Visit Us On FacebookVisit Us On TwitterVisit Us On YoutubeVisit Us On GooglePlusCheck Our Feed
May 282016
 
PRED

PRED

My Crystal Ball sees a new Leica M coming…new Olympus..Sony..Predictions!

It has been years since I pulled out my old crystal ball to make a camera prediction (2012), and it has never failed me in the past so why not have some fun and write about what I feel is coming down the road SOON from Leica, and some others…BUT keep in mind these are predictions. I have zero inside info, so take them for what they are worth! All in good fun my friends but my old Crystal Ball predictions have all been very close or spot on! My last prediction was before the M 240, and here is what my Crystal Ball said then:

FROM 2012: “As for an M10…I saw a sad face like there have been difficulties with it..maybe it is not ready but I do not see an M10 being available until MID 2013 and maybe THIS will be the “R” solution. Imagine a CMOS – LIVEVIEW M that can take R glass as well. Hmmmmm. The M10…I wouldn’t expect a working demo unit to be unveiled in September but maybe can announcement about it.”

The M 240 ended up coming in March of 2013 and had Live View and was able to use R lenses via adapter. ;) Was not called the M10, but M240.

a5321299320468555a7678bba20c5dad

LEICA

I do see a new Leica M coming THIS YEAR..a slimmer M..a new RF/EVF experience..an M with an RF and EVF and no lag with live view. It will be slimmer to resemble the Leica film bodies of past and present and will have new design cues as well. Something not so expected from hardcore M fans, but at the same time, welcome as it will take the M into the future. Leica, I feel, has heard the complaints from many about the M 240 thickness, and I truly feel the new M will be as good as a modern day rangefinder can get. Big things will be the new sensor, the new RF/VF, the new design which will keep the iconic shape and style but will be a slimmer body than the M 240. There will be an LCD, great battery system and possibly a new way to get to your SD cards besides removing the bottom plate.

I predict this will be the ultimate digital M with capabilities not seen before (high ISO) in previous M’s. Price, I also predict a lower price. Not $8k or $7k..I will predict $5995-$6300.

Now, I have zero inside info, as always..but my crystal ball has never been 100% wrong ;) So we shall see. I think last 1/4 of the year will see an announcement from Leica. I also see in the fog what looks like a Q but with a different lens…not sure though. ;)

Olympus-logo

OLYMPUS

There may be a new E-M1 MKII coming by November. I predict this will be the most powerful Olympus Micro 4/3 ever devised and include some of the new features shown in their latest tough cam. Expect rock solid build, a more squared off appearance and unique to Olympus features that will once again show that Olympus innovates more than anyones else in digital imaging. I also see a large and beautiful EVF. Now, this is all a prediction, I have no inside info..if I did, I would be sued for giving it away, so let’s hope my crystal ball is still working after all of these years :) The E-M1 Mark II or E-M2 should be one slick professional M 4/3 camera with a new sensor and the best low light capabilities of M 4/3 to date and it will be FAST. I think this one will be huge for Olympus as in, a HUGE release announcement and it will be a big deal in the digital imaging world. My crystal ball fogged out before I could see details but I think this one will be quite awesome!

maxresdefault

SONY

Again, no inside info ever but my Crystal Ball, while foggy by the time I got to Sony showed me something massive..I saw the words BIG…SPECIAL..POWERFUL…and I do not think it was the body that is large, though it may be larger than the A7 series. I saw a bit of a square-ish shape, and sharp lines. Maybe the long rumored A9? If so, I except this to be a statement piece from Sony much like the NEX-7 was when it launched. Not sure yet…but Sony never ever disappoints!

I did see something with a huge letter N as well and it was NOT a DSLR. Hmmmmm

I hope you are all having a killer weekend as Summer approaches! More on Monday my friends!

 

May 242016
 

13275169_1134148689939131_1280755286_o

PRESS RELEASE: NEW GEAR – Olympus Tough TG Tracker!

Look at what Olympus has been up to! Many of you know about the TOUGH series of cameras. Rugged, waterproof, freezeproof, and a camera that can be taken to just about any weather condition or scenario you can imagine. With the new tracker Olympus has created the most capable TOUGH camera to date, and at a nice price. This one has 4K video, a 204 degree ultra wide angle lens, Field Sensors to judge location with GPS, altitude and water depth with a barometric pressure sensor, an ambient temp sensor and an accelerometer as well. The lens is an f/2 design as well. The camera looks awesome, looks tough as nails and seems to surpass any TOUGH camera to date. At a price of $349, I will be picking one up for those days in the pool, at the lake or when I want to shoot some cool video. Vacation to the Bahamas? This camera could get tons of use.

PRE-ORDER IT HERE at B&H PHOTO IN BLACK

PRE-ORDER IT AT B&H PHOTO IN GREEN

olympus_v104180bu000_stylus_tough_tg_tracker_action_1464061827000_1251124 1464062512000_IMG_633892

TRACK THE EXTRORDINARY: NEW OLYMPUS STYLUS TOUGH TG-TRACKER CAPTURES EVERY DETAIL OF YOUR ADVENTURES

Ultra HD 4K Video Comes Alive with High-Quality Imaging and Rich Log Data That Tells an Immersive Story

CENTER VALLEY, PA, May 24, 2016 — Olympus expands the outdoor video experience with the latest member of the Tough product family, the new Olympus Stylus Tough TG-Tracker. The Stylus Tough TG-Tracker is the first rugged experiential camera that combines Olympus’s Tough rugged capabilities with an advanced Field Sensor System,*1 a 204° ultra-wide-angle F2.0 high-speed lens and Ultra HD 4K 30p video capture to record brilliant action video with corresponding activity data. The Stylus Tough TG-Tracker’s built-in Field Sensors include GPS,*2 a barometric-pressure sensor, a temperature sensor, an e.Compass and an accelerometer. Data logs can be displayed simultaneously with recorded images using the Olympus Image Track app, enhancing the excitement of reliving outdoor action with an immersive, data-rich viewing experience.

Like all other cameras in the Olympus Tough™ series, the Stylus Tough TG-Tracker is optimized for the most extreme shooting environments, with five rugged capabilities: waterproof to depths of 100 feet,*3 dustproof,*4 shockproof from 7 feet,*5 freezeproof to 14°F,*6 and crushproof up to 220 pounds of force,*7 — no protective case required. The Stylus Tough TG-Tracker represents a new category of rugged cameras with its Field Sensor System that’s capable of capturing location, altitude and depth, g-force and air and water temperature while users record videos and still images of their outdoor adventures.

A high-intensity LED headlight is integrated into the camera body for shooting support in low-light conditions. The bundled SG-T01 Steady Grip helps with stable framing during hand-held shooting. The Olympus Stylus Tough TG-Tracker’s compact body and tilt-out LCD monitor provide for quick and easy video capture, including low- and high-angle shooting.

1464062512000_IMG_633894

*1 Because the GPS and other field sensors are not intended for use as strictly accurate measurement functions, under no circumstances are measured values (such as longitude and latitude, altitude, shooting direction and temperature) guaranteed. Additionally, information may differ from actual circumstances due to the effects of events such as natural disasters. *2 Depending on the country/region of use, different laws and regulations may be applicable regarding the use of the GPS function. Be sure to follow local laws and regulations. Turn off the GPS function in places where its use is forbidden or restricted, such as inside airplanes. Either the A-GPS Utility computer software or the Olympus Image Track app is required to update the Assist GPS data. *3 Waterproof functionality is equivalent to JIS/IEC protection class 8 (IPX8) according to tests performed following our in-house methods. *4 Equivalent to JIS/IEC protection class 6 (IPX6) according to tests performed following our in-house methods. *5 When the LCD monitor is closed, the Lens Protector is attached and the Mount Coupling, grip and Underwater Lens Protector are not attached, according to tests performed following our in-house methods. *6 The number of shots that can be recorded is reduced at very low temperatures. *7 When the LCD monitor is closed, the Lens Protector is attached and the Mount Coupling, grip and Underwater Lens Protector are not attached, according to tests performed following our in-house methods.

