Aug 292014
 

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A night with the Monochrom at ISO 10,000

So yesterday you saw where I wrote about the new Leica M-P and the silver Monochrom. Last night Debby and I decided to take a drive down to a cool hangout here in Phoenix called “The Lost Leaf’. We have been there a few times now and it always offers a great atmosphere, a huge selection of beers and drinks and every single night, live music. The last time I was there I brought along the Sony A7s and tested it in the torturous low light conditions of the Lost Leaf, which at times borders on near darkness. The A7s did well, even when pushed to over 80,000 ISO and seeing that I was going that high in ISO with the A7s, I did not think the Monochrom would be able to handle it, especially with the 50 f/2 lens I had on the camera. But I gave it a shot. I cranked the Monochrom to ISO 10,000, which is the max ISO for this camera, and I snapped a few frames.

Before heading in I set the MM to ISO 6400 and snapped a shot of this mural on the wall across the street. Click on it to see  the tones, graduations and sharpness. It was shot at 50mm and f/2, wide open.

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At ISO 10,000 the Monochrom puts out files that look like Tri-X 400 film.  All images below were shot at ISO 10,000

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People hanging out on the patio waiting for the nights musical act, Copper & Congress. 

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As the band started to play I took a test shot from my table to test the lighting and to see if ISO 10k and f/2 was enough. I managed to get 1/60th second.

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I feel the Monochrom puts out convincing B&W that does remind me of my M6 ad M7 film days..

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I moved in closer to get some shots of the band..

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By far my fave shot of the night, and this one is a JPEG from camera. ISO 10,000, f/2 – click it for much better viewing experience.

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The Sony A7s was also with me…

I also brought the Sony A7s with me along with the 35 2.8 and 55 1.8 Zeiss. It focused so accurate and fast for me using auto focus, even in these dim conditions..it was amazing. With that said, I had to crank the ISO higher on the Sony as I was using an f/2.8 lens so I used ISO 16,000 and 32,000. Only problem was I had the camera (by accident) set to JPEG only, and was shooting in the gimmicky “high contrast B&W mode” which killed the tonality of the image. None of them looked good, but it was my mistake for using the HC B&W option. Here is one example below of what that setting will do when used at high ISO and low light:

The next two shots were taken with the Sony A7s at ISO 16,000 and 32,000 using the 55 1.8 and 35 2.8. Problem is I had the camera set to JPEG only and used the High Contrast B&W mode which destroyed the tones. Lesson learned.

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As you can see, using high contrast B&W on the A7s destroyed the details, the tones and the overall look of the image (IMO). From now on, no more gimmick modes for me! If it were set to standard B&W it would have looked great. I can also see the NR at work from the camera even though it was set to low. Still, the A7s performed like a beast. Fast AF, quick and easy shooting, no issues. If I had it set to RAW and JPEG I could have saved my photos so user error on that one.

At the end of the day though I soooo loved shooting the Monochrom last night. It has been a while since I shot anything like this with a Leica and with the insanely low light here (It’s literally lit up by one red light bulb) I did not think the Leica would cut it, especially with a 50 f/2. While the Noct would have been amazing here, the little Zeiss 50 Planar f/2 did well. For me the Mono images have a teeny something about them that is beautiful and now I know that I can go up to ISO 10k in the dark without issue. It’s all about the exposure and if you nail it then you will have minimal noise.

I will be back to the Lost Leaf soon I am sure because it is great fun to see and shoot these live acts in such a cool inmate environment.

You can check out the Lost Leaf here and if you are ever in Phoenix I highly recommend stopping in. You can check out Copper & Congress at their website HERE. 

Aug 282014
 

VIDEO: The Leica M-P and Silver Monochrom

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Ahhhhhhhh, the beauty of Leica. No matter what anyone will ever say, there is nothing like the beauty and feel of a Leica M camera, and I feel this way about the M3, M6, M7, M8, M9, M9-P, Monochrom and M 240/M-P. To me, they are just what I want in a digital camera and have all that I could ever need (except an affordable price and super low light which the A7s covers for me very well). Even after all of these years the Leica M is the ONLY digital rangefinder on the planet (not counting the no longer made Epson RD-1) that is available. So if you are an RF fan, this is it.

Nikon, Canon, Sony, Olympus..none have even attempted it although I was hoping Nikon would do so a few years ago. So as of today, mid 2014, Leica is the only game in town if you want a real life back to basics digital rangefinder camera and NO, Fuji do not have ANY RF cameras (some seem to think they do).

