, a large swath of city streets are closed off to vehicular traffic and are taken over by Bicyclists such as myself and 100,000 of my closest friends. Walking is also encouraged for those that choose to not ride. There are many zones along the way to stop and experience the culture of the various neighborhoods on the route. This past weekend, the ride went through the Central Avenue corridor to Leimert Park. There was of course plenty of photo opportunities along the 12 mile round trip route as well… so it’s a way to combine two of my passions: Cycling and Photography. The Fuji X30 was the perfect camera for me on this day as I was able to sling it over my shoulder and hardly feel like it was there. It stayed out-of-the-way till I needed it. While the files have less resolution than a 4/3 sensor or even a 1” inch sensor, they are still pretty good. The photos from the x30’s 2/3 sensor are far better than standard point and shoots. The lens is very sharp and the files have the Fuji look that I love. Operation is very fast and tactile. Controls are at your fingertips and the new control ring is pretty cool. I have it set up to control aperture but I wish it had click stops. My only big complaint is that the X30 does not have a built-in ND filter like my x100s. It would have been nice to have this as it was quite sunny and I could not take advantage of the wide aperture on the lens. While this camera is no Bokeh monster, a little bit of background blur can go a long way. A prime example is the B&W shot of the gentleman below with the high-rise handlebars… It would have been far better if the BG was blurred slightly.

Thanks for the great website!

More of my general photography can be seen here:

https://500px.com/acodron748

http://acodron748.tumblr.com

Cheers, Art

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Dec 042014
 

Quick (not so crazy) Comparison! X100T, LX100, Stellar (RX100)

JUST FOR FUN!!!

A few asked me for one of these but I have been busy most of the day with personal things. Even so, I had time to shoot THREE JPEGS with each camera wide open, letting the camera choose exposure (just as most of use would shoot these in the real world, letting the camera choose exposure).

What I found is that the Stellar (Sony RX100) is sharpest, has pleasing Bokeh and rich color. The LX100 is the most accurate for the colors and the Fuji is the softest as the lens at f/2 is known to be a bit soft. The Fuji also has the most shallow DOF due to the APS-C sensor. The Stellar has a 1″ sensor, the LX100 a Micro 4/3 sensor and the Fuji, APS-C. Fastest to AF is a tie between the LX100 and Stellar with Fuji coming in last for AF speed AND accuracy.

Goes to show that these days, any camera can provide very pleasing and nice looking results.

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Smallest camera is the Stellar by far as it can fit in my front jeans pocket without an issue. The LX100 is next but it is a bit thick and large du to the body and lens and the Fuji is the largest of the lot.

Take a look at the quick shots below and click them for a larger 1800 pixel wide version! Tomorrow I will have my 1st look video on the new Sony A7 Mark II, so see ya then!

LX100 can be purchased at Amazon or B&H Photo.

The Fuji X100T can be bought at Amazon or B&H Photo

The Hasselblad Stellar can be found here for 70% off (while supplies last)

Steve

Images are out of camera JPEGS resized. Just meant to show DOF differences wide open as well as color/sharpness out of camera. Each camera was shot wide open and each camera was allowed to choose exposure as this is how most of us use these types of cameras. So what you see is what you get. 

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and a couple more comparisons

Below I see the Stellar capturing the most OOC detail – all at f/4 (which is Fuji’s sweet spot)

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Below I see the Stellar once again capturing the most detail (see the dirt on the bucket on the left side blue patch) – The Fuji is the smoothest and I prefer the color from the LX100

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…and by request, a few more quick snaps from the Stellar (will not be reviewing it as it is the same as the RX100 HERE)

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and size comparisons

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Dec 012014
 

Cyber Monday Deals (Things I would Buy) – Sony, Cosyspeed and more!

Hey guys! It’s “Cyber Monday” and while every year stores and manufacturers try to get me to push their deals on things I would not personally ever buy, every year I do not post 95% of those deals simply because as I said…I would never buy or use these products. But sometimes there are deals that come along that I feel are special, or well worth the cost and sometimes, a downright NO BRAINER. Things I WOULD buy! Last week I posted a couple of deals..one on the Hasselblad Stellar SE at 70% off (and I ordered one myself), the deal on the Sigma DP Quattro, which is almost half off from $999 to $599. The Sigma is a unique camera and was not tempting to me at $999 but at $599 it is something that some will want for its unique IQ and capabilities for certain subjects.

Below are a few more deals on things that I feel are a great bang for the buck…

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Sony also has some AWESOME deals on the A6000 camera (which is FANTASTIC, see my review HERE)..

Sony A6000 with 16-50 Power Zoom lens – $598!

