Oct 172014
 

In Praise of Micro 4/3 and a Visit to Monet’s Garden

By Richard Gilsig

Hi Steve. I stumbled onto your site, about a year ago and it was your reviews that led me to choose M4/3 as my small travel system. Thank you very much. Love your Site. Please keep up the great work. About me: Photography has been an on-again, off-again hobby for about 50 years. Without doubt, going digital has been revitalizing. I’m hooked on simple post-processing with iPhoto (minor tweaks but lots of cropping).

As for my shooting experience, I love the convenience of zooms and not missing shots/fumbling with changing lenses (and I fumble a lot). Yet looking back on my photography, my favourite images are almost always from primes. And so began my search for where the smallest possible interchangeable body/lense meets the largest possible sensor. Steve’s high praise of M4/3 glass pointed me in the right direction.

I bucked up for the GM1 with kit 12-32mm and Olympus 45mm f1.8. I’m impressed with I.Q., pleased with the stealth that small size facilitates, and most of all, thrilled that my wife is more tolerant of my new tiny travel rig which does take less of my attention and energy than toting either APS or Full Frame.

I’ve always been a fan of Monet. His ability to capture how colour and reflections change with changing light is ian inspiration to many of us. This past June, I had the opportunity to visit Givernay and Monet’s Garden. These are my favourites from that sunny day late in June.

 

Path to Lily Pond, Lumix 12-32 at 16mm, f8, 1/800sec, iso 200

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1 wing frozen. Olympus 45mm, f1.8. 1/2000sec, iso 200

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Centre Crop (1/3 of original image), Olympus 45mm, f1.8, 1/10,000sec, iso 125

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Bridge, Olympus 45mm, f5, 1/320sec, iso125

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Left Crop (1/3 of original image), f5, 1/400sec, iso 125

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Rowboat, f5.6, 1/100sec, iso 1250

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Jul 212014
 

USER REPORT: The Olympus 35mm f3.5 Macro and Samyang 85 f1.4 on the Panasonic G6

By Francis Thompson

Hi Steve, I’d like to share my experiences of shooting with my Panasonic G6 and a couple of interesting lenses.
First, a (very) brief introduction; I’m a design student from England with an interest in photography, and I’m currently in Ireland on a work placement (designing UAVs to carry the likes of RED cameras!) Along with my G6 and 20mm f1.7 II, my camera bag usually includes two rather less conventional, non-native lenses – first, the Olympus 35mm f3.5 macro, and secondly the Samyang 85mm f1.4. The Olympus 35mm f3.5 macro is a Four Thirds lens; as the previous owner of an E-420, this is the one lens I hung onto. With the Panasonic 4/3-MFT adaptor, it’s very well-balanced on the G6, and autofocus actually works better than it did on the E-420. That’s not saying a whole lot though; AF is incredibly slow, hunting in all light and missing AF pretty regularly. However, there’s a whole raft of better choices in native MFT at similar focal lengths. Where this lens shines is up close and personal. With a maximum magnification of 1:1 (2:1 35mm equivalent) this lens lets you get very close. At 35mm, it’s possibly not the best for some more shy subjects such as butterflies, but for more static subjects it’s a great choice. MF is very usable, especially using focus aids or peaking in MFT bodies.

Whilst it lacks some macro specific features like focus limiting, it’s worth considering that at the time of writing, a new 35mm macro plus 4/3 to MFT adaptor would still set you back considerably less than either the Panasonic or Olympus MFT native macro lenses.
The Samyang 85mm f1.4 is a brute of a lens. Big, heavy, tough to focus…yet somehow, I find myself inexplicably drawn to it time after time. Shooting handheld with the G6 can be a pain, as supporting the weight of it often leads to accidental button presses. Whilst the lens balances somewhat poorly on the G6, I imagine many of the smaller bodies would be even more difficult to use with it; GH3/4 and EM1 users might have more luck. Other associated issues with it are very shallow DOF wide open, making focussing difficult, and the fact it doesn’t have a hard infinity stop (mine focusses a fraction past infinity). The relatively long focal length also limits low light handheld performance (the unbalanced nature of the body/lens combo leads to realistic usable shutter speed limit of 1/250s.)

The problems don’t stop there; the lens is soft wide open, the included lens hood and cap aren’t great, and the 72mm filters it takes tend to be a fair bit pricier than the usual 52 or 58mm found on many MFT lenses. But somehow, despite all the problems, despite the tens of just-missed-focus images in my folders, the big 85 is the lens I leave on my camera most of the time. It’s a lens that makes you work for good shots, but I for one enjoy the challenge and the results it presents when you get it just right.
All images shot in RAW, minimal processing in ACR.

Samyang 85mm  (4)

Samyang 85mm  (5)

Samyang 85mm  (6)

Samyang 85mm  (7)

Olympus 35mm (6)

Olympus 35mm (7)

Samyang 85mm  (1)

Samyang 85mm  (2)

Samyang 85mm  (3)

Olympus 35mm (1)

Olympus 35mm (2)

Olympus 35mm (3)

Olympus 35mm (4)

Olympus 35mm (5)

Jul 142014
 

Shooting Skateboarders with Micro 4/3

By Tony Zhang

Hello everybody, first of all, I would like to thank Steve and Brandon for providing me with this opportunity to share my thoughts. I am a daily visitor of this site and I really appreciate this opportunity. This is the first time I have written anything remotely formal on the internet so please bear with me and my more than likely boring rant about skateboarding, photography, filmmaking and my gear.

My name is Tony, I am seventeen years old and I live in New Zealand. I discovered photography about two years ago. I am a skateboarder, and about two years ago I wanted to purchase a camera to make videos of my friends and myself skating around and doing tricks. After many hours of internet research later, I decided to shell out my savings on a Canon t4i, kit lens, 50mm f1.8 and a 6.5mm fisheye. My primary interest was video but I inevitably found my way to the world of photography. I eventually sold my kit lens and 50mm and sprung for a Canon 17-55mm f2.8 IS. I was convinced that my setup was good enough(not only in terms of image quality, but also usability, size and weight) for both my video and photo purposes, until I discovered mirrorless and micro 4/3rds.

I feel that skateboarding photography is very different to other forms of photography. For good results, much knowledge about the activity is essential. Knowing exactly what time to press the shutter button, by the millisecond, when shooting a particular trick is essential, a photo early or late by milliseconds is often the difference between a keeper or a throwaway.

Unlike other sports photographers, who are often seen with a behemoth of a DSLR and 100000mm telephoto lens, firing non stop in continuous autofocus mode from the sideline(no offense intended), a skateboard photographer shoots and skates with his friends, he is often down on the ground or up on the roof, in the blazing sun, struggling almost as much as the skateboarder trying to land the trick. The photographer is almost part of the action.

You may notice that for many of my ‘trick’ photos, I use a fisheye lens. The fisheye is a staple in the world of skate photography and it is used to get the camera up close to the spot and skater, to distort the environment, often making the ledge, rail, stair set or other obstacle involved in the trick look much bigger, and hence the stunt more impressive.

Camera rig

Many amateur and professional skate photographers frequently use external strobes and off camera flashes to help freeze the fast-moving action and to light the subject up better. Many amazing skate photos are taken with many external flashes. However, I have never used off camera lighting. Mainly because carrying around so much equipment while cruising around town on a skateboard is a pain, but also because it is a laborious process which somewhat takes the fun out of shooting. (I will also admit that I am a bit intimidated by off camera lighting because it all seems so confusing)

I love skate photography because it captures the life, adventures, talents and efforts of myself and my friends. It is a difficult and special form of photography. I also enjoy the pressures of skate photography, waiting for the skater for hours to land the trick, hoping that the lighting does not change rapidly, getting up high or down low into uncomfortable positions to get the shot, the risk of injury or damaged equipment (my fisheye lens has been hit multiple times by skateboards as a result of being too close), and the chance of getting told of by security, these factors are all parts of skate photography. It is never a controlled environment and I truly enjoy these challenges.

Air(g6)

Backside heelflip(g6)

For the first few months, I was very satisfied with my camera setup. However, after learning more, filming and shooting more, I developed the feeling that something was missing, the ergonomics of a DSLR was not ideal for shooting video, mainly due to the lack of an electronic viewfinder, I had to use a large and cumbersome stick on viewfinder when shooting video. A video mode with 60 frames per second is essential for skating due to the need for slow motion at times, and Canon DSLRs only have 60fps in a softened 720p mode, filled with moire and aliasing artifacts. Despite being an excellent all round lens, the size, weight and front/back focusing issues of the 17-55mm f2.8, was irritating. I longed for a smaller camera with an electronic viewfinder and clean 1080p video in 60 frames per second.

There are few mirrorless cameras with aspc sized sensors that provided clean 1080p 60fps video, good video and stills ergonomics, a good, wide enough fisheye lens option, and an external 3.5mm mic input. Enter micro 4/3rds, after months and months of internet lurking. I decided that the Panasonic g6 would be the best all round camera for my purposes at a good price point. At the start of 2014, I sold my entire camera setup but kept my external microphone and homemade handle which I use for filming ‘lines’ (a video clip in which I am on my skateboard, following a skater with my camera and fisheye lens low to the ground and close to the skater, filming him do several tricks in a sequence.) I purchased the Panasonic g6, the Bower 7.5mm f3.5 fisheye, the Panasonic Leica 25mm f1.4 and the Panasonic 14-140mm f3.5-5.6 zoom lens. For me, this was the best all round compromise for stills and video that I could afford. I chose the g6 over the gx7 due to the external mic jack and overall ergonomics, and the gh3 due to the price difference. I find the difference in stills quality between the g6 sensor and my past Canon DSLR sensor to be negligible, and in fact I find contrast detect autofocus to be more reliable. However the difference in video quality and ergonomics between the two setups is worlds apart. I prefer the electronic viewfinder for both stills and video. The touch pad AF function on the g6 is perfect for my style of shooting, this, along with the accurate contrast based autofocus and the 25mm f1.4 makes shooting much more enjoyable than it was on my Canon. I do not require lightning fast tracking autofocus because when shooting tricks, I prefocus on a spot and lock the focus. Nothing else I shoot moves at a fast pace, and contrast detect autofocus works perfectly for my needs. The 7fps burst rate is very useful and I have the camera set to burst mode almost all the time.

Chill(g6)

Frontside noseblunt(g6)

Kickflip(g6)

I love the Panasonic 25mm f1.4, I try to use it as much as I can. The depth of field is shallow enough for me and I love the rendering and micro contrast of the lens. I often shoot wide open, and the 25mm is very sharp wide open. I also purchased a polaroid variable ND filter for about $30 USD so I can shoot video wide open during the day, the quality of the filter is excellent for video, there is a slight compromise for stills but I am not at all bothered by the incremental reduction in sharpness. The fisheye lens is compact, sharp and solid, however I do wish that it had a slightly wider field of view and increased barrel distortion. It is noticeably less wide than its aps-c DSLR counterpart which I had. I purchased the 14-140mm zoom planning to just use it for video, but its stills capability is also very decent, I find depth of field at the long end to be very adequate for portraits given that there is enough working distance. The OIS works amazingly, I can sometimes shoot fairly steady handheld video at the very telephoto end. I use it mostly for zooming video shots (unlike in usual filmmaking, many traditional skateboarding clips have some sort of zooming action in them, so video nerds please don’t rip me to shreds), however, I still wish I had a typical camcorder style zoom rocker.

Mum(g6)

Nollie crooked grind(g6)

With my birthday money, Chinese New Years red bag money(haha many of you will know what I am talking about), and addition chip ins from my parents for doing surprisingly well in my SATs first try, I purchased a Ricoh GR. I originally had my eye on the Fuji x100s, but it was not pocketable and cost too much. I wanted the GR because of it’s tiny size, ergonomics and it looked fun to use. It is a camera that fits in my pocket, I take it with me almost everywhere in the weekends, often without the intent of taking photos at all. The GR is the camera that allows me to get candid photos of my friends and out skateboarding adventures without me having to take out my big(ger) camera(and often removing it from my homemade handle.) I was originally worried I may not have been able to adjust to a 28mm prime lens and expected myself to frequently use the 35mm crop mode(which by the way is excellent), but I quickly found it to be the perfect ‘storytelling’ lens, wide enough to include many elements in the photo putting the shot into precise context. I also find the 28mm equivalent perspective very dynamic and lively, unlike many telephoto focal lengths which appear distant, compressed and flat(but this is good for many things). I usually shoot in TAV mode with the aperture wide open or at f5.6, and use it typically up to ISO 3200. Much to my surprise, I found the in camera raw developer to be very useful and fun to use, I especially like the positive film effect. The low light performance of the GR is great, the handling and interface are amazing, the sharpness is incredible throughout the aperture range., it is built well and most of all, it is fun to use. The 28mm and 50mm prime combo I have is great for most of my purposes when it comes to stills.

