Nov 182014
 

$400 off on the Awesome Olympus OM-D E-M5!

omd

Anyone up for a great deal? Getting closer and close to Christmas time again and with there only being 36 days until that big day, maybe some of you will want to buy one of these to place under the tree for that special someone?

The Olympus OM-D E-M5 was the original groundbreaking OM-D digital camera that put Micro 4/3 into the masses. It is still a fantastic camera today, and very similar to the newer E-M1 in image quality. At $599 it is a GREAT buy with a $400 savings going on.

You can check them out or order one at B&H Photo. 

Nov 142014
 

Hi Brandon and Steve,

I live in Thailand and follow your website regularly.

I took up photography as a hobby around 2 1/5 years ago. This is when I got my Olympus OMD E-M5 + the kit lens. I love this camera for its compactness, speed, image quality. Needless to say, after starting reading your reviews on different 4/3 lenses I got “bolder” and got myself the Olympus 17mm f1.8, 45 f.1.8, 75 f1.8 and the Panasonic 25mm f1.4. Most of my photos are black and white ones. I shoot RAW and use Lightroom and Silver Efex Pro for editing. In general I try to keep the “natural” look of the lens by doing minimal editing work.

Your reviews, the other contributors’ pictures and the comments attached to it have helped me learn about getting the right photo composition, the right light, tones, etc. I still have a long way to go to achieve some notable results…but as long as I am having fun doing it I’ll keep on carrying my camera wherever the road takes me. J

I recently went for business in Switzerland and Italy. I attached some of the photos made during this trip. There are more than the allowed 3, Brandon, Steve, please be so kind and choose the ones you think are worth posting! Hope you guys are going to enjoy it! Thank you!

If interested, you can see more of my photos at:

www.flickr.com/photos/andrewwrx

Thank you all in advance for taking the time to look at the pictures,

Best regards,

Leandru GIUCA

PS: Lens details:

Rapallo_Italy: Olympus 45mm f1.8

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Lake Geneva_CH-1: Panasonic 25mm f1.4

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Lake Geneva_CH-2: Panasonic 25mm f1.4

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Lake Geneva_CH-3: Olympus 17mm f1.8

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Portofino_Italy-1: Panasonic 25mm f1.4

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Portofino_Italy-2: Olympus 17mm f1.8

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Thank you!

Oct 202014
 

PORPUBTT

Portraits from the Pub with an Olympus E-M5

By René van Wijck

Hello!

After many years of making photographs I got a little bored by it and I lost my inspiration.

Two years ago I bought myself the Olympus OMD-EM5. This little machine changed my life! It was and is such a pleasure to work with that I have it all the time, wherever I am with me.

I work as a bartender downtown Rotterdam in Holland and started to make pictures of my guests. They all come alone to the pub, and most of the time leave alone.

I gave myself a few rules: no color,no flash,no drinks in the pictures. Most of them I shot with the 45 mm 1.8. I’ll hope you like the results!

You can see more of it on flickr.com/photos/renevanwijck

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Jul 272014
 

Black and White Storytelling

by Ben Miller

Steve and Brandon,

I think that all photographers are searching for the perfect camera and a photographic style that they can call their own.

My main focus in photography is black and white storytelling. I find that the sum of several photographs which tells a story can be greater than one just one perfect image. I have found the gear that best suits my focus. In my bag is a Leica M9 and an Olympus OM-D E-M5. Both of these systems allow me to get close to people without being obtrusive. I believe in prime lenses and do not own any zooms.

I recently was commissioned to shoot an event with my M9 and E-M5. During the gathering I was pulled away and asked to join a few gentlemen in the parking lot. I wrote the following story to accompany the captures of what occurred:

 

At every party there is a secret party.

One that only few know about and are invited to.

I was lured away from the crowd to one of these clandestine gatherings.

I turned down the smoke as it is not my thing.

I partook in drink instead.

They handed me a big shot of Fireball whiskey.

I gargled the cinnamon spiced liquor and then swished it around in my mouth.

After swallowing I asked if they had handed me water and if there was anything stronger.

As I raised my Leica to my eye I said “document everything”.

I then smiled and said “don’t worry…..

I’ll only capture you from the nose down.”

 

Attached are the images from the photo story.

You can view more of my work on my website and blog:

www.photographsbyben.com

www.photographsbybenmiller.blogspot.com

Thank you Steve and Brandon for having a wonderful website that so many of us look forward to everyday.

Cheers,

Ben Miller

Secret Party 1

Secret Party 10

Secret Party 9

Secret Party 8

Secret Party 7

Secret Party 6

Secret Party 5

Secret Party 4

Secret Party 3

Secret Party 2

Secret Party 11

Secret Party 12

Secret Party 13

Secret Party 14

May 072014
 

Using the Samyang fisheye

By Rob Scheurwater

Hi Brandon/Steve,

Half a year ago I bought a Samyang 7.5mm fisheye lens. I bought it from someone who didn’t like the silver version of this lens on his black Panasonic GX7 body. He also sold me his silver Panasonic 20mm II.

I think they both look great on my black Olympus OM-D EM-5 body and more important, I like the IQ of both lenses. After experimenting with Samyang for a while now, i’m quite happy with the results.

It now belongs to my standard equipment, I usually take with me, my Olympus OM-D EM-5 with three lenses, a Panasonic 14mm, Panasonic 20mm and the Samyang fisheye.

I think this lens stimulates the creative eye, it’s great for architecture but I also use it for landscape photography.

Thanks for the inspiration your site has given me.

Rob Scheurwater, The Netherlands

Paris subway

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The Rotterdam building of Rem Koolhaas. Dutch photographer Ruud Sies made a really nice photo documentary, called „Building the Rotterdam

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Rijksmuseum in Amsterdam.

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The old library of Bologna

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Apr 182014
 

The Olympus E-M5 using Dramatic Tone

by Tamer Erdem

Though the basic principles of photography are still valid, digital photography changed the rules of the game when it comes to post/in camera-processing. Post-processing or in camera-processing facilities and potential are almost endless and much more effortless in digital era. Art filters were introduced by Olympus a couple of years ago. After Nikon D300, when I purchased my first Olympus, E-P1, I really fell in love with pinhole effect and grainy black and white art filters.

Then I got E-P2 and like new diorama filter that miniaturize the scene. But the ultimate filter that I can desire was offered by OM-D, E-M5; dramatic tone filter for landscape photography. If you do not have enough time for post-processing and like some punchy, strong and slightly surreal landscape images, go for it without any hesitation. This art filter makes the image, kind of HDR (pseudo-HDR) image by increasing the details in shadow regions and decreasing light exposure in the highlighted regions of image. Also it boosts the color saturation and rendition.
I’d like to show some of my dramatic tone photographs that were taken at Kuşadası seaside in the autumn and Ayder plateau, a unique natural beauty in Turkey. You can also visit Zirkale castle, bridges of Byzantine and Ottoman origin and Fırtına Vadisi ( Storm Valley).

