Oct 212015

New Fuji 35 f/2 Lens Announced. Pre-Order Now!

Fuji has just announced the new 35 f/2 lens for their wildly popular X system, and at $399 this lens will bring you a 53mm equivalent FOV on the Fuji X trans APS-C sensor. Looks great, and at $399 I can not see how anyone can go wrong. Fuji always releases quality lenses so below are the pre-order links for this new lens! In black or silver.






Oct 192015

The Palouse – The Elysian Fields of Visuals

By Olaf Sztaba

The last time we visited the Palouse region lush greens dominated the scenery. This time was different. Greens and yellows blended into browns and sand dune-like hills spread across the horizon as if a painter had replaced all the colours with just one. Despite this change, the placid beauty of the land captivated us once again.


The rising sun revealed an abundance of shapes and patterns, creating dream-like visuals. The lack of colours simplified the visuals and emphasized the beauty of the lines. The Palouse in the fall was very different from the loud and colourful Palouse of the spring but somehow equally beautiful, equally captivating.




Our initial plan was to welcome the rising sun at Steptoe Butte – the usual place for sunrise photography. But we got up late and instead captured the beauty of the place from random dirt roads. We were glad we did.

While well-known parks such as Yosemite or Grand Teton National Park have their own mega-popular spots, the Palouse offers you the unknown. Every dirt road hides a visual gem and it is up to you to discover it, which is what makes this place so special.




This is why Kasia and I believe that the Palouse is the best place in North America to learn composition. Sure, you can go to Steptoe Butte and the morning light will provide you with beautiful vistas without much effort on your part. No question, you will end up with one more photograph of the same. However, if you would like to see and feel YOUR WAY, take any dirt road around Palouse, think creatively, put in some effort and you will be rewarded with a creation like no other. That’s the beauty of the Palouse. That’s why the Palouse is a photographer’s Elysian Fields. Indeed, it’s a place like no other.

All images were taken with the Fuji X-T1 & XF 50-140mm F2.8 lens, processed in LR6.


Oct 152015

The Race of Gentlemen (with Fuji X and Canon 70D)

By James Conley

Every October, tattooed and heavily bearded men (and a few women) gather in Wildwood, New Jersey, and take over a section of the beach. With beer on tap, loud music, and louder motorcycles and cars, this motley crew waits for the tide to recede and then grinds up the sand racing antique vehicles down a quarter-mile. Known as The Race of Gentlemen, the event at first seems to be one of the most wrongly named.

Since the event was a spectacle, and I didn’t have to worry about being discrete, I set out to observe the event with three cameras: a Fuji X100s, XE-1, and a Canon 70D. Although “motorsports” often brings to mind long lenses and monopods, my interest in the event was more about the people than the racing. Thus, my lenses were almost all wide. I relied heavily on an older Canon L Series 17-35mm on a 70D, with the X100s outfitted with the 50mm Teleconverter. The XE-1 had a support role with the 55-200mm. I find the Fujis easier to work with in bright light, because exposure compensation is obvious. But the speed of the Canon can’t be beat.




Wandering through the crowd, what at first appears to be a lawless takeover by various biker gangs is anything but. The dress code is the first clue. High, laced boots, paired with jodhpurs. Pilot and horseback riding helmets. Knit jerseys lettered with race events seven decades past. The women sport short bangs with long hair, beehives, and Rosie the Riveter styles, paired with high-waisted, pinstriped shorts.

Then there are the bikes. These aren’t the Harley-Davidson’s you’ve seen on television. They are long. And old. Very old. Mixed in is the occasional Henderson and a smattering of Indians, all with huge engines. The cars are likewise all American: Mercury, Buick, Pontiac, Dodge, Plymouth, Ford, and Chrysler. Model A’s, coupes, and roadsters. Each one a piece of moving history, and each one with a driver or rider whose knuckles show the years of effort it took to rebuild these machines to working order.




Then there are the smiles. Broad and warm, the smiles are constant. Every face is marked with joy, even when the car won’t start, even when the bike doesn’t turn over.

