Feb 232013
 

Weekend Tidbits. Canon EOS-M, RX1 lens rated and new Leather straps…

Hello to all and happy Saturday! I’m feeling a but better today after going through the worst flu of my life for the past 6 days straight. I have had so much bed rest during these past 6 days I am starting to go stir crazy! I am now feeling a bit better I NEED to get out of the house and see some sunshine. Since I have not done too much work over the past week I want to get caught up and post some things I will be talking about and reviewing soon.

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Canon EOS-M – Dud? 

I have had a Canon EOS-M here for about 5 days but did not even take a serious look at it until today. I fired off some test snaps with the included 22mm f/2 pancake and was all set to write the shortest EOS-M review ever (not good). One reason why is that the AF on this guy is turtle slow and makes the Fuji X cameras appear to be speed demons. The EOS-M is also very small and overly simplified to the point where it is basically a point and shoot with an APS-C sensor. There are no real dials or enthusiast buttons and I am puzzled as to why Canon even released this.

They only have two lenses for it, the 22 and a 18-55 kit quality zoom. That is it. For $799 with the 22mm (which will almost give you a 35mm equivalent due to its APS-C sensor) and no EVF, VF or real controls, I would buy a NEX-6, NIkon V1, Olympus OM-D or even a Fuji X-E1 over the Canon EOS-M. I just do not get who it is for but have a feeling hardcore Canon fans are the ones who are buying it because it is NOT a fun camera to use due to the slow AF, lack of VF, and the fact that it feels like a small P&S. It does not really inspire me in any way. You figure Canon would have been able to release something to kick all of the others to the curb in the mirrorless world but nope. Not even close.

I will still shoot with it over the next week though and even will be trying out a Leica 50 Summilux ASPH on it to see how much fun it is with manual quality glass. To me, the 50 Lux ASPH is the best Leica lens ever. I’ve always been stuck between the 35 Lux and 50 Lux but the 50 is THE ultimate Leica lens, period. My best shots over the years have come from this lens and I plan on making this my exclusive lens with the new Leica M.  Not sure how it will do on the EOS-M though, but I will see soon enough :) I enjoyed using it on my OM-D a while back and it delivered that “lux” magic even with the smaller OM-D sensor. It is a lifetime lens and no longer has year-long waits, in fact Leica dealers should have a few in stock right now and I know for a 100% fact that Ken Hansen has a LOAD of them right now.

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Still, I would never buy the EOS-M to shoot Leica glass on anyway as Leica glass works so well on the Sony NEX, Fuji X or Olympus OM-D (and best on the Leica M bodies) due to them having actual viewfinders. So first impression of the EOS-M without any shooting time is a big disappointment. I can tell the IQ is good but it does nothing that other APS-C sensors can not do but give you those Canon colors.

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The Sony RX1 Ziess lens tested by DXO..and it’s a beauty!

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So DXO tested the Sony RX1 Zeiss 35mm Lens and boy did they REALLY RAVE ABOUT IT. This will give you an idea on why the RX1 is priced as it is..THE LENS  is the heart of the system and tested better than the stand alone $1800 Zeiss 35 1.4…

“Its optical performance is outstanding, and particularly noteworthy for its consistent sharpness and homogenous imaging across the frame. With excellent image quality at maximum aperture becoming outstanding at f/2.8 and on, the Zeiss Sonnar T* 2/35 is likely to become a classic, against which all others are judged. Of course the lens can only be obtained with the purchase of the RX1, a camera that is not entirely without its own quirks and shortcomings. In spite of this, if you have the money to invest, then close to perfect imagery is assured.”

 “With a high overall DxOMark score of 33, the Carl Zeiss Sonnar T* is a superb performer optically. That score puts it comfortably ahead of the $1,850 manual focus Carl Zeiss Distagon T* 1.4/35 (35mm f/1.4) on a Nikon D3X, which achieved a DxOMark score of 30.””

So there ya go. This Zeiss lens is “likely to become a classic, against which all others are judged” – Same thing I thought from the get go without needing to do any measurements. The RX1 is a beast.

Hand made Leather straps – Tap and Dye

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A few weeks ago I received some straps from a company called “Tap & Dye” who told me their straps are hand made in the good old USA (New York) and I have to say they are very nice quality straps. With so many strap manufacturers out there today it is not hard to find a great strap but sometimes it can be tricky to find one that really gives you what you are looking for when it comes to comfort, usability, security, length, etc. I have seen some Leather straps selling for $200+ but Tap & Dye straps come in under $70 which makes them a good buy for a strap that will last you a lifetime.

These straps will get soft over time and wear in to your own body but when you first get them they will have some stiffness going on.

You can order in any size from 38″ to 48″ and they also sell hand straps using the same quality leather.

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Each strap is made from Full Grain,Cowhide leather. All edges will be left unfinished and distressed for a vintage antique look.