Sony A6000 Body only – $448!

CAMSLINGER 160 Paris Gray

CosySpeed has a great deal on their Camslinger bags at $69 each! THIS BAG IS A STEAL FOR $69 and is one of the most useful camera carrying cases I have ever used. See my video on it HERE.

Buy the Cosyspeed Camslinger in BLACK for $69 HERE at B&H Photo. A $50 SAVINGS.

Their finger strap is something I actually prefer to a wrist strap, and it can be had for only $12.90. See it here. (Also used in the video at the above link) 

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How about a deal on the Fuji X100S?

$899 in black!

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Also, do not forget Leica has some cool discounts right now. $750 of an M 240 and $250 off of most lenses. You can buy Leica from Ken Hansen, PopFlash.com, The Pro Shop or Leica Store Miami.

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NIKON!

There is a great Nikon Df deal over at Amazon (Through ONECALL) where you can get a Nikon Df and 50 1.8 for $600 off (in black) for a total of $2396 (20% off). Check it out HERE.

Nov 182014
 

The new Fuji X100T is IN STOCK now!

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Enough Said…go get it..

Buy it at PopFlash.com, IN STOCK

Buy it at B&H Photo – PRE-ORDER (stock arriving NOW)

Amazon – Out of stock but more arrives every few days..PRE ORDER

and yes, I will be reviewing this one as I do all X100 cameras. The X100 series is my FAVE of all Fuji’s, period.

Oct 272014
 

Fuji Deals. Hot Fuji lenses and cameras ON SALE now!

Looks like there are some Fuji items on sale!. The 23 1.4 is one of my favorite Fuji lenses, the 56 1.2 is a fantastic portrait lens and the 10-24 is for all of you who crave a wide-angle. The following three lenses and cameras are now available, brand new, for $$$ off. Get ‘em while you can!

 

The Fuji X100s Camera is on sale IN BLACK for $200 OFF. B&H Photo link HERE

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The Fuji 23 1.4 – $200 OFF – B&H Photo link HERE

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The Fuji 56 1.2 R Lens – $150 OFF – B&H Photo link HERE

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THE Fuji 10-24 F/4 OIS  – $200 OFF – B&H Photo Link HERE

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The Fuji 14mm f/2.8 – Now only $699, $200 OFF! B&H Photo link HERE

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Oct 142014
 

Fuji GX 617 panoramic camera

by Dirk Dom

Hi, all!

I want to share some shots made with my Fuji GX617 panoramic camera.

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This monster, pictured here next to a Minox, yields 6 x 17 centimeter slides or negatives on 120 film, 4 images on a roll which you can blow up to insane dimensions. It all started in my photo club, where someone showed 1 meter big prints from Schotland. These landscapes were so incredibly detailed and rich they totally overwhelmed me, they hit me like lightning. They were taken with a Linhof 6×17 panoramic camera.

I wanted to do this, too, and started researching panoramic photography. The price of the 6×17 camera’s was so high, however, that I couldn’t possible buy one. The, in a local photo shop, this Fuji for sale. With a 90mm (90° image angle) and an 180mm (45° image angle) A search on the Net confirmed that this, with its interchangeable lenses and good viewfinder, was probably the best 6×17 camera. The price was good, too, 5,000 Euro’s! Impossible. Every time I drove by there, that camera sat there, just to annoy me. I had it taken out one more time, what a piece! In the end I couldn’t bear it anymore and I took out a bank loan.

In the photo club they had told me that finding compositions in the 1 by 3 aspect ratio was extremely difficult. I didn’t dare shoot the camera. After three months of hesitation I decided it was enough and I took it for a spin. All worked fine. That day the lid was off the pot, I shot all day, went to four locations. Then the moment of truth: got my slides back.I can tell you that absolutely nothing matches the impact of a sparkling 6×17 Velvia slide on the light table. The detail was insane. I can tell you I was hooked, then.

The 1×3 aspect ratio came very natural to me and soon I began to shoot worthwhile images. I ran into another limit: The images screamed for really big printing, at least two meters, and such a print, mounted, cost about 400 Euro’s. I got a few made, which were overwhelming, but when I tried to sell them, no one wanted them. First of all, the price (everyone buys posters at the IKEA for 6 Euro’s) and second, no one could hang such a monster print. I could hang one in my small home.

So, there I was, totally frustrated, with 60 mind-blowing images I couldn’t do anything with. Should I sell the camera? I decided on a moratorium of a year.

