Jun 182015
 

Voigtlander 10.5 f/0.95 Micro 4/3 lens is now shipping!

The new Voigtlander 10.5MM Micro 4/3 Lens is now in stock in VERY limited quantities at Cameraquest. So limited, I could not get one for review just yet! But Stephen Gandy is now shipping, and his shop is superb. This will be like having an uber fast 21mm for your Micro 4/3 camera. It is up there with the 17 0.95, 25 0.95, and 42.5 0.95. In other words, it will be pretty special, they all are.

You can order the lens HERE at CameraQuest. Free next day USA ship, and free B+W filter!

Close focus .17m, weight 586 grams, clicked or clickless aperture, 72mm filter size. Equivalent field of view of a 21mm lens on full frame 35m. Detachable Lens Hood. Length 82.4mm, maximum diameter 77mm.

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May 042015
 

Voigtlander 40 1.4 Review on the Sony A7r

By David Farina

Hi everyone, I am David.

I am checking out this site since some time and thought that I would finally write something up myself. First of all, I want to thank Steve for this great site. For enthusiasts and professionals it is really the best way to evaluate new cameras, lenses or even bags and accessories, as everything here is real world testing!

Little Introduction: I am 22 years old and live in Zürich, Switzerland. My INTEREST in photography was always there, but it came over me when I went to Hong Kong, Thailand and China in 2012. I simply was not satisfied with what I got with my old Nikon (mostly because I had no clue). I got myself a Canon 650D, then a 6D, and with the Full Frame my LOVE for photography was born. Gear lust was always a big factor in my development of learning and making pictures as I really enjoy trying out new things and new lenses etc. As I was a bit tired of taking the 6D with 5 lenses with me around the globe, I got myself an A7R and fell in love again. Converting more and more from the Canon lineup to a Mirrorless lineup has a lot of advantages, but that is something I will not cover here. Since moving to Sony I built my setup containing of an A7R, A7S with the Sony FE 16-35mm f/4 and the Voigtländer Nokton 40mm f/1.4 MC. This makes a great travel kit, as well as a very light weight option without too much compromises.

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What I’m going to do here is giving you an idea of how well an adapted M-Mount lens can do on a Sony A7 body. So let’s take a look at the physics of the Voigtländer 40mm 1.4:

This lens is extremely small and light. It weights only 6.2 oz (175 g) and is built nicely with an all metal barrel. Unbelievable for an f/1.4 lens! I find it to be the perfect size for a walkaround lens on my A7’s, and that’s why it is!

But what’s it all about with the unusual 40mm focal length? In my Canon days I was a die hard 50mm fan and the Canon 50L was glued to my 6D when I was traveling. But when I got the Fuji x100s I found 35mm (which is the equivalent of its 23mm lens on full frame) quite handy, as you don’t have to back up that much when space is limited. The 40mm fits in between those two more conventional focal lengths, making it really versatile.

The lens itself features a grippy aperture ring on the front of it, and a focus ring which has a tab to place the finger on it for focusing. The operation of those rings is very smooth and feels well made. The focus turns from close focus to infinity in a bit more than 90 degrees, which is nice because you can focus fast as the travel is short. The aperture ring clicks in half stops.

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Many people asked me how I manage to use a manual lens as my everyday shooting and walkaround lens. The answer is, I don’t! Really, with the Sony A7’s focus peaking help and magnifier feature it feels very easy to nail the shots, even on moving subjects. And this is not coming from someone who’s been shooting manual glass 20 years ago, this is my first manual lens, and I really have fun with that. Off course I missed the one or the other shot, but for each I missed, I gained 3 others because if I still would use my 6D + 50L, I would not have taken it anywhere with me as I do with the A7R/S and this tiny lens. And manual focussing is somehow like when I first used a prime lens – it makes you think what you do! You can’t just snap away a few pics like some do with smartphones, and this influences the quality of the photographs taken. When I would have to measure the amount of images I’ve taken until I felt really confident with manual focusing this lens, I’d say I’ve shot maybe 100 shots until I fully got the hang of it. It really takes not a lot of patience and fiddling, so if you’re having problems deciding whether you need AF or want to benefit from a small and light wide-aperture lens, just take the plunge. I’ve had the same doubt and am now glad I did.

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But I guess what you are all wondering is if this lens is capable to deliver sharp results, right? I was sceptical at first, because of the size and the wide aperture. Since looking out for lenses I learned that quality glass is never cheap, and only very seldom it is small and light. Man, were I wrong! This lens is top notch. It is very sharp in the center, maybe even outresolves the A7R in the center of the frame at wide open aperture. The edges don’t look smeared, but are not very crisp at all. But hey, does it really matter on a lens like this? Obviously you’re not going to shoot landscapes with it, and for uses as a street photography, dreamy portrait or candid lens the center is the most important part of the frame, I’d say. However, stopping down improves the sides greatly. At f/8 we are able to get an overall crisp look. I don’t pixel peep (anymore, lol) and of course the sides and edges won’t be as sharp as the center, but overall the sharpness is highly convincing. Now we have a lens which is small, light, has an all metal body built to high standards, has no operational flaws on the aperture and focus rings and is amazingly sharp! The only trade off is autofocus, but I can live with that!

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So far so well, the lens is great built and sharpness is satisfying. But what about the colors? What about rendering of out-of-focus areas? What about the dimensionality?

Okey, lets start with the colors. On the A7R the lens has very natural, almost uber-natural colors. It renders colors appealing and has a bit of a warm touch. On the A7S I feel like it is not as saturated or clean like on the A7R, but still has a wonderful tone. Don’t get me wrong, I’m talking about minor differences. But where this lens shines on the A7S is when you raise the ISO beyond 6400. This makes it a perfect companion for the A7S in lowlight, and the colors are kept great all up to ISO 51200. Beyond that, it gets really noisy, but what do you expect at that high ISOs.

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When I did research prior to getting this lens, a lot of reviews claimed that this lens had a tad of a nervous bokeh. I see what they meant, but to me this is in no way bad. The background melts away nicely while keeping sharp details on your subject. This lens is able to open up the aperture to f/1.4, which makes the 40mm lens also suitable for portraits. I expected this lens to have a lot less bokeh (quantity) due to the fact that it is actually a wide angle lens. But I find the amount of background softness not that different to my 50L at f/1.2. Highlights in the background can end up a bit nervous, showing some onion-ring bokeh, but only in certain occasions. After using this lens extensively the last 3 months I must admit that I had occasions where the bokeh was not as smooth as with the 50L, but 99% of the time it renders nice, big and round out-of-focus balls.

But what I like the most on that lens, is not how it melts away the background. It’s about how this lens has a certain pop! It is hard to describe, and for that purpose I have selectively chosen a lot of images which demonstrate that pop. What I’m talking about is how the separation from subject and background makes the subject stand out. It has a 3D look to the pictures if you want so. I think this comes down to the fact that this is a wide-angle lens with a wide aperture, but is still resolving incredible sharpness and details on subjects. This is, in my opinion, the most valuable feature of this lens. How often do I look at a nice picture I’ve shot, but think that something’s missing or that it looks rather flat. This lens is the opposite, as it is able to make even uninteresting subjects pop out of the picture, giving you a nice overall look and feel of the image.

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I will not dive down deeper on topics like flare and abberations. But I can tell you that this lens is not bad in both aspects. I have the multicoated version, but flaring occurs from time to time. But it is really not that “ahh that flare looks ugly and lowers the contrast tremendously”. More of a “hey theres a flare, maybe I can use it for artistic purpose?” :)
I did not notice any abberations, but like I already said, I’m not anymore a pixel-peeper (excuse the 200% crop on the trumpeter, but I couldn’t resist as this really shows how amazing sharp this lens can be!).

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All in all, this lens is my perfect walkaround lens. Due to its rather unusual focal length it is pretty versatile, has a nice 3D look and melts backgrounds away nicely wide open, but still resolves great when stopping down, all in a very light, very small package. Paired with a Sony A7 body this is in my opinion one of the best combinations for travel, street and everyday photography.

I hope you enjoyed my review and pictures of the A7R/S with the Voigtländer Nokton 40mm 1.4, and wish you good shooting!

You can buy the 40 1.4 at Cameraquest or B&H Photo. 

Apr 072015
 

Lots of new stuff arriving!! Bags, Cases, Goodies..

Hey to all! Hope you are having a wonderful start to the week! It has been busy here for me with work, family time, hobbies and non stop LIFE happening. Time sure does fly when you are having fun, that is not a lie! In any case, just an update on some new things coming in, upcoming reviews and maybe a rumor or two…

The beautiful new Summarit 35..review VERY soon along with the 50, 75 and 90.

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LEICA

Leica seems to have been slipping a but lately but I am confident that they will bounce back with something new, special and WOW. I mean, they HAVE To. They have a new CEO yet again and maybe they are going to change strategies? If they got me into a meeting I would tell them to release THIS:

A REAL Mini M rangefinder. M mount. Basic, no video, no-nonsense. Just the camera, the exposure dial, the power button and the shutter. Make it mini-fied, not as solid as the M 240, but a compromise between a real M and something like an X. A mini rangefinder M camera WITH built in RF/EVF hybrid. A real RF though, not a fake on like Fuji uses. Price: $3500-$3700 MAX. THIS would be a hit. This and the new Summarits would rock the world. Will it happen? Probably not but one can dream, and it would boost Leica’s sales in a huge way.

Speaking of the Summarits, Ken Hansen (email: [email protected]) was kind enough to ship me ALL four new Summarits  so I can review them! (when I send them back he will be selling  them as Demo’s at a great price, so be on the lookout). I hear nothing but GREAT things about the new Summarit line and being Leica’s most affordable lenses, I am anxious to give them a try. My Safari M is waiting :) HOPEFULLY I do not fall for the 50, 75 or 90 as I will want to buy them. Being a reviewer has it’s pros and cons you know. Lol. I always review stuff that I want to keep.

So look out for the Summarit reviews in 2-3 weeks. 

Also for my Safari set I have a VERY cool bag and case on the way from Angelo Pelle. He is sending me his Henri bag in Camo as well as a Half case in Camo, perfect for the Safari. Angelo does amazing work, each case is hand stitched and takes a few days to make. He is working on mine as I type this. The bag will hold the Safari with lens and one other lens inside a lens pouch. Take a look at the bag, and the Camo case on a Sony A7II. Pretty sweet! When it arrives I will be doing a full video review of the bag, the case and my Angelo Pelle case for my A7II. Lovely hand made items for two amazing cameras.

See more at his website HERE. 

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Speaking of the Leica Safari M-P set, check with PopFlash.com and Ken Hansen if you want one while there are a few left. To me, it is the best deal ever for a Leica special edition as it comes in CHEAPER than if you bought the standard pieces separate! You save about $1000 and get a limited edition set with a gorgeous silver 35 cron. The cron is YUMMY. It’s a gorgeous set which I will also have a video on this week. But yea, the cron on the M is beautiful..

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All 35 Summicron, at f/2 – the color, the detail the “organicness” is all there..at least I see it! I chose to make them VIVID with color pop! All test shots to see if my RF was focusing correct and it was.

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So Leica will be getting some attention here on these pages REAL soon. The Safari set, the new Summarit line and maybe even more surprises. To get you Leica fix, as mentioned, check with Ken Hansen, PopFlash.com, The Pro Shop for Photographers or LeicaStoreMiami.com 

MORE BAGS!

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Check out  this beauty above. It is the HoldFastGear.com Roamographer Mini. I own the full size Roamographer and for me it is the highest quality bag I own, even surpassing the amazing and great Wotancraft bags for construction and quality. When the full size Roamograoher arrived I requested they make a MINI version, and they told me they were working on one, and here it is.

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I love my full size Roamographer BUT for me it is a tad too large. I have a Mini on the way and will be reviewing it as soon as it arrives. For me it looks like it can hold a Sony A7 system with a couple of lenses or a Leica M system with a few lenses or an Olympus system with a few lenses. It is small enough to remain compact yet not so small as to cause a problem. I use my Wotancraft Ryker EVERY single day. I love my Wotancraft THOR..will the new Roamographer Mini be my new fave? Check back soon for a full review. If you want to check out the Roamographer in more detail, see my review of the original full size bag HERE or see the website at HoldFastGear.com for more.  Yes, some of you will cry MAN PURSE but hey, these are amazing quality bags from build to style, and I am confident as can be in my masculinity, so I like Man Purses. They do the job when I have to carry goods around with me. :)

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SONY

I still have to finish my Sony 35 1.4 Zeiss lens review (1st hand on look is HERE). This lens is a BEAUTIFUL beast. Large, in charge and outputs some serious IQ, in line with the Leica 35 1.4 Summilux. Only neg is that it is LARGE. I also hope to try the wide angle converters for the new 28mm lens (my review here) and the new 90 Macro should be arriving SOON. Sony is always releasing new goodies and I have a hard time reviewing them all, so I stick with what I know will be FANTASTIC.