Then it becomes obvious that this isn’t a random gathering of ne’er do wells. This is an effort to capture a specific time in history, and to relive the best parts of it. The cars are all American made, 1953 or older. The bikes are all American made, 1947 or older. The clothes, helmets, and goggles are also antique. And so is the definition of “Gentlemen.”




This gathering is, in fact, about being a gentleman. Those who build, enter, and race their machines exhibit the good, courteous, and polite conduct befitting the title. Despite the sand, the grease, the noise, the competition, and even the alcohol, each racer stays true to gentlemanly form: quick to lend a hand, always with a charming smile, undisturbed by adversity, and always stylish. It is a set of values not of the present time, and the strict rules for entering the race make perfect sense: The Race of Gentlemen is not about racing cars and motorcycles down a beach; The Race of Gentlemen is about recapturing the American can-do spirit, the generosity, the love of life, and the camaraderie that come from choosing to be part of the human race, as a gentleman.






I’m happy to share with you this brief photo-essay of a day of vintage racing.

More images can be seen on my website: http://f-eleven.com, and on Instagram: @philatawgrapher

Oct 132015

DCIM100GOPROG0058263. Processed with VSCOcam with s1 preset

23 days in Europe – Adventure and Travel Photography with Fujifilm X-E2 and GOPRO

By Danielle Vitarbo

Aloha Steve!

Thank you for all the hard work you put into your great website. (THANK YOU for being here Danielle – Steve)!

As you can probably guess, I’m writing to you from my home in beautiful Hawaii. I just recently returned from a 23 day backpacking trip across Europe and I’m excited to share my photos. As beautiful as the Hawaiian islands are, I find the most beauty when I’m discovering new places around the world. I refuse to let the best years of my life fade away. Though it’s not easy, I try my best to travel somewhere new as often as I can. Don’t we all?



The first two times I traveled to Europe I was in full-blown DSLR mode and had a ridiculous amount of lenses with me. I never used more than one lens and always debated bringing the camera everyday because of it’s weight.

Over the years I’ve narrowed down my style and my needs to the bare essentials. In doing so, I’ve never been more satisfied with my photos. I’m an avid GOPRO enthusiast and probably will be till the day I die. Unlike most people, I use my GOPRO as just my everyday camera. I’m not a snowboarder, surfer, or a base jumper of any kind. I just enjoy pushing the limit with GOPRO cameras and they continue to impress me every time. I love the fisheye lens and I enjoy the challenges that come with shooting with it. It’s extremely exciting whenever I nail the shot that I’m after. Though it’s not perfect, its the camera that makes photography fun and it’s also the camera that’s small enough to always be with me, so I can’t complain. For this trip I used a GOPRO HERO 4 Black edition...

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However, I owe all my photography love to Fujifilm. I love the tactile feel of their cameras, the size, and the image quality it produces. It’s everything I need in a camera, not to mention the stellar lenses that Fuji pumps out each year. But unlike most people who use Fujifilm cameras for its street photography performance – which it does great at- I’m exploring the camera for its landscape and travel photography performance. I’m a huge fan of Fuji color rendering and skin tones so it’s a no brainer.

For this trip I also took my Fujifilm X-E2 and kit lens 18-55mm 2.8-4.

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We covered 9 different countries in 23 days. Kept the bags light, the days long and just kept moving. From Northern Ireland to Interlaken, it was a trip for the ages. I hope you enjoy these photos as much as I enjoyed taking them.





If you like this write-up and my photos, follow me on instagram. It’s my favorite social media platform and I post regularly. Comment, like, and follow. Every bit helps!

If you want to see more of my work or more of Hawaii in general, visit my website and portfolio with updated blog posts.


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I’ll be in japan for a few months next year so keep an eye on my social media for new photos. Feel free to get in touch if you have any questions or comments. I’m always down for a chat!

Thanks again steve for allowing me to send this in.


Sep 022015

Is this the ultimate budget 75mm portrait lens for Fujifilm X Series users?