I found out after a year that I don’t need 2 meter big prints to enjoy the camera. Half meter images also show that there’s something different going on from your regular DSLR images. The detail and colors are much richer. So I started shooting the camera again. Technically, the camera is extremely basic: distance (no rangefinder), speed, opening, transport. It requires very strict discipline to shoot it. That make it a very enjoyable experience, because you’re in total control. The lenses are very, very sharp.

Well, enough talk, let’s see some images! All shots are from Antwerp, Belgium.

This is Antwerp, with the cruise ship Europa in front of it. I read in a local magazine it ‘d be in town for just one day and I went out to shoot it. The original slide is just not sharp enough to read the licence plates of the cars parked. Because the 2 minutes exposure you see no people. At 1PM the boat’s horn went off and a firework started. I had crossed a perimeter to do my shot, and a continuous rain of firework debris fell on me. I was afraid for my lens. I was too close to the firework to make decent images.

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That you make one image, complete, at exposure, is vastly advantageous to stitching in a DSLR. You can take action shots. One of my panorama’s is a flock of pigeons passing over at close distance.
This image I stood on the road, waited for a car coming to me, another coming from behind and exposed for 30 seconds.

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This is the image of the fireworks of the inauguration of the MAS (Museum Aan de Stroom, museum at the river) I was at the other bank of the river, used the 180mm; To my amazement I was the only one there, which makes this shot unique.

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I had set up, needing 2 minutes’ worth of exposure.

While exposing, a flash went off. A guy with a point and shoot. My exposure was ruined. I waited until he was gone and started over. Another flash. The guy had come back! Started over again, a third flash. The guy had come back again. I explained that he ruined my exposures and asked him to not to flash anymore. Without a word he turned away.

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The petrochemical industry downtown. On the slide, you clearly see a crane cable two kilometers away.

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The Antwerp cathedral. To make this shot, I went downtown five or six times to get the clear sky. Then I waited until the light was all balanced.

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This is a shot hyperfocally set. The cathedral tower could be a little sharper because of it, but still you see the cement bonding the stones together at the top.

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Bye,

Dirk.

Sep 192014
 

The Greek Holidays with a Fuji X100s

By Joao Marques

My name is João Marques i`m an amateur photographer living in Lisbon and i would like to tell about my experience, this holidays, in choosing which camera to take.

So this year my vacations were on the beautiful greek islands of Santorini and Mykonos. When i was making my bag i had a hard decision to make, wich gear should I take? My options were carrying my heavyweight equipment: canon5d2+zeiss 21 2.8+sigma 35 1.4+ canon 70-200 2.8 IS II+manfrotto tripod+ lee filter set. Or go with my every day camera, the small, beautiful and excellent Fuji X100s. Since I had to take 7 flights in total, the choice was pretty easy, those were not a “photographic” vacations, my plan was to relax and bathing on the warmer mediterranean waters.

I chose only to take the Fuji.

Let me say now that I made the right choice, this small camera is the ideal tool for an uncompromised work with a good image quality in a very light package, instead of carrying KGs of equipment and being worried all the time of being robbed in the hotels, the 500gr of the Fuji let me use it all the (at the beach, night, etc). Another reason that everyone has already talked about, is the casual look that you have when you photograph with one of this beauties on your hand, it’s completely different when you approach someone with heavyweight cameras and lens, people tend to be intimidated with that kind of equipment.

There were a few times that I missed my other gear, specially in some pictures were I wished more DOF and in some sunsets, but the happiness of being free of the extra kgs, surpass every tiny feeling for the canon.

One and a very important thing, my girlfriend loved the idea of me just having the small camera at my disposal, she knew that I wouldn`t take too much time setting the tripod, filters, lens etc. It was a winning decision in every angle :)

Now for the best part the photos, when I arrived I didn`t know what I want to photograph, but one thing I was sure, I didn’t want to go for the classic postcard photographs that you see from Santorini or Mykonos, and didn`t want also to have the pressure of photographing, so I decided to go with the flow and be alert to whatever events I might encounter. I set the camera to b&w and these were the moments that I was fortune to capture.

Hope you enjoy it.

https://www.flickr.com/photos/giamppiero/sets/

Wish you all the best,
João

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Sep 172014
 

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The Fuji Monochrom

By James Conley

A major impediment most new photographers face is that color is the default mode of expression. Not only are we inundated by color images in every possible medium, but digital cameras presume color as the chosen palette. The tragic fact of these defaults is that it interferes with the development of seeing subjects and places emphasis on the impossible task of trying to capture a color reality which makes little natural sense in two dimensions. The result is a great deal of frustration when the captured image doesn’t match the experience of color.