With that out-of-the-way, here we are a couple of months before PHOTOKINA where all kinds of goodies get released and announced. I am sure Leica will have something new, Sony will have something new and huge and Nikon and Canon will probably have the same old same old. Olympus will have something new, probably Panasonic as well. But just a couple of months early Leica not only announced but released the black paint M-P.

The M-P is basically an M240 with a larger buffer, sapphire LCD screen and all black paint without any markings on the front. This means NO “M” and no RED DOT! On the top you have the classic Leica logo which appears just as it did in the M-9P (which was crazy popular, sold out at launch for months). The M-P is not selling out at launch and that is mainly due to the fact that at the price of $8,000 it is too expensive in 2014 even for a Leica. With Sony rocking the A7 series that have an even better sensor at 1/3 the cost it makes it hard to justify a digital Leica today. With that being the case, why did i just purchase TWO of  them? EEEK!

The deep rich tones of the MM (with a Zeiss 50 Planar, one of my fave M lenses ever due to bang for the buck)

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Well, part of it is passion. Part is foolishness. Part is from my heart and the rest is due to the fact that no matter how many times I drift away from Leica…I ALWAYS COME BACK. I have an emotional connection to the M and when I am out with it I enjoy it more than any other camera, even if other cameras can do more for me. The Leica M 240 is my favorite camera of all time, previous to this it was the M9. When the Sony A7s was released it was tied with my M 240 and I said “why would I keep this M when I love the Sony so much”. So I sold my M 240 and banked the money.

Two months later, while I still am in love with the A7s and have no desire to get rid of it, the M has creeped back in to my head. Just days before the M-P was announced I was looking for a used deal on an M 240 yet again. So away I go and email Ken Hansen who said “I will have the M-P week, if you want one let me know”. Too easy. Bam. Ordered. He also said “I have a few silver chrome Monochrom’s in stock” – and that was it, BAM! I went crazy..I was foolish..but do I regret it? No, because I now have an M-P which is the most beautiful M 240 yet and the chrome MM is a sight to see and about as unique and pure as a digital camera can get. Both have their uses as does my Sony A7s.

In fact. I will use my A7s for low light, macro,  and some times when I need a hassle free AF camera. I will use the MM on those occasions when a pure B&W mode strikes me and the M 240 on all other occasions. The great thing is that the lenses can be used on all three cameras without issues.

Here I am almost 45 years old and still being stricken with GAS. Today though I will acknowledge that the prices required to get into a Leica M system are way too high, but for those who gain happiness and joy from it then it doesn’t really matter as long as you can swing it. Life is short and I would rather LIVE IT than sit around on my couch all day watching TV, waiting for something good to happen to me. So that is what I do and how I live life.

So the new Leica M-P is available and shipping NOW! For those interested, you can order them at Ken Hansen, PopFlash, Pro Shop, B&H Photo, Amazon and Leica Store Miami. The Chrome MM is also available from all of those dealers.

Below is my video featuring both cameras. Enjoy!

Aug 282014
 

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My Favorite Camera Shops & Dealers. Ever.

There are so many camera shops, store, internet sites and dealers out there ready to take our cash and send us a new fresh box of happiness. If you are like me, receiving a new package from the Fed Ex or UPS man brings  not only a smile, but a rush of energy, happiness and joy. A shiny new or even a new to you (used) camera can really bring you motivation as well. For example, I remember back many years ago I was shooting an Olympus E-1, yep, the original Olympus digital SLR. They now sell for about $60 on e-bay but at the time, I loved the E-1 and paid $1400 for the body only!! It had gorgeous color and solid build and its measly 5MP, at the time was plenty for me.

My local shop at the time (which has now closed down) told me “This is Canon 1d quality”! Well, it was not quite 1Ds quality but it was fantastic. After a while though I remember seeing full frame cameras and some cool film cameras. After a while of shooting the E-1 I moved to a Leica M7 and was wowed by the slim and solid camera. It just felt right. That camera motivated the hell out of me and I went on to shoot hundreds of rolls of film, even taking classes at a local college to finally learn how to do my own B&W film.

That was years ago but today I still remember that motivation, rush, excitement and joy from using that new camera. Even though it was film, for me it was so enjoyable to use. It taught me many things, just using that camera. I eventually went on to full digital of course with an M8, M8.2, M9, M9-P, M 240 and now MM and M-P 240. I also own a Sony A7s and adore it. Olympus still rocks for me as well, as I enjoy the E-M1 as well.