By Simon Kimber


Well the actual answer if of course no, but for under £40 this 50mm CCTV lens for APS-C cameras is remarkably good and if your cash strapped, a serious contender to Fuji’s excellent but pricey XF56mm F1.2 lens. Using CCTV lens or ‘toy lens’ is quite popular amongst micro four thirds camera users, and there are many devotees to the swirly bokeh and vignetted images they create. However, having tried one of those tiny lenses, whilst fun, I felt the fiddliness of the tiny focussing ring and lack of defined aperture stops, meant they would never be more than a fun ‘toy’.

optional image 13

This lens however is quite a different beast, and size wise is nearly the same size as a standard Fujifilm lens. Compared with my XF35mm lens, it’s a bit longer but narrower. Whilst idly searching a certain ‘bay’, I came across CCTV lens that fit APS-C sensors available in 25mm F1.4 (40mm in 35mm equivalence), 35mm F1.6 (50mm equivalent) and 50mm F1.8 (75mm equivalent). It’s obviously a manual focus lens, but it has marked F stops and focussing distance marked on and is solidly constructed from aluminium. The lens hood (46mm) and cap are an addition I bought myself. A range of C-Mount adapters are available for Fuji, Sony, Canon and Nikon APS-C cameras. Having recently bought a Fujifilm Xpro1 in their end of line deal, I was looking to expand my lens line up currently having nothing longer than 35mm (50mm equivalent). I thought I would try this focal length to see if I liked it and then maybe in the future save up and buy the XF 60mm (I know it’s not the best lens, the XF56mm is way to expensive).
So what’s this lens like to use? Well it’s not perfect, but you mustn’t forget the price. Image wise as you can see from my not great comparison shots (I should have moved positions really for a better comparison) it’s a little soft, and the colours seem a little washed out compared to Fujifilm’s fantastic XF35mm F1.4 lens. But…. That is a fantastic lens, so being not bad in comparison is a great accolade for a lens costing nearly ten times less.

50mm F1.8 CCTV Lens vs Fujifilm XF35mm F1.4

image 3 cctv lens

image 4 xf35mm

Like other CCTV lens, the only issue is that the glass doesn’t appear to be coated, so the lens is very susceptible to flare, and this can be a major issue. I added a lens hood and often you need to shield the lens with your hand. In many ways it looks and shoots like a vintage lens. I have a vintage Russian Jupiter 8 85mm F2 as well for my Xpro1 and in behaves in a similar way. Focus peaking on the Fuji Xpro1 seems to work quite well with this lens. It doesn’t look like a CCTV lens at all and more like a traditional vintage manual lens. I’m curious about its manufacture as it seems to be far too big for any CCTV camera. Perhaps it is made for just for digital camera using CCTV glass, but I don’t know.

Lens flare in bright evening sunlight can still be a problem even shielding with your hand

image 5 lens flare can be a problem

For me I find this lens works best shooting in black and white and either indoors and in evening or morning light. If you accept that it’s not great in strong sunlight, you can get some nice shots from this lens. In a recent trip to Cologne in Germany, I used this lens quite a bit. I found it actually quite easy to manual focus as there is actually not much distance in the focussing ring from 10 metres to infinity, so manual focussing is quick. I will admit I’m not a great photographer, but I really enjoyed using this lens, and I got (for me) some good photos from this lens)

image 6 Koln riverboat party

image 7 Koln riverboat party 2

A summer party on a Rhine riverboat – everyone was dressed up in white – not sure why

image 8 Koln cathedral

image 9 Koln Cathedral

image 10 Koln Cathedral

I am really pleased with this lens and think it’s a hidden ‘secret’ that people need to know about. This is not a normal ‘CCTV toy lens’! Note – the one I bought says ‘50mm F1.8 APS-C’ on the body of the lens. It does not vignette at all and the images speak for themselves. A number of people on a certain ‘bay’ website sell them, but be careful as there are other lenses being sold that do not that APS-C written on them and appear much smaller. I have no idea what they would be like.

