Apr 292015
 

Holy Fire Sale! Hasselblad Lunar, $5,500 OFF..

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B&H Photo has the $7000 Hasselblad Lunar that failed miserably on fire sale for $5,500 off. Now $1495 for the Hot Rodded Muscle Carred Sony NEX-7 and a kit 18-55 Zoom. THIS camera was a rip off at $7000, and I stated so a few times here on these pages. Even at $1500 it is pushing it as it is indeed a Sony NEX-7 with a hot rod build/design, pure luxury. Comes with a fancy wood box, and all the goodies. I did see these in person a while ago and they are bulkier than a NEX-7 but very unique.

If you want a Sony NEX-7 in this Hasselblad version NOW is the time to jump. How often do we see $5,500 off? I feel bad for the few who paid $7000 though I feel there are not many at all, but I feel happy for those who wanted to purchase one “just because” as now you can save a bundle. If it were $999 it would be better but even at $1500, it is not THAT far out there anymore. Yea, it’s a NEX-7, yea it’s old tech but I do not think you will buy this for the tech ;) A NEX-7 these days with the same kit zoom is under $500.  So no more $6500 premium, now it’s a $1000 premium!

You can grab this fire sale HERE at B&H Photo. They have the black and the brown in stock!

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Apr 232015
 

Film Friday: Hasselblad 500C Love

by Massimilliano Farinetti

My photographic evolution brought me back to the roots and after the Leica M2 (daily inspiration #736) I traded it in for a very nice 1961 Hasselblad 500C with three CZ lenses (50/80/150)

It is almost six months I shoot only film, only medium format and only black&white (self processed) and I am enjoying it like a kid in a toy store.  Why? Because I am re-discovering the pleasure to experiment, the slow decisions about framing, playing with exposures…

In a word: photography.

I like to shoot long exposures, from some seconds to minutes with an accurate calculation of reciprocity failure time correction, using ND and GND filters on low-speed films

But the whole process doesn’t end up with film processing and scanning: analog photography is a chain from exposure in camera to exposure of paper in the darkroom and so it went. I live in Genova, in the north-west of Italy on the Ligurian Sea, so my favorite winter scenes are at sea either when it is calm or when the waves are strongly beating the shores: long exposures will turn the latter in a “time suspended” surreal atmosphere.

Here I enclose some of those scenes I like most, film I used for them are either Ilford FP4+ (exposed at 80 asa) or Fomapan 100 (exposed at 50 asa), Hasselblad 500C with Planar 80/2,8

Thank you again if you will admit my photos to your always stimulating website

Cheers!

Massimiliano Farinetti

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Apr 172015
 

Hasselblad Xpan and Kodak Ektar: Port of Antwerp

By Dirk Dom

Hi!

Last Monday, my friend Ivo Smets and I went to shoot in the Port of Antwerp; Ivo with his M240, and me with the Xpan. I think that is the most delightful camera I own; I shot Kodak Ektar and because that film is so special, I expected some sparks.

First, we went to the Berendrechtsluis. The weather was nice, sunny and a bit hazy, which gave for sort of a high key atmosphere.

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We were lucky enough to find a gate open so we could get right next to the water.

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But shooting through the wire is fun, too. It sort of adds to the composition.

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Here’s some more fun, looking through stuff:

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In Lillo, a little village right in the middle of the port, we ate lunch. The tide was low, which made for a nice image:

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Lots of current in the river.

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We continued through the port. Antwerp is the largest petrochemical industry center in the world.

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There used to be a lot of fortresses around Antwerp. This one is from Spanish times. It’s covered by sand. It’s a forbidden entry zone, and right next to it is a lake where birders set up and shoot.

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We continued to the old crane museum near downtown Antwerp.

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We walked along the river to downtown Antwerp; the sun was setting. I had taken 4 films with me, which is 84 photographs, 21 a film. I was running out of film.

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My last shot of the day:

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I shot the Xpan with its 45mm lens. The negative size is 24 x 65mm, which makes the lens (horizontally) equivalent to 24mm on full frame. I scanned with an Epson V750 with Silverfast. Ektar scans great.

Bye,
Dirk.

Mar 172015
 

titlebjarke

2014 in Twelve images

by Bjarke Ahlstrand

Hi Steve,

Another year has passed, and at least from my perspective 2014 was extremely busy. I fulfilled a dream of mine and opened a rock bar, Zeppelin (www.zeppelincph.dk), + my very own photographic haven/store, One Of Many Cameras (www.oneofmanycameras.com), here in Copenhagen, where I live. The camera store, which deals with both new and 2nd hand stuff gave me even further possibilities to explore the photographic medium and although it hasn’t exactly cured my GAS, it helps that I can just borrow stuff from the shelves now and then :-)

I only shoot manual lenses as they fit my shooting style the best, and I spend most of my photography time on celluloid, expired chemistry and especially large format portraits, but that ol’ Leica M9-P of mine is still my favourite digital camera (since I can’t afford or justify a Monochrome, hehe), but I also adore the little MicroFourThirds camera which was given to me as a x-mas present by my One Of Many Cameras partner Daniel because of its portability, since the large format cameras are a bit bulky to drag around. My work can be seen here: www.oneofmany.dk and www.polaroid.com

Anyways, here goes — once again — 12 images, 12 cameras, 12 months – this time for the year 2014.

***

January · Deardorff 8×10” · 270mm Boyer Saphir Paris f/6.3 · expired Agfa photograhic fibre paper used as a paper negative · ISO3

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January · Deardorff 8×10” · 270mm Boyer Saphir Paris f/6.3 · expired Agfa photographic fibre paper used as a paper negative · ISO3

I’ve been working on a book/exhibition the last couple of years. It’s gonna be called “After” and will feature 130+ portraits of my girlfriend, all shot immediately after we’ve had sex. There will be no pornographic content or nudity but “raw” portraits that try to capture that very special moment just “after”… I went about it in a dogmatic way, so I decided that all had to be shot within a five minute time span and I would max make 3 exposures. It was very challenging as many of the shoots were rather trivial when it comes subject, and location of course, but I managed to use a great variety of cameras and now in the final editing stages of the book, I believe it turned out okay. The book will be published around May/June if everything goes as planned. For this particular shot, Katja laid still for 8 seconds while I captured the light.

***

February · Leica M9 · 50mm Summilux Asph @ f/2.8 · ISO200

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Still love the Leica, still love rock ’n roll, and I still have a record label, so I actually managed to shoot quite a few album covers in 2014, this being one of them. With vinyl making a serious comeback it’s a joy to shoot band pictures again. The band is called Lucer and they play high-octane rock. Be sure to check them out on Spotify –– or even better, on vinyl.

***

March · Goecker Studio Camera · 270mm Dallmeyer 3B Petzval · Expired Ilford Multigrade photographic paper used as paper negative · ISO3

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I bought an old wooden large format studio camera, dating back to 1913 and it came with a wonderful Dallmeyer Petzval from the 1860s’ so I decided to drag it outside our little camera store (which is also a studio) and test it out. Two teenagers were walking down the street, but I convinced to them to stand still for 1 second while I used my hand as a shutter. Notice the Petzval curve, it’s absolutely wonderful. Oh yeah, the logo of One Of Many Cameras is actually the Petzval lens design from 1840 – both my partner Daniel and I even got it tattooed, so I guess that lens is rather special to me.

***

April · Fuji GX680III · 125mm GX f/3.2 · Ilford Delta 100

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Even though I love large format and the creative possibilities it gives regarding perspective and focus, it’s not exactly portable. Enter the Fuji GX680III, a high-end medium format camera from the final days of the professional analog era. It has a small bellow and therefore tilt-shit capabilities and you can cram 8 images on a 120-roll film, so economically speaking, it’s quite okay (compared to large format). You can shoot the camera handheld – and those Fujinon lenses — whauh. This one in particular, it’s perfect. My youngest clone was shot wide open at f/3.2. Love the bokeh.

***

May · Kodak DCS PRO SLR N · 55mm Nikkor f/1.2 · ISO160

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I don’t want to (re-)start the whole CCD vs. CMOS war, I’ll just conclude that you’ll find on the CCD-side when photographic civil war begins. I haven’t owned a DSLR since I sold my 5D Mark III and I swore I’d never go down that road again… But then I was presented with this Kodak beauty, the first full frame pro digital camera, which cost a fortune back when it was introduced, and having never shot Nikon glass before (!) I couldn’t resent the 55mm Nikkor f/1.2. The 3 included batteries last only 5 minutes each, the camera breaks down constantly, has many quirks and is hardly usable above ISO400… But that Kodak CCD sensor is absolutely wonderful… I get the same feeling as when I look at images from my Leica M9-P and Hasselblad H3D-39. If I’m working digital (and not doing video), I’ll definitely go for a CCD-camera.

***

June · Leica Monochrome · 50mm Apo-Summicron f/2 Asph · ISO320

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Had the chance to spend a day with the APO-Summicron. Took it to the beach along with a Monochrome. Nice combo. Stupid price tag, though.

***

July · Leica M9–P · 35mm Summilux f/1.4 Asph FLE · ISO160

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Took my two clones to Barcelona for our summer vacation, alongside a couple of Leica’s and the Fuji GX680 monster. I keep coming back to the Leica, it’s “like home” every time I shoot it. The swimming pool was nice, too.

***

August · Sinar P2 · 36cm Voigtländer f/4.5 · Impossible Silver Shade 8×10” Polaroid

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Having a record label is nice because you get to meet some really cool people, in this case the Swiss noise-rockers Herod who performed here in Copenhagen, and stayed at my place for a couple of days. I dragged the boys to my attic alongside my Swiss 8×10” large format Sinar camera, and shot an 8×10” Polaroid polaroid. The lens was stopped down at f/5.6 (which is like f/1.4 in 35mm terms regarding depth of field), but with the help of the movements of the camera, I was able to get all 4 members (relatively) sharp.

***

September · Kodak Master View 8×10” · Rodenstock 210mm Sironar f/5.6 · Ilford Direct Positive Paper · ISO6

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Another band photo, this time around it was the death metal act Undergang, who were about to embark on a 5 week US tour and needed a band photo for their upcoming LP, so of course we went to a cemetery. I brought an antique Kodak Master View 8×10” large format camera and some Direct Postive Paper, and I snapped this ghoulish portrait with the Rodenstock lens shot wide open. Again with the gigantic negatives (1 x 8×10″ negative = 1 roll of 35mm film), the depth of field is extremely shallow, only a couple of millimeters but that old Kodak large format camera with its bellowsmovements made it possible to get them all “pretty sharp”. I made the vocalist only show the white in his eyes for the second I exposed the Direct Positive Paper, which indeed is a fantastic medium when working with the large format, since it’s like a Polaroid (positive) and you can handle it under red/safe light which makes it much easier than the negatives.

***

October · Sinar P2 5×7” – 21cm Voigtlander Petzval · Expired Ilford photo paper

2014_10_5x7_Sinarp2_21cm_Voigtlander_iso2_when the silver runs dry

One Of Many portraits of my favourite subject(s) – my clone, Hjalte. Almost 16 years old, he looks nothing like the child I’ve been documenting for many years now, as he’s growing rapidly, physically as well as mentally. Teenagers are hard to shoot since they’re pretty demanding, and pretty pimple ridden, but I’ve been experimenting quite a bit with expired analog materials and decided to try to drag the absolutely last silver out of some photographic paper which expired the year Hjalte was born (1999). He sat still for around 4 seconds while I underexposed and then the negative laid in the (also expired) chemistry for around half and hour before it was fully developed. I love it, one of my favourite portraits of 2014.

****

November · Sony A7S · Leica 75mm Summilux f/1.4 · ISO1600

2014_11_SonyA7S_75 Summilux_iso1600_Ruth Storm

Yes, I love old cameras (and especially lenses) but of course I also embrace new technological wonders –– like the Sony A7S. Most of my work is shot at extremely low ISOs, but the A7S opened new doors for me with its extreme low light capabilities. I’ve shot portraits for record covers at ISO 100.000 (!) which look fine on print – and my Leica lenses all perform wonderful on that little Sony. And the ones that can be hard to focus on a rangefinder are easy to nail spot on with the focus peaking turned on. Sometimes I wish the A7S had just a few more pixels as 12mp isn’t a lot for print/pro work, but I use it mostly for videos anyway, and there it reigns supreme.

****

December · Panasonic DMC-GF5 · 1″ Taylor-Hobson f/1.9 · ISO1600

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Yeah, I prefer large format and medium format, and full frame digital sensors. But lately, I’ve come to love a small, not-very-special little Panasonic pocket camera (DMC-GF5) – due to one fact: its MicroFourThirds sensor and the c-mount adapter that came along the little x-mas presents. That combo opens totally new doors when it comes to lenses and look. Old 16mm film lenses (c-mount) shine on that little digital sensor (the ones that cover it that is) and since the camera is very cheap (and lenses, too) I bring it everywhere for snapshots that otherwise were reserved for my iPhone. Here you see the newest member of the Ahlstrand-clan, Trine The Cat, climbing unto a x-mas tree. Nothing fancy, just one of those “family shots”, but I really dig the look of that tiny 1960s 16mm film camera lens, which I just had CLA’ed by my friend, Professor Olsen (repair-guy at One Of Many Cameras).

That’s it. Enjoy.

Mar 162015
 

Hasselblad Stellar Deal. Only a few black/carbon remain!

Remember the massive Hasselblad Stellar deal I posted about over the holidays? Well, MANY of you purchased that camera from my links, and I thank you VERY much. I was just informed by B&H Photo that they only have a few left, and only in the black and carbon version. It’s a slick camera, beautiful, and you can see my thoughts on it HERE. But just a heads up in case anyone wanted in on this deal at $2,300 OFF. Yes, $2,300 OFF of the normal price. Hasselblads blunder means we get this gorgeous camera (which is a Sony RX100 with a much nicer appearance, feel, build and some will love it, some will hate it).

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When they are gone, they are gone as the new version is back up to $4k. (which is an RX100 II).

CHECK IT OUT HERE AT B&H PHOTO!

 

Jan 202015
 

Film and Digital, Digital and Film

By John Tuckey

Film vs Digital? Do we ever get tired of kicking this question around? Here’s a run of three image pairs from recent shoots where I’ve shot film and digital side by side – again. See what you think.

Pair A
digital shot from the Leica M-P (type 240) with ‘Lux 50. The film shot is off a Hasselblad H2 and HC 100mm 2.2 loaded with Ilford Delta 100

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Viewed side by side, I prefer the film. But don’t get me wrong, I’m not saying you should throw away your digital camera. In fact the list of ticks in my digital column is pretty long: I began with digital and, even now, tend to consider the digital files from my M to be my ‘main’ files. Digital capture and convenience is my primary workflow. Shooting digital allows me to easily pull gorgeous, rich, detailed and sharp 20×30 prints from my M’s files. And higher ISO flexibility in modern digital cameras gives a more flexible and easier shooting experience in available light.

Pair B
digital shot from the M-P (type 240) with ‘Lux 50. The film shot is off a Leica MP and Zeiss Sonnar 50 2 loaded with Ilford Delta 400

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Of course, digital is the professional norm now and, commercially speaking, there’s no denying film is dead. Yet many artists and amateurs alike continue to use film and not just to learn technique, but because they love it and it gives their work a USP – why?

Pair C
digital shot from the M-P (type 240) with ‘Lux 50. The film shot is off a Hasselblad H2 and HC 100mm 2.2 loaded with Ilford Delta 3200

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Probably for a lot of the same reasons I love film. When I shoot film, I not only enjoy it’s unique signature but see it as a self education tool that’s valuable even in my digital work. I think learning to shoot film builds confidence and knowledge which applies to every camera of any format. In fact, if I had to settle for one single reason to shoot film, that would be it.

35mm Film is rarely as blisteringly sharp as digital can be, and unlikely to enlarge as well without grain becoming an issue (unless you’re taking the medium format path) but…. that’s irrelevant. I took these shots the ‘hard way’, they made me think and learn as I took them, and perhaps as a result they make me smile more.

Smiles. That’s the biggest tick you can put in any list of positives.

http://john.tuckey.photography

Best regards

John Tuckey

 

Dec 092014
 

Hot Deal of the Day and Rip off of the Day!

The HOT Deal of the day…

Hey guys! It’s only around 2 weeks until Christmas (give or take a day or two) and today Amazon is having a “deal of the day’ in the camera department, and it’s a great little Olympus that can be had for a song, or $189 with a 16GB memory card! Damn, I remember when a 1GB memory card cost $399, now you can get a 16GB card with a nice Olympus compact XZ-2 camera for $189 with free shipping if you are an Amazon prime member!

Click here for this “Gold Box Deal of the Day” from Amazon, while supplies last.

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The RIP OFF of the day…

Now for the rip off of the day. Even though B&H Photo cleared out the Hasselblad Stellar for $999, Wiloughby’s is still selling the same kit for $3,595! Yep, the same orange SE kit that I purchased (along with over 40 of you here who snagged the Orange before they sold out) for $999 can be had on Amazon for $3595! RIP OFF!! The Stellar SE is absolutely worth the $999 and I adore my Orange version. Not only is it made with better materials it is also Made in Japan unlike the Sony RX100 that is made in China, so they are made in different factories. The initial batch of RX100’s were made in Japan as well, then Sony switched it up to China which is when some people had issues with Quality Control. So the SE stellar at $999 is a great buy for a fantastic camera with unbelievable IQ for the size. Fast, gorgeous IQ, superb video, fit in you pocket design, exotic wood grip, Italian leather neck and wrist strap, real wooden storage box and of course the Hasselblad name which will be a good thing for resale.

But if you buy one, AVOID the RIP OFF at Amazon for $3595 and buy it here at B&H while they have a couple left (white or black).  I have two more I bought and will be reselling them on Amazon soon (one orange sold already) for $1500 each which will be the lowest price offered on Amazon (current lowest from a third-party is $2490 making mine the best deal on Amazon). When B&H Sells out, there will be no more of these deals to be found with shipping from the USA. When I sell the other, that will have paid for my own Stellar. Win/Win as this means I will have gotten a spectacular camera for free :) Similar to when people buy a $25k Leica special edition and sell it a few years later for $3-$5k profit. No difference. But to be clear, I love the Stellar, it is a pretty awesome little camera.

Can’t do that with the RX100 V1 as the resale is at around $240-$250.

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Stellar SE vs RX100 V1

  • Stellar uses premium materials 
  • Stellar has unique design (better for resale)
  • Stellar has the Hasselblad name (resale)
  • Stellar has a real exotic wood grip (makes a big difference in handling)
  • Stellar is made in Japan, RX100 in China
  • Stellar comes with Italian Leather neck strap and wrists strap that matches the camera colors
  • Stellar seems to have better color (firmware? Imagination? Fluke?) 
  • Stellar has real wooden storage case/box. It’s beautiful. (not needed but nice to have)
  • Resale Value of Stellar SE will most likely be a little more than $999 within 6 months. RX100 – $250
  • Both fit in any front jeans pocket. It’s tiny. 

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Of course there is the new RX100 V3 for less than the $999 Stellar, and this camera gives you a pop up EVF which is brilliant, but very small. It is thicker, and has a fold out LCD (which makes it thicker) and personally, I prefer the V1 sensor AND lens. The RX100 V3 will give you a wider lens at 24 (vs 28) but you lose out on the reach (V3 is only 70mm). Some say the V3 lens is sharper but my Stellar lens is as sharp as I could want, even in the corners. The Stellar II is on its way which will be an RX100 II souped up. Will go for $2500 in a NON SE version! Again, making this one a good buy.

All from the Stellar – 1st one at ISO 3200

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TO THE BITTER FEW:

To those who are uninformed and making comments about me buying a couple of stellar SE’s and reselling them for a small profit, well, I suggest you read what I wrote when I 1st announced this deal. I stated up front I would do this, and suggested others do the same..I even said “mark my words” in one post about being able to sell for more than paid. Now it appears some of you feel this was done “behind the scenes” and secretly and are attacking me for it (two of you). Well, this just shows you did not read my original post, my original intent and my suggestion that others should and could do the same as me, making the Stellar SE a WIN/WIN situation when buying it. Problem is that not many believed me and now they are mad that they look foolish after publicly stating the camera is worth $200. There are so many bitter, hateful and any people in the internet world. Those who attack and hate just for the fun of it. It’s sad.

If I find a good deal I will always pass it on to you guys, I do not hold back and always share info with you guys when it is valuable information. I do find it funny that I was attacked for even posting the deal in the 1st place with a couple of others saying “it’s worth $200” – “You are stupid for buying that” and my personal fave “how retarded are you for falling for that so called deal”? None of those comments were approved of course but goes to show how wrong they all were.

BOTTOM LINE FACT: The Stellar SE is a FABULOUS camera that offers quite a bit more than the standard RX100 V1 and for ME and many others it is well worth the $999 (especially counting resale value which can be up to $1500). I mentioned it all above as well as in my very 1st post on this blowout last week (where I stated I would buy more and resell and make some money). Nothing wrong at all with that, in fact, it’s 100% right and how life works. You either act or you do not. I act. I think MAKING money is always better than LOSING money as so many do every day in this crazy world of digital photography.

So to those bitching and moaning that I did what I originally said I would do, get over yourself and move on. No one controls what I do, this site or what I say but myself. Been like this since day one. I live life in an open way and just as I shared this deal and the benefits of the deal (reselling later for more than you paid which is a rarity) I will always tell it like it is. Two years ago I started a NO TOLERANCE policy when it comes to attacks in comments – and anyone who is attacking, degrading, name calling, or accusing will be banned. Period. Educate yourself before making any accusations or starting any conspiracy theories. (as in, read what I wrote a week ago). If you do not like the rules then do not come  here.

Thank you all! Again, this was aimed at the couple of guys who were making silly accusations without being educated on the matter before they spoke, not everyone else. I only posted it here as they failed to read the comments where I explained all of this already so it had to be placed here in hopes they would actually READ before they SPEAK. If anyone still wants a Stellar SE for $999, you can still get one in white or black HERE. Once they are gone is when the resale will spike a little. Consider that a tip :)

Steve

Dec 042014
 

Quick (not so crazy) Comparison! X100T, LX100, Stellar (RX100)

JUST FOR FUN!!!

A few asked me for one of these but I have been busy most of the day with personal things. Even so, I had time to shoot THREE JPEGS with each camera wide open, letting the camera choose exposure (just as most of use would shoot these in the real world, letting the camera choose exposure).

What I found is that the Stellar (Sony RX100) is sharpest, has pleasing Bokeh and rich color. The LX100 is the most accurate for the colors and the Fuji is the softest as the lens at f/2 is known to be a bit soft. The Fuji also has the most shallow DOF due to the APS-C sensor. The Stellar has a 1″ sensor, the LX100 a Micro 4/3 sensor and the Fuji, APS-C. Fastest to AF is a tie between the LX100 and Stellar with Fuji coming in last for AF speed AND accuracy.

Goes to show that these days, any camera can provide very pleasing and nice looking results.

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Smallest camera is the Stellar by far as it can fit in my front jeans pocket without an issue. The LX100 is next but it is a bit thick and large du to the body and lens and the Fuji is the largest of the lot.

Take a look at the quick shots below and click them for a larger 1800 pixel wide version! Tomorrow I will have my 1st look video on the new Sony A7 Mark II, so see ya then!

LX100 can be purchased at Amazon or B&H Photo.

The Fuji X100T can be bought at Amazon or B&H Photo

The Hasselblad Stellar can be found here for 70% off (while supplies last)

Steve

Images are out of camera JPEGS resized. Just meant to show DOF differences wide open as well as color/sharpness out of camera. Each camera was shot wide open and each camera was allowed to choose exposure as this is how most of us use these types of cameras. So what you see is what you get. 

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and a couple more comparisons

Below I see the Stellar capturing the most OOC detail – all at f/4 (which is Fuji’s sweet spot)

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Below I see the Stellar once again capturing the most detail (see the dirt on the bucket on the left side blue patch) – The Fuji is the smoothest and I prefer the color from the LX100

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…and by request, a few more quick snaps from the Stellar (will not be reviewing it as it is the same as the RX100 HERE)

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 –

and size comparisons

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Dec 022014
 

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Hasselblad Stellar Special Edition Video & Samples!

**B&H Photo has a few of these left, blowing them out at 70% off at $999**

Many of you e-mailed me asking for an update once I had the Hasselblad Stellar SE in hand. Well, mine did arrive and it is a beautiful little camera. If course we all know it is a Sony RX100 V1 in a Hasselblad disguise but the cameras high end extras, design, wooden grip and sturdier controls as well as offering Adobe Lightroom software makes it stand out from the standard (now $500) RX100 V1. Much like the Leica D-Lux is the same camera as the LX100 yet $400 more expensive. Same concept.

My quick look video is below!

It has become the “thing to do” in the photo world to trash this Hasselblad, but this was well deserved as Hasselblad went insane with the pricing out of the gate at $3500 for this SE model. I will tell you now that this camera is in no way worth $3500. So since its launch it was laughed at, trash talked and made fun of (though not as much as the LUNAR which is even more insane with pricing and has an ugly design) ONLY due to price and the fact that it is an RX100 with some new cosmetics and sturdier dials, etc.

Leica has been doing this for years with Panasonic cameras and raising the price, but they kept it in check, sticking with a $400-$600 price premium, not a $3000 price premium as Hasselblad attempted. Now that we can obtain one for $999 instead of $4000, it makes it MUCH easier to swallow and the reality is that this camera is nothing to balk at , laugh at or out down. It is a VER capable and beautiful camera.

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After snapping some images with it I was reminded how lovely the original RX100 renders an image (slightly different and more organic than the II and III) and while the III has the most nag for the buck with the pop up EVF, the Stellar SE, now that it is 70% off ($2300 OFF) it makes for a special buy. B&H Photo have sold out of one color but have a few left of the others and once they are gone they are gone for good. Other shops did not reduce the cost of this camera so stores like Amazon are still selling it for $3500-$4200. Other shops who carry this camera are sticking with the $3500- price tag which means when B&H Sells out, there could be a possible resale on eBay profit so I will buy a couple more to do just that ;)

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In the flesh the camera looks killer (IMO) and I bought the orange as for me, it sticks out and screams “what the hell is that”?!?!? The main thing I prefer over the standard version is the wooden grip, it is perfectly placed for maximum gripe and comfort.

To those who say “you are buying old tech, and it is just GAS” well..I say those who chase the latest tech are the most guilty of gas! This camera, the RX100 V1 is highly capable of gorgeous and stunning results. Just see this post here for proof of that.