U.S. Pricing and Availability

The Olympus Stylus Tough TG-Tracker will be available in green and black beginning in June 2016 with an estimated street price of $349.99 (U.S.) and $479.99 (Canada).
For a complete list of specifications, visit the Olympus website:

http://www.getolympus.com/us/en/digitalcameras/tough/tg-tracker.html

Main Features

Field Sensor System for capturing all the action of outdoor adventures

The wearable-device market has expanded in recent years, offering ways to automatically record location information, steps walked, calories burned and other life-logging data. In the same spirit, the new Olympus Stylus Tough TG-Tracker is equipped with the Field Sensor System, which includes GPS, a barometric-pressure sensor, a temperature sensor, an e.Compass and an accelerometer. Users can select from three different display options on the LCD monitor, including a compass display, level display, and log display, to show the data captured via these sensors. Log Mode records data without video for extended time periods.

1) GPS
The camera uses GPS (with GLONASS and QZSS functionality) to precisely calculate the user’s latitude and longitude from satellite signals. Additionally, Assist GPS can significantly increase the speed of the system’s positioning calculations by downloading satellite information ahead of time using the Olympus A-GPS Utility computer app or the Olympus Image Track smart-device app.

2) Barometric-pressure sensor
Altitude and water depth are calculated based on air- and water-pressure information. When the camera is submerged below a depth of half a meter, the Underwater Detector will automatically switch the camera to the optimal mode for shooting underwater so you can focus on getting the best shot without worrying about complicated controls. The monitor log display will also automatically switch from altitude to water-depth information.

3) Temperature sensor
This sensor records ambient temperature with a high degree of precision. The Stylus Tough TG-Tracker captures water temperature in both Video and Log Mode, and air temperature in Log Mode only.

4) e.Compass
This sensor tracks the direction in which the camera lens is being pointed. It provides an easy way to confirm direction when shooting outdoors.

5) Accelerometer
This sensor measures acceleration (g-force) on three axes to record the photographer’s movements. When a preset acceleration level is detected while a video is being recorded, the Chapter Function*1 automatically identifies and bookmarks the moment. This feature supports editing and playback of exciting scenes, like when jumping and landing in intense sports such as snowboarding and motocross. Users may choose from two levels of acceleration or may turn this feature off.

Rugged capabilities: waterproof, dustproof, shockproof, freezeproof and crushproof

With its sealed construction, the Stylus Tough TG-Tracker is waterproof to depths of 100 feet (30 meters). The waterproof seal also makes the camera dustproof, so users don’t have to worry when operating the Stylus Tough TG-Tracker in dusty areas. The dual-layer chassis makes for superb shockproof performance, allowing the camera to clear drop tests from heights of up to 7 feet (2.1 meters). Operation is guaranteed in temperatures as low as 14°F (-10°C), so you can shoot in cold-weather environments where other digital devices fear to tread. The Stylus Tough TG-Tracker also boasts a rigid construction that can withstand loads of up to 220 pounds of force (100 kilograms of force).

High-quality images captured with an ultra-wide-angle lens

1) 204° ultra-wide-angle F2.0 high-speed lens
The Stylus Tough TG-Tracker’s ultra-wide-angle lens was developed using advanced optical technology. Its 204° angle of view is wider than that which can be captured by the human eye, allowing it to record action videos with a dramatic perspective, especially useful for ultra-wide views of outdoor sports scenes.

2) TruePicTM VII for 4K Image Processor and backlit CMOS sensor
The Stylus Tough TG-Tracker is equipped with the TruePicTM VII for 4K Image Processor, the latest iteration of the TruePicTM image processors used in the Olympus OM-D and PEN compact system cameras, now with 4K video capability.*2 It quickly processes data from the high-sensitivity, low-noise backlit CMOS sensor to produce high-quality images.

4. Versatile shooting style and superb controls

The compact body provides for quick and easy video capture no matter your shooting style, allowing low- and high-angle camerawork. An SG-T01 Steady Grip is bundled with the camera to help with stable framing during hand-held shooting.*3 The MC-T01 Mount Coupling comes with a small mirror on the front to assist in capturing wide-angle group selfies.*4 The high-intensity LED Headlight is built into the camera body for shooting support in low-light conditions.*5 Its quick-action operation lets you swiftly illuminate subjects for high-quality imaging. Even when the camera is turned off, users can press and hold the Info button to activate the headlight for standalone use.

5. Compatibility with the Olympus Image Track smart-device app

The Stylus Tough TG-Tracker is equipped with built-in Wi-Fi.*6 Using the exclusive Olympus Image Track app, users can easily transfer videos recorded on the camera, along with field data, to a smart device. Users can also display the log data and view images simultaneously, enjoying the experience of the shooting environment during playback. Within the app, the data display can be switched between geographical information and altitude/depth information to best match the scene, and data is saved so that users can conveniently check the information at any time.

Other Features

l Time Lapse Movie mode*7 for fixed-point observation of movement such as crowds of people, clouds crossing the sky or flowers opening.
l Loop Recording function for easier video-data handling.
l Bundled with the UP-T01 Underwater Lens Protector for underwater shooting.*8
l Graphical user interface (GUI) for intuitive control.
l Electronic 5-Axis Image Stabilization*9 for compensation of every kind of camera motion.
l 4K Video playback via HDMI connection.
l Remote control and image transfer with the Olympus Image Share app.

May 092016
 
DSC09554B

DSC09554B

QUICK COMPARE: Sony RX10III at 600mm vs Olympus PEN-F at 600mm

Just for fun! Was checking out the Sony RX10III today (I have written up a small piece on it a while ago HERE) alongside the Olympus PEN-F with Olympus 300mm f/4 pro and since both can do 600mm equivalent, I figured why not see what kind of difference there is between the two at 600mm. The RX10 III, a small all in one with a 24-600MM equivalent lens on it and the Oly is a mirrorless body with a pro level Olympus 300mm prime, which gives us a 600mm equiv field of view.

Now this is not a scientific test but man, the RX10 III is quite the camera. Think about it. For $1200 you get an all in one with zoom lens that will get you between 24-600mm. THAT IS HUGE! You have 4K video capabilities, you have a full swivel LCD, and a great EVF. It’s quick and has great IQ for a small 1″ sensor camera. The PEN-F is just a gorgeous camera all the way around. Sleek, sexy, and delivers stunning IQ with all of the unique features we have come to enjoy with Olympus cameras.

The RX10 III comes in at $1498.00. Pretty pricey for a all in one zoom 1″ sensor camera. BUT then again, getting all of what it offers is quite amazing for this size and price. It even has a manual aperture dial and gives us 60mm at f/4. Same as the Olympus 300mm pro.

The Olympus PEN comes in at $1199 body only and the 300mm f/4 Pro is $2499 with a 2 month wait list. $3600.

Here are some just for fun snaps at 600mm with both. NOTHING FANCY, but you get the idea. The Olympus pairing will give you more shallow DOF, and richer files with better Dynamic Range. The Sony offers small and light, with a powerful built in lens capable of 600mm at f/4.

1st OLYMPUS, 2nd SONY – CLICK THEM FOR LARGER

OLYMPUS DIGITAL CAMERA

DSC09729

1st Olympus, 2nd Sony – CLICK THEM FOR LARGER!

OLYMPUS DIGITAL CAMERA

DSC09722

1st Olympus, 2nd Sony

OLYMPUS DIGITAL CAMERA

DSC09717

1st Olympus, then Sony

OLYMPUS DIGITAL CAMERA

DSC09748

At the end of the day, the Sony is a damn powerful camera for those who are looking for an all in one, vacation cam, kids cam, family cam, video cam, backup cam or for those who want to photograph birds or wildlife.

The Olympus is a more attractive package but also much more expensive. The Olympus will offer better IQ due to the larger sensor but be prepared to get a workout! The 300mm pro is heavy and large but it’s a beautiful piece of glass, a work of art and a pro tool without question.

Just shows that today, digital imaging tech is as good as it has ever been, and we still have amazing choices as photographers, hobbyists and enthusiasts in the mirrorless world.

I WILL SOON BE PUTTING UP FULL REVIEWS OF THE SONY RX10III, THE SONY 50 1.8, 70-300 AND A6300. ALSO, FULL REVIEW ON THE 300MM F/4 PRO FROM OLYMPUS! AFTER THAT, A PANASONIC GX85 REVIEW AND THE VOIGTLANDER 15 F/4.5 REVIEW FOR EMOUNT! ALSO, the new LEICA 90-280 with SL will be reviewed! Wooo, lots of work! 