And finally, I think this lens goes quite well with my Fujifilm X-Pro1! Lens wise it has to be the best value for money around at under £40.


Aug 252015

Fujifilm’s Professional F2.8 zooms take on nature

By Ben Cherry

About me

My name is Ben Cherry; I am an environmental photojournalist and Fujifilm X-Photographer. I’ve been using the XF16-55mm and XF50-140mm alongside the X-T1 for most of the year now. During that time I’ve spent three months in Borneo and two months in Costa Rica, where I’ll be until mid-December for a conservation research role. It is fair to say that these lenses have been put through a tropical boot camp, pushing them to their humid and heat limits. You can find more of my work via: www.bencherryphotos.com

The Lenses

Both are weather sealed with constant F2.8 apertures, these zooms are built to last with superb image quality, making them up to the ever-increasing standard of photographers that need gear to work everyday, all day. Made to complement each other, this could be a two-lens set up for many photographers who want a lightweight system that covers a wide focal length. Indeed if you’re not after smaller F-Stops, then these offer prime quality optics.

I personally do prefer to use prime lenses as I feel that they encourage me to be creative, the likes of the XF16mm have pushed me to improve my compositions. But when on the move, in hot tropical environments, I couldn’t ignore the convenience of these two lenses. The XF50-140mm is a no-brainer for me as it is the longest F2.8 or faster lens currently available. In the rainforest I’ve found that I’ve craved light more than focal length, so this lens ticked a lot of boxes (not that I’m not waiting on the edge of my seat for the impending super telephoto zoom!..).

XF50-140mm-2.jpg (leaping proboscis monkey), XF50-140mm-5.jpg (play fighting pygmy elephants), XF50-140mm-26.jpg (scarlet macaw portrait), XF50-140mm-27.jpg (scarlet macaw in flight)

Certain things stand out in this 1st picture.. Male proboscis monkeys have a permanent erection and when they’re not eating only have one thing on their mind.

Certain things stand out in this picture.. Male proboscis monkeys have a permanent erection and when they're not eating on have one thing on their mind.

Ben Cherry XF50-140mm-5

Ben Cherry XF50-140mm-26

Ben Cherry XF50-140mm-27

As for the XF16-55mm, this was a lens I took a little more time considering whenever it came to packing the bag light. The reason for that is it covers the same range as the XF16mm, XF23mm and XF56mm, three exceptional prime lenses with faster apertures. But again it comes back to one word, convenience. Stuck in a rather wet part of the world, whenever it does rain, it pours and the last thing I want to do is change lens. So more often than not the XF16-55mm gets the nod. Other than missing the faster apertures of the primes, I have no hesitation to use this zoom instead, especially as it is weather sealed. A lot of people are put off this lens by the lack of OIS, yes it would have been helpful… but at the same time I understand Fujifilm’s explanation, I’d rather have the brilliant image quality than compromise some for OIS.

XF16-55mm-5.jpg (Sunrise at Mt. Kinabalu), XF16-55mm-15.jpg (violet woodnymph pit stop), XF16-55mm-17.jpg (vivid Pacific sunset),  XF16-55mm-18.jpg (released baby turtles using red filtered flash so don’t distract babies.)

Mt. Kinabalu at Sunrise

Ben Cherry XF16-55mm-15

Ben Cherry XF16-55mm-17

Ben Cherry XF16-55mm-18


Other than the superb build and image quality, these two lenses have very snappy autofocus, especially when used with the X-T1 (the only camera which makes this a weather resistant system). I’ve captured monkeys leaping through the air, elephants fighting, and birds swooping through the rainforest. None of these were easy autofocus tasks. The X-T1 has been greatly improved by a series of firmware improvements. I am sure these two lenses will see a huge performance boost with the next generation cameras, which will have improved hardware instead of only updated firmware. To put it another way, if I was told I could only have access to two lenses then no doubt it would be these two, with the XF16-55mm just pushing out the superb XF10-24mm – please Fujifilm, make a F2.8 WR version!

