Jun 152013


The new Voigtlander 50mm f/1.5 Nokton Arrives

So the long-awaited M mount newly (but classicly) re-designed 50mm f/1.5 Nokton arrived to my mailbox today from CameraQuest and I went for the super sexy looking limited edition chrome version at $1049. Voigtlander seems to have hit it out of the park with this one as it has the styling of the 1950’s classic Nokton 1.5 with the great performance of the previous Nokton that was made in Leica screw mount. That was a highly regarded lens but Voigtlander decided to remake it with a Leica M mount and I am glad they did. The lens ships with a black hood and a black metal cap but no lens cap for use without the hood. But yes, it comes with the metal hood and metal cap, no extra charge as with Zeiss ZM and Leica :)


Fresh out of the box!

It just arrived 30 minutes ago and I am about to head out the door for a weekend trip but I wanted to get a pic or two up with it and of it. I chose chrome as I have grown to appreciate the look of classic styled chrome lenses on a black body. Some hate it, and I used to as well, but these days I prefer it in some ways over a standard black on black look. The lens in chrome is gorgeous.

1st impressions out of the box? The Chrome version is beautiful in a classic sort of way. It has a knurled focusing ring, a smooth and solid aperture dial and feels nice and solid in the hand. Being Chrome and Brass, it is much like the lenses that were built-in the 50’s. I expect this is a lens that will last a long time. But how about the IQ and the character of the lens? I have only taken 15+ shots with it as of this writing and from what I can see it is a little bit of modern with a larger amount of classic. Not as perfected as a Leica Summilux ASPH but very sharp wide open at f/1.5 with an overall smooth presentation. I noticed some slight vignetting at 1.5 as well. The cool thing is that it focuses close to .7 meters just like the Leica Lux ASPH, unlike the old lenses of the 50’s that usually focus to 1 meter.


Again, only about 15 shots have been taken with this on my M 240  but I wanted to get this up before I head out the door so you guys can get a look at it :) This lens in black is $899 and chrome is $1049. The Leica 50 Summilux f/1.4 comes in at $3995. Both lenses are a fast 50mm and both are top notch in build. I prefer the design and style of this new Nokton and I am excited to use it this weekend to see what it can do. I did notice that from f/2 on it gets really sharp with crazy sharpness across the frame by f/4. Is the Leica worth the extra $3000+? Who knows, but I hope to find out when I do the full review of this lens.

When the lens came I instantly attached it to the M 240 and asked Debby if I could grab a quick comparison shot. I grabbed the M240/Nokton and then the Fuji X-E1 and Zeiss 32 1.8 Touit, which gives an almost 50mm equivalent . I had it on hand, so why not? Nokton was at 1.5, Fuji at 1.8. Quick images are below. You can click them for larger but what you will see if a more shallow Depth of Field from the Leica combo vs the Fuji. That is what you get from a crop sensor and equivalent focal length lens. I also see more 3d depth and glow from the Nokton shot over the X-E1, which to me looks a bit flat in comparison.



The new Voigtlander is a “so far so good” lens as I am only judging it on design and build/feel right now until I get to actually go out and use it. So far it seems like it may be a bargain in the fast M mount 50mm world. Other lenses in this range are the Zeiss 50 f/2 Planar ZM and the Zeiss Sonnar f/1.5 Sonnar which is a whole different lens character. I do not think it can equal or beat the Leica 50 Lux ASPH but for 1/4 the price I am feeling it can get close, and close enough for most.

Below are a couple of more quick snaps I shot within those 1st 8 frames with it around the house. All wide open at 1.5.

Full review soon!

I picke dup my Nokton from Camera Quest. They have pre-orders up for the Black and Chrome as their 1st shipment sold out 100% in black and there are actually a few Chrome lenses available and in stock there as I am writing this. You can pre-order the Black HERE or get the Chrome version HERE, for immediate ship. (until these last few sell out, then it is July 2013)









Dec 292012


Gorgeous new SLR Magic Hyperprime 35mm T0.95 and 35 T1.4 arrives for testing!

The “Noctlux” for your APS-C Mirrorless

The 35 T 0.95 Hyperprime ASP-H M mount Lens

So..you want a super fast, super sharp, super built, super bokeh 50mm equivalent cream machine for your Sony NEX, Fuji X or EOS-M camera? How about a 70mm equivalent for your Micro 4/3?  Want one for each system without having to buy three different lenses? I know I do..and such a lens has just arrived to the Huff Household. Yep,  UPS arrived yesterday with a huge box from SLR Magic and what the box held were two lenses I have been excited to review for a few weeks now. One of them is the premium 35mm APS-H Hyperprime (their premium quality line of lenses)  and I have to say that it is a BEAUTY.

It’s large, hefty, built like a solid brick and is a damn nice T0.95 lens, which in F stop land means about f/0.92! This is the 50mm equivalent 0.95 lens for APS-C mirrorless camera shooters! Almost Like having a Noctilux for your Fuji X or NEX, speed wise anyway :)



This is an all manual lens designed for ALL of the popular mirrorless systems. You can shoot this one lens  on the NEX system, Fuji X system, EOS-M or Micro 4/3 system. How so you ask? Well, when ordering you just choose which system you want to use it with but the beauty of it all is that if you own 2 or 3 or all of these systems you only need ONE lens and it will be compatible with all of your cameras using an adapter.

This lens is actually an M mount design but not to be used on an M camera. Instead SLR Magic made it in the M mount because so many adapters are made for this mount. So this one lens can be used on almost any mirrorless system with an adapter. This was a great move IMO. For example, if I have a Fuji X camera and an OM-D and a NEX-6 or 7, this one lens can be shot on all of them. Awesome.