May 092016
 
OLYMPUS DIGITAL CAMERA

The OLYMPUS PEN F Experience

PEN-F-SLV_left_M75mmF18_BLK_ECG4

By Thomas Ludwig of COSYSPEED

Thanks Steve for the opportunity to share my thoughts about the PEN F on your amazing blog. You are doing super great work and I feel inspired everyday!

It’s a sexy little camera, the PEN F. Many would use it as a street photography camera and that’s the way I wanted to review it. My focus was also on the way it fits into a CAMSLINGER bag and how this combo works on the streets.

JPGs out of cam are extremely good, so I didn’t touch the RAWs at all. All images in this review, except product images, are straight out of cam, shot in Monochrome Mode II with added grain and vignette. That’s the way I would have processed them in Lightroom.

FACES – The OLYMPUS PEN F in Lübeck/Germany

OLYMPUS DIGITAL CAMERA

The PEN F in the Streets

Some days ago I got the chance to test the new Olympus PEN F together with some Olympus prime lenses and I was curious to see how it performs. As many others like Steve have already mentioned all features of the PEN F in their reviews, I will only focus on street photography with the retro stylish micro 43 camera – of course to my personal needs and habits.

When shooting on the streets most important to me is image quality and focusing abilities. And so this review is mainly focused on these points. In fact it ended up being a PEN F / Monochrome Mode review, as I liked the JPGs right out of the cam.

For those of you who don’t like to read long texts: The PEN F is a timeless designed camera, that you will enjoy for many years. In my eyes it is already iconic, just like it’s forefather PEN F from the 70’s. I enjoyed using it every minute especially because of the JPGs that I could use without editing – this gave back HUGE fun to my style of street photography.

 OBSERVED

OLYMPUS DIGITAL CAMERA

The setup

Olympus PEN F | Olympus 12mm/F2 | Olympus 17mm/F1.8 | Olympus 45mm/F1.8 | Spare Battery | Olympus Macro Converter

All packed in a CAMSLINGER 160 with STUFFBAG 30

CAMSLINGER 160 and PEN F

003 CAMSLINGER 160 and PEN F

BEAUTIFUL GRAIN and NICE LOOK – All images in this review are shot in Monochrome Mode II with Grain and Vigenette added. This was made all in cam.

OLYMPUS DIGITAL CAMERA

TIRE and WOOD
NICE DETAILS and RICH TONALITY – The new sensor in the PEN F delivers plenty of detail. Tonality of the Out Of Cam JPGs is simply great!

OLYMPUS DIGITAL CAMERA

Image Quality

Actually I had only two full days of street shooting with the little Oly. So I went to Lübeck in my neighborhood, a city next to Hamburg/Germany. I shot in RAW and JPG, while for JPG I used the Monochrome II filter, added some vignette and grain – all IN cam which is absolutely great. I would have converted the RAWs this way in Lightroom and so I was keen to see how the JPGs would look like on the screen of my PC. And they looked great! That great, that I even didn’t touch the RAWs. So all the images in this review are out of cam without ANY editing. To me this worked 100% to my taste. High ISO? This is an overrated point IMHO, nevertheless the PEN F delivers very well images up to ISO 3200 and if used in Monochrome Mode with Grain, you can go higher without any problems.

Besides the cool design of the cam this is maybe the strongest point of the PEN F in my opinion – beeing free of editing and post processing and getting what I want right out of the cam.

SOMEDAY

OLYMPUS DIGITAL CAMERA

CHURCH

OLYMPUS DIGITAL CAMERA

OUT OF THE LIGHT

OLYMPUS DIGITAL CAMERA

SPRING

OLYMPUS DIGITAL CAMERA

TUNNEL

OLYMPUS DIGITAL CAMERA

Handling

The PEN F handles very nicely. Due to a missing grip, it is maybe not as comfortable to hold as a SONY a6000 or LUMIX GX8, but there’s an optional grip available if you need it. To me it was absolutely fine. Especially because the PEN F feels very premium and it’s a pleasure just to hold it in your hand. All the dials feel durable and solidly made. The UI with so many physical controls needs some time to get used to, but as soon as you know where all functions are, it makes photographing much easier.

The design reminescense to the original PEN F from the 70ies is especially visible with the silver PEN F model. Look at these lovely curves and lines!

PEN F

011 PEN F

Focusing in the streets

I’m using mostly three focus methods when in the streets:

#1 – Single point auto focus
#2 – Continuous auto focus with subject tracking
#3 – Hyperfocal focusing

#1 – Single point auto focus

The auto focus of modern micro 43 cameras is so quick, that to focus and to trigger is almost one process. And so I was using single point auto focus most of the time and with moving subjects I had about 95% in focus, even when using the little 17mm/F1.8 wide open. The focus of the PEN F is insanely quick and accurate in single point mode. To me there was nothing left to desire.

WHAT DO YOU THINK – Single Point Auto Focus works amazingly quick and accurate

OLYMPUS DIGITAL CAMERA

#2 – Continuous auto focus with subject tracking

Actually this method seems to be the most charming. Set your focus point and the cam will track it until you press the shutter. However continuous auto focus with subject tracking turned out to be not very effective on the PEN F. I’d say that 50% of my shots were out of focus. I guess this is a firmware problem and can hopefully be fixed in the future. However focus is not all!

WELCOME TO THE GYM – Not in focus but I like it anyway

OLYMPUS DIGITAL CAMERA

#3 – Hyperfocal focusing

Set a distance in manual focus mode and just trigger, when you think your subject is in the frame as you like it. Sounds easy but in fact hyperfocal focusing is tricky if you like to get some DOF. The more you open the aperture, the thinner is the in focus area. The day in Lübeck all images where more or less out of focus, when using this method because I was shooting wide open all the time. If set to F10 I’d say 99% would have been in focus. I know now, that I have to improve my skills :-)

The OLYMPUS 17/1.8 and 12/2.0 are very well suited to this focusing method, as they have a manual mode with distance scale!

ROSARY, MISHABA or MALA – Hyperfocal focusing wide open is difficult

OLYMPUS DIGITAL CAMERA

The PEN F in a CAMSLINGER

A CAMSLINGER bag is all about quick, single-handed operation and designed to wear at the hip. I fixed the included FINGERCAMSTRAP to the cam and was able to grab the PEN F within a second out of my little bag. But the On/Off switch is on the left side of the PEN F and so one needs always a second-hand to turn it on. As soon as you have a coffee in your left hand or fix yourself while standing in a shaking subway with one hand, then you could of course access and draw the PEN F quickly out of the CAMSLINGER, but not take a photo. So I never switched the cam off and had it always in stand-by in my CAMSLINGER. This may cost a bit of battery power, but fixed my little problem easily.

CAMSLINGER 160 and PEN F 015 CAMSLINGER 160 and PEN F (1)

015 CAMSLINGER 160 and PEN F (2)

015 CAMSLINGER 160 and PEN F (4)

015 CAMSLINGER 160 and PEN F (5)

Carrying the PEN F and gear in a CAMSLINGER at the hip, is extremely comfortable. As your upper body is free of belts and straps, your neck will never hurt. In fact it is almost as quick to grab your cam, as it would be with a sling strap – but the PEN F was always protected, when not in use. I prefered to use the slimmer CAMSLINGER 160 then the more space offering CAMSLINGER Streetomatic. The 160 is just perfect for rangefinder styled cameras like the PEN F.

THOMAS IN LÜBECK WITH CAMSLINGER AND PEN F

OLYMPUS DIGITAL CAMERA

Conclusion

The PEN F is a marvelous piece of camera design and delivers stunning images. It’s technology is up-to-date and will be for many years. I’m hoping a firmware update will lift the tracking abilities on the professional level of the OLYMPUS EM-1, because this is a feature that makes street photography much easier.

The possibility to get final results right out of the cam is pretty cool and gives a further kick to the fun I had with the PEN F. So just go out, shoot and come back with images that are simply ready – to some this is might be a game changing benefit!