What is rarely brought up is the effective focal length of the XF16-55mm, which is 24-85mm, that extra 15mm over the usual 24-70mm range is a big benefit. Expanding the uses of this lens, particular helpful for portrait photographers.

XF16-55mm-10.jpg (inquisitive young elephant)

Ben Cherry XF16-55mm-10


Because of all that lovely glass, range and build quality, these aren’t exactly light lenses when compared to the rest of the Fujifilm range. Not to say that they feel out of place though. If using the hand or battery grip with an X-T1 then even the XF50-140mm is nicely balanced. I feel like these lenses have more to give but are waiting for camera upgrades, this isn’t necessarily a bad point just one to think about. I have been in situations where I know the lenses can handle the moment but sometimes the X-T1 gets a little flustered. This occasional occurrence is massively outweighed by the general satisfaction I get from using this system over others I have tried.

XF50-140mm-6.jpg (tactile family members)

Ben Cherry XF50-140mm-6


This system has been baked and soaked more than I’d ever admit to Fujifilm representatives… (awkward because they’ll probably read this… sorry!). But it is still working and producing images that I am very happy with. Certainly the products have more to give than I am currently demanding, this encourages me to push myself so I can reach the standard of these brilliant products. The camera market is incredibly competitive, a good thing as there are basically no bad systems out there. However, for me, this weather resistant X-Series is definitely my preferred choice. For anyone looking at camera system options, no matter your genre, I firmly believe that the X-Series at least warrants consideration, it is certainly producing the goods for me with nature photography.


Aug 212015

Shooting from the Hip

By Mohammed Hakem

My website: http://www.hakemphotography.com
my FB page: facebook.com/hakemphotography

In conservative cultures street photography is an absurd dream. It’s very hard for people who haven’t seen enough tourists to accept being captured. The reason behind this is not related to privacy issues, but a stereotype that everybody with a camera is a journalist who will fake some news and speak badly about them. It actually happens a lot that people take random pictures of poor people and insert them into articles related to drugs and crimes. These people might be poor but they all have dignity that matters more than their lives, that’s the main reason why they become so aggressive.

DSCF4990-Edit copy


To take pictures of these amazing people you either have to build a relationship and let them trust you, or have the balls to shoot candidly. With a DSLR it is impossible to do the second, but with a mirrorless it can be done.




I am a travel photographer and taking pictures of people naturally is part of what I do. I prefer not to let people notice I am there, I know I may be violating a copyright or bypassing privacy space but this is ART and I am not doing anything with the picture afterwards other than revealing lovely places and people to others. Every once in a while a photographer should get out of his comfort zone and shoot something different to what he is used to. Landscapers should go for streets, Fashion and portrait should go for travel photography and so on, it helps you a lot understanding other aspects.



The technique here is to shoot from below. I use the tilting screen of my Fuji XT-1, disable the eye-senor and put the camera on top of my shoulder bag in front of me. People see me as a tourist and they are not frightened but still I don’t know their reaction if I pointed the camera directly towards them, especially that I am not the personality who can talk to strangers fluently so I won’t find a way out if someone yelled what are you doing. I adjust the Aperture for the depth of field and let the camera do the rest. I point to the target and quickly compose the picture from the screen.





To be Honest I am amazed by Fuji’s V.4 auto focus system, it’s like a totally new camera. To those who don’t know, firmware upgrades in the mirrorless world is a real Firmware! not just solving bug issues that will affect 0.01% of your shooting the firmware introduces exciting features and upgrades the autofocus as if it’s a new camera!. Most of the pictures are shot with the 56 F1.2 lens on F1.2 in Egypt, the country I’m proud to be born in its culture. please make sure to like my FB page and take a look on the website :)

Aug 212015

Friday Film – Photographing the Artist at work

By Huss Hardan

Hello Friday Film Fanatics!

This series is a little different from my usual submissions. I had the opportunity to photograph artist and acrylic painter Lin Lin Hu at work in her studio in San Pedro, California.There is something special about watching real talent. Every brush stroke seems so simple, but the whole is so complex.