One thing I found while doing test shots is that even with focus peaking set to on with the NEX-6 this lens is a beast to focus correctly when shooting wide open. It has a massively razor thin level of DOF at T0.95 so your focus has to be pinpoint precise or else the images will be slightly soft at the focus point if you miss.

A quick OOC JPEG at T 0.95 and the Sony NEX-6  – remember this is wide open at T0.95 


The particular lens that was sent to me was shipped with the Sony E Mount adapter so I will be testing it on the NEX-6 (see 1st three OOC JPEGS above) and then later the Fuji X system as soon as I get an adapter for it. It appears the Fuji adapter will not work correctly but there are some that will and SLR Magic will be shipping them with their own Fuji adapter that will work just fine.

Out of the box, this lens looks pretty bad ass but I can not speak enough about how large it is. IT IS LARGE. So if you are hoping for something small this is not your lens. If you want super quality Bokeh and image quality it just might be your lens. The packaging is solid this time around with the lens and adapter encased in solid foam so there is no chance of shipping damage (unless the UPS guys decide to play soccer with it). I am excited to review this one.

A couple of B&W JPEGS with the NEX-6 wide open at T0.95


debby feet

This 35mm T0.95 APS-H Hyperprime  lens will be selling for $1349 starting in February 2013 from SLR Magic and that is a decent price considering their 50 T0.95 for M mount was nearing the $5k mark (this was mainly due to the RF coupling and it being a full frame lens). In the same price range as this lens is the Voigtlander 35 1.4 in M mount. Many use that lens as their fast 35 on their mirrorless systems and love it but from what I have seen, this lens just may surpasses that one in Image Quality and Bokeh when used on mirrorless cameras. The only negative is that you can use the Voigtlander on an M camera as it is a full frame lens. Again, This SLR Magic is NOT full frame so while it has an M mount, it is not compatible with M cameras.

The soon to be released SLR Magic 35 T0.95 HYPERPRIME premium lens. (all product shots with Sony RX1)




For those of you who have seen my review on the previous SLR Magic hyper prime, the 50 T0.95 for Leica M mount you may remember that I loved it and declared it to be just about equal to the Leica Noctilux f0.95 in image quality (in real world use) and I preferred the Bokeh of the SLR Magic. The construction of the Leica Noctilux is better (as is the resale value) but for all out IQ the HyperPrime was amazing. I never had one issue with it on my Leica M9-P or the Monochrom. It was large and heavy but it packed some serious glass. Unfortunately, as far as I know this lens is no longer shipping in the USA (the 50 T0.95) so if you managed to snag one, you have a rare lens in your collection :)

This new 35 T/0.95 seems to have rock solid construction and design, is much less expensive with maybe even better build quality and is a T0.95 35mm which will be like a T0.95 50mm on APS-C mirror-less cameras. Finally a fast and exotic 50mm for your APS-C. BUT, can it deliver the goods? I am not sure yet as I just got it so I will be shooting it in Vegas next week to give it a workout.

I will not know anything until I thoroughly use it but from the looks and feel it is impressive. This lens will come in at $1349 and will be available from SLR Magic starting February 2013. They are also offering $100 off for early buyers so keep an eye out here for info.

The SLR Magic 35 T1.4 for APS-C


SLR Magic also sent me their new 35 T1.4 lens to test out on the Fuji X-E1 and this lens is coming in at only $349. It is a budget lens but it certainly does not look or feel like one. This lens is also available for all other mirrorless systems but will come in whatever mount you order it in. The one that I was sent is for Fuji X and for a $349 lens this is one hell of a well built lens. Metal construction with the weight of a Leica 50 Summilux ASPH. This is no cheap toy lens in the construction department and the packaging is just as nice as the Hyperprime lens.

Andrew from SLR Magic told me they have tweaked their packaging and it shows.

This lens is not up to par with the T0.95 Hyperprime in the IQ department but it is not designed to be. This $349 lens is built for Bokeh it seems as it delivers a rich and creamy out of focus rendering with bit of softness to the images when shot at 1.4 wide open. The lens seems to sharpen up by 2.8 but even wide open will give you a soft etheral look.


What is nice about this lens is the build and the fact that you can order it NOW in any mount you want. This is what SLR Magic told me about the availability of this lens:

“The 35mm T1.4 is available now. We have it for X mount, E mount, EF-M mount, and mFT mount. It is not up on our website or eBay yet but people can already order by emailing us at [email protected] to get it before it is up on our website. We have already sold a bunch for the mFT version”.

So you can order  this lens now if you desire and what is even better is that if you bought one of their older 35 1.7 toy lenses you can trade it in for a $90 credit towards this new lens (which is a much nicer lens than the toy lens in build and IQ). Also, if you order by Feb 2013 you can take $70 off of the price:

“We have two programs

A) Owners of the SLR Magic 35mm f/1.7 can ship their lens back to Hong Kong for trade-in at $90 value to upgrade.

B) If bought by Feb 2012 from us we have a $70 promotional rebate program.”

So if you buy this lens by Feb 2013 it will come in at only $279. Great buy for any mirrorless camera system if you want great Bokeh and a unique quality. This lens is not a pin sharp lens when used at 1.4 or f/2. It sharpens up by F2.8. I will be reviewing this lens as well with the Fuji X-E1 so stay tuned!

A couple of OOC JPEGS to show Bokeh Quality and expected sharpness at 1.4

“Best Beer in the world Part 2”




 Remember that this is an all manual lens so you will have to manually focus and manually set Aperture on the lens barrel. Much like using a Leica M lens on your mirrorless camera. Both of these new lenses also have clickless aperture rings as they are “Cine” lenses which happen to be great for videos as well.

So if you want to order this 35 T 1.4 lens for your system you can e-mail SLR Magic for details at [email protected]. My full reviews will be coming soon on both of these.



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