The PEN F is one of these rare cameras that one will use for many years and so a good medicine against G.A.S. :-). The timeless design and great build qualty makes a camera that is simply gorgeous! If you are looking for a street photography camera – go for the PEN F!

 

Reference: COSYSPEED

B&H PHOTO: COSYSPEED BAGS

FROM STEVE: Thanks Thomas! Many of you may not realize I met Thomas in Las Vegas a couple of years back where we shot a Street Shooting video. Thomas is an amazing man and he has a great passion for photography, that was very clear when we met. Below is the video we shot while there, was a great memory I will never forget.

 

May 062016
 

OLYMPUS DIGITAL CAMERA

Crazy Comparison! Voigtlander 15 E Mount, Sony 16-35, Olympus 7-14!

Hey guys! Happy Friday! This has been a hectic week for me, so there have been fewer posts this week but have no fear, a CRAZY COMPARISON is here to kick off your weekend! Hehe. Since I have a serious combo of wide angle lenses here I figured I’s step out in my backyard this morning (while still in my Pajamas) and take a few side by side shots with these lenses.

The new Voigtlander 15 f/4.5 for E mount is here, the Sony/Zeiss 16-35 has been with me since it was launched (I use this lens often for video) and the Olympus PEN-F and 7-14 happened to be in front of me as well. So why not take them out in the back and see how they stack up with some real world silly snapshots? This is not a scientific hardcore test, it is for fun.

All images are from RAW, none have any post processing and yes, I am barefoot because it’s already hot here in Phoenix, with temps already hitting triple digits earlier in the week..so no socks for me ;)

When going out my thought was that the Olympus would provide the sharpest of the images due  to the Micro 4/3 sensor which is small compared to a full frame like we have in the Sony, and we all know that ultra wides and full frame cameras are still nowhere near perfect at the edges. After this test it just solidifies my belief that Olympus and Panasonic have a great thing going with Micro 4/3. The only weaknesses it has over the mighty Sony is low light, where the Sony just kills the Olympus (or Panasonic) and for SHALLOW DEPTH OF FIELD, which is MUCH easier to obtain on a full frame camera. Other than that, the little PEN-F is still impressing me.

So let’s get to these silly shots..

1st Up, around 8:50 AM in the corner of my backyard. Wanted to look at the edges a bit as I was seeing the Voigtlander, upon close inspection had some soft edges. You can click on the images below to see them larger with full 100% crops. I noticed the Voigtlander underexposes a bit when using the A7RII meter (as we all do). It’s also softer in the edges than the Sony/Zeiss 16-35. The Olympus, here, IMO is the best in the corners and the overall image/color/vibrance but less res of course than the full frame Sony beast. 

ZEISS16-35WALLCORNER

VOIHGTLANDERBACKWALLCORNER

OLYMPUS DIGITAL CAMERA

Yep, my bare feet..it’s HOT in Phoenix AZ this time of year. View at your own risk but if you want to take that dare, click the images for larger versions. Again, the Olympus, to me, did the best but also, less resolution. That Olympus 7-14 is a stunner and the best built of the three as well. 

1635ZEISSAT16

VOIGT15FORE

OLYMPUS DIGITAL CAMERA

Let’s look at some prices of these kits:

The Sony A7RII is $3198 at Amazon.  For me, it has been well worth it as it is my #1 goto. I have a few Sony cameras, a couple of Olympus, a couple Leica and today my lens collection is quite large. I used to sell off lenses as I stopped using them, then I realized I usually regretted selling them. But the Sony A7RII is my most used camera for all of my shooting. Olympus comes next with the PEN-F and then the Leica SL. That’s my gear list as of now.

The Sony/Zeiss 16-35 F/4 comes in at $1248 at Amazon.  So add this to the A7RII and we are looking at $4450. That’s a ton of cash for a camera and one F/4 wide angle lens, but again, this combo has given me LOADS of use for video work where I needed Auto Focus.

The Voigtlander 15 f/4.5 for E mount is $799 at CameraQuest.com – It’s much smaller than the Sony, and lighter. It is manual focus but it zooms in as soon as you turn the focus dial, making manual focus a breeze. This lens and an A7RII comes in at around $4000. Quite pricey still.

The Olympus PEN-F comes in at $1199 at Amazon.  For $2,000 less than an A7RII you will have a smaller, sleeker and just as capable camera in most light. Sure, it’s not full frame and you will suffer in low light or when you want massive bokeh blow out, but other than that these Micro 4/3 cameras are quiet stunning.

DSC09685

The Olympus 7-14 is an f/2.8 lens, and in their PRO line. It is STUNNING. It comes in at $1199, same as the PEN-F.  Cost of this lens and the PEN-F? $2400, almost half of the Sony/Zeiss setup. STILL expensive when you consider most use a cel phone and a wide angle lens adapter for these types of things these days :)

I love them all and feel lucky to have tools to choose from these days and I feel lucky to be a camera nerd. :) Today we have the best digital solutions we have ever had.

Let’s do one more comparison…

Looking at this we can see what we know, that smaller sensors can do wide angle with less issues..click them for larger. I prefer the Olympus here for tonality, and the way the image is presented. THOUGH the Olympus was the only one to flare here. 

zeisswall

voigtwall

OLYMPUS DIGITAL CAMERA

At the end of the day, in this world of cel phone cameras and less and less of the world interested in megabuck cameras, I feel the entire higher end digital market is going the way of the true enthusiast. There are many of us that would NEVER use our phone as our main camera just as there are many who would never buy a $4000 setup to take some snaps of their dogs or kids. Sure, I use my iPhone on occasion, when I do not have my real camera. But never have I taken an iPhone shot and said “WOW, this looks like my Leica and Noctilux”! Hehehe. I see cameras and lenses such as the ones discussed here for the ENTHUSIAST, like me. We love well made gear, we love a camera that fits our hand like a glove and we love a REAL camera that does what we want it to. So these cameras and lenses are still going strong even though I get emails daily asking me to review cel phones, yes I do.

I love them all, and they all have their strengths, like the bodies and lenses above. I still prefer my Sony 16-35 over the new Voigtlander for E mount though. The Voigtlander is underexposing on occasion, does have some slightly soft corners (as does the Zeiss) and is not as vibrant as what I get from the Sony/Zeiss 16-35 (My review of that lens is HERE). With that said, the Voigtlander is a joy to use, is smaller and lighter and less expensive. I could be happy with either for wide angle use. Then we have the little PEN and the 7-14 which I feel is giving me the best IQ for my tastes (with ultra wide – but the least resolution due to the smaller sensor)! I am going to have to start using it more ;)

What do you guys use as your wide angle solution in the 15mm range?

REFERENCE: Sony 16-35 Review, Sony A7RII Review, Olympus PEN-F Review, Olympus 7-14 Review, 1st look Voigtlander.

Apr 272016
 

OLYMPUS DIGITAL CAMERA

FIRST LOOK: My 1st day with the new Olympus 300mm F/4 Pro Lens. It’s a Beauty!

By Steve Huff

8369055_orig

The Olympus 300mm F/4 Pro. Every now and again you get a product in your hands and say WOW, this IS QUALITY. I mean, I have never been a long telephoto guy, ever. I usually maxed out at 150mm though back many years ago I did own a Canon 70-300 DO and a 100-400 that I had loads of fun with. Either way, I am a standard 24, 35, 50, 75, 90 kind of guy, just what I am used to. When Olympus decided to ship me their new 300mm f/4 Pro which is a full pro lens weather sealed, built like a tank, and has on board IS as well as giving us a 600mm equivalent field of view. Yes, 600mm. You can even add the teleconverter on to make it even more insane.

Just two days ago this lens appeared on my doorstep, as if by magic a man in a brown shirt and shorts dropped it off! Was incredible, lol.

I have used this lens before, though VERY briefly. While in Austin with Olympus a while ago we were all able to use the 300mm for a few moments and then I knew it was quite special though using a 600mm equivalent lens, you need to be in some wide spaces or else forget it! Being in your kitchen with 600mm is not something that is useful. But shooting wildlife or sports or race cars or whatever you need 600mm worth of reach for, this will do the trick.