Lin Lin’s work can be seen at www.LinLinHuArt.com

The series was shot on Fuji Superia 200 under available light using a 1974 Minolta XK 35mm SLR, with 50mm 1.4 and 35mm 2.8 Minolta Rokkor lenses.

Peace out


LinLinPaintingS-4 LinLinPaintingS-3 LinLinPaintingS-2 LinLinPaintingS-5 LinLinPaintingS-7 LinLinPaintingS-6

Aug 202015

From Canon to Fuji

by Stuart Cripps

Hi Steve,

Firstly can I congratulate you on your fantastic website. I love and appreciate your honesty and passion when telling us about the latest greatest stuff in the wonderful world of photography.
Real, honest hands on is so much more valuable than lab tests and pictures of book cases :)

Secondly, can I scold you for doing nothing to quell my longing for a Leica! (lol) I know I don’t ‘need’ one but I still romanticized about creating my work with one, and your site doesn’t help.

A bit about me. I’m a graphic designer by trade but my passion is photography, something that gives me a true sense of creativity and satisfaction. I started out with a Canon G9 but then made the ridiculous upgrade to a 5DmkIII about 3 years ago with the intention of improving my craft and trying to make it my career. Unfortunately 3 years later I am just getting to that point as I am held back by the most crippling of diseases… complete lack of self-confidence and belief.


I learned a lot of my 5DmkIII but along the way my recreational/hobby work seemed to lose something. It could have been the way I approached shots, too critical on nailed focus etc, maybe it was the fact the camera drew too much attention? Who knows? Either way it really felt like although my photos technically improved they lost some of their personality along the way. Which leads me to my short user review of sorts below…

Back in June I had 3 weeks before I was due to shoot my first wedding, in Paris – a real baptism of fire for me, my first paid wedding, my first time flying alone and my first time in France. It was make or break time! For peace of mind I needed a sidekick camera to accompany my Canon 5DmkIII (you never know when the gremlins may strike). I needed something that would suit my documentary/reportage style that i could easily master within my short 21 day prep window.


After much research and hair pulling I decided to avoid a second bulky DSLR or the risk (and expense) of buying into another lens system. Based on all the reviews and sample images the Fujifilm X100T seemed like the way to go. I have been following Fuji’s progress for some time and it seemed they had nailed it with this tiny bit or drool worthy retro skinned hardware.

Well what can I say, I was not disappointed. From the looks, to the handling to the image quality I think I may be falling in love with this new addition to my kit bag. This may be in part because it fills the gap I will never afford to fill (or indeed justify) with the holy grail of documentary, a Leica. Mainly though it’s because it is such a wonderful tool to work with.



As much as I love my 5DmkIII I felt my photography lost a little of what pulled me in to begin with, the size, the attention it drew when I tried to shoot covert etc. The X100T rectifies all of that, it takes me back to when I started out with my trusty Canon G9. It allows me to be covert, creative and spontaneous with little to no impact on my surroundings. In essence it has brought some of the fun and magic back into the process of capturing life around me.


Is it perfect? No, certainly not. Battery life is shocking especially next to the 5DmkIII. The focus can be hit and miss, especially in lower light and the menus take some getting used to, expect a few head scratching moments as you try to squeeze the best from this little gem. But with a little practice and effort you are soon rewarded and forgive the X100T it’s shortcomings and once more begin to fall in love with its raw retro charm.


I have only just started my journey and I am looking forward to see what images this new partnership helps me to create. The magic is back.

If you like what you see then please feel free to visit me online to see my ongoing photographic journey:

FLICKR: https://www.flickr.com/photos/stumacher/albums
INSTAGRAM: https://instagram.com/nero.creative/
TWITTER: https://twitter.com/nero_creative

I hope this is of some use to you/your readers – and if it makes the cut I hope you enjoy my images.

Yours Sincerely,


Aug 152015

Hi Steve and Brandon.

Disasters usually being photographed great upside than one might expect. This tree grows rather than later to become a vegetable trimmings agricultural crops.

In the Intense heat of the region, the site caught fire and the end of the tree was inevitable.