I love my cameras and over the last 20 years I have learned WHERE To buy from to get the most hassle free and enjoyable experience, as well as the best deals sometimes. I always get e-mails asking me “where should I buy XXX camera”? Well, here you go.

Over the years I have recommended the same dealers here. Those that I have worked with and bought from on many occasions. I have shopped from a few other sources but sometimes have had a negative experience so this is why I only recommend those who I trust and those who have really went above and beyond. I only allow advertisers and sponsors whom I trust and support back and know would never rip anyone off.

Look what the USPS man drug in..direct from Ken Hansen. The Leica Monochrom in silver chrome and the new M-P in black. 

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Below is a list of whom I buy from, who I have had great experiences with and all of those that I trust and put my name behind when it comes to camera dealers and shops!

1. Ken Hansen – This guy is everything LEICA. He has been a Leica dealer forever and used to own a store in NY. He now works from his home as he is semi-retired but his Leica business is still going strong with many Leica shooters praising his name every day. Ken has become a legend..legendary. I have never in my life experienced anything like Ken from ANY shop, dealer or store, ever. He goes above and beyond and the funny thing is he does not even have a web site, a Facebook or twitter ;) He runs it all from his home via phone or e-mail. He has been with me since day one and you may have seen his ad in the sidebar before. It will be there for the life of the site because if it not for Ken (and a couple of other friends) this site may not have made it!

Ken has new Leica and often times has used items and unique items as well. Just call him at 212-879-3263 or send him an e-mail at [email protected] and let him know what you want, need or are looking for. Most likely, he will have it. Plus, mention my name and you may get a bit of a deal..maybe. I stand 100% behind Ken Hansen.

2. B&H PhotoThese guys are the king of Retail and Online sales. They do MASSIVE volume. I mean MASSIVE. I have been to the store and it is a sight to see. Hundreds of customers at any given time, long lines to check out (but they go fast) and conveyer belts that travel through the store to deliver your goods when you exit. Amazing. They have the best online experience I have encountered. First, if an item is in stock and ready to ship, it says so clearly. If it is not, it clearly states this. No guessing games. They ship same day as well if you order before a certain cut off time. So technically you could order a lens on a Monday morning and have it arrive Tuesday. They also are top notch on their returns, undo nay to Amazon. It is an online automated process, never needing to email someone or call someone for an RA number. B&H Is the king of camera retailers. You can see their site here and they sell all kinds of goodies, not just photo related. They are sort of a giant electronics megastore. I give them a 100%!

3. Amazon- Who does not shop from Amazon? Myself and everyone I know shop at Amazon and they are doing amazing things..amazing. Amazon is the future of internet shopping, food shopping and everything in between. I believe in 10 years Amazon will have the most amazing services. You can get anything and everything from Amazon. I have certain household items get delivered every month using their subscribe and save feature and I also buy tons of music (LP’s) and camera accessories such as Gariz cases, caps, batteries, lights, etc. They have anything and everything. Click here for a link to Amazon and see for yourself. Never an issue with them, ever! The return policy and process is painless and simple. You even get a label to print for easy return. My score = 100%!

4. PopFlash.com - PopFlash has been around for a long long time and Tony Rose is the man who owns and runs it. He is well-known among Leica shooters but he also sells Fuji, Olympus, Zeiss and many other brands at his online shop. I have purchased Leica lenses, cameras and Artisan and Artist bags and cases from PopFlash and Tony always comes through. They have some superb prices as well and when you see the “used/mint” pricing on some Leica items you may be super tempted to go for it. Check out the site at PopFlash.com! 100%

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5. The Pro Shop - These guys are great and know their stuff. They have years of experience and sell Leica, Nikon, and even the Hasselblad Stellar and Lunar line. They have so much to choose from so here is where I would go for not only the best camera brands but for some of the best advice and experience. 100% for these guys as well! You can call them for info at 561-253-2606 or see their website HERE.

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6. CAMERAQUEST - Run by Stephen Gandy this long tim Voigtlander dealer has just about anything you could ever want from the brand. There are a few Voigtlander lenses that stick out to me and some I like better than Leica glass! The 35 1.2 II, the 15 4.5, the 50 1.5 Nokton, all superb and all a fraction of the cost of a Leica lens. If you want a great buy and fast shipping on Voigtlander lenses then you must check out CAMERAQUEST! 100%! Check out the shopping site HERE!

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7. Leica Store Miami – These guys are in actuality Dale Photo in Florida, but this site is much improved and all about LEICA. This shop has it all from cameras, lenses, cases, accessories and even used Leica cameras and lenses. I bought my fancy Leica case from them and my shipment arrived in one day. You must check them out! I give them an easy 100%. Never an issue. Never a problem. You can see their site HERE. 

As you can see, all six shops/dealers get a full 100% from me because I would not recommend anyone who I did not shop with, buy from or feel 100% about. If I was 90% I would not recommend them! If you buy from ANY of the above dealers you will not be disappointed. With Amazon, if you have an issue the return policy is so good you can just return it. No questions asked. Just be sure to buy from Amazon and not a third-party (or prime). Same with B&H and some of the others. For me it should be about customer satisfaction and all of these do it very well.

So there you go, my fave dealers and vendors. When you want to buy a camera or lens or accessory or ANYTHING, check them out! They are what help to keep this site running!

Aug 252014
 

Finding time for Photography with a Nikon Df

by D.J. De La Vega

Hi Steve,

The last article I sent to you was all about going the extra mile to make the time for photography. Setting aside dedicated time solely for the purpose of exploring my art. This article however is quite the opposite… It is all about my quest to juggle my photography with my family and work life.

First let me start by clarifying, I am a really, really lucky guy!!! I have an amazing family and a steady job, I could not ask for anything more from life, I want for nothing. When it comes to my favourite craft, there is simply not enough hours in the day for me to dedicate as much time as I would like to photography. For this reason I have become quite adept at shooting the everyday things that surround my every day life around my everyday routines. Always carrying a camera with me whether I am walking the dog with the kids in the park, popping to the shops or cycling to work in the rain. Historically my trusty X1 went with me no problems, small light and unobtrusive. However there are two main reasons I have drifted back to DSLR at the expense of the little powerhouse. Firstly, the X1 is quite delicate in it build quality. It really disagrees with being flung around, bumped and banged and heaven forbid it would ever get wet and dirty. Secondly I always shoot Raw with the compact and this is where the problem of finding time for my photography arose.

Post production for me has always been a headache, I much prefer shooting the photos, experiencing and capturing the moment. The though of sitting indoors staring at a screen endlessly editing photos on my prehistoric laptop send a shudder down my spine, especially if I have a lot to work through. This has led me to try to streamline my post production workflow.

Getting back to how lucky I am, I recently upgraded my D7000 to the magnificent Nikon Df. I learned photography on a Pentax K1000 and later acquired a Nikon FM2n, so getting back to the manual dials and classic style of shooting with the Df has really inspired me. The pace of using this camera is a mix of slow and methodical like my X1 but a lot faster and more responsive. I love the organic quality of the JPEGs from this camera and do not have to spend long at all tweaking them on the computer. Also enter into my life the new Adobe Photoshop Express app on Windows 8. This little app is a dream come true for me…I am new to the iPad/tablet generation but no longer do I have to log onto my ancient laptop to do “proper” photo editing. I can quickly pop the SD card straight into my tablet, adjust a couple of sliders on-screen and I’m done. Minutes instead of hours!
With all my modern conveniences now at hand it was time for a little vacation to visit family dotted around the country. With the Df permanently attached to my shoulder I had the pleasure of shooting some of my own stuff here and there in-between visits and family functions. Just a quick note on the build quality of the Df… it is brilliant. The right balance of sturdy metal ruggedness, but just about light enough to carry around all day every day.

It’d be my honour to share some of these shots with you and your readers to give me a bit feedback on how the finished articles stack up against my older work. Remember, I spent more time shooting than I did quickly and dirtily editing them, so go easy on me…

Photo 1: Shooting the fountains on the street in Peterborough.

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Photo 2: Peterborough Cathedral Selfie… Correct me if I’ wrong, but I’m sure this is what the upward facing mirrors are for???

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Photo 3: Peterborough Cathedral

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Photo 4: The most nonchalant cyclist in London.

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Photo 5: The Photographer Photographed, using what appears to be an Olympus film SLR.

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Photo 6: The Photographer Photographed, using what appears to be a Canon DSLR. 

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Photo 7: A classical underground busker. A great character and a fantastic musician.

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Photo 8: A beam of light in the Natural History Museum. With the weather and the queues I was lucky there was any light left that day. 

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Photo 9: Lincoln Cathedral 

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Photo 10: A view of Lincoln Cathedral.

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Thanks for looking and thanks in advance for any feedback!
DJ De La Vega

https://www.flickr.com/photos/djdelavega/

@dj_delavega

http://instagram.com/dj_delavega/#

Aug 122014
 

Copenhagen with the Leica M 240 and 50 APO Summicron

by Howard Shooter

Copenhagen is a