PRO-300mm-700x443

My 1st thoughts after a day at the zoo with it is that it is incredibly sharp, easy to handhold and again, built to pro specs, very impressive. Of course, it should be used on a pro body like an E-M1 but I was using it on the newest PEN-F, which I just adore. This camera is so gorgeous, so slim, so nicely made and designed and the color and IQ are also top notch.

I will have a full review down the road of this incredible optic but I have never used a 300mm (or 600mm) quite this nice. It is well worth the cost of $2499 for someone who loves long telephoto primes of uncompromising quality. I mean, a Canon 600mm f/4 is over $11,000.  $2499 for the same equivilant FOV in an equally as well made lens, is quite, well, incredible. Olympus, to me, makes the best lenses next to Leica when it comes to size, color, quality and design and while this is a huge long lens and for a certain type of photography, Olympus knows how to make fantastic lenses and their Micro 4/3 system is still an amazing IQ machine here in 2016, with their bodies better than ever.

See my PEN-F review here if you missed that and take a look at the 1st samples below I shot yesterday at the zoo. FULL review with more samples will be coming soon BUT I just wanted to share my enthusiasm for this lens, it is so so beautiful!!! A 300MM DOES NOT SEEM TO GET ANY BETTER THAN THIS. In fact, for some, this lens may be a reason to shoot Olympus. It’s that good. 

You can order the Olympus 300mm F/4 Pro at B&H Photo or Amazon

CLICK ALL images for larger view. None have been edited. Most from RAW. All handheld with a PEN-F.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

 

PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I receive 100-300 emails a DAY). Because of this, I could use YOUR help to cover my costs for this free information that is provided on a daily basis. 

To help out it is simple, and no, I am not asking you for a penny!!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time (250 hours a month, and about $3000 per month).

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link (not the B&H) and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, Twitter, or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees nor do I (nor will I ever) charge for reviews, so your donations go a long way to keeping this site loaded with useful content. If you choose to help out, I thank you from the bottom of my heart.

Apr 092016
 

5

Five Reasons why I prefer Mirrorless to a DSLR, ANY DSLR…

By Steve Huff

You know, ever since the humble beginnings of this website I have been drawn to smaller, sexier and cameras that have fun factor and mojo to them. I started this site with a Leica M8 review due to my love for what was at the time, IMO, the sexiest digital camera available. It was so different from the standard DSLR’s that flooded the digital camera market for so long. It was small, but had a serious heft, feeling like it was made out of a block of stone. The viewfinder on a Leica M has always been a tried and true old school rangefinder, which offered a much more challenging experience, at first. Soon, it became my favorite way of “seeing” with a camera viewfinder.

The Leica M8 had a good run, but when the full frame M9 hit, all hell broke loose. At the time, the only full frame digital cameras were things like the Canon 5D and Nikon D700. The M9 hit and there it was, a full frame camera that was much smaller than any DSLR. The M lenses were and are tiny in comparison to DSLR lenses (due to being manual focus) and the M9 made an amazing small, but very well made (better made than any DSLR) full frame powerhouse, with image quality that could no be matched, at the time, by any camera. Even today no camera can recreate the look of the old M9, not even the M 240 which is Leica’s latest M camera.

LEICA-M-P-CORRESPONDENT-SET-CREATED-BY-LENNY-KRAVITZ-FOR-KRAVITZ-DESIGN

But this article is not about Leica, I only mention the M8 and M9 as I feel, for me, these are the cameras that were very important at the time they were released, as there was simply no other full frame offerings that could come close to the build, size and performance (as long as we had decent light of course, those early Leica’s were not so hot in low light). The M9 was huge for Leica, they sold a ton of them and it was the M9 that had Leica selling out their entire stock of M glass for months at at time. Wait lists were long, and Leica was riding the new mirrorless wave. There was a reason for this, and it is called TIMING.

LEICA T AND NEW 35 SUMMILUX 1.4 T Click it for larger.

L1080067b

Soon after the M8 and M9, other companies started releasing convincing mirrorless cameras that lived up to the promise of smaller size, and more fun factor but many of them were flawed with lack of lenses, slow AF or quirky performance. Many looked gorgeous, like the Olympus EP1, but it was so dog slow, had no EVF 0r OVF and it had only a couple good lenses to choose from. Panasonic made waves with the GF1 and soon, many were on the mirrorless train, but it was a slow road. Over the years these companies were releasing body after body but the lenses were taking time. This caused the DSLR crowd to predict the demise of mirrorless … “What good is a small body if you do not have good lenses”..

Then Olympus and Panasonic started kicking ass  by releasing amazing lenses that were small and performed incredibly well. Fast primes with attractive jewel like design and stunning performance. Lenses like the Olympus 75 1.8, 45 1.8 and the Panasonic 20 1.7 and the drool worthy Nocticron..today we have LOADS of lenses for the Micro 4/3 system, all we could ever want or need from ultra wide 7-14 or 8mm fisheye to 300mm fast pro primes and consumer zooms.

OLYMPUS DIGITAL CAMERA

Fuji was going full steam ahead as well, let us not forget about them! Fuji created TONS of excitement for mirrorless with the original Fuji X100. Many were saying “Now I can have my affordable Leica M style camera”..some were calling it a rangefinder, of which is most certainly was and is not, but it gave us the same kind of feeling as using one. Image quality was up there with the M9 even though the X100 was an APS-C camera and not full frame. Low light slaughtered the M9 and many feel the X100 was the start of Leica’s sales decline. See, Leica attracted the MASSES with the M9, unlike what they have done before (and after). The masses came out for the worlds first full frame mirrorless camera, which was the M9, there was nOTHING like it. I was getting THOUSANDS of emails over 6 months about the Leica M9 from normal joe’s who heard about it and was intrigued, even at the high price tag. When the X100 came out, that halted Leica’s mystique a bit as many saw the X100 as being like an M. While it was not, in any way – not in build, feel, shooting experience, or output, an M, it resembled one with its shape, and put out fantastic performance, so that was plenty good enough for the masses, at 1/6th the price.

Sony 24-70 G Master and Sony A7RII. Click for larger!

DSC04497

When Sony hit the market with the original A7 series, I was excited by the possibilities. Attaching Leica M glass to it, shooting great full frame video, and having this full frame powerhouse taking up less space in my bag than a DSLR. While the A7 was larger than anything from Olympus, Panasonic or the other guys, it was indeed full frame. Much like the Leica M9, the Sony had the same benefits, but more of them. While the Sony was nowhere near as beautiful in design, build or feel as the Leica M9, the sensor inside the Sony was much more versatile. Able to capture scenes with massive Dynamic Range (the M9 did not have a huge DR) and even at night with low light high ISO performance that was cutting edge (unlike the Leica which suffered even at ISO 1250). Add swivel LCD’s and the EVF and video performance and you had an all in one powerhouse that was smaller than an APS-C DSLR yet full frame. Again, the weakness was LENSES. Sony had a 28-70 kit zoom that was average, and a couple of primes, the 35 2.8 and 55 1.8 Zeiss.

New-Sony-A7rII-camera-rumors

I jumped in but over time realized the A7 series would need a lot of polishing to get up to speed and be better than most of what was out there. Soon we had more lenses, and more bodies. The A7 and A7R were replaced with the A7II, A7RII and A7S and A7SII. NOW we are talking! The MK II bodies improved the shape, build, and feel of the old A7 series. Also, the AF speed was improved quite a bit and we had a better EVF and better specs all the way around. Lenses I love for my A7RII are the Sony/Zeiss 16-35, Sony/Zeiss 35 1.4, Loxia 50 and the new Sony 85 1.4 G Master which is just gorgeous. The new 70-300 looked very promising as well.