Photo taken with Fuji 100X first model.


Gilad Livni


Do you have one shot that you truly love? Why not submit it here as a “Quick Shot”. Just send the image along with what you shot it with and a few words about the image and email it to Steve HERE. 

Aug 102015

MASSIVE Fuji X-Pro 1 Clear Out/Deal – WITH two lenses under $1000!

Screen Shot 2015-08-10 at 1.04.22 PM copy

OK guys, here is the deal some of you have been waiting for. The Fuji X-Pro 1 with the Fuji 35 1.4 and 27mm f/2.8 Lenses for only $949.85. THIS IS A crazy deal if you have been wanting a nice Fuji body. The X-Pro 1 is loved by many, used by many and has proven itself in the field, studio and in the world.

B&H Photo has this deal NOW, and is shipping NOW. To see the deal take a look HERE at the deal page on B&H Photo. 

Jun 172015

Houses of the Holy

By Steve Parker

Hi Brandon and Steve,

I’ve been a long time reader of your site and having read and learned so much from yourselves and other contributors to the site I thought I would stick my head above the parapet and contribute a few images from my ‘Houses of the Holy’ project.

I have long been fascinated by the incredible architecture of places of worship around the world and stand in awe of the craftsmanship that goes into the design and construction of these buildings. Wherever I am in the world I find myself being pulled first toward the churches and cathedrals and so, from that pull, decided to turn it into an on-going project.

The three images here are taken in my home country- England. Two are of them are of Winchester Cathedral which is to be found in the county of Hampshire. It is one of the largest cathedrals in England. The smaller, less ornate building is Quarr Abbey a monastery located between the villages of Binstead and Fishbourne on the Isle of Wight in southern England. The name is pronounced as “Kor”.

As you can see, I tend to favour B&W with a dark look and feel to them but I also like to selectively ‘light them up’ a bit; sometimes to accentuate what is already present but more often than not, I just put light where it shouldn’t be! A few people have criticised me for that and have taken the time to tell me about the laws and nature of light. Whilst I do understand these laws, I don’t particularly worry too much about it. To me, it gives them a bit of a different look and, as photography is all about creativity, I’m happy with that.

With regards to equipment used, I don’t have a particular allegiance to any brand (although I am a bit of a fan of Fuji’s to be honest). Because I manipulate my images so much, it doesn’t matter too much to me what camera I use. If I recall, Quarr Abbey was shot with a Fuji XA-1 and Winchester Cathedral with a Lumix LX7. All are hand-held using available light and processed either in Lightroom or Photoshop (likely both!).

Quarr Abbey

Winchester Cathedral (2)

Winchester Cathedral

I hope you like them and if you want to see more of my B&W work I can be found at www.steveparkerphotography.com or on Flickr https://www.flickr.com/photos/mrsteveparker/

Thanks for the opportunity and for all that you do with this site. It’s a rare gem.


Steve Parker

Jun 172015

Simone & My X-Pro 1

By Jermore Santos


Hi Brandon & Steve,

Great site you have going on, this is just a little write up on my shoot with Simone and my X-Pro 1. I decided to leave my Canon 5D Mk III with my L Series zooms and strip back my photography, my awesome talent, Simone had complete trust in that the images that come out of the Fuji with the 35mm prime would be comparable and so we embarked on a little photographic endeavour. As I adjust the aperture ring around my 35mm f1.4 Fujinon the image darkens anticipating the coming break in the clouds, revealing a beautiful golden autumn sun. My ‘guestimation’ is spot on, thanks to the camera providing real time exposure in live view.