Ollie(trick) - Wynyard quarter(g6)

Portrait(g6)

However, nothing is perfect. Despite all the benefits of my new camera setup, I can still find some noticeable flaws, no deal breakers though. Firstly, the build quality of the Panasonic g6 is questionable. Being part of the entry-level range, the buttons feel slightly flimsy and often have a slight delay, this is especially noticeable when I want to scroll through photos, or quickly change the aperture or shutter speed. It is not a big deal however, just takes some getting used to. I wish there was a flatter picture style for video so I could squeeze out some more dynamic range when filming. When in manual mode, there is no constant exposure preview in the viewfinder and screen, the viewfinder always displays a correctly exposed image, this is frustrating as one of the main benefits of an electronic viewfinder is to have a constant preview of the exact exposure. The eyecup of the viewfinder is also very hard and uncomfortable, and I am unable to tightly press it against my eye for stability, much better than nothing though. The 25mm f1.4 is almost perfect, but I do wish it were a bit smaller and had a reversible lens hood, with the hood attached it is quite big. Chromatic aberration is also a concern, however this is easily removed in Lightroom. When filming with the 14-140mm, I sometimes notice slight shifts out of focus for milliseconds before coming back to focus while zooming, even when in manual mode, meaning that it is not a true parfocal lens. This is usually not an issue, but frustrating at times.

Push(g6)

Squat(g6)

The Ricoh GR, for what it is, is close to perfect, however there is a risk of sensor dust attraction. After about a month, I noticed a slight speck of dust on the sensor, it is noticeable when I shoot a picture of a white wall, however it cannot be seen in most situations. It is annoying but usually not an issue. I also wish that there was a manual video mode, I know it is a camera completely designed for stills but some sort of control in video would be nice. A slightly faster maximum aperture would have been nice, I really like the surreal look of wide-angle photos with shallow depth of field, however I understand that the size of the GR would have been compromised. A pop up EVF would be amazing, I have gotten used to shooting with the screen and it is fine, even in sunny conditions, but after seeing the Sony Rx100 iii, I really wish my GR also had one. Perhaps I am asking for a bit too much here.

Backside smith grind(gr)

Lastly, for those who care, here is my homemade camera rig/handle I have mentioned a few times. It allows me to shoot much steadier video due to the extra weight, as well as to film ‘lines’ due to the top handle. Prior to this, I had the Opteka X-grip, but it felt flimsy, was too big and wasn’t really efficient. I drew a few sketches of what I wanted on paper, then purchased various parts off eBay to put it together. The camera slides in and is connected by the hotshoe screw at the top as well as the quick release plate at the bottom. The height is adjustable and the frame can extend enough to fit some entry level full frame cameras. There is no frame on the left side so my LCD screen can flip out, and I mounted my external microphone(sony ms908c) upside down on the side so the rig fits in my bag without me having to take it apart. The quick release plate is a recent addition. With the plate added, it takes about 3 seconds to take the camera on or off the rig, without it, that time lengthens to about twenty seconds. If anyone is interested in the pieces. required, I am more than happy to send you a list of parts and how to put it together. By the way, the photo of the rig itself was taken on my Ricoh GR, wide open at ISO 1600 in raw and then processed in camera with the positive film effect.

Here is my Flickr- https://www.flickr.com/photos/87200229@N04/

Instagram- http://instagram.com/t_zhangg

Youtube channel- https://www.youtube.com/user/TonyZhangsChannel

I would really appreciate it if you could view my photos follow me on instagram and flickr, I know I don’t have much content, in fact, hardly any, most of my work is kept to myself. But rest assured that I have been steadily uploading more and will continue to put out more content.

Most of you will probably have little to no interest in skateboarding, but it would mean a lot to me if you could click on my channel and watch a few videos, it would really help me out, even better if you subscribe!

Once again, many thanks to Steve and Brandon for this opportunity, as well as to all of you who have taken time out of your day to read my article. I apologise for my rambling and heavy digression into video. I really enjoyed writing up this user report, it has allowed me to thoroughly rant about my thoughts. I hope that this report has been informative or useful to some of you who may be considering the Panasonic g6 or Ricoh GR, despite all the flaws I pointed out, they are excellent cameras(Trust me, I could tear any camera to pieces). Being able to carry around so much camera gear but still have the overall weight and size of it all being fairly minimal is amazing, especially when I skate around town with everything in my backpack. However, in the end, it is not about the equipment you have, but how you use it and your creative vision. No matter how good your gear is, there is always room for its improvement. People have create amazing images with mediocre gear, so try not to be like me and go crazy about gear, instead focus on the actual process of taking photos and your final product. But let’s be honest, talking about gear is pretty fun :)

Cheers,
Tony

Filming(gr)

Frontside bluntslide(gr)

Lurk(gr)

Sunset(gr)

Jun 132014
 

Panasonic GH4 in stock now!

The latest and greatest Micro 4/3 (for video at least) is now in stock at B&H Photo at the link below. Check out the user reviews of this guy..49 five star reviews. I have not yet had a chance to test this one but will within the next few weeks. Many have been waiting for this to be in stock, so here you go..now if your chance if you are one who has been wanting a GH4. Many swear by the GH series and to some, they are hands down the best Micro 4/3 available.

You can read more about the GH4 or buy it HERE. 

 

gh4instock2

Jun 102014
 

User report on Panasonic GX7  and Panasonic 14-140 Zoom

By Cláudio Franco

Konichiwa, Steve and Brandon,

I love sushi, always read many mangas (Japanese comics), seen a lot of Japanese TV series, read stories about samurai’s, played as a ninja when I was a kid. Visiting Japan was a dream. After some years of insistence, I convinced my wife to go on vacation to the land of the morning sun. Yay! We visited Tokyo, Nikko, Kamakura, Osaka, Kyoto, Nara and Tokyo once again during a 22 days’ vacation.

When on vacation my wife takes care of the logistics (hotel, transportation, what to do, maps) and I learn the language, register the expenses, photograph the tours, and I like to think that I make sure we do what she suggests we should do. We never hire an aboriginal or a tour and in Japan, it was not different. Lonely Planet’s guides, Triposo mobile app, TripAdvisor, City Maps to Go mobile app and local maps are our source of information.

We live in Rio de Janeiro, Brazil. To reach Japan we took a 14h flight to Dubai, United Emirates, had an “airport tea” for 4h, then we took another 12h flight. In total, it was a 30h trip to get to the other side of the world. Until last year, I was a Canon shooter. I had a Canon EOS 5D Mark III, Canon Speedlite 600EX-RT and some Canon f2.8 lenses (24-70mm, 70-200mm and 40mm). Due to the heavy weight (approximately 3.8kg), that was hurting my back and taking away the fun of photographing, before this trip I sold everything. After a lot of deliberation, I decided to buy a Panasonic Lumix DMC-GX7 and a Panasonic Lumix G VARIO 14-140mm f/3.5-5.6 lens.

There is not much to say about Panasonic Lumix DMC-GX7. It is a little marvel. It is sexy, has a built-in tiltable EVF that I use whenever I need a waist or lower level picture. The autofocus is one of the best in its category. The IQ is very good and the RAW files are very forgiving. I just do not like the time it takes to write the files to the memory card (mine is a Lexar Professional SDHC 32GB 400x).

Panasonic Lumix G VARIO 14-140mm f/3.5-5.6 is a very good travel lens. It covers a long focal length, it is light and small, the anti-shake system is quite effective, it is faster than most lenses of similar and shorter focal lengths and it produces satisfyingly sharp images. The autofocus is fast and almost never misses a spot. The only problems are that in low light situations, you have to use higher ISOs or lower speeds and the bokeh is not that creamy for portraiture. Panasonic GX7 does not have a 0 sec anti-shock feature so when needed I had set the timer to 1sec. This has shown to be quite effective.

Daibutsuden, Todai-ji, Nara

Lumix G Vario 14-140/f3.5-5.6 @ 34mm F4.5 1/10s ISO 200

FOTO 1

 

Ok, let us get back to the trip.

Tokyo is one of the largest cities in the world. There is an awful lot of people living there, but everything is very clean and organized. I do not know how they manage it because trashcans are a rare product to find. Due to the dry climate, they do not dry their hands after washing. So no trash cans in the restrooms either. Go figure… There are many shinto temples all over the city. The temples provides water for washing the hands and rinsing the mouth before approaching the shrine. The altar is off limits unless you are getting married there or mourning for a deceased parent whose ashes are being deposited there or something of the sort. Around every temple, you will find shops selling all kinds of religious trinkets.

To ask your favor, you should deposit a coin in a wooden box placed in front of the altar, ring a bell, bow twice, clap your hands twice, ask the favor, bow once and leave it for the next supplicant.

 The temple store, Todai-ji, Nara

Lumix G Vario 14-140/f3.5-5.6 @ 69mm F5.4 1/160s ISO 200

FOTO 2

Reading the news on 43rumors I found out that I could buy the Panasonic Leica DG Nocticron 42.5mm f/1.2 lens (a mouthful indeed) in Japan. So one night I told my wife I would like to buy it and we settled that I would go to the closest shop and try to buy it there. If they did not have the lens, I would leave it for other opportunity. I said to myself: “yeah, right”. When I got to the nearest Bic Camera, after a lot of mimic and poor English communication I found out that the lens was vanishing from the shops and that I had to go to a bigger branch to find it. So there I went to Bic Camera in Shibuya where there are the most crowded street corner of the world and the statue of Hachiko. Yodobashi did not have the lens.

 “Where do all these people come from?”, Shibuya

Lumix G Vario 14-140/f3.5-5.6 @ 28mm F4.3 1/6s ISO 200

FOTO 3

Again, after a lot of mimic the attendant told me I would find the lens only in the Bic Camera shop on the other side of the railway station. Shibuya Station is no ordinary station, it has a shopping mall with floors over and under the level of the street and many people coming and going as well. I knew crossing the station was not an easy task, we tried to do it before and it was confusing. However, this time it would be different, I was alone, I was focused, I was blessed by the divine spirits of ancient photographers.

I entered the station and started to follow the signs. Straight ahead. Left. That way. Right. Straight ahead. After what seemed like forever, I went out of the station. Hooray! I was in the same place I have entered… Oh, man… It was already late and the shop was about to close. I thought to myself that it was it. I would not buy the lens. I had failed. Therefore, there I went strolling around the block searching for another big shop to buy this elusive lens. Of course, it was nowhere to be found. When I was almost giving up, I saw the passage to the other side.

How stupid of me, it was outside the station to the right in plain sight. I was time for another try out. After neverending 5 minutes, I reached the shop where I met a laughing sales clerk that was awaiting for my arrival. He sold what was probably the last Panasonic Leica DG Nocticron 42.5mm f/1.2 of Tokyo. Mission accomplished! It was almost 10PM, I was hungry but I was happy beyond measure. The lens is awesome! It is a little heavy but nothing like a DSLR cousin. It is sharp even fully open at f1.2, has a creamy bokeh, and I love the colors it produces. I did not like it being made of metal, because it is heavier than plastic and less resistant to scratches and bumps.

 A Japanese guy studying at a Starbucks, Tokyo

Leica DG Noctitron 42.5/f1.2 @ f1.2 1/100s ISO 400

FOTO 4

From Tokyo we visited Nikko and Kamakura,then we spent a week in Osaka from where we visited both Nara and Kyoto. Except for the food, that we did not like that much, this trip was the realization of a dream.

The highlights of this trip were:

1) The Daibutsu, a huge bronze statue of Buddha at Kotoku-in Temple, in Kamakura;

2) The Todai-ji temple, in Nara, a temple listed as UNESCO World Heritage Site;

3) The wild dears living freely in the gardens and parks of Nara;

4) Seeing mount Fuji from the Shinkansen, high-speed rail line; and

5) Watching sumo wrestling tournament in Ryogoku Kokugikan.

 

Feeding the dears, Nara

Lumix G Vario 14-140/f3.5-5.6 @ 46mm f4.9 1/320s ISO 200

FOTO 5

Sumo at Ryogoku Kokugikan, Tokyo

Lumix G Vario 14-140/f3.5-5.6 @ 140mm f5.6 1/250s ISO 1600

FOTO 6

When we returned to Tokyo, Panasonic Lumix G Leica DG Summilux 15mm f/1.7 was already on sale on the shops and already fading. It would be unwise to revive another adventure searching for this grail, so I bought it on the first opportunity. The 15mm is indeed a great street photo lens, fast autofocus, very sharp, and almost no distortion, considering even though the sensor has a 2x crop factor, it is still a 15mm. The rubber lens cap is very good and easier to remove and replace than the plastic cap.

 Tokyo Station, Tokyo

Leica DG Summilux 15/f1.7 @ f1.7 1/125s ISO 800

FOTO 7

Well, that was pretty much it. If Japan were not so far away from Brazil I would consider going there more often. It was really worth it.

For more information and pictures, please go to:

http://claudiohfg.com

http://instagram.com/klaudiohfg

https://www.flickr.com/photos/claudiohfg/

https://www.facebook.com/claudiohfg

Sayonara gozaimasu!

May 292014
 

Why I Love The Panasonic 20mm 1.7

By Thomas Le Vine

Hi Steve & Brandon

I know I am not alone in this, but it truly is such an amazing lens. If you own something like an OM-D or suitable Panasonic, nothing offers better results for the money. Yes I do dream about the colour and character of Leica, the bokeh of voigtlanders or the all round perfectness of Canon’s 85mm 1.2 L series lens…but really for portability for general speed and optical quality as well as character, pleasant bokeh and detail, the 20mm 1.7 is a winner. I just shoot for fun and do as little as possible post processing in lightroom, so I am by no means an expert or a pixel peeper, so it really is just my opinion. But just to add some weight to my argument, I have attached a selection of shots I took with the E-M5 and 20mm 1.7 over the last year or so, that I feel give an idea of the range of applications this lens is capable of. Some macro, long exposure, low light, street style, portraiture and black and white.
Love the site, love the reviews and stevehuffphoto continues to be a firm favourite even while other sites lose their edge or human feel. Keep it up.

Regards from South Africa

Tom

You can see a selection of my photos here: www.tinybritishhipster.com .

A very small odd looking praying mantis (finger shot for scale)

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A very tiny gecko perched on my finger

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Stars in the Drakensberg mountains

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‘Street Style’ at Africa Cup of Nations

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Kids

brucey (Custom)

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And a few black and white shots

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Apr 152014
 

A Panasonic GX7 and 20 1.7 II Update..still a great combo!

By Steve Huff

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Just a quick update for all of you Micro 4/3 shooters out there. As some of you know, I have been shooting with Olympus cameras for the past couple of years and LOVING them, specifically the wonderful E-M1. I also enjoyed the Panasonic GX7 when I reviewed it but for me it did not stick around because I was loving the Olympus E-M1 so much. Recently I came across a used Panasonic GX7 in black along with a 20 1.7 II lens and I have been shooting it here and there for the past two weeks. Nothing major, just enjoying it and having fun with it! The only way to be!

Snapped a quick shot of this couple on a chilly day in Sedona. The guy saw me and hammed it up but his girlfriend and dog did not :) The GX7 and 20 1.7 II combo provides very sharp results. Click the images for larger and sharper view.

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After these two weeks I have grown to really enjoy the GX7 more and more. While it is quite a but different from the E-M1 in many ways, the image quality is just as good it seems, just a bit different. The Panasonic cameras always have a different color signature and many love Olympus for the colors and many love Panasonic for the higher contrast look of the files. I find the Panasonic files seem to have more drama..more edge.

ISO 3200 with the 20 1.7 II at 1.7. I used the in camera HC B&W for this one. 

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With the 20 1.7 II, the GX7 is a perfect walk around camera. Giving you a 40mm focal length magnification it is in between the popular 35mm and 50mm that many of us get stuck choosing between. With the 20, no need to choose, just go for the 40mm!

Around 6PM in Sedona AZ – deep colors here due to the fact that I dialed in some negative exposure compensation to richen up the red rocks and blue sky. 

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The GX7 in all black is pretty slick-looking. It looks more discreet than the silver and black version and is nice and light. I have also REALLY enjoyed the swivel EVF even though I am not a huge fan of the EVF quality or size. When compared to the new Fuji X-T1 EVF the GX7 looks tiny with off colors. But it does get the job done because as I have said, it really does not matter these days as ALL cameras can take a fantastic image.

Scorpion Hunting in my backyard at 8pm. These nasty little buggers come out when it gets dark and they hide in the crevices of the block fence. At night, with a backlight in hand it is easy to see them as they start to emerge for the backyard takeover. I’d guess there are probably 20-30 out there every night and one will make it into my house ever couple of weeks. I even had one under my blankets on my side of the bed last year. The sting of the Bark Scorpion is NASTY, they are the most venomous scorpion in the USA and the only one capable of causing DEATH. So much fun huh?

The GX7 and 20 1.7 II up close and personal…ISO 12,800, YES! 12,800 – f/2.8

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Today in 2014 there are so many awesome camera choices that ANYONE can get out there and enjoy photography, even with a lower budget, while getting super high quality images. Big money is not needed for truly spectacular image quality. Even though in todays fast paced tech world, the GX7 is already outdated to many, it is still a fantastic option for those wanting a simple, small, fast and high quality solution for their imaging needs. This camera and one lens would make a great family camera for all situations. Low light, good light, video, etc.

Add on the upcoming 15 1.7 and the delicious 42.5 Nocticron and you have a killer system that can do all kinds of neat tricks :) But the 20mm 1.7 II is a gem. While not the fastest to focus it continues on with the legendary status that version one brought with it in a new shiny metal package. Overall, the GX7 is the first Panasonic I have really enjoyed since the amazing (for its time) GF1.

See the 20 1.7 II Review HERE

The black GX7 can be found at Amazon HERE

The 20 1.7 II can be found at Amazon HERE

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

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Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

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Mar 312014
 

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The Panasonic Leica Nocticron 42.5 f/1.2 Lens Review & Comparison

By Steve Huff

BUY THE NOCTICRON AT AMAZON HERE

BUY THE NOCTICRON AT B&H PHOTO HERE

Hey hey! It is review time again and I have been a busy man shooting this Panasonic/Leica Nocticron lens for the past two weeks and let me tell ya, it is a serious lens my friends. It is large, it is expensive, and it is FAST with an f/1.2 aperture for those “NOCTurnal” moments.

Panasonic decided to create a “statement lens” to show that Micro 4/3 users can have some fun with shallow DOF, subject isolation and 3 Dimensional POP just as much as the APS-C guys :) The only problem is that they must have forgotten that Olympus has the 45 1.8 Lens that one can now buy for $350 or so. Yep, almost the same focal length and almost as fast in the aperture department for about $1100+ less. Oops.

But is it really an Oops? I do not think so because this Nocticron is so so so good that it beats the 45 1.8 in most ways (besides size and weight and cost). Is this Panasonic jewel $1100 better? No, but the Nocticron is a lens for those who want the best of the best..the unique draw and style, a taste of a real Noctilux and yes, the LEICA name.

Indoors, a coffee shop..I raised the Panasonic GX7, aimed, and fired. F/1.2 wide open and sharp as a tac. This Nocticron offers it all. Color, contrast, sharpness, gorgeous bokeh, build and more. Click the image below for a larger and much better view. 

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It seems that some think that Leica makes this lens. They do not. It also seems that some feel Leica supplies the glass for this lens. They do not. This is a made in Japan Panasonic lens made by Panasonic. Panasonic has a deal with Leica where they use the Leica name on certain lenses because Leica helped with the design. So in reality, Leica did help with the design but the construction is all Panasonic, made in Japan.

So does the LEICA name on the front of the lens mean that this lens at least has some of that Leica mojo and magic? Previous lenses from Panasonic with the Leica name included the now legendary 25 1.4, which has been considered as the best Micro 4/3 lens available when you want that Leica look and quality. There is also been the older 45 2.8 Macro, which was astounding in the IQ department though slow to focus. Panasonic also recently announced the new 15mm f 1.7 with the Leica name and that one looks like a 100% winner at $599. A 30mm equivalent with a fast 1.7 aperture. Yummy.

After using this lens extensively I would say that YES, it does indeed have a little of that Leica look, feel and rendering..or as I call it “MoJo”. I will go a bit farther and say that this is an overall better lens that the old Leica F/1 Noctilux that sells for $6500 or so used.

Olympus E-M1 with Panasonic Nocticron at f/1.2 – IMO, nothing beats Olympus colors.

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So if we look at pricing..the “PanaLeica” 25mm 1.4 is around $529. The 45 2.8 comes in at $719. The new 17 1.7 will be $599.

So why is this Nocticron nearly $1600?

Well, the real answer is because it is a costly design AND an amazing performing lens and as I said earlier, a Statement piece from Panasonic. Panasonic will not sell loads of these due to the cost and the fact that it is really a specialty lens. So they can not spend millions to design and create it only to sell it for $500! Even the old 45 2.8 is $720, for an f/2.8! This Nocticron is not or in any way a $500 lens. In fact, when I first saw it and held it it reminded me of the real deal, the $11,000 Leica Noctilux f/0.95. It has the same design on the outside. In that regard it has some “Noctilux” character to it. The Leica is $11,000 for a 50mm f/0.95 and that lens is a tour de force of optical magic. Is it worth $11,000? No. But it sells well at that cost for Leica because there is nothing like it, at all. It is one of a kind and sharp even at 0.95 with a creamy Bokeh that melts into the frame.

The Panasonic is $1600, or $9400 less than the Leica Noctilux! While the Panasonic is NOT a Leica Noctilux it does indeed offer some of the flavor of that big money lens, for MUCH less money..MUCH less. I will state right up front that the Panasonic Nocticron has the best Bokeh I have seen next to the real deal. It competes and compares with the Leica Noctilux in this area 100%. The Bokeh is amazingly creamy, dreamy and NOT headache inducing like some lenses. Many exotic lenses fall short in this area..the out of focus background areas. Not this lens!

This is also the area where the 45 1.8 falls a bit short as the Bokeh can get busy and neurotic during certain scenes. The Panasonic has gorgeous Bokeh quality above and beyond any Micro 4/3 lens I have seen to date. In fact, I will call it the “Bokeh Master” of the Micro 4/3 world.

E-M1 and Nocticron at f/1.2 – click it for larger

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Is smooth and creamy background blur worth $1600? No, not really but in this review I will be taking a look at this lens as a whole from build, to O.I.S., to AF speed to sharpness at all apertures, bokeh and a comparison with the Olympus 45 1.8 and Voigtlander 42.5 f/0.95 (that comes in at $1000 but is manual focus only). Then I will decide if as a whole “is this lens worth $1600″?

I have used this lens exclusively for the past two weeks and what you will read below is my experience with it in all aspects. If you do not want to read the full review let me just say that after my time with the lens I bought one for myself from Amazon right HERE. Yep. I found it is just as special as the real Leica Noctilux (in a Micro 4/3 kind of way) and offered me more character, more pop, better contrast,  and much nicer Bokeh than the $350 Olympus (which I also own). I guess that answered my question of “is it worth it” pretty quickly! I will get more into why I bought one of these expensive lenses when I already own the $350 marvel in the conclusion of the review :)

The Nocticron Arrives

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I originally rented this lens because I did not want to buy one to review it. I figured I would rent it for a week or two, use it, review it and say “Buy the Olympus 45″ and be done with it. But as it went, I was wrong. When the lens rental arrived I pulled it out of a case only to say “wow, this LOOKs like the Noctilux”! It is not built like the Leica Noctilux, not even close…but it does resemble it. It is much lighter than the Noctilux as well. Still, this lens looks and feels mighty impressive for a Micro 4/3 lens. I instantly knew that this was the best built AF lens for the system, hands down. While all Olympus primes are built nicely and feel like little light jewels, this Panasonic is more of a brute..a serious light gathering machine..more importantly “An Artist’s Tool”.

Olympus E-M1 and Nocticron at 1.2 – ISO 12,800

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I say “An Artist’s Tool” because this lens has that capability, that extra something that is lacking in most lenses to call it just that. The rendering when wide open, at the right distance from your subject gives you the 3Dimensional Pop (not as much as an f/1.2 lens in full frame) as well as the color and contrast characteristics of high end lenses. The Micro Contrast is also very good here, among the best I have seen with Micro 4/3 (Olympus 75 1.8) and the Bokeh is phenomenal.

But before I go on and on about the qualities of this lens, let me start by talking about the specs:

Focal Length 42.5mm – Comparable 35mm Focal Length: 85 mm (classic portrait lens)

Aperture Maximum: f/1.2 – 16.0 (starting at a super fast f/1.2 this gives us true light gathering of an f/1.2 lens, so for night this is #1 in M4/3)

Camera Mount Type Micro Four Thirds

Minimum Focus Distance 1.64′ (.5 m) (pretty close min focus, Leica Noctilus has a 1 meter min distance)

Elements/Groups 14/11 – (14 elements, 11 groups)

Diaphragm Blades 9 (for better and smoother Bokeh. The Fuji 56 1.2 has 7 blades)

Image Stabilization Yes – (built in O.I.S. which is what makes it so large)

Autofocus Yes

Filter Thread 67 mm

Weight 14.99 oz (425 g)  -(Leica Noctilux is 700 grams)

Additionally, there is an Extra-low Dispersion element that increases contrast and sharpness and an Ultra High Refractive Index element allows for a uniform look to the edges of the frame.

The above specs are impressive for this lens no doubt and one of the most controversial will be the f/1.2 aperture. Micro 4/3 hater and naysayers always are quick to point out that an f/1.2 lens in Micro 4/3 is like having an f/2.4 lens in full frame. Well, this is not true. FOR LIGHT GATHERING AND LOW LIGHT USE, this is a true F/1.2 lens. Period. For DEPTH OF FIELD it is more like a 90mm f/2.5 lens. Something like the $1800 Leica 90 f/2.5 Summarit but with a closer minimum focus distance and true f/1.2 light gathering ability and for less money. :)

The lens breakdown…

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The key to this lens is that you are getting pure state of the art performance for your Micro 4/3 camera and yes, Micro 4/3 is a legitimate format that is used by pros, enthusiasts, amateurs and every day camera Joe’s. The performance of the latest M 4/3 camera bodies (specifically from Olympus) is up there with any APS-C, and as I have reported about before, in some areas they are better. Cameras like the E-M1 are a whirlwind of performance in every way. I also feel, after using everything out there, that Micro 4/3 offers the BEST quality lenses for any mirror less camera system (besides Leica M). They are that good in build, speed, and IQ.

These Leica/Panasonic lenses take it up another notch when it comes to color, contrast, micro-contrast and overall IQ.

Was in my kitchen table at night, Brandon was in front of me and I called his name and fired. The E-M1 was at ISO 800, lens was at f/1.2. CLICK it for larger and sharper.

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This lens will work for portraits..

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or even candid street moments..

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Bokeh is smooth and free of the nasties, even in a bokeh torture test condition like the one below  – click for larger. E-M1

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Yes this lens works well with Olympus or Panasonic bodies

This lens works with the Olympus Micro 4/3 bodies just as well as it does with the Panasonic bodies. Yes, I have been shooting a GX7 and E-M1 side by side and I get consistent results with the E-M1 in regards to color and lower noise. The GX7 files have SLIGHTLY more noise (RAW, without NR) even at base ISO and I prefer the color rendering, build, and quick menu of the Oly system. But the GX7 produces IQ almost the same as the E-M1 with some color differences but the build is of a lower standard with the Panasonic GX7 vs the E-P5 or E-M1.

It is a fact! The Olympus bodies are built so so well. The E-P5 feels like a solid brick of metal with quality switches and dials. The GX7 feels plastic with lower quality dials and levers.

But with that said, the lens works well on either camera and on Panasonic bodies you will be able to use the manual aperture dial. On Olympus bodies the Aperture ring is useless and can not be used so you just use the normal aperture thumb dial on the E-M1. It is a give and take I guess.

The manual aperture dial reminds me of quality Leica M glass, much like the real $11k Noctilux (which I have owned long term in the past). 

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So wether you have an Olympus OM-D or PEN this lens works wonderfully. If you have a Panasonic you get the Aperture dial function.

Inside of a restaurant at f/1.2 – Olympus E-M1

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Built in OPTICAL IMAGE STABILISATION

The Panasonic Nocticron has O.I.S. built in, so for all of you Panasonic body shooters this is very important and useful. For Olympus shooters that have one of the 3 or 5 Axis IS bodies then you will want to use the in body 3 or 5 Axis over the lens O.I.S. as the Olympus IS system beats the lens O.I.S. hands down. I have said it before and I will say it again, there is NOTHING like the 5 Axis IS of the Olympus bodies, nothing. The few who put it down just do not shoot Olympus and prefer Panasonic but the real story is that the 5 and 3 Axis IS systems of the Olympus bodies is revolutionary and offers HUGE benefits, even for video use.

Below is a snippet where I tested the built in O.I.S. of the lens vs the Olympus E-M1’s 5-Axis IS – same shutter speed but the 5Axis provided a clear image vs the lens OIS blur.

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So having the OIS in the lens is good for those who shoot without a body that has the advanced IS built in. On the GX7 this is mandatory to have in a lens like this so it is good that Olympus packed it in, they really had no choice.

A Closer Look

Below is a comparison between the amazing little Olympus 45 1.8 that comes in at around $350 as well as the Voigtlander 42.5 f/0.95. It seems I had an issue focusing the Voigtlander on the Panasonic GX7 due to the small EVF. When the 42.5 Voigtlander is focused correctly it is razor sharp, even wide open, in the center of the frame. See my review HERE. 

1st up, YOU MUST click on the images below to see them correctly. 

The Nocticron is 1st at f/1.6, then the Olympus at 1.8 and then the Voigtlander (slightly mis-focused, sorry!)  The Olympus has more magnification going from 85mm to 90mm and is quite good for a $350 lens! The Olympus offers more of a “telephoto” look with more compression..flatter. The Nocticron offers a gentler more 3D rendering similar to a real Leica lens.

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Below is a more visible example of the difference between the Nocticron rendering and the Olympus 45 1.8.

Click the images for correct and larger versions..

The 1st image below was shot with the Noctiron and GX7 at f/1.2, wide open. Here you can see the 3D pop between the subject and the background. There is a clear distinction between Debby and the background, with a superb fall off from in focus to out. This is the hallmark of a good lens IMO. 

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Below is the Olympus 45 1.8 and when you click and view this side by side with the Nocticron you can see the differences. To some, you may not even see it. To others it will be huge and to some it will be slight. The 45 rendered the image in a duller way from color to a flatter look. As good as the 45 1.8 is, it does not approach the Nocticron, which is one reason why the Noct is so expensive. 

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And now and image from over a year ago in the same spot taken with the Leica Noctilux at f/0.95 on an M 240. This is the most 3D of them all but it should be considering the combo of lens and body will run you about $18,000. :)

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Full Size Files and a crop

I am finding the Nocticron to be sharp even wide open but at the same time it is not clinical in any way. It is more organic and flowing, much like the original F/1 Noctilux from Leica. It has a certain character to it wide open that I like, a lot. Below are two full size files, one wide open at f/1.2 and one that should have been f/4 but the EXIF reads at f/3.2

Thanks to “Baby” my little Chihuahua we rescued for being extremely still while modeling :)

1st up, wide open at f/1.2. Right click image and open in new tab or window for full size from RAW

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again, right click and open in new tab or window for full size at f/3.2

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The lens is RAZOR sharp wide open and gets sharper as it is stopped down. I actually love the lens at f/4 as well as f/1.2. It is an all around great performer and for this focal length, the ultimate lens for Micro 4/3. HERE IS ONE MORE wide open at f/1.2 – look at the sharpness, color, detail and Bokeh. Amazing..

CLICK IT for larger and better version – the way it was meant to be seen..AMAZING detail at f/1.2, superb color and Bokeh. This was shot with the GX7. THIS simple test shot reveals why this lens is so special. Bokeh gets an A, sharpness gets an A+, color gets an A, 3D pop gets an A. 

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Distortions

While shooting this lens in real word scenarios I never saw any kind of distortion or had an issue with CA. I do not do scientific tests nor do I shoot white walls looking for vignetting, because if I do not see an issue while using the lens for what it was designed to do (take photos) then I do not see a problem. When shooting the Panasonic Nocticron I had no issues with Vignetting or Distortion. Period. The lens does have slight vignetting wide open though but so does the Noctilux f/1 and 0.95.

The one shot that slightly missed focus but this so reminds me of the Leica Noctilux F/1 Rendering! I love it.

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AF Speed

The Af speed of the lens is VERY quick in good light and slows down in low light but it always locks on and the only time it missed for me is in the above shot of the dog but I think it was trying to focus on the dirty glass instead of the dog, so maybe it did NOT miss. AF speed was a TAD faster on the E-M1 vs the GX7 but both were comparable.

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VIDEO USE

This lens SHOULD be a video shooters dream. I have yet to shoot video with this guy but plan on it soon and when I do I will post a sample video right here :) So check back in a week or two!

Bottom Line Conclusion

So is this lens worth $1600? THAT is the question, especially when we have lenses like the Olympus 45 1.8 which is similar in focal length and slightly slower in aperture speed for $350. The Olympus is also MUCH smaller and MUCH lighter and slightly faster to AF. So wouldn’t the Olympus be the “No Brainer” decision? Why yes, it would.

BUT! If you are like me, and DO notice those small differences such as contrast, color, bokeh quality and rendering then you might want to take a serious look at this Nocticron. The Panasonic/Leica lenses have all been SUPERB. The 25 1.4, the 45 2.8 and now the Nocticron all use a Leica design and in the case of this Nocticron, more exotic glass than a normal Panasonic lens. When good glass is used you can tell and this lens has a way of lighting up a scene just like a real Noctilux does.

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Sometimes a lens comes along that is special. This is one of those lenses. It has it all built into one monster shell, though it still comes in smaller in size and lighter in weight than a comparable full frame lens. Built in O.I.S., great sharpness and rendering at f/1.2 AND Auto Focus, something that the Voigtlander lenses are missing and those lenses can be tricky on a smaller EVF camera like the GX7. I am thrilled that Panasonic created this lens.

Many will argue that this is not an F/1.2 lens, but it is indeed a true f/1.2 aperture lens. I will repeat: THIS IS A TRUE 42.5MM f/1.2 LENS.

Yo will get f/1.2 light gathering capability. You will be able to shoot at f/1.2 in the dark and you will be using a true f/1.2 aperture with 1.2 light gathering ability. THIS is what an f/1.2 lens is made for..low light and in that regards the Nocticron is true to its name..NOCTURNAL.

The image below was shot on the E-M1 at ISO 10,000 at f/1.2. It was inside my house at night with barely ANY light at all. ZERO noise reduction. Reminds me of something that would have come out of the Leica Monochrom! Good lenses can make all of the difference in the world. 

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So if you shoot Micro 4/3, Olympus or Panasonic, and you want a fast portrait length prime that offers a bit of EVERYTHING such as fast aperture, delicious bokeh, amazing sharpness and detail/micro-contrast which also happens to shoot great video then PUT THIS LENS ON YOUR LIST. Yes, it is $1600 and yes it is expensive but this lens will hold value over the long-term, moreso than a standard M 4/3 lens.

Micro 4/3 has come a long long way since the early days and today it offers astounding IQ, fast speed, the best built mirror less bodies as well as the fastest and the best collection of glass out of any mirror less system. From wide to tele and macro, there is nothing that a Micro 4/3 system can not do. Olympus and Panasonic are rocking it big time and this lens just solidifies the fact that Micro 4/3 will NOT go away despite the doom and gloom of some large sensor fans. Many have asked me about the new Fuji 56 1.2, which is also a fast portrait prime for the X system. I have NOT tried the Fuji yet but HAVE handled it. The build of the Panasonic is better. I have seen numerous shots from the Fuji and they look gorgeous as well but no OIS in the lens OR body for Fuji. Also, the Bokeh from the Fuji is a little on the busy side in comparison.

If a man came up to me and said pick one and keep it..for free. Either a Fuji X-T1 and 56 1.2 or an Olympus PEN E-P5  with finder and the Nocticron, I would not hesitate for a nano-second. It would be the PEN and Nocticron. Easy choice for me. Still, Fuji is another company that seems to “get it” when it comes to releasing what many of us enthusiasts want. I say, keep ‘em coming!

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I feel that the Panasonic Nocticron 42.5 f/1.2 lens is the best built AF lens for the Micro 4/3 system. Period. It is also the fastest aperture AF prime for the system. It is a true “Noct” lens in its rendering and style and deserves to be up there with other well-known “Noct” lenses that cost MUCH more than this one does. For me, I had to own one so I bought one after shooting the review sample for 2 weeks, so that may say something right there.

In regards to the 45 1.8 which I also own, I bought the Noct as it inspires me more to go out and shoot with it. It offers am ore creamy and organic rendering over the 45 1.8, better color and contrast and is more of an Artists tool than a lens. I am a sucker for fast glass and I did not believe for a nanosecond that I would spurge and purchase this lens, but it is that good. It has more Leica than Panasonic it seems, and that is a good thing as you can not get a real Leica lens for less than a few grand new (50 Summilux f/1.4 is $4300). This is why I purchased one for myself.

So I highly recommend this lens for any and all Micro 4/3 shooters who WANT and DESIRE a lens such as this.

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WHERE TO BUY THE NOCTICRON!

You can buy the Nocticron using the direct links below to Amazon or B&H Photo. Using these links will help me to keep this site going and costs you NOTHING extra so if this review helped your decision, I thank you for using the links below!

BUY THE NOCTICRON AT AMAZON HERE

BUY THE NOCTICRON AT B&H PHOTO HERE

More samples from the Nocticron!

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

Mar 242014
 

The new Panasonic 15mm 1.7 available for Pre-Order!

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Panasonic is kicking some serious behind in lenses lately. I have been shooting with the new Panasonic/Leica 42.5 f/1.2 Nocticron and it is one of the best lenses I have ever shot with, on any format. Sharp wide open, creamy Bokeh and a sort of Noctilux style rendering, but on M 4/3. It also resembles the $11k Noctilux in design though not nearly as hefty as the Leica counterpart. The Nocticron is a special lens for Micro 4/3 users and even has a manual aperture ring (but this is not usable on Olympus bodies which control aperture with the dial).

In fact, the Nocticron is so good that I am 90% sure I am going to purchase one even though the price is sky-high.

Add to that the new Panasonic/Leica 15mm f1.7 which also has a manual aperture ring and uses a 46mm filter size. This is a duo that will give you a 30mm and 85mm focal length equivalent for your Micro 4/3 body while giving you pro quality color, contrast, detail and bokeh.

The new 15 1.7 comes in at $599 and is available for pre-order NOW in Black or Silver at B&H Photo. It is also available HERE at Amazon. 

The Nocticron is available NOW for $1598 – EXPENSIVE YES but $9500 cheaper than a Leica Noctilux and 85% as good :)  Amazon also sells the Nocticron and it is IN STOCK. 

I am reviewing and using the Nocticron now on an E-M1 and will post my review soon (but it is a light sucker and rocks at night just like the real Noctilux). The 15 will be shipped to me at release for review so will get on that one as soon as I get it! I am telling you..Micro 4/3 just keeps getting better and better for those who are in the system. Pretty exciting stuff IMO as it is the lenses that make the system and no one beats M 4/3 for lenses in the mirror less world.

With these new Leica partnered lenses…makes me wonder if the new and rumored “Leica T” will be a Micro 4/3 body. I HOPE SO. I would much prefer it to be M 4.3  than a new lens mount APS-C. Using a Nocticron and 15 1.7 on a new Leica mirrorless…could be interesting.

Mar 182014
 

Having Fun with a GX7 in Bangalore, India

By Keith Lewis

My name is Keith Lewis. I am an expat Brit engineer living in Bangalore, India, for almost two years and I prior to that for almost three years in KL, Malaysia. About 3 months ago I came across your great website whilst looking for a review of the Lumix GX7. I really liked the style and content of the site, particularly the Daily Inspiration contributions, and the site is now a highly anticipated part of my daily reading. I am pretty much a novice photographer who has spent much of his life taking a combination of family, travel and sports “snap-shots”. It is only in the last few weeks that I have started taking my photography more seriously, and much of this interest has been inspired by the contributions of many on the website. The site has also motivated me to share some real user experience with the Lumix GX7 and to give the readers some insight into the contrasts of life in my immediate Bangalore neighbourhood. All the photos in this review are JPEG straight from the camera with no PP.

Before I jump into my GX7 review, a little about my camera history and expectations which steered me to the Lumix system. I love travel, outdoor activities and sports. Camera size matters to me because many airlines now have a cabin bag limit of 7kg; therefore, I want to travel with as little gear as possible. Back in college days (more than 35 years ago) I travelled with a little Rollei 35 which I loved. The only SLR I have ever owned was a Pentax ME Super with several lenses; my son loves film photography and is still using these lenses with a fully manual Pentax K camera; he prefers this kit over his Nikon DSLR. I was a very early adopter of digital media and acquired the first commercial Olympus digital pocket camera (1.3 MP) in about 1998. Over the next few years I progressively upgraded through a series of mid-range and rugged pocket digital cameras from Sony, Olympus and even Casio, all of which served my wife and I well on many ski trips, fishing adventures, hikes and camps plus the usual birthdays and family get togethers. I shied away from the DSLRs because of size, not price. I finally upgraded to a “real camera”, the Lumix GF2, on a whim whilst killing time in Singapore airport. With the GF2 purchase I acquired the Panasonic 14mm 2.8 pancake lens, 14-42 mm zoom and I added a 45-200mm zoom to give me the opportunity to do some sports and wildlife photography. Overall the GF2 has met my needs and expectations, particularly to stay compact but with good quality. I have many memorable pictures with this set-up that has travelled with me around SE Asia, Europe and the USA. My major issue with the GF2 is poor low light performance, lousy flash synchronisation and no view-finder. I tried the add on EVF but was very disappointed with the quality, and it seemed poor value.

Whilst in Malaysia last Christmas I was shopping for the Panasonic 20mm F.17 lens to use with the Lumix GF2. I was struggling to find the lens in the many KL Photo and Camera stores when an enterprising salesman introduced me to the “new” GX7 with the 20mm lens as a kit. Frankly I wasn’t really looking for a camera upgrade and I was not even aware of the GX7 because I was relatively happy with the convenience and performance of the GF2. I didn’t jump straight in, being from Yorkshire (notoriously tight with their money) and a very methodical type, I went searching on the internet for a GX7 review and that’s how I first found the Steve Huff site. I really enjoyed the style and enthusiasm of his reviews (especially the GX7 crazy comparison) and this convinced me to go back and take another look at the GX7. After a bit more KL shopping I found a great deal on the silver and black GX7 with the silver 20mm lens. Hot-tip: Malaysia is a very competitive and service orientated location to get photo equipment up to the highest specifications with no sales taxes to pay. I got a much better deal in the high-end KLCC mall (below the famous twin towers) than I could get at any of the “Discount” locations! Unfortunately there was a problem with the EVF on the first camera; I returned it to the store next day (which was Christmas Day) and they immediately replaced it and issued a new warranty card.

Now for the review proper: I really like the GX7 and it has ignited an ambition to become a better photographer and to take much more time and care with composition but at the same time I like to take very quick and spontaneous street shots. The feel and the balance of the GX7 is great. For me it has just the right combination of high quality mechanical controls for mode, MF/AF, aperture, shutter speed and exposure combined with the highly responsive and intuitive touch screen menu options. Having the manual controls has made me want to experiment much more with the camera than my experience with the GF2. The EVF is very bright and the amount of information available is amazing and easy to see. I like using the combination of the EVF and the touch screen i.e., you can set the touch screen to show the camera settings whilst framing the photo with the EVF. This combination allows you to easily access the menu to adjust settings. My one gripe with the EVF, which has been noted by Steve and others, is the white balance is a bit off; however, I have learned to ignore this and generally trust the camera settings for colour. My one IQ gripe with the camera is that in the very bright and intense afternoon sun we often experience in Bangalore the 20mm lens at F1.7 tends to over-expose. I now find myself making exposure corrections and/or stopping the lens down manually when shooting in sunlight. The ISO range of the GX7 is incredible, combined with the in-body stabilisation, means that indoor shots and low light shots are now a breeze. The resulting pictures are impressive, sharp with little noticeable noise/grain until I blow them up full screen on my 27″ iMac screen.

Most of the street photos in this article were taken from the hip (touch screen trigger) with the iA+ (intelligent auto-plus) settings which seems to give very consistent results. I have experimented with most of the other settings and my personal favourites include the in-camera BW options which can produce excellent results with having to do PP conversions. iA+ on the GX7 is much better than the iA setting on the GF2. I find the auto-focus and metering to be very accurate. My favourite lens is the 20mm F1.7 which is quite the brightest and sharpest lens I have ever used.

I have tried many of the features on the GX7, all seem to work as expected, including the WiFi connection and control via iPad – this is a very useful feature if you are using a tripod and want a remote trigger. It is also a great way to quickly review your photos whilst they are still in the camera. However, the WiFi eats battery life very quickly. I have yet to make a reliable WiFi connection to the iMac either direct or via the network. The menu doesn’t seem to be able to manage the fact that I have multiple users with different file directories – I have pretty much give-up on this.

Now for some photo examples. My local neighbourhood is such a contrast of absolute poverty to very high-end expat and Indian living. I often walk the neighbourhood at different times of the day looking for a different perspective and photo opportunities. It has been difficult to choose just a few photos to show this contrast:

 Hoodi Village Street with 5 Leg Cow: 20 mm, F 5.0, 1/1000, ISO 200

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 Local fishmonger: 20 mm, F 1.7, 1/125, ISO 200

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Tea Lady works this stall 12 hours/day: 20 mm, F 1.7, 1/60, ISO 400 (flash fill)

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Water is delivered many times a day: 20mm, F 1.7, 1/60, ISO 250

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Cows Lake Grazing: 20 mm, F 5.0, 1/1000, ISO 200

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Typical Construction Workers Camp: 20 mm, F 4.5, 1/800, ISO 200

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Community Pool: 45 mm (zoom), F 4.0, 1/500, ISO 200

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 Cricket is everything to these kids: 20 mm, F 3.5, 1/500, ISO 200

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Summary

GX7 Likes:

Look, feel and balance.

Overall IQ (especially with the 20 mm lens), and range of conditions including high ISO/low light performance

Great practical mix between manual controls and the touch screen menus (I am already very used to the Lumix touch screen controls and menu)

EVF – white balance is a bit frustrating BUT EVF articulation is a great and very practical

Excellent touch screen – can be tilted 90 degrees for very discrete street shots with a touch of the screen to trigger

Manual focus – once I got used to focus peaking

Wireless connectivity to ipad – I have used this feature for night shots using a tripod

B&W settings – they give really great results!

iA+ auto setting gives very reliable results, no fuss and my wife is happy to use it!

GX7 Niggles:

EVF white balance

Protruding eye piece catches your side when carrying (You can articulate up to avoid this but is looks a bit strange)

Cover to access connections requires the screen to be moved out to open it – quite frustrating

WiFi rapidly east battery life

GX7 Wishes:

I would like it smaller with same performance!

Weather proofing – not sure I would risk it on a fishing or ski trip

 GX7 Still to Try:

Need to do more with the video. With an upcoming wedding I plan to do a lot more of this

I plan to purchase the 45 mm Pana/Leica, or equivalent Olympus lens, and relegate the kit zoom to the GF2 body

Very little experience with the flash since the indoor performance is so good

Thanks again for a great site.

Regards, Keith Lewis

Feb 252014
 

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The Olympus 25 1.8 Lens Review on the E-M1

By Steve Huff

Hello once again to all of you camera crazy readers! Today I am going to talk about the new-ish Olympus 25 1.8 lens as it has recently shipped and is really the only Auto Focus competition to the now legendary Panasonic 25 1.4 lens, which has been known as one of the finest lenses for  the Micro 4/3 system. That lens, on SOME cameras, has been known to have slower focus and a “rattlesnake” sound when just attached to the lens with the camera being powered on. (On the E-M1 I do not hear this effect though). The new Olympus is smaller, sleeker, focuses faster, much shorter with hood attached and comes in at $129 less than the Panasonic counterpart.

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But how does it stack up to the Panasonic? Well, I will tell you right off the bat that while it is not as sharp as the Panasonic, it gets about 99.5% there. It does not have the Micro Contrast of the Panasonic, but gets us about 90% of the way there. It vignettes slightly when wide open where the Panasonic does not but it does focus slightly faster and like I said, it is quite a bit smaller as you will see below in the size comparison.

On the Las Vegas strip at f/2.5 with the Olympus 25 1.8. If you click this image you can see a larger size that is much sharper. In fact, it will show you just how sharp the lens is. I converted this one to B&W. 

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Over the years I have grown fond of certain lenses for the Micro 4/3 system. The Panasonic 25 1.4 is one of them while others like the Olympus 45 1.8, 75 1.8 and even 17 1.8 are up there as well with me. The 60 Macro is astonishing and the 12mm f/2 is one I really enjoy. The new 12-40 Zoom seems pretty versatile and incredible as well. I’d say my #1 most used lens on my E-M1 is the 17 1.8. For me, it has the sharpness, the detail, the color, and the “feel”. I love it but I also have been enjoying the 35mm (equiv) focal length more lately.

Shot at f/1.8 this is close focused and right out of camera. Bold bright color and sharp with a pleasant Bokeh. Click it for larger/sharper!

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The Micro 4/3 Version of a 50mm explained

I go in phases between the 35mm and 50mm being my #1 fave to shoot with and these days it is 35 all the way, so when out shooting with this 25 (50mm equiv) I was once again having to get used to shooting this focal length. After a solid few days of shooting with it daily I remember what it is that makes it my #2 favorite focal length! It has the perfect mix of sharpness and shallow DOF possibilities. While this is indeed a true 25mm lens, and we will get 25mm DOF from the lens, the focal length appears as a 50mm. So imagine the Olympus 25mm as a 50mm with 25mm Depth of Field and “Bokeh”. Due to the shorter focal length we will not get subject isolation as we will get on a real 50mm. It will give us 25mm DOF and isolation and yes, f 1.8 is a true f/1.8. Just on a 25mm lens.

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At the end of the day though, a 25mm acts like a 50mm for focal length/magnification so this is what you are going to see when looking through your viewfinder. It will not be like when you put a 24mm on your full frame camera, but like when you put a 50mm on your full frame camera except for the Depth of Field control. Basically, on Micro 4/3 we are magnifying that 25mm to give us a 50mm field of view.

Other 25mm lenses include the Panasonic 25 1.4, which is one of the highest rated 25mm lenses for Micro 4/3. We also have the amazingly good, and one of my all time manual focus faves, the Voigtlander 25mm f/0.95 which allows you to focus close, get almost full frame quality Depth of Field and Bokeh, and is built like the Voigtlander lenses for the Leica system.

One of our workshop attendees taking a break in the middle of the desert with his Starbucks and Leica M :)

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As always, speed costs and in Micro 4/3 is no exception. The Olympus 25 1.8 costs $399, the Panasonic is $529 and the Voigtlander will run you a cool grand.

You can see my Panasonic review HERE and some Voigtlander shots are HERE.

At the Valley of Fire with Todd Hatakeyama (Master Organizer – foreground) and Pro Photographer Extraordinaire Jay Bartlett (Background)

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Just as with my other Micro 4/3 lens reviews, there is not much to say about the lens. I mean, when a lens is sharp, focuses fast and is small, light and beautiful in design what can you say? It really has no faults so all I can do is write about what I feel when it is compared to the Panasonic 25 1.4, the lens who reigns supreme in this focal length for this format. I already did ONE quick comparison while out on the road (which is why it was quick) so let me go into more detail about this lens VS the mighty Panasonic.

This is an OOC JPEG from the E-m1 and 25 1.8 shot at 2.5

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The Olympus 25 1.8 vs the Panasonic 25 1.4

  • Cost. The Panasonic can be bought HERE for $529. The Olympus can be bought here for $399. So, the Olympus is $129 less expensive than the Panasonic. Makes sense because the Olympus is an f/1.8 lens vs an f/1.4 of the Panasonic. So for cost, and bang for the buck, the Olympus wins.
  • SIZE. The Panasonic is quite a bit larger than the Olympus when the hoods are attached (see below) but the Panasonic is still a very small lens. Only when viewed next to the Olympus does it look large. The Olympus is super small and light where the Panasonic is wider, taller and has more bulk. The Olympus almost appears to be half the size when looking at the image below. So if small size if your thing, the Olympus wins. 

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  • Sharpness. BOTH of these lenses can render a super sharp image. BOTH have slightly different color and contrast signatures though. I would say that the Olympus is just as sharp as the Panasonic..well, 99.5% as sharp when both lenses are shot at 1.8. I’d say the Panasonic has a little bit better Micro Contrast though as when looking at some real world street shooting files on my 27″ display I see it. This is a sign of a very good lens, and is one area where Leica excels with their uber expensive lenses. For example, the Leica 50 Summicron f/2 has amazing micro contrast and one of my all time favorite Leica lenses for the M system (or Sony A7). The Panasonic 25 1.4 is a Leica/Panasonic collaboration so it shares some of that Leica magic. I used to think it did not but it does indeed though not to the level of true Leica glass. The difference is not huge between the Panasonic and Olympus  by any means but you can see it when pixel peeping. So because of this, For overall performance and sharpness, the Panasonic wins.

See the full size files below from each lens at apertures from 1.4 to 1.8 to 5.6..the Panasonic does not appear to be any sharper than the Olympus here:

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Now the Panasonic wide open at 1.4, which the Olympus can not do..

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and both stopped down to f/5.6

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  • AF Speed. When out on the street shooting these lenses I though for sure that the Olympus would smoke the Panasonic with Auto Focus, and that was not the case! Both lenses focused fast on my E-M1, and to be 100% honest, I saw no difference in speed when out in the street at night using both. The Olympus may have a slight edge overall, but it is not a night and day, and for some will not even be noticeable. Remember  though, this is on the E-M1 which may be helping the lenses to focus fast. So I give this one a Tie with a SLIGHT edge going to the Olympus.
  • Bokeh. Well, if Bokeh is what you are after (and many Micro 4/3 shooters are indeed after this) then you will want the Panasonic as it is an f/1.4 lens. While not much of a difference at all, there is indeed a mental difference going on in that head of yours and if speed is what you need then you will not be happy with the f/1.8 of the Olympus. Nope, go for the Panasonic! If speed is not of great concern and you realize that f/1.4 is not a huge step up from f/1.8 then the Olympus may be just the ticket. In reality, when the Panasonic is shot at f/1.4 you will not see much more background blur than the 1.8 of the Olympus. It exists but will you see it? Maybe, maybe not. Both lenses rock this.  Panasonic wins here as it has the ability to create MORE shallow DOF and Bokeh. 

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  • Distortion and CA. The Panasonic has more CA (Purple Fringing) than the Olympus, which is clear and evident. So for this the Olympus wins. See the crop below from each lens. 

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So at the end of the day BOTH of these lenses will deliver the goods. Me, I prefer the Olympus as I am not losing much at all over the Panasonic but I am gaining the small size, the nice price and the overall look that matches my other Olympus primes AS WELL as almost no CA issues. I could live with EITHER lens long-term. It comes down to if you want small size, slightly faster AF, and f 1.8 or if you want larger, faster aperture at 1.4 and slightly slower AF while paying $129 more.

If you own the Panasonic, keep it. If you do not own either, you can save money and be 100% happy with the Olympus. If you want the Olympus you can sell your Panasonic for as much as it costs to buy the new Olympus. In other words, there is no wrong choice here. Both lenses are fantastic. Those who are putting down the Olympus (and I have already seen it on forums and right here on the comments of this website) are just those who own the Panasonic, never tried the Olympus and are sticking up for their brand. BOTH lenses are wonderful and both will give you the tool you need to express your photographic vision. I have to hand it to Olympus for constantly releasing new amazing lenses. This is another one they can add to the premium list of primes that help make the Micro 4/3 system so enjoyable! Keep ‘em coming Olympus AND Panasonic! PLEASE!

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WHERE TO BUY?

You can order the Olympus 25 1.8 at Amazon HERE or at B&H Photo HERE.

PopFlash also sells the lens here.

This lens has a 46mm filter thread so using my favorite ND filter is possible with this one!

A few more shots with the Olympus 25 1.8 Lens 

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

Feb 252014
 

Fun on Fremont Street in Las Vegas!

There is nothing quite like getting out a couple of times a year to go to place with amazing people watching opportunities. Over the weekend during the Valley of Fire meet a few of us took the 3 mile drive from our house to Fremont Street in Las Vegas to do some people watching and snap a few photos. We went out one night and stayed for a short time and while we mainly walked around and experienced the lights, the sound, the energy and the people we also snapped a few shots here and there over the course of an hour or so.

As I walked around I told myself I wanted to take only TWELVE images during the hour, so I walked and tried my best to stick to that plan but the problem was I was so busy laughing at the antics of the party goers in the street that many times I forgot that I was there to take some photos!

I shot with the Olympus E-M1 and 25 1.8 along with the Panasonic 25 1.4. One walk down Fremont street with the Olympus lens and the walk back with the Panasonic. At the end of the day, both lenses did just fine and I would be 100% happy with either though the Panasonic does indeed have more micro contrast and a slightly sharper image. In other words, it is still the overall best 25mm lens for the Micro 4/3 system by a slight margin. 

After the hour walk I ended up with 16 shots, four more than the limit I tried to set but that was because I just was not finding my groove due to way too much visual overload! Some of the other guys had the same problem. I ended up liking 12 of shots and threw away 4 of them. Nothing special but it sure was a very VISUAL hour :) I decided to convert them all with VSCO to B&W so the grain you see is from the filters.

If anyone here ever finds themselves in Las Vegas then I urge you to take a little adventure off of the strip to Fremont Street..but be prepared for some wild times, especially on weekends!

Click on the images for larger versions!

On Fremont Street people are partying everywhere..drinking, dancing, street performers and a huge mix of people from all over the world. 

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Below is Michael from our group and I asked him to stand with the nuns for this shot. On Fremont street you can forget about morality :) 

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A street performer who was amazingly good. I squatted down to his level and shot between some guys legs for this shot taken with the Olympus 25. When shooting someone down below you, it is usually best to get down to their level for the image.

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More street performers. On Fremont if you see anyone dressed up that means you can get a photo with them but they WILL want a few bucks for this, so be prepared to pay!

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There are always loads of cameras and photos being taken so this is one destination where you do not have to be afraid to take the shot..

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There are even photo opps OFF of Frenont. This was a burger truck called “FUKU” with the slogan of “Get Lucky”. After taking a shot of the full truck I decided to get close and get the attention of the girl working the truck. When she looked, I snapped. 

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Even with all of the booze, the half naked women and men, the strip clubs and the craziness there are people of ALL ages who come to see the spectacle. From young to old..

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This guy who dresses as cupid yells out sexual comments to anyone walking buy and he has been on Fremont for a long time now..get your picture with this scary looking cupid and you will get to put a couple of dollars in his diaper.

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The last shot I took that night  – the crowd and a dancer in the background who dances on a bar to attract people to buy some alcohol

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Feb 242014
 

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Quick Comparison: Olympus 25 1.8 vs Panasonic 25 1.4

So here is the much asked for comparison of the $399 Olympus 25 1.8 vs the $129 more expensive 25 1.4 for Micro 4/3. Besides the slight speed increase of 1.4 vs 1.8, what does the Panasonic offer you for the extra $129..or should I say what DOESNT it offer?

I have shot with them side by side for a few days and found that they are VERY close in regards to image quality/sharpness. So close in fact that if I were buying new today I would buy the Olympus if I was using an Olympus Micro 4/3 camera. It seems to be just as good, it focuses fast, is smaller, and has no issues on the Olympus bodies. Below are a few quick comparison shots so you can judge for yourself.

The test images below.. you can right-click and open them in a new tab or window to see the full size file.

1st, Olympus 25 1.8 with the E-M1 at 1.8, wide open

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Now the Panasonic 25 1.4 at 1.8 on the E-M1

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and the crops..

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The Panasonic is slightly sharper here but not by much at all. To me, the benefits of the Olympus ($129 less, smaller, faster AF, silent focus, more neutral color) beat out that small miniscule sharpness difference.

and speaking of sharpness, here is a full size shot from the E-M1 and 25 1.8 – right-click and open in a new window to see the full size image (from RAW). This was shot at f/2.5.

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Feb 052014
 

Quiet Light

By Mark Seawell

Hi Steve! My name is Mark Seawell. I live in Germany and work on Ramstein Air Force base, HQ for the U.S Air Force in Europe. Though I’m retired from the Air Force, I now work as a civilian employee for Ramstein. This area has the largest concentration of Americans outside of the United States, over 25,000. We arrived in Germany in Aug 2005 and I quickly fell in love with the land while taking long walks with my wife. I don’t know if you’ve ever been to Germany but when the rain is not coming down (think Seattle) this is some of the most beautiful land in the world.

My fate was sealed when I decided to “bring a camera along” for our walks. Soon I was taking pictures and I haven’t stopped for 5 years! I’ve shot Lumix the entire time moving form the Panasonic G1 to the GH2 and in November of last year the GH3.

http://msphotoworld.com is my Zenfolio site.

I took the first picture on the 18th of January with my GH3. Something was there that moved me. I loved the quiet solitude of the tree standing alone. . This picture was taken close to Steinwenden and is typical for this area. I call it “Quiet Light”.

18 Jan 2014 Panasonic GH3 Lumix 45-200mm F/9.0 ISO 250 1/125 Adobe LR 5.3 SilverEfex Pro

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The next picture is from my village of Rehweiler, Germany. The morning was misty and I found myself alone close to the tracks. What I found inspirational about this was the mood of mystery. Where are the tracks going? What is around the bend? What is the destination? View to Eternity.

8 Jun 2013 Panasonic GH2 Lumix 45-200mm F/7.1 ISO 160 1/800 Adobe LR 5.3 SilverEfex Pro

View to Eternity

The last picture was taken on the back roads between Reuschbach and Obermohr, Germany. It had rained the entire month in Novermber 2011. It would not stop. Finally, on the last day of November there was no rain and that was enough reason to take my camera as I drove in. The mist was everywhere, covering the land. I had taken a few pictures above Reuschbach and was happy and drove the road to Obermohr where we lived for nearly 6 years but had recently moved. As I came around the bend I was struck by this site. The mist totally dominated my former village but rising majestically through it all was the church tower. I nearly ran into a ditch and the cars behind me were none to happy as I positioned myself, eager to capture this fleeting moment before it all went away. There could be only one name for this image that had inspired me so…”Heaven’s Gate”.

30 November 2011 Panasonic G1 Lumix 45-200mm ISO 100 72mm LR 3.2 SilverEfex

Gateway to Heaven

Oct 072013
 

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The Panasonic GX7 Review. Micro 4/3 Hits Hard in 2013!

NOTE: I am and was well aware that the lens cap is on in the above image. This was done purposely to show the LUMIX lens cap for the GX7 review. Image was taken with the Leica M and 50 Lux, NOT the camera I am holding of course. 

WHAT A YEAR IT HAS BEEN! Wow! It seems like this year has FLOWN by as it was about one year ago when I was talking about the new Sony RX1 and freaking out at how far tech has come in the digital camera world. One full year and I have been so busy with this site it seems like it was just a few weeks ago when I was shooting the Zombie walk last October using the OM-D E-M5.

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Micro 4/3 has been one of the solid offerings in the mirrorless camera world and I have NOT been shy about professing some love for this system. When I sit back and think about it, today in 2013, Micro 4/3 is kicking some serious behind. With the new OMD E-M1 and the GX7, we have two jaw droppingly good mirrorless cameras that can take advantage of some of the best small prime lenses on the market next to Leica.

Yes, I did just say that!

In the world of small high quality lenses, Leica is #1 but these fast primes that are coming from Panasonic and Olympus are real jewels in the photography world and are some of the best I have shot with from any system. You have everything from fisheye to super wides to fast 35, 50 and 75mm to superfast tough as nails f/0.95 uber fast lenses. Shallow DOF is easy today with Micro 4/3 and the DOF naysayers can no longer say that this system can not deliver shallow depth of field. It can easily do so with the following lenses  - the 25 1.4, the 25 0.95, the 42.5 0.95, the 45 1.860 Macro and 75 1.8, just a few of the Bokeh monsters of Micro 4/3. Coming soon is a new Panasonic lens called the “Nocticron” which takes the Leica names and blends them into a Noctilux/Summicron hybrid with an 85mm portrait equavilent F/ 1.2 lens. This lens should be a masterpiece. I hope so. It will also be quite expensive.

Wide open at f/0.95 with close focus, something a Leica could never do. The 25 0.95

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It has taken a few years but in 2013 there are not too many negative things one can say about the Micro 4/3 system. These new breed of cameras deliver in all areas, and for me, surpass other mirrorless cameras with APS-C sensors due to speed, dependability, usability, blazing AF, and very good ISO performance. Micro 4/3 is sort of “sweet spot” because due to the smaller sensor we get that faster and more accurate AF performance. It seems that the larger the sensor, the slower the AF. So todays Micro 4/3 is not yesterdays Micro 4/3. When compared to a Fuji X Trans APS-C sensor, these new breed Micro 4/3 sensors GET MIGHTY CLOSE, some would say, easily meet them in quality.

Panasonic GX7 – Voigtlander 25 0.95 at 1.4 – Alien Skin film filter applied. When using these fast 0.95 lenses with Micro 4/3, the possibilities are only limited by your imagination. 

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My Panasonic Micro 4/3 History

About 4-5 years ago Panasonic released the GF1, the 1st Micro 4/3 mirrorless offering coming in just before the Olympus PEN E-P1. Even today, years later, there are MANY shooters using that same GF1 without fail or problems. That camera was and still is wonderful though the performance is getting a little “old” with ISO noise and slower AF performance when compared to what we have today. I reviewed that GF1 back in the day and loved it. Sadly, that review is long gone as it was on Version 1 of this site back on an old Apple iWeb server but it is easy to sum up. I loved it back then, it was a real jewel and the 1st in what was to become the “Mirrorless Movement”

The original Panasonic GF1. While a great camera for its time, the new GX7 is a huge improvement in every way. 

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To make a long story short, Panasonic started something really good with that GF1 and Olympus soon followed with the PEN E-P1. Back in those days we had a couple of slow kit zooms and one faster prime, the Panasonic 20 1.7 lens. I did review that lens HERE and it has been somewhat of a legend in the Micro 4/3 world. Small, fast, sharp, and with a very pleasing image quality it is hard to fault the little 20 1.7. Now it comes in a Version II with build improvements as well (my review of version II is HERE) and is still one of my all time recommended lenses for Micro 4/2, no matter if you shoot Panasonic or Olympus.

Shot with the 20 1.7 II at ISO 400

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In fact,  it is my belief that ANYONE shooting Micro 4/3 should own this 20 1.7 lens. The size, weight and performance exceed the cost though the AF is a little on the slower side when compared to other Micro 4/3 lenses. (Amazon sells it HERE).

The 20 1.7 II wide open on the GX7 – ISO 3200 in a normally lit hotel convention center. ISO 3200! Micro 4/3 has never looked this good at high ISO.

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After the success of the GF1, Panasonic rolled on and released camera after camera including the DSLR styled G and GH series, which ended up becoming more tuned in for video work. I reviewed and enjoyed the Panasonic G2 (can see that HERE) but sadly, that was the last Panasonic camera that I felt was worthy to review or talk about. I have shot with them ALL of course but the GF3 and all of those silly little “micro GF” cameras were not very good IMO. To me it seemed like Panasonic lost their way and started trying to appeal to the masses with cute little dumbed down cameras. Too bad, because they did not sell well and ended up being cleared out at stores like Target and Best buy for $199 with kit lens. While Olympus rolled on with their premium PEN series Panasonic was releasing stinker after stinker and at the time, it appeared they abandoned the enthusiast market for Micro 4/3 in regards to a good solid body solution.

The 20 1.7II with the GX7, up close and personal – shot at f/1.7

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I often wondered why-oh-why did Panasonic release the amazing GF1, which was a real “Photographers Camera” and then choose to follow it up with silly micro sized releases. A couple of years rolled by and Panasonic seemed to make a come back with the much talked about and touted GX1. Yep, this was to be a return to form for Panasonic and was the REAL follow up to the GF1. When one came my way to review I was also reviewing the Olympus E-P3 at the same time (which I adored) and after doing some side by sides I realized that even the GX1 fell short for my tastes. Soon, this was yet another camera being cleared out on Amazon. It had its fans, but I knew Panasonic had more, and I made it clear that I felt the E-P3 was better, because to me, it clearly was..again, for my own tastes. The GX1 sold well, but not amazingly well.

So Panasonic went on releasing cameras like the G3 and GH3, which were nice, but we were still missing that little square “rangefinder-esque” GF1 style camera and man oh man was I rooting for them to release something special, and if it had a built in EVF, even the better.

The GX7 with Voigtlander 25 1.4 at f/2.8 – click it for larger. 

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Enter the Panasonic GX7 – A true return to form

So finally in 2013 we all heard about the new Panasonic GX7 and rumor was that it has a built-in EVF, GF1 styling and all new and improved sensor and performance, including in body image stabilisation and fast Auto Focus. Wooooo Hoooo I thought! FINALLY, A sexy beast of a Micro 4/3! Sure, we had the new and exciting Olympus OM-D E-M5 which was taking the Micro 4/3 world by storm (and rightfully so) but this was the mighty comeback of the “Photographers Camera”, the new GX7.

So of course as soon as it was official, I placed my pre-order for one just so I could get one as soon as I could for review. Some camera companies will send me review samples but Panasonic has never sent me a review sample directly. In fact, Panasonic is the only camera company that I do not have a contact at for review samples. Not sure why, but that is just how it has been, so I just had to order one for myself (which isn’t so bad, is it)?

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So the moment it arrived I unboxed it and took a look. Pretty snazzy huh? It has an EVF, sweet style and design, superb feel in the hand and is the best looking, feeling and performing Panasonic Micro 4/3 to date.

But just as the Panasonic was being shipped Olympus was making huge noise with the release of their all new Pro series E-M1 micro 4/3 camera that had all kinds of features that this new Panasonic lacked. A pro build, weatherproof, shockproof and freezeproof, In body class leading 5-Axis IS, Dual Fast AF with Phase and Contrast detect as well as a HUGE built-in EVF that puts all other mirrorless EVF’s to shame.  The Olympus also had a new sensor, live time feature, the ability to use legacy 4/3 glass with fast AF and all kinds of amazing things. A truly revolutionary product for Micro 4/3. The GX7 is evolutionary no question but Olympus decided to go for it with the E-M1.

While the Panasonic lacks many of the E-M1 features, for many of us, this is for the best. Let me explain.

Not everyone needs all of these fancy features and to many, simplicity is what it is all about. All one needs to take a photo is a camera, lens and a shutter button. Do we really needs a million bells and whistles? I admit, I have BOTH of these cameras in my house right now, the GX7 and E-M1 and after extensive use, I would 100% go for the E-M1..FOR ME. I love the feel, the build, the 5-Axis and even Live Time feature. I also feel the IQ is a little more “refined” in color and rendering not to mention the flawless and amazing WiFi implementation.

But this comes at a price. The E-M1 is $500 more than the GX7.

For that difference one could buy the awesome 25 1.4 Panasonic lens.  So this is not a decision to make lightly. In the real world, the GX7 is just as capable in IQ and image taking as the E-M1 so what you choose should depend on what you need and want. If you do not need all of those snazzy features of the E-M1, the GX7 is the next best in the Micro 4/3 world.

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My real world experience shooting with the GX7

After shooting with this camera for a while I have grown to really enjoy shooting with it. Below is a list of the things one should know about the GX7, because it is one hell of a camera and at $899 for the body or $999 for the body and kit lens, it is a GREAT buy and well worth the cost.

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The Build and Feel

The Panasonic GX7 did not disappoint when it came to the feel of the camera. In my hand it felt fantastic. The grip is just large enough to fit around my fingers and rest in my palm comfortably. When holding the camera I can easily use the built in EVF to frame and shoot. In regards to the build quality, the GX7, in my opinion, is very good. If I compare it to the classic GF1, GX1 or even Olympus E-P3 the build is equal to those cameras.

It is solid and my only complaints about the build would be that some of the dials and buttons feel a little bit on the cheaper side. Plastic.

If I compare the build and feel side by side with the Olympus E-M1 or E-P5, the E-M1 and E-P5 wins easily. They feels more solid, heftier, and the dials and buttons are smooth and solid. No plasticky feel with the E-M1/E-P5. But again, $500 more for the Olympus E-M1, so it should feel a bit better made and there is no built in EVF with the snazzy E-P5, so there are always trade offs.

Overall, the GX7 gets a B for Build because when comparing to all Micro 4/3 cameras or even other mirrorless system cameras it is about equal, 2nd only to the new and top of the line E-M1 .

OOC JPEG at ISO 2000 WITH in camera NR

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The AF speed

The AF speed in the new GX7 has been touted by Panasonic as being blazing fast and I have to say, I have no disappointments with the AF of the camera. When using it with the kit zoom, it is lightning quick. When using it with the 20 1.7II it was slow to AF indoors. Sometimes taking a second to lock or longer. In comparison, the E-M1 with the 17 1.8 was lightning quick in the same indoor lighting and the E-M1 with the 20 1.7II was quicker than the GX7 by a small margin.

But with the right lens it is fast, accurate and never once in my use did it miss AF or fail to lock. Even in low light it found the focus and nailed it. Compared to the E-M1, it is a tad slower in general. Compared to the E-M5, it is equal or slightly faster. At this level it is plenty fast enough.

When I say the AF is fast, it is for static subjects. For moving or tracking, this may not cut it for you. So sports shooters who want to head to M 4/3, I would suggest the E-M1 but even so, Micro 4/3 is not the format for pro sports shooters as DSLRs still have the edge in THIS area.

This camera will AF faster than any Fuji body, any Sony body and any other APS-C mirrorless body. But each lens will give you a different AF performance level. The 20 1.7 is one of the slower lenses but it is still a beautiful lens to use and own. Slap on a 12-35 and you will be amazed at the speed.

The 20 1.7II may not be the fastest to AF but it has amazing IQ :) 

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The HIGH ISO performance

As for high ISO the GX7 is as good as the new E-M1 when it comes to bumping up the ISO and dimming the lights for some night shooting. With any Micro 4/3 camera you will have more noise than any APS-C sensor but in reality, not much more. These new sensors are better than ever (for Micro 4/3) when it comes to high ISO and ISO 3200 is usable and actually not so bad. Below see some ISO samples and comparison with the E-M1. The  WB of the E-M1 is a bit better than the GX7 in these samples. Zero noise reduction here, zero.

As you can see, ISO 3200 as an OOC file does not look that bad resized. But pixel peepers who view their images at 100% on a computer screen will see the noise :) 

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HIGH ISO CROPS

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iso3200

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To me the high ISO capabilities are similar between the two cameras and any differences that are there would not show up in print.

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The Usability of the GX7

Micro 4/3 cameras have usually been good for usability. The very 1st cameras, the E-P1 and GF1 were not so good by todays standards but today..it is an all new story. These cameras are fast, responsive and mean business. In fact, I recently shot with a Canon 6D and a couple of fast primes. The GX7 can focus faster than that 6D did when using the 85L and 35 1.4. The GX7 is also just as responsive.

Menus are easy to navigate and settings are simple. Large easy to read text and a simple navigation mean JOY of use :) 

The GX7 also now has IN BODY Image Satbilsation. This is welcome as previous bodies only had IS in the lenses. The only bummer is that manual lenses/3rd party lenses are not compatible with the IS when shooting video. With the Olympus bodies, you can use the in body IS with all lenses. I am hoping Panasonic fixes this in future FW updates.

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The EVF

The EVF on the GX7 is good, but far from perfect. I am thrilled that there is an EVF but after shooting the E-M1, it is obvious there is a quality difference between the two. Still, its a good EVF though in the GX7 I have been shooting the white balance in the EVF is WAY OFF when compared to the LCD screen. Looking through the EVF I sometimes see off color and orangy color but when I review on the LCD it looks perfect. Not sure why this is the case but it is annoying when using because you think you are way off with your white balance or exposure only to find out it is just what  you are seeing through the EVF. I prefer a what you see is what you get experience.

I love love love the fact that the EVF swivels up as I have used it numerous times now in this fashion. Looking down into the EVF while holding the camera lower is a nice way to shoot sometimes. With the GX7 you can do this. When you are done it flips right down and the camera retains the clean lines. I love the fact that you can do this and there is no other camera made where this is possible.

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The Lenses

As I have stated many times on this blog, Micro 4/3 lenses are superb. Take a look at my faves HERE.

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The Silent Shutter Mode

The GX7 has an electronic Shutter mode for those times when you want to be silent. The Nikon V1 had this years ago and am happy to see it in the GX7. For those times when you want or need 100% silence, you can activate the electronic shutter and be as stealthy as a ninja :)

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The Video

The GX7 does indeed have full HD video capabilities. 1080p at 24 or 60 frames per second. From my quick tests, the video looks great. I have some sample videos shot with the camera in the video I posted a little ways up. I am not a huge video guy but Panasonic always does a good job in this area. If I were shooting pro video I would not be using a GX7 but the video I see is plenty good enough for personal use, youtube or fun projects.

One thing that I did not like is that in body IS does not work with manual lenses like Leica or 3rd party manual focus lenses.

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The Value

For $999 with a kit zoom lens, the GX7 is a best buy for Micro 4/3 bodies if you want something on the higher end of Micro 4/3. Along with the older Olympus E-M5 it is highly recommended in the $1000 price range. But what about the older E-M5? What camera would I take between the GX7 and that older Olympus? Well, between those two, it is a draw for me. I prefer the feel of the GX7 but the E-M5 is wonderful. I would probably lean GX7 if buying fresh today between those two but both are great. Still, to be fair, if starting fresh in Micro 4/3 today I would buy the E-M1 and call it a day. Bottom line? You can not make a WRONG decision here. Go with your gut :)

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VS the E-M1

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While the GX7 is the best Panasonic Micro 4/3 to date for taking photos, the E-M1 is the best Olympus to date for Micro 4/3 in general. Which is better? Well, my opinion is that the E-M1 is better but both can take an amazing photo. It’s all up to you, the photographer. Your eye, your mind, your style. Looking at the image above, which camera tugs at your soul the most..just by looks alone?

Some will choose the E-M1, others the GX7. But looks are not the whole story. While I prefer the sexy clean lines of the GX7, in the real world I find the E-M1 to be one incredible camera. My full review will be here soon for it but to put things into perspective, what makes it for me is the incredible 5-Axis IS, weather seal, huge and beautiful EVF and the ergonomics and control. It is one advanced camera and even the WiFi rocks. I also prefer the color from the Olympus.

But at the end of the day, as I said earlier in this review, it all comes down to your wants and needs. You may not care or need 5-Axis, weather sealing or the other features of the E-M1. If  that is the case, saving some cash on the GX7 would be the thing to do. Both are excellent. For $500 more the E-M1 is indeed the better camera technically but the GX7 is no slouch, not at all.

Some may wonder why I keep comparing this to the E-M1. Well, I have to do this. The E-M1 is the other brand new micro 4/3 body and it is a better body, though at $500 more. I want the readers to be aware of this in case the Olympus is more to their liking. I would hate to read a review, buy a camera, then find out the next day there is something that I may have liked better.

Even so, some will prefer the GX7 as it is also a superb tool. It comes down to features, and that is all.

The E-M1 can be seen here for $1399 and the GX7 here for $998 with lens

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Pros and Cons of the GX7

Pros

  1. Nice size and feel
  2. LOVE the new EVF, kudos to Panasonic for putting it in
  3. AF is fast, almost as fast as the E-M1. Same as E-M5
  4. Camera design is awesomely cool
  5. Swivel touch screen LCD is nice
  6. High ISO VERY usable to 3200 ISO
  7. Multitude of lenses available
  8. Price is right at $899 for the body only, $99 extra for kit lens
  9. Finally, the worthy follow up to the GF1
  10. FOCUS PEAKING!
  11. The GX7 has a silent electronic shutter mode ala Nikon V1

Cons

  1. Some dials and buttons feel cheap
  2. No in body IS during video with manual lenses
  3. In body IS is nice, but not as good as 5-Axis in the E-M1 or E-M5
  4. Not available in all black in the USA
  5. White Balance and Color is off in the EVF at times when it is perfect on the LCD

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My final word on the Panasonic GX7

After shooting the GX7 and E-M1 side by side for a while I can honestly say that I fell in love with one of them, and that was the E-M1, but I also loved shooting the GX7.

As always, it’s personal preference. IQ wise they are neck and neck so go with what you LIKE. I found the GX7 to be the best Panasonic Micro 4/3 made to date. Nice build, nice size, nice weight, great EVF that tilts up and down for more versatility and the touch screen LCD with all of the modern speed you can ask for.

The Auto Focus is fast on the GX7 but not any faster than the Olympus E-M5 or E-P5. The Battery life is good, had no issues with battery drain and shot a whole weekend on one charge. When mated with the lovely 20 1.7 II this makes for a nice compact lean mean sexy shooting machine. The Lumix GX7 is up there with the best of Micro 4/3.

At $998 for the body and Kit Zoom, it is well worth the cost if you want to get into Micro 4/3 while getting superb quality while spending under a grand.

Not much else I can say on the GX7, I like it.

Some have asked me about the GX7 vs the E-P5. Well, the E-P5 is beautiful, in and out. It is built to a nice standard, very hefty and solid with a gorgeous retro design, stellar LCD, amazing 5-Axis IS and features as well as having that PEN Mojo. My only issue with the PEN E-P5 is there is no integrated EVF! If Olympus would have put one in, it would be no contest..E-P5. Its a better made camera, feels better in my hand and I prefer the design as well. I just can not excuse Olympus for leaving it without an EVF in 2013. The PEN needs an EVF.

Panasonic listened to the demands of the enthusiast (something Sony has been doing for 2 years now) and made the camera we wanted to see made for Micro 4/3 at a decent price point. While there are many things I prefer on the E-P5, I have to say that I would probably choose the GX7 over it as I find it more enjoyable to shoot with. Still, I do like the E-P5 very much as I have always been a huge PEN fan. I am hoping that in 2014 or 2015 we will see one with a VF4 embedded in the body :)

With that said, look for my Olympus E-M1 review in about a week :)

Two with the Leica 50 Summilux ASPH on the GX7

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WHERE TO BUY!

You can buy the Panasonic GX7 at Amazom or B&H Photo, my two favorite big time shops. Direct links are below:

Buy the Panasonic GX7 at Amazon with the 14-42 Kit Zoom HERE

Buy the Panasonic GX7 at Amazon – Body only

Buy the Panasonic GX7 at B&H Photo with Kit Lens HERE

Buy the Panasonic GX7 body only at B&H HERE

Buy the Voigtlander 25 0.95 Lens HERE – (LOVE this lens)!

ISO 2000 with the Kit Zoom – NO NR

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With a Leica 50 Summilux ASPH at f/2

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and the box..

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