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VOIGTLANDER

The new 15 f/4.5 Heliar is GORGEOUS. It fixes all past issues when used on digital full frame bodies. It works perfect on the Leica M or the Sony A7 series. No more colored edges or soft corners. THIS is a true 15mm wide angle with no distortion and yes, is the BEST choice IMO for a 15mm view on your Leica or Sony full frame. Price is $750 but it is about equal to other lenses in the $2-$5k range as far as I am concerned. A true deal if you enjoy wide angle from time to time. You can buy it at CameraQuest.com with free shipping and free BW filter. HIGHLY recommended.

1st three is the new 15 VIII on the A7II

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2nd set, all on the Leica M

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Other than that I know there is new stuff coming from Olympus, Sony and others. As always I will review the best of the lot and what I think you guys would enjoy. New bags, new cases, new lenses, new cameras…all on the way. Stay tuned right here as always! Also, keep on the lookout for my new one on one Sedona photo adventure..details soon.

Thanks to you all!

Steve

Apr 062015
 

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A Change Of Perspective – The Voigtlander 15mm f/4.5 III

By Alan Schaller – My Flickr linkhttps://www.flickr.com/photos/alanschaller/

Buy the 15 lens HERE at CameraQuest or HERE at B&H Photo

Hello everyone. First off, a big thank you to Steve for giving me the opportunity to write again on his great site.

I heard very good things about the first and second versions of the Voigtlander 15mm f/4.5, namely their low price, compact size and classy rendering. They were however known to colour shift on the M9, M240 and the A7 series, meaning many digital users used the lens as a black and white tool. From what I can tell from my pictures colour shifting has been completely sorted in this third version of the lens, which of course is a great thing. Also worth mentioning is the incredible lack of distortion.

I happened to have a holiday booked to the South of France a few days after I received my lens, and thought it would be the perfect place to let this super wide-angle flex its muscles! The region I went to (The Côte d’Azur) features crazily photogenic villages, street scenes, the sea and mountainous areas, so I had a lot fun shooting in a variety of environments with the 15mm on my Sony A7s and Leica Monochrom. The shots in this review were all taken on that trip.

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I had not extensively used a lens wider than a 35mm before getting this 15mm prime. My main reason for buying a super wide angle lens was to shake up my shooting style. I can confirm that it has, and recommend trying one if you haven’t already! I enjoy the 50mm focal length most of all, and being so used to looking for photo opportunities through the ‘eye’ of a 50, what I was seeing through the 15mm viewfinder initially seemed almost comical. The first day I had the lens, I walked around London with it on the Monochrom, initially marvelling like a child at how I could get whole buildings in frame whilst standing a few meters away from them.

I eventually calmed down and started thinking about how I could get the most out of my new lens. It seemed immediately obvious that it would be useful for shooting landscapes or epic sky scenes, but being primarily a street photographer, I wanted to try and use it on the streets too. Initial test shots proved this to be tricky! A lot of the time you have to get extremely close to the subject to make an interesting shot. The silent shutter on the A7s made me feel more confident to do so. It’s something I am going to enjoy experimenting with.

The thing I have found most interesting and creatively rewarding about using this super wide angle lens is the way it presents an image with such an unfamiliar perspective to the human eye. A 50mm lens is great as it is so familiar to our field of view, but I am really interested by the way this lens is so unfamiliar. Certain scenes that would be very mundane with a standard focal length can become surprisingly interesting when you use a super wide angle. This one was taken on the plane going to France:

Leica Monochrom – ISO 320 – f/4.5 – 1/30 sec

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The Monochrom gets on very nicely with this lens! Images are detailed and have great contrast. If you stop down to f/8 the depth of field is impressive. Also, as the DOF is so deep on a lens this wide, at f8 the lens is focusing from its closest point of 0.5 meters all the way to infinity, so there is zero need to adjust focus! This is a welcome attribute as it takes more consideration to get a shot perfect with a 15mm due to the extra surrounding context inevitably being in frame, and not having to worry about nailing focus helps speed up the whole process.

I have found sharpening to be totally unnecessary when using this lens on the Mono. This lens and camera combo feels great to use, and is perfect in terms of size and weight. They feel seriously solid together in the hand, and look great too! Same goes when it is used on the A7s. It feels well-balanced.

I expected the lens to work fantastically on the Monochrom (as the previous version did too), but I have been super impressed with the results on my Sony A7s. The colour is to die for!

Sony A7s – ISO 100 – f/8 – 1/200 sec

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Sony A7s – ISO 100 – f/8 – 1/250 sec

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As many people know the A7s is a low light monster, which meant I could shoot at any time of night despite the fact that this is a pretty slow lens. Simply crank the ISO to 8 or 10 thousand and snap away handheld, knowing the images will retain great detail and colour. Simple! As I mentioned before, the edges retain their colour well, even under pixel peeping scrutiny, so hats off to Voigtlander for taking the time and putting in the R&D to revise this lens so well for digital sensors. Chromatic aberration seems very well controlled, but can still be spotted if you pixel peep. I am sure Voigtlander will sell many of these, as the price, although an increase from the previous generations of the f/4.5 15, is still way way below the outlay for similar offerings from Leica or Zeiss. Despite being relatively cheap, the lens is built excellently, has a metal hood and body, and takes sensible 58mm filters. Most importantly, from what I can tell, the image quality is right up there with those more pricey offerings from Leica and Zeiss.

Leica Monchrom – ISO 320 – f/5.7 – 1/125 sec

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I can already tell that this lens is a keeper, which means more of my shots taken with this lens will be going up on my Flickr page for the foreseeable future! So if you are interested in seeing more shots, feel free to have a look!

https://www.flickr.com/photos/alanschaller/

Mar 302015
 

The Voigtlander 15 f/4.5 III – Great on the Leica M 240 and Sony A7 series! 

Old version on the left, new on the right!

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I have been testing the brand spanking new Voigtlander 15 f/4.5 Version III lens on the Sony A7II and the Leica M 240 and have only good things to report back. The new V3 can now be used on a Leica M without ANY color issues whatsoever. It is a small, sharp, versatile wide-angle for your M that will not set you back $3k+. The new 15 f/4.5 III is $750 with free next day shipping at CameraQuest.com and below are just a few test shots on the Leica M 240 and Sony A7II. I will eventually write a full review of this lens but for now, I have too much on my plate as it is (New Sony 28 f/2, Sony 35 1.4, two cases, new bags, Leica M-P 240 Safari Edition and more). Just wanted to let everyone know this lens is finally good on digital full frame!

Take it from me, the new 15 4.5 III is a winner on the A7 series AND Leica M series. No issues and a true ultra wide 15mm ;)

You can buy it HERE at Cameraquest, or B&H Photo HERE.

Below are samples from the new Voigtlander 15 f/4.5 III on the Leica M 240 and the Sony A7II

1st up, the Leica M test shots. Notice no color edges or problems. Click ’em for larger!

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And a few on the A7II with the Voigtlander Close Focus M to E adapter (Get it HERE)

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Mar 272015
 

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Add-on Review of the Voigtlander Heliar 40mm f/2.8 on the Sony A7II

by Brad Husick

Recently Steve Huff wrote an extensive review of the Voigtlander Heliar 40mm f/2.8 on the Sony A7S.  Rather than repeat his conclusions, with which I agree, my intent here is to add on to his review by shooting the lens on the Sony A7II.

The photos here were taken at ISO 100, RAW, auto-exposure. The lens does not communicate aperture to the camera. They were opened in Adobe Lightroom 5.7.1 with Camera Raw 8.8. No adjustments were made in Lightroom. In the first series across the lake, the images were shot at f/2.8, 4, 5.6, 8, 11,16, 22. In all the subsequent series the images were captured at f/2.8, 5.6, 11, 22. In each case you first see the entire frame at f/2.8 followed by 100% crops.

The lens displays some interesting characteristics. There is vignetting when wide open at f/2.8 but not severe. The camera chooses an exposure for f/2.8 that is different from all the stopped down exposures and you can see this in the crops. I did not adjust for this in Lightroom so that you could see the effect.

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Also when wide open the focus plane is not uniform across the image when focused on infinity. There are some areas in focus and some out of focus as you travel across the image from left to right. This variation settles down as you stop down the lens, nearly disappearing by the time you get to f/8. This behavior is far less obvious when focusing on closer subjects.

By the time you stop down to the lens’ limit of f/22 you have passed the diffraction limit of the sensor. Without going into gory technical detail, the final image degrades at f/22 so you’re better off limiting yourself to f/16 or so. The lens does not have click stops in the aperture ring, so you can stop anywhere you like. It does have a tendency to move rather freely, so check each time when shooting.

Overall the lens produces lovely images and is about as compact as a lens could possibly be. Build quality is superb and typical for Voigtlander. The nickel finish adds a nice retro look to the camera. I shot all of these images in overcast / light rain conditions with the small built-in hood rather than the longer metal hood and lens cap provided with the lens. My objective was to keep the package as small as possible since that’s one of the key selling features of this lens. If you own the Voigtlander VM-E Close Focus Adapter for the Sony E mount (which you really should own as it is superb) then adding the Voigtlander Heliar 40mm f/2.8 lens should be a natural addition for your setup. You can almost stick the Sony A7II with the collapsed Heliar in a jacket pocket. Note: the lens REQUIRES the aforementioned adapter to enable focusing and it will not function properly without such an adapter.

Thank you to Stephen Gandy of CameraQuest.com for instantly loaning me the lens for review. He’s the best source for Voigtlander and always provides the best customer service. Shop there with confidence. 

The case in the photos is the Angelo Pelle leather half case for the A7II.

ALL IMAGES BELOW should be CLICKED on to see them the right way. Details are on the photos upper left text

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Mar 172015
 

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2014 in Twelve images

by Bjarke Ahlstrand

Hi Steve,

Another year has passed, and at least from my perspective 2014 was extremely busy. I fulfilled a dream of mine and opened a rock bar, Zeppelin (www.zeppelincph.dk), + my very own photographic haven/store, One Of Many Cameras (www.oneofmanycameras.com), here in Copenhagen, where I live. The camera store, which deals with both new and 2nd hand stuff gave me even further possibilities to explore the photographic medium and although it hasn’t exactly cured my GAS, it helps that I can just borrow stuff from the shelves now and then :-)

I only shoot manual lenses as they fit my shooting style the best, and I spend most of my photography time on celluloid, expired chemistry and especially large format portraits, but that ol’ Leica M9-P of mine is still my favourite digital camera (since I can’t afford or justify a Monochrome, hehe), but I also adore the little MicroFourThirds camera which was given to me as a x-mas present by my One Of Many Cameras partner Daniel because of its portability, since the large format cameras are a bit bulky to drag around. My work can be seen here: www.oneofmany.dk and www.polaroid.com

Anyways, here goes — once again — 12 images, 12 cameras, 12 months – this time for the year 2014.

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January · Deardorff 8×10” · 270mm Boyer Saphir Paris f/6.3 · expired Agfa photograhic fibre paper used as a paper negative · ISO3

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January · Deardorff 8×10” · 270mm Boyer Saphir Paris f/6.3 · expired Agfa photographic fibre paper used as a paper negative · ISO3

I’ve been working on a book/exhibition the last couple of years. It’s gonna be called “After” and will feature 130+ portraits of my girlfriend, all shot immediately after we’ve had sex. There will be no pornographic content or nudity but “raw” portraits that try to capture that very special moment just “after”… I went about it in a dogmatic way, so I decided that all had to be shot within a five minute time span and I would max make 3 exposures. It was very challenging as many of the shoots were rather trivial when it comes subject, and location of course, but I managed to use a great variety of cameras and now in the final editing stages of the book, I believe it turned out okay. The book will be published around May/June if everything goes as planned. For this particular shot, Katja laid still for 8 seconds while I captured the light.

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February · Leica M9 · 50mm Summilux Asph @ f/2.8 · ISO200

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Still love the Leica, still love rock ’n roll, and I still have a record label, so I actually managed to shoot quite a few album covers in 2014, this being one of them. With vinyl making a serious comeback it’s a joy to shoot band pictures again. The band is called Lucer and they play high-octane rock. Be sure to check them out on Spotify –– or even better, on vinyl.

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March · Goecker Studio Camera · 270mm Dallmeyer 3B Petzval · Expired Ilford Multigrade photographic paper used as paper negative · ISO3

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I bought an old wooden large format studio camera, dating back to 1913 and it came with a wonderful Dallmeyer Petzval from the 1860s’ so I decided to drag it outside our little camera store (which is also a studio) and test it out. Two teenagers were walking down the street, but I convinced to them to stand still for 1 second while I used my hand as a shutter. Notice the Petzval curve, it’s absolutely wonderful. Oh yeah, the logo of One Of Many Cameras is actually the Petzval lens design from 1840 – both my partner Daniel and I even got it tattooed, so I guess that lens is rather special to me.

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April · Fuji GX680III · 125mm GX f/3.2 · Ilford Delta 100

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Even though I love large format and the creative possibilities it gives regarding perspective and focus, it’s not exactly portable. Enter the Fuji GX680III, a high-end medium format camera from the final days of the professional analog era. It has a small bellow and therefore tilt-shit capabilities and you can cram 8 images on a 120-roll film, so economically speaking, it’s quite okay (compared to large format). You can shoot the camera handheld – and those Fujinon lenses — whauh. This one in particular, it’s perfect. My youngest clone was shot wide open at f/3.2. Love the bokeh.

