Nov 202012


I’ve been through my own GAS cycle going from Canon 5D to Leica with side trips to the NEX and Fuji. The current equipment is Leica and Olympus. Recently, I bought an M6 and have been working with film, developing it at home. I scan the negatives/positives with an Epson V600. One great thing about film is the experience of waiting, developing, and then seeing what you got. NO CHIMPING.

I was shooting with the M9, M6, and X-Pro on my last vacation trip. The lenses used for these photos were a Voigtlander 15mm and a Leica 35mm Summarit-M. I usually work with 50mm and longer lenses so this was a departure from standard for me.

Film stock was Fuji Velvia, KODAK TMAX 100, KODAK Tri-X 400 pushed to 1000. Why push to 1000? Because I read an article, and I could.

Black and White developed in XTOL, Velvia developed by lab.

I make no claims as a great photographer or darkroom chemist. You can see that with just a few changes to equipment and chemistry a wide variety of looks are possible.

The last picture in this series came about when I was using up the last frames of a roll. Shooting the boys jumping in the pool and then there was a guest appearanceā€¦


Leica M9, Voigtlander 15mm f/4.5

(It was very hazy so I used a circular polarizing filter forgetting the effect it would have on a 15mm lens, thus the uneven sky color)

Leica M6, 35mm Summarit-M. Kodak Tri-X 400

Leica M6, 35mm Summarit-M, Fuji Velvia

Leica M6, Voigtlander 15mm, Kodak TMAX 100
Leica M6, 35mm Summarit-M, Kodak Tri-X 400
Stop the camera madness!!!!!


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