Sony 24-70 G Master – A7RII

DSC00275

Sony 85 1.4 G Master – A7RII

DSC04541

Today there are tons of lenses for Olympus, Panasonic, Fuji, Sony and always have been for Leica. The choice of high quality Mirrorless systems out there today is head spinning. Most looking to dive into mirrorless TODAY have a tough choice, and again, I get so many emails asking me “which one should I get” and I do not really answer those questions as a camera choice is personal, and should be made by the buyer, not me! With that said, I love them all but my faves, today are still Leica, Sony, Olympus and a couple Fuji models. After using them all, shooting with them all, for me, these brands make cameras that just fit “me”.

fujix100s

Leica’s M 240 is a beautiful camera in every way but with so many other full frame offerings today (from Sony) the Leica M 240 did not sell as well as the M9. The Olympus E-M1 and PEN-F are fantastic as well, mature cameras that perform to a high standard, look and feel amazing and just “work”. Sony is on a roll with the RX1RII which I have not even mentioned yet! The RX1R for me, was a huge step forward for Sony as they created a SMALLER than Leica M full frame mirrorless with a Zeiss 35 f/2 that beat Leica’s own 35 Summicron (and the Leica lens cost more than the entire CAMERA and LENS from Sony). To me, one of the most magical cameras ever made was the RX1RII, for IQ. The new Mark II has slightly different image rendering and color but has improved the AF speed and performance. I own the RX1RII and adore it and use it for personal shots all the time.

Click it for better version – Sony RX1RII

DSC09992

With an RX1RII I could not even imagine wanting to replace it with a large bulky full frame DSLR and 35mm lens that would be 3X the size, 4X the weight and not even perform as well. The RX1RII is an amazing tool, if  you can handle 35mm. The Leica Q also rocks but is $1000 more, much larger and has a 28mm. I prefer the Sony in every way but many prefer the Leica. Personal pref, and both are two of the best most practical mirrorless cameras released in recent times with IQ that is tough to beat.

RX1RII and the Leica Q

Screen Shot 2016-04-09 at 10.52.48 AM

OH! I totally forgot this article was titled “Five reasons why I prefer mirrorless to DSLRs”..so before I start on another long ramble, lets get to that:

  • THEY ARE SMALLER, PERIOD. Even the larger mirrorless cameras, the Sony A7 Mark II series, are smaller than even APS-C DSLR’s while providing performance that trounces them in many areas. Low light, Dynamic Range, Sharpness, EVF over small OVF, and very good AF performance. Add something like a Voigtlander 40 2.8 to an A7 series body and you have a small powerhouse (and you can not use this lens on a DSLR). Add a HUGE 24-70 G Master lens and the fight gets closer for size but even so, still smaller in the body, which is the part you HOLD. The part that must be comfy in your hands. The Sony wins in size over ANY FULL FRAME DSLR, to which it must be compared. Take a 5DII and 24-70 and it will be larger and heavier than the Sony yet we lose the EVF, swivel LCD, and that nice Sony sensor DR and ISO performance. There is a reason Sony leads in the sensor department, they make the best. So I will choose the Sony over any DSLR due to size, features (did I say 5 Axis IS inside)? Make no mistake, the Sony A7 Mark II series may have some large pro lenses but as a whole, it is still smaller and more enjoyable for me to use over a full frame DSLR and  those large pro lenses? For me they beat the Canon and Nikon equivalents in IQ and build, so why not use them on a smaller body? Hmmmm. Take on a Olympus PEN-F or Panasonic GX-8 or Fuji X100 and you are at a whole new level of small, light and with amazing IQ. Mirrorless wins the size game every time.

A7RII vs Nikon D810 – SIZE body only. 

Screen Shot 2016-04-09 at 10.53.34 AM

  • LENSES! There are now plenty of lenses to choose from! No excuses now! Fuji, Sony, Panasonic, Olympus and Leica all have great lenses available for their mirrorless systems. Some are tiny like the Sony full frame 28 f/2 and 50 1.8, some are large and some are small and incredible (almost any prime from Olympus).
  • FUNCTION! EVF, Tilt LCD and something like 5 AXIS IS inside are things you will not see in a mirrored DSLR. While I appreciate that MANY prefer a good OVF to a good EVF I think many OVF die hards have not shot through an incredible EVF yet. Something like the Leica SL offers an EVF experience that beats ANY OVF, hands down. It’s incredible. Using a Sony A7 or Olympus E-M1 or even a Fuji X-T1 offers more function and is more versatile than any DSLR I have ever shot with. Things with Olympus like Live Bulb, Live Time and Live composite is changing the way we shoot astro. Things like this we do not see in DSLR’s.
  • ABILITY TO USE 3rd PARTY LENSES: These new mirrorless cameras work very well with Leica M lenses these days, any M mount lens in fact. I can buy a used M lens for $300 and get amazing shots with character when mounted on a Sony, Fuji or even Olympus camera. Can’t do that on ANY DSLR (mount a Leica M mount lens to it). I love shooting my Sony with a 50 Jupiter or even 50 Noctilux. We can now use these incredible lenses on something other than a $7k Leica.
  • PROGRESSION: Never have I seen technology in digital imaging move so fast. Mirrorless is moving ahead with new innovations, new designs, and new tech. EVery year we have some kind of new progression in mirrorless while DSLR’s remain pretty much the same in looks, style, function and everything else. In my eyes, DSLR’s today are getting stale. Mirrorless today is energizing so many with the size, tech inside and the things we can do with them in a much easier way than ANY DSLR. (something like shooting the night and seeing your exposure develop in real time using Olympus’s LIVE TIME)

rx1rII

There are more reasons like being able to pick up something like a Fuji X100 or Sony RX1 and just be UBER light. No lenses, no bag needed. But you will come back with impressive high quality shots. The mirrorless world is growing, and sales are strong for some, stronger than DSLR’s in some cases. I remember 10 years ago (or so) going to disneyland and seeing so many with big DSLR’s around their neck (I had a Leica M7 and 35 Lux) and thought “WHY would they do that”! Today if I go to Disneyland I see MANY with small mirrorless cameras, but mostly all use their phones or even iPads for their photo and video. THIS is why DSLR’s are also losing steam with the average Joe’s of the world. While Fuji and Sony helped slow Leica’s M sales, I see the phones slowing DSLR sales. See, the mass public used to walk into Best Buy and say “I want to look like a pro”, and they would buy a DSLR and then realize that simply buying one will not make them a pro! They end up using it for a few weeks and then sitting it on a shelf due to size and disappointment. These days, the masses use their smart phones so while a few still go to Best Buy and buy those DSLR’s they have on display, as they know their phone can not compete, that number is MUCH lower today than 10 or even 5 years ago.

Leica Q

L1000127

Olympus PEN-F

OLYMPUS DIGITAL CAMERA

Today many have been trained by their phones (for small size and ease of use) and when they go to buy a real camera, they want something SMALLER, something FUN, not a huge DSLR. They see cameras from Sony and Fuji and think “WOW, this is smaller and looks great”, this is why the original Sony A6000 did SO WELL and sold in huge numbers. So for most of the public, the smart phone is the way to go. For most Enthusiasts and Hobbyists, Mirrorless is the choice. For most PROS who shoot weddings, Sports or wildlife, DSLR’s are still king but that is starting to also go the way of mirrorless. While many predicted the doom of Mirrorless years ago, I will say here now that I predict a continuing downward slide for the DSLR over the next few years. Eventually, Canon and Nikon are going to have to give in and create a kick ass mirrorless system. Otherwise they face the reality of even more shrinking sales over the long term. I guess time will tell but the way I see it is that mirrorless gives us smaller size, more function and features, an experience which is more fun that using a DSLR.. and today, IQ is no longer a compromise as it was a few years ago. We can have it all and then some with mirrorless today, and that is a good thing.

Steve

FACEBOOKhttps://www.facebook.com/stevehuffphoto/\

ALL Mirrorless Camera Review – MIRRORLESS CENTRAL

————————————–

PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I receive 100-300 emails a DAY). Because of this, I could use YOUR help to cover my costs for this free information that is provided on a daily basis. 

To help out it is simple, and no, I am not asking you for a penny!!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time (250 hours a month, and about $3000 per month).

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link (not the B&H) and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, Twitter, or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees nor do I (nor will I ever) charge for reviews, so your donations go a long way to keeping this site loaded with useful content. If you choose to help out, I thank you from the bottom of my heart.

——————————————-

Apr 072016
 

New York through the Olympus 7-14 Pro Lens

by Mohamed El Barkani

Hi Steve!

I hope you are doing great and had an amazing weekend. I’m a reader of your blog since I discovered it last year and helped me moving to the Olympus OM-D system. Based on your reviews and experiences I bought the E-M10 which I really love. A few days I saw that you do offer the possibility to publish guest reports on your website. I would love to publish one article on your website and help other people.