Panasonic Lumix 14mm 2.5, 20mm 1.7 and Leica 45mm 2.8 macro lenses were used.

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Jan 072014
 

It’s all about Inspiration!

By Sebastien Chort

Hi Steve

First I’d like to deliver a huge THANK YOU

I’ve been working for a long time in the so-called “graphic/animation/movie industry” therefore I’ve been dealing with picture composition, lighting, framing for years. But I mainly spent my time behind my computer creating images in 3D for animation studio or VFX companies. I always had an interest for photography but when digital cameras appeared my envy to snap pictures kind of vanished (IQ was disappointing) and I gave most of my energy toward my pro activity.

Eventually I started to feel frustrated with the long process it takes to create Computer Graphic images and I started to lurk again toward photography with the high expectation to create spontaneous pictures. Then while I was looking for a decent digital camera 2 years ago, I stumbled across your blog and it opened the Pandora box. The flow of great pictures and great reviews you share helped me a lot to find inspiration and to renew my interest toward photography.

I bought a GH2 which caught my interest for its movie capacities and later on I couldn’t resist the OMD EM5. I loved using the GH2 but the OMD is such a great tool I can’t thank you enough for advising it so loudly. I started to go mental with photography gear to be honest and bought a lot of lenses (C-Mount, Canon’s FD, and pretty much everything I could on Panasonic and Olympus MFT).

Finally I started to look back to some film camera as well and I’m the happy owner of a Hasselblad CM with 3 lenses, a Rolleiflex from 1928 and recently I acquired a Leica M3. This might sound like a G.A.S. issue, but I don’t feel that way. I’m experimenting a lot with all my cameras, I love to carry them, to shoot with them, those are just symptoms of an ongoing passionate story with a great medium to create pictures.

I mainly do portraits of my relatives or street photography, but I feel like I’m barely starting to discover how much fun I can get with photography, so it’s a permanent excitement to know I still have to learn about landscape, sport or studio photography.

So I think you have a large responsibility in my renewed passion for photography and I can’t thank you enough for that. I hope you’ll like the few pictures I’m sending and I wish you the best for the years to come

Thanks for reading me ;)

Sebastien Chort

WebSite : http://sebastienchort.com

Flickr : http://www.flickr.com/photos/sebchort/

From Steve: Thanks so much Sebastien! I am glad that reading my site has inspired you but I must say that it is readers just like you that inspire ME in a day to day basis. Seeing so many great photographs helps to push me to get out there and shoot every week. So thank YOU! 

GH2 7mm

GH2 45mm

GH2 cmount

Hasselblad_80mmZeiss

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Dec 192013
 

olyvs

The Olympus OM-D E-M1 VS the rest of the industry

by William Rappard

Photo gear biography: from Oly to Nikon

I have no real analog background, since I began “serious” photography only in early 2007 with an Olympus E-500 DSLR, Zuiko 14-54/2.8-3.5 (great lens) and a Sigma 55-200/3.5-5.6. Image quality from the sensor (8mp Kodak CCD) was terrible, ISO 400-800 being the sensible limit. But already then, this camera had an unusual ability to bond with its user.

I shot great pictures with this one and it taught me not to rely on super high ISO capabilities, but rather fine tune speed and aperture to get what I wanted. More so, it made me want to master it despite (or maybe thanks to) its limitations. However, when I compared my pics to others shot with Canon or Nikon enthusiast DSLR’s (20D/D70 by the time), high ISO’s were such a pity that my ego couldn’t take it. For the sake of comparison, the E-500 produced more (and uglier) noise at ISO 400 than a D7100 would today at ISO 3200/6400.

At that time, I posted my images on DeviantArt under the nickname “Ouylle” and got some very positive feedback, including a few “daily deviations” for those who know, and even winning a contest once with this picture which became a postcard for a charity cause:

Val d’Aniviers, Switzerland: The Cloud Factory Olympus E-500 @ ISO 100, 27mm, f5.6, 1/4000s

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Of course, as a complete geek, I had to try other cameras to figure out if a better IQ potential in low lights could enhance my photography. I entered the high ISO quest many of us know since the heroic ages of digital photography, but still pulled out nice pictures with my E-500.

I’ve tried other Olympus DSLR’s, such as the E-420 and E-510, which were in a certain way the ancestors of the E-M5 and E-M1 in terms of form factor, except for the vintage design. But neither of them could compete with their APS-C counterparts from the likes of Canon, Nikon, Minolta (already sensor-stabilized) or Pentax, despite Olympus offering some of the best glass around (remember the Zuiko 50mm macro f2 ?).

My father still owns his Nikon F from the 60s and always told me Nikon was the Rolls Royce of photography (I guess he never heard of Leica, but that’s another story). So when I received some amazing Nikkor glass from a cousin as a present (!), I gradually decided to switch from Oly to Nikon and got myself a D70s to play with.

Image quality, while mediocre by today’s standards, was stellar compared to my trustworthy E-500 and it’s Oly fellows. However, the newly announced and highly anticipated D300 became my next dream camera. As I was enjoying shooting my Nikkor primes, I quickly traded my D70s for a D300 and was blown away again by the IQ: ISO 1600 became very clean and ISO 3200 fairly usable. This sort of abilities became my benchmark in terms of IQ. At this stage, digital noise control was already better than with any high sensitivity film.

With a grip, a tripod and some other lenses such as a Sigma 10-20, Nikkor 20/2.8, 24/2.8, 50/1.4, 60 macro /2.8, the incredible 105/2 DC and AF 80-200/2.8 D, I thought I had the PERFECT kit for a semi-professional enthusiast.

At the time, I was shooting everything from paid jobs (weddings, corporate portraits, events) to holidays, club or street photography. I learned a lot (and earned good money) with this heavy, but reliable and high performance Nikon kit, covering everything from eq. 15mm to 300mm with great quality glass.

Switzerland: Fields.
Nikon D300 @ ISO 200, 10mm, f13, 1/250s

Photo 3

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Geneva: Right-before bride. Nikon D300 @ ISO 1600, 50mm, f2, 1/2000s

Photo 4

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Beirut, Achrafieh: View on the mountains from the balcony. – Nikon D300 @ ISO 100, 16mm, f10, 30s.

Photo 5

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Geneva, Usine Club: Happy cluber Nikon D300 @ ISO 250, 16mm, f13, 1/160 with SB800 flashgun

Photo 6

Back then, I was young, still fit, and my back was strong, all of which was required by the amount of glass and metal I had to carry around for my paid jobs and my own personal pleasure. Although the money earned as a semi-pro financed my appetite for new gear, shooting weddings, charity events or corporate portraits for money did not appeal to me enough to become my main job and eventually, I finished my law degree and became… a lawyer.

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The photographer I remained: replacing the D300

Still, I LOVE photography and could not live without shooting and sharing my pics ! As a casual photographer, I love all kinds of photography. From portrait to architecture, streets to landscapes, holidays to everyday, there is always something in my sight that screams: “shoot me !!!”. When I hear the call and carry some gear, earth could stop revolving but I wouldn’t care less: I have to get that picture and if possible, get it right and be proud to show it.

Since my pro illusions are gone, I usually share my work on facebook (check me out: facebook.com/william.rappard), which isn’t very sexy and does not require more than a few megapixels. It may not be useless to recall that the D300 was only 12 megapixels, which is low today even by cell phones standards. However, those megapixels allowed me to execute many paid job and personal projects very efficiently.

I even made an exhibition once about an incredible trip in Senegal, and have been happy with the quality delivered by the D300’s 12mp for > 1 meter prints on canvas. Since then, I realized that outright pixel count was no faithful indicator of a camera’s real abilities in the big prints department. Shoot it right and it will look right.

At this time, the D300’s sensor was industry leading for those who wanted the performance and IQ, but not the bulk of a fully fledged full frame DSLR setup (or the cash for a Leica which, at that time, was less than convincing, high ISO wise).

On top of that, the bokeh I could achieve with the 60mm macro, the 105/2 DC and the 80-200/2.8 was fully satisfying and I remember saying I would never need to buy anything else for a very long while.

Here are three pics from my trip in Senegal which I believe are not too bad. The first one has been sold to a company on a 1.2 meter/ 80 centimeter canvas for a fair amount of money (financing an NGO in north-east Senegal) !

 

Senegal: They are into tires Nikon D300 @ ISO 800, 16mm, f5 1/20s

Photo 7

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Senegal: Just another kid Nikon D300 @ ISO 400, 60mm, f3.2, 1/80s

Photo 8

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Senegal: The gang Nikon D300 @ ISO 200, 24mm, f6.3, 1/80s

Photo 9

Quality wise, I remember thinking that for my needs, this kit was all I could ever want and I shot dozens of thousands of pictures with it, killed all the rubber grips and the camera just kept shooting whatever I threw at it. But boy, the whole package including 5-6 lenses was heavy !

The size, weight & IQ have-it-all quest: back to Oly

As a dedicated geek, I have tried MANY cameras since the Nikon D300, from Pentax K5 and it’s famous ltd pancakes (GREAT DSLR combo by the time) to the modern-vintage Fuji’s X-Pro 1 & X100 (superior image quality at the cost of slow general operation and somehow light built quality). As time went on, my priority was to reduce the weight and bulk of my kit in order to carry it with me as much as possible, while not going anything bellow my D300 in terms of IQ.

After trying many compact cameras to complement my Nikon/Pentax kits on the light side, I ended up buying a Ricoh GR which turned out to be the best pocket camera when a pocket is the only compromise you’re ready to make to lightness, but not at the cost of IQ and usability.

This camera is a gem of a compact in use, but you’re still stuck with 28mm and 2.8 max aperture. It will pull out some bokeh if shot close to the subject, but don’t expect too much in this department, given the focal length.

As for my full kit, Nikon and Canon (and to some extent Pentax and Leica) have failed to deliver a crucially lighter and more effective alternative to my “historic” D300 package at a fair price. Pentax’s attempt (K5 + pancakes) was nice, but still not light enough, when packed with lenses covering all my needs.

This was until Olympus, the brand which bonded me to photography with their slow AF/bad ISO/small viewfinder E-500, released the OM-D EM-5 powerhouse, which I brought, immediately loved and equipped with a bunch of nice primes.

It served well, shot right and reliably but yes, the buttons were small and the viewfinder, although great, was still small and not as enjoyable as an optical device such as the D300’s/Pentax K5’s. Despite these relative flaws, I LOVED shooting it as it always delivered what I expected in any given light conditions.

The grip (which secondary horizontal shutter actually broke after heavy use) made it really nice to hold and quite pleasant to look at as well. As with my old E-500 and my fantastic D300 kit, I was finally bonding with another camera system, except for a few niggles on the body side. Best of all, the image quality was clearly on par, if not better than the D300’s and the 5 axis stabilizer and small pin sharp lenses were blessings.

A whole package covering anything from eq. 24mm to eq. 150mm between f1.4 and f2 AND fitting a VERY small Think Tank bag was breathtaking compared to my DSLR’s ! I could finally use quality gear AND walk around with it not worrying about my back !

From landscapes to street photo all around the world, the E-M5 was (nearly) everything I wanted but…

Ireland: Draw-me a coast. Olympus EM-5 @ ISO 200, 12mm, f8, 1/500s

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Basel: layered expectations – Oly EM-5 @ ISO 400, f5 1/10s

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Cambodia: passing by… Oly E-M5 @ ISO 200, 25mm, f3.5, 1/400s

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Bangkok: legs & shapes Oly E-M5 @ISO 2000, 75mm, f4.5 1/160s

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Replacing the EM-5

Its time had come. Until the E-M5, I had never had such a high hit rate, but it was not “ultimate” enough in its handling. It’s niggles couldn’t be forgiven in a long-term relationship with a power user. The buttons and the viewfinder were just not as enjoyable as they should be on an ultimate camera.

The wait has not been too long before many amazing products began to ship from Panasonic, Olympus and Sony all offering nice occasions to spend some cash for the better. All the new releases in the prosumer market out-perform my D300 benchmark in terms of IQ, which ceased to be a crucial criterium of choice. The high ISO quest had ended.

What about full frame ?

One of my very best best friend recently posted a contribution about his switch from Leica to Sony. Didier Godmé, who’s been the instigator of my photographic passion, has always been craving for full frame cameras. He owned a Canon 5DMarkII and a Leica M9, two of the very best full frame cameras released at their times.

Let’s put this straight right away: the full frame rendering is magnificent and no smaller sensors will probably ever equal it. It is incomparable to what a micro four thirds sensor could deliver, due to it’s physical limits. This is particularly true with a fast 35mm (or equivalent) lens. Stick one of those amazing 1.2’s on a Leica M240, Canon 5DMark III, Nikon Df or Sony A7r and you will get the very best potential image quality in the industry for such combo.

Therefore, except for very small details (all of which can be played around in Lightroom and RAW), most of you won’t choose apart from these fabulous full frame cameras based upon sheer IQ, but mostly on their usability, depending on your shooting style and what you will do with your images after you shoot them.

In my opinion, this demonstrates that usability is not only a major argument in favor of a camera over another. It’s probably the ONLY acceptable argument, provided, for my needs, the chosen camera allows a beautiful > 1 meter print at ISO 3200 in color or 6400 in B&W, which settings correspond to more than my most ambitious needs to date.

At the end of the day, all full frame cameras listed above meet this technical requirement more than well, as also do many NON full frame. Conclusion: as much as I adore full frame rendering, I don’t NEED it to be moved by a picture.

If your skills are bad, full frame won’t save the picture. If your skills are good, full frame will enhance the picture’s looks, but will never be the sine qua non condition of your picture’s overall quality, contrary to your eye and your ability to translate what you see in the picture.

On the contrary, when I’m moved by something I observe, I DO NEED to be able to shoot it the best possible way. The camera should NEVER stand in the way because it’s too slow or suffers a sluggish conception or is too noisy. Period.

As of today, in my view, no complete kit based around any full frame camera currently in the market is the best possible tool for my kind of spontaneous and compulsive shooting.

For my needs however, there is now one kit that fits the whole bill. Yes, each and every of my NEEDS are now covered by this equipment. A nice break, if not an end, in my long quest for the best possible complete enthusiasts’ photo kit.

The OM-D E-M1

First, the IQ. As I said, the E-M1 is NOT on par with likes of Fuji APS-C or the latest full frames for potential outright high ISO/narrow DOF/high resolution image quality, solely due to it’s sensor’s size. However, global IQ of an actual image is basically the result of four things:

The sensor;

The lenses;

The light conditions;

The eye of the operator.

On the sensor, the Oly cannot compete due to size. Right. However, it undeniably performs well until ISO 6400 in color and B&W, which is way good enough for me, even when I pixel peep (which I confess I do !). Sensible Lightroom processing (which I use) will greatly improve things if I’m not happy with the OOC images.

On all other factors, as much as the technical side is concerned, it just rules badly over ANY rival on the market. Zuiko prime lenses are notably mind blowing, dare I say next to the likes of Leica or Zeiss if maybe less character-full. Throw in IS, fast AF, size and weight and they become dangerously close to industry leading.

Get a grip and the Zuiko 12/2, 17/ 1.8, Pana-Leica 25/1.4, Zuiko 45/1.8, 75/1.8 along the pro 12-40/2.8 zoom, stuff the whole gently in a smallish Retrospective 7 Think tank bag and stare at what this small and light package represents in terms of photographic opportunities. Very few things you can’t achieve with such a small kit, don’t you think ?

If you think the telephoto range and bokeh are on the weak side, I don’t. Remember my old Nikkor 105/2 DC ? With an adapter, that baby gets me an equivalent 210mm with an f2 aperture and “defocusing” abilities. Feel free to compare this combo to other offerings in terms of size, weight and equivalent speed and you’ll realize this is unique in the industry. Believe me, this piece of glass has character when mounted on the E-M1 ! And guess what: there is enough room in the bag for it too !

I would love to mention the Voigtländer f0.95’s, but I don’t own any… What I can mention, however, is the best image stabilizer money can buy. Bare hands, the Oly IS set behind any of the aforementioned glass makes you feel like you can capture more light than actually available, even in a dark street by night. In my eyes, this unique feature alone more than compensates for the lower high-ISO abilities of the Oly’s sensor.

With such a kit, you can capture light in any conditions with your own two hands. On a tripod, you can use the live time functions to see your image appear while it’s being shot… looking at your cell phone ! This little Oly let’s you tailor craft your image, whatever the light conditions. The following pictures have all been shot in Geneva in various occasions:

Law Firm
Oly E-M1 @ ISO 200, 26mm, f3.2, 1/160s

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From my heart to you Oly E-M1 @ ISO 6400, 75mm, f3.2, 1/50s.

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Wifed
Oly E-M1 @ ISO 5000, 105mm f2 DC f2, R4.

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Omega Seamaster Chrono Diver’s 300m, a.k.a “the Blakexpedition” Oly E-M1 @ ISO 400, 34mm, f6.3, 15s


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Very un-twins !
Oly E-M1 @ ISO 250, 12mm, f2.8 1/40s

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Through there, eye Oly E-M1 @ ISO 5000, 23mm, f11

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Runner under the moon Oly E-M1 @ ISO 1000, 34mm, f1.8, 1/30s

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The Courtyard Oly E-M1 @ ISO 100, 12mm, f16, 1800s

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My love Oly E-M1 @ ISO 6400, 20mm, f2.8, 1/40s

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Geneva Airforce Oly E-M1 @ ISO 100, 105mm, f2, 1/400s

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End of Automn Oly E-M1 @ ISO 200, 105mm, f2, 1/1600s 

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Waiting

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Oly E-M1 @ ISO 3200, 21mm, f3.2

No offense to Sony fans but to tell the truth, I didn’t feel the same willingness to gather light so steadily using Didier’s new A7r, nor… any other camera. For me, the A7r’s shutter sound kills it in terms of discrete shooting and I don’t feel the same urge to shoot in low light. Nikon and Canon’s DX cameras are way too heavy when fully equipped. Fuji’s hit rates are way too low. APS-C DSLR’s are not better in terms of IQ, and despite their optical viewfinder, they are worse at pretty much anything else.

Which brings me to the E-M1’s viewfinder. The Oly’s exceeds all reasonable expectations one would have in this area for a digital device. It’s huge, crisp, doesn’t lag (the Sony does) and although it can provide visual peaking for manual focusing, it’s good enough to do without. 

Is it a better experience than looking through a Df’s full frame optical viewfinder ? No. Is it a worse tool than the Df’s or… the M’s ? Oh no ! It’s not romantic, but it never get’s in the way of pleasure. And let’s face it: previewing the result before triggering is a gorgeous cheat indeed.

Build quality and design, although industrial, is at least as good as Leica’s or professional grade Canonikons, while being, in my opinion more comfortable in hands than any of those when used with the vertical grip. Design is a matter of tastes, but to mine’s, it’s how the ultimate shooting tool should look like today. 70-80’s golden age design and size, plus modern controls, a grip and a tiltable screen. Seriously how was it supposed to be better ? By altering the power switch’s place and that’s pretty much it.

Many have already praised the qualities of Oly’s new flagship. I’ll go a step further and say that, in my opinion, a full kit based on this baby may well be… the best photography kit ever made available for the masses. The whole set costs barely more than Leica, Nikon or Canon’s flagships… body only.

In conclusion…

For full frame lovers already equipped with Leica glass, the Sony A7r is an absolute must, but for the rest of us, it’s Olympus all the way. No other camera than the Oly OM-D E-M1 and it’s stable of fine glass gave me so much pleasure in capturing life around me, day after day since I got them.

Whatever you shoot, any combo based on this baby will nail it just right, provided it’s setup the right way. The keep rate is far superior to my old D300 (past reference), due to this godsend blazingly fast and deadly accurate AF, which will never ever suffer from front/back focus issues (unless I decide to use the DF function of my brave old Nikkor 105).

For manual focusing fans, no problem. It has focus peaking, provided you even need it despite the huge viewfinder… Take it for what it’s worth, but you could shoot Leica glass on this baby and I’d be curious to see how a fast 50mm would performs on it at an equivalent of 100mm.

The OM-D E-M1 gives access to what may be the best system ever conceived for 98% of enthusiast/pro photographers having enough cash to afford it. As a system, it has no competition. Period. In my opinion, as far as the price/quality/weight/size ratio of a whole functional kit is concerned, Olympus has become an industry leader.

If I’d had one request, it would be about the menu system and the looks of the indications in the viewfinder, which I find terrible compared with the A7r. I don’t see any reason not to work this out through a firmware update and actually really look forward to it. Of course, I could use more megapixels to do some crops, but having the menus and viewfinder info fixed is a priority which should not wait the next product release to see the light of day. However, this cosmetic imperfection is by no means a deal breaker.

Unfortunately, Olympus don’t pay me to praise them… ;) Nevertheless, it is a firm which, like Apple in the end of the nineties, has understood early what most quality-conscious customers really wanted and worked hard to deliver a product that fits the bill.

I know I sound like an Olympus fan boy and that’s probably what I am. However, I must say this company stuns me. When they came out with the 4/3 concept, everyone laughed and indeed, the output could be terrible. Today after every possible technical and financial difficulty, they show the way to the rest of the industry by giving us what we really want at a price that we are ready to pay.

With such a kit as mine, everyone trying hard and having an eye could become a professional, from a purely technical point of view. To my opinion, this is a small revolution in the industry !According to my standards, such a performance is pretty admirable nowadays. Cheers Oly !

Last word: do I shoot better pictures with the OM-D E-M1 than I did with the E-500, D300 or E-M5 ? No. I still believe I shot my best pictures with these cameras. Do I feel I could shoot my best pictures with the OM-D E-M1 in future years ? Oh yeah ! Did I have the same feeling with any other camera I tried ? Nope.

In my humble opinion: Olympus: 1; the rest of the industry: 0.

Cheers ! Thank you for reading !

(Steve’s full Olympus E-M1 review is HERE)

 

Nov 252013
 

Olympus OM-D E-M5 User Report 

By Floyd K. Takeuchi

There’s a rush for the exits to buy the new (and appealing) Olympus OM-D E-M1. But for some of us, there’s still more to learn about the capabilities of the OM-D E-M5.

I’m a professional documentary-travel photographer who was late to the digital party. It wasn’t until 2009 that I made the move from a Nikon F100 to the D700, which still soldiers on for me. A camera bag full of Nikkors made that decision easy, but so too did my high comfort level with Nikon ergonomics. My first Nikon SLR was a Nikkormat purchased in the early 1970s, so the transition to the D700 was a natural one for me.

Adding the E-M5 to my camera bag wasn’t as easy a move. I initially bought the body to use 1950s Zeiss Contax rangefinder lenses (with an adapter) that don’t get much of a workout these days. But I quickly discovered that while the output was beautiful, the process of manually focusing on an EVF didn’t suit me. So the decision was made to add the Olympus 17 mm f/1.8 M Zuiko and the Panasonic/Leica 25 mm f/1.4 Asph. DG Summilux. And I added the grip, which is the only way I could comfortably hold the camera.

The biggest challenge to adding the Olympus kit was fitting it into my post-production workflow. I use DxO as my RAW processor, and had to wait until both the camera body and lenses were supported by DxO. In fact, the biggest challenge to my using the E-M5 more is the hassles of having a separate RAW format to download – using Nikon’s ViewNX is second nature to me, using the comparable Olympus program is not. I’ve had to resort to YouTube videos on more than once occasion to remember how to use the program.

That said, I’ve been happy with the quality of the files produced by the E-M5 with the Olympus and Panasonic lenses. They are easy to post-process and hold up extremely well as prints (the largest I’ve had printed so far have been 16 x 20s), which is the critical test for me, as most of my work is done for use in either books or exhibitions. The only challenge I’m still dealing with is handling extremely high contrast scenes, since I’m finding that I have a tendency to blow out highlights. This is an issue for me since I do nearly all of my shooting in the tropics, either in Hawaii or closer to the equator in the Micronesia region, where high contrast light is a way of life.

If forum posts are to be believed, like many new users of the E-M5, I found it a real challenge to navigate the Olympus menu system. My solution was to have a quick-print shop print and bind the camera’s PDF manual, and spend about a couple of hours going through it page by page. Then, once I had a better understanding of what the camera could do, simplify things by only worrying about a few software features – ISO, RAW capture, and setting a dial to control EV. I shoot in aperture priority 99 percent of the time, and usually don’t fiddle with the other settings.

What I really like about the E-M5: the light weight makes a huge difference on travel assignments, and I can use a lighter-weight tripod when I need one; the prime lenses I’m using are outstanding, the results are easily comparable to the Nikkors I’m used to using and much smaller and lighter; the files are gorgeous and easy to work with in post-processing.

What I still find frustrating about the E-M5: I’ve come to the conclusion that I prefer an optical viewfinder and am still adjusting to an EVF (albeit a high quality one); and, when I do have to go into the menu, it can be a slow process.

I’ve used the camera for project and personal work in Hawaii, the islands of Pohnpei and Chuuk in the Federated States of Micronesia, and in Japan. It has only failed me once in the year-plus that I’ve owned the kit. That was on the island of Pohpnei, while shooting the ancient ruins of Nan Madol, a huge Venice-like city of homes and temples built of huge basaltic rock logs on a mangrove swamp. I’ve taken photographs there – film and digital – since 1976 and never had a problem shooting in the area.

The night before going into the Nan Madol area, I had dinner with a friend who has lived been on Ponpei for four decades. She told me and another friend about how her grandchildren had just taken an iPad into the complex, and when they got home and looked at their photos, they saw faces in the rocks. Our friend said she looked and also saw the faces. A few days later, after the grandkids posted the photos to Facebook, our friend went online to show others the faces in the rocks, and discovered that some of the faces had disappeared.

I didn’t find any faces in my photos, but after hiking through the ruins for an hour, as we were walking back to the main island, I decided to get a final few snaps of how the mangrove was overtaking ruins. That’s when I discovered that my camera had died – it wouldn’t take a photograph. I was using two fresh batteries, one in the grip and one in the camera. Both had been recharged the night before. And I had taken few than 50 photos at Nan Madol.

When we got back to our car, I loaded a new battery into the grip. The camera worked fine.

The author is a writer-photographer based in Hawaii. He is a member of the Waka Photos agency.

 

Floyd K. Takeuchi

Waka Photos

Hawaii01: Pualani Armstrong, Hawaii.

Pualani Armstrong

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Hawaii02: Ka Iwi coastline, Oahu, Hawaii. 

Ka Iwi Shoreline

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Hawaii03: Ka Iwi coastline, Oahu, Hawaii.

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Japan01: Shidome district, Tokyo, Japan.

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Kita-Kamakura, Japan. 

Kamakura temple, Japan

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Priest, Kita-Kamakura, Japan. 

Priest, Kita-Kamakura, Japan

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Kamakura, Japan. 

Spring flowers, Kamakura, Japan

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Kamakura, Japan.

Children's shrine, Kamakura, Japan

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Kepirohi Falls, Pohnpei, Federated States of Micronesia.

Kepirohi Falls, Pohnpei, FSM

Oct 212013
 

Congrats to Neil Buchan-Grant for winning the AOP “Best in Show”

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A while ago Neil posted an article about his love for Micro 4/3 and the OM-D camera. He posted a photo (above) that got quite the response and as soon as I saw it I knew it was special. Neil showed that yes, the little OM-D E-M5 could indeed take photos that not only excelled in quality but were able to be pushed and used by someone who really knew how to work a camera. His photo has now officially won the Best in Show AOP open award for 2013!

So let us give a big Congrats to Neil!

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Over the years I have defended Micro 4/3 (ever since the GF1 and E-P1) while many bashed it and predicted its doom because it had a smaller sensor than APS-C or Full Frame. Today less and less are trash talking Micro 4/3 and I even know of quite a few who dumped their slower APS-C cameras for an E-M5 and they never looked back. With the E-M1 it goes up another notch and I will state right here and now that Micro 4/3 is going nowhere anytime soon because it offers the perfect mix of IQ, performance, speed, build, and lenses. The lens Neil used for this image was the Panasonic/Leica 25 1.4. One of the best overall lenses for this system.

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In any case, Neil has shown what this system can do in capable hands. Make sure you see his latest post here as well as his own blog.  I also want to thank him for his continuing contributions here where he shares his love and passion for photography with all of us here.

Thanks Neil!

Oct 092013
 

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A Vintage Year with the OM-D E-M5 and E-M1

by Neil Buchan-Grant – His website is HERE

From Steve: Hello to all today and happy Wednesday! What you are about to see is an incredible collection of images all shot with Micro 4/3 using the OM-D E-M5 and new E-M1 by Neil Buchan-Grant. As it is all about who is behind the camera, I feel that Neil really shows what these cameras are capable of. My full E-M1 review will be here SOON and I am having a blast shooting with it. Enjoy!

 

Hi Steve and readers!

Its been quite a good year so far photography-wise. Unlike many people who take their camera out every day, I tend to concentrate my photographic efforts into short projects based around travel or events. This year I have been very fortunate to attend a number of amazing ‘vintage’ events and as my relationship with Olympus UK has flourished, they have let me try out their new gear in sunnier parts of Europe

My last submission back in January announced how little I was using the Leica M9 since buying my Olympus OMD-EM5. Well now that the EM1 has been launched, the time has come to say goodbye to the M9 (but I’m keeping the lenses!).

The year started with a long weekend in the Canary Islands where I had always wanted to shoot the dramatic sand dunes of Maspalomas on Gran Canaria.

Shot with the Olympus 12mm f/2 – E-M5

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12mm – E-M5

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On rare occasions I wake early and venture out into Winchester for a dawn shoot, this shot was from the last time this happened.

12mm – E-M5

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Next, a one-day workshop I was asked to host in the historic city of Cambridge produced these two shots

Panasonic 25 1.4 – E-M5

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Panasonic 25 1.4 – E-M5

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I was commissioned to shoot Wayne Hemingway’s vintage festival which this year took place in Glasgow, it was good to be back in Scotland for a weekend. These two pros attend many of the Vintage events across the globe, they own the dance floor!

 Olympus 17 1.8 – E-M5

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Then I was sent out to Budapest with Jay McLaughlin, a very experienced fashion photographer (and Olympus user) to create some marketing images. Here are two of my favourites from the shoot.

Olympus 75mm 1.8 – E-M5

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Olympus 75 1.8 – E-M5

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Goodwood Revival is heritage motor sport race meeting held in the Sussex downs and always attracts a vast number of impeccably dressed vintage enthusiasts from around the world.

Panasonic 25 1.4 – E-M5

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Panasonic 25 1.4 – E-M5

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Olympus 75 1.8 – E-M5

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Olympus 75 1.8 – E-M5

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Olympus 75 1.8 – E-M5

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Panasonic 25 1.4 – E-M5

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And lastly I just came back from Portugal after a week of testing the new OMD-EM1. As a result I am quite smitten with this camera! It was a joy to use on an extended shoot where I took over 5,500 frames. The Swiss/French model who came along for the job had broken her foot 2 weeks before but fortunately didn’t have to wear a cast. She did extremely well, considering she needed crutches to go anywhere. Here are a few of my favourites from the week.

E-M1 and 75 1.8

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E-M1 and 45 1.8

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E-M1 and 25 1.4

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E-M1 and 25 1.4

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E-M1 and 25 1.4

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E-M1 and new 12-40 Pro Zoom

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E-M1 and 25 1.4

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 Hope you’ve enjoyed looking at these as much as I have making them, much more to see up on my blog as usual.

Aug 142013
 

USER REPORT: Myanmar with my OM-D E-M5 by Suryo Widjaja

Hi Steve,

As I have been reading your past Daily Inspirations pages about Myanmar from few of your readers, I found different perspective of Myanmar through my lens. For me, Myanmar is a must visit country for Photographers before this country infected by Western’s culture ( like Thailand and Vietnam, soon Cambodia).

I went to Myanmar last January 2013, with other 19 photographers from Indonesia for Photographic Tour. Main reason to visit Myanmar at that time was for “Bagan’s Festival” which only happen once a year. It has been beautiful, inspiring, adventure 6 days of our life, seeing Myanmar like Indonesia back in early 80’s, very friendly people, safe, food is nice (but do not eat food and drink water from the street, they might not friendly for our stomach). Tips before visiting Myanmar: 1. Pack yourself with medicines: sore throat, flue & cough, 2. Bring Masker (keep you from dusty air, what you see in the landscape photos which have haze or mist, they were actually dust!), 3. Wear Sandals/ open-toe-slipper, because we have to take off our sandals to go into temples or sacred place, shoes will be inconvenience.

Every one on this tour was packed with heavy gear of “big guns”, few with Leica gear and fuji XE, I was packed with 2 body of OMD-EM5 (one body I borrowed from my brother-in-law), brought my 12mm, 17mm and 75mm, but most of the time i was in Myanmar, I set my camera with 17mm and the other one with 75mm. What you see in my Photos, most of them was taken with Oly 17mm F1.8 except for Close up portrait and landscapes, they were taken using Oly 75mm, for 12mm most of the time just stay in the bag. My motto for this trip, travel lite and took good photos! LOL.

All the photos were minor edited in Photoshop. Pull out the DR and color tone on the Adobe Camera Raw, adding little bit of effect on NIK Color fx.

Hope your readers enjoy these photos.

Warms Regards,

Suryo

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Apr 192013
 

bagan nights

From Steve: Today I want to thank Barnaby Robson for these gorgeous images which goes to show what a camera like the Olympus OM-D E-M5 can do when in good hands. Thanks Barnaby!

A journey in gear

For me, it all started in 2010 with a GF1 + 20mm and 7-14mm lenses.

I loved the small size and relative to a P&S, the image quality, ability to control depth of field, and the focus speed. But the low light performance still wasn’t good enough.

In 2012, the Olympus 45mm, E-M5 and Leica 25mm followed (inspired by stevehuffphoto.com). And they were wonderful. I was a happy photographer: learning, getting technical, becoming more aware more capable and… taking better pictures.

But I was getting full frame IQ lust.

And then… I picked up the Olympus 75mm on my way through Bangkok on route to Yangon. Before purchasing I was worried about:

• The size and weight

• How often I would use the full frame 150mm equivalent focal length

Firstly it feels right at home on the E-M5, and is very similar in proportions to the Panasonic 7-14mm. Compared to all my other lenses the construction is something else, the cool metal feels and looks wonderful in the hand, with the right heft, the focus ring just glides, the lens text is inscribed in the metal… it just feels wonderful. I’ve never had so many complements about a camera-lens combination.

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And as to whether I would use the lens, it’s absolutely my favourite by a mile. I had all my other lenses with me in Burma, but the 75mm remained strapped to the E-M5 as I made my way around the streets of Yangon, across the plains of Bagan, over Inle lake and up Mandalay Hill. The focus is ultra fast and true, including handheld in low light with the lens wide open, the IQ is visibly better than through my other m4/3 lenses and it allows you to achieve genuine shallow depth of field. I’ll let the pictures do the rest of the talking.

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A real journey (in pictures)

Yangon

Exif: 1/400 sec at f2.5, ISO 200

Taxi E-7959

Notes: One of my first shots in Yangon. Taxi E-7959 stopped at the lights. As I lifted my lens, he looked across. Was so pleased with the accuracy of the focus on this one.

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Exif: 1/400 sec at f2.8, ISO 200.

Bettlenut vendors

Post processing: Cropped then edited with an Alien Skin Exposure 4 preset (can’t recall which) to bring out the vibrancy.

Notes: Love the vibrancy, clarity and depth of field from the 75mm in this shot.

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Exif: 1/80 sec at f1.8, ISO 3200.

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Post processing: Cropped, but otherwise straight from camera,

Notes: Taken on the other side of four-lane Mahabandoola Road (busiest road in Yangon). I could see the opp for a great photo (looks like a scene from a 1970s movie to me), but kept on getting interrupted by traffic passing across the field of view. Finally there was a gap in the traffic and the camera/lens hit the nail on the head first time. Shot handheld.

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Bagan

 

Exif: 1 1/320 sec at f 2.5, ISO 200.

Bagan

Post processing: Edited with the Alien Skin Exposure 4, Fuji Provia 100f preset.

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Exif: 1/800 sec at f3.5, ISO 200.

Amazing Bagan

Post processing: I spent more time then I care to remember bringing out the colours to the desired taste in Lightroom.

Notes: The Bagan sunsets were absolutely stunning. Easily the highlight of the trip.

 

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Exif: 1/60 sec at f 1.8, ISO 3200.

bagan nights

Post processing: Edited in Alien Skin Exposure 4 to bring out the blue-black haze (the dark areas were brown in the raw file). Finished off with a vignette.

Notes: Shot handheld (as were all these photos). This is probably my favourite shot from the trip. Again, this wouldn’t have been possible on m4/3 pre E-M5.

 

INLE LAKE

Exif: 1/640 sec at f 8.0. ISO 200.

Inle Lake Clichég

Post processing: Edited heavily in lightroom to bring out the colours, vibrancy and tones, from a rather flat raw file. It’s brilliant how malleable the E-M5 raw images are.

Notes: Inle Lake fishermen are renowned for practicing this distinctive rowing style, which involves standing at the stern on one leg and wrapping the other leg around the oar. Shot handheld from a moving boat. The light was excessively bright. The 75mm has a lot of glass and suffers from lens flare – I would recommend buying the very expensive but beautifully constructed Olympus hood.

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Exif: 1/400 sec at f 6.3. ISO 200.

Rebels without a cause.

Post processing: Edited in Lightroom – played with the vibrancy, temp and tint to bring out the blues & greens to my taste.

Notes: The guy on the left is wearing a ‘Fuck the Police’ T-shirt. Given Myanmar is still a hardcore military state, I think this is so cool.

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MANDALAY

Exif: 1/100 at f 4.0. ISO 200.

Mist-ery

Post processing: Edited in Lightroom – used split toning to bring out the yellow – green colour scheme.

Notes: U Bein bridge was absolutely mystical. I was worried there would be loads of tourists, but there were blissfully few.

 

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Exif: 1/500 sec at f3.2

U Bein's bridge

Post processing: Edited in Lightroom – using colour settings and graduated filters to bring out the mist and greens.

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It should come as no surprise that I am in love with this beautiful lens. Something about it has gotten me to take more photos in the last four months than I have in the last two years combined. In fact, this lens is one of the impetuses for a current travel lust that I haven’t felt for many a year — I want an exotic subject on which to use it. The lens is looking for a muse…

If you want to see more from the 75mm (and me) check out: http://www.flickr.com/photos/barnabyrobson

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Apr 052013
 

Journeys with the Fuji X-E1 and Olympus OM-D by Arindam Pal

Hi Steve,

Ever since I started following you, my opinions about photography systems changed. Your articles have inspired me to move to a smaller form factor even after shooting full frame for years.

I will try to be brief with my story. I started shooting a few years back but never improved because of poor lens choices and lack of proper education. Then I purchased my first Full Frame, a Nikon D700. Coupled with a few good pro lenses, the initial IQ motivated me to gain more education in this fascinating hobby. So, even though I work as a Management Consultant, my second career would definitely be in photography where I work for myself and not The Man.