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May · Kodak DCS PRO SLR N · 55mm Nikkor f/1.2 · ISO160

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I don’t want to (re-)start the whole CCD vs. CMOS war, I’ll just conclude that you’ll find on the CCD-side when photographic civil war begins. I haven’t owned a DSLR since I sold my 5D Mark III and I swore I’d never go down that road again… But then I was presented with this Kodak beauty, the first full frame pro digital camera, which cost a fortune back when it was introduced, and having never shot Nikon glass before (!) I couldn’t resent the 55mm Nikkor f/1.2. The 3 included batteries last only 5 minutes each, the camera breaks down constantly, has many quirks and is hardly usable above ISO400… But that Kodak CCD sensor is absolutely wonderful… I get the same feeling as when I look at images from my Leica M9-P and Hasselblad H3D-39. If I’m working digital (and not doing video), I’ll definitely go for a CCD-camera.

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June · Leica Monochrome · 50mm Apo-Summicron f/2 Asph · ISO320

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Had the chance to spend a day with the APO-Summicron. Took it to the beach along with a Monochrome. Nice combo. Stupid price tag, though.

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July · Leica M9–P · 35mm Summilux f/1.4 Asph FLE · ISO160

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Took my two clones to Barcelona for our summer vacation, alongside a couple of Leica’s and the Fuji GX680 monster. I keep coming back to the Leica, it’s “like home” every time I shoot it. The swimming pool was nice, too.

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August · Sinar P2 · 36cm Voigtländer f/4.5 · Impossible Silver Shade 8×10” Polaroid

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Having a record label is nice because you get to meet some really cool people, in this case the Swiss noise-rockers Herod who performed here in Copenhagen, and stayed at my place for a couple of days. I dragged the boys to my attic alongside my Swiss 8×10” large format Sinar camera, and shot an 8×10” Polaroid polaroid. The lens was stopped down at f/5.6 (which is like f/1.4 in 35mm terms regarding depth of field), but with the help of the movements of the camera, I was able to get all 4 members (relatively) sharp.

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September · Kodak Master View 8×10” · Rodenstock 210mm Sironar f/5.6 · Ilford Direct Positive Paper · ISO6

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Another band photo, this time around it was the death metal act Undergang, who were about to embark on a 5 week US tour and needed a band photo for their upcoming LP, so of course we went to a cemetery. I brought an antique Kodak Master View 8×10” large format camera and some Direct Postive Paper, and I snapped this ghoulish portrait with the Rodenstock lens shot wide open. Again with the gigantic negatives (1 x 8×10″ negative = 1 roll of 35mm film), the depth of field is extremely shallow, only a couple of millimeters but that old Kodak large format camera with its bellowsmovements made it possible to get them all “pretty sharp”. I made the vocalist only show the white in his eyes for the second I exposed the Direct Positive Paper, which indeed is a fantastic medium when working with the large format, since it’s like a Polaroid (positive) and you can handle it under red/safe light which makes it much easier than the negatives.

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October · Sinar P2 5×7” – 21cm Voigtlander Petzval · Expired Ilford photo paper

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One Of Many portraits of my favourite subject(s) – my clone, Hjalte. Almost 16 years old, he looks nothing like the child I’ve been documenting for many years now, as he’s growing rapidly, physically as well as mentally. Teenagers are hard to shoot since they’re pretty demanding, and pretty pimple ridden, but I’ve been experimenting quite a bit with expired analog materials and decided to try to drag the absolutely last silver out of some photographic paper which expired the year Hjalte was born (1999). He sat still for around 4 seconds while I underexposed and then the negative laid in the (also expired) chemistry for around half and hour before it was fully developed. I love it, one of my favourite portraits of 2014.

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November · Sony A7S · Leica 75mm Summilux f/1.4 · ISO1600

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Yes, I love old cameras (and especially lenses) but of course I also embrace new technological wonders –– like the Sony A7S. Most of my work is shot at extremely low ISOs, but the A7S opened new doors for me with its extreme low light capabilities. I’ve shot portraits for record covers at ISO 100.000 (!) which look fine on print – and my Leica lenses all perform wonderful on that little Sony. And the ones that can be hard to focus on a rangefinder are easy to nail spot on with the focus peaking turned on. Sometimes I wish the A7S had just a few more pixels as 12mp isn’t a lot for print/pro work, but I use it mostly for videos anyway, and there it reigns supreme.

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December · Panasonic DMC-GF5 · 1″ Taylor-Hobson f/1.9 · ISO1600

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Yeah, I prefer large format and medium format, and full frame digital sensors. But lately, I’ve come to love a small, not-very-special little Panasonic pocket camera (DMC-GF5) – due to one fact: its MicroFourThirds sensor and the c-mount adapter that came along the little x-mas presents. That combo opens totally new doors when it comes to lenses and look. Old 16mm film lenses (c-mount) shine on that little digital sensor (the ones that cover it that is) and since the camera is very cheap (and lenses, too) I bring it everywhere for snapshots that otherwise were reserved for my iPhone. Here you see the newest member of the Ahlstrand-clan, Trine The Cat, climbing unto a x-mas tree. Nothing fancy, just one of those “family shots”, but I really dig the look of that tiny 1960s 16mm film camera lens, which I just had CLA’ed by my friend, Professor Olsen (repair-guy at One Of Many Cameras).

That’s it. Enjoy.

Dec 272014
 

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The Sony A7II  Real World Camera Review. My Camera of the Year 2014.

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**Direct Links: Buy the A7 II at B&H Photo HERE or Amazon HERE**

You just gotta love Sony. They are back yet again at the end of 2014 and have released a camera that is not only a fantastic update, but this one is my pick for camera of the year 2014! 

Yep, they squeezed in the last couple of weeks of 2014 and captured my #1 fave camera of the year. My #2 for 2014 is the Sony A7s, and those who know me and know this website know that I LOVE the Sony A7s. If you did not see my A7s review, you can see it by clicking here. 

The low light monster A7s really grabbed me in so many ways, from the full frame 12MP sensor that can literally see in the dark to the beautiful color and quality that comes from it. The fact that I can shoot at ISO 40,000 and get usable images from the A7s is pretty amazing. To my eye (and many others) Sony improved the image quality/color and AWB with the A7s and this made the images POP and have a more beautiful color. The Auto Focus could/can see in and focus in the dark, even without an AF assist light. So the A7s has been my #1 camera ever since it was launched. The silent shutter and ability to shoot wide angle Leica M lenses was icing on the cake.

The Amazing Sony/Zeiss 35 1.4 on the A7II. Natural light and wide open at 1.4

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So now today I am here to sit at my desk in a Log Cabin in the woods I rented for the Holidays..for the long haul..to write about my real word experience with the new and quite popular Sony A7II. As you already know, from my opening statement above…I love the A7II enough to have made it my pick for Camera of the Year 2014.

For me, Sony stepped it up in many ways with the A7II compared to the over one year old A7 yet it will not replace my A7s. Instead it will be an addition to it.

Wow. The Leica Noctilux on the Sony A7II at f/0.95. Look at the color..the depth..the magical rendering that adds emotion and soul to the image. This lens on the A7II is MAGICAL and in no way inferior to  using it on a Leica M, in fact, the color is much better here than with the M. Click image for larger version.

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For one, the build of the A7II is all new and more beefy and solid. The camera feels like a  “pro” camera. It’s very nice.

They also changed the ergonomics by adding a new bigger grip and changing the buttons and dials around a bit. The shutter button and custom buttons are placed in a much better way allowing your fingers to naturally fall where the buttons lay. Perfect. After much use with the A7Ii and A7s, I prefer the shutter button placement of the new A7II. Take a look at my 1st look video below which was shot the day the A7II arrived…

My 1st look video when I received the A7II

 
The AF speed has improved by 30% over the A7 Mark I according to Sony (and I agree) and what may be the biggest news of all comes in the form of in body image stabilization. Sony is now using the 5 Axis IS system which moves the sensor itself to compensate for any hand movement or shake. This means that you will now get up to a 4 stop advantage when shooting low light and needing that extra bit of help keeping things steady…

…and yes, the 5 Axis IS works with classic lenses as well as modern day Leica M mount lenses though the system will revert to a 3 Axis IS (similar to what is in the Olympus E-M10). The 5 Axis will not make the A7II equal the A7s but it does indeed help in low light situations.

The Sony/Zeiss 35 f/2.8 at 2.8, a fantastic lens on the A7II. Click for larger. 

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Sony also upped the Ante with the video, bringing in the same video possibilities as the A7s which has been heralded by some video pros as a fantastic camera for making films. I feel the video works very well with the image stabilization though I am not a video wizard and will be evaluating this camera mainly for photos. Even so, the video I shot with the A7II was fantastic. It has a mic input and the on board mics are quite beefy. By that I mean they are not tinny sounding. They sound nice and full as a good mic should.

With all of these improvements in the A7II you would think Sony would have priced it at the A7s level, or around $2500. Nope! The A7II is $1698 for the body only, which is a HUGE HUGE bang for the buck and worth every penny. Every cent. Every bit of it. I remember many years ago buying an original Canon 1Ds. I spent about $10k on the body and a couple of NON L Canon lenses. Today in 2014 this Sony A7II beats that old Canon 1Ds in EVERY single way from speed to image quality to high ISO to usability and versatility. Digital Photography has come a LONG way over the past 10-15 years.

With the Sony A7II comes a camera that will let YOUR abilities shine or your NON abilities to also shine ;) It is a camera for an amateur, enthusiast or pro, as it has enough to handle almost anything besides fast action sports shooting even though the continuous AF has been improved quite a bit. If you want a camera for the long haul, one that does not cost a fortune yet gives you results that appear that it does, one that will grow with you or allow you to flex your own photographic muscle, then I urge you to read on as this A7II may be just what you have been looking for.

The Voigtlander 40 2.8 for Sony E mount using the Voigtlander close focus adapter. This $400 lens is very nice with a classic rendering though does have some slight vignetting. I reviewed it HERE.

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But the A7II is not perfect, and I will get into all of this as the review goes on.

DISCLAIMER: As you have already seen, I will also show image samples from the A7II using all kinds of lenses from the Sony/Zeiss offerings (35 2.8. 55 1.8 and 16-35) as well as some M mount lenses from Leica, Zeiss and Voigtlander. Even a few from the teeny Nikkor 5cm 1.4 S mount. With the A7 series, almost ANY lens can be used from any manufacturer with the use of adapters. For this reason, I will be showing the results from all kinds of cool lenses in addition to my favorite three Sony/Zeiss lenses.

THIS, to me, makes the A7 series so much more desirable than any other camera system available today. Sure, you can mount most lenses to an Olympus E-M1 as well but you lose out on the full frame sensor that gives you the full lens character. So a Leica 50 Summilux or Noctilux will retain the same character that it does on a Leica M, in some cases even better. Amazing!

Just think about how special this is. Many of you will be saying “I have no interest in manual focus lenses” because you probably have a DSLR history or are just so used to AF lenses you are nervous to try a nice manual focus lens. I am here to tell you though  – DO NOT FEAR MANUAL FOCUS lenses on the A7 II! Shooting old classic RF lenses is a joy and SO BEAUTIFUL. Lenses can be had from $30 to $13,000 so there are affordable choices that are quite nice.

Manual focus with a Leica Noctilux, at f/0.95. Added a filter using VSCO filters and with the focus peaking and magnification of the A7II, manual focus is a breeze and is actually in a way more rewarding and makes using the camera even more special. 

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With that said, the original Sony 35 2.8, 55 1.8 and new 16-35 perform fantastic as well on the camera. There is something for everyone with this camera and that is the beauty of it.

The A7II at ISO 8000. An out of camera JPEG with Noise Reduction turned OFF. Sony/Zeiss 35 2.8. 

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The Sony/Zeiss 35 2.8 at ISO 1600 – click for larger – OOC JPEG – The color, the crispness and the overall rendering is fantastic here! OOC JPEG at night!

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The Sony/Zeiss 35 2.8 once again, at night! OOC JPEG

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The Sony/Zeiss 16-35 with the A7II at ISO 3200, zero noise reduction. OOC JPEG

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The Sony/Zeiss 16-35 at ISO 2000 – OOC JPEG

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The 16-35 2.8 zm Zeiss at my Christmas 2014 Getaway ;) Where I wrote this review!

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The 16-35 and A7II at a Comicon fanfest in Phoenix AZ

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First Impressions & Build

Wow, so many photos already and I am just getting started on this review! Phew!

My very 1st impressions of the Sony A7 Mark II was quite surprising. I was expecting an A7 with 5 Axis thrown in but when I took it out of the box I was a bit shocked to feel how much better built it felt, and the A7 already had a good build as it was. This was different. The new body with new grip and button layout feels more beefy and solid. It is slightly larger now due to the 5 Axis inside but it’s still much smaller and thinner than a DSLR.

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When I held the camera in my hand I was impressed with not only the feel and heft but the new finish of the camera which is now a matte and a slightly rougher finish compared to the almost candy coated glossy black of the A7’s that came before. It has the metal build of the A7r and you can feel it. The camera is not thicker but the grip is, and this makes the camera appear larger than the older A7 and A7r as well as the A7s. Adding in the 5 Axis IS made the body slightly bigger so for some of you, this is good. For others you may not like the extra size.