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It will take gorgeous images today and in 5 years it will as well. Cameras made in trees last 2-3 years are mostly all fantastic today just as they were years ago. Look at the Nikon DF using the old D4 sensor. Amazing camera.

Differences of the Stellar SE over the standard Sony RX100?

  • Different cosmetics
  • Hasselblad name
  • Italian Leather Strap & Wrist Strap included
  • Wooden Storage/Display box Included
  • Exotic Wooden Grip
  • Metal parts and sturdier dials
  • Adobe Lightroom Included

Now 2X the cost instead of 8X the cost of the RX100 V1 ;) 

In any case, I recommend either the RX100 V1 for under $500 or this Hasselblad version of it for $999. Either would make an awesome X-Mas gift for the special photo enthusiast in your life.  Other great options are the new Panasonic LX100 or even Fuji X100T. 

PS – Oh! Before I forget...For those of you who are angry, bitter, full of negativity and hate about me posting the deal on this camera, get over it. Your negative remarks will not be approved if that is what you decide to leave. Cameras are PERSONAL CHOICE and we buy what we enjoy, like, use and cameras that can be fun, inspirational and ones that get the job done. If someone wants to buy a Leica M for $8000, so be it! If someone wants a Canon Rebel, then good for them. If someone wants a Leica D-Lux over an LX100, more power to them. If someone wants a 70% off Stellar over an RX100 then that is cool as well. Beauty is in the eye of the beholder, and to me this camera is gorgeous. It was just insanely priced before and that is what made it the laughing stock that it was. At $999 it is a great buy, and again, one that can be resold later for more (mark my words), so nothing to lose :) I may buy 3 more just to sell later!

UPDATE Dec 3rd 2014: Some stats..over the past three days nearly 30 of these have been sold from my link to B&H Photo here. This means that 30 of you bought one after reading this. The interesting thing? Orange has been the top color with over 22 sold! White sold 5 and black sold 3. I figured most would go for the classic black but it appears many of you have the same taste as me  and went for the orange! My guess is that B&H has about 20 of each color and it started with two orange combos, one sold out. For those who asked, I will be doing a just for fun crazy compare between this camera, the X100T and the Lx100 soon! 

UPDATE Dec 5th 2014: I just re-read an article I wrote about the Stellar SE when it was announced and it is funny as I said “I would pay $1000 for one” and here we are, at $999. Priced just right. You can see that article here. 

 

You can buy the RX100 V1 HERE or the Hasselblad Stellar SE HERE. 

My 1st three snaps with the Hasselblad Stellar SE at home!

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For reference, Amazon has one listed for $4,250 as of December 2nd 2014 – $999 at BH is a great buy.

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Nov 282014
 

BLOWOUT Hasselblad Stellar SPECIAL EDITION $2299 (70%) OFF!

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UPDATE: I bought one of these in Orange and it is GORGEOUS, HEFTY and feels amazing in the hand. This is indeed a special version of a special camera and $999 is a more than fair price. I handled  the standard stellar 1-2 years ago and was impressed but this one takes it up a notch in looks and style. $3500? NO WAY. $999, YES SIR! Will I keep it for a long time? Maybe but I also may list it for sale in 6 months on e-bay for $1500 when they are sold out at $999 and others are still trying to get $4k for them. :) Others can trash talk it all they want, but this is a GREAT buy right now so if you are on the fence about it and love the RX100 camera, this is better in all ways (besides IQ which is the same) to the standard Sony version in build, materials, feel, accessories, and uniqueness. Much like the Leica D-Lux which is the exact same camera as the Panasonic LX100, made in the same factory side by side yet the Leica costs $400 more and does not include these kind of extras (as the Stellar SE does).

Video review soon just because. 

WOW! I knew this day would come as it was only a matter of time. I know 95% of the photo community made fun of the Hasselblad Stellar, which in reality is just a Sony RX100 with a premium cosmetic upgrade. But B&H Photo just took stock of several SPECIAL EDITION versions and are unloading them for $999! 70% off for this luxury edition of the Sony RX100 camera.

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These cameras are running $2,795 – $4,250 at Amazon and did run for $3299.00 originally. With the new “Stellar II” coming (and it will be full price) the original Stellar Special Edition can now be had for what I feel is actually a great price, $999.

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The Special Edition Stellar comes in unique colors, with special edition leather straps and a wooden case. Also has a special edition writs strap that comes with it. The fact is, the Sony RX100 (see my review here) is a superb camera, and IQ wise, may be slightly better than the II and III (many say so). You can buy an original Sony RX100 for $500 or so but for $500 more, you can have something special while having a great camera. A camera that will start many conversations, I guarantee it. A chance to own the most controversial camera release in years at $2400 off the normal price.

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I was able to handle the original plain (non SE) stellar a while back and loved the wooden grip, sturdier feel and metal buttons and dials, but refused to even think about paying $3000 for one. With the SE editions now at $999 at B&H Photo, I went ahead and ordered the orange one just to have a pimped out RX100 on hand and to hold onto so later in life I can tell my grandkids about the days when Hasselblad was the laughing stock of the camera community for releasing a camera like this (Sony RX100 for $2500 more than the RX100) at $3300 ;)

I have liked the looks of the Stellar but would never ever pay the original prices. At $999, I find this to be a deal worthy of going for if you want a small compact camera with high IQ and a design that is different from 100% of other cameras out there. Some will hate it of course, some will love it. But if you are one of those who liked the design of the stellar and was waiting for the big discount unloading day, well, the is it!

The Hasselblad Stellar SE is now at a reasonable price ($500 + for the design, uniqueness, rarity, name, strap, exotic wood grip, wooden case, more robust build, firmware, etc) and B&H has a few of each color color combo so click below To see what they have to offer. They even have a few of the carbon fiber black SE’s left, which was the one that sold the most, even at normal price.

CLICK HERE TO SEE OR ORDER THE STELLAR SPECIAL EDITION FOR $999 – ALL COLORS AVAILABLE

DETAILS ON THE STELLAR SE

A camera to match those autumn afternoons strolling the Champs-Élysées or a late summer’s final respite to the beaches of Dubai, the Stellar Special Edition pairs Hasselblad’s refined Swedish design with Italian opulence. A true objet d’art, the champagne-colored aluminum body features a wenge wood grip with orange accents, along with hand and neck straps crafted of vegetable-tanned Italian leather. Its air of elegance is further reinforced with the inclusion of a custom wood display box that would not seem out of place at the Metropolitan Museum, let alone as the prized item in your home collection. Chromed hardware and a lacquered finish serve as the understated backdrop to the inlaid Hasselblad emblem that signifies both historical relevance and timeless design.

