Jun 102015
 
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Sony Creates a MONSTER! The new A7RII..see my hands on report!

I am writing today from NYC at a Sony Event held in the beautiful Le Parker Meridian Hotel. Myself and loads of other journalists, bloggers and camera geeks all packed into a meeting today with Sony to see what they were revealing. Not only did they reveal the A7RII, they also announced the new RX10II and RX100IV. ALL THREE are spectacular cameras with some amazing new tech that was very cool to see. Mirrorless cameras have matured..big time and Sony is leading the way without question.

Pre-Order the A7RII at B&H Photo HERE. Available to pre-order on June 17th..so get ready ;) 

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My brain, heart and soul instantly fell for the A7IIR  – as it is an entirely new beast from the old A7r..I mean, entirely new.

The A7RII now has a 42.4 Megapixel full frame backlit sensor which allow the camera to do all sorts of things. 40% faster AF (and yes, it is much quicker than the old A7r and even the A7II it seems), ISO up to 102,000 (we are talking A7s territory in a high res sensor), Tweak 5 Axis IS so the images are stabilized in body with ANY lens you attach, Full 4K video shooting with an option for Super 35 shooting that offers double the res of standard Super 35. Full pixel readout without pixel binning.

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It also boasts the world’s highest viewfinder magnification at 0.78. Let me  tell you, the EVF in this guy is amazing. Like a window. Of course it gas WiFi, NFC, and is compatible with all the Play Memories Apps but this A7RII is giving us the BEST of the A7II, A7s and old A7R.

We have the super high resolution of 42.5 MP..and usually there are drawbacks with this such as slow AF speed and not so high ISO capabilities. Sony changed all of that with the new sensor and processing and we get it all. Fast AF, high ISO capability and JAW DROPPING AMAZING photo quality and video quality. It has it all, and will be the most amazing A7 camera ever developed.

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Data output is 3.5 times faster than the old A7r and with technology like copper wiring layers, Sony has been doing their homework.

One other awesome feature is the new Reduced Vibration shutter along with a totally silent mode that we had in the A7s.

I had some hands on time with the A7RII, was able to shoot it, handle it, check it out and I was very impressed. By far the most complete A7 to date. Not sure how they do it but Sony keeps upping the game and they created a beast with the new A7RII. Will be great for pro video, pro photo, and give you the NO COMPROMISE features and capabilities you have always wanted.

No longer do we have to substitute high res for low light abilities. It does it all!

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Before you ask where the images are…well, we were not allowed to shoot with our own memory cards, in fact, the SD slots were all taped up as these are not final production cameras. So no images yet but I will have a full review unit available to me soon I am sure.

The price for all of this tech? $3198, shipping in August. Just a couple of months away. Exciting times…I mean..this camera is pretty incredible, and I have just seen huge prints and 4K video from it that were astonishing. Using it was a joy as well. This is nothing like the old original A7r. BTW, it has the new A7II body style.

BRAVO AGAIN to SONY for pushing the envelope and making the best sensors in the world (IMO).

So to sum it up, $3200, available in August and pre-orders will start on June 17th. I CAN NOT WAIT to review this camera. I will have more on the other two new releases, the RX100 4 and the RX10II in the next day or two, stay tuned!

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Here is the official press release from Sony on the A7RII:

 

Sony’s New α7R II Camera Delivers Innovative Imaging Experience with World’s First Back-Illuminated 35mm Full-Frame Sensor.

Sony’s Flagship Mirrorless Camera Features 42.4 MP Back-illuminated CMOS sensor, In-camera 5-axis Image Stabilization, Internal 4K Video Recording, Silent Shooting, Fast Hybrid AF and more

NEW YORK, Jun. 10, 2015 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced their new flagship full-frame mirrorless camera, the α7R II (model ILCE-7RM2).

The new α7R II interchangeable lens camera features the world’s first back-illuminated full-frame Exmor R CMOS sensor1, which realizes high resolution (42.4 MP approx. effective megapixels), high sensitivity (expandable up to ISO 102400)2 and high speed AF response up to 40% faster than the original α7R thanks to 399 focal plane phase detection AF points.

The camera also includes a 5-axis image stabilization system borrowed from the acclaimed α7 II model and can shoot and record 4K video in multiple formats including Super 35mm (without pixel binning) and full-frame format, a world’s first for digital cameras1. Additionally, it has a newly refined XGA OLED Tru-Finder with the world’s highest (0.78x) viewfinder magnification3.

“Sony continues to deliver game-changing imaging products that are changing the way imaging enthusiasts, hobbyists and professionals can see and capture the world,” said Mike Fasulo, President of Sony Electronics.

Kimio Maki, Senior General Manager of Digital imaging Business Group for Sony Corporation, added “By harmonizing high resolution, sensitivity and speed, we’re delivering a high-level full-frame imaging experience unlike anything else in market today, with Sony’s newly developed, world’s first back-illuminated 35mm full frame CMOS sensor.”

High Resolution, High Sensitivity and High-Speed Response

The newly developed 42.4 MP back-illuminated CMOS sensor is the most advanced, versatile and highest resolution full-frame image sensor that Sony has ever created, allowing the α7R II to reach new levels of quality, sensitivity and response speed. In the past, many photographers have been forced to choose between high-resolution and high-speed or high resolution and high sensitivity when selecting a camera. The new α7R II eliminates that sacrifice thanks to its innovative image sensor.

The 42.4 MP sensor combines gapless on-chip lens design and AR (anti-reflective) coating on the surface of the sensor’s glass seal to dramatically improve light collection efficiency, resulting in high sensitivity with low-noise performance and wide dynamic range. This allows the camera to shoot at an impressive ISO range of 100 to 25600 that is expandable to ISO 50 to 1024002.

Additionally, the sensor’s back-illuminated structure, with an expanded circuit scale and copper wiring design, enables faster transmission speed and ensures content can be captured in high resolution without sacrificing sensitivity. Data can also be output from the sensor at an approximately 3.5x faster rate compared to the original α7R.

An ideal match for Sony’s extensive collection of FE lenses (35mm full-frame compatible E-mount lenses), the new α7R II features a high-speed BIONZ X image processing engine that allows images and video from the camera to be captured with supreme details and low noise. There is also no optical low pass filter on the camera, ensuring that scenery and landscapes are captured in the highest possible resolution and clarity.

The α7R II has a new highly durable reduced-vibration shutter that realizes 50% less vibration from shutter movements compared to its predecessor, and has a cycle durability of approximately 500,000 shots4. The camera can also be set to Silent Shooting mode in order to shoot images quietly without any sensor vibration or movement.

The new image sensor features 399 focal-plane phase-detection AF points – the world’s widest AF coverage on a full-frame sensor1 – that work together with 25 contrast AF points to achieve focus response that is about 40% faster than the original model. The α7R II utilizes an advanced motion-detection algorithm combined with this Fast Hybrid AF system to achieve up to 5fps continuous shooting with AF tracking.

Additionally, the focal plane phase-detection AF system on the α7R II works well with Sony A-mount lenses when they are mounted on the camera using an LA-EA3 or LA-EA1 mount adapter. This allows users to enjoy the wide AF coverage of 399 focal plane phase-detection AF points, high-speed response and high tracking performance with a wider range of lenses. This marks the first time that the AF system of a mirrorless camera can achieve high performance with lenses originally designed for DSLRs.

5-Axis Image Stabilization Optimized for 42.4 MP

The new flagship α7R II model is equipped with an innovative 5-axis image stabilization system that has been fine-tuned to support its high-resolution shooting capacity. Similar to the system launched on the acclaimed α7 II model, this advanced form of image stabilization corrects camera shake along five axes during shooting, including angular shake (pitch and yaw) that tends to occur with a telephoto lens, shift shake (X and Y axes) which becomes noticeable as magnification increases, and rotational shake (roll) that often affects video recording. This camera shake compensation system is equivalent to shooting at a shutter speed approximately 4.5 steps faster5.

Additionally, the 5-axis stabilization works cooperatively with Sony α lenses with optical SteadyShot™ (OSS) to provide maximum stabilization and clarity, while also performing admirably via a compatible mount adapter with Sony α A-mount lenses6 without on-board stabilization . Effects of the stabilization can be previewed via live-view on the LCD or OLED viewfinder of the camera.

Unrivaled 4K Movie Shooting Performance

The impressive video credentials of Sony’s new α7R II camera include the ability to record movies in 4K quality (QFHD 3840×2160) in either Super 35mm crop mode or full-frame mode.

In Super 35mm mode, the camera collects a wealth of information from approximately 1.8x as many pixels as 4K by using full pixel readout without pixel binning and oversamples the information to produce 4K movies with minimal moire and ‘jaggies’.

In full-frame mode, the α7R II utilizes the full width of the 35mm sensor for 4K recording, allowing users to utilize the expanded expressive power of the sensor. It is the world’s first digital camera to offer this in-camera full-frame format 4K recording capacity1.

The camera utilizes the advanced XAVC S7 codec during video shooting, which records at a high bit rate of 100 Mbps during 4K recording and 50 Mbps during full HD shooting.

Additionally, the α7R II model features a variety of functions to support a professional video workflow including Picture Profile, S-Log2 Gamma and S-Gamut, 120fps high frame rate movie shooting in HD (720p), time code, clean HDMI output and more.

Enhanced Design, Operability and Reliability

The new full-frame α7R II has an upgraded XGA OLED Tru-Finder™ with a double-sided aspherical lens that delivers the world’s highest viewfinder magnification3 of 0.78x for crystal clear image preview and playback across the entire display area. ZEISS® T* Coating is also utilized to reduce unwanted reflections that interfere with the shooting experience.

The camera has an extremely solid, professional feel in-hand thanks to its light, rigid magnesium alloy design, and has a re-designed grip and shutter button compared to its predecessor. There is also a new mechanism to conveniently lock the mode dial, and an expanded range of customizable functions and buttons to suit the most demanding photographers.

The new α7R II camera is Wi-Fi® and NFC compatible and fully functional with Sony’s PlayMemories Mobile™ application available for Android™ and iOS platforms, as well as Sony’s growing range of PlayMemories Camera Apps™, which add a range of creative capabilities to the camera. For example, there is more creativity available now for time-lapse photography thanks to a new “Angle Shift add-on” app allows users to easily add pan, tilt and zoom to time-lapse images without any additional shooting equipment or PC software required. Learn more at www.sony.net/pmca.

Sony has also introduced a new LCD monitor model CLM-FHD5, an ideal companion to the α7R II for video shooting. A compact 5.0 type Full HD (1920x1080p) LCD monitor, the CLM-FHD5 features enlarging and peaking functionality for precise focusing, false color and video level marker for adjusting exposure and S-Log display assist to assist S-Log shooting.

Pricing and Availability

The Sony α7R II full-frame interchangeable lens camera will be available in August for about $3200 at www.store.sony.com and a variety of Sony authorized dealers nationwide.

The α7R II is compatible with Sony’s growing lineup of α -mount lenses, which now totals 63 different models including 12 native ‘FE’ full frame lenses. By early 2016, Sony will add an additional 8 new lenses to its FE full frame lineup, bringing the FE total to 20 lenses and the overall α -mount assortment to 70 different models.

 

 

Jun 022015
 
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Zeiss Batis 25mm and 85mm hands-on, plus Sony FE 28mm f/2 comparison

By Chad Wadsworth – See his website HERE

Don’t expect this to be a well controlled, thoroughly tested discourse on the new Batis lenses. I literally had each lens for about five minutes at Precision Camera here in Austin, TX where the store was hosting a dealer day. Lucky me when I strolled up to the Sony display and there they were, the new Batis lenses – apparently the only copies in N. America.

With a promise that I wouldn’t run away with the lenses, I was allowed to head outside for some quick test shots. We are talking about a bright strip-mall parking lot – not exactly photo shoot friendly, but I made the best of it. In the short time I had my grubby hands on the lenses, I was able to assess a few things about these new Zeiss jewels.

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First off, they look to be very well built with a design that hews more to the mold of the Otus than the Touit. Since I’m not a huge fan of the Touits’ build I was deeply impressed with the construction of these Batis lenses and I think most photographers will be as well. I didn’t shoot in manual focus mode but did test out the focus ring and found it to be smooth and nicely dampened. With no other control on the lens, it has a minimalist, stout, dare I say handsome look.

Second, the Batis are not small but not large either; a Goldilocks “just right” perhaps? The 85mm is very close in size to the ZA 85mm/1.4 but saves on the weight in glass and bulk of the LA-EA adapter. I’m sure someone out there will be outraged that the lens isn’t rangefinder tiny but it feels great and balances well on the a7II. Same with the 25mm – bigger than the FE 28mm – more so in girth, than length but it still feels right on the camera.

Third, based on my sad selection of available test targets – save the nice model who agreed to let me snap a quick portrait – I’m comfortable making some very early comments about image quality. Keep in mind, these are likely pre-production so yada yada, final product may differ.

We have all seen early samples criticized only to learn the true performance of the lenses at a later date so let’s be patient and take these images at their value – as early indications of what the performance of these Batis may be but not the final word – not even close.

25mm and quick comparison to the FE 28/2*

* note that the comparisons here were shot at different times (10 minutes apart) and aren’t perfectly controlled examples. I tried to match up f-stops but wasn’t always successful. Images were edited to my taste but edits were applied equally between the two lenses (same levels of sharpness, etc.)

I unequivocally adore the FE 28/2. I’ve said it previously and stand by my claim that the lens is a bang for the buck champ – sharper than just about any other 28mm ever produced with equally impressive bokeh for a wide-angle. Of course the FE has its issues, but for a budget optic with this level of sharpness and bokeh, I can live with software based distortion corrections and some occasional CA cleanup, and so should you. Given my admiration for the Sony 28mm, I didn’t think for a second I would have any interest in picking up the new Batis 25mm. I was wrong.

FE 28mm @ f/2

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Batis 25mm @ f/2

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Where the FE 28mm is in-your-face sharp, the Batis looks a bit smoother, yet zoom in to pixel peep and you will see that there’s a similar level of sharpness and micro contrast. The render of the Batis very much reminds me of the ZA 24mm f/2 but without all the field curvature AF issues that were endemic to that A-mount lens.

FE 28mm @ f/2

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Batis 25mm @ f/2

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To test distortion, I shot some straight lines with both lenses and the results were as expected. Without any software corrections, the Batis looks more controlled for distortion than the FE does even with its LR software profile activated. No surprise, but still nice to see. I expect that the Batis will be a boon for architecture and interiors photographers.

FE 28mm @ f/5.6 with Lightroom Profile Correction

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Batis 25mm @ f8 – no software corrections for distortion

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I didn’t notice much CA from the 25mm Batis (there is some) but would need to shoot in more varied conditions. To be fair, I didn’t see much from the FE shots that day either. There was some vignetting in the Batis that I corrected to match-up more closely with the FE shots – not a big deal. This next particularly uninspiring shot was composed to check corner performance in the top right and no color edits were made on these two.

FE 28mm @ f8

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Batis 25mm @ f/8

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Alpha shooters are going to be very satisfied having the Batis 25mm in their stable soon. I’ve already added it to my 85mm preorder. For photographers that don’t need the extra 3mm (7 degrees) of view or don’t want to spend the hefty sum of $1,200 on the Batis, the FE 28mm remains an impressive optic, and easy choice.

85mm – quick portrait

For the 85mm, the strip mall presented even fewer targets, but there were a couple of models inside the camera store that were helping out with the dealer demos, so I asked one of them for a quick portrait. She obliged and we snapped this one in about 20 seconds – not ideal, but it gives us some impression of what the lens is capable of. Focus was quick, sure and accurate. Pixel peeping shows excellent sharpness and detail. Bokeh is difficult to fully address here as we had the subject in shade and a challenging bright background, yet the highlights reflecting off automobile rooftops melted away admirably. Some have commented that there is CA visible in the portrait when viewed at 100%. I don’t believe it to be excessive or even unexpected in these backlit conditions. I was intrigued by these comments though so dug into the archive to look at some photos I took with the well regarded ZA 85/1.4 on the a900 a few years ago. I was shocked to see how much CA was present in some of those images, even at f/2.2, so the new Batis may well be a considerable improvement in that area.

Having previously owned said legendary Zeiss 85/1.4 for A-mount, I have been anxiously awaiting an FE replacement but was concerned that the lens would be too large or too slow. Again with the Goldilocks reference but the Batis seems to nail it with just the right dimensions, weight and image quality.

After my brief time with the 85mm I am guessing that it will become a must buy for many Alpha shooters.

Batis 85mm @ f/1.8

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Pre-Order the Batis Lenses:

B&H Photo

PopFlash.com

Additional samples…

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Mar 032015
 

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HANDS ON: The Zeiss Distagon T* FE 35mm F1.4 ZA Lens. Samples, and my 1st thoughts!

THIS IS NOT MY FULL REVIEW, JUST A HANDS ON 1st LOOK WITH SAMPLES! – PRE-ORDER at B&H Photo HERE – Amazon HERE

WOW! I have been shooting with the brand spanking new Sony FE 35 1.4 ZEISS lens and let me tell you right now..this lens may just be the best 35mm lens I have ever shot when it comes to IQ, pop, color, detail and overall rendering. It is gorgeous. Really.

Sony sent me the lens for a long term review but I have not had enough time with it just yet for a full review but can and will give you my very 1st thoughts, some image samples and a video telling you just what I think SO FAR about this lens, which you can watch below:

I have been shooting with it for a few days but the 1st thing that popped to mind when it arrived was “DAMN! THIS IS HUGE!”. This lens is NOT small in any way, shape or form but it is indeed BEAUTIFULLY built, made… and man oh man, can it give some sweet Zeiss 3D pop! It is about the same size as the 16-35 F/4 Zeiss.

Click on the image below which was shot with the Sony A7s and this 35 1.4 at 1.4. I have not seen this kind of detail and pop since I shot with the Leica 35 Summiulux FLE on my old M9. You must click the image to see it larger and correctly!

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For me, it actually is meeting or beating the Leica 35 Summilux FLE for overall IQ and color performance (A $5500 Lens). Of course, the Leica is TINY in comparison, as is the new Zeiss Loxia 35 f/2 (that I also have on hand), but this lens offers Auto focus, click or clickless aperture and a way of producing images that will make you say “WOW”. For me, this is TRULY the 1st native “WOW” lens for the Sony full frame FE system. It easily surpasses the 55 1.8 for me as well as the 35 2.8 that I have been using since the launch of the A7 system, and those are both beautiful lenses when it comes to image quality. The 35 1.4 has such a beautiful character and rich rendering.

The 1st image is an OOC JPEG, but look at the nice color and rendering. This one was shot with the A7II…

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…and how about the same image with a VSCO film filter applied?

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Again, the A7II and Sony Zeiss 35 1.4 Lens. Click it for better version and to see the 100% crop below it to see the DETAIL even at the bottom of the frame!

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The A7s and this lens are like a match made in heaven. It seems to bring out extra detail in the A7s shots. This is a full size shot, right click and open in a new tab or window to see it. The 12MP of the A7s is fantastic here. The double image part of the text in front of his hands was like this, it is not from the lens ;) 

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This lens is going to be HUGE for Sony A7 shooters and I found that it works just as well on the A7s as the A7II. BOTH cameras will give you incredible detail when using this guy, even at f/1.4 wide open. I was put off by the large size (it is about the same size as the 16-40 f/4) when I first attached it to my A7s but after a few snaps and seeing what it could do, I quickly forgot about the size. The lens is not very heavy, it is just large. Even so, it is large for a reason as they packed some magic pixie dust inside of this lens.

Three of Debby, two B&W and one out of camera Color. All from the A7s again, with B&W conversion from VSCO

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I look forward to spending some quality time with this lens and so far, it has been one of those lenses that make me want to get out and shoot. The color performance and the sharpness make the images just POP much like Leica lenses do on the M9 or M 240. In some cases, even better. This lens is a masterpiece for IQ and rendering with the only weakness..size.

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As for Auto Focus speed it seems semi-quick and VERY accurate. I have shot maybe 50 shots with it so far and none have been mis-focused. In low light it is a bit slower but still very good. By todays 2015 standards it is fantastic, and better than one would expect for a 35 1.4 lens.  I will have much more detail about AF speed and EVERYTHING in my full review in 2-3 weeks. But look at this detail and pop and color that oozes from the lens…

A7s, 35 1.4 at 1.4 and closest focusing distance of .3 meters. No distortion and no issues. 

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It was VERY low light in this restaurant and I asked this guy if I could snap his portrait. He was amazed that no flash went off. I told him “with this lens it is not needed” and when he saw the image on the LCD he was double amazed at the clarity and how it lit up the scene without any real light being there! A7s

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Same restaurant..A7s..

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And some graffiti with the A7s and 35 1.4

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All images below are from the Sony  A7II and Zeiss 35 1.4 – check out the rich color of  the 1st image. A good lens will be sharp, have great bokeh, have minimal distortion, focus close and give you enhanced color performance. From what I see so far, this lens gives all of these things.

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Sony’s Official Word on the 35 1.4  (the cool parts are in bold)

ZEISS® Distagon T* FE 35mm F1.4 ZA (model SEL35F14Z) Full-frame Wide Angle Lens

This new ZEISS® Distagon T* FE 35mm F1.4 ZA full-frame wide angle prime showcases legendary ZEISS® optical performance in a compact design. With a minimum focusing distance of approximately 12 inches, the ZEISS® Distagon T* FE 35mm F1.4 is the first E-mount lens to feature an exceptionally fast aperture of F1.4. The lens has a 9-bladed circular aperture, which makes it a superior choice for creating smooth bokeh (defocus) during portrait shooting. It also performs extremely well in low-light shooting scenarios or for simple everyday photographs.

The new 35mm prime lens produces stunning corner-to-corner sharpness – even at maximum aperture – thanks to its advanced optical design with 3 aspherical elements including one Sony advanced aspherical element and a 9-bladed circular aperture. It also features ZEISS® T* coating that suppresses flare and ghosting for natural color reproduction and excellent contrast. Additionally, the lens has a Direct Drive SSM (DDSSM) system that enables whisper-quiet precision focusing, even at the shallowest depth of field. A dedicated aperture ring can be set for smooth, continuous operation – ideal for movie-makers – or with click-stops to provide tactile feedback when shooting still images. The ZEISS® Distagon T* FE 35mm F1.4 is also dust and moisture resistant design for reliable operation when shooting outdoors.

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A quick detail shot – A7II, f/5, click the image to see it correctly with a 100% crop of the fine detail. Even at 1.4 it is just as sharp. 

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You can pre-order the Sony/Zeiss 35 1.4 FE lens at Amazon using the link below. The lens will ship in April. My full review will be in 2-3 weeks when I can get out and get some serious use out of it.

PRE-ORDER the ZEISS 35 1.4 FE Lens at B&H Photo HERE.

PRE-ORDER the ZEISS 35 1.4 FE Lens at Amazon HERE

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Feb 042015
 

OLYMPUS DIGITAL CAMERA

Olympus OM-D E-M5 Mark II! Hands On 1st look & Video!

Man, doing camera reviews is a TOUGH job. Here I am in beautiful Bermuda with other colleagues testing out the new Olympus OM-D E-M5 Mark II. The follow up to the HUGELY successful E-M5 (My review of the original E-M5 is HERE). For the past couple of years I wondered how Olympus could top themselves after the E-M1. I mean, what else can they do? The E-M5 and E-M1 (E-M1 review is HERE) are superb cameras for the Micro 4/3 format, and IMO, the best there is for this system. When I was asked to come do a test of the camera for two solid days in Bermuda, I could not pass it up. ;)

I also learned about the new PRO 8MM F/1.8 Fisheye they are coming out with this year as well as the “Olympus Air” and the new 14-150 “kit” zoom that is now weather sealed. Also, Firmware 3.0 for the E-M1 which should be out in the next 2-3 weeks. Good stuff!

All images in this 1st look report are OOC JPEGs with either the 12-40 Pro or 40-150 Pro Zoom Lenses. Click them for larger. 

OLYMPUS DIGITAL CAMERA

OFFICIAL…

“CENTER VALLEY, Pa., February 5, 2015 — Olympus introduces an exceptional high-resolution still and advanced motion picture hybrid with the new OM-D E-M5 Mark II®. This advanced interchangeable-lens camera features a compact dustproof, splashproof body, with a familiar, premium design. Packed with 5-axis image stabilization, a 40-megapixel high-resolution shot mode, sophisticated, stunning HD video, integrated Wi-Fi® and a variable-angle 3-inch touchscreen, the OM-D E-M5 Mark II makes it easy to get the shot you need, every time. The easy-to-use 2.36 million dot, super-large, high-definition electronic viewfinder has a field of view of 100%, and a viewfinder magnification of 1.48x. The camera is equipped with Adaptive Brightness Technology, which automatically adjusts the backlight brightness in accordance with environmental lighting. The new LV Boost II*1 is convenient for shooting stars, and Creative Control provides complete freedom of control over color, tone, focus, and aspect ratio.”

Today was day one with the camera. That is it. ONE day. I had  the 12-40 f/2.8 Pro Zoom and the 40-150 Pro Zoom to shoot with it and of course I only shot JPEG as there is no software to process RAW files as of yet. So remember, all images here are 1st look images, all JPEG and out of camera.

My 1st Look Video on the Olympus E-M5 II with my thoughts and some quick video samples (nothing fancy here)

With that said, here is the real lowdown, the real scoop..the real deal after only one day with the E-M5.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Well, IT IS GORGEOUS and an AMAZING update to the old E-M5, and here is why:

40 MP High Res Shot

Olympus said  that with this mode you will meet or exceed full frame detail. Yes, you can get a 40MP file from the 16MP sensor using this new exclusive mode on the E-M5 II. You will need a tripod and a good lens to take advantage of it but from what I understand the detail is stunning in this mode and I have sen samples. I will be testing this mode TOMORROW but once again it is Olympus pushing tech and INNOVATING as they have done for years. Remember, they were 1st with 5 Axis..they were 1st with a Swivel LCD (E-330 back in the day) and they were 1st with a mirror less weather proof, freeze proof, shock proof body in the E-M1. They are also the ONLY camera today with the exclusive LIVE TIME and LIVE COMPOSITE MODES, which are FANTASTIC.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Here is what Olympus says about 40 MP High Res Shot:

“The Olympus OM-D E-M5 Mark II takes high-resolution imaging to a whole new level. In addition to the exceptional 16-megapixel stills you’ve come to expect from OM-D, the E-M5 Mark II captures 40-megapixel images*2 using an innovative pixel-shift technique that is facilitated by the voice-coil motor IS unit. The 40-Megapixel High-Res Shot mode captures eight sequential images, moving the sensor by 0.5-pixel steps between each shot. Then, the E-M5 Mark II compiles those images to produce a super-high resolution shot that rivals those captured with a 40-megapixel full-frame camera.

A tripod and a high-resolution M.ZUIKO® DIGITAL PRO or M.ZUIKO Premium lens are recommended to use the 40-Megapixel High-Res Shot mode, which captures eight shots over a period of one second. Another two seconds are required to compile the final image. Images can be captured at up to f/8 with a shutter speed of up to eight seconds and a sensitivity of up to ISO 1600. When shooting in RAW+JPEG mode, the camera will save a 40M JPEG file, a 64M RAW (ORF) file and a 16M RAW (ORI) file. 64M RAW images may be processed using Photoshop CS4 and later with a required plug-in.”

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

The new improved 5-Axis IS. 

This is new and upgraded and works SO AMAZINGLY WELL. It beats the 5 Axis in the Sony A7II, E-P5, E-M5 Mark I and the E-M1. Olympus briefed us and told us it is their best Image Stabilization system to date. This new improved 5 Axis is so amazing with video and photos. One guy here took a handheld shot at 1.2 seconds and it looked damn good on his LCD! Crazy. Olympus claims 5 Stops of performance. I was seeing unreal performance with this E-M5II 5 Axis..can not wait to test it more.

1st image was using “Live Time” where you can see your exposure happening in real-time, perfect for night exposures. The image below was shot at ISO 1600 at night, and I let LiveTime go until the exposure was right where I wanted it. 

OLYMPUS DIGITAL CAMERA

…and “Live Composite” which is quite special and unique to Olympus. Basically the camera takes TWO shots. The 1st one determines the exposure for the shot..the 2nd shot just leaves the shutter open for up to SIX HOURS looking for NEW light. When it sees the new light it adds it to the images, without affecting your original exposure. This would be amazing for night-time shooting but you do need a tripod of course.

OLYMPUS DIGITAL CAMERA

Here is the Lowdown from Olympus on the 5 Axis in the E-M5 II:

“The Olympus OM-D E-M5 Mark II’s in-body 5-axis VCM image stabilization system offers unprecedented performance. The camera’s 16-megapixel sensor shifts horizontally, vertically and on the X (pitch), Y (yaw) and Z (roll) axes in order to provide 5.0 EV steps of compensation performance. The OM-D E-M5 Mark II can capture sharp images at shutter speeds as low as 1/4-second without the use of a tripod. Sensor shift on the X and Y axes can also assist when photographing close-up subjects. Image stabilization extends to the 3-inch, 1.04M-dot rear vari-angle touchscreen and the 2.36M-dot electronic viewfinder (1.48x magnification), providing a full image stabilization preview when the shutter button is pressed halfway.”

Electronic Silent Shutter capable of 1/16,000 S

The new silent shutter is superb and capable of 1/16,000 of a second shutter speeds and 11 FPS continuous shooting. If you prefer to use the physical shutter you are limited to 1/8000s and 10 FPS shooting, which exceeds the E-M1 and past E-M5 regardless. The silent shutter is just that..silent.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OM-D Movie – They now are getting much better with video

“The OM-D E-M5 Mark II’s advanced video features enable photographers to capture cinema-quality movies from the palm of their hand. The camera’s 5-axis image stabilization compensates for even the slightest movement, allowing the camera to capture stable footage without the use of a sophisticated and expensive stabilization rig, or even a tripod, letting users shoot in environments where adding heavy equipment may not be practical. The mechanical IS unit can also work in concert with Electronic Stabilization if desired.

The OM-D E-M5 Mark II captures 1080p video at up to a 60p frame rate with up to 77 Mbps high bit-rate recording possible at the 30p setting. Additionally, the OM-D E-M5 Mark II supports 50p, 30p (29.97p), 25p and 24p (23.98p) frame rates, making it easy to blend footage captured using other camera systems. An integrated microphone jack supports external audio input, while a headphone jack positioned in the HLD-8G External Grip enables real-time audio monitoring. Focus Peaking with four color choices (red, yellow, black and white) as well as three selectable intensities for optimal manual focus results. Settings can be adjusted while recording using the 3-inch touchscreen, including AF-point selection, exposure, electronic zoom and Movie Tele-converter, microphone sensitivity, headphone volume and art effects. Additionally, OM-D Movie supports time code settings and connection to an external HDMI® monitor during recording. You can also add an Olympus PCM recorder for high-quality audio capture.

Photographers can take advantage of the OM-D’s popular Art Filters while in Movie Capture mode. Users can select from Pop Art, Soft Focus, Pale and Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line and Watercolor while capturing video. A Movie Tele-converter lets users touch an area on the screen to enlarge it without losing image quality, while the Clips tool enables short clip capture, allowing users to combine footage and effects directly on the camera for instant sharing.”

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

I am only one day in with this new camera and I am really enjoying it. From the quick and fast AF (faster than the E-M5 and E-M1 from what I can tell) , the new side swivel LCD which is FANTASTIC in use and the improved 5 Axis IS and Video. I will be testing the new 40MP High Res Shot tomorrow but I can see the possibilities with it for sure. The E-M % Mark II will not ship with a lens as it will be body only for $1099. It will come with a very cool new flash that not only rotates side to side but up and down as well. I was able to handle this little dynamo and it was very cool, not your typical bundled flash (though it is small).

I love Olympus..always have ever since the good old film days, and then again with the original 4/3 E-1. They always have something special and unique about their cameras and they ALWAYS innovate and bring us new features, including superb firmware updates for the E-M1.

So far so good and I have only been shooting OOC JPEG in NEUTRAL color mode…for ONE day.

OLYMPUS DIGITAL CAMERA

This camera easily outclasses the older E-M1 Mark I and IMO even outshines the E-M1 for less money. Next to the E-M1 the E-M5 II is smaller but feels just as good, is a bit faster, can shoot faster FPS, has better 5 Axis IS and video, and so on.

My full review will be up by the end of Feb 2015, so be sure to check back as I am sure I will be posting updates over the next few days and weeks, including a test of the new 40MP High Res Mode. We have a full day of shooting tomorrow as well so I am excited to see what I can squeeze out of the camera.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

So far, so good! GO GO GO Olympus!

PRE ORDER THE E-M5 II

You can PRE ORDER the E-M5 Mark II at B&H Photo using the link below. The camera will be shipping by the end of this month, Feb 2015.

B&H PHOTO: PRE-ORDER THE E-M5 II HERE IN SILVER!

B&H PHOTO: PRE-ORDER IN BLACK!

AMAZON: PRE ORDER IN SILVER

AMAZON: PRE ORDER IN BLACK

 OLYMPUS DIGITAL CAMERA

More from Olympus on the new and exciting E-M5 Mark II

Exceptional Performance
The Olympus OM-D E-M5 Mark II pairs a redesigned16-megapixel Live-MOS Micro Four Thirds® sensor with the Olympus TruePic™ VII processor, enabling brilliant image quality in bright and low-light conditions alike. The 1/8000 mechanical shutter allows photographers to shoot using a large aperture for maximum bokeh, even in bright, daylight conditions. Users can capture RAW images at up to 10 fps with S-AF, or 5 fps with C-AF tracking enabled. An Anti-shock mode utilizes electronic first-curtain shutter to reduce shutter shock during sequential shooting, and a new Silent mode enables a full-time 1/16000 second electronic shutter, eliminating the mechanical shutter noise entirely for absolutely silent shooting. The 81-point Fast AF provides an expanded focus area, with unparalleled speed, while Small Target AF allows users to focus on small areas across the entire frame.

Ultimate Connectivity
The OM-D E-M5 Mark II includes integrated Wi-Fi, enabling remote shooting, geotagging and easy image sharing using the Olympus Image Share app on an Android® or iOS® smartphone or tablet. Photographers can use the Olympus Image Share app to apply Art Filters. Users can also start and stop movie recording using a wirelessly connected smartphone, or with the RM-UC1 Remote Cable Release. Studio photographers can take advantage of Olympus Capture support, enabling complete control of the OM-D E-M5 Mark II from a connected Mac® or PC.

Portability and Build
The OM-D E-M5 Mark II features a dustproof, splashproof body, that, when properly sealed and paired with select M.ZUIKO DIGITAL lenses, can even be used in the rain. Olympus’ renowned Supersonic Wave Filter technology uses super high speed frequency movement to “shake” any dust or debris off the sensor, eliminating dust marks that irreparably spoil images. Two body colors are available: a luxurious black with texture casting, and a bright, gorgeous silver. The camera includes machined metal dials, an extended grip and a lowered center of gravity that makes the OM-D E-M5 Mark II comfortable to hold in a variety of positions. The camera (body only) weighs just 417 grams, or 14.7 ounces, making it one of the lightest models in its class.

Accessories
The OM-D E-M5 Mark II includes a dustproof and splashproof bundled flash, the FL-LM3, with Guide Number 9 (at ISO 100) and tilt and swivel positioning, enabling users to light subjects directly or by bouncing the flash off of a ceiling or wall.

The HLD-8 is a dustproof and splashproof power battery holder for exclusive use with the OM-D E-M5 Mark II, which enhances both the camera grip and power supply. The HLD-8G Non-powered Grip pairs a substantial camera grip with a headphone jack for monitoring audio during video capture, and an HLD-6P Power Grip, which can attach directly to the camera or to the HLD-8G, provides additional battery power for extended shoots. Because the grip (HLD-8G) and battery holder (HLD-6P) can be separated, the grip can be used alone when necessary. The HLD-6P battery holder is the same as the HLD-6 which was previously designed for the OM-D E-M5. The ECG-2 Metal External Grip can be attached to and removed from a tripod easily, and includes a battery pass-through for changing batteries without removing the grip.

An EE-1 External Dot Sight, which is compatible with any camera with a hot shoe, makes it easier to frame subjects during super-telephoto shooting An EP-16 Large Eyecup is also available, which blocks sunlight, making the electronic viewfinder easier to use. A redesigned version of the OM-D E-M5’s popular full-cover case, which includes a body cover and removable front cover, is also available as the CS-46 FBC Leather Cover and Body Jacket. The PT-EP13 Dedicated Underwater Case can be used at depths of up to 45 meters, and is designed specifically for the OM-D E-M5 Mark II. The case is equipped with a pick-up viewfinder and can be used with the cameras bundled FL-LM3 flash, along with a variety of lenses.

U.S. Pricing and Availability
The Olympus OM-D E-M5 Mark II will be available in February 2015.
Estimated Street Price
$1,099.99 Body only in Black or Silver

Nov 142012
 

Want hands on with the Sony RX1? You CAN on November 20th!

So you have been reading all about the new Sony RX-1 full frame fixed lens Zeiss 35 f/2 camera and lusting after it. BUT you have been wondering if there is a way to see it..touch it and shoot with it before you plunk down your hard-earned cash for one. Well there is some good news! B&H Photo is hosting Sony in their Event Space on November 20th! There are limited seats so if you want to stop by and play with the RX1 you have to register at B&H Photo by clicking HERE.

Most of you have seen my early thoughts on the RX1 HERE, HERE, HERE and HERE but go see for yourself on November 20th as there is no better way that to see for yourself. They will be showing a dis-assembled model, prints and video all taken with the camera. Should be a great event. I would be there but that day happens to be my Birthday and besides..I should be shooting with a review unit by then anyway :)

The few days I was able to shoot the RX1 I was blown away by what it could do. Sure there are things missing that I would have loved to see, like a built-in EVF..BUT the EVF for the camera is actually quite amazing. The best EVF I have ever used to date. The camera is so small and the power it packs is quite astounding. When you stop by that event space and see the size many of you will be quite surprised at just how small it is. To think it has a full frame sensor inside that is capable of full frame DSLR results (in some cases, even better due to the lens matching to the sensor) boggles the mind when you see it in person.

The RX1 is quite the camera. No other company has yet dared to do this. Sure you can complain that it does not have interchangeable lenses but when you see the disassembled model you will see one reason why this is. You will also get to ask questions about the camera of course. I feel that the RX1 will be a superb street shooting tool, day or night. My kit would consist of the camera, EVF and ND filter for daytime shots where I wanted to keep the signature look of the lens at f/2.

But as I have been saying here all along, don’t just take my word for it..go register for this event and see for yourself! If anyone from here goes feel free to report back here in the comments when you get back.

Register HERE.

B&H Is still taking pre-orders for the RX1 HERE with an expected delivery date of December 14th. Just in time for Christmas :) Great stocking stuffer because it will indeed fit in one!

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