When you hold this camera you instantly know you have something of great quality here, even more than the $1698 that it costs. It feels like a $2500-$3k body and no matter what anyone tells you, it is SMALLER than ANY DSLR and quite a bit smaller than even the Nikon Df. It’s not quite DSLR sized, and the way I love to shoot it is with small rangefinder lenses. BTW, Manual focus is a breeze (as already hinted) with the large EVF (same EVF from the previous A7 series).

You can set up any of the custom buttons to whatever you like. I have the C3 button on the back set up for focus magnification (and yes, you still need to do two button presses to get it magnified) and it makes for a quick and easy way to manually and critically focus any RF lens, such as a Leica Noctilux 50 0.95 which is the most critical lens to focus wide open. Basically, all of the buttons can be assigned to whatever you like meaning your A7II can be customized to your preferences.

Speaking of the Leica Noctilux

When using the Noctilux on the Leica M, you HAVE to make sure your rangefinder is 100% spot on or else it will be a lesson in frustration. Your shots will be slightly out of focus and makes the lens an expensive paperweight. On the A7II, using the Live View EVF with peaking or magnification means you never have to worry about your camera being calibrated. What you see is what you get. As much as I love and adore Leica M bodies, I would be lying if I said I never had Rangefinder calibration issues. When this happens it is NOT fun so using these “best lenses in the world” on the Sony A7II is a joy.

Below are a few examples of this stunning and unique lens on the A7II

All shots using the Leica Noctilux, 0.95, and shows the same gorgeous quality that it does on the Leica M but in some ways, slightly better. 

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and below…ISO 12,800, from RAW, ZERO Noise Reduction. THIS is what makes these Sony cameras special. ISO 12,800 and with a lens like the Noctilux lighting up the scene, it gives the impression that there was light to work with. When shooting this I could not see her with my eyes yet looking through the EVF allowed me to “see in the dark” and the image appears to be lit up when it was not really like this in real life. The A7s or A7II with a Leica Noctilux offers things that are not possible with any other camera system, period. ZERO noise reduction as always.

If anyone is interested in a Noctilux for their A7, A7II, A7s or A7r, I recommend Ken Hansen ([email protected]), the legendary Leica dealer.

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An Artist’s Tool

The buttons on the back are all laid out nicely, in place where you would and could easily access them. I am sitting here writing this and I have a Nikkor 50 1.4 S mount rangefinder lens on the camera. It feels SO SO solid and is nice and compact with this lens on.

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The bonus? This lens has some magic in its rendering and while I once had it for Leica screw mount (which can run you up to $600-$800) this time I was able to buy the S mount for about $100 and pick up an S to E adapter from Cameraquest. Same lens as the screw mount but until now, the S mount lenses were not desirable as they were not usable on any digital cameras. As of today, it is quite easy to find S mount RF glass quite cheap. I have a feeling this may change with so many Sony shooters out there and the new Adapter ;)

There I go again, talking about lenses!

The cheap but super cool Nikkor 5cm 1.4 S mount Rangefinder lens works perfectly with the Sony A7II and S to E adapter (available at CameraQuest here)

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The Sony A7 series is like a true artists tool because you can literally mount ANY lens to it and there are some very cool, very funky and mighty fine lenses out there that can be had for a song. Even my $30 Jupiter 8 does fantastic on the A7II. No DSLR can do this, none. You can not do this on a Fuji body THE RIGHT WAY as the lenses are all compromised seeing that you do not use the full frame of the lens on an APS-C crop sensor. Same goes for Micro 4/3. To date, the ONLY cameras capable of such versatility with lenses is the Sony A7 series. Even the Leica M can not do what the A7II does. The A7 series of cameras are unique for this very reason.

The Jupiter 8, a 50mm f/2 that is light, cheaply made and CHEAP to buy (mine was $30). This lens is even fantastic on the Sony A7II! It’s a Leica screw mount lens so I use a cheap $10 Adapter to turn it to M mount then use my Voigtlander close focus adapter to mount it to the A7II. 

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So my 1st impressions on Day one of the camera were pretty amazing. In fact, two hours after getting the review unit I placed an order for my own A7II. I put my money where my mouth is as I always do when I rave about something. With that out of the way (and already over 2800 words written, geez) let me get started by breaking down what I LOVE about the camera, and then I will talk about what I think should have been different or improved upon.

I will break this down into oddball sections that pop into my head as I write..when I do my reviews I never have a plan or template or even an idea of what I am going to say…it just flows out as I write, so keep that in mind.

The A7II with the super cool Voigtlander 40 2.8 (my review of that lens is here). Crisp, clean, slight vignetting but super sharp for $400. These are OOC JPEGS.

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The A7II Sharpness and Detail

While I love the Sony A7s and have used it ever since its launch, almost daily, the A7II will obviously have more detail due to the 24MP sensor (vs the 12mp sensor of the A7s). The bonus? For the most part, the A7II gives us the color, AWB and more pop of the A7s, which improved from the A7 and A7r. Below take a look at simple OOC JPEGS, yes Out of Camera JPEGs showing how sharp this camera can be without any muss of fuss of RAW processing. Make sure you click on each image to show the 100% crops correctly!

The 1st shot is from the A7II and 55 1.8 lens, at 1.8 This is a JPEG ladies and gentleman, usually this means mushy details but for this one I was very pleasantly surprised to see Sony improved the JPEG rendering of the A7II. Click for larger,

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This next image shows a 100% crop. I used an old 50 year old Leica 50 2.8 Elmar. Click the image to see the full size crop..the detail and the nice looking JPEG file. Again, OOC JPEG!

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Even more details. Rich deep color using the “CLEAR” JPEG preset. 

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…and one more with a crop..the Voigtlander 40 2.8 at 2.8. This lens give a nice color rendering that borders on watercolor and reality. It’s quite beautiful. JPEG!

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…and a full size image  – out of camera JPEG using the Sony 55 1.8 – YES, A JPEG!

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While we get most of the good stuff from the A7s (color, AWB, pop, video specs) we do not get ALL of the good stuff. For example, with the A7II we do not get the silent shutter option as this is sensor specific. We also do not get usable ISO 40,000 images but we do gain the 5 Axis Image Stabilization which helps with low light. We also gain the build and re-design of the A7II.

So basically the A7II should be compared to the A7 Mark I (which I do not own but have shot extensively) and not the A7s as the A7s is a specialty camera for those who do not mind the 12MP resolution. The A7II when compared to the now $1200 A7 is much better due to all of the improvements.

Let’s break down the details of the A7II..

24.3MP Full-Frame Exmor CMOS Sensor

This sensor is fantastic yet it is the same sensor that we had in the original A7. Sony tweaked things a bit though to deliver the better IQ and color over the A7 Mark I.

BIONZ X Image Processor

Sony’s processing that gives us more speed in the A7II.

5-Axis SteadyShot INSIDE Stabilization

First seen in the Olympus bodies such as the E-M5, E-M1 and E-P5, 5 Axis IS is powerful. For video it is superb and for images it allows you to shoot in lower light than before as the 5 Axis IS will move the sensor itself to compensate for your own hand shakes. It works well and I was able to shoot an image at 1/15th of a second with the 55 1.8. Some will say we should be able to do 1/8th of a second with the 55 but without the 5 Axis I was only able to pull off 1/45th. Click below for my 1/15th shot indoors, ISO 1600 with 100% crop. (click on the image).

So any way you slice it, the 5 Axis IS is a nice help and it is worth having it for photo and video. With video it gives some wide angle lenses such as the 16-35 a steady shot kind of feel. No shakes, no jitters, just smooth video.

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Enhanced Fast Hybrid AF and 5 fps Burst

Sony sped up the Auto Focus speed for the A7II and I can tell that it improved. Continuous AF is also improved with much better tracking of your subject.

Full HD XAVC S Video and S-Log2 Gamma

For the video guys, this is good stuff.

3.0″ 1,228.8k-Dot Tilting LCD Monitor

Same LCD as the previous A7 series

XGA 2.36M-Dot OLED Electronic Viewfinder

Same EVF as the previous A7 series

Weather-Resistant Magnesium Alloy Body

The A7II is weather resistant and has weather seals. Body is made of Magnesium Alloy.

Refined Grip & Robust Lens Mount

We gain a beefier lens mount and the larger more refined grip. This is a nice improvement but some will prefer the smaller grip of the old A7 and some will prefer the A7II grip.

Built-In Wi-Fi Connectivity with NFC

The A7II still has the WiFi and NFC built in.

So all in all, the A7II uses the Same A7 sensor with tweaked image quality in color, AWB and overall JPEG rendering. The Body is redesigned to feel like a pro body with a beefier grip and lens mount. The 5 Axis IS is the big news here and gives the camera an overall polished feel. The A7II feels complete. It feels like a camera and not a computer. This is good.

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Low Light/High ISO of the A7II 

Ever since I acquired the Sony A7s I have become spoiled by the spectacular ability it has in low light. I have shot images at 102,000 ISO and they were PUBLISHED and usable. Insane capabilities. Of course ISO 102,000 will in no way create a clean image but it does better than any other camera I ave ever used when it comes to cranking up the ISO to get a usable image.

The A7s is quite a bit better than the A7, A7II, A7r when it comes to extreme high ISO because of the 12 MP sensor. Having those big fat megapixels on a full frame sensor helps to kick it into overdrive when it comes to low light abilities. But many could not get along with the 12 MP sensor. Some had a problem with it mentally, others just had a problem with it because they did not want to spend $2500 for a 12MP camera. Me, I printed 20X30’s from my A7s and the prints are gorgeous so I do not need 24, 36 or 54 megapixels to be happy. I am not one who stands an inch from a print trying to see how detailed it is…to me, this is not photography but a pixel peeping disorder. These are the things that can take away the true meaning of photography yet many suffer from it.

With the 24 Megapixels of the A7II we get to a happy medium between low and crazy high. I feel 18-24 MP is perfect and higher is usually when I start to have issues with file sizes, blurred images from hand shake, etc. Also, this is the first Sony body for me that meets or exceeds the legendary Sony RX1R. 

So after using the A7s since launch and not having a worry in the world using Auto ISO up to 80k, low light with the A7II made me nervous. I decided that I would cap it off at 12,800 which to me, is about as high as one would want to go with the A7II. But even so, 12,800 is massive!

Below are some shots taken at various high ISO as well as a side by side with the A7s at ISO 12,800 and 25,600.

ALL with ZERO Noise Reduction. ZERO. 

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Many have asked me how much better the Sony A7s is with high ISO. Well, remember that the max ISO of the A7s is 402,000. The max ISO of the A7II is 25,600. I have shot the A7s at 102,000 ISO and had a shot published at that ISO though it was noisy.

The A7s at 12,800 and 25,600 has an edge over the A7II of course but the difference may not be as huge as you think. I found the A7II is also pumping out even more bold color than the more natural color of the A7s. Still a different rendering than the A7 Mark I though. These files were all Out Of Camera RAW files, meaning, nothing was tweaked at all. No noise reduction was applied at all. What you see is what you get.

Click the images below to see the 12,800 and 25,600 shots. This was taken inside a kitchen without lights on in the kitchen, just some window light.

And now a comparison with the Sony A7s at ISO 12,800 and 25,600 (the max of the A7II)

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So while the A7s is still the king of the night, the A7II does mighty fine at higher ISO’s. I found ISO 8000 is a sweet spot for high ISO work, and ISO 12,800 will work well if needed. Not too shabby! Images above were taken with a Voigtlander 35 1.2 Lens.  Another mighty fine manual lens for the A7 series.

The Wide World Of Lenses for the A7II!

NATIVE LENSES: There are many lenses for the full frame A7 system even though the A7 (FE) mount is only 13 months old! Not sure why people claim there are no lenses. Sony has release a slew of them in a short time with many more to come.

16-35 Zeiss – Superb Ultra Wide Zoom, SUPERB!
28-70 Kit Zoom – CHEAP and Decent..did I say CHEAP?
24-70 Zeiss – Excellent Zoom, just as good as any Canon or Nikon!
35 F/2.8 Zeiss – Bests my Leica 28 Elmarit at 1/2 the cost. Yes, really.
55 1.8 – Gets close to the Leica 50 APO at 1/8th the cost. (I have done side by sides on this site. many preferred the Sony lens)
70-200 f/4 – Here is the 70-200 most people wanted! 
There is also a 28-135 Cinema lens for FE mount by Sony.
Zeiss 35 f/2 Loxia for FE
Zeiss 50 f/2 Loxia for FE

Also, the 50 Mitakon Speedmaster f/0.95 – I reviewed it HERE but this is a full frame FE mount lens. Super speed.

New primes on the way this year. Within 3 years there will be more lenses for FE then you know what to do with as third parties are making them for FE as we speak.

Those lenses above cover 16-200mm right now. The A7 series is only 13 months old. In 13 months that is quite a number of lenses released. More than Fuji managed to release or Olympus for that matter. The FE mount is NEW so for this many lenses to be out already is quite amazing really.

More details…

So if you want NATIVE mount lenses, there are plenty here now with more on the way. If you want to be adventurous there are so many lenses you can use and have more fun with and get even more beautiful results with for not any more effort. It is the most versatile system you can buy right now with more lenses available to shoot than any other system.