The Stellar combines the size of a point-and-shoot camera with the craftsmanship and attention to detail that one would expect from Hasselblad. Along with its attractive hand grip, it also features all metal operation controls, a 20.2MP 1″ Exmor CMOS sensor to produce high-resolution still imagery and full HD 1080i/p video, and an f/1.8 10.4-37.1mm Carl Zeiss Vario-Sonnar T* lens.

The lens has a 35mm equivalent focal length of 28-100mm, which covers both wide-angle and telephoto perspectives, allowing you the versatility to shoot in many situations. The wide aperture of f/1.8 enables the camera to shoot in difficult lighting, and can isolate your subject from the background. Optical SteadyShot image stabilization helps minimize the appearance of camera shake when shooting with slow shutter speeds or long zoom magnifications. The T* coating on the lens is an anti-reflective coating that helps reduce reflections, lens flare, and ghosting, providing sharp, high-contrast imagery.

On the back of the camera is a 1229K-dot 3″ LCD screen to compose and review your images and videos, and to navigate through the camera’s menu. The display screen has auto and manual controls to adjust the brightness, from -2 to +2, as well as a sunny weather mode, which is important when shooting outdoors in sunny conditions. The screen also displays all info, and has a virtual horizon for leveling your shots. Included with the Stellar is Adobe Photoshop Lightroom software to edit your images, an 8 GB SD memory card, anti-dust bags for the camera and neck strap, and a microfiber cleaning cloth.

Special Edition
This special edition kit includes a custom-fit lacquered wooden camera box, and Italian leather wrist and neck straps with signature stitching. There are also two anti-dust bags to protect the camera and the neck strap, and a faux velvet cover to protect the wooden box’s finish.
Shooting Modes for Video & Stills
Choose from standard program, aperture priority, shutter priority, and manual modes, or additional iAuto, iAuto+, or sweep panorama modes. There are also thirteen pre-programmed scene modes to choose from.
Built-In Flash
The built-in pop-up flash aids in shooting in difficult lighting, and has five flash modes, with a +/- 2.0 EV compensation.
Shutter
A leaf shutter allows for shutter speeds between 30 seconds and 1/2000 sec, as well as a bulb mode.
Drive Modes
Shoot in single-shot, continuous, speed priority continuous, self-timer, self-timer continuous, or bracketing modes.
Adobe Photoshop Lightroom
Included with the camera is Adobe Photoshop Lightroom to incorporate into your workflow.

Oct 242014
 

Bicycling to Spain, an account with Hasselblad Xpan shots

By Dirk Dom

This is the Hasselblad Xpan, sorry, it’s a bit dirty

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Today I looked again at the Xpan shots I took on my bicycle ride from Antwerp to Spain from two years ago, not that I ever got there.

The reason I looked was that I shot Kodak Ektar on that trip and Matthias, my Australian friend, has discovered Ektar and he told me this film was so special. Two years ago I wasn’t very experienced with shooting digital and I had forgotten how Ektar looked. Well, it looks different. I like it.

Looking back at the eighty shots I took then, the film indeed captured very nicely, I think you couldn’t emulate these with digital.

The Xpan is an extraordinary camera, it’s the most fun camera I have, as much fun as my digital Olympus PEN. It shoots 24 x 65 mm panorama’s on 35mm film. I have the 45mm lens, which is about equivalent to 24mm on full frame.

Well, here goes:

I left home, fifth of July, at about 8.30. my friend Hugo had called me half an hour before to wish me all the best. The secret for such a trip is not to think about the 2,500 kms ahead, but be relaxed and just start. Ten minutes into the trip a woman on a bicycle pulled up to me: “What an nice Koga!” And I told her I was on my way to Spain. It was the first of countless contacts which made the trip so worthwhile.

Namur, the river Meuse, start of the Ardennes.

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I did between eighty and a hundred kilometers a day, three days riding and one day of rest. The days of rest were boring, I’ll not do that again on my next trip.

The very big advantage is that you can stop anywhere, any time and you have NO parking problems. The Xpan was in a 8mm thick neoprene sleeve which I had cut out of an old diving suit, in a box on the handlebar. I had forty Ektar films with me, 20 shots to a film. During the trip I shot 19 films, so that was more than plenty.

Poppies. Didn’t look through the viewfinder for this. Meuse valley.

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This was my first ever field of poppies, just entered into France. I had this shot scanned at 8,000PPI on a Hasselblad Imacon, that was 150 megapixel. It just resolved the grain, but the shot was’t sharp enough to go for enlargement beyond 1.5 meters. That’s the limit you run into when you shoot handheld.

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My Koga. I had 29 kilograms of luggage with me. That was ridiculous. Next time I’ll take twelve kilo’s max. I had a pair of wirecutter pliers with me which weighed over a kilo to cut the cable to the brakes should I replace it! Imagine! Stupid. The weight made me walk uphill a lot but I didn’t mind.

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Of course I took some artisty shots, too:

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I had driven through France by car countless times, on the highway. I had always longed to stop at a sunflower field and shoot it extensively. That was not possible. Now, I could take my time.

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Here, I just left my bike and walked into the field for half an hour until the composition was to my liking:

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A ray of sun on these geraniums, I postprocessed this image.

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Biking, the most beautiful thing is perhaps the ever changing skies.

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I didn’t make it to Spain; my 29 kilograms of luggage got the better of me in the Massif Central. Also, I was insufficiently trained to do the Cols in Spain. So I stopped near Avignon. It was marvelous.

Next summer I’m bicycling from Antwerp to Santiago de Compostella, 3,000 kms in six weeks. I’m taking the Xpan with me again.

Bye,

Dirk.

Aug 022014
 

A special Hasselblad 503CW on E-Bay..beautiful!

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Hey! Hope everyone is having a GREAT Saturday! I am going to head out today and shoot some but had to share this e-bay listing with you guys…it’s gorgeous.

Back when Hasselblad really MADE beautiful and meaningful cameras they also would release special editions, much like Leica. I remember seeing one special edition, limited to 500 pieces worldwide many years ago and I lusted after that camera in a big time way. Just no way I could have afforded it then, and at the prices this piece commands today, it’s the same story.

Since I can not own it, maybe there is someone out there who also lusts after this model, and if so, there is an amazing one on e-bay right now. It is the Hasselblad 503CW limited edition Gold Supreme with 80 2.8 and all accessories, new in box, never used and get this..#500 of 500. This #500 was never sold, but given away back in the day and it was never used. So now it sits in its box waiting for a new owner.

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Sure it is flashy, sure it will even be a bit gaudy to some, but to others…they will see the beauty in it. The 503Cw is a GORGEOUS camera in its black or black/silver versions but this one is over the top. A true collectible that also begs to be used. If I bought it, I would use it on occasion for special portrait sessions. The Hasselblad 503CW is one of those rare cameras that has it all..beauty, build, feel and performance. Yes it is film, but remember..you can even add the new digital back to this guy as well ;) Also know that you can buy a 503CW in its standard configuration for much less, around $2500-$3500 for a kit.

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But this one is a special piece and I knew there would be a few out there who felt the same as me. You can see the listing HERE.  The seller has over 2100 100% feedback.

Jul 222014
 

The new Hasselblad CFV-50c CMOS Digital Back. 

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The new CFV-50c from Hasselblad. A 50 MP CMOS digital back with ISO up to 6400 for the iconic V system. Hasselblad is promising amazing IQ and colors in any light, which is unheard of when it comes to Medium Format as they have always been very limited in this area. While not cheap, the new CFV-50c is not nearly as expensive as I expected it to be, coming in at $14,900 US. Now yes, that is insanely expensive but I expected Hasselblad to come in with this at $25,000. With their Stellar and Lunar Sony bodies coming in at such insane prices, the thought of a full on Hasselblad NEW CMOS 50MP digital back for such an Iconic camera line had me thinking $25-$35k. So $15k, that is about the cost of a Leica M and a 1-2 lenses. ;) Add in a used V series camera setup with lens and you will have a classic, iconic and gorgeous modern day masterpiece. Old with the new. Modern meets classic. I love it. So who makes this sensor? Well, the one company who keeps pushing the limits..SONY. There are even rumors that Sony will be releasing a Medium Format fixed lens MIRRORLESS camera soon. ;) 

You know, there was a time when Hasselblad stood for many things including quality, precision, build, design, soul, magic and originality. Their classic V series of medium format film cameras have always been the gold standard for MF shooting. I have lusted over a 501CM camera for many years, and have only shot with one for one day of my life. It was a very nice experience. The negatives that came back from that camera were gorgeous as there really is nothing quite like a medium format negative. Rich, full of texture, full of soul and life. Using the camera was an exercise in slow, steady and using my brain. Looking through the finder was a very cool experience that felt natural to me.

Sadly, over the years the Hasselblad system started to fade as digital came into play and soon, many of these classic systems started to appear on e-bay for peanuts. Many dropped the system as they no longer used film. Some tried out the digital back that was released a while back, the CFV 50 (minus the C) with good results, but it was limited to ISO 800 and CCD.

This week, Hasselblad has launched the new CMOS digital back for the V system…

Lately it seems Hasselblad has been focusing their energy and time on silliness such as the Lunar and Stellar cameras, which are rebranded high prices Sony bodies that are now out of date. Many have lost faith in the once mighty Hasselblad, writing  them off as a company who would soon be history, or become a spoof of its once former self. Now it seems they are giving something back to all of those who own and use the classic V system. Well, not GIVING, but making it available…at a price.

YEP, this week Hasselblad has announced the CFV-50, which is a new digital medium format back that can be used on all classic V system cameras. Yes, that 501 you have in your closet? You can now add a state of the art digital back to it and use it once again, just as you did in the glory days of film. :) OMG, I so want one. In fact, I would love to have the system just as shown below. This is a new CMOS sensor guys, so much more usable than the CCD sensors in previous digital backs.

The stock image of the new CFV-50 on a 501CM. What a combo!! 

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Unfortunately for me, I do not have a spare $20k or so lying around to create something like that but maybe..one day. For me, something like what you see above is sort of a “Holy Grail” setup. Modern Medium Format Digital connected to the most gorgeous and classic medium format FILM camera ever made. It is a thing of beauty and while not a camera for daily use, it would be one for SPECIAL use. I can not wait to see examples that come from this beauty. Hasselblad will NOT be recreating the camera body of course , so you must have a classic V model to use the back. I think this may just drive up prices on the used market for them. You can see a list of compatible models HERE.

From Hasselblad CEO Ian Rawcliffeon the new CFV-50 Back:

“We have experienced a substantial resurgence of interest in our iconic V cameras – users love the traditional ergonomics and the unique appearance. Our research has shown that although we no longer manufacture V models, there is a big demand from our dedicated V System users who want to be able to continue to use their classic cameras but also desire access to our latest technology.”

Research:

See more at the Hasselblad site HERE.  Compatibility page is HERE and Planet V page is HERE. 

Tech Specs:

Sensor type: CMOS
Sensor size: 50 Mpixels (8272 x 6200 pixels)
Sensor dimensions: 43.8 x 32.9 mm
Image size: RAW 3FR capture 65 MB on average. Tiff 8 bit 154 MB
Capture rate: 1.5 capture/sec. 35 captures/ minute (based on a SanDisk Extreme UDMA7 120 MB/s)
Single shot
16 bit colour
ISO 100, 200, 400, 800, 1600, 3200 & 6400
Longest shutter speed: 12 minutes
Image storage: CF card type II (write speed >20 MB/sec) or tethered to Mac or PC
Color management: Hasselblad Natural Colour Solution – One generic profile
Storage capacity: On average 60 images on a 4GB CF card

Battery type: Sony™ InfoLithium L NP-F series
Colour display: 3.0 inch TFT type, 24 bit colour
Histogram feedback: Yes
IR filter: Mounted on sensor
Feedback: IAA – Instant Approval Architecture: provides acoustic and visual feedback
File format: Lossless compressed Hasselblad 3F RAW
Software: Phocus for Mac and PC (included)
3FR files are also supported directly in Apple and Adobe environments
Macintosh: OSX version 10.5 or later. PC: Windows XP, Vista, Windows 7 (32 and 64 bit), Windows 8
Camera support: Hasselblad V System cameras manufactured since 1957. 2000 series cameras and 201F with C lenses only. 202FA / 203FE and 205FCC camera models need a minor camera modification to use F/FE lenses. All other cameras with Hasselblad V interface.

Host connection type: FireWire 800 (IEEE1394b)
Battery capacity: Sony™ InfoLithium L, up to 8 hours of shooting capacity
Operating temperature: 0 – 45 °C / 32 – 113 °F
Dimensions: 90 x 92 x 57 mm [W x H x D]
Weight: 530 g (Excluding battery and CF card)
Package contents: Hasselblad CFV digital back with protective cover, adapter cables, rechargeable battery with charger, EL camera battery adapter, FireWire cable and 8 GB CF card. Focusing Screen (Split image / Micro Prism) with dual format markings.

Jun 112014
 

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So who owns a Hasselblad Stellar? C’mon, be honest!

UPDATE: According to the poll below almost 50 of my readers here have purchased and bought the Stellar. Guess that they have been selling as this poll only represents the readers HERE. Thanks for voting!

So I was going through e-mails today and someone I know purchased an orange special edition Hasselblad Stellar. You know, the Sony RX100 clone made by Hasselblad for 4X the cost of the Sony RX100. Well, the RX100 can be had for $500 today and the standard Stellar goes for $1995.00 yet it is the SAME exact camera with some added bling and flash and pizazz. Believe it or not, some do care about these things as when you have a good-looking cameras that also performs well, it does indeed inspire confidence in those who like this kind of stuff. No, it does not create better photos than a Sony RX100 as it is the exact same camera on the inside and besides, it is the photographer than makes the photos and creates the images, NOT the camera.

I was remembering my time with the original Sony RX100 and thinking back to how great of a camera that it is. Now with the RX100 III coming out, I am excited to see the latest evolution of the model. The new RX100 III will feature the integrated EVF and other new features and it will come in at $798. If it lives up to the RX100 1, then it will be well worth the cost for those who want a high quality pocket rocket of a camera. The original RX100 is a HUGELY capable camera that some dismiss due to size yet it does so many things so well…I expect the III to be amazing.

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Which leads me back to Hasselblad and the Stellar. I was in NYC a while ago and was able to go into a shop and handle and examine the Stellar. At $2000 I was having a HARD time understating it and trying to figure out WHO would buy one and why. I asked the shop owner if he sold many and he said that yes indeed, it was much more successful than even Hasselblad had hoped. Well, I called BS and chalked it up to sales talk.

To put things into perspective Leica has the X2 which is $2000 new yet I prefer the Sony RX100 to the X2 for the speed, size, low light ability and overall versatility (video , macro, etc)  – so if I had $2000 and had to choose between only a Leica X2 or Stellar, I would take the stellar and I would have just as handsome of a camera with an equal build, more solid feel, faster AF, video capability, better lowlight, closer focusing ability and better resale.

Back to my handling with the Stellar…The shop owner pulled out the black carbon fiber version and the camera was housed in a glossy all wooden box. Had to be the fanciest packaging I have come across to date, even putting to shame Leica packaging. When I opened this box, the camera was perfectly nestled in its location with a luxurious and soft leather strap attached. I picked it up, turned it on and saw the “HASSELBLAD” logo pop on the screen. I have to admit, it felt much nicer than the Sony version. It was more solid and hefty and the grip was quite handsome. Still, 4X the cost of the RX100 (at the time it was 3X the cost) was overboard and I was not getting it. Sure we have the fancy luxury packaging. Sure we have the Hasselblad name and logo and yes we had the much more solid buttons and a better tactile feel to them. The fancy choice in wooden grips was also very cool. Wait.. now I was getting it.

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The more I held it and thought about it, the more I started to understand why some would choose to buy such a camera. It looked the part, it felt the part and it had the name that many associate with incredible cameras and optics. It was a much better feeling and looking RX100 and it gave a sense of pride. Of course, I did not buy one but I did try to get a discount offering to review it for the shop if he sold it to me at a discounted price. He offered me $22 off the price, and of course I declined. :) I was hoping for 50% off which I knew would never happen.

While I do not think I could or would ever spend 4X the cost of the RX100 for a “Stellar”, especially since the improved RX100 III is almost here for $798 I do understand it more after handling it and seeing what it was all about. I would pay about $1000 for one personally, as I did love the look and feel of the black one. The RX100, even Version 1 is still a pretty “stellar” camera as it is and capable of fantastic IQ. To have one in a more hefty and better made body wold be nice, and the grip felt great.

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I mean, would we expect Hassleblad to release it at $500? No! $1000? No, as it would not be worth it to them due to the added expense of the wood grip, packaging and the fact that they pay Sony to be able to use the body. Their price of $2000 is a little much IMO but about right for what you get. Those who DO buy it will value things like exclusivity and style and NAME. Leica does the same with some of their cameras. Models like the D-Lux are rebranded Panasonic models that go for a few hundred more than the Panasonic version. Leica offers a better warranty, lightroom software and better design and they charge $400-$500 for this. Hasselblad is charging a $1500 premium but there is a MUCH smaller market for the Hasselblad Stellar than there is the Leica D-Lux 6, so they will never sell as many which means they have to price it higher.

Now the new “Special Edition” stellar is here and comes in at $3300! Insane.

This takes me back to the start of this article. A guy I know and respect bought one and LOVES it. He had the RX100 and has a Leica M as well. He was thrilled with the orange SE stellar and had zero buyers remorse. He is not a rich guy, just an average guy who really loves to shoot. He loves his Sony RX100 so much he decided to splurge for one in his favorite color of orange. He is as happy as a man can be.

The bottom line is that when we use and shoot with what makes us happy then WE are at our happiest and most positive. This helps to motivate and the result CAN BE better photos. So nothing wrong with someone buying what they want and what they enjoy as long as it makes them happy. Many love to bash these cameras but there is no point to that really. Those who bash it are NOT the target market for the camera. Just as those who bash Leica will never buy one or own one. The fact is that there are those who do buy them and do love them and even if that number is very small in the grand scheme of things it just adds to the value of the item, even if it is a rip off of a dated camera :)

BTW, I will be reviewing the RX100 III and A7s soon and am looking forward to it.

So my question is to the readers out there:

WHO HERE HAS BOUGHT A STELLAR? Hasselblad says it has been a huge success, so who has bought one? Anyone here? If so, answer the poll below with a yes or no! 

Mar 072014
 

Respect Bali. Protect Bali.

By Nikko Karki

www.nikkokarki.com

http://blog.nikkokarki.com

The Balinese believe they were given the choice to live in paradise in exchange for supervising the spiritual world – a task requiring constant ceremonies and offerings to appease the Gods. Life goes on as it has for hundreds of years amidst sandy beaches and a turquoise ocean. With some areas suffering from disenfranchisement from cultural traditions, it is evermore important to respect the island and the Balinese people.

Respect Bali. Protect Bali.

Photographer’s note:

I focus on traditional aspects of life on the island that have remained unchanged despite the huge influx of tourism on our beloved island over the past years. In parts, it’s hard to tell the island has changed for hundreds of years, although that is all being constantly threatened by development. If you look hard enough, the island’s soul is still in tact. It’s important for me to address change from a positive standpoint instead of criticizing it. It’s important to focus on the good that we see and embrace it, respect it and protect it.

Hasselblad 500c Carl Zeiss 150mm f/4

Kodak Portra film

Nikko Karki © 2013 Respect Bali 01

Nikko Karki © 2013 Respect Bali 02

Nikko Karki © 2013 Respect Bali 03

Nikko Karki © 2013 Respect Bali 04

Nikko Karki © 2013 Respect Bali 05

Nikko Karki © 2013 Respect Bali 06

Nikko Karki © 2013 Respect Bali 07

Nikko Karki © 2013 Respect Bali 08

Nikko Karki © 2013 Respect Bali 09

Nikko Karki © 2013 Respect Bali 10

© 2009-2015 STEVE HUFF PHOTOS All Rights Reserved
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