Jan 232014
 

OLYMPUS DIGITAL CAMERA

A look at the new Apple Mac Pro 2014

I love Apple products. I know many who read these pages do, but I also know many readers here do not use Apple products. In any case, yesterday I received a brand spankin’ new Mac Pro powerhouse from B&H Photo in THIS exact configuration. (Happens to be in stock right now). I have been using Apple computers since the 90’s going back to the G3 tower, G4 tower, G4 cube, and everything in between from the bubble colored iMacs to the folding clam shell iBooks.

I switched to Apple after many frustrating years of using Windows  – drivers, viruses, crashes were not my thing and ever since switching to Apple I have had none of those issues…ever. Call me lucky but whenever I upgrade my Mac I have no issues..it just works. Lately though it seems some of have been complaining with issues related to the latest version of OSX, Mavericks. So I hope Apple scan stay on track and continue to deliver the user experience we Apple lovers have come to expect.

In any case, this Mac Pro came in to  my house and I actually waited 24 hours to open it because I wanted to do a video of the opening and 1st look..and I just did not have the time yesterday. So finally..just today, Jan 23rd I cracked it open, took a look, hooked it up to my display for a quick spin and gave my 1st look report in the video below:

 My unboxing and very 1st look at the new Mac Pro. This one is for power users for sure!

 For those who crave speed..

I really do not review computers..ever. But this is not really a “review”. Instead it is a first impression report and overall look at the new machine just to share my enthusiasm for this product. Just as I do not do tech reviews of cameras I do not do tech reviews of computers. I feel too many people take too much time worrying and stressing over little details when they should be using the equipment and getting the most from it. With that said, the new Mac Pro is the fastest mac ever when used with Pro apps such as Final Cut Pro, Adobe Photoshop, etc.

If you need speed, the new Mac Pro is the beast you want. Editing 4K video? The Mac Pro is the one you NEED. Editing huge 37Mp RAW files? The new Mac Pro will shave some time and frustration off of your day. Yes, it is all about the user experience and from unboxing this piece of art to hooking it up, it was up and running within 2 minutes. Easy Squeezy.  The boot up time is insanely fast due to the PCIe flash-based storage that is said to be 10X faster than a 7200 RPM SATA Hard Drive. Yes, that is FAST.

OLYMPUS DIGITAL CAMERA

The Design 

The new Mac Pro is really indeed a work of art. The Aluminum shell fits over the guts and easily slides off with a flick of the unlock switch. The back lights up when you touch or move the computer so you can see what you are doing. I found this to be a nice little touch and it can really help if you are in a dark office and needing connection ports.

Speaking of ports..how about 6 Thunderbolt 2 ports? 4 USB 3 ports? HDMI? Speaker and Headphone? It’s all here, in one convenient location on the back.

OLYMPUS DIGITAL CAMERA

Take off the shell and you see the guts and the brains of the Mac Pro…

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

But Beware..you may be seeing a speed DOWNGRADE!

HOW SO? How could this be? The fastest Mac ever built..no way there could be a speed decrease!

My main office machine is a loaded up iMac 27″ (latest). It has a 3.5 Ghz i7 QUAD-CORE processor and 32Gb ram (there are times when my system is using 28 of that 32 at one time) and I have 13 Terrabyte of external storage hooked up with a 3TB fusion drive inside the computer. It is fast. VERY fast. I mainly do three things on my computer. The 1st is Photoshop and Lightroom. I use Photoshop quite a bit for my reviews and Lightroom for my personal photo collection. My iMac is very fast when doing photo work. The Mac Pro was even faster. Secondly, I use plain old basic iMovie on a weekly basis for Youtube videos and personal projects. I love it. Simple, easy, and plenty for my needs. It blazes on my iMac. When I imported a video and edited it on the Mac Pro (the video above at the top) – exporting the video took about 3-4X longer than it does on my iMac. When I researched this I found other reviews say that if you use PRO apps/softare then the Mac Pro will be blazingly fast..beating any iMac that challenges it. Use apps like Ilife apps (iMovie, iPhoto, etc0 and it will be SLOWER!

Since my iMac is pimped out the Mac Pro is 100% overkill for my needs. Will it come in handy for Photo work? YES, and it will last a long time. If I upgrade to Final Cut for video editing then I will see a speed and performance boost, so this would be the thing to do to take advantage of this power.