To date, my favorite native lenses have been the 55 1.8, the 35 2.8 and the newer 16-35 which is a stellar wide angle lens. So for Sony native lenses you have quite a few excellent choices, even a nice 24-70 Zeiss.

Then we have the new Zeiss Loxia lenses, the 35 f/2 and 50 f/2. These are stellar in quality but are manual focus and a little larger in my opinion. They will offer you great Zeiss color and pop but do not expect the size and feel of the Zeiss ZM lenses, which also perform well on the A7II.

Of course there are all kinds of lenses that can be used on the A7 series with the correct adapters. Leica M mount lenses, Voigtlander M mount lenses, screw mount lenses, Nikkor S mount lenses, Canon and Nikon lenses, Contax lenses, etc.

When you sit down and think about it, the A7II has thousands of lenses that can be mounted and used. From vintage to artsy to creative to modern day masterpieces. I love shooting of rangefinder glass on these cameras as it is a sinch to focus and the results are quite different than the native lenses, with more character and pizzaz as well as being quite a bit smaller and better made.

I use Leica M lenses, Voigtlander M lenses, Zeiss ZM M lenses, and even a Nikkor S mount lens. All are fantastic in their own way, even my $30 Jupiter. ;) All are simple to use and make shooting more fun IMO.

Taken with A vintage Nikkor 50 1.4 in S mount. An old rangefinder lens that I am using thanks to the new Adapter available at CameraQuest.com. If you have old S rangefinder lenses, this adapter will let you use them on the Sony A7 series of camera. 

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The Voigtlander 40 2.8 on the A7II

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So whoever buys into the Sony A7 system, you have thousands of lenses at your disposal to use and have fun with. From a cheap Jupiter to a crazy Leica Noctilux  to the Native lenses from Sony, all will deliver a different feel and vibe which makes using this camera very motivating. You never know what jewel you may uncover on you lens hunts.

If going with a Leica M mount lens, wether it is from Leica, Voigtlander, Zeiss or whoever, I highly recommend THIS adapter from Cameraquest.com. I own two and they are hands down the best adapter available, even allowing close focus with any M lens, something even the M can not do. Pricey but you get what you pay for and I always believe it is better to buy ONCE instead of buying, selling and buying again.

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Shooting Wide Angle M Mount Lenses on the A7II

From my experience, anything less than 28mm will bring in some color distortions with the A7, A7r and yes, A7II. The A7s is the best A7 camera for Leica wide angle lenses and the A7II has done OK with even the Zeiss 25 2.8 Zm lens but not so well with the Voigtlander 15 4.5. So if you mainly shoot wide angle Leica lenses, the A7II will not be your best bet. It is indeed the same sensor as the A7 Mark I, so I did not expect any major improvement there.

Below are three shots using the Zeiss ZM 25 2.8 Lens. A tiny and superb wide angle  that is between a 28 and 21. It did not do quite as well on the Leica M9 or M 240, and was a little off on the A7r due to colored fringing and edges. On the A7s and A7II it seems to do pretty good with the best performance on the A7s.

Three shots with the A7II and Zeiss ZM 25 2.8. You can buy this lens at B&H Photo HERE.

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To my eyes the 25 is not perfect with the A7II but it is perfectly acceptable for me. I am not a massive pixel peeper though and go for the memory/emotional aspect of the photo, not the perfection aspect. Still, I am LOVING the A7II colors with almost any lens I attach to it. With that said, the best choice for Leica lenses from 28mm and wider would be the A7s.

The Video of the A7II

I am not a huge video guy and 96% of my use with the A7II and A7s will be for photo purposes but the A7s and A7II have fantastic video quality from what I have seen, better with the A7II due to the in camera 5 Axis IS. Shooting video with the 16-35 Zeiss was awesome as it stabilized the lens in a way that made the video appear almost steadycamish. NO shakes or jitters, just smooth video.

Some have complained about artifacts in the video but in my short and limited use, I saw no such things. Nothing that would bother me in the slightest. Then again, if I were making a full length pro feature film, I would be using something besides a mirrorless camera to shoot it. If you want the low down on the video I suggest searching the video sites such as eoshd.com. 

Even so, my humble little video using the A7II is below. It is a hodge lodge of nonsense just to show how the 5 Axis works, and you can see just how well it works when I attach the Leica 50 Noctilux to the A7II and then the A7S. The A7S video is much more shaky where the A7II video is smooth and silky.

Video test of the 5 Axis IS and A7II along with a side by side with the A7s to show the difference 5 Axis makes for video

My Fave Accessories for the A7 II

With a new camera always comes new accessories, at least for me. I have to figure out what strap I want to use, what bag, what memory cards, what case (if any) and even things like shutter soft releases and items that sort of pimp out my cameras. Below is a list of the things I will be using with my A7II and things I already have on my A7s:

STRAPS: My most used straps these days are the Street Strap Long (available HERE) and when I want to get serious, the MoneyMaker from HoldFastGear.com. BTW, The Street Strap has outlasted my expensive Artisan and Artist silk strap which was messed up within one week.

SOFT RELEASE: Amazing soft release for Any A7 camera? The Artisan Obscura Sticky Back release is beautiful. One has been on my A7s since I got it and it has never fallen off. I love these as they will not come off or come loose. Check them out here. 

TACTILE: I attached these little metal buttons to my A7s and love them. They give the camera a better tactile feel when button hunting and works on the A7 or mostly all digital cameras. You can check them out at rluther.com 

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BAG: My favorite bag EVER. The Wotancraft Ryker. Black or Brown, either one is GORGEOUS. My review is HERE.

WRIST STRAP: The nicest wrist strap I have used lately is from Classic Cases. It’s high quality leather and super comfortable. You can see them or order them HERE.  I have one of these attached to the A7II and a Street Strap on my A7s.

MEMORY CARDS: I use a Transcend 64GB and it has been reliable, fast and it was affordable. It is a 60MBPS card and you can nab one on Amazon for under $34. I bought FIVE. 

BATTERIES: I saved some cash and bought a few of these Vivitar replacements as they are cheaper and work just as well as the Sony branded batteries. THIS is the exact deal I bought..TWO batteries, a charger, a rocket blower , lens brush and cloth..all for $24.95. THIS is a steal! Just to verify, these are the A7 batteries and will work in the A7, A7r, A7s and A7II.

LEICA M ADAPTER: My #1 recommended adapter for Leica M lens use is the Voigtlander Close Focus adapter. To me, it is the best made, and allows for close focus. No lens play, just a solid locking connection. I bought mine from Cameraquest.com. 

NIKON S/CONTX RF ADAPTER: Picked up one of these new Adapters and was impressed with the quality and the fact that I can now use Nikkor S mount RF lenses on the A7 series. These are fantastic well made TINY lenses and can be found at great prices. Get it HERE.

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OFFICIAL SONY BATTERY GRIP (above) – This grip is all new for the A7II as the old one will not work. This is a weather sealed grip built to a pro standard and when it is on the camera, it feels like a PRO camera. It makes the camera much larger of course but also doubles the battery life. If I were to buy this I would only use it on heavy days when I needed lots of battery life. The price seems steep to me at $349 but some of you LOVE your battery grips, so Sony is offering this one for the A7II (and possibly whatever comes next to replace the A7r). You can order the grip HERE.

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JB WOODEN GRIP (above): JB has released a new wooden grip for the A7II. You can order it here for under $70

A7II – ISO 6400, Zeiss 35 2.8, OOC JPEG. It was dark! – ZERO Noise Reduction!

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My Favorite Lenses for the A7II, Native and otherwise

I often get e-mails asking me..”what is the best lens for XXXX” – I get this question day in and day out. Truth be told, there is no “best” lens as what lens you choose depends on what you like to shoot! Me, I have always been a 35 and 50 guy and I love fast primes. Even so, the Sony/Zeiss 35 2.8 SHINES on the A7II, more so than it did on any other A7 body. Same goes for the 55 1.8. No idea why the is but others have noticed it as well.

These two lenses are my go to lenses when I want AF, and reliable performance.

The Sony 35 2.8 Can be seen HERE

The Sony 55 1.8 Can be seen HERE

Other lenses I adore with the A7s and A7II are the Voigtlander 35 1.2, the Leica Noctilux 0.95, the Zeiss 50 1.5 Sonnar ZM, the Zeiss 50 f/2 Planar ZM and even the Voigtlander 21 1.8. 

So many lenses are amazing with these bodies, just choose what you enjoy the most and have at it! If you are unsure you can always rent lenses from lensrentals.com.

PopFlash.com also has deals on Leica M glass most of the time.

16-35 Zeiss at f/4

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The Shutter Sound of the A7II

Many people were not happy with the loud shutter of the original A7R. In fact, it is the loudest of all A7 cameras. The A7II takes it down a notch from the A7R and is pretty much the same as the A7. My A7II is a bit more subdued though and sounds a little more muted than my A7s. While it does not have the silent shutter of the A7s, the shutter sound never caused me one issue when shooting street, portraits or anything. Below is my video showing the shutter sound of MY A7s and the A7II I have on hand.

A few more words about the Leica Noctilux with the A7II (or any A7 body)

I am a lucky guy and thanks to Ken Hansen, who has been part of this site since day 1 (Ken is a legendary Leica dealer with over 50 years experience) by helping me to get it going, I was recently able to obtain a Leica Noctilux again after selling off my last one 1 1/2 years ago due to needing funds more than the lens.

It has been a year and half since I shot with the Noctilux on the Leica M 240 (see a post here) and while it is always a magical lens and what I call a “Lifetime Lens”, it is a lens that is not only hard to justify for mere mortals, it is a lens that is so unique it may be the most lusted after rangefinder lens in history. It is a controversial lens due to the cost where half of the people never understand it and the other half 100% do.

The draw and rendering of this lens is nothing short of breathtaking in the right circumstances, something that is not easy to achieve every time you use it but one thing is for sure, when you DO use this lens it will deliver a WOW rendering that most non camera people will rave over. But be careful, overuse will make it boring after a while so use it sparingly. Bring it out once a month or so and it will retain that wow factor.

From the f/0.95 aperture to the legendary Leica build to the shallow and dreamy depth of field as well as the rich color and contrast, this is a lens that can deliver deep emotion. At $11,000 it is a hard one to swallow and is quite ridiculous in pricing IMO. Even so, I love it, I adore it and I hope that I can keep this one (and plan to). Seeing friends like Ashwin Rao who still has his original Noctilux (also from Ken Hansen) and still loving it makes me feel lucky to own one again.

On the A7II you will get 3 Axis IS with manual Leica M lenses, still a wonderful IS system that helps eliminate the shakes. (same as the Olympus E-M10 which uses 3 Axis IS). Just set the A7II menu to 50mm and shoot away!

Also, Anyone who shoots this lens on the M or the A7 series I HIGHLY recommend the Variable ND filter for it (Ken Hansen has loads of them). Best ND I have ever used and allows wide open aperture in full sunlight which gives an altogether different effect. You can contact Ken at [email protected] and ask him about it. Tell him I sent ya!

A few more images from the combo of Noct and A7II are below…

PS – The Leica M and Noct will cost you $19k. The A7II and Noct will set you back $12500 or so. Insane I know, and it is NOT for everyone but just showing that you can save some cash by using it on the A7 bodies. Keep this lens for 7 years or more and you will make money if you ever decide to sell it. It IS one of the rare lenses that can indeed be considered a true investment. For example I bought a brand new F/1 Noctilux long before the 0.95 was released. I paid $3500 from B&H Photo. NEW. Today I see them going for $8000 if new in the box or true mint with box. Amazing. In 10 years the f/0.95 may be up to $18k or more. You never know, but Leica lenses have a history of appreciating over the years.

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The three images below had filters applied using VSCO film filters – B&W is not a problem for the A7II ;) 

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As you can see, the combo of Noctilux and the A7II seriously rocks. These were all wide open at f/0.95. When you stop down to f/1.4 you get the performance of a Leica Summilux ASPH. Stop down to f/2 and you get the performance of a Summicron but with the added benefit of the 50 APO colors, and the contrast of the Noctilux. To me, the Noctilux beats the old F/1 version handily.

The Bokeh of this lens is legendary, the stuff of fantasy and dreams. I have seen some pretty special photos with this lens when in super  talented hands. Get the light right, the mood right and the scene right and masterpieces can be made with this lens.

Things about the A7II that I wish would have been different

The A7II is one hell of a camera, and again, my “Camera of the Year 2014″ but it is not perfect. Yes, the IQ is stunning. Yes, the 5 Axis IS is wonderful. Yes, the color saturation and depth of the 24 MP sensor is fantastic. Yes, the fact that so many lenses can be used and mounted is awesome. Yes, the new design and beefy build is welcomed and yes the video is stellar. Yes, you can shoot at ISO 8000 and up to 12,800 and get usable results.

But if I could make a change or two the 1st would be to the BATTERY. The battery life is not so hot with the A7II and seems worse than it does with my A7s. It uses the same battery as the previous A7 series but with the new 5 Axis IS being used, it seems that the battery life is even shorter. I found I needed a couple of batteries for a full day of shooting, and I am a light shooter. If you get the A7II I suggest buying 2 or 3 extra batteries. I bought 3-4 Vivitar branded batteries for mine off of Amazon and saved a bundle while getting batteries that work just as well as the Sony branded batteries. The link to the Vivitar batteries is HERE and what a deal it is. Just click it and see what you get for under $25..it’s amazing.

So it seems the battery should have been made better. The Nikon Df battery is awesome and I wish Sony would develop something similar.

Also, I wish the A7II had the silent shutter of the A7s. I use it every now and again and while it is not mandatory it does help sometimes when you need ultimate silence.

One last thing…if the Auto Focus was maybe 15% faster it would be hard it fault at all. As it is, the Af may hunt in low light (The A7s does not) but the good news is that the Auto Focus is CRAZY accurate. I have never gotten a false AF hit with the A7II (but did a few times with the A7 and A7r). In low light it is much faster than the old A7 but not up to the A7s for low light AF. Still, its just as good if not better as most mirrorless cameras that are out these days. I have been testing the Fuji X100T and it has been frustrating the hell out of me with its constant AF misses (though the camera says it is locked). The A7II never has this issue.

The A7II and Sony Zeiss 16-35, a SUPERB wide angle for your A7 body.

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The Sony A7II vs the Leica M 240. 

Many have asked me this question lately and it is not an easy one to answer. The M 240 is a special camera with a special build, feel, emotion AND price. Coming in at $7k (deals can be had) and limited in high ISO and close focus and video use, it is mainly for those who want and love to shoot a rangefinder. The RF system makes the Leica M a 100% different camera to shoot than just about ANYTHING out there today.

The M feels fantastic, one of the best feeling cameras made today. The battery life is amazing, and the quality is superb. But, compared to the A7II, I feel the A7II can give better image quality, better color, and even more detail with 85% of Leica M lenses. Plus, the A7II beats the M in low light as well. Video? Sony 100%, no question. At the end of the day the Sony has a better sensor than the custom made one in the M 240.

All in all I find the only thing the M has over the A7II is the user experience and shooting ultra wide Leica branded coded M glass such as the 18, 21, Tri Elmar, etc. . Shooting an RF camera is a wonderful thing..a state of mind..an inspiration and brings passion into my shooting. I get some of this with the A7II but not as much.

At the end of the day, $1600 for an A7II that puts out better IQ and color and has more versatility is a steal compared to the $7000 M. Even so, I love the M. Always will. This is something that is personal preference and only you can decide. Have the cash? Buy both :) Bank account suffering after the holidays? Buy an A7II and know you ill be getting image quality that actually surpasses the Leica M in good light, low light, high ISO, low ISO, with much better video capabilities (if that’s your thing). I am not knocking the M at all, but I always speak the truth and 2 years after the M 240 arrived, we now have a camera from Sony that literally kicks its bootie in most areas, for 1/5th the cost.

Even so, the M will always have a place in my heart as it provides a “connection” to the user. It’s a thing of beauty.

Night time, Sony A7II and Sony/Zeiss 35 2.8 – No issues focusing!

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The Sony A7II Vs the Fuji X-T1

Here there really is no contest for me. I like the X-T1. I feel it is as good as it gets for Fuji, but for me, many of you know that I dislike the X-Trans sensor. The IQ from that sensor excels in perfect lighting but in anything other than that, it fails. You lose punch, sparkle, depth, color, and pop. You gain flatness and a dull sheen. I have seen 10’s of thousands of Fuji images and I have seen some that blew me away (perfect light, natural or studio) and most, around 95%, are flat and dull to me. They are “nice” but lack depth and punch and seeing that the Fuji uses an APS-C sensor you will also lose out on other things such as using 3rd party lenses to their full potential.

For me there is no contest here, if I were offered a Sony A7II at $1698 or a Fuji X-T1 at $499 I would splurge for the Sony. The Sony is $500 more than the Fuji ($1698 vs $1198) for the body only but I always say “you get what you pay for” and this is usually 99% true. I’d rather spend the extra $500 and be 100% happy then spend $500 less and wonder “what if”. I have learned that lesson in life many years ago.

With that said, the Fuji X-T1 is fantastic, and I feel Fuji’s best mirrorless to date. It’s fast, looks great, feels great, has great controls and some wonderful lenses. But when directly comparing, for me, I prefer the A7II in every way from build, feel, IQ, abilities, lenses that can be used, and so on.

To those that love their X-T1 that is awesome, as it can indeed put out some beautiful colors and images but for me, full frame will win out due to DR, Punch, Pop, etc. If there were no full frame Sony mirrorless, then the Fuji would be near the top of the heap but with the A7II and A7s, the Fuji drops below them for me.

You can read my X-T1 review HERE.  As you can see, I raved about it as Fuji got it right and it is something that will make any Fuji fan proud.

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The Sony A7II vs the Olympus E-M1

Another AMAZING camera even two years after its release. The E-M1 is the pro grade Micro 4/3 and does just about everything right. The body is awesome, the feel is superb, the controls just work and the speed of this thing is impressive. The lenses available are 2nd to none and it was the 1st camera with 5 Axis inside. It’s a jewel for sure and many poo poo’ed it due to the smaller sensor but this sensor in the E-M1 easily stands toe to toe with any APS-C sensor around except for low light ability. The one main weakness of the E-M1 these days is the high ISO performance which lacks. Shoot in low light at ISO 3200 and you will get noise. Low light is a great test for high ISO and while many reviewers test it in studio light (which is silly) the real test is using it when you would need it..low light. So the E-M1 falls short for low light work when compared to most modern day cameras.

Compared to the A7II you are saving $300 with an E-M1 (not much) but losing the full frame sensor, better high ISO capability and all that comes with this such as DR, less noise at base ISO, etc. To me, these two are much closer than the Fuji X-T1 and A7II as the E-M1 is one of my all time faves. I still own one. Will take a lot for anything to get me  to remove it from my collection. Even so, I can get more use, better IQ and color, and better low light and DR from the A7II for $300 more. I feel the E-M1 may need to see a price reduction to $999 in the very near future. Will be interesting to see what Olympus comes up with in 2015.

The Sony A7II vs the Sony A7r

The A7r has not yet been replaced and Sony may be pairing down the A7 system to the A7 and A7s and creating a “pro” A9 to replace the A7r. Of course this is speculation as I know nothing at all about what is to come but rumors have been pointing to this.

If choosing today I would take the A7II over the A7r, 100%. No contest.

The A7r is clunky, loud, slower, worse in low light, no IS inside, has inferior AWB and color performance, and has too many MP when they are not needed for 99.5% of people. Every aspect of the II beats the R for me, all of it. The body, the performance, the IS, the video, the experience.

The II is more responsive and again, quieter. The R is the loudest of all A7 bodies (no, they are not all the same).

So to those who asked which one I would go for, the answer is clear. The one I did go for over the R, the A7II. It’s a more finished product and more enjoyable in real world use.

A7II vs the A7s

As for which camera I will use more, my A7s or A7II, that is hard to say as I love both. I see myself using the A7s in the low light scenarios or when I need the silent shutter. The A7II puts out such beautiful images in normal light that I may prefer it for my day to day shooting as it has slightly more oomph to the final image (though not a huge difference). Add in the 5 Axis, pro beefy build and feel and it bumps the A7s from daily driver to 2nd fiddle. Both have a place in my bag. The cool thing is the A7II is $1698 vs the $2498 of the A7s. That is quite the price difference so for new buyers I say go A7II. I own both and love both but if buying one it would be the A7II for me.

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Pros and Cons of the Sony A7II

PROS (for me)

  1. Fantastic build, better ergonomics than old A7
  2. Button placement much better than previous A7
  3. 5 Axis IS really works well (for video as well)
  4. Video is stepped up from A7
  5. Weather Sealed
  6. Can mount almost any lens made for 35mm (this is huge)
  7. Improved color, pop, and overall IQ over A7
  8. Faster AF and overall response than A7
  9. Nice detail and sharpness
  10. Improved OOC JPEGS means you could shoot this as a JPEG camera!
  11. PRICE! $1698 is a GREAT buy. No one can say this is overpriced.
  12. Same great EVF/LCD from previous A7 bodies.
  13. Makes a great 2nd camera to a Leica M or A7s
  14. Still smaller than the smallest DSLR’s, MUCH smaller than a D800 style camera
  15. More Sony Native lenses (and primes) on the way in 2015!
  16. Still usable images at ISO 12,800, which is fantastic.
  17. Sony/Zeiss 35 and 55 seem to take on a new life on this camera for some reason.
  18. Worlds 1st full frame with 5 Axis IS!

CONS (for me)

  1. Battery life is disappointing. Needs a better battery. 250-350 shots per charge. Should be 1000.
  2. No silent shutter that is in the A7s – Boo.
  3. In really low light AF slows down. My A7s is faster in low light.
  4. Still no go for ultra wide Leica M mounts such as Voigtlander 15. Color issues with these lenses.
  5. Can have Moire in certain situations as the sensor is VERY detailed and has loads of resolution (but rare)

Sony/Zeiss 16-35 – crisp and clean – This is a stellar wide angle zoom besting my old Canon 16-35 from back in the day, easily. 

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My Final Word on the Sony A7II

Sony is just hitting it out of the park lately (last 2-3 years)  – The RX1, the RX100, the RX1R, the A7 and now the A7s and A7II are all superb cameras that are pushing the tech and the experience up a notch compared to anyone else. It’s pretty amazing what they have done over the last 3 years.

When the original A7 bodies were released I spoke with Sony about their passion for this project. Basically, I was told they are not holding back and will be pushing forward to develop this system, lenses and all, for the long haul. They have many lenses on the way in 2015 (and ten lenses already for the FE full frame A7 system within a years time)  and it appears they are just getting started. I had the feeling that this was their baby..the one they were banking on (instead of DSLR production) and from my experience, it is working.

The Sony A series update cycle seems to be on a 12-15 month thing right now since it has been just over a year since the A7 and we now have the A7II. I am guessing the A7r replacement will be the rumored “Pro A9″ but believe me when I say it will be much more expensive and have a larger MP count. Many may want to hold out for that one even though right now it is all speculation and rumor (and no, I know nothing). Rumors say Feb 2015.

I was a fan of the A7 and A7r but did not buy one for myself after much thought. The things that held me back were slower than expected AF in low light, a teeny bit of clunkiness and in the case of the R, too noisy of a shutter and too high of a MP count for my tastes. When the A7s arrived I was in heaven as it solved these issues and became the most capable camera I have ever owned or shot with. The A7s, for me, was and is a game changer in the world of mirrorless photography and I am fine with nits 12 MP resolution as it does all I will ever need.

With the A7II Sony has done it again, and damn them! When a company releases a camera that is so good it motivates me to go out every day and shoot, then they have done something right. In 2014 it was a slow year IMO for stellar camera releases. Even the Fuji X100T failed to excite me (AF misses, X Trans Sensor, same old same old). The Panasonic LX100 failed to ignite the passion in me (massive lens flare issues, mushy details). It was not until the Sony A7s and now A7II that my passion was kickstarted in 2014. Passion, motivation and endless possibilities are what these cameras brought me. Sony is costing me more money…Ugh.

No one NEEDS a camera upgrade if you have one that works well already. I did not NEED an A7II as I have a few other cameras already. But when I saw what it could do, how it did it and the endless creative possibilities with it, I knew I WANTED it and the last few weeks have been so much fun discovering what this camera can do. To me, the price of the camera already was worth it for the joy it has brought and the many memories I created with it. Could I have done this with the A7s? Probably, but having the extra punch and 5 Axis in the A7II is what sold me. If and when the Pro A9 comes out looks like I will have THREE Sony cameras as long as it is not some crazy 50+ MP sensor.

The most impressive thing to me about the A7 series in general, especially the A7s and A7II is the fact that not only can we use so many cool lenses on these bodies to the lenses full potential, but now they are ALL stabilized with the internal 5 Axis IS. THIS is impressive and many blow it off as it is nothing, but to me and many others it is a HUGE deal. Many like to trash Sony because they just hate the name Sony. Many will never give this camera chance because they are stuck on Leica, Canon, Nikon, etc. That is the wrong way to look at it as the A7II is one hell of a camera. IN fact ,when I tested a Nikon D810 lately I found the Af to be OK (missed some shots), the body much too large and fat, and the weight an issue. The A7II performed just as well for me in every situation and did so while remaining light, small and with that 5 Axis IS. Again, a pretty big deal. The ability to throw on a tiny Leica 50 Summicron or Summilux, something that you can not do on a DSLR is quite amazing as well.

Yes you can do this on a Fuji but the results are MUCH different when dealing with APS-C as you will not use the entire lens so the lens character goes out the window. Overall, the A7II is a fantastic update and well worth the $1698 price tag. Doesn’t get any better for this price, period.

2014 may have been a slow camera year but Sony came in and snuck this one in last minute. For me, nothing else released in 2014 betters it. To me, this is what I would have called the “ULTIMATE DIGITAL CAMERA” just 6 years ago. Today, I still feel it is just that and I can only imagine what Sony has up their sleeves.

I highly recommend the A7II. I had no issues with it besides the sucky battery life. Everything else is beautiful from the buttons, dials and ergonomics (for me), 5 Axis and IQ. 