Few cameras are available that address this problem. The Leica Monochrom is one of few. The Monochrom only records in black and white, and only displays its menus and previews in black and white. It’s the gold standard for capturing black and white—after film. However, the Monochrom body alone costs about $8k. That’s a lot of money to get rid of color. There are cheaper ways.

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The cheapest way to shoot black and white, of course, is to switch to film. Using a film rangefinder is one of the fastest routes to improving the composition and content of images, and you don’t even need a darkroom if you shoot Ilford’s excellent XP2 C-41 process film.

But I’m unable to buy into a Leica Monochrom. The next best thing is the Fuji X100s. The X100s contains all the elements needed to work strictly in black and white. To wit:

• A rangefinder, with an electronic viewfinder which can be set to display only in black and white.
• A fixed lens with a 35mm field of view.
• Small and light.
• Silent. (More silent than my Leica M6.)
• Monochrome JPEG modes with yellow and red filters.

All the images in this post are JPEGs shot on the X100s.

Learning to see in black and white is the process of evaluating the luminance of an object instead of its color. Simplistically, luminance is how much light is reflected from an object. People are often surprised when converting a color image to black and white because a bright color often has more or less luminance than expected and doesn’t appear as one would expect. Through the practice of reviewing the monochrome images you make, you’ll develop your luminance sense and start to better anticipate how a tone will translate into black and white.

A way to speed up that process is by using a monochrome viewfinder. When set to capture monochrome JPEGs, the Fuji X100s will switch its LCD back and EVF displays to black and white. This makes evaluating the scene much easier, and will helps to quickly adapt and recognize luminance values.

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Photographers are blessed with a nearly infinite variety of camera bodies and lenses, which can be shuffled into various combinations to address very specific needs. Photographers are likewise cursed with all those options. Options are choices, and choices are decisions. Having to make decisions is an active process in the consciousness, and it leads to a lot of distraction from the subject. In discussing the thought process behind a “decisive moment,” Henri Cartier-Bresson said:

It’s a question of concentration. Concentrate, think, watch, look and, ah, like this, you are ready. But you never know the culminative point of something. So you’re shooting. You say, “Yes. Yes. Maybe. Yes.” But you shouldn’t overshoot. It’s like overeating, overdrinking. You have to eat, you have to drink. But over is too much.

Making choices about lenses is just as distracting as making choices about color. One lens is enough, and your body can be the zoom. Having to move within space and time to frame your subject makes for far better pictures than standing in one place and letting a variety of lenses do the work of seeing for you.

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The X100s’s f/2 Fujinon lens would be fantastic on any camera. Fuji has a storied history in making high-end lenses for a variety of camera makers, and Fuji glass is world-class. The X100s can use autofocus, or a very smooth manual focus. It also has an excellent macro mode.

Having a small camera means you’ll have it with you, which is the most important ingredient in making any photograph. The smaller and lighter a camera is, the more likely it will be with you. The X100s is smaller and lighter than my Leica M6.

Other than opera or a royal wedding, the best way to do things in life tend to be subtle. That’s especially true for photographers, who are dependent upon other people living their lives so that an image may be made. Unless you’re shooting in a studio, pay respect to your subject by being unobtrusive. Being silent is part of that respect, and an X100s shutter is quieter than my M6.

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Photography is about capturing a moment and then capturing the next . . . and the next . . . and the next. Spending time tweaking and playing with images is decidedly not photography—modifying an image is working with software. The goal of any tool should be to do work so you don’t have to. As my dad always advises about using a saw, “Don’t push so hard. Let the saw do the cutting.” If your camera is making you spend more time post-processing than you do taking pictures, it’s either not a good tool, or you’re pushing too hard. Since we can’t get Adobe to make decent software, however, we can use the tool better by putting the work back into the camera and let it produce quality JPEGs that we merely need to review. This not only speeds up the process of selecting good images, but it also lets you learn the capabilities of the camera just the way you would learn about the qualities of a particular film. This is vital knowledge that helps you see better when you’re out taking pictures, meaning you get better results, which sets up a lovely, positive feedback loop.

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With Fuji already announcing new X-Series cameras, ifyou don’t already have an X100s, you should be able to pick one up for a good price.

Once you get it, go to Shooting Menu 1 and select Film Simulation B with a yellow filter. (Red is another option, and will result in more contrast. Start with yellow.) Scroll down to Shooting Menu 2, and change Highlight Tone to +1, and Shadow Tone to +1. This will give you a decent starting place for your JPEG’s. They should require minimal development work after you import them into a computer. (**You can set the camera to shoot both RAW and JPEG files. This is a good crutch to get you comfortable with the idea of shooting only in monochrome. However, you’ll quickly discover that the Fuji’s JPEGS are very high quality and the RAW files are just a crutch.)

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Use the EVF. It will display in black and white and get you started on seeing the world that way. (Later, you’ll be able to take advantage of the X100s’s rangefinder.)

As you’re taking pictures, keep your thumb on the Exposure Compensation dial and ride it like you stole it. You’re shooting JPEGs, so work at getting the final product the way you want while you’re shooting.

With a few camera setting tweaks, you’re off to a better world in black and white! You’ll now:

• See luminance instead of color
• See shapes, forms, and shadows
• Cut down on development
• Spend more time working on your ideas and making stories

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The purpose of taking a photograph is to capture an image which conveys your impression of an event and tells the story. The purpose is decidedly not about tweaking, playing, collaging, and otherwise twisting the image into something unnatural. So, if you want to become a better photographer, you have to practice seeing what matters. Seeing what matters happens easiest with a rangefinder shooting monochrome images. Long live the X100s. (At least until those Leica Monochrom prices come down!)

website: fjamesconley.com
twitter: @Philatawgrapher

Sep 112014
 

The most Interesting Pre-Photokina Releases so far…to me.

With only a few days to go until Photokina kicks off we have already had some pre announcements from Fuji, Sony, Olympus and others. Nothing MAJOR and nothing WOW but I feel these big announcements will come VERY soon ;) They better! So far we have the below announcements that are somewhat interesting, but nothing ground breaking.

FUJI

As I reported the other day, Fuji has announced the X100T, the new 56 1.2, new X-T1 color/finish and even the X30. The X100T is an ongoing evolution of the X100 series camera and for me, the best Fuji has announced yet (more to come i am sure). Me, call me nuts but I prefer the original X100 even today over the X100s. After using both side by side I feel the sensor in the original is a bit more organic and dare I say..more Leica like? The X100T uses the same sensor as the X100s, which is also a fabulous camera that many swear by (my review is here). The X100 series for me is where it is at for Fuji. While I like the X-T1 a lot, the simplicity and classic lines of the X100 is what gets my blood pumping to shoot. For me, it is about simplicity. Period. Simple, clean, easy to use and shoot, fixed 35 f.2. What more can you ask for besides a full frame sensor? (See Sony RX1 for that). The X100T is available for $1299. Priced right for a super camera system.

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The new X30 is also an evolution of the X10, X20 and appears to be a super little camera as well. New EVF, new told LCD, new Classic Chrome simulation and new Large capacity battery that will give you a powerhouse 470 shots makes it sound like the little X30 may be the bang for the buck in the Fuji lineup. It looks sweet as well, the best X10 type camera to date in the design department I think. The cost is also right at $599. 

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You can pre-order all of the new Fuji from my list of recommended Fuji dealers: B&H Photo, PopFlash.com, or Amazon.

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OLYMPUS

Olympus has some new goodies on the way as well…a few that I can not mention just yet but so far they have announced a minor release or two. For example, one is the all black 12mm f/2. The 12 f/2 has long been one of my fave Olympus lenses but to date they have only released it in Silver and a black limited edition that had some extras but also was extra in the $$ department. Olympus has now released the black for normal production so you can get one for $799. This lens is so good on a Olympus body and has given me some fantastic shots. But the lens is nothing exciting if you are looking for something new and fresh. Let’s wait and see what the official Olympus releases will be as compared to the rumor sites :)

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SONY

Sony has announced a new QX camera, the QX1 which is actually an E-Mount in the size and shape of a lens. Basically it helps to turn your iPhone into a high-end APS-C camera. You can use it as is or with your phone. Me, I was never a fan of these oddball cameras. Many love them but for me, if I am going to have something like this, I think I would just use my phone as it is. I love what Sony is doing with the A and RX series but am not sold on the QX yet. Maybe once I give it a try I will enjoy it :) Coming it at $398 you will also need to add an E-Mount lens to this QX1. It is rumored that Sony will be saving its big WOW announcements for 2-4 months AFTER Photokina. Is there truth to this? NO idea but if so it seems odd as they would miss the Christmas season with those big releases. The last two years were huge for the Sony A7 and RX1 with huge holiday sales at launch. I am anxious to see the rumored new RX2 ;)

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ZEISS

As I posted about last week, Zeiss has announced two new full frame manual lenses for the Sony E-Mount system. The Loxia 35 and 50 f/2 will be superb I think and give Sony A7 users more choices when it comes to a high quality fast prime lens, and Zeiss is a name that means quality. I use Zeiss ZM with my Leica’s and love them. Zeiss also announced the 85mm OTUS which has already been tested by DXO and they claim it is the best portrait lens ever made. Coming in at $4,490 IT IS NOT cheap! But damn, it will venice. The Nikon mount can be converted to use on Leica or Sony cameras.  Zeiss rocks for sure but be prepared to pay for the Otus if you want the best!

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What is to come?

I feel that this Photokina will not be as ground breaking as previous years. I see Fuji bringing out the X-Pro 2, which is just about due for a full on refresh new EVF, sensor, etc. I also see Sony releasing new FE lenses for the A7 series, as that is what is needed for the A7 cameras! More fast primes IMO! Olympus will be releasing new lenses I am sure..maybe some pro zooms that are expected and possibly a new prime or two. Panasonic I feel will not be doing anything huge this year and Leica, well, I think they will be releasing something really cool, really expensive and really limited edition. I also feel some new T lenses will be shown as well. The new 28 Summilux will also be announced but I expect it to come it at around $7k. Also, MAYBE a new X camera and D-Lux? Maybe. I think Sony has some big guns that will be special on the way but not sure when they will make them official. Pentax, Nikon, Canon, Samsung…I have not heard anything major going in with any of them though Samsung may have something really interesting coming in a few days.

I guess we will find out VERY soon, so I am looking forward to seeing what actually is announced!

Sep 092014
 

The New Fuji X100T, 56 1.2 APD, Graphite X-T1 and 50-140 Zoom.

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The new X100T – The new flagship X100 – $1299, November ship date. Buy Here.

Well, the new Fuji stuff has been announced and so far it is everything I have been told it would be. Cool updates but nothing really “WOW” or groundbreaking..yet.  Today’s announcement brings us a new version of the X100 that will replace the “S” version, yes the X100T is now a reality. Basically it has a better build and improved Hybrid viewfinder. In reality, a rehash of the X100S. Coming in at $1299, this now Flagship version of the X100 will be shipping in November in black or silver.  The X100T has the same sensor and IQ as the X100s and will still work with all X100 accessories such as the wide and tele adapters. 

The X100 is a classic and IMO the best camera in the entire Fuji lineup. I’d take an X100 over any other Fuji camera made today. I expect the T will do well, but since it is a rehash, I doubt it will sell in the same numbers as the X100s or original X100. You are gaining a new Hybrid VF, enhanced controls and faster shutter speeds. Will be available in black or silver.

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Press Info for the X100T

“The X100T comes newly equipped with an advanced Hybrid Viewfinder with an Electronic Rangefinder that now gives users reduced display lag times, automatic brightness controls and a Natural Live View shooting display.

The new FUJIFILM X100T blends award-winning image quality with a renowned design that gives enthusiast and professional photographers the most important controls and functions at their fingertips. The X100T combines the resolution and power of the APS-C X-Trans CMOS II Sensor and EXR Processor II with a bright FUJINON 23mm F2 fixed lens for optical excellence.
And to give photographers a new type of film simulation to work with, the X100T ships with Fujifilm’s new ‘Classic Chrome’ film simulation that delivers muted tones and deep color reproduction for beautifully dramatic images.

Advanced Hybrid Viewfinder with Electronic Rangefinder
The FUJIFILM X100T uses an improved Advanced Hybrid Viewfinder with Electronic Rangefinder that allows focusing as if using a mechanical rangefinder. While in optical viewfinder mode, pushing the OVF / EVF switching lever to the left will switch the viewfinder to electronic rangefinder mode. Additionally, Focus Peak Highlight and Digital Split Image can be selected, and the magnification of the focused area can be changed. Compared to the X100S, the frame coverage in the X100T has been increased from 90% to 92%, and the field of view can now be accurately checked closer to the actual subject. The X100T also uses Real-time parallax correction for more accurate image composition. Reframing after bringing the image into focus is no longer necessary, allowing for a seamless shooting experience.

Photographers also now have access to Shooting Effect Reflection settings within the Hybrid Viewfinder to recreate selected camera effects, including Film Simulations. When turned off, users can see the natural view. The image within the finder is displayed at the maximum frame when shooting under dim light and dark areas such as night scenes, enabling shooting while looking at a smooth image, all while greatly reducing display lag time.

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Range of controls expanded, upgraded body
The FUJIFILM X100T now allows photographers to set the aperture to 1/3 steps using the aperture ring, while the exposure compensation dial has been extended to ±3 stops. Also, the command lever has been changed to a command dial, and through the adoption of a 4-way controller to improve operability. The X100T is also now equipped with 7 customizable Fn buttons for a truly personal shooting experience.

