Looking Back to the Zeiss ZM 50mm Sonnar Day
By Zaki Jaihutan
Dear Steve and Brandon, thanks for providing the opportunity to share my nostalgic moment with the beautiful Zeiss ZM 50mm sonnar f1.5 or the Sonnar.
Not long ago I traded my Sonnar (together with one other lens) with the legenday leica 50mm summilux ASPH. I’ve been wanting to get my hand on the Lux for quite some time, it has its own strong rendition different to that of the Sonnar (perhaps “slight”, but it’s there).
I am not going to provide you with comparison between the two lenses. Not only that I dislike technical comparison (though I admit this type of comparison has its own use), but I also like to see a lens for what it is, its overall feel, its drawing if you like, how the lens work with my camera and myself. I am not good in giving objective explanation about this and prefer picture to do the talking. My acquisition of the Lux is a pure aesthetic choice (not to mention the opportunity to obtain the Lux at a very acceptable price), and while I am happy with the result I get from the Lux, I cannot say that the Sonnar is inferior to it. I don’t want to sound like I’m defending an ex girlfriend, but the Lux and the Sonnar are simply two different beauties.
When I first venture into the difficult world of rangefinder by purchasing my M9, the Sonnar is my first lens, and it has been my go to lens until I got my 35 lux ASPH about 8 months ago. I choose the Sonnar not just due to price consideration (voigtlander can give you a more acceptable price range with a good quality glass), but from the result of its images, their artistic feel, and….guess what? From the possible problem in using this lens due to its famous “focus-shift” issue. I was a total rookie in the rangefinder world (which I still am, mine you I started using leica M9 for only around two and a half years ), and I thought, gee, why not challenge myself more? It just sounds cool, using tricky lens to get a certain artistic look.
Believe it or not, I don’t find any focus shift issue. Most pictures I took are spot on where I want them to be. Perhaps its me that is less critical? Maybe the objects I choose do not reveal this issue (smaller object might show this perhaps, e.g. pencil points or something like that?). I remember someone said somewhere in the web that he did not get any focus shift issue, and someone responded that is impossible!!! Well, maybe my lens, or my camera, was already adjusted …or maybe, someone had skillfully painted a different lens and put the mark ZM sonnar to the lens in order to fool me. Maybe, mabe and maybe.
Anyway, looking back at what I can get from the Sonnar, its imperfection which add up to its artistic look, its “drawing” as many people like to call it, I feel a bit nostalgic and would like to share what the Sonnar has done to my worldview. I realize many samples are already there, but I guess additional view to enjoy are always fun. Perhaps this can reignite interest to this classic lens (and an option to consider for those who like to get a good quality 50mm glass with their M, but finds it hard to justify purchasing the uber expensive Lux). All of these were taken with either the M9 or the new M. Most of them can also be seen at my flickr site at HYPERLINK “http://www.flickr.com/photos/jaihutan/” http://www.flickr.com/photos/jaihutan/
See if you can feel its unique soft way of blending the subject into soft focus, and find it adorable. Enjoy.
With kind regards,