No matter if you want to shoot the native AF lenses, Leica M mount lenses, funky mount lenses or anything in between the A7II is going to bring you beautiful image quality, fantastic low light ability, super nice video and pretty fast and responsive (but not the best) AF. Bravo yet again to Sony. I can not wait to see what lies ahead for 2015 as I expect the A7r replacement and near the end of 2015 an S replacement.

I will go ahead and say it…I have been reviewing cameras for 7 years. This Sony A7II is the most versatile, fantastic, useful and all around best priced for what you get camera I have ever reviewed. Bam! I also feel that the review image samples here are among the best quality I have put in ANY of my reviews in those 7 years. 

You can buy the Sony A7II at Amazon HERE or B&H Photo HERE. My two #1 recommended Sony dealers. 

A few more images below, 1st three should be from the Zeiss 16-35 with the 2nd one at ISO 12,800 outside at night…

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple, and no, I am not asking you for a penny!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Dec 252014
 

Sony 55 1.8 and the Voigtlander 21mm Ultron for Landscape

By Julien Ducenne

Hi Steve and Brandon,

Thank you very much for publishing my previous article.
http://www.stevehuffphoto.com/2014/05/07/the-sony-a7r-55-1-8-along-with-the-m9-noctilux-f1-by-julien-ducenne/

I would like to share my experience with 2 very special lenses, the Sony FE55mm f1.8 and the CV 21mm ultron f1.8

A couple of months ago I had the chance to visit the isle of Skye in Scotland with my son, wife and of course my camera. For this trip I kept it simple and picked only 2 lenses to go along my Sony A7r.

A great place on the island is ‘The Old Man of Storr’, It’s a beautiful rocky hill that you can see in film like prometheus. After just a couple of hours walk you can take already pictures of some beautiful landscape. My first try with the FE55mm was great for the details and colours but I thought that lens was not wide enough to show the magnificence of the view.

So I chose instead the 21mm ultron and straight away knew that this lens was much better to capture my point of view, where I wanted to get all of it. However put together with the a7r, that lens brings you a ton of details but the downside is the magenta vignetting on the edges (you can watch the issue on left side of the sheep picture), and if you don’t work in B&W you will need some adjustment in light room or Photoshop to work out the issue with the magentas.

We travelled some place else and can take fantastic pictures pretty much anywhere else. A perfect example of that is the last picture of bunch that was taken from the hotel we stayed in. For this one I chose the FE55mm to capture as much as I can the clouds details.

This island is definitely a great destination for landscape photography.

Have a great Christmas and Happy New Year.

Julien Ducenne

My Flicker : http://www.flickr.com/photos/ducenne/

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Dec 242014
 

My Favorite Camera Shops & Dealers. Ever.

There are so many camera shops, store, internet sites and dealers out there ready to take our cash and send us a new fresh box of happiness. If you are like me, receiving a new package from the Fed Ex or UPS man brings  not only a smile, but a rush of energy, happiness and joy.

I love my cameras and over the last 20 years I have learned WHERE To buy from to get the most hassle free and enjoyable experience, as well as the best deals sometimes.

I always get e-mails asking me “where should I buy XXX camera”? Well, here you go. These shops are also site sponsors because I accepted them as sponsors (I turn down many every year). 

Over the years I have recommended the same dealers here. Those that I have worked with and bought from on many occasions. I have shopped from a few other sources but sometimes have had a negative experience so this is why I only recommend those who I trust and those who have really went above and beyond. I only allow advertisers and sponsors whom I trust and support back and know would never rip anyone off.

Look what the USPS man drug in..direct from Ken Hansen. The Leica Monochrom in silver chrome and the new M-P in black. 

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Below is a list of whom I buy from, who I have had great experiences with and all of those that I trust and put my name behind when it comes to camera dealers and shops!

1. Ken Hansen – This guy is everything LEICA. He has been a Leica dealer forever and used to own a store in NY. He now works from his home as he is semi-retired but his Leica business is still going strong with many Leica shooters praising his name every day. Ken has become a legend..legendary. I have never in my life experienced anything like Ken from ANY shop, dealer or store, ever. He goes above and beyond and the funny thing is he does not even have a web site, a Facebook or twitter ;) He runs it all from his home via phone or e-mail. He has been with me since day one and you may have seen his ad in the sidebar before. It will be there for the life of the site because if it not for Ken (and a couple of other friends) this site may not have made it!

Ken has new Leica and often times has used items and unique items as well. Just call him at 212-879-3263 or send him an e-mail at [email protected] and let him know what you want, need or are looking for. Most likely, he will have it. Plus, mention my name and you may get a bit of a deal..maybe. I stand 100% behind Ken Hansen.

2. B&H PhotoThese guys are the king of Retail and Online sales. They do MASSIVE volume. I mean MASSIVE. I have been to the store and it is a sight to see. Hundreds of customers at any given time, long lines to check out (but they go fast) and conveyer belts that travel through the store to deliver your goods when you exit. Amazing. They have the best online experience I have encountered. First, if an item is in stock and ready to ship, it says so clearly. If it is not, it clearly states this. No guessing games. They ship same day as well if you order before a certain cut off time. So technically you could order a lens on a Monday morning and have it arrive Tuesday. They also are top notch on their returns, undo nay to Amazon. It is an online automated process, never needing to email someone or call someone for an RA number. B&H Is the king of camera retailers. You can see their site here and they sell all kinds of goodies, not just photo related. They are sort of a giant electronics megastore. I give them a 100%!

3. Amazon Who does not shop from Amazon? Myself and everyone I know shop at Amazon and they are doing amazing things..amazing. Amazon is the future of internet shopping, food shopping and everything in between. I believe in 10 years Amazon will have the most amazing services. You can get anything and everything from Amazon. I have certain household items get delivered every month using their subscribe and save feature and I also buy tons of music (LP’s) and camera accessories such as Gariz cases, caps, batteries, lights, etc. They have anything and everything. Click here for a link to Amazon and see for yourself. Never an issue with them, ever! The return policy and process is painless and simple. You even get a label to print for easy return. My score = 100%!

4. PopFlash.com PopFlash has been around for a long long time and Tony Rose is the man who owns and runs it. He is well-known among Leica shooters but he also sells Fuji, Olympus, Zeiss and many other brands at his online shop. I have purchased Leica lenses, cameras and Artisan and Artist bags and cases from PopFlash and Tony always comes through. They have some superb prices as well and when you see the “used/mint” pricing on some Leica items you may be super tempted to go for it. Check out the site at PopFlash.com! 100%

5. The Pro Shop These guys are great and know their stuff. They have years of experience and sell Leica, Nikon, and even the Hasselblad Stellar and Lunar line. They have so much to choose from so here is where I would go for not only the best camera brands but for some of the best advice and experience. 100% for these guys as well! You can call them for info at 561-253-2606 or see their website HERE.

6. CAMERAQUEST – Run by Stephen Gandy this long time Voigtlander dealer has just about anything you could ever want from the brand. There are a few Voigtlander lenses that stick out to me and some I like better than Leica glass! The 35 1.2 II, the 15 4.5, the 50 1.5 Nokton, all superb and all a fraction of the cost of a Leica lens. If you want a great buy and fast shipping on Voigtlander lenses then you must check out CAMERAQUEST! 100%! Check out the shopping site HERE!

7. Leica Store Miami – These guys are in actuality Dale Photo in Florida, but this site is much improved and all about LEICA. This shop has it all from cameras, lenses, cases, accessories and even used Leica cameras and lenses. I bought my fancy Leica case from them and my shipment arrived in one day. You must check them out! I give them an easy 100%. Never an issue. Never a problem. You can see their site HERE. 

As you can see, all six shops/dealers get a full 100% from me because I would not recommend anyone who I did not shop with, buy from or feel 100% about. If I was 90% I would not recommend them! If you buy from ANY of the above dealers you will not be disappointed. With Amazon, if you have an issue the return policy is so good you can just return it. No questions asked. Just be sure to buy from Amazon and not a third-party (or prime). Same with B&H and some of the others. For me it should be about customer satisfaction and all of these do it very well.

So there you go, my fave dealers and vendors. When you want to buy a camera or lens or accessory or ANYTHING, check them out! They are what help to keep this site running!

Dec 172014
 

Quick User Report: Using the Voigtlander 40 1.4 on the Sony A7s

by Devin Jameson

Just wanted to post a few images recently made with the Sony a7s and Nokton 40mm 1.4 SC.

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Pros:

Sharp at the focus point, even wide open—IF you nail the focus

Sharpness picks up quickly when stopped down if you prefer a clinical look or are shooting landscapes (also vignetting goes away by f/2.8 or so)

Very compact size, even with the Voigtlander Close-Focus adapter

Character is very “interesting”

Great build quality with smooth focusing ring and aperture clicks

Randomness factor–you never know what you might get when shooting wide open!

0.7 meter minimum focus distance—closer to 0.3 meter with VM-E adapter

 

Cons:

It’s not a Leica 50 Lux

Rather heavy vignetting

Bokeh is somewhat nervous (I’ve learned to love this)

Flare (I like the randomness of flare, so this isn’t a con for me)

I expect to see a 50mm focal length, so the transition to 40mm is a little tough, but should be fine in time

All in all, it’s a fun lens that lives on my a7s. Check out the sample images below—most were shot wide open.

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Nov 252014
 

Crazy Comparison! Leica 50 APO, Sony Zeiss 55, Voigtlander 40 2.8

Hey to all! Happy Tuesday! Just a couple of days until the big Thanksgiving feast and I am lounging around my home relaxing an injured knee (which is improving and on its way to a full recovery). I have had quite a few emails in the past week asking me to compare the Leica 50 APO miracle lens to the Sony/Zeiss 55 1.8. I have done this before but this time it is more controlled and using indoor natural light, which believe it or not was quite dim in reality. I had my blinds slightly cracked open to allow some light to come in and I snapped a basic image to test for out of camera color, sharpness, micro contrast, etc.

 THIS IS A “JUST FOR FUN” CRAZY COMPARISON!

Below is a quick size compare. All are smaller lenses that are fairly light and trouble free. The Sony is the largest but light. The 50 APO is compact but solid and the Voigtlander is small and light with the Jupiter being featherweight. NONE are large or cumbersome in any way.

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Yep, a $8300 lens vs a $999 lens and then I also threw in the $400 Voigtlander 40 2.8, which is actually a GREAT buy for a very nice lens. I also included the very cheap Jupiter 8 50mm f/2 just for fun. (and it is not bad at all I must say)!

I have been doing Crazy Comparisons since the first week my website went up, and they are always popular but sometimes controversial, which is understandable. ANY comparison that is done will always be controversial as those who own Lens B want to know why Lens A appears better. Those who have lens C will say I did the test wrong and I must have misfocused or those who own Lens A will argue about something. Just take it for what it is, a snap shot at the same aperture for the 50 APO and the 55 1.8 (f/2), Jupiter 8 and one at f/ 2.8 for the Voigtlander, which is wide open for that lens. ALL lenses were manually focused (The Sony was as well for critical correct focusing and to rule out mis focus).

To me, when I click on the images below I see a richer color in the 50 APO as well as MUCH more detail and micro contrast. The Sony/Zeiss flared a bit (no hood on the Sony and the APO did not have the hood pulled out, so no hood on either), was softer and had a less vibrant color. The Voigtlander shows its weakness here against these two lenses and is softer still with less contrast and color depth.

The 50 APO and the Sony A7s is pretty amazing. I mentioned it last week HERE but every time I use this combo I am thrilled with the results, and the cool part is that it is easier to obtain perfect focus on the A7s than it is on the Leica M itself.

Click the images below to see the larger versions with full 100% crops embedded. As it is, the Leica is the better lens. Better made, smaller, jewel like, better optics, better color and flare resistance..but it is 8X the cost of the Sony/Zeiss! EEK! $8300 vs $999. The Leica BETTER BE BETTER! I think the Leica, in the real world, is worth about $4500 but Leica being Leica..well..that will never happen. All I know is for me, Leica makes the best optics in the world. The 50 Lux, the 50 APO, the Noctilux..all special, unique and amazing 50mm lenses. Buying them all would set someone back about $24,000. I know of some towns in the USA where you can buy a house for $24,000 :)

When the Zeiss Loxia lenses come in I will pit the 50 f/2 against the APO, and I expect that one to be pretty close.  See my 50 APO review HERE, see my Voigtlander 40 2.8 review HERE and see many shots with the Sony 55 1.8 HERE.

CLICK THESE IMAGES FOR LARGER and 100% CROP! THEY ARE DIRECT FROM RAW!

The 50 APO at f/2

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Sony/Zeiss 55 1.8 at f/2 – Manually focused 

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A Jupiter 8 50mm f/2

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Voigtlander 40 2.8 Heliar at 2.8

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Nov 112014
 

The Sony A7s – Handlheld Antelope Canyon

Using the Voigtlander 15 4.5 and Leica WATE

During my Southwest Road Trip one of our stops was Antelope Canyon. With 28+ of us inside we broke it down into four groups and went to different areas so we would not all be crowded together. Most had tripods (which are 100% recommended for shooting Antelope Canyon) and only a few were shooting handheld which meant they would need a camera capable of great high ISO performance. Me, with my Sony A7s and very slow aperture Voigtlander 15 f/4.5..I knew it would be a challenge even with this powerhouse as the Canyons are dim and dark. With an f/4.5 lens, could the Sony pull off some handheld shots at high ISO and keep the dramatic color and light needed for these kinds of shots?

