May 132013
 

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The Voigtlander 21 1.8 Lens Review by Steve Huff

Thanks to new site sponsor CameraQuest for loaning me this lens and viewfinder for review.

Hello to all who lurk here on stevehuffphoto.com! It is once again “review day ” and what I have to talk to you about today is a real GEM of a lens for any and all Leica M shooters, the Voigtlander 21 1.8 M lens. I have already posted many of my thoughts on this lens in my 1st look of it HERE, so if you missed that go take a look if you like.  Wether you shoot an old or new film rangefinder or use one of the digital versions like the M8, M9, M9-P, M-E, MM or M this lens delivers. While I have not shot it on the new M yet, it does well on the M9/ME and is gorgeous on the MM as well. In fact, it does so well I would PERSONALLY take this lens over the Leica equivalent (The Leica 21 Lux) any day of the week, not because it is superior but because it is almost its equal and I would save myself $6000 in cold hard cash, yes…$6000 separates these lenses and the Voigtlander is really good. I’d rather take the 5-10% less build and performance and pocket over $6k to take an amazing vacation/photo trip to really use the lens. If I were a rich man, I’d take the Leica but when it comes to saving money you can do so with this lens and trust me, your photos will not take the quality hit. Hmmm. Did I just finish the whole review? Well, not really, read on…

While not small in size, it is smaller than the Leica 21 Summilux 1.4 and about 90% of the performance..and then some.

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These days, Voigtlander is really rocking it with some of their newest glass and this 21 1.8 is no exception. Compared to the Leica 21 Lux, it has less distortion, is only a teeny bit slower at 1.8 vs 1.4 and is also lighter and smaller. It is just as sharp if not sharper and gives no magenta edges on the M9/M-E, even without coding the lens. It also focuses close at .5 meters though you will lose the RF focusing at .7. I was able to shoot a few at .5 meters by guessing and it works quite well.  Compared to what I remember from the Leica 21 1.4, this Voigtlander has a little bit less micro-contrast and is also a little less contrasty in general and the Leica will win in overall heft and build, but that is about where it ends. When it comes to quality, the Voigtlander and the Leica has it, but this one will cost you MUCH less.

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At $1249 for a fast quality wide angle lens, it is a steal of a deal. Even this little rescue dog thought so :)

The Voigtlander 21 1.8 Lens on the Leica MM, at 1.8

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While this shot is nothing special, the Bokeh quality from this lens is smooth and silky. 

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Shooting WIDE. It can indeed be a challenge. 

I am not really a wide angle shooter, at all. My go to focal lengths have always been 28mm, 35mm and 50mm with rare use of the 28. So shooting a 21, for me, was a challenge when trying to create interesting review snaps. My goal for review images though is to create a mix of interesting shots while showing what the lens can do on a given camera. I look for nice colors if shooting color, I look for shots that will present interesting Bokeh opportunities and I look for detail shots to see what the lens can do with sharpness and detail. I also like to see what the lens can do with B&W photography using the Leica Monochrom, so what you see in this review will helpfully help you to understand what the lens can do on the Leica MM and M9/M-E.

Product shots with the Sony RX1

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Ever since selling off my Leica M 240 to be able to keep the MM (which I already miss… of course) I wondered what this lens would do on a color M. Any color M. I was able to get a hold of a Leica M-E for a few days and took it out with the 21mm. It performed much better than I expected in all areas. Sharpness, color, bokeh, etc. I kept thinking to myself “man, if Voigtlander did this well with a 21mm lens, I can not wait to get my hands on that sweet new 50 Nokton 1.5 that is set to hit in June. While shooting the Leica M-E I was reminded of the M9 color and signature, which is indeed different than what comes from the new M 240. After shooting the M-E again I can easily state that yes, I still and do prefer the new M 240. I hope to have one again within 9-12 months.

When I do get one again I will try out this 21 on it and add to this review.

The Voigtlander 21 at f/4 on the Leica M-E – AWB

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Nature Trail in full AZ sun, mid day. The 21 1.8 at f/4 

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While a challenge to those of us who are “wide angle challenged” the 21mm focal length can be very cool to use sometimes. While not an every day lens, in some situations it can help you capture “more” of the scene. I took the MM and 21 to a local immigration reform March here in Phx (that only had about 100 people show up) and shot some with the 21. It worked out well and using the external viewfinder was a MUST to frame the shots, and man what a nice VF it is. The version II VF from Voigtlander is all metal, hefty but small and just has overall amazing quality. I can HIGHLY recommend the Voigtlander 21mm VF for any 21mm lens you may use. It is large, bright and easy to frame with. One of those products that is a joy to use and at $209, it will not break the bank. If you are using the new Leica M and have the EVF, then you will not need the optical VF of course but this little guy is so clear, bright and well made…in addition to being sexy to look at. (more on the VF later on).

The next three shots ranged from f/2.8-f/4

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The viewfinder… it feels just as high quality (if not more so) than any Leica or Zeiss finder I have tried over the years. It is metal, solid, and feels like it will last a lifetime. Focusing using the rangefinder and then framing with the external is a pain in the ass but if you want to frame correctly, it is needed for this lens and any lens wider than 28mm.

Shooting the lens in B&W on the Monochrom was a pleasant experience as the lens just seemed to be quite amazing for B&W. Just the right amount of contrast and sharpness with pleasant Bokeh makes for a classic yet modern-ish rendering. Shooting at 1.8 also shows that this lens can suck in some light with the best of them. The self portrait shot below (3rd shot) was taken wide open in my kitchen which was actually a bit dim. The lens made it appear brighter than it really was. Great fast lenses do this but not all of them do. For example, the classic Nikkor 3.5cm 1.8 shot in dim lighting results in a duller and darker rendering. Lenses that do suck in the light? Noctilux, Summilux, Canon 85L, Nikon 85 1.4, etc. So this lens is in good company.

This is a crop of an image shot at f/1.8…

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…and this shot was at .5 meters with me guessing the focus by bringing the camera down to the dogs level and moving it in to what I felt was .5 meters…

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…and a self portrait at .5 meters wide open. The Leica 21 Lux focuses to .7 meters while this one gets a little closer :)

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Some smooth bokeh in color – an OOC JPEG at 1.8 on the M-E

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Crop crop till you drop

Using the Leica MM and the 21 1.8 I often found the lens to be too wide for my tastes but at the same time, when viewing that full 21mm frame I kept thinking that I could really grow to love this focal length. To show how wide it is check out the shot below that I snapped in a restaurant. I will first show the original, then a crop and then an almost 100% crop. Click them to see larger and better looking sizes. They look VERY nice on my iMac 27″ display.

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The Monochrom is a gorgeous camera that for me, easily replaces any film camera. It can indeed meet and exceed the quality of any B&W film. Outside of the window in the above scene was the full harsh Phoenix AZ sunshine. The camera and Voigtlander 21 1.8 captured it all, inside and out. This 21 1.8 has a little less contrast than the Leica 21 Summilux so when shooting on a camera such as the Monochrom, it will be easier to avoid blowing highlights as the lens will not render in a harsh way, unless of course you like that look. Then you can just process the photo to give you a higher contrast look like below where I purposely blew out the background to make the image pop more:

This lens has a very pleasing way of rendering on the Leica MM – I blew out the background on purpose to create more pop.

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How sharp is the Voigtlander 21 1.8?

This lens is sharp as any lens I have ever tested, has minimal distortion and during my 2 weeks of use I found no issues with the lens that would deter me from buying one. In fact, if I were more of a 21mm shooter this would indeed be in my kit. I may pick up the luttle brother to this lens, the 21 f/4 as it is much cheaper and smaller and for the amount I use 21mm, it could be just the trick. Then again, if I went that route I would lose the look of the 21 1.8 due to no longer having any shallow DOF capabilities. I love the way this lens renders and it reminds me a bit of classic mixed with modern and somehow they managed to get it all together in the perfect way.

But let’s get back  to sharpness. This lens is as sharp as you can ask for and on the MM and M-E, without any coding at all I did not have any color or vignetting issues, which is quite incredible for a wide angle lens such as this. The lens does vignette wide open at 1.8 a bit but nothing objectionable. Check out the image below which is a 100% full size file from the Leica M-E via RAW conversion. Click it to see the full size detail.

click the images below to see the 21 1.8 in full size on the Leica M-E

1st one at f/4 – focus is one the top of the metal rail, closest to me. Still some shallow DOF here at f/4. Corners are sharp, the ones in focus. The trees in the upper left are not in focus as that is not the focus point, so those are blurred due to shallow DOF.

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This image was shot at f/2.8

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So for me, this lens gives plenty of sharpness and detail, no question. No one would need more.

Below you can see the same shot at various apertures. This lens is sharp at 1.8 and stays that way as you stop down. You can see the slight Vignetting at 1.8 which is all gone by 2.8. Click each image for larger with 100% crop embedded.

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Sharp corner to corner…

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The Voigtlander Viewfinders

Looking through the excellent 21/25mm Viewfinder – All metal construction – $209 

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When shooting a lens wider than 28mm on a Leica M you will need an external viewfinder to frame your subject. You will still use the standard viewfinder/ramgefinder window of your camera to focus, but to frame it all up you will need the external viewfinder with 21mm framelines. This way you can see what you will get on your final image. External viewfinders can look really cool but in reality, for me, they are a pain in the rear. Having to use one VF to focus and another to frame kills any “decisive moment” shots unless you are zone focusing (which is easy to do with a 21mm) but I was able to try out a couple of cool Voigtlander viewfinders. One of them is the 21/25mm all metal designed version 2 viewfinder which is the latest and greatest Voigtlander 21/25mm finder. It is solid, small but has some heft due to its rock solid metal construction. THIS is the VF I would buy with the lens at just over $200.

Comes with a nice little velvety blue bag for storage :)

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There is also the Voigtlander monster of a VF, the 15-35 which will give you 15-35 frame lines. So if you have the excellent 15mm f/4.5 you can use this one for both lenses, all the way up to 35mm. It’s large and bulky but versatile. You can choose between 15, 18, 21, 25 or 35. Also excellent but for those with multiple wide angle lenses.

It’s large and in charge…for those who want one viewfinder that will take on all wide angle lenses. Still smaller than the Leica “Frankenfinder”

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What about the .5 meter close focus? How can you focus this close on an M9/MM/ME?

Here is a quick tip! It may not be the most practical thing to do but as most of you know a Leica M8, M9, MM, ME, etc can not focus closer than .7 meters, even if the lens you are using focuses as close as .5 meters. Old classic lenses usually had a 1 meter limitation. Newer lenses from Leica all focus to .7 meters (most of them) and some other lenses can focus as close as .5 meters, which is about 1.6 feet. Once you turn the lens past .7 meters to go to .5 you lose rangefinder focusing. You can just move in a little closer and guess but it can be hit or miss. If you want to focus close on a regular basis here is a way you can do so and all you need is a string (I used a cable for my example photo so you could see it clearly), a measuring tape and some scissors.

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Simple and effective. You could even tape a piece of light string to your camera body when shooting with a close focusing lens.

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The cons of the Voigtlander 21 1.8. What is wrong with it? My final thoughts. 

In the world of 21mm lenses, this is a jewel of a lens for more reason that the quality it gives us in our photos. The reason it is so special is that it has the look as well as the build and feel of an old classic while giving performance that is nearing the $7250 Leica 21 Summilux. When I tell myself that this lens is $6000 less than the Leica 21 Lux, it boggles my mind. The Leica is larger, heavier, uses more expensive filters, has more distortion and is much more expensive. The Voigtlander has a llittle bit less micro contrast, which Leica is very good at but other than that…well, what can I say?

The Voigtlander is still on the large side for a rangefinder lens and the Voigtlander also has less overall contrast than the Leica equivalent. But without any question of a doubt I would not hesitate one moment to buy this lens if I were a wide angle shooter and wanted a fast aperture wide. It offers incredible performance for the price and gives superb quality build to boot.

So there really is nothing wrong with this lens, and for the cost it is a home run it. There is also a Zeiss 21 2.8 lens but the Zeiss is slower at 2.8, not as hefty in the build and more expensive. When you look for a fast 21 mm lens for your M mount camera, be sure to NOT look past this Voigtlander. They are making some superb quality glass these days and buying an all Voigtlander setup could help save you a ton of cash and possibly your marriage :) This lens is HIGHLY recommended if you are in search of a fast 21mm.

If you have the mega-bucks, just go for the Leica and call it a day knowing  you have the ultimate but remember, you can get just about as good for much less :)

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Below: At f/8 this lens is insanely sharp and again, sharpness across the frame which is impressive for such a wide angle lens. 

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Where to buy this lens? 

This lens was sent to me for review by Stephen Gandy at CameraQuest.com. They are also a site sponsor and sell the 21 1.8 lens for $1249 with FREE fast shipping. You can go direct to their 21 1.8 page HERE.

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LENS SPECIFICATIONS:

Mount Type VM for M-mount Cameras

Focal Length 21mm

Aperture Range f/1.8-22

Angle of View 91º

Minimum Focus Distance 19.7″ (0.5 m)

Focus Range 27.6″ – infinity (0.5 m – infinity)

Lens Construction 13 Elements in 11 Groups

Number of Aperture Blades 10

Filter Size 58mm

Dimensions (Diam. x L) 2.7 x 3.6″ (69 x 92 mm) including lens hood

Weight 14.5 oz (412 g)

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Mar 302013
 

Using the Olympus OM-D and the Leica M-E by Andre Ritchie

My name is André Ritchie and I’m writing from Macau SAR, China. I’m a regular follower of your site, I like to check what’s new and I really enjoy reading your Real Life Reviews and Daily Inspirations!

I’m writing to share my experience using two cameras: the Olympus OMD and the Leica M-E.

My passion for photography started 20 years ago with my father’s Canon AE-1. Eventually I started buying my own stuff and during the film years I embraced the Canon EOS system. So when digital photography arrived it was a natural decision to buy Canon DSLRs and keep using the same lenses. My last DSLR purchase was a 5D Mk I.

But then something happened in 2010 that completely changed my approach to camera gear: my son was born and dragging around his stuff together with a heavy DSLR + lenses became impractical.

Mirrorless was the way forward and I adopted the M4/3 system because it seemed right: decent IQ and nice body and lens proportions. Large lenses on tiny cameras feel strange to me… I went for Olympus and after a foray into the Pen series, I ended up with the OMD. Picture #1 was shot using the Olympus 75mm/f1.8 at f8. It was shot at the Macau Tower at 300+ meters height. (The Macau Tower is, among others, home to the world’s highest bungee jump…). The picture was converted to B&W using Aperture and enhanced by adding contrast. No cropping was made.

I love my OMD as is such a small and light camera, but it’s solidly built with a professional feel. IQ is very good indeed. My everyday lens is the Panasonic 20mm/f1.7. I have the additional grip attached at all times, but only half of it – never felt the need to use the vertical grip. I think Olympus got it right by creating this modular system. Handling is perfect with the grip.

My other camera is a recently purchased Leica M-E. Initially I used it with two Voigtlander M-mount lenses I previously bought for M4/3 (35mm/f1.4 and 50mm/f1.1), but soon after I bought the clinical Leica 35mm/f2 Summicron. What a perfect lens. I mean, I was happy with the results of the Voigtlanders and I think they have soul: pictures #2 and #3 were shot using the 35mm and 50mm, both wide open at f1.4 and f1.1.

But the Summicron introduced me to a different world. The remaining pictures I’m submitting were shot using the Leica M-E with the 35mm Summicron. I’ll let the pictures do the talking.

Many people criticize Leica – and Leica users – because of the price and lack of features. Not that I agree with their pricing strategy, but I think people who had never owned or shot with a Leica should not criticize because – when the conditions are right – the image quality is outstanding and absolutely jaw dropping.

Pictures coming out of my M-E have this unique look and special ambiance that make them extraordinary. So yes, there really is this thing called the Leica look and I think it’s worth the money.

Thanks for reading and enjoy your photography!

André Ritchie

OLYMPUS DIGITAL CAMERA

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Oct 172012
 

The new Leica M-E is now in stock at a few dealers. For those looking for the new “M9″, well, this is it. It is a newly color schemed M9 without the frame lever preview. Looks pretty nice but not everyone digs the color. I am happy Leica is making the M-E for those who want to stick with the M9 look and feel as I heard it from a little birdy that the new M’s image quality will be a bit different in look and feel so maybe, just maybe some will prefer this M-E at the end of the day. THE GOOD NEWS (if you can call it that) is that the new M-E is lower priced than the M9 with the body only coming in at $5450 US. That is $1500 less than the M9 and $2500 less than the M9P sold for in their prime. :)

B&H Photo now has the camera IN STOCK

Amazon is now sold out (shipping from Amazon) but a few other dealers have them there.

Ken Hansen MAY have a few and you can e-mail him at [email protected]

Dale Photo is sold out but had them for the past two weeks and PopFlash is also sold out but they do have some good used M9 deals.

Sep 192012
 

You can now pre-order the Leica M or M-E from my top recommended dealers! M is set to ship January and the M-E October 1st!

The definitive M is here. NO more numbers..just the M. 2013 Model. $6950 which is the same price as the M9 but with better low light capability, 24 MP full frame sensor, rich color and dynamic range, bitingly sharp yet simple and intuitive. The full frame camera with the technology some have asked for. Live view, 1080 video, improved LCD screen, EVF capability, with sleek and gorgeous lines that keep teh M look alive.

Be first to get one. My pre-order is in.

PRE-ORDER THE LEICA M in CHROME! The new 24MP CMOS definitive M – $6950  - Expected to ship Jan 2013

PRE-ORDER the new Leica M in BLACK – $6950 – Expected to ship January 2013

Check out and preorder the new Leica M-E at $5495  - expected to ship October 1st 2012

PRE-ORDER WITH KEN HANSEN BY E-MAILING HIM AT [email protected]

You can also pre-order at popflash.com 

or

Dale Photo also has the new M and M-E available for pre-order HERE

Sep 172012
 

The new Leica M is here! 24 Megapixel, Live View CMOS, EVF & HD Video Monster

The new M and R solution…and HD video solution..and live view solution…simply..the WEATHER SEALED “NEW M”

So Leica has announced two new cameras and we now know why they have been clearing out M9′s at a reduced rate of up to $1000 off. The new “M” and “M-E” are the two new cameras that will both replace the M9 and I am happy to hear the prices are lower than expected and that we still have a choice between the M9 CCD sensor and the new 24 MP CMOS sensor. Choice is what it is all about and I am excited to test out the new M and buy myself an M-E.

The M10, as many have already spilled the beans on will feature a 24 Megapixel CMOS sensor with live view. A high res 920,000 LCD display, the same EVF as used on the Leica X2 and the ability to use R glass via an adapter (though I admit it makes the camera DSLR like). For the 1st time ever M shooters can shoot HD video and Leica even has an accessory mic available for professional sound quality AND the body has rubber seals to protect it from rain and dust. BRAVO!!!

Yep, the “M10″ is here but it’s called simply…”THE M” because it appears they are taking the Apple approach. The next M(11) will simply be called “The new M” , lol. It looks sweet and appears to be an M9 killer with ISO up to 6400. The new CMOS sensor should be a huge improvement for low light high ISO but will it reatin that CCD crispness we have all come to love from those Kodak sensors? We shall see but we all know the magic is in the glass. This also may be the same sensor in the Sony RX1 and if so, the M will rock. This seems to be the one M that may last 5-6 years…double bravo to Leica.-

YES the new M is still a rangefinder but when you BUY and ATTACH the Leica EVF 2 you can use the EVF to frame and shoot just like any other EVF camera. This will take away any focus issues/calibration problems. The EVF will set you back more cash but it will be good to have for those that want to shoot the M like any other camera (though that may take away from some of the charm) :)

The new M will be released sometime in 2013. My guess is by March/April. Cost? The same as the old M9..$6950 – AMAZING. Leica decided to lower their pricing a little instead of going insane with it. Smart move that probably avoided disaster though I see M9′s dropping like a rock on the used market. ($3900 anyone)? Leica is back and it seems they have done it again. Beautiful design, better functionality, better all around in every way and the same cost as the M9 was at launch! 

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The new M press blurb:

The perfection of digital rangefinder technology

Solms, Germany (September 17, 2012) – Leica Camera presents a groundbreaking milestone in the nearly 60 year history of the Leica rangefinder system: The Leica M. Setting entirely new standards, the Leica M unites the ultimate in rangefinder precision with cutting edge digital technology. As the first camera to implement a newly designed CMOS image sensor and to feature additional focusing methods and functions such as Live View and Full HD video capability, it is the most versatile Leica rangefinder model ever. Remaining true to the legendary values of the M-System, the Leica M not only provides the advantages of rangefinder photography, but also for the first time, offers compatibility with Leica R legacy lenses. As with every innovation and development since the flagship line’s inception, the Leica M was created to capture fleeting moments of time and transform them into living history.

The Leica M also marks the beginning of a new era in the Leica product naming policy. In future, Leica M and S model names will omit the number suffix to emphasize the enduring and long-term significance of the respective systems.-

In every respect, the new Leica M is the most innovative and versatile model the modern M-System has ever created. Looking to the future, the Leica M is the first in a long line of Leica rangefinder cameras to feature a completely new development in sensor technology; the Leica Max CMOS image sensor. This 24 MP, full 35 mm format sensor was designed and constructed in collaboration with CMOSIS especially for the camera and its use with M- and R-Lenses. This new development successfully transfers the characteristic advantages of CCD sensors, such as natural and brilliant color rendition and impressive reproduction of details, to a CMOS sensor.

In combination with the high-performance Leica Maestro processor that is also employed in Leica S cameras, this new full format sensor guarantees maximum imaging quality and speed. Now, all elements in the image creation chain, from the lens to the image file, are under complete control of the Leica engineers. This guarantees the ultimate in imaging performance and quality. An additional highlight is the low power consumption of the components that, in conjunction with the particularly high capacity of the battery, ensures outstanding performance over a long period of use.

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In 1954, the launch of the M-System opened new horizons in reportage and artistic photography. Now at the dawn of a new era in the system’s technology, the Leica M offers a multitude of new features. The first of these are Live View and Live View Focus. Image composition can now take place in real time with the view of the subject through the lens. The sharpness, exposure and color content of images can now be precisely assessed on the camera’s large, 3-inch, high-resolution monitor screen with 920,000 pixels. The glass covering plate of the monitor screen is manufactured from particularly tough and scratch-resistant Corning®Gorilla®Glass. The new Live View function allows photographers to have access to entirely new opportunities that, in combination with the outstanding performance of Leica M- and R-Lenses, go far beyond the classical capabilities of rangefinder photography. This applies particularly to macro and telephoto photography, but also allows even more discreet shooting. In combination with M- and R-Lenses, the camera’s new 1080p Full HD video capability also opens up further opportunities to record memories as they happen.

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Ever in pursuit of capturing Henri Cartier-Bresson’s “Decisive Moment,” the Leica M offers two additional focusing methods that can be activated quickly and easily with the new focus button. M-Photographers now have even more options for capturing outstandingly sharp images. The new ‘Live View Zoom’ option enables up to 10 x magnification for precise assessment of the sharpness of subject details or the close focusing limit. The second aid to focusing is ‘Live View Focus Peaking’. Here, contours in the subject are automatically displayed as red lines to allow simple and convenient focus assessment. Focusing precision can be assessed on the basis of the intensity of the lines displayed.

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The Leica M’s features are optimally combined with the typical values of the Leica rangefinder system and guarantee the accustomed dependability of the Leica M in all photographic situations, from available light photography to discreet and aesthetic fine-art image composition. In line with the principles of the M-Philosophy, all functions and features are designed and constructed for absolute robustness and a long working life. The top deck and the base plate of the Leica M are machined from solid brass blanks and the full-metal chassis is a completely self-contained diecast element manufactured from high-strength magnesium alloy. Special rubber seals protect the camera body against dust, spray and moisture.

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The new rangefinder camera is also a typical M due to its intuitive handling concept with direct manual setting options and fast access to functions. The enhanced layout and particular user-friendliness of the menu interface guarantees a clear and uncomplicated overview of all camera settings at all times. Dedicated button controls have been provided for the Live View and new focusing functions. Live View Zoom and Live View Focus Peaking can be selected with the new focus button on the front of the camera. User profiles can be programmed with any camera and shooting settings, stored under an arbitrary name. They can be accessed quickly whenever required for particular situations and can now also be saved to an SD memory card. For increased comfort in use and harkening to the film advance lever of Leica film cameras, the Leica M now provides an ergonomically formed thumb rest with an integrated setting dial at the top right on the back of the top deck. This ensures that the camera can be held securely in even the most demanding situations.

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A wide range of optional accessories is also available for the new Leica M. A particular highlight of the range is a new Leica R-Adapter M that allows almost all R-Lenses ever built to be mounted on the camera. The use of Leica R-System lenses now opens up vast new possibilities for zoom, telephoto and macro photography.

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Further accessories are the Leica EVF2, Visoflex electronic viewfinder and a multifunctional handgrip-M with an integrated GPS module that, in combination with optional finger loops in various sizes (S, M and L), helps to ensure safe and steady handling of the camera and lens system. The range also includes a Leica Microphone Adapter set for perfect sound with video recordings.

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The Leica M will be available from Leica dealers, including the Leica Store Washington DC, in early 2013 in a choice of black paint or silver chrome finish.

 

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The new M-E (The new M9.1)

This is an M9 which will be much better priced at $5450 US. So basically you can now get an M9 that looks cool and keeps the superb CCD sensor we have grown to love for only $5450. This will be my choice in an M to replace the M9 I sold to buy the Monochrome! This and the Mono will make a perfect set. This is the camera I am most happy about from Leica because the M9 is a classic and I am happy to see it stay in the stable. No improvements have been made, just the name change and the color of the top and bottom plates.

The price is very welcome news for many and sad new for others who just saw their M9′s drop like a rock. But kudos to Leica for making the M9 more affordable and removing the M9 white text from the front. I still feel the M9-P is a more attractive camera but again, same exact camera here! $5450! Wooooooo Hoooooo!

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The fascination of M-Photography reduced to essentials

The fascination of M-Photography reduced to essentials

 Solms, Germany (September 17, 2012) – Leica Camera presents a new model in the Leica rangefinder system, the Leica M-E. Possessing the high level of technology perfected in the nearly six decades since the M-System’s introduction, the Leica M-E represents the essence of rangefinder photography. Rather than offering all that is technically possible, it is limited to only those functions that create a better image. These essentials include the M-System’s typical rapid manual focusing with the viewfinder/rangefinder and the focusing ring of the lens, as well as the option of selecting automatically determined or manually set shutter speeds. It is the ideal entry-level model for photographers wishing to experience the fascination of M-Photography or require a secondary camera that performs at an optimum level without fail.

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Advantages of rangefinder photography include the ability for photographers to become a part of the action and frame whatever they wish to capture in the viewfinder, while still perceiving what is going on outside the viewfinder frame. The crucial moment becomes predictable, and can thus be captured at precisely the right instant. Featuring the proven, high-resolution, 18 MP CCD sensor in full 35 mm format, the Leica M-E offers maximum imaging quality. Perfectly attuned to its role in the extremely compact M-System and the superior performance of M-Lenses, this particular sensor type possesses a high sensitivity to light. These characteristics lead to an unmistakably individual kind of photography.

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The Leica M-E’s most distinctive feature is a minimalistic, purist, design statement. The top deck and base plate are discreetly finished in unobtrusive anthracite grey. The application of a new leather trim with enhanced grip characteristics ideally complements the camera’s timeless design.

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The Leica M-System portfolio provides perfect tools for capturing a moment discretely, silently and without hesitation, allowing photographers to become a part of the scene. Together with the new Leica M and the Leica M Monochrom, the world’s first digital black and white camera in 35 mm format, the latest digital generation of the Leica M now offers three rangefinder cameras.

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Additionally, the Leica M-E package includes the latest version of Leica Adobe Photoshop Lightroom to assist photographers with viewing, editing and managing digital images. The Leica M-E is available now from Leica dealers, including the Leica Store Washington DC.

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About the Leica M-System

Since 1954, the Leica M system has stood for an unmistakable, individual kind of photography and a very conscious photographic style. Because, with a Leica M, the photographer becomes a part of the action in the process of capturing challenging and creative images. The rangefinder frames precisely the shot the photographer envisages while allowing a clear view of what is going on outside the viewfinder frame. This allows the photographer to predict the decisive moment and capture it discreetly and reliably at the right moment – in all fields, from photojournalism and ‘available light’ exposures to discreet and aesthetic fine-art images. The functions of the Leica M rangefinder camera are consistently constructed for extreme robustness and a long working life. Highest quality materials, elaborate manufacturing processes and painstaking manual assembly guarantee functional reliability for decades to come. Full backward system compatibility – almost all lenses of the Leica M range built since 1954 can still be used on the latest M camera models – is an important factor in the enduring value of the M series.

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