Each strap features durable, high quality antique nickel plated solid brass rivets.

To see all of the offerings from Tap & Dye you can click on over to their site HERE.

Dec 292012
 

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Gorgeous new SLR Magic Hyperprime 35mm T0.95 and 35 T1.4 arrives for testing!

The “Noctlux” for your APS-C Mirrorless

The 35 T 0.95 Hyperprime ASP-H M mount Lens

So..you want a super fast, super sharp, super built, super bokeh 50mm equivalent cream machine for your Sony NEX, Fuji X or EOS-M camera? How about a 70mm equivalent for your Micro 4/3?  Want one for each system without having to buy three different lenses? I know I do..and such a lens has just arrived to the Huff Household. Yep,  UPS arrived yesterday with a huge box from SLR Magic and what the box held were two lenses I have been excited to review for a few weeks now. One of them is the premium 35mm APS-H Hyperprime (their premium quality line of lenses)  and I have to say that it is a BEAUTY.

It’s large, hefty, built like a solid brick and is a damn nice T0.95 lens, which in F stop land means about f/0.92! This is the 50mm equivalent 0.95 lens for APS-C mirrorless camera shooters! Almost Like having a Noctilux for your Fuji X or NEX, speed wise anyway :)

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This is an all manual lens designed for ALL of the popular mirrorless systems. You can shoot this one lens  on the NEX system, Fuji X system, EOS-M or Micro 4/3 system. How so you ask? Well, when ordering you just choose which system you want to use it with but the beauty of it all is that if you own 2 or 3 or all of these systems you only need ONE lens and it will be compatible with all of your cameras using an adapter.

This lens is actually an M mount design but not to be used on an M camera. Instead SLR Magic made it in the M mount because so many adapters are made for this mount. So this one lens can be used on almost any mirrorless system with an adapter. This was a great move IMO. For example, if I have a Fuji X camera and an OM-D and a NEX-6 or 7, this one lens can be shot on all of them. Awesome.

One thing I found while doing test shots is that even with focus peaking set to on with the NEX-6 this lens is a beast to focus correctly when shooting wide open. It has a massively razor thin level of DOF at T0.95 so your focus has to be pinpoint precise or else the images will be slightly soft at the focus point if you miss.

A quick OOC JPEG at T 0.95 and the Sony NEX-6  – remember this is wide open at T0.95 

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The particular lens that was sent to me was shipped with the Sony E Mount adapter so I will be testing it on the NEX-6 (see 1st three OOC JPEGS above) and then later the Fuji X system as soon as I get an adapter for it. It appears the Fuji adapter will not work correctly but there are some that will and SLR Magic will be shipping them with their own Fuji adapter that will work just fine.

Out of the box, this lens looks pretty bad ass but I can not speak enough about how large it is. IT IS LARGE. So if you are hoping for something small this is not your lens. If you want super quality Bokeh and image quality it just might be your lens. The packaging is solid this time around with the lens and adapter encased in solid foam so there is no chance of shipping damage (unless the UPS guys decide to play soccer with it). I am excited to review this one.

A couple of B&W JPEGS with the NEX-6 wide open at T0.95

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debby feet

This 35mm T0.95 APS-H Hyperprime  lens will be selling for $1349 starting in February 2013 from SLR Magic and that is a decent price considering their 50 T0.95 for M mount was nearing the $5k mark (this was mainly due to the RF coupling and it being a full frame lens). In the same price range as this lens is the Voigtlander 35 1.4 in M mount. Many use that lens as their fast 35 on their mirrorless systems and love it but from what I have seen, this lens just may surpasses that one in Image Quality and Bokeh when used on mirrorless cameras. The only negative is that you can use the Voigtlander on an M camera as it is a full frame lens. Again, This SLR Magic is NOT full frame so while it has an M mount, it is not compatible with M cameras.

The soon to be released SLR Magic 35 T0.95 HYPERPRIME premium lens. (all product shots with Sony RX1)

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For those of you who have seen my review on the previous SLR Magic hyper prime, the 50 T0.95 for Leica M mount you may remember that I loved it and declared it to be just about equal to the Leica Noctilux f0.95 in image quality (in real world use) and I preferred the Bokeh of the SLR Magic. The construction of the Leica Noctilux is better (as is the resale value) but for all out IQ the HyperPrime was amazing. I never had one issue with it on my Leica M9-P or the Monochrom. It was large and heavy but it packed some serious glass. Unfortunately, as far as I know this lens is no longer shipping in the USA (the 50 T0.95) so if you managed to snag one, you have a rare lens in your collection :)

This new 35 T/0.95 seems to have rock solid construction and design, is much less expensive with maybe even better build quality and is a T0.95 35mm which will be like a T0.95 50mm on APS-C mirror-less cameras. Finally a fast and exotic 50mm for your APS-C. BUT, can it deliver the goods? I am not sure yet as I just got it so I will be shooting it in Vegas next week to give it a workout.

I will not know anything until I thoroughly use it but from the looks and feel it is impressive. This lens will come in at $1349 and will be available from SLR Magic starting February 2013. They are also offering $100 off for early buyers so keep an eye out here for info.

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The SLR Magic 35 T1.4 for APS-C

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SLR Magic also sent me their new 35 T1.4 lens to test out on the Fuji X-E1 and this lens is coming in at only $349. It is a budget lens but it certainly does not look or feel like one. This lens is also available for all other mirrorless systems but will come in whatever mount you order it in. The one that I was sent is for Fuji X and for a $349 lens this is one hell of a well built lens. Metal construction with the weight of a Leica 50 Summilux ASPH. This is no cheap toy lens in the construction department and the packaging is just as nice as the Hyperprime lens.

Andrew from SLR Magic told me they have tweaked their packaging and it shows.

This lens is not up to par with the T0.95 Hyperprime in the IQ department but it is not designed to be. This $349 lens is built for Bokeh it seems as it delivers a rich and creamy out of focus rendering with bit of softness to the images when shot at 1.4 wide open. The lens seems to sharpen up by 2.8 but even wide open will give you a soft etheral look.

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What is nice about this lens is the build and the fact that you can order it NOW in any mount you want. This is what SLR Magic told me about the availability of this lens:

“The 35mm T1.4 is available now. We have it for X mount, E mount, EF-M mount, and mFT mount. It is not up on our website or eBay yet but people can already order by emailing us at [email protected] to get it before it is up on our website. We have already sold a bunch for the mFT version”.

So you can order  this lens now if you desire and what is even better is that if you bought one of their older 35 1.7 toy lenses you can trade it in for a $90 credit towards this new lens (which is a much nicer lens than the toy lens in build and IQ). Also, if you order by Feb 2013 you can take $70 off of the price:

“We have two programs

A) Owners of the SLR Magic 35mm f/1.7 can ship their lens back to Hong Kong for trade-in at $90 value to upgrade.

B) If bought by Feb 2012 from us we have a $70 promotional rebate program.”

So if you buy this lens by Feb 2013 it will come in at only $279. Great buy for any mirrorless camera system if you want great Bokeh and a unique quality. This lens is not a pin sharp lens when used at 1.4 or f/2. It sharpens up by F2.8. I will be reviewing this lens as well with the Fuji X-E1 so stay tuned!

A couple of OOC JPEGS to show Bokeh Quality and expected sharpness at 1.4

“Best Beer in the world Part 2″

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“Goodbyes”

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 Remember that this is an all manual lens so you will have to manually focus and manually set Aperture on the lens barrel. Much like using a Leica M lens on your mirrorless camera. Both of these new lenses also have clickless aperture rings as they are “Cine” lenses which happen to be great for videos as well.

So if you want to order this 35 T 1.4 lens for your system you can e-mail SLR Magic for details at [email protected]. My full reviews will be coming soon on both of these.

 

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Jul 202012
 

The new Canon EOS M

The internet is all abuzz about the new Canon mirrorless “M” yet I can;t figure out why really. Yet ANOTHER offering in the long line of mirrorless cameras flooding the market, and Canon, late to the game has finally decided to release their camera, probably because they realized that this segment of camera is REALLY taking off and DSLR’s are selling less and less these days. From the looks of it the new “M’ is small, has no EVF or VF, and has an unsexy design. Yea, it is what is on the inside that matters but I like both – sexy WITH hot performance. Cameras like the Fuji X100, Nikon V1, Sony RX100, Olympus OM-D all have it.

No one knows what this cameras specs will be but it seems to have a 22mm f/2 lens attached in the “leaked” photo, which is a good thing and sure as hell beats Nikon’s 1 series lens offerings already with a fast prime. But what will the sensor size be? APS-C would bring this lens into the 35mm territory which would be killer to have a small high quality camera with a 35 f/2 attached. As of today, July 20th it is all a mystery. One thing is for sure, the sensor will be larger than the Nikon 1 series sensor as I highly doubt they would include a 22mm lens that would then equal almost a 70mm equivalent.

With Canon I expect high ISO performance with the best of them, the Canon signature colors and most likely and hopefully SPEED. With the new Sony RX100 Kicking some serious ass (my preview of the RX100 and side by side with V1 by Monday) it’s gonna take more than the name Canon to make this one a huge success. I see on the top of the camera it says “EOS M” – is this their way of competing with Leica? Lol.

Looking forward to what is to come from this little guy! If anyone has any info on it leave it in the comments or e-mail me! But I am not getting excited as I have no idea what it is or what it can do. Even if it is stellar, there is still so many other cameras  to choose from that may have more of that special secret “MoJo”. The one may just be for the Canon fans out there. Not sure yet but time will tell!

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