The FUJIFILM X100T has an upgraded body that is die-cast magnesium on the top surface and bottom of the body for a highly durable and functional design. The X100T’s aperture ring, shutter speed dial, and exposure compensation dial now have a groove shaped pattern for an improved feel and grip. The X100Talso features a high-definition 1.04M-dot 3” LCD has for extraordinary visibility.

New “Classic Chrome” film simulation
Fujifilm’s unprecedented image quality has been cultivated through the development of photographic films over the past 80 years and helps to reproduce warm skin tones, bright blue skies and rich green trees, just as photographers remember the scene. The X100T ships with the new ‘Classic Chrome’ film simulation mode, which delivers muted tones and deep color reproduction.”

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The Fuji X-T1 Graphite Edition – $1499, shipping in November 2014. BUY HERE.

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Fuji has also announced and are releasing a new flashy version of the X-T1 in a graphite finish and other enhancements over the original X-T1. I think it looks nice but you can check out the press info below:

“The new special edition FUJIFILM X-T1 Graphite Silver, a weather-resistant premium interchangeable lens camera with a large OLED electronic viewfinder (EVF) that delivers an instant image preview. The X-T1 Graphite Silver also includes the latest generation 16.3 Megapixel APS-C X-Trans CMOS II sensor and the segment’s fastest autofocus of 0.08 seconds*1 for professional photographers and enthusiasts who want the ultimate in image quality in all weather conditions.

Triple layer coating for a remarkable Graphite Silver finish
The new FUJIFILM X-T1 Graphite Silver edition uses a triple layer coating to give it a unique and durable fit and finish. Following an antioxidant treatment on the magnesium body, a matte black undercoat (primer) is applied to the X-T1 as a first coat. The black undercoat tightens the colors of the shadowed areas and makes the highlighted areas stand out. Then, the X-T1 body is rotated at a high speed while thin coats of ultra-fine paint particles are layered using a computer controlled “Thin-film Multilayer Coating Technology” for a smooth and luxurious Graphite Silver finish. Finally, the X-T1 is given a clear coat for extra durability and a deep gloss finish that subtly changes its appearance depending on how it is struck by the light.

Natural Live View and increased shutter speed
The FUJIFILM X-T1 Graphite Silver edition has been upgraded with a new Natural Live View in the EVF that displays images just as the naked eye sees them. With the X-T1 Graphite Silver edition, users can disable the Preview Picture effects from viewfinder image while shooting to display a truly natural image composition just as they would see with an optical viewfinder.

The FUJIFILM X-T1 Graphite Silver edition is now equipped with a high-speed electronic shutter that has a maximum speed of 1/32000 second that can be set in 1/3 steps when using the FUJINON XF23mmF1.4 R, XF35mmF1.4 R, or the XF56mmF1.2 R lenses. Additionally, the mechanical shutter will not operate when any speed for the electronic shutter is selected for a completely silent shooting experience.

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New “Classic Chrome” film simulation
Fujifilm’s renowned image quality has been cultivated through the development of photographic films over the past 80 years and helps to reproduce warm skin tones, bright blue skies and rich green trees, just as photographers remember the scene. The FUJIFILM X-T1 Graphite Silver edition ships with the new ‘Classic Chrome’ film simulation mode, which delivers muted tones and deep color reproduction.

Exciting firmware update coming December 2014 (X-T1 Graphite Silver and X-T1 Black)
Fujifilm will release a free, comprehensive firmware update in December 2014 specifically for the new FUJIFILM X-T1 Graphite Silver and the original X-T1 Black that will give users exciting new features and controls to dramatically enhance their X-T1 shooting experience, including:

AF Area direct selection – Users can select the focus area with the 4-way controller, without pressing the Fn Key.
Function replacement for the AE-L/AF-L buttons – The currently locked AE-L/AF-L button function will now be interchangeable, depending on the user’s preference.
Focus Area size variability during MF – Users will be able to change the focus area in Manual mode during One Push AF with the AF-L button.
Macro Mode direct selection – Users will be able to directly turn ON or OFF the Macro function in Auto Focus mode to expand the distance measurement range to the short-distance range. This will be possible without accessing the pop-up menu screen.
Q Menu customization – The update will render the items and layout of the Q Menu, used for quick access of frequently-used items, changeable to the user’s preference.
Video frame rate selection – In addition to the existing 60fps and 30fps selections, 50fps and 25fps, as well as a 24fps selection will become available to users. 50fps and 25fps allow video editing in the PAL region, such as Europe and elsewhere, without converting the frame rate. The 24fps will offer movie-like video capture and play back.

Video manual shooting – Users will be able to select ISO sensitivity prior to shooting videos, as well as adjusting the aperture and shutter speed during video shooting.
Phase Detection AF support for One Push AF – With One Push AF, operated by pressing the AF-L button during manual focusing, the update will enable Phase Detection AF with quicker focusing speeds.
Metering area focus area interlocking – The update will enable users to interlock the AF area position with the metering area when spot metering is selected.
Expansion of the Program Shift setting area – The update will enable the current Program Shift, in which the low-speed side is 1/4 second, to be shifted to a maximum of 4 seconds.

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The new Fuji 56 1.2 ADP – $1499, ships in December. BUY HERE!

XF56mmAPD

Then we have another Fuji rehash! A new version of the 56 1.2 that will have better 3D pop and smoother Bokeh because of the “Apodizing Filter”. When the Nocticron beat out the original Fuji 56 1.2 Fuji must have decided that they needed to update the lens, which is not even old, leaving original 56 1.2 owners out in the cold. For $1499 you can now have the 56 1.2 APD version, with a better/smoother and more blurred Bokeh.  Press info is below:

“The new FUJINON XF56mmF1.2 R APD (Apodization) is a fast and nearly silent lens for FUJIFILM X-Series CSC’s that has a maximum aperture of F1.2 to make it the world’s brightest autofocus lens for digital cameras with an APS-C sensor. In addition, the new apodizing filter makes it the ideal choice for portrait photography where every detail is crystal clear, with images set on a gorgeous bokeh with smooth outlines for pictures with a three-dimensional feel.

The XF56mm F1.2 R APD is constructed of 11 glass elements in eight groups, including one aspherical glass molded lens element and two extra low dispersion lens elements. Spherical aberrations are corrected by the aspherical glass element to deliver high resolution at the maximum aperture setting. Additionally, thanks to the combination of two extra-low dispersion lens elements and three cemented lens elements, chromatic aberrations are greatly reduced.

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The 50-140 F/2.8 Zoom – $1599, ships in December. BUY HERE!

XF50_140mmWR

Finally, a new Zoom has been announced from Fuji, the 50-140 f/2.8 with a price tag of $1599. This will be like a 76-213 f/2.8 lens, so one for the tele zoom guys who love their 2.8 aperture. Press info is below:

The new FUJINON XF50-140mmF2.8 R LM OIS WR has a focal length equivalent to 76-213mm, and a constant F2.8 aperture throughout the zoom range. The length of the lens barrel remains constant throughout the entire zoom range, and features a weather resistant and dust-resistant finish that can also work in temperatures as low as 14°F. Thanks to a high-performance gyro sensor, a unique image stabilization algorithm and the bright F2.8 aperture, hand-held photography is possible in a wider range of shooting conditions. The XF50-140mmF2.8 R LM OIS WR also now uses the world’s first Triple Linear Motor for fast and quiet autofocusing and shooting.

The FUJINON XF50-140mmF2.8 R LM OIS WR has a lens construction of 23 glass elements in 16 groups, which features five ED lens elements, and one Super ED lens element with low dispersion to substantially reduce chromatic aberrations. The XF50-140mmF2.8 R LM OIS WR also uses a new Nano-GI (Gradient Index) coating technology that ensures this high-performance lens delivers the outstanding imaging results that photographers have come to expect from the award-wining X-Series.

So there ya have it, new stuff from Fuji just announced and super scorching off the press!

You can pre-order the new Fuji items at B&H Photo.

Sep 032014
 

Japan and Fuji XPRO-1

By Massimiliano

Dear Brandon and Steve,

I am Massimiliano, and italian photographer and lover of your blog and I am glad to submit you some picture taken by my last travel to Japan this August. Few weeks before moving to Japan I did a very strange deal, I sold my Leica M9 and took a Fuji XPRO-1 and 35mm f/1.4. Why? I am not sure but I was in search of something different from the greatness but sometimes frustrating Leica M9 limitation (I still use an M2 if I want to use Leica camera).

Over all I love Japan and Tokyo is one of the best place were to shot but I was worried to be unable to catch the beauty of the city with a new gear on my hands. What follow are few shot I have chosen that prove to myself again that the XPRO-1 is a really incredible camera well made and with all the feature necessary to modern photography. Most of the shot are taken in the area that goes between Harajuku and Shibuya few weeks ago. When I shot I try to go as close I can to my subject being sometimes intrusive but able to catch what I think is important because I love Japan and I would like everyone knows this wonderful country.

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Massimiliano Tiberi
Journalist & Photographer
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blog: http:://blog.massimilianotiberi.com
galllery: http://massimilianotiberi.photoshelter.com

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