Before I get to those, let me share an image I took with the A7s and Voigtlander 15 at Horseshoe Bend (our 2nd stop on this tour). This image has some PP and color boost to give it some drama but with the A7s and 15, no corner fix is needed. It does not have the same issues that the lens has on the A7 and A7s.

Click it for larger version to see it the correct way – the light was not ideal at all on this day but was still a great experience.

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As we traveled through the Canyons I was a little worried. I had others on this road trip who were shooting with some SERIOUS gear, costing as high as $65,000. Some were shooting with M9’s, some with M 240’s, some with Sony A7r’s, and some with Nikon D750’s and D800’s. Many had the Olympus E-M1 or E-M5 and I was the only guy with the A7s because the mindset here was MORE RESOLUTION is better. In this case, yes, that is true. Shooting landscape is always better with more resolution if you want a very large print. If you want a 20X30 print you will see more details up close with an A7r, D800 or Leica M9 even. But for just hanging a 20X30 in my office, from normal viewing distance, 99% of people would never see a difference between my A7s and a D800 file.

In any case, I had to crank the ISO to 3200, 6400 and in some cases 12,800. The good news is even at these high ISO’s the Sony did fantastic. Are they 100% noise free? No, of course not but they look pretty damn  good for these high ISO’s.  Just think, if I attempted this with digital cameras from 3-4 years ago it wold be impossible. Images would be grain city, washed out, harsh…but the Sony A7s, as I have been saying since its launch, is quite special. It is an ANY light camera capable of so much. To see more from this trip using the A7s click here.

I was using the Voigtlander 15 for many shots and they looked great. When I switched to the Leica WATE (borrowed) it got even better with color and contrast. NO edge issues with either lens on the A7s but the WATE is a much better lens (as it should be for 12X the price).

SO yes, I still adore my Sony A7s. 

Below are a few images, all handheld. Some with the Leica WATE, some with the Voigtlander 15. All without ANY NOISE REDUCTION. What you see is what you get. 

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Some of the images looked interesting in B&W and what we were looking for here were shadows, light, texture and detail. 

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Nov 112014
 

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The Voigtlander 40 2.8 Heliar Aspherical Lens for Sony FE Review

*See my full Sony A7s review HERE*

I have had this new Voigtlander 40mm f.2.8 Heliar lens for almost 2 weeks now (Thanks to CameraQuest.com) and it is a unique lens to be sure. On one hand, it looks like an old classic lens and on the other, it is actually a modern-day lens made to modern-day standards by Voigtlander. It is a lens made for the Sony E or FE mount (It is a full frame lens) yet it was made in Leica M mount. Even while being made with a Leica M mount, it can not be used on a Leica M as there would be no way to focus the lens…

Yes, this lens does not have any focusing mechanism built into it. It is not auto focus or manual focus! As it comes out of the box, it is NO FOCUS as you will need an adapter to focus this lens.

If you have not watched my video on this lens, do so below to get an idea of what I am talking about

It all sounds confusing but it really isn’t. What Voigtlander has done is create a lens for the Sony system, cameras such as the A7, A7r and A7s while keeping the lens tiny and jewel like. It’s al metal construction and nickel finish is gorgeous and the lens is collapsible as well making for a very compact lens on any Sony camera. All you need is the Voigtlander VM-E close focus adapter, which is the Leica M to Sony E adapter. When using this adapter (which is a must) you use the adapters focusing mechanism to focus the lens. I keep my VM-E Close Focus adapter on the A7s all of the time as most of the lenses I use on it are M mount lenses. So snapping this guy on is no problem at all.

This is a file from RAW, NOT HDR. The DR of the Sony A7s is HUGE and the things you can do with one file is astonishing. Shot at f/5.6 and ISO 100

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and a crop from the above scene

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At $400 or so for the lens itself, it seems VERY inexpensive when you consider it is a small, well made collapsible f/2.8 prime that comes with a metal hood. metal cap, and smaller cap for those who do not want to use the hood. $400 is nothing in the world of lenses like this, and yes, this is very much like a Leica M mount Voigtlander lens. The lens gets more expensive when you add in the $300 Adapter but even so, at $700 it is a lens that after using it for a couple of weeks I wanted to keep. IN fact, I slightly preferred it to a mint+++ Leica 50 ELmar f/2.8 collapsable when it came to IQ, sharpness, and Bokeh.

WOW.

Using this lens on the Sony A7s (my Fave Sony A7 camera) I tested it in high contrast B&W JPEG mode. I love HC B&W and while I feel the Sony delivers TOO much contrast (as I found out when reviewing the images) the lens had no fault. It was sharp even when wide open and provided the typical Voigtlander Bokeh which delivers a classic look reminiscent of rangefinder glass. Click images for larger. Remember, these were in HIGH CONTRAST B&W JPEG mode on the A7s, so this is why they are so dramatic and high contrast!

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When I opened the box the lens was so tiny I was thinking…”this may not be a good lens”. Coming in at $400 or so, it seems like this would be an average lens with average optics. When I put the lens on my Sony A7s with the Voigtlander Adapter I was impressed with the build quality and feel. The collapsible action was easy and smooth, just as easy and smooth as any classic Leica I have used. When I twisted the aperture dial is when I was surprised. It is a clickless design so it is EASY to move. This was the only thing about this lens that I did not care for. There were 2-3 times when I thought the lens was at f2.8 and I later found out the dial slipped to f/22.

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I feel that they could have added clicks or at least made it a little stiffer.

After evaluating the build and feel I started to shoot with it..and I was very surprised by the performance in color and B&W. It was very nice..organic…flowing…and yes, it had some of that rangefinder glass rendering. I also found the lens to be super sharp at the focus point with pleasing Bokeh and contrast/snap.

Just a JPEG here but this was mid day in Phx AZ yet the lens rendered the scene in a non harsh way (think I had the camera set to VIVID)

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Here is an out of camera image set to f/2.8 – click it for larger. One thing I found with this lens wide open is that it will vignette slightly. You can see evidence of this in the photo below..

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The color is fantastic with this lens…

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The more I shot with the combo of A7s and this Voigtlander 40 2.8 the more I really enjoyed it. The color rendering was beautiful, and the bokeh was very pleasing as already stated. It is always nice to slow down and use a beautiful prime lens that is built to OLD standards. Standards that give you that solid and small build, smooth operation and great image quality overall. I could not believe how sharp this lens was, even wide open. It beat my Sony/Zeiss 35 2.8 which is larger, built to a lower standard, and is more expensive. The Sony has AF but this Voigtlander was a sinch to manually focus on the A7 series of bodies. I use focus peaking and I nail it 95% of the time. When the situation is more critical, like a portrait I may use magnification as well.

Click on this one to see a larger and better version. I focused on the eyes and having f/2.8 is just right for this type of shot as the eyes, nose and face will be in focus unlike using an f/1.4 aperture for a similar shot. This is right out of camera from RAW and was just a quick snapshot, INSIDE without any lighting or flash. NO problem for the Sony A7s, which is a master of ANY light. 

This lens is very nice for portraits…

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Putting it to the test…

I decided to bring the lens to my Southwest Road Trip which was AMAZING! Almost 30 of us embarked on a FIVE day journey aboard a fully chartered bus as we hit Zion National Park, Antelope Canyon and Sedona AZ. It was my best workshop/road trip EVER and if I ever do another one, this will be the one that all others are based on. It was fantastic. I shot the 40 2.8 for portraits and some scenic shots to give it a test and it never let me down though it did have the slight vignetting and in one case, flare. When points into the sun directly you will get some flare, much like the standard Leica 50 Summicron.

What I loved about this combo is that I could use it in any light with the Sony A7s even though the lens is a “slower” f/2.8 design and not an f/1.4. As I get older I am noticing that I am starting to appreciate slower lenses such as f/2.8 designs because it allows for great shaprness, easier focus and still some fantastic shallow DOF when used on full frame sensors such as the Sony A7 series. Below is a series of portraits I did in JPEG with the camera once again set to high contrast B&W. Again, you can use this setup in ANY light from bright to almost pitch darkness.

Yes, they are contrasty but this is due to the camera setting.

This first image was shot at ISO 8000 inside a somewhat dim restaurant. Shot wide open at f/2.8 and direct from camera. 

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Another in very harsh light but I like it. Wide open once again…

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…and a few more in the same lighting…all JPEG HC B&W on the A7s with 40 at 2.8

jay

thomas

 After using this lens and having so many see it and ask me about it I decided that I enjoyed it so much that I should buy it. I already have the $300 adapter so spending $400 for a gorgeous collapsible lens that gives stellar performance is a no brainer. It is small, it is gorgeous, it is stellar in its  rendering. It has three faults, or things that could have been improved upon…

  • The clicks aperture dial that moves too easy
  • It can flare if shooting direct into sun
  • It will vignette slightly wide open and it is noticeable on a full frame Sony.

Aimed direct to the sun (which was above the frame) the lens flared here…

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Other than that, I really feel that Voigtlander has been upping their game lately with the lenses they have released in the past year or so. This is another one that will go down in history as a beautiful and awesome Voigtlander lens. It gives us that little bit of classic (Vignette and Bokeh), little bit of modern (sharpness and pop) and overall a very nice and pleasing rendering.

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The quick bottom line on the Voigtlander 40 2.8 Heliar for the Sony E mount

If you want an old school looking lens with fabulous performance in color or B&W and you shoot with a Sony A7 series camera or even a Sony NEX or APS-C body, then this one is a cracking lens. The lens claim to fame is that it is VERY compact! When collapsed, it is only 12.6mm and when expanded for use it is only 21.4mm in length. As stated previously, it is usable on full frame or APS-C NEX cameras. The lens has a 37mm filter size and will close focus to .5m. I love the classic Nickel finish. If you do not mind manual focusing and slowing down, all the better. I found it easy to focus on the A7s and it was a pleasure to use. The 40mm focal length is interesting as it is in between the famous and classic 35 and 50 focal lengths. It took a few days of using it to really get where it was but after I got it I loved it :) Many of you know I really only review and recommend gear that I LOVE and would buy myself…and yes, I purchased this one for keeps!

Highly Recommended!

robertduane

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jag

jim

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Where To Buy?

Mine came from CameraQuest.com and you can purchase the lens or adapter at the direct links below:

Order the Voigtalander 40mm f/2.8 HERE

Order the Voigtlander VM-E Close Focus Adapter HERE

Order the Sony A7s (My #1 Camera since its launch) – at Amazon HERE or B&H Photo HERE

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Oct 302014
 

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Which one? Sony Zeiss 35 2.8 FE and the Voigtlander 40 f/2.8 Heliar

HELLO TO ALL OF YOU PHOTO AND GEAR NUTS OUT THERE!

I posted a very 1st quick look at the new Voigtlander 40 2.8 Heliar a few days ago and one question was: “Why would I want this when there is already the Sony 35 2.8 Zeiss lens that has Auto Focus”?

My answer to that is that not everyone will! Some of us NEED Auto Focus and others much prefer a mechanical old school lens with a solid build, gorgeous appearance and the fact that we need to manually focus the lens! When you have an old school (but brand new like this lens is) lens on the Sony A7 series of camera, manually focusing is not only very fun, it is also a way to slow you down, take your time, calculate your shots. It is an alternative to the quick AF snaps we so often do. It will have us looking more and taking our time with the composition.

In other words, I much prefer a solid manual focus lens over an AF lens when using the A7 series. Especially M mount glass, classics and new lenses alike.

The Voigtlander 40 2.8 is TINY but hefty and solid. It has a Nickel finish and looks amazing. The sharpness? Just as sharp as the Sony/Zeiss at half the size and cost. All you miss out on is Auto Focus yet you gain small size, solid build and a much more beautiful lens to look at..as well as a $400 savings.

Below is a video I made on the two lenses with my thoughts on them and after that a quick comparison shot with full size images direct from RAW from the Sony A7S. Also in the video you will see the striking new strap from Artisan & Artist, which is their new ACAM-310 silk strap. Also, the wooden sticky shutter release from Artisan Obscura and the shiny metal buttons on the back of my A7s from rluther.com. 


This is how each lens performed on the camera, and I let the camera choose exposure for each lens to show how each lens will behave on the camera. They are similar for sure..both are sharp yet each lens made the camera expose slightly different. I also see more of a 3D look to the Voigtlander lens. Both of these were shot wide open at f/2.8. Click them for full size.

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So which one is for you? That is easy..the one you feel most drawn to! Do you need AF? If so, the Sony is the one! If you prefer manual focus and some old school charm, plus a smaller and better made lens, the Voigtlander is the one to beat. :)

Where to Buy?

You can order the Voigtlander 40 2.8 at cameraquest.com HERE

You can order the Sony/Zeiss 35 2.8 at Amazon HERE

You can order the cool all wood sticky shutter release at Artisan Obscura HERE

You can order the Shiny Buttons or read about them HERE

© 2009-2015 STEVE HUFF PHOTOS All Rights Reserved
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