The most amazing realisation as a photographer is how the photons bounce off objects, be it landscape, lifestyle or product. To create contours by bending the light around your subjects while framing the image to reveal only what you want around your subject. Shooting with primes forces your creativity to go into overdrive as the forced perspective creates limited options for composition onto your frame, with the Fujinon 35mm f1.4, I get a similar angle of view to a full frame format 50mm, an angle that is so similar to our eyes that this is probably why the nifty fifty is the world’s most popular prime focal length. Speaking of the 50mm, last year in I went to Japan, I knew it would be an excellent opportunity to snag myself a beautiful little vintage Canon 50mm f1.4 FD lens in one of those awesome used photographic stores in Japan at a fraction of the cost of what I would have paid here in Sydney. I managed to score the more expensive f1.4 at the price of one would pay for an f1.8 here in Australia. The beautiful vintage FD lenses aren’t as sterile or tack sharp as today’s lenses and they bring a warmth and some organic nostalgia back to photography, I use a cheap FD to X Mount adapter to piece it all together from eBay and the results can make any photographer giggle with delight.

We ended up getting rained out but not before catching some beautiful sun shower shots, images that you hope to get when ideas get thrown around in pre-production.







May 292015

Fuji S5 Pro User Report

By Joseph Chu

Dear Steve & Brandon,

I am a fan of your website, from beautiful New Jersey. I loved your “Flashback” post covering the Fuji S5 Pro.

Flashback: The Fuji S5 Pro. Gorgeous color reproduction. | STEVE HUFF PHOTOS

I recently put some of my pictures on a blog: chupictures. Most of my recent pictures are from my Fuji X100S & XE1. But putting together the blog made me realize that I still love the colors from my old Fuji S5 Pro. Something about that CCD sensor.

I just wanted to share some SOOC JPEG files showing the colors from my Fuji S5 Pro.








May 192015

Camera? Doesn’t matter, shoot what you love!

By Thomas Rhee

I’ve been a visitor of your site for a number of years now and while it’s not the most polished looking site, the content is what speaks to me. It’s honest and down to earth.

Anyways, I’ve been into photography since my high school days starting with film, on and off again thru the years until around 10 years when I started taking it more seriously. Like you (Steve), I’m also very much into high-end audio, currently mostly Naim gear along with a Mac Mini and a Mytek 192 DSD DAC that acts as my music server.

Recently, my GF knowing how much I love photography, gave me a Fuji X100T along with the WCL-X100 wide conversion lens as a gift for my birthday. Also, my birthday gift to myself this year was the Olympus OM-D E-M5 Mk.II,. My other cameras include the Olympus OM-D E-M1, Fuji X100, Ricoh GR Digital III and a Canon 5D Mk.II. Of course, I’ve been shooting non-stop with my two new cameras so my submissions will be from those two, all of which were taken within the last two weeks.

The first photo is a street photo taken with my E-M5 Mk.II after having dinner at a restaurant located deep inside of a few alleyways here in Seoul, Korea. The image is of a waitress getting hot coals for a table-side Korean BBQ restaurant. The alley was pretty dark but fortunately there was a light in front of her that acted as a spotlight as well as the two open doors (two different restaurants) that brought in some light. Nonetheless, the ISO had to brought up to 3200 to bring up a reasonable shutter speed with the lens wide open.


OLYMPUS OM-D E-M5 Mk.II, 25MM, F1.8, 1/50, ISO 3200


The second image was taken on Buddha’s Birthday here in Seoul, Korea. Like most other Asian countries, Buddhism is prevalent and Buddha’s Birthday is a big event where thousands come out to celebrate. This image was taken at one of the Buddhist temples here, nearby where the parade was happening. There was a homeless man surrounded by families, children on a field trip as well as devout Buddhists who came out to pray that day. The homeless man kind of stuck out from the crowd and I captured this while he was eating a popsicle although I have no idea where he obtained it from. The tree in the middle signifies to me a the disparity of how others see him as well as how he sees himself.


OLYMPUS OM-D E-M5 MK.II, 45MM, F6.3, 1/60, ISO 3200


The third and last image was taken this past Sunday where my GF and I decided to go to a botanical garden just to have a leisurely Sunday and get away from the hustle and bustle of living here in Seoul. The place was amazingly beautiful and when I came across this scene, with a Juniper tree, decided to take a snap.

“Juniper & The Garden Of Morning Calm”



Anyways, thanks for reading and looking,

Thomas Y. Rhee



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