E-M10MarkII-BLK_front_M14150II-BLK

Some background information to my person: I’m Mohamed El Barkani, born and raised in 1988 in Nador (Morocco), but I live in Germany (Rhine-Main area). I have always loved photography, but I have started to learn about photography since I bought my first DLSR during my semester abroad at the San Diego State University in California. The type of photography that I enjoy revolves around the urban and city environment and its stunning, often unnoticed architecture. I find myself photographing a lot of skylines, stations, building interiors and spiral staircases in cities around the world. In the field of architectural, night, cityscapes and long exposure photography I feel most comfortable, but I’m always keen to learn and try new photography techniques and always look forward to exploring new architecture and cities!

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

New York City, the city that never sleeps is one of the most beautiful places on Earth is the center of much activity. From arts to business and science, a lot goes on in NYC. Many photographers have tried to capture the gorgeousness of the city. The city that never sleeps has me immediately excited! Special buildings like the Empire State Building, Flatiron Building, Chrysler Building, the Statue of Liberty, Ground Zero, the impressive view from the Rockefeller Center, the peace in the Central Park, the lights of Times Square, the fantastic buildings such as the Grand Central Terminal or the Public Library on 5th Avenue. You can hardly find enough time for all the photo opportunities in the Big Apple and who likes skyscrapers will love New York!

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

I will send you the images in the next e-mail. Let me know if you are ok with the text, otherwise I will make some changes to fit better for your blog.

Best regards,
Mohamed

www.moelbar.com
www.facebook.com/moelbar
www.instagram.com/moelbar

Mar 292016
 

The Mirrorless Revolution is just Starting..

By Steve Huff

DSC04511

COMMENTARY

As I sit here in a Sony “Rountable” meting with all of Soy’s top people telling me about the past, present and future of their digital imaging business, things are looking very good for Sony. Sales are up, profits are solid and they are dedicated to releasing high quality premium digital imaging products to those like me and you, who love quality cameras, lenses and also camera that are fun to use, functional and provide us with the capability to create our own visions using a tool we enjoy and love.

Ever since Sony released the original NEX series, the 3 and 5 (my review here) I have been smitten with their unique out of the box thinking and while I have not loved or even liked every camera they have released (as I feel many have been a rehash of the same designs), I have adored a few of them and feel that Sony is now, without question, the one camera company that I feel is innovating and doing the most to push imaging tech forward. During  those early NEX 3 and 5 days, many dismissed mirrorless and for good reason. They were slow, sluggish and not very “user-friendly”  – but man how things have changed in a few short years.

The 1st Sony NEX. The NEX-3

nex3silver

While Sony IMO is the one doing the most innovating, this does not take away a thing from others who are also innovating. Companies like Olympus are doing great things with every camera release, and trust me, they have something really amazing planned for this year. I feel it in my gut!

Then we have companies like Leica who are trying very hard to release unique cameras that are different from anything else out there. Think the T, the SL and even the super popular Q (all have been reviewed here in detail). Sure, Fuji, Sigma and even Canon and Nikon who are also releasing amazing cameras but to be honest, what I see from them is more of the same..less innovation in every release and while something like a Fuji X Pro 2 is a beautiful camera (that I actually do indeed really like) it is Sony who just keeps pushing and creating cameras that can do more.

Serious Mirrorless: The Leica SL

Leica-SL-et-objectifs

While I feel Sony could have a redesign of some of their bodies, and even be more aggressive in what they are doing, I think they are on the right path and honestly, I can see them leapfrogging over Nikon in the near future. Sony is on a roll, sales wise and their popularity in the camera business is growing quickly and steadily for them.

Look at the brand new just announced RX10 III. I did not even review the Mark II version as I felt it was pretty much just like the Mark I (though it did have upgrades). I did not feel it was worth an upgrade to the II from the I and did not even want to do a review as I like to spend my time on cameras that I feel are really great and worth a purchase. It has to excite me these days to get a full long review and as I look back at my recent reviews over the past two years, the largest ones have been from Sony, Leica and Olympus.

Serious Lens Power: The new Sony RX10 III

DSC-RX10M3_carton1_bgbk

I will state right here, that these three camera companies above are my faves . Each of these are doing things that most others are not. Technology is getting quite amazing, even with something like the new Sony 4K HDR video, which looks so amazing. Yes, video in HDR 4K…think MASSIVE Dynamic Range instead of the cheesy HDR look of some images when they are overdone. But back to the new RX10 III. With its all new high quality 24-600mm f/2.4 – f/4 lens. Yes, f/2.4 at the wide end and f/4 at the long end, of 600MM. With this comes incredible opportunities for shooting. Macro, video, telephoto… it’s something that has never been done, which is what I am talking about here. I mean, who has made an all in one camera with a 24-600mm lens, a HIGH QUALITY lens no less, with a starting aperture of f/2.4? No one. Add to that the impressive video capabilities of this new offering. It will be a great solution for so many.

65X850C_Hero_HDR_4K-logo

While I was not a HUGE MASSIVE RX10 fan, I did enjoy the 1st one (see my review here) but this one changes the game of this series of camera. It could be an all in one for almost any personal, family or every day situation. So Sony is innovating constantly and this is what I love to see.

Some call me a “Sony Fan Boy”, Some call me an “Olympus Fanboy” and some even still call me a “Leica Fanboy”. I find these terms amusing as I am not a fanboy of anything, I just love quality. I love good build, consistent focus, smaller size, great lens choices, even is using a third party lens with adapter to get my vision out there.. and each of these brands offer all of that and more.

PEN-F-SLV_left_M75mmF18_BLK_ECG4

With that, I am thrilled to see what is happening in digital imaging these days. It seems we are getting more and more QUALITY offerings for those of us who enjoy these things (ME AND YOU) and while most of the world already own a camera in their smart phones, there are some of us who want more..a real experience and you just can not get that from a phone. At least I can’t. The feeling of holding something like a Leica M or Olympus PEN-F or Sony RX1 and using them is so much more satisfying to me than using a phone, or any DSLR.

Today, in 2016 we have choices. We can go DSLR and get great results. We can go tiny and get great results (Sony RX100) and we can go enthusiast and get amazing results with something like a Leica M, SL or Sony A7RII or A7SII.

While the death of the point and shoot is upon us, or past..the mirrorless revolution has just begun, and it’s getting so so good. Stay tuned my friends, there is so much to come this year.

Steve

Mar 232016
 

Photos of my watches

by Christopher Chia

I’m a hobbyist from Singapore and I would like to share some photos of watches. It’s a bit different from what I usually read from your website.

At work, I’m the guy to approach if there is an event which requires a photographer. So, I do a lot of event photography, free of course, to my employer. Recently, I was invited to give a photography talk to my colleagues. While preparing for my photography talk, I realized that I have a specialty, which is watch photography. Collecting watches is my other hobby and taking photos of watches daily is what I do.

I usually shoot watches with an Olympus EM10 coupled with the 25mm f1.8 lens or a Nikon D700 with a 100mm Tokina macro lens.

Here are some photos of my watches, hope you like them.

DSC_1738hea

DSC_2173seepa

DSC_2873aa

DSC_3278aa

Matching Chriscentro a

OLYMPUS DIGITAL CAMERA

DAGAZ

ME

OS

OS300

Regards
Christopher Chia

Mar 152016
 

Year of the Cat

by Hajdu Tamas

Hi Steve,

Usually I am not looking to photograph cats, but I seem to run into them every time I go for a stroll in town. They are rather cosmopolitan and perfectly adapted to the neighborhood life. I have selected a few of the most catchy shots.

all Photos were taken with Olympus EM5 + 17mm 1.8 , 45 mm 1.8

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA
regards,

Hajdu Tamas

Mar 092016
 

Alex Stars 3

Photo Contest from SteveHuffPhoto and Olympus! Win an Astrophotography Experience! 

Hello to all on this lovely Wednesday! I have some exciting news for all of you today as I have teamed up with Olympus to create this awesome photo contest where the winner will be awarded one spot in the upcoming Astrophotography Workshop (lodging included in Flagstaff, AZ) where you will Join Olympus Trailblazer (and my good friend) Alex McClure for his sold out Astro Photography workshop from May 6th to the 9th! Jamie Macdonald, another Olympus Trailblazer will also be there and when Jamie and Alex get together for something like this, believe me, it is so so so worth it. Both really know this kind of work VERY well.