When I started reading your blog and discovered mirror-less cameras and the gorgeous Leica, I was skeptical about migrating to a whole new system. But the constant barrage of mind-blowing photos from fellow enthusiasts ignited a spark and I bought my first compact system – the Fuji X-E1 along with 35 f/1.4, 18 f/2 and a Voigtlander 21 f/4. I thoroughly enjoyed shooting with considerable less load to lug around and the superior IQ that rivaled even my D700 in low light. I used the system on a trip to Maui. As you can see, the monochrome renditions and the shallow DoF when wide open were better than what I had expected from this system. Even the color spectrum looked great. It was my companion for a few months.

But then, the utterly sluggish AF posed a lot of problems in the kinds of shots I was aiming for. After reading a few comparison reports, I decided to sell the system for an OM-D with the Pana-Leica 25 f/1.4 and the Oly 45 f/1.8. Overall, I am happy with the system as I can now get sharp focus without even trying! However, I do miss the Fuji look and in contrast to what many others have said, the low light high ISO of the OM-D still does not compare to what the X-trans sensor could do. But for everyday purposes, this system fits fine and even though I was nervous in moving to the M43 format, I think there is no doubt that from a sensor that small, the IQ and the fun factor shooting with the OM-D just topples every notion of modern-day photography. My dream compact would be an updated full frame X-trans like sensor, OVF/EVF with rangefinder options for MF, Leica quality glass and snappy AF with a hybrid contrast/phase detect. Let us see what the future brings!

Cheers,

Arindam

Image 1: X-E1 with 35 1.4, ISO 250 f/2.8; 4 wheel drive in Lanai 

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Image 2: X-E1 with 35 1.4, ISO 2000 f/1.4; I loved the super shallow DoF of my wife’s eyes

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Image 3: X-E1 with 18 f/2, ISO 800 f/5.6; sunset shot but handheld – carried the least amount of gear as possible

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Image 4: OM-D with 45 f/1.8, ISO 1600 f/1.8; the rickshaw puller during a recent trip to India was surprised to see why I was shooting him

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Image 5: OM-D with 25 f/1.4, ISO 200 f/2.2; Streets of Old Delhi – the pup had decided to take an afternoon siesta on top of a parked car

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Image 6: OM-D with 25 f/1.4, ISO 1600 f/1.4; A hand pump (or tube well) that provides fresh water to the neighborhood. I liked the small area of light on this otherwise dark street

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Image 7: OM-D with 45 f/1.8, ISO 1600 f/1.8; Dimly lit room but the IQ was quite good unless you pixel peep

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Apr 012013
 

USER REPORT: OMD E-M5 and Panasonic 12-35mm in Cambodia and Vietnam by Richard Nugent

I recently returned from a trip to Cambodia and Vietnam where I had the chance to really give my OMD E-M5 and Panasonic 12-35mm zoom a workout. I have had the camera for less than a year, having down-sized from a Nikon D300 and D5100. However, I had not had the chance to use it extensively until this trip. So it was a learning experience for me that I thought some of your readers might also find worthwhile.

We started at Siem Reap touring the Angkor archaeological sites and then took a cruise down the Mekong River into Vietnam, stopping at villages, marketplaces, schools and temples along the way, ending up in Saigon. The lighting conditions throughout were challenging: very bright sun and deep shade, with many hazy-bright days thrown in. I shot almost everything in aperture priority with automatic white balance and set the ISO myself. I found that I often had to use the exposure compensation dial (which is perfectly located up front), probably mostly because of my inexperience with the camera. Battery life was less than with my Nikons: I had to change out about mid-day, but still easily got by with two batteries each day. I brought three batteries on the trip: one charged overnight and one charged during the day while I was in the field with the other two. . The electric current in both countries is 220 volts, but the outlets in the hotels and on the boat all accepted standard US-style plugs. So I didn’t need an adapter.

I shot hand-held although I brought along a monopod. Moving with a group through the ruins and villages just did not lend itself to using it. Likewise, I stuck with the zoom and didn’t use my prime lenses much because the pace of moving through the ruins with a guide (while trying to get a shot without tourists in it!) made changing lenses problematic. In the villages, I felt very intrusive and shot as quickly as I could. I have to say that I found the Vietnamese and, particularly, the Cambodians incredibly polite, friendly and tolerant of groups of foreigners traipsing through their villages snapping photos of them, their children and their homes. No one was looking for a hand-out, but some (particularly the children) were eager to see their image on my LCD after I took the shot. They are amazing people making a life for themselves under challenging circumstances. By the way, I found that flipping out the LCD and shooting from the waist was very effective in getting to eye level with children and seated adults. It also appeared to be less intimidating for the subjects.

12 to 35mm was a good range for the village and people photos, but a wider lens would have been very useful for capturing the interior of the temples and their exterior extent. I used an Olympus 40-150mm for shots from the boat; it’s a great little lens and quite sharp, even hand-held. In a few instances, I could have used a longer lens.

panasonic_12_35mm-550x397

The 12-35mm yielded some really good images, some of the best I’ve taken (I find I do best with people). There is obvious edge distortion at the wide end (more than I remember with my Tokina 12-24mm) and chromatic aberration is evident in some shots. Overall, I’m very pleased with the color rendition and sharpness of the lens. It is a bit bulky on the OMD, but it gives me a familiar feel and heft reminiscent of my DSRLs.

I processed my RAW files with Lightroom 4, which I am just starting to learn, so I probably fiddled with the sliders more than necessary. I tweaked the shadows and highlights on most images and was able to save a number of badly exposed ones that way. The OMD’s automatic white balance was almost always spot-on, so I rarely had to adjust it. I did have to tinker with the luminescence in some images shot at about ISO 640 and above (in-camera noise reduction and sharpening were set to “off” or “low”). When I get more proficient with LR, I’ll have to go back and see if I can get even more out of the data.

I’ve attached a few of my favorite images. If anyone is interested, they can see a photo chronicle of the trip at http://www.flickr.com/photos/rsnugent/sets/72157632700316808/. The set includes both good shots and just ordinary ones, but they will give the viewer a sense of the experience. I highly recommend the trip, both for the photographic opportunities and the cultural interaction.

Cheers,

Richard Nugent

P.S. Steve, I find your site very useful and informative. It’s one that I check every day!

Image Data: Monks: 1/400, f/4.0, ISO 400. Four Girls: 1/1000, f/4.0, ISO 400. Old Woman: 1/4000, f/5.0, ISO 640. Four Kids: 1/640, f/5.0, ISO 800. Temple: 1/10, f/4.5, ISO 800 (I know you said only three photos, but I couldn’t decide….)

Interior of Bayon Temple at Angkor Thom

Kampong Tralach village, Cambodia

Near Angkor Bahn, Cambodia

Near Kampong Chhnag, Cambodia

Sadec village, Vietnam

 

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