The bottom line is that this is one hell of a computer. It look futuristic, sleek, comes in at 11lbs and is quiet, cool and nothing I threw at it even made it warm up. Putting your hand over the top will let you feel the gentle breeze of the silent fan that cools the machine down. It is a genius design and also TINY when compared to the huge and hulking old Mac Pro. It is the best and most powerful Mac ever. If you are in to power then you will not be disappointed.

The one I show here comes in at $4k. Add a display and you can be yup to $5k in a hurry. If that is too much then I also highly recommend the iMac I use. You can see that one HERE. 

Where to Buy

To order or check out more specs on this Mac Pro, click over to B&H Photo HERE.  ALSO REMEMBER that this one is pretty low in specs. You can spend almost $10k for one of these bad boys if you want it super pimped out and ready to rock and roll for many many years down the road! If you did not see the video at the top of the page be sure to take a look!

More Mac Pro!

Thanks!

Steve

This Mac Pro: Details…

Six-Core Intel Xeon E5 Performance

This Mac Pro features a 3.5 GHz Intel Xeon E5 processor with six cores of processing power on a single die. The processor can also be overclocked up to 3.9 GHz. And with 12MB of L3 cache, 40 GB/s of PCI Express Gen 3 bandwidth, and 256-bit-wide floating-point instructions, you’ll never be at a loss for speed

Dual AMD FirePro D500 Graphics Cards

Traditionally, professional computers have relied primarily on the CPU for their computing power. But as GPU performance has dramatically increased, software developers have begun to leverage that power in their apps. With the Mac Pro, Apple engineered an even more powerful GPU architecture. Not only does it feature a state-of-the-art AMD FirePro workstation-class GPU – it features two of them. And each is available with 3GB of dedicated VRAM and 1526 stream processors. With 4.4 teraflops of computing power between the two, you’ll be able to do things like seamlessly edit full-resolution 4K video while simultaneously rendering effects in the background – and still have enough power to connect up to three high-resolution 4K displays

Memory

Every component in the Mac Pro is optimized for performance. That includes a four-channel DDR3 memory controller running at 1866 MHz. It supports 16GB of memory and delivers up to 60 GB/s of memory bandwidth, which means you can fly through even the most computer-intensive tasks in no time. And since it’s ECC memory, your render job, video export, or simulation won’t be stopped by transient memory errors

Design

Apple reorganized the architecture of the internal components as well as the entire enclosure of the Mac Pro. Its unique cylinder design is made with refined impact extrusion technologies for effective material use and a polished aluminum enclosure. It stands at just 9.9 inches tall with a diameter of just 6.6 inches, allowing you to place it on your desk

Storage

The Mac Pro has next-generation PCIe-based flash storage, which is up to 2.4 times faster than the fastest SATA-based solid-state drive and up to 10 times faster than a 7200-rpm SATA hard drive. Most flash storage systems connect via SATA buses designed for slower spinning hard drives. But Apple designed the Mac Pro around new PCIe-based flash controller technology to deliver the fastest solid-state drives available standard in a desktop computer. So you’ll have 256GB of storage that will let you boot up, launch apps, and even open massive files almost instantly

Thermal Core

Rather than using multiple heat sinks and fans to cool the processor and graphics cards, Apple built everything around a single piece of extruded aluminum designed to maximize airflow as well as thermal capacity. It works by conducting heat away from the CPU and GPUs and distributing that heat uniformly across the core. That way, if one processor isn’t working as hard as the others, the extra thermal capacity can be shared efficiently among them

Fan

Instead of adding extra fans, Apple engineered a single, larger fan that pulls air upward through a bottom intake. As air passes vertically through the center of the device, it absorbs heat and carries it out the top. By minimizing air resistance throughout the system, Apple was able to design a fan with backward-curved impeller blades that runs at fewer revolutions per minute, draws air more efficiently as it spins, and creates considerably less noise

Expansion

Designed with built-in Thunderbolt 2, USB 3.0, Gigabit Ethernet, and HDMI 1.4 ports, the Mac Pro provides flexible, high-performance expansion. And it has everything you need to build a workstation completely customized to what you need and how you work

Thunderbolt 2

Thunderbolt 2 combines PCI Express and DisplayPort into one high-speed, versatile I/O technology. Thunderbolt 2 delivers twice the throughput, providing up to 20 Gb/s of bandwidth to each external device. So you’re more than ready for the next generation of high-performance peripherals, without being limited by the number of expansion slots inside your computer. You can connect massive amounts of storage, add a PCI expansion chassis, and work with the latest external displays – including 4K desktop displays and peripheral devices capable of broadcast monitoring in 4K. And since each Thunderbolt 2 port allows you to daisy-chain up to six peripherals, you can go all out by plugging in up to 36 external devices via Thunderbolt 2 alone