But I am not trying to sell you on this workshop as it is sold out, instead Olympus wants to give one of you here a spot, which is perfect for ANYONE wanting to learn how to shoot the stars.

Photo by Alex McClure

Alex Stars 1

In order to capture stunning astro shots of the Milky Way and star paths, attendees will be staying at a 8,000 ft. elevation in Northern Arizona in some of the darkest skies in the U.S. The group will also be staying close enough to take day trips to the Grand Canyon and the red rocks of Sedona.

Yep, Sedona, Grand Canyon – amazing beauty in the Southwest, and the winner will have his or her workshop paid for along with all lodging. Just be sure that you are free May 6th-9th 2016! Travel/Airfare NOT included. 

Alex Stars 2

HOW TO ENTER and WIN?

Entering this contest is super easy but winning may be a challenge! Be sure to get your best shot ready for this! 

· Enter to win by tagging your best outdoor or astro image with #OlympusOutdoors on Facebook, Twitter or Instagram – Starting NOW!
· Prize: 1 spot in Olympus Trailblazer Alex McClure’s Astrophotography workshop (valued at $999.00, lodging included – travel and meals are not included in the prize) (see details here)
· Dates: May 6th to May 9th
· Olympus Trailblazer Jamie MacDonald will be onsite for further hands-on instruction

The workshop will take place for 3 nights from Friday, May 6th at 5pm to Monday, May 9th at 10am, offering hands-on instruction from Alex and Jamie, guided fieldwork, editing training, and helpful critiques of your digital files. Olympus cameras will also be on hand if you want to try out their abilities with Astro. This will be a fun, educational and fantastic workshop for  those with an interest in this type of shooting, and the locations will be beautiful.

All that would be required of the winner is to get to Arizona where it all begins on the 6th of May, Friday morning. The winner would connect with Alex McClure about carpooling to the event. The workshop and lodging will be covered by Olympus to the winner. This is a sold out workshop but there is room for one more, and it could be YOU. So get your best outdoor or Astro image and tag it on social media with #OlympusOutdoors (Facebook, Twitter or Instagram). 

Alex Stars 5

Get your best image ready and ENTER anytime between NOW and March 31st 2016 by posting your image using the hash tag #OlympusOutdoors on social media (FB, TWITTER and INSTAGRAM).

Only one entry per person please! 

Winner will be chosen on April 1st 2016 and announced HERE! 

Mar 082016
 

IR Photography with the Olympus E-PL2 – Three shots

by Thorben Bonarius

Dear Brandon and Steve!

I recently had the IR filter of my Olympus E-PL2 removed, so I took it on a tour to the Swiss Alps. All shots were taken with a Panasonic 14 mm lens equipped with a 830mm filter. Panos were stitched in Lightroom and processed to taste. Enjoy!

P9160745-Pano

P9180789-Pano

P9190813-Pano-2

Cheers
Thorben

Feb 092016
 

Pro’s moving to Mirrorless? Yes they are!

By Craig Roberts

em1silver2

Are pro’s moving to mirrorless cameras as well as amateurs and enthusiasts? Yes, they are. Is the quality good enough? Yes, it is. Can you still sell the images easily? Yes, you can. Are the images accepted by photo libraries? Yes, they are.

I made the move to mirrorless cameras a couple of years ago and use them for travel and landscape photography. I had intended to invest in the Fuji system with the XE-1, but trying both this and the Olympus E-M5 MK1 at a trade show, in my hands there was no question which felt best and I bought an E-M5 the next day.

The E-M5 has since made way for the E-M1, whilst a faulty E-PL5 was replaced with an E-P5. It’s a great combination of cameras and I have a great set of primes and zooms in the OMD system to cover all eventualities. I don’t like talking gear that much. To me it’s all about the image. The camera is just a tool and whether you choose Olympus, Fuji, Sony or Canon or Nikon for that matter, makes no difference to the end result. It’s the picture that’s important in the end, not what was used to create it.

19695

That said, mirrorless cameras have some great advantages over their digital SLR cousins and whilst they aren’t perfect, each of the Fuji, Sony and Olympus models have their plus and minus points.
The OMD system works for me as a landscape photographer. It suits me, the cameras feel good in my hands and the system matches my way of shooting and produces fantastic results. If I had chosen the Fuji or Sony instead, I’m sure I would have written the same sentence about them for this feature.

20825

I started off buying the selection of primes for the cameras, because I felt the small and compact size of the lenses, especially the Olympus ones, suited the smaller and more compact camera bodies. I love working with prime lenses and I like the discipline they force upon you. They make you consider your viewpoints more. They force you to see the world through their focal length and encourage you to put more thought into whether you should stick with that focal length or swop to another, much more than there would be with a zoom lens. Of course, they are smaller, generally faster and sharper than zoom lenses and everyone should have at least one fixed prime lens in their arsenal to appreciate the limited vision that they offer, which is a bonus, rather than a hindrance.

20625

22198

29987

I do have some zooms and they are useful for certain situations and subjects. There are times when changing lenses all the time is not convenient and so this is where zooms come into their own. Having spent the last 20 years shooting landscapes, I now, like many others, pass on my knowledge though workshops etc. In this changing world of photography, it has often become the way for landscape photographers to earn money from their profession. There’s not many photographers shooting and selling landscape images without using teaching as a way to top up their income.

20743

20286

20938

I use many was of teaching. Through location-based workshops, online courses, text-based articles and more recently through video. This last medium is an exciting one and a way of teaching that the others can’t match. I have a YouTube channel and I also a subscription service run from my website called e6, which offers even more videos and content. I teach about landscape photography and to a certain extent, the advantages of shooting with mirrorless cameras. I will rave about the Olympus system, but appreciate the choices others have made too. They all have their place and as I said at the beginning, the camera is merely a tool for an artist to use (we photographers are artists aren’t we?!)

I love photography and I love shooting with mirrorless cameras, just as I did with my Canon SLR and my Mamiya medium format camera before that come to think of it. I need a camera that suits my needs as a professional photographer. The Olympus does that in bucket loads and I’m happy to use these new breed of cameras as a workhorse for my work.

21850

22359

So, the images in this feature were all captured with Olympus cameras. They make fantastic landscape cameras, yet are equally perfect for street photography too. I’m capturing images that I probably never would have with my Canon SLR and they have made me a more creative photographer. They are part of my evolution as a photographer. Why? Because of their size, their design and their flexibility. Yes, they are just a tool, but if you have great tools to work with, your progress isn’t hindered.

My YouTube Channel:
www.youtube.com/channel/UCqRkV8eRVvxwVStV5May0rQ

My website:
www.craigrobertsphotography.co.uk

Jan 302016
 

Olympus PEN-F Pre-Order Links! SHIPS MARCH!

PEN-F-SLV_front_LCD-180_frontside_M12mmF2_BLK

THE PEN-F FROM OLYMPUS IS SELLING LIKE HOTCAKES!  MY REVIEW IS HERE.

Links below to pre-order at Amazon and B&H Photo, my two fave dealers for Olympus. 

AMAZON (PRIME) – SILVERBLACK

B&H PHOTO – SILVERBLACK

Using these links above will help me keep the site moving forward and help deliver reviews for years to come. You will not pay extra, but I will get pennies on the dollar which is what helps make this site continue to be 100% FREE and full of valuable info, THOUSANDS of articles, posts, reviews and more. ALL FREE. The actual real cost to keep this site going smooth month after month costs big money, and since I refuse to charge money for these reviews I rely on the readers to use my links to help out. It’s easy, and free to you. So if you are thinking of buying a PEN-F, using the links above will help me greatly!

The PEN-F will ship starting March 2016. Also, pre-orders are not charged until shipped, so pre-ordering will always ensure your place in line but can be canceled anytime. I always pre-order new gear immediately because I know if I change my mind, I can cancel it, no harm. If I decide to keep the order, I will be one of the first to get it! It’s a win all the way around.

SO THANK YOU IF YOU USE MY LINKS ON THIS SITE! YOU ARE APPRECIATED!

Follow

Get every new post delivered to your Inbox

Join other followers: