Dec 302013
 

My 12 for 2013 

By Adam Anderson

I enjoyed Jason Howe’s Top 12 for 2012 very much, and its message distills the ‘less is more’ philosophy that resonates strongly with my own photographic intent. My life would likely improve a great deal if I was able to translate this philosophy to other areas.

Jan to Dec 2013 are convenient bookends for a significant time in my life and photography. I moved to Sydney for a 12 month tryst with the city, its surrounding landscape and my Zeiss Ikon ZM rangefinder. I also got to try a bunch of other camera and lens combos which I will give my brief thoughts on. Stricken with Gear Acquisition syndrome, my ownership period of these non-Ikon devices was short and featured a great deal of anticipation and subsequent remorse. Not unlike a good night out! So, in the spirit of the cost vs. benefit of brief liaisons with the opposite sex, I’ll chalk up my short ownership period of these cameras as a worthwhile experience.

I tried to keep this sample of 12 fairly objective since my own emotional attachment to places, people and experiences doesn’t always make it through the lens. Regardless of the photos that made the grade, this year I found myself preferring film to digital, 1×1 aspect ratio and b&w to colour a lot of the time. Hardly groundbreaking revelations to any seasoned photographer, but fun to use tools for someone like me who was excited to expand his horizons beyond MS Paint as the foundation for his digital image manipulation workflow.

The cameras:

Zeiss Ikon ZM and 35mm Biogon C 2.8

The ZI is my favourite by far and most used. It gives classic rendering with the 35mm biogon which is beautiful with negative film. I cannot give enough praise to the Ikon’s wonderful viewfinder, the convenience and reliability of its Automatic exposure mode and its overall ergonomics and handling. Steve often talks about the necessity of a camera to motivate its inclusion on outings and no camera and lens has been more motivating for my photography than this setup. I had all my film developed and scanned by Foto Riesel in Sydney. They are the best photo lab I’ve used and tolerated my “Selfies on film with a wide-angle lens” phase.

Canon 6d and 40mm f2.8 pancake

This was a neat setup. The 6D is compact for a DSLR, is solid and has a simple but useful control layout. It delivers fantastic IQ on all counts and great low light performance. It really ticks the boxes for what’s important for me in a DSLR. It survived me getting lost in the Australian wilderness several times. I regretted upgrading to the d800e.

D800e and 50mm 1.4g

I had a love hate relationship with this camera. I loved the sharp, detailed results it produced when everything was right. The various metering modes were often way off, under and overexposing at inconvenient times. The AWB was not as natural as the 6d. After the 6d’s interface and layout I found Nikon’s menu structure and controls convoluted. Not to mention the bayonet was designed on opposite day. Perhaps more time spent with this camera would have yielded a happier relationship. More likely my experience is akin to learning to drive in a Formula 1.

Mamiya 7 and 65mm f4

This was my first foray into medium format and the results blew me away. I already have quite an economical shooting style so 10 frames per roll wasn’t too restrictive. Once you get the hang of the centre weighted lightmeter it’s a breeze to use on AEL mode to really nail exposure. It’s easy to load on the go and the controls are basic but very functional. My favourite film for this camera was Fuji pro 400h. My favourite photographic technique with this camera was loading the film incorrectly and getting only 8 exposures instead of 10.

Thank you Steve for your website and your bandwidth, and your readers for their attention.

Canon 40mm 2.8 STM

D800e 50mm 1.4 G

Mamiya 7 65mm Pro 400h

D800e 50mm 1.4g

D800e 50mm f2 auto nikkor

Zeiss 35mm Biogon C Tri-x

Zeiss Biogon 25mm Portra 400

Zeiss Biogon C 35mm Portra 400 -1

Zeiss Biogon C 35mm Portra 400 -2

Zeiss Biogon C 35mm Tri x

Zeiss Biogon C 35mm Portra 400 -3

Zeiss Biogon C 35mm Tri-x

Jan 122013
 

12 Months, 12 Lenses and Cameras

by Bjarke Ahlstrand – His website is HERE

Hail and happy new year!

2012 was a very exciting (camera) year for me — I often considered the many new promising cameras, especially when browsing through Steve’s blog, but eventually found out that the smaller sensors and formats are not my thing, even though OM-D, Fuji X-pro etc. look amazing, especially ISO wise. Heck, even the new 5D Mark III which I purchased for “professional” purposes bored me… So in stead my focus, desire for — and collection of old “exotic” glass just grew and grew as did my fascination with the medium format, and lately large format (4×5″) film. I’ve always shot digital, so building my own darkroom and starting to develop my own film was quite a challenge, but fortunately I have quite a few skilled old school friends who helped me along the way.

And now, as 2013 is upon us, I’m trying to “scale down” my 2012 collection of images, which also happens to be quite a challenge, considering the many good times spend with a variety of excellent cameras (some bought, most borrowed from my best friend who works at a camera store). But even though I loved fooling around with the technical Linhofs and Sinar Norma 4×5″, The Zeiss Ikons, Voigtländer Bessa, The Rolleiflex and Yashica TLRs, it always seems like my (camera) heart belongs to my Leicas (M6 + M9-P) and Hasselblads (digital H3D-39 and analogue 500C, SWC and Xpan). And the lenses, those wonderful lenses…

Anyways, here are 12 of my 2012 shots. The first 6 months are in black and white and the last 6 are in color; some shot with wonderful analogue oldies and some with digital razor-sharp aspherical ones, dating from 1939 till today…

JANUARY 2012 · LEICA M9-P & 35 MM SUMMILUX F/1.4 (PRE-ASPH)

My colleague, Claus, from whose father I purchased an excellent 1960’s 50 mm Summicron.

2012_01_leica and 35 summilux_claus the co-worker

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FEBRUARY 2012 · HASSELBLAD SWC & ZEISS BIOGON 38 MM F/4.5 · P45+ DIGITAL BACK

- My youngest clone, Viggo, running uphill while I press the shutter on the wonderful SWC from 1974. The 38 mm Zeiss Biogon (=24 mm in full frame terms) is the sharpest, non-distorting and most excellent wide-angle lens I’ve ever owned and shot. There’s no framing or focus assist when I shoot with the SWC, but I now it so well, so I just point and shoot (and prey :-).

2012_02_hasselblad swc and zeiss 38 biogon_run to the hills

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MARCH 2012 · LEICA M9-P & 50 MM JUPITER-3 F/1.5

- My lens soulmate, Klehmann, knowing my craving for fast lenses, strongly suggested that I tried one of the old russian Jupiters, so I purchased this one eBay. It’s broken, so it only works on 1 meters distance and then it’s 4 cm off, so it took some time to adjust to. But it’s wonderful with its drop-like bokeh, even when something wicked is climbing the trees in Copenhagen (=my oldest clone, Hjalte).

2012_03_leica and 50 jupiter_in the trees

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APRIL 2012 · LEICA M9-P & 90 MM ELMAR F/4

- I often wonder which images old lenses have captured through out their life time. This 1939 portrait lens is no exception. It survived the second World War, the following cold war and eventually ended up in my hands for a mere 100$. It’s rather battered and its resolution is not the highest of my Leica glass, but it does well when it sees a burlesque Australian freak performer. I wonder how many of those it has seen the last the last 73 years…

2012_04_leica and 90 elmar 1939_freakgirl

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MAY 2012 · LEICA M9–P & 50 MM SUMMILUX ASPH F/1.4

- This lens never fails me. Since I departed with my 75 Summicron (I traded it for the 75 Summilux which I like better), it’s definitely the sharpest in my Leica arsenal, even wide open. I really like the 35 mm on the Leicas, but I often find myself automatically bringing this one and my 21 mm Summilux as both are excellent performers and a nice compact travelling kit. The guy on the image recently had a pacemaker inserted which I was quite fascinated with.

2012_05_leica and 50 summilux_pacemaker man

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JUNE 2012 · LEICA M9–P & 100 MM CANON SCREW MOUNT F/2

- My favourite music festival is the annual Copenhell (Copenhagen Hell) as it’s crammed with hard-hitting metal and a cool audience. This year I spotted a Crow-like character and this was actually the first shot I took with my newly purchased 1960’s Canon screw mount lens. 100 mm is an odd size on the Leica, frame wise, but the old Canon lens actually handles very well and I love its f/2 abilities and only shoot it wide open.

2012_06_leica and canon 100 mm_the crow at copenhell

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JULY 2012 · HASSELBLAD H3D-39 & 100 MM HC F/2.2 · Pro-Foto Flash

- My wonderful offspring just before harvest, captured two minutes before the sky cracked, through 39 megapixels of digital Hasselblad magic and the Fuji built HC 35 mm f/3.5 which translates roughly to a 22 mm lens in full frame terms.

2012_07_hasselblad h3d-39 and hc 35 mm_harvester of sons

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AUGUST 2012 · HASSELBLAD 500C & 60 MM ZEISS DISTAGON F/3.5 · KODAK EKTACHROME E200

- Astronaut Neil Armstrong died late August, and the boys and I decided to suit up and pay homage to the space traveling Hasselblad shooter. I found an old, long expired dias film, which I inherited from a retired pro, and we sailed to the Trekroner Island just outside of Copenhagen. Apparantly the 50+ year old film magazine has a marvelous light leak which I absolutely love it. And the colors… those expired dias film produce something truly unique. And with my Imacon Flextight scanner I end up with 50 megapixels resolution, which is not bad at all for a very old camera.

2012_08_hasselblad 500 60 mm zeiss distagon_astronaut armstrong jr

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SEPTEMBER 2012 · LEICA M9-P & 50 MM NOCTILUX ASPH F/0.95

- A self-portrait of myself and my new better half, shot on my roof top during stormy rainbow filled September weather (just before our very first kiss as a matter of fact). That Noctilux is unbeatable, although mine is 2 cm off focus wide. The girl is pretty nice too, I think :-)

2012_09_leica and 50 noctliux_new girl on the block

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OCTOBER 2012 · HASSELBLAD XPAN & 45 MM FUJI F/4 · KODAK EKTACHROME E100

- Ever tried a double full frame rangefinder? Enter the XPan, an interchangeable lens 35mm rangefinder camera system with true panoramic capability. Made by Fuji in Japan, its like a Japanese Leica in Hasselblad styling — only its true panoramic double-width full frame (24 x 65 mm). Despite its small size, the 45 mm is actually a medium format lens, making it a 24 mm in 35 mm terms. And again — those old expired dias film — if you have some in the freezer, please send them to me in Copenhagen!!

2012_10_Hasselblad Xpan and 45 rodenstock_ruth at fence

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NOVEMBER 2012 · HASSELBLAD H3D-39 & HC 100 MM F/2.2

- A razor-sharp Yoda-like-orc shot at f/2.2 medium format which equals something like f/1 in 35 terms (check the sharpness in his eyes, it’s unbelievable). The HC 100 mm is my favorite medium format portrait lens. It renders out of focus smoothly and is one of the sharpest lenses, even wide open, I’ve ever tried.

2012_11_hasselblad h3d-39 and hc 100 mm_orc yoda

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DECEMBER 2012 · LEICA M9-P & 21 MM SUMMILUX ASPH F/1.4

- I shoot a lot of concerts. So do a lot of other photographers, but the Canon & Nikon shooters always stare, when I pick up my manual focus only camera and try to nail the performing artist at f/1.4, hehe. This was also the case when Rob Zombie recently played in Denmark together with Marilyn Manson. I recently brought along the 5D Mark II and the new 24-70 zoom, but it just wasn’t me anymore, I guess I love the manual framing and focus hassles too much :-)

2012_12_leica and 21 summilux_rob zombie

 

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