I/O Connections

The Mac Pro equips you with all kinds of connections for all kinds of peripherals. USB 3.0 gives you the versatility to hook up dozens of different types of external devices. Two Gigabit Ethernet ports let you connect to multiple networks. And an HDMI 1.4 port provides support for the high-definition televisions, projectors, and displays, including Ultra HD TVs. As you rotate Mac Pro to plug in a device, it senses the movement and automatically illuminates the I/O panel. So you can easily see the ports you need when you need them

Wireless

Access your network over three-stream 802.11ac Wi-Fi for high-speed wireless connectivity. For all your other wireless connections, the Mac Pro includes Bluetooth 4.0. It’s the easiest way to connect your keyboard, mouse, and other wireless devices without having to physically attach anything

Dec 102012
 

Getting More POP out of your Leica M Monochrom Images – A Tutorial

By Ashwin Rao – See his blog HERE

Hi everyone,

Some of you have contacted me to ask how I have edited Leica M Monochrom photo files. For MM files, I generally have an “all Adobe Lightroom 4” workflow. I wanted to provide a rough sketch, using one image as an example, of how I go about making adjustments to provide more pop to the image. This image, which you may have already seen, was taken in New York, during my very first session with the MM, using a modern lens, the 50 mm f/1.4 Summilux Asph, a lens which many of you love and own. Let me take you through how I shot and edited this image, with step-by step images to demonstrate adjustments.

First off, here’s the base file to work with:

 

And here’s the final image:

 

Let’s start with basic EXIF info/shooting parameters

Lens: Leica 50 mm f/1.4 Summilux Asph lens

Aperture: f/2 – ISO: 320 – Shutter speed: 1/1500 sec – Exp comp: -1/3

Now, here’s a step by step series of adjustments made to achieve the end result, with images

Image 1: Base image 

 

Image 2: To achieve this, I made a “exposure” adjustment, using curves, to bring the histogram to a more standard distribution. This was done, as I typically shoot images at a a -1/3 to -2/3 exposure compensation to save highlights

 

Image 3: The image still seems a bit flat, so I boost contrast. Increase contrast to +50

 

What I notice in doing this is that the image remains darker in the the shadows and still grey in the areas which I’d prefer to see whiter whites. This, my next move involves using the “highlight” slider to bring out whiltes

 

Image 4: increase highlight slider to +40

 

The shadow/darker areas of the image (jeans on the central figure, for example) still look dark, so I now move in to boost some shadow detail.

 

Image 5: Increase shadow slider to +40

 

Okay, that’s starting to look a bit better, but I sense that the image lacks a bit of pop. This is where the clarity slider comes in. One must be careful using the clarity slider in LR4. It can add much needed pop, but at the same time, it can make bokeh look harsh and jagged. In some cases, when I want to make certain areas pop more, I’ll use use the clarity brush to selectively “paint” areas with more clarity. For this image, bokeh isn’t so important, so I simply use the clarity slider

 

Image 6: Increase clarity slider to +0.5, followed by some adjustments using the brush tool to burn figures a bit more: Exp 0.4, contrast 0.25, highlights 0.6, shadows 0.4, clarity, 0.5, sharpness 0.1

 

Yup, that really helps the image. I could well stop here,

I am a fan of adding a touch of vignetting to draw the viewer into the important parts of the image. Not everyone agrees with this practice, but I enjoy adjusting vignetting to pull the viewer into the image:

 

Image 7: Add post crop vignette, set to highlight priority, – 15 amount

 

Okay, now to make things a bit more film-like. That means grain. I have found that the following settings give me a “Tri-X” grain in LR. One can easily use Nik Silver Efex here and may do better, but I find LR4’s grain tool to be satisfiying

 

Image 8: Add grain, amount 40, size 20, roughness 60

 

As a final tough, I adjust the white slider a bit to bring the highlights out ever so much, withouth blowing things out of propoertion

 

Image 9: White slider to + 10

 

I make sure to check curves to make sure not too much clipping, check file to see if it looks natural. And there you have it. Presto..final image.

 

Hope you find this “tutorial” insightful.

All the best to those of you who take on the M Monochrom challenge. It’s a blast to use this camera….

All the best,

Ashwin

Be sure to visit the site sponsor’s on the right if looking for new or used Leica: Ken Hansen, PopFlash and the Pro Shop. They are the ones helping to keep this site alive :)

© 2009-2014 STEVE HUFF PHOTOS All Rights Reserved
21