Jul 212014
 

The Sony NEX-5R with Russian lenses

By Freddy Robles

Hi Steve, Greetings from Mexico, well first of all I want to say I’m a fan of yours for a long time and congratulate you for this site because is truly inspirational.

I write you from the little magic town of Cuetzalan. Cuetzalan is a small town set high in the hills in the north of the Mexican state of Puebla , 183 kilometers from Puebla , the state capital. I lived in NY for a while and it was there where I grew the interest in the photography, street photography and mobile photography (iPhoneography) started with the mirrorless cameras and now that I have returned to my country again I have had the fortune to travel widely in different communities and learn more about our mexican culture.

Cuetzalan offers a spectacular mosaic integrating the exuberant subtropical vegetable proposal with its falls and its water sources; it also offers its surprising geologic structure, its remote past and its traditions which are recalled in clothes, in celebrations and rites surprising. This tiny town surrounded by a tropical forest filled with waterfalls, grottos, archaeological site, colonial buildings as churches and coffee plantations also has like characteristic the existence of an endless number of underground caverns. Although the majority of them are not accessible to the public, these caves have stirred up the interest of national and foreign investigators.

The climate of the town is semi-warm humid with rain throughout the year, favoring flora and cloud forest tree species with sweetgum and ornamental flowers such as orchids, Calla Lilies, azaleas, hydrangeas and ferns.

Most of its population is from the Nahuatl culture that still preserve their customs and traditions. So I started wearing the nex5R, everywhere, my main lens is the Jupiter-8 50mm f2 and Industar-69 28mm though the Sel35mm f1.8 fascinates me, the tones in B / W that produce these Russian lenses are phenomenal. Thanks to this blog, Steve, I used more the VSCO filters, IMO, are very essential, useful and give a radical change to your photos, and I’ve even made ​​several shots with the iPhone and using these filters in VSCOcam, are incredible .
Ahead are some pics of “The Magic Town Cuetzalan”

1.-image of the ”litte boy” nex7- canon 135mm f/3.5 ISO200 1/100s

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2.-image of the ”collecting coffee bean” nex5R -Sel50 mm f1.8 f2.2 ISO 400 1/100s

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3.-image of the ”the boy behind the school gate” nex5R -SEL18-55mm 40 mm f 4.5 ISO 100 1/60s

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4.-image of ”the 4 boys” nex5R -SEL18-55mm f6.3 ISO 200 1/100s

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5.-image ”la abuela” nex5R- SEL18-55 mm 55 mm f5.6 ISO200 1/160

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6.-image ”thinking” nex5R -SEL18-55mm 52mm f/5 ISO 200 1/160S

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7.- image of “Alone ” nex5R-Leica APO 135mm f3.4 f/3.4 ISO100 1/250s

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8.- image of “two guys ” nex5R-Industar-69 28mm f2.8 ISO100 1/400S

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9.-image of “strong look ” nex5R- Leica APO 135mm f3.4 ISO 200 1/100s

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10.image of ”nahua women” nex5R-Leica APO 135mm f5.6 ISO100 1/200s

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11.- image of ”Little Lupita” nex5R -SEL18-55mm f/8 ISO200 1/160S

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12.- image of ” green and cloudy”, nex7 – SEL55-210mm 62 mm f8 ISO400 1/160

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13.-image of ” Las amacas” nex7-SEL16mm f2.8 f22 ISO400 1/10s

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14.-image of ”Yohualichan” nex7-SEL35mm f1.8 f/13 ISO100 1/15s

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15.- image of ” Cuetzalan” nex7-SEL50mm f/1.8 f/9 ISO100 1/200s

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16.-image of ”Voladores de Cuetzalan” nex7 -Voigtlander Color Skopar 28mm f/2.8 f/5.6 ISO 200 1/400s

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Jul 152014
 

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The Sony A7s: A New Camera for Leica M lenses

By Ashwin Rao – HIs flickr is HERE, his Facebook is HERE

Hello, gang. It’s Ashwin, back from a bit of a hiatus to discuss the camera du jour, Sony’s impressive A7s. The A7s has gotten quite a bit of press, in particular for it’s remarkable ISO sensitivity/performance, for it’s 4K video, and for it’s buck-the-convention 12-megapixel sensor. It’s been hotly debate, in light of the already-exceptional performance of its two siblings, the A7 and A7R, which offer different full frame sensors. I have extensively shot both bodies, and while I enjoyed the experience, I was left a bit in the lurch for entirely selfish reasons. Unfortunately, extensive shooting bore out that the A7r is really not a great option for Leica M lenses due to the critical nature of the sensor and how it plays (poorly) with M lenses, causing excessive vignetting, color casts, and detail smearing at the edges. The Sony A7 is better with regards to its capacity with M lenses (most lenses 35 mm and above do “okay” to “great” on the A7), but after shooting these 2 cameras, I came to the conclusion that perhaps Leica M lenses were best suited to be used on Leica M camera bodies, from a purely imaging standpoint. One can argue endlessly about the rangefinder (beyond the frame lines) vs SLR/mirrorless (tunnel vision) way of seeing, and there’s really no right answer there, as it’s more a matter of preference. But until recently, while the A7R and A7 were capable of using M lenses, they didn’t really make M lenses shine. And thus, I moved on, continuing to genuinely enjoy my Leica M bodies for my M lenses.

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A few months ago, whispers of a new camera began, and what resulted was the Sony A7s….a low megapixel (in today’s market), high ISO monster reportedly designed for videographers ready to make use of its full frame sensor and 4K recording potential. What people did not speak so much about was whether it would handle Leica M lenses better than its siblings. Maybe it was a lack of interest, and maybe the conversation moved on, but for me, my curiosity was piqued. I wondered whether the sensor’s lower megapixel (less critical) sensor, coupled with its gapless sensor design, would allow it to handle rangefinder lenses, which notoriously bend light into difficult angles at the periphery of digital sensors. My curiosity was also piqued by the high ISO capabilities of such a camera. If the A7s could handle high ISO’s as well as was being made out, suddenly, one could use compact, relatively “slow” M lenses such as the f/2 Summicrons, f/2.5 Summarits, f/2.8 Elmarits, and f/4 Elmars in low light conditions at high shutter speeds. Further, faster M lenses, such as the f/1.4 Summiluxes and f/0.95-1 Noctilux options might allow the photographer to see into the dim light of night like never before, and the lenses remain relatively compact to top it off. Leica M and other rangefinder lenses are generally much smaller than their mirrorless (at least FF mirrorless) and SLR counterparts, and balance quite well on the A7(s/r) bodies quite well, so one could make incredibly versatile images at very low light, using a very small kit…..in theory.

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To top it off, the Sony A7s was soon announced to have a “silent shutter” option, allowing the photographer to shoot with a full electronic shutter that would not announce itself whenever a photo was being taken. To me, this was one of the huge potential benefits to the Sony…Silence means that a photographer can work discretely, and the A7s, for the first time, offered this option to the photographer choosing a mirrorless body for work…For a Leica photographer-nutball such as myself, the value of discretion is part of the “rangefinder way”, and now, here was a mirrorless body that did it even better than the Leica M3 through M7, with their lovely/subtle shutter sounds….Here was a camera that could offer silence when shooting (albeit with the risk of a rolling shutter effect for fast-moving subjects)….wow, the A7s was now really grabbing my attention.

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But, All of this was fine and dandy, but only, and only if M lenses would play well on the Sony….

So the early reports came in, including Steve’s own detailed, fantastic, glowing review of the camera, using mainly FE lenses…Steve was blown away by the camera’s AF performance, high ISO performance, and it’s overall handling, for a full frame camera. But the images that intrigued me most from his review, as well as those of others, was the performance of the tiny Cosina Voigtlander 15 mm Heliar lens. Many of you know that while this lens one of the widest fields of view for a rangefinder lens, it plays quite poorly with the M9 and M240, and doesn’t do well on cropped sensors in many instances, due to excessive color shifts (magenta) and vignetting, due to the physics of the optics at play and how they project light through the lens and onto most sensors…Yet, the Sony A7s was handling the CV 15 mm lens, no sweat.

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So off I went to my camera store, armed with a host of Leica M lenses, ranging from a 21 mm f/3.4 Super Elmar through a 90 mm f/2 APO-Summicron. After a few preliminary shots, I took note of dramatically less vignetting and what appeared to be more uniform color through the image field (i.e. no color casts). Hmmmm, great start, I thought….

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But what about smearing? One issue with using lenses 35 mm or wider at full aperture, is that many lenses start to smear details at the periphery of the imaging field. It’s a dirty little secret that Leica’s own wide angle lenses tend to do this on digital bodies, and this was one of the reasons that it took so long for Leica to introduce a digital rangefinder (and ultimately, the Leica M8 with it’s 1.3x crop sensor, designed to avoid the physics causing some of the issues mentioned). At one point, Leica’s CEO at the time mentioned that it might never be possible to produce a digital M body, but we know how that prediction turned out….

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Smearing has been a major issue for me with full frame bodies such as the Sony A7r and A7, and when added to intermittent color casts and high levels of vignetting, I had previously found that files just took too much work to get things right, and I gave up. Now, sitting home at my computer with a variety of files from a variety of lenses ranging from wide to telephoto, I was not seeing any objectionable colorcasts and much improved vignetting. How about smearing, then? Well, the jury is still out, but for the most part I have been entirely pleased. Of the wide lenses in my possession, I found that the 21 mm f/3.4 Super Elmar did exhibit slight detail loss at the far edges of the image, but this was not objectionable, just more than what I had seen on the M9 and M240 bodies. The lens that continues to “misbehave” on the A7s was the Leica 28 mm f/2 Summicron ASPH. This lens gives even Leica M bodies some trouble, and in the case of the Sony A7s, it has continued to produce moderate smearing at the edges. For real world street photography, in which edge sharpness may not be important, the smearing rarely matters, but if one were shooting landscapes, he or she would notice this, so it’s I lens I have considered avoiding for those moments when edge sharpness matters (For most other moments, the 28 ‘cron works great). Beyond that, I have had no issues with edge smearing. Everything works great. My Wide Angle Tri Elmar (WATE) works perfectly at 16 mm on the A7s, though this lens’ design plays reasonably well with even the A7r. My 35 mm f/1.4 Summilux FLE, which didn’t work well on the A7 due to odd vignetting, works perfectly well on the Sony A7s.

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To add to the story, I have found that the Sony A7s does a great job with colors. It presents a palette similar to that of the Sony A7 and A7r, so if you are used to the files that those cameras make, the A7s will be similar. One nice added perk is that at higher ISO, while dynamic range does start to drop off a bit (particularly past ISO 4000, though files are totally useable, in my opinion, through ISO 12,800), the color reproduction at those high ISO’s remains solid. There’s only so much you can push today’s sensor tech, in terms of dynamic range and high ISO noise and color performance, but the Sony A7s is today’s state of the art.

Ultimately, I have been thoroughly pleased with my time using Leica M lenses as my sole lens set up for the Sony A7s. Everything works well. High ISO – check! Silent shutter – check! Minimal muss and fuss with edge image quality – BIG check! Colors and skin tones. Check that as well. Handling of camera with M lenses…big HUGE check! It all seems to work well.

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In summary, I have found the Sony A7s to be a great option on which to use Leica M lenses. If you have an investment in rangefinder lenses, or intend to do so, the Sony A7s is the current camera that you’d want to have on a budget. Sure the Leica M9 is fantastic, but it has high ISO limitations. The Leica M240 is great, but tends to start banding around ISO 3200. Those are fantastic options and allow one to see in the “rangefinder way”. But separating yourself from that, the Sony A7s is an incredible imaging machine. Sure, it has a lower megapixel count, but 12 MP files are plenty for the vast majority of us. The camera’s incredible ISO performance allows for the use of slower lenses, and thus more compact lenses, in low light shooting circumstances. Suddenly, your Elmars and Summicrons become relevant options for night photography, and lenses such as the Noctilux allow you to pear into the night better than your own eyes….it’s rather incredible. Creative possibilities open up, and I see new photographic horizons ahead! The Camera’s EVF is sufficient to reliably focus lenses, particularly if one uses the “Focus Magnify” option to achieve critical focus. The silent shutter allows for very discrete shooting, and for most street photography moments, it’s a perfect option (I have yet to see the Rolling shutter effect for my style of shooting) that’s silent and discrete. And year, silent shutter means no shutter shake to blur your images at that pixel level. Speaking of pixels, the camera’s lower pixel count allows for easier achievement of sharp images at slower shutter speeds, if desired, as 12 MP is much easier to hand hold than 36 megapixels in nearly any circumstance…something to consider if pixel peeping for sharp images is your thing.

The list goes on and on, but you can see that I am quite convinced that the Sony A7s is a viable option for those of you who want to use small, high performance rangefinder lenses on a mirrorless body. It’s the way to go. By the way, every image you see here was shot with the A7s and a M mount Leica lens. Now go out, test one out, and see if it satisfies you. The Sony A7s has certainly satisfied me.

All the best to you, my friends!
Ashwin (July, 2014)

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Jul 142014
 

My favorite cameras for usability, ability and versatility mid 2014

By Steve Huff

Wow. It is already mid 2014. Half of this year has whizzed by faster than ever and as always we have a ton of cameras that we can choose from when it comes to photography. If we want something small that packs a punch, we have that. If we want something for low light, we have that as well. If we want something that is a joy to shoot, hold and use, well, we also have that. Do we have it all in one single camera yet? Well, not really.

There are always new camera seeing released though maybe not as many as the years past. DSLR production, as in new models, has seemed to slow down some from the constant barrage of new models that we used to see. Well, at least it seems like it. Even mirrorless offerings seem to be lasting a little longer between releases these days, and this is GOOD as we are at the point now where almost any camera will give us better results than most of us even need.

So far in 2014 we have had some cool releases and there are still fantastic cameras that were released in the past that are still perfectly usable. The question you need to ask yourself when deciding on a new camera is “What will I be shooting with it”, also “Do I value usability more than overall versatility”? “Will I be shooting mostly low light or in good light”? “Does it need to fit in my pocket”?

Once you decide what it is you want to use the camera for, be it portraits, your kids, vacations, or just an everyday shooter then you need to decide if you want simplicity in a fixed lens model or something that will allow you to choose and change lenses. The choice is yours as there is something out there to fit your needs, and I am going to talk about the cameras I like as of July 2014 with the reasons WHY I really like, if not love them.

My fave cameras made for Versatility

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Micro 4/3, Olympus E-M and E-P series

My favorite camera for ALL OUT versatility as of today is still the Olympus E-M1 or even E-P5. These cameras are beautifully made with a solid feel and gorgeous looks (in the case of the E-P5). They have some of the best lenses made for any system next to Leica from fisheye to telephoto and everything in between including some super fast primes like the Nocticron f/1.2 that is one of the best lenses I have ever used. With Micro 4/3 you have speed, you have the lenses, you have the build, you have the amazing 5-AXIS Image Stabilization and you have a smaller size. The lenses are so good, and not so astronomically priced. The color reproduction is beautiful and the B&W is not too shabby either. A camera like the E-M1 has it all and the only real weakness of this camera is that the sensor is smaller than full frame and smaller than APS-C. For this reason you lose out on some shallow depth of field and the images will be a bit more noisy at high ISO than full frame cameras.

Even so, if you shoot mostly in good light and want one hell of a system with unlimited lens choice and an all around great experience with pro image quality results, the E-M1 is still a gorgeous camera. The E-M10 and E-M5 are as well. I reviewed them all and you can read my reviews of these models HERE, HERE and HERE. Yes, you can indeed get DSLR quality and beyond with these models.

You can buy the E-M1 at Amazon or B&H Photo.

Three from Micro 4/3 – Super versatile cameras that do it all. 

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OLYMPUS DIGITAL CAMERA

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My fave camera for Point & Shoot, Vacation and SMALL SIZE!

Sony takes it here for me with the new advanced pocket rocket, the RX100 III. 

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The new Sony RX100 III is a hell of a camera in almost every way. It is small, made very well, has a pop up EVF, tilt LCD and stellar IQ for a small pocket camera. It’s a handsome camera as well and gives us an f/1.8 to f/2.8 lens from 24-70 (ff equiv). What is not to like? The color is great. the files are nice and I have seen some do amazing work with the RX100 version 1 and now Version III improves on that model in every way. This is, hands down, the best pocket camera I have ever seen or used, ever. Video is good as well. It does it all but will not give you the all out versatility or IQ of something like a Micro 4/3 or full frame model. For what it is though, it is the perfect camera for every day shooting, vacation, kids, family, events, etc. Whoever buys an RX100 III will not be disappointed. It is the real deal. I have been able to use one for a but thanks to B&H Photo but have not had serious time yet with it. Will be doing that this week. You can buy the RX100 III at B&H Photo or Amazon.

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My Fave camera for Usability

Without Question, the Leica M reigns supreme here

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The Leica M, any of them from film to the M 240 or Monochrom take this one for me in a huge way. These cameras are ones that you cherish and create an emotional bond with. For those who think that is nonsense, then you have never had that bond with a camera, and yes, it is real. The Leica M is a masterpiece of design, build, and usability. All manual focus using a rangefinder it is a very precision tool that actually can teach you a think or two about photography, framing and exposure. It is a tool one can use for a lifetime if you choose a film model, as they last forever. While the price is off-putting to many, think about it in a new way. This is a camera that will give you the most enjoyment from any camera ever..well, it has for me and not everyone is the same. From the moment you take it from its box all of your regrets of the money spent fade away.

The Leica M6, M7, MP, M8, M9, M240 and Mono will give you that Leica experience that no other camera will give you. As for IQ, others can meet or exceed the Leica in that area but nothing can beat it for usability or for creating that emotional connection. You can buy a Leica from many places these days but my faves have always been Ken Hansen, PopFlash.com, The Pro Shop and Leica Store Miami. These guys will treat you right.

Three from the Leica M 240

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My favorite camera for general every day and low light use

The Sony A7s wins this one easily. 

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You guys know how much I adore the Sony A7s and while it is not the most versatile (only due to lack of native lenses when compared to others such as Micro 4/3) camera it is indeed quite powerful. There is no low light situation that this camera can not tackle, period. When used with the 50 0.95 Mitakon I can see in the dark and when used with the native Sony lenses such as the 35 2.8 or 55 1.8 the camera will even AF in the dark. Amazing. The A7 also has better color performance than the A7 and A7r , better AWB, faster AF and better M mount lens compatibility. You can read my review here to see what it is all about but I now have one of these bad boys with a few lenses and love it to pieces. As I said in the review, the A7s is probably puns for pound, dollar for dollar my favorite camera that I have ever reviewed.

Low light shooters, this is a must try or own. The camera also is excellent in daytime shots and video. If more native lenses were around it would be unbeatable for me as of July 2014.

You can buy the A7s at Amazon or B&H Photo.

Three from the A7s, 1st one using the Voigtlander 35 1.2 wide open and a 100% OOC JPEG. 2nd one is from the Mitakon 50 0.95 and third and fourth is from the Zeiss 50 Sonnar 1.5. 

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Runner Ups

The Fuji X-T1 and Leica T are also very cool and very capable cameras. The Leica is different than other cameras in its interface and joy of use. It is a Leica and gives you the Leica style of IQ and pride of ownership. The Fuji is still a lightweight in the build but for Fuji fans, this is the best of the lot when it comes to Fuji interchangeable lens bodies.

Of course these are not the only cameras I like, but they are my faves as of July 2014. The Sony, the Leica, the Olympus..all superb in so many ways and unlikely  to leave anyone disappointed as long as you use them with good glass. The key is to get out and use them (for me it has been tough since it has been 110-112 every day and me and extreme oven like heat do not jive well for more than 5-10 minutes) and have fun using what you do own. The key is you more than anything, not the gear..though I admit..it is very fun to test and try new cameras!

Jul 122014
 

The Overlooked 50

By Jorge Torralba

The Overlooked 50.

Over the past year, there has been resurgence in the market for 50mm range lenses from a wide variety of manufacturers. Needless to say, they all claim their 50, 55 or 58 are the best in their class. If it’s not the Nikon 58, then it must be the Sigma ART, Leica APO, Zeiss Otus or Lens X from Sylvester McMonkey McBean. Let’s face it, we have seen them, praised them and condemned them all without even owning them. It’s too big. It’s too expensive. It produces beautiful bokeh. It’s sharp. It’s dull. It is full of CA. It’s manual focus. It focuses too slow. It’s not weather sealed. And so on … But, we talk about them. Either in a positive or negative way, they get our attention and become the topic of discussion for the day, week or however long that thread on a forum lives for.

I am here to tell you of a not so talked about or popular lens that gets overlooked way too often. Rarely gets mentioned as a super lens or a must have. I am talking about the Sony Zeiss ZA 50mm 1.4 Planar. A lens made for the A mount Sony cameras like the A900, A77, A99 etc … When paired with an A99, A6000 or A7 it produces amazing images with such contrast and detail that it’s hard to imagine even considering a third-party lens for your Alpha camera. Granted, it is a little expensive but you can find deals now and then and when compared to some other high-priced 50’s, it starts to look even more attractive and worth considering. It is less expensive than the new Nikon 58, Zeiss Otus or Leica APO. However, It’s is worth every penny and when you start using it you will know why. Simply put, this lens is result oriented and it delivers without question.

For years I have been a fan boy of the Zeiss family of lenses I have owned the Otus, and several other great Zeiss lenses for my Nikon cameras which over the years have developed a reputation which has made them coveted by many. However, not long ago I decided it was time to move on and catch up with technology. I wanted autofocus Zeiss glass and a good full frame camera to use them on. Due to licensing restrictions, I was not going to find what I was looking for in either Canon or Nikon mount. The only modern solution which met my requirements was to switch to the Sony Alpha system and use the ZA lenses with a native Sony A mount and autofocus. Boy. You have heard the saying, never say never. But, let me tell you. After the switch and seeing results that clearly show why the Zeiss glass is so coveted, I find it hard to imagine ever going go back. The 50 ZA is weather sealed gem which focuses extremely fast, renders beautiful bokeh and is built like a tank. The 50 ZA sits nicely in your hand when attached to a DSLR or a small mirror less camera with the Sony LA-EA4 adapter. It is comfortable to hold and easy to focus when switching to manual focus. It is a true example of getting what you paid for. It has become my most used lens and it has yet to let me down. It is wonderful for street photography, snap shots landscapes and just about anything else you can think of. It even makes a great paper weight when it sits on my desk.

You have to ask yourself why this lens is overlooked by so many. Is it because it is for a Sony? Is it big or small? Is it too expensive? There are many thing s to bring up about this lens in conversation but you rarely read or hear about it. Don’t fool yourself into thinking that only Nikon and Canon are at the top. Sony is on a steam roller squashing the competition with innovation and advances in sensor technology that is defining the photography of tomorrow. Their alliance with Zeiss was a brilliant strategy that was successful in converting me from Nikon to Sony and the 50 ZA is just one of the reasons I have not even thought of turning back.

You can see much more from the 50 and other great Zeiss or Sony lenses on www.ZeissImages.com or www.SonyAlphaImages.com . But, to give you a sampling of its capabilities, here are just a few examples from this wonderful lens used on my A99 and A6000

The Annex Bar in downtown Portland. Hand held A99 and 50 ZA at f4 and ISO 800

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For a much larger image to view follow this link.

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I met this gent outside of the rescue center near Burnside in Portland. He was very friendly, polite and did not mind me snapping a few pictures. For the most part, It looked like an average photo to me. However, when I started processing in Light Room and magnifying certain sections for a bit of pixel peeping is when I started seeing the detail and was taken by surprise by what I saw. Here is a full frame capture again at f4.

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What you really need to look at now is a tighter crop of the face and the detail. The amount of detail in the lips and eyes is amazing. Follow this link for yourself and wee what this lens can do.

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This was just outside of Escape from New York Pizza in the NW District of Portland. A little roughed up from a street fight the night before, a gracious pose was in order. This was shot at f3.5 and ISO 400 with the A99.

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Follow link for a larger version

http://www.sonyalphaimages.com/gallery/4/U4I1395280407.SEQ.1.jpg

My son staring at a computer monitor in low lighting conditions. ISO 200 at f2 1/15th of a second.

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Larger version here

http://www.sonyalphaimages.com/gallery/4/U4I1394212795.SEQ.0.jpg

Here is one of those typical boring shots that you do just because you had nothing better to do. But this shows a good example of the out of focus areas from this lens. Shot at f2 with the A99.

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And finally a snap shot from the A6000 and the 50 at f2.0

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Larger version here

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Jul 112014
 

J.B. Camera Designs wooden grip for the Sony RX100 III

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You are either going to really dig this or really hate it. Me, I think it is pretty damn sweet as it is different, and for me, different is always good. Amazon has a few left in stock (prime eligible) of this very cool and very affordable wooden grip designed by J.B. Camera Designs. I love J.B. stuff and this one is no exception. For the RX100 series the one thing that most people complain about is the grip, or lack of a grip. You can buy a cool half case like this one from Gariz, or you can just add a grip. Richard Franiec sells a black grip similar to the wooden one above (but it is not wood) and many love that one (as I did on the original RX100) as it is basic, simple and black so it blens in with the camera body and looks like it was built that way.

So you have options and this is just one of them.

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But if you want something cool, something unique and something that is an eye catcher and possibly a conversation starter, give the J.B. Wooden grip a try. At under $25, it will not break the bank and it will add some originality to your little powerhouse camera.

BTW, the RX100 III is one hell of a camera. Sony is going strong my friends, making all kinds of good decisions and the year is not over yet!

If you want to check out the J.B. Wooden Grip, you can see it or order it HERE on Amazon. 

Jul 092014
 

USER REPORT: The Sony RX100 III, a very quick first look

by Rob McKay

Hey Steve,

Picked up the Sony RX100 III (At B&H or Amazon) for my pocket/travel/biking digi rig and love it!

I mainly shoot Leica, and especially love shooting film through my MP and M3 but still need a small digi for quick docu shots and instant chimping satisfaction. My fav pocket digi has to be the Ricoh GR, but the smaller RX100 with its 21mm f/1.8 to 70mm f/2.8 zoom lens can be a bonus and a great range (for me). Unlike the 4/3rd or NEX setups that need the lenses to be taking off (zooms) before truly making them compact/pocketable, the RX100 III is almost flat when turned off.

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First impressions, love it, but time will tell.. Attached a few snaps of the bike trails I recently used the camera on.

Great site and keep up the great work!

Rob McKay

https://www.flickr.com/photos/caughtintheair/
http://bokehenstein.com

Click images for larger and better viewing

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Jul 082014
 

The Sony A7r and project “Speak Soccer”

By Alex Kroke

Living in New York City my inspiration comes from all around, it was no different for Lisa and I with our project Speak Soccer. The premise of our idea began at the start of the Brazil World Cup 2014 while we were having lunch at an outdoor cafe talking about sports and fashion.

Lisa Capezzuoli is a creative graphic designer and art director of EVOL design, she wanted to create some artsy fashion , then we observed that the italian sports “Gazetta dello Sport” paper is pink, and it would be great to make it a dress . We then noticed how other International Newspapers were covering the event and the possibilities for design with the other countries.

Once we nailed down the idea of creating fashion around the way each country covers their national team in the press, the production process flowed easily. In the end we shot, nine models, from our friends circle, in “word” dresses constructed with newspapers from USA, Brazil, Germany, Italy, Spain, Netherlands, Uruguay, UK, and Argentina.

See more HERE.

The shoot was on a Sony A7r and the 55mm 1.8 tethered to a computer. 4 Elinchrom lights. Images below:

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Jul 042014
 

RX1 / Spiders in Australia

By Matthias Wäckerlin

Hello!

Shooting proper Macro with the Sony RX1 with the superb Carl Zeiss Sonnar 2/35? YES, you can!

My name is Matthias Waeckerlin (Switzerland) and I have been living now for 2 years with my family in Camden near Sydney.
I’m a “stay at home dad” looking after our little children. Previously, I was working as a professional photographer.
My HEAVY Nikon gear, about 8kg, did not pass the check-in at the Zurich airport, too heavy, was the answer of the lady behind the counter! So, I had just my Sony RX1 around my neck and I never regret it since today. I never missed my Nikon. The RX1 is the best camera I ever had: small – light – solid – outstanding full frame quality – quiet (no shutter sound). The only drawback is the autofocus. I hope it will be better in the new model.

I did many pictures for all kinds of settings. And I never had an issue with this little monster.
As you can see high quality macro shooting is also possible with the RX1. Sometimes it needs a bit of patience, some spiders are very fast. The best method to get these little monsters into focus is using the manual focus with focus peaking and then moving the camera slightly forward and backward until the spiders get sharp. I set the macro mode to the closest distance. The challenge was to catch the spider when they had a short rest. Some spiders were sitting in their web, then the wind was the challenge. I set the camera to the M and A mode for all of my pictures, used JPG option and did the editing in Lightroom. Most of the pictures have ISO between 50 and 400. Just one has ISO 1600. No tripod and no flash.

The amazing quality of the 24MP C-MOS sensor allows to crop the images to a little piece.
This is still big enough to view it in the Web and in Lightroom. I won’t print a poster…

Best regards

Matthias

www.matthiaswaeckerlin.ch

AUSTRALIEN, CAMDEN, Macarthur Park, SPINNE

AUSTRALIEN, CAMDEN, Nepean Lodge Unit 8A - 335 Werombi Road, SPINNE

17 Broughton Street, AUSTRALIEN, CAMDEN, SPINNE

17 Broughton Street, AUSTRALIEN, CAMDEN, SPINNE

17 Broughton Street, AUSTRALIEN, CAMDEN, Redback, SPINNE

17 Broughton Street, AUSTRALIEN, CAMDEN, Huntsman, SPINNE

17 Broughton Street, AUSTRALIEN, CAMDEN, SPINNE

AUSTRALIEN, CAMDEN, Macarthur Park, SPINNE

AUSTRALIEN, SPINNE

AUSTRALIEN, CAMDEN, Nepean Lodge Unit 8A - 335 Werombi Road, SPINNE

Jul 012014
 

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The Sony A7s Review. Wow. Period.

The most creative digital photographic tool ever made for my uses!

You can order the Sony A7s at Amazon HERE or B&H Photo HERE.

It has been almost a year since the Sony A7 and A7r have been released (See my review HERE) and in that time many have jumped in and purchased one of the A7 cameras. What they have brought to photographers is a chance to get into full frame sensor performance while keeping the size small and the weight much lighter than a DSLR camera. The A7 series has been fantastic but at the same time, they have had their quirks and problems from time to time.

My video intro and overview of the Sony A7s

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When I shot and tested the A7 and A7r I loved the cameras as they were highly capable devices that were crazy versatile with the ability to use 3rd party lenses like Leica lenses, Canon lenses, Nikon lenses, etc. With the full frame sensors we were able to get that creamy shallow depth of field look and it was pretty cool to have all of these capabilities in a small, nicely made body. The main issues with the A7 and A7r is that they were a bit slow to Auto Focus when compared to other current cameras from companies like Olympus and Pentax. They were also, while very very good, not the best (when compared to other FF offerings like the RX1)  in low light or high ISO and while nice in low light, they were not “WOW” in low light. The AF would slow down a bit and the high ISO noise was worse than it was in the previous RX1.

I was very close to dumping my Leica M 240 for an A7 or A7r at that time but ultimately decided that would not be a good idea. But I was SO CLOSE. The AF speed and file size and loud shutter of the A7 and A7r soon made me realize even more the beauty of the Leica M system, even if the IQ of the Sony was just as good, and in many ways it was and in some ways it was even better.

A7s and 55 1.8

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OOC JPEG – Sony A7s with the Sony 55 1.8 using C-AF

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The Sony A7r also had the file size issue for many and while you could crop to your hearts content, managing those files meant you needed a pretty nice and powerful computer (which many of us DO have). Let us not forget the very loud shutter on the A7r and the less but still loud shutter of the A7 which irritated many who used the cameras.

Well, Sony seemed to listen to what many of the A7 users wanted and now we have yet another new model from them.

Yep, Sony brings us the A7s with ISO capability to over ISO 400,000 (Usable 102k)

So now Sony has released the A7s and it has just started shipping TODAY, July 1st 2014. I have been shooting with one for the past 2-3 weeks as I am lucky to be a camera reviewer, so I get them a little early ;) For me the Sony A7s ticks all of the right boxes on paper..again, FOR ME. Only 12MP resolution which offers us nice details, pretty large print size and SMALL file size (one of my fave cameras of the past is the Nikon D2hs at 4MP). Because of this small megapixel count Sony has managed to give us the best low light performance of any camera made today, and this is a fact. While not a huge massive jump from the Nikon Df for low light, it is for sure definite bump up, especially when you start getting to extremes. ISO on the A7s can go up to over 400,000 and is usable for me in LOW LOW light up to 102,400. This is huge. This is a game changer for me, and will be for many others as well. In this review I will go over what is new and changed or improved over the A7 and A7r instead of doing a whole huge review that rehashes the camera. At its heart it is an A7. Same body, same feel, same LCD and EVF and same controls and menu. All that is new is the Sensor, and because of the sensor we now benefit from massive improvements such as a new silent electronic shutter that can be turned on or off, world class nothing quite like it high ISO and low light capabilities, faster Auto Focus over the A7 and A7s and insane video capabilities in ANY lighting scenario. The A7s is 4K video capable.

So what is new in the A7s from the A7 and A7r?

  • New 12Mp High Performance Sensor with superb color, Dynamic Range and low light Capability. Bionz X processor. 
  • Silent Shooting mode with electronic shutter allowing you to shoot in total silence. 
  • Shoots 4K Video with external recorder. Full pixel read out.
  • 120 FPS video for slow motion.
  • Customizable Color Profiles and S-Log2 Gamma for video.
  • Audio Input & Headphone Jack
  • ISO Capability up to 402,000 ISO. Usable at 102,000!
  • Faster AF speed over A7 and A7r with Sony lenses.
  • Seems like the shutter is quieter as well, more damped. 

Other than that, the A7s is just like the A7 and A7r in body, build, and feel. Controls are the same and LCD and EVF are the same. Basically what you are getting is a supercharged A7 with intense low light capabilities as well as stellar video options. Leica M mount lenses also seem to work much better on this body than the A7 or A7r.

ISO 8,000 with the 15mm Voigtlander.

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So first, let us talk about the #1 main reason to like the A7s. LOW LIGHT capability. 

FACT: With the Sony A7s I am now able to shoot in near darkness without a flash and without even using the annoying red AF light! The A7s simply rocks and is in its element in low light scenarios. I had this camera in almost pitch black conditions. The camera still managed to auto focus without using the AF assist light! AMAZING! Below is one image sample that was shot in a VERY VERY low light room. In the room it was what I would call “dark” with some slight ambient lighting but when looking at the scene, I could not make out anyones faces. I cranked the camera to ISO 80,000 to get 1/10s with the Voigtlander 15 VM at f/4.5 (wide open). I had the silent shutter activated and no one knew that I snapped a picture. In fact, if I told anyone that I did they would never have believed me as most would think it to be impossible without a flash. The image looks like the room was bright but it was in NO WAY bright! It was super dim and near dark. In fact, I also was shooting video with my camcorder in this room and I had to engage night vision with an external IR light.  The image below is the result of the ISO 80,000 at 1/10s with the 15 VM. Click it for larger. 

Sony A7s, Voigtlander 15VM (with M adapter) and 1/10s. OOC JPEG, NR on lowest in cam setting.

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Sure you will see some noise and loss of detail but THIS IS 80,000 ISO! No other camera in this price range could even get close to this. In fact, I am not so sure any other camera at all could get this type of performance at ISO 80,000. If so, I have not seen it. Even MC Hammer would say that the Nikon Df can’t touch this. Others who say that the A7r or A7 or Canon 5D MkIII can do this..well, they are 100% incorrect. From noise to Af in this kind of light, they can not do it, period.

The A7s in real world near darkness use – Photo.-

When the camera arrived my 1st order of business was to take this A7s and find a place I can shoot it at that has something interesting to shoot, in literally near darkness. A local friend of mine, Bill Goodman, who is also a photographer (shoots with many cameras but loves his Canon 6D) recommended I go shoot some music clubs in town. He recommended a few places and away I went, and I loved it! The people, the music, the beer, the ambience and the experience was rather therapeutic for me and started to bring back some of the fun of photography for me after so many years of doing reviews (yes, six years of shooting for reviews can start to take away some of the fun in photography). The A7s never gave me a problem, even in situations that had me shooting at ISO 102k with AF and the AF assist light turned OFF. The Af of the A7s is amazingly good..and accurate. It is not a blazing speed demon in darkness but it gets the job done. I also tested the Mitakon 50 0.95, serial #00001 and this lens along with the A7s is a match made for the night. Not “Noctilux” quality but at $795 a no brainer for low light work if you have an A7 or A7s camera. It is a full frame 50 0.95 lens and built like a tank.

Some low light samples at high ISO. Keep in mind that this club was near dark. It was tough to see this band, Copper & Congress with my own eyes! The club is the “Lost Leaf” in Phx AZ and there is live music every night. I tested the A7s here so it could be like a torture test “worst of the worst” conditions. I had to crank the ISO and use the Mitakon 50 0.95 lens. Below are some OOC JPEGS in B&W. ISO is listed above each photo.

Katie from Copper & Congress doing a sound check at the Lost Leaf in Phx AZ. ISO – Mitakon 50 0.95 was used for these.

All were shot as JPEG

1st image is at ISO 32,000  - f/0.95 – click for larger!

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ISO 25,600 – f/0.95

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ISO 25,600 – f/0.95

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ISO 25,600 – f/0.95

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ISO 25,600 f 0.95

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ISO 1600 for the next two. 1st one was using the 35 2.8 and 2nd the Mitakon wide open

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The A7s is TRULY the new King of the Nighttime World – in Color or B&W!

The more I used the A7s the more I started to appreciate it for what it can do, in any light..and I mean ANY light. It showed me that it excelled in bright light with an amazing Dynamic Range and it showed me it can do any light scenario in between from bright to almost total darkness. Below are three more photos showing ISO 64,000, ISO 12,800, 4000 and ISO 1600. All look fantastic. All are OOC JPEGS!

The A7s with 15 VM..ISO 64,000 in Boiler Room #3 abroad the Queen Mary at around 3 AM all by my lonesome. Color remains rich at this high ISO which is unheard of. **OOC JPEG**

THIS IS A FULL SIZE 12MP FILE so you get to see the nitty gritty of ISO 64,000 – OOC JPEG! Yes, look at the color and DR at ISO 64,000. THIS IS HUGE and I have never seen anything like it. VIVID MODE

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ISO 12,800 hand held in the desert at midnight.

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Below a measly ISO 4000 which does not even make the A7s break a sweat. OOC JPEG here..35 2.8

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Using the Leica 50 APO at ISO 3200 and F/2, the color is sublime even at ISO 3200! This was shot in a very low light location.

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ISO 1600? Looks like base ISO of some cameras :) – 35 2.8 – MUST click for larger! Color is FANTASTIC as is the AWB in this tricky lighting! VIVID MODE

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Ok, so what about using the A7s for other thing such as in normal light, action shooting or video?

Of course many will say “I do not need high ISO capability” – why would I want a Sony A7s? My answer to you is “you probably wouldn’t”!

In all seriousness, the A7s is the best low light camera I have ever used, period. It beats any other digital from Leica, any previous Sony and any Canon, Nikon or other brand of camera as of July of 2014. But what about if you do not need low light use? Well, I used to say all of the time that I never needed more than ISO 3200. I now realize that while true (it is not NEEDED)…after using the A7s I realize that I have no more limitations. After I realized the situations where I could now shoot images, using the Sony A7s, in total silence and in near darkness, it opened up new possibilities that I never even thought of. Total darkness, hand held shooting. AMAZING! ISO 80,000 is similar to ISO 1600 in the film world. This is huge. Believe me, it is. I am flabbergasted at what this A7s can do.

So while I never “needed” more than ISO 3200 in life, I realized that after a couple of weeks with the A7s that I loved having that capability. Photos in the dark or video in the dark. It was and is easy for the A7s. This opens up ALL KINDS of possibilities. But what if you never ever shoot in low light?

Well, the kicker here is that the A7s also does amazingly good in normal light. The Auto White Balance is superb, probably the best I have seen to date and beats the pats off of my Leica M 240 in this area. Color is nice and seemingly changed a bit from previous Sony cameras.

This review will be more on photo’s than words  this time around as I said so much in my A7 and A7r reviews. This time I will let the photos speak for  themselves, and keep in mind, 98% of these are OOC JPEGS so it only gets better. As for action shooting, no, the A7s will not be the end all of sports shooting for a couple of reasons. First, there are not yet any long telephoto lenses out for sports shooting and the Continuous AF is not as blazing as something like a pro Canon 1d or Nikon D4 series camera. (Many new lenses are on the way though in 2014 and 2015). I did shoot some kids at a skate park using C-AF (some samples in this review) and while all I had was the 55 1.8, it seemed to do the job well though some shots were missed as the kids were flying in the sky.

Below are quite a few image samples in good light, ALL JPEGS! Click them to see them correctly!

Low ISO has the pop you would expect from any full frame camera.

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Using C-AF and the 55 1.8 I was able to get some cool action shots with depth and great color and bite. The A7s was responsive and felt great while shooting. 

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The Mitakon at 0.95

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35 2.8

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A mother and daughter on the way to the beach – Zeiss 45 f/2 Planar (using M mount adapter) – Vivid

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Saw this cute guy on the beach in Summerland, CA. He only had three legs but was having a great time in the water and sand. Used a manual focus Zeiss Planar 45 f/2 that a reader sent in for me to test.

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With the Zeiss 45 f/2 Planar. Great color out of camera! JPEG!

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Another with the Ziess Planar 45

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Look at the reds and the way this one rendered with the 35 2.8 – Gorgeous color and tone!

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The Voigtlander 15 is AWESOME with the A7s. Click it to see the sharpness in the eyes here. 

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35 2.8

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55 1.8 using C-AF

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55 1.8

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55 1.8

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So my thoughts on the A7s in normal light is just as positive as it is for low light. Great AF speed, responsive overall feel and great color and IQ.

How about video? This camera shoots 4k?

The A7s is 4K capable with an external recorder but I am not a video guy who is serious enough to use that at this time in my life. I can say that shooting normal video is fantastic. Good light or low light, ISO 80,000? Sure. I shot a few video clips at varying ISO ranges but have not delved into the serious video tools such as the gamma color options. But this camera is a serious video tool and full frame to boot. Below is a sample video clip with clips ranging from base ISO to ISO 102,000 just using 1080P at 24 fps.

Only 12MP? Is that enough for larger prints?

I have been getting the megapixel question on this camera at least 5X a day. So, is 12MP enough for todays hobbyist, enthusiast or even pro? OF COURSE IT IS! Many get hung up on viewing images at 100% on screen, a way that NO ONE views your photos. We get “addicted” in a way to looking at the files at 100% and saying “WOW, look! I can see every eyelash on her face in extreme detail”!  But in  reality, none of that makes a good photo! All it does is make for a good WOW moment to YOU when viewing at 100% or sharing crops. In actual photography, 10MP is plenty and 12 is more than enough. My favorite sweet spot is 16MP but the Sony’s 12 MP here is a very very good 12mp.

Back in the day I had a ikon D2hs that was 4 MP and I printed 20X30′s from that camera all the time (was in a print frenzy at the time to prove that yes, a good 4MP cam print large) so the Sony A7s will never leave me wanting for Megapixels unless I am looking for that 100% screen viewing WOW moment, which you will not get with the A7s as you will with an A7r. I also really love the little Nikon V1 which is 10 MP. Never had an issue with images or the few prints I made. I think I have a 16X20 from the V1 that is gorgeous.

The A7s does so much right…”a jack of all trades and master of all” sort of camera…well, except for super crazy blazing Canon 1D style fast C-Af sports or action, but it is still not bad at all in that area. It has taken ANYTHING I have thrown at it, spitted it out and said “Is that all you got”? For me, there are way too many positives to having 12MP here that going back to 16, 24 or 36 would take away most of it. Sony knew what they were doing when they gave this camera a 12MP sensor. I am here to tell you that massive MP counts is not required for normal photography and large prints. Even with prints on a wall, who walks up to them to study details 2″ from the print? No one, except the ones who made the prints if they are obsessed with this sort of thing.

12 MP is a good number for me. May not be for you but for me, I really do not need more than 12 and the A7s is what has showed me this fact. I may not see every super fine detail or hair in a full size image but what I do see is good enough for 99.6% of anything I will ever shoot.

Below is a 100% OOC JPEG..yes, JPEG. So this will not be as sharp as the RAW file, but this is an idea of what you can get out of the camera. You must click it to see the crop correctly! 

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Shooting with the Voigtlander 15 VM Leica Mount Lens

The one lens that is pretty popular due to its small size and price and total lack of wide distortion is the Voigtlander 15mm Vm Lens. It is one of my faves and I have used one since my Leica M 7 days. On the M8, M9 and previous Sony A7′s the lens was virtually unusable due to color shifts and edges but here on the A7s the color shifts are 98% gone. This means that this is the first full frame digital that this lens will work on! The lens is $600 or so and can be bought at Cameraquest HERE. I highly recommend it for Leica Monochrome users or those with a crop sensor. But now, for the A7s, it is a great lens to have. Below are some shots with the 15mm on the A7s. Some are at very high ISO and the EXIF is there.

I have not been able to use any other Leica M mount wide angles yet but had a blast using the 15. I will test more soon and post that at a later date.

Below are all JPEGS from camera.

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Side by side with the Leica M 240

Below is a quick comparison I shot just for fun and due to many requests. It is with the Sony A7s and 55 1.8, then with the Zeiss 50 Sonnar and then one with the Leica M 240 and 50 Summicron APO. The Leica kit comes in at $15,000. The Sony kit at $3600. This is a just for fun test BTW..click them for larger. I posted this as a “Crazy Comparison” here. These were from RAW.

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Below, Sony A7s with Zeiss 50 1.5 Sonnar at 1.5 – beautiful rendering.

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Issues with the Sony A7s?

The Sony A7s really has no deal breaker issues but there are some things to be aware of.

First, when using the Electronic Silent shutter in extreme situations, such as very high ISO and shooting moving subjects, there can be a rolling shutter effect that will ruin your shot. If you are shooting fast moving subjects in low light, just use the standard shutter. Second, well, there really is no second issue as that is the only one I have found.

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Bottom Line Conclusion on the Sony A7s

The quick answer? The best camera, for my purposes, that I have ever tested, used, or reviewed. Period. Ever. Notice that I said “My Purposes”!

Strong strong words here but for me it comes down to the fact that in 3 weeks of use the Sony A7s never let me down, even when in near pitch blackness. It delivered insanely good results in any light situation. It never failed me in focusing. It adapted the M mount lenses I had on hand without major issues, even the “never worked on a full frame digital Voigtlander 15 M mount lens”. The Sony A7s opens up so many new possibilities that many never even knew existed. Sure, it is only 12MP and you will lose cropping power. Sure, that 12MP will not give pixel peepers the WOW moments and sure, it is yet another Sony camera promising big things.

But this time, the Sony A7s delivers on all promises made.

The shutter seems quieter or more damped. The new silent mode is amazing, drop dead silent. The AWB is fantastic and the focus speed is the fastest of any Sony full frame model E mount to date. It will even AF in darkness without fail. For video, it is exceptional and while I am not video whiz, it is beyond my capabilities in this area. The build, feel, manus and controls are the same on the A7s as the A7 and A7r, so the only thing that has changed is the sensor and electronic modes and video. These things open up this camera to ANYTIME, ANYWHERE use and I was not able to find any situation where I could not use the camera, NONE.

I have never in my life experienced this level of low light use. One that keeps color and DR even at ISO 80,000.

Sony has some new lenses planned for 2014 and 2015, one of then being an ultra wide zoom and a Zeiss 50 1.2. I am already drooling at the possibilities. The A7s has won my heart, much more so than the A7 and A7r. With the A7s I can use Leica glass, I can shoot in the dark, I can take gorgeous video all without worrying about color, mis-focus or other issues. Even when using C-AF I was able to shoot some kids at a skate park with great accuracy. But again, do not expect a blazing C-AF machine. This is still not a DSLR!

The A7s is not perfect though, if it had Olympus Image Stabilisation it would just about be! Yes, that, for me, would be the PERFECT camera. The A7s with the 5 Axis IS from Olympus. The A7s is a wonder. I have never seen anything like it for low light use. In good light it produces wonderful quality JPEGS and even better RAW files. Just do not expect the eye popping details that come with 36 MP cameras. Remember, images here were JPEG besides for the Leica comparison, those were shot RAW.

For me, this is the camera to beat for 2014. So far, my pick for camera of the year. For me, if I add in the Voigtlander 15, Voigtlander 35 1.2 and the Sony 55 1.8 and I have a camera and lens combo that can do just about anything I ask of it, for my needs. 

It is not for long tele users or super fast action shooters. It is also not for those who need and love super resolution, pixel peepers.

Sony just keeps on pushing those limits and just like Olympus, they are pushing past the normal crowd of cameras to create something special and revolutionary, and yes, the A7s is revolutionary. Try one for a week. You will be hooked and it will be tough to go back to having limits to your photography.

You can order the A7s at Amazon or B&H Photo using the instant links below. IT IS NOW SHIPPING!

Buy the Sony A7s at Amazon

Buy the Sony A7s at B&H Photo

Buy the Sony 55 1.8 Lens (great on the A7s, and highly recommended)

Buy the Gariz Sony A7 case at Amazon - beautiful cases for the A7

Buy the Voigtlander 15 VM Lens HERE, and the best M to E mount adapter I have found HERE.

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I will leave you with more images from the Sony A7s. ALL JPEGS! Enjoy! BTW, I will be testing the A7s with wide angle Leica M lenses SOON and will make a new post on it when I do. I have not had access to the wide angles over the past three weeks, but should have some in July. 

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

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If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

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Thank you all! – Steve

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Jun 302014
 

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Hey guys! HAPPY MONDAY! Not many of us love Mondays but I always do as it gives me a fresh start to the week with a purpose and goal, and this week is a big one!

I have just arrived back home from an 8 day road trip vacation and have already started writing my Sony A7s review. Not sure how long it will take but the words are flowing about this little wonder. It is no secret that I loved it but I will tell you and show you exactly WHY that is the case. So look for the review in the next 24-48 hours! I shot the A7s with the Sony/Zeiss 35 2.8, Sony/Zeiss 55 1.8 and the Voigtlander 15 VM lens as well as a few with the Mitakon 50 0.95. 

Take a look at the shot below at ISO 80,000 and 1/10s with the Voigtlander 15. This is a 100% OOC JPEG with NR on its lowest setting.

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I have so much to say about the A7s and will say it all in my review..so stay tuned! You can order the Sony A7s at Amazon HERE or B&H Photo HERE.  Some have already started shipping but mass shipments start TOMORROW!

Steve

Jun 232014
 

Having a blast with the Sony A7s

So I am on day one of an 8 day road trip through various parts of California with the Sony A7s and so far so good! Day and Night one brought us to Landers, CA where we stayed at Kate’s Lazy Desert which was a really fun time. We had the whole place to ourselves, six classic airstream trailers and a wonderful night under the stars. We leave this morning and area heading to see some friends in Crestline, CA and then we will be on our way to Santa Clarita for two nights. After that we will be heading to Santa Cruz, San Francisco and then to Long Beach before heading back home to Phx AZ. Will be shooting the A7s for the entire trip so I can evaluate it fully for my full review which will be up soon.

Yesterday and last night I shot with the A7s along with the Voigtlander 15 and Sony/Zeiss 35 2.8. Below are a few of the shots, which are all OOC JPEGS from Lightroom. Just using my tiny Macbook Air for this trip so for me, it is hard to do any editing..so what you see is what you get.

You can pre-order the Sony A7s at Amazon or B&H Photo.

ISO 12,800, 15mm, 1/10s – Handheld

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Voigtlander 15mm, tripod long exposure. 

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Inside one of the Airstreams with the 15mm – I think I was using the “Clear” color mode…but man, love this 15 on the A7s! Finally usable in color on a FF digital. This lens did not even work good on the cropped Leica M8 but on the A7s it is nice. 

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Zeiss 35 2.8 – It was a bright day and around 105 degrees at the Lazy Desert, but we had a blast regardless. 

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15 VM 

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15 VM – They have a little pool so we had some drinks and went swimming for a while before cooking up some dinner.

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15VM – The Camera m ay have been in Vivid for this one.. I used spot metering here.

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35 2.8 – The little Zeiss 35 is a fantastic lens.

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Jun 202014
 

Quick Test: Sony A7s and the Voigtlander 15 Heliar!

Well guys..I just found my next favorite camera, and one that is now up there with my fave of all times. In the same company for me as the Leica M and Olympus E-M1 and Sony RX1. In fact, the Sony A7s is one hell of a camera. I have been using it non stop since getting it in my hands and loving every moment of it. It is much more than just a video enthusiasts camera. It is much more than a low light shooters dream camera. It is actually both of those but much more because it is an amazingly capable and superb camera for ANY type of shooting. Even with its low 12MP output (same as the legendary Nikon D700) this Sony A7s has it all. Decent Speed, great build, a shutter that sounds quieter to me than the A7 and A7s and now, as I just found out, no real horrible issues with the Voigtlander 15 Heliar VM (Leica mount) lens. The camera also will AF in LOW light without the use of AF ASSIST. It is not blazing when no light is there but it does indeed AF and it does so accurately.

On the A7 and A7r this lens had some issues as it does on the Leica M. Magenta corners and edges. Most use it for B&W only because of this. On the A7s, after just a few quick test JPEG snaps in my backyard, I see no real issues and shooting this lens in color is now possible on a full frame digital without having to worry about colored edges. It is not perfect of course as it is a try 15mm lens. You will get some vignetting wide open and maybe some slight colored edges but nothing like it was on the previous cameras, or Leica M.

I have yet to try other wide angles on the A7s and I am aware that some have more issues than others but this is a good sign. The Voigtlander 15 is one of my all time fave lenses just for the fun factor and low-cost of $600. You can read about it here when I tested it on  a Leica M. My very old review on the M8 is here. Others have tested it on the A7, here is one of those articles. 

The test images below were shot about 10 minutes ago in my backyard and I haven’t yet used the lens anywhere else but plan to all next week in some situations. So far so good! You can buy the 15 Voigtlander from Cameraquest HERE or B&H Photo HERE. It is a fantastic wide-angle that when used on an A7 will give you a true 15mm FOV. It is quite an amazing lens for the $599 retail price.

SO FAR, THE SONY A7S IS THE FULL FRAME MIRRORLESS TO BEAT for what it offers. My pick SO FAR for Camera of the Year 2014. Order it at Amazon or B&H Photo.

Images below with the Voigtlander 15 VM lens..click for larger. ALL OOC JPEGS! I will have some “real” images with this combo in my review coming within 2 weeks.

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Jun 192014
 

Crazy Comparison: Sony A7s, 551.8 vs Leica M 240, 50 APO and more!

Many have asked for this, so here you go. Both files are from RAW and both were shot within 45 seconds of each other at f/2. The 1st image is from the A7s and 55 1.8 at f/2. This combo comes in at $3600 or so, not cheap by any means but I feel that the A7s, even after having it for only a day so far, is the best Sony camera made to date. For me it offers the best of all worlds. Lush low ISO quality with a nice rich, sharp, manageable and very pleasing file quality. It also offers the best in class high ISO performance and superb video capabilities.

Many have asked me to pit the Leica M with 50 APO (a lens that I feel is the best you can get on the M and for the M) against the Sony A7s with 55 1.8. The result is below. You must click on the images for larger version and to see the 100% crop. The Sony surprised me here! The Leica combo comes in at almost $15,000 so, $11,500 more than the Sony.

What do YOU think?

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Jun 192014
 

The Sony A7: My Six Month Analysis

By Adam Laws

Afternoon Steve,

I originally wrote to you six months ago in regards to my very recent purchase of the Sony A7 and Zeiss 55mm with my original thoughts as an enthusiastic yet amateur photographer with a shiny new plaything. I received some great positive comments from your readership, though I also received equal negative response due to my post processing. Some of which I found quite constructive in fairness.

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Since my original correspondence I have started a photography course, gained some experience of studio shooting, purchased the Zeiss 35mm 2.8 and been on various adventures. All whilst Sony has announced the new Sony A7s and issued a firmware update to the A7 series so I thought your readers might be interested on how my experience has been so far. especially with your inpending review of the A7s.

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Firstly something I didn’t elaborate on in my original post is how I ended up with camera in the first place. Originally I had been bouncing from higher capability point and shoot cameras. The Ricoh GX100, Panasonic LX3, the LX5 and then on to my first mirrorless system being the Panasonic GX1. A camera I liked but found myself wanting a viewfinder so I purchased the OMD EM-5, followed by the X100S, which I sold for the A7.

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The main reason I have bounced around so much as my interest grew in photographer so did my desire for better equipment (The dreaded GAS syndrome). However I found by selling my old camera gear before the launch of the next generation of camera (I kept an eye on rumour sites for the latest info) allowed me to sell a camera with very minimal depreciation. I have yet to lose more than a £150 on camera and as I keep a camera for roughly a year (So far) the cost incurred for experimenting with the latest equipment I feel is quite reasonable. In addition with each new purchase I find my enthusiasm for photography is rekindled. Anyway I digress. What all these cameras have in common is their small, lightweight, and very capable for their form factor.

So back to my experiences with the Sony A7, what have I liked and what’s annoyed the proverbial sh*t out of me.

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Like

Wireless remote control functionality with my mobile device. This feature is built-in to the camera and sends a live view image to my phone allowing me to take images at a distance without any additional equipment being required. Focus peaking is amazing and extremely satisfying. I tend to manual focus when time allows. Lightness. This camera fits in my rucksack with ease and I have literally climbed a mountain with this in my bag along with other general provisions, without my back regretting it the following morning.

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I appreciate the level of customisation this camera gives me allowing me to change the buttons as I see fit. If you decided to shoot in JPG I find the colour of the image is slightly better than the RAW and in addition the files are quite susceptible to manipulation before things go crazy. Autofocus has always proved very reliable and quick for my purposes. Depth of field is great. I love shooting wide open when the scene allows, and you are capable of getting quite amount of 3d pop. I was also surprised how sharp the Zeiss lens was wide open, though you have to be careful with your focusing. I can’t see myself ever needing any more camera if that makes any sense for the shooting I do.

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Dislike

ISO set to the control wheel as default. I must have accidentally changed my ISO to something ridiculous far too many times before I decided to change the configuration. The wheel has no real resistance so it was very easy to accidentally adjust/move. Though the camera feels good in my hand it doesn’t feel as nice as the OMD with the optional grip, nor is built as solid as the Fuji x100s, which just felt satisfying and weighty (In a good way). Shutter noise. Much has been said about this and as my previous camera with the X100s with the silent leaf shutter I winced with embarrassment the first time I tried to take street shots. Though it’s not generally that loud and no less noisy than my classmates DSLR’s.

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You try finding flash equipment especially with TLL capabilities or radio transmitters that state they are compatible with the A7 even with the new ‘standard’ multi interface hot shoe. I’m still trying to find a cheap solution, which is available (And works consistently). File size. I love the megapixels however when shooting RAW has been to the detriment of my hard drive. Additional native FE lenses. I appreciate you can get adaptors for various lenses but I would like the option to buy native lenses with autofocus capabilities that is designed for this system. I found white balance to be a little off when shooting in studio conditions, and in addition snow. Nothing that couldn’t be rectified in post or with some button pushing but it was always a little out in these conditions.

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Conclusion

Generally I have been very happy with my purchase. Will the A7 cure my GAS? Maybe in relation to bodies after all does anyone need any more capability within a camera for general shooting? Probably not. However I can see myself getting additional glass (If something becomes available in the FE native line-up). I guess I see what happens. If you readers want to see any more image samples please feel free to see my amateur web-site www.tyrannosaurusphotography.com

And thank you Steve for all your dedication to this site. It truly is a source of inspiration not only in regards to gear but seeing other individuals work.

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Jun 182014
 

Two full size high ISO JPEG images from the Sony A7s. ISO 3200 and 64,000.

Hey guys! Been busy all day shooting this Sony A7s and wow, I am impressed with the low ISO (up to 10,000 or so) more so than the high ISO (above 10,000). Shooting at base ISO is beautiful and I will have loads of images in my full review but I have had a few messages asking me for full size images, from raw, in color at higher ISO. Below are two shots, and both are from RAW, in color and shot with the Leica 50 APO on the A7s using the Voigtlander Adapter. 

You can see the ISO 3200 shot is quite nice. The ISO 64,000 is noisy, yes..but better than ANY other camera today at ISO 64000. This was in a dark area in the zoo today and again, they are JPEGs out of camera. The ISO 3200 shot was at 1/60th of a second. NR in camera was set to low.

The 50 APO is gorgeous on the A7s btw..wow.

 

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and a couple with the 50 APO at ISO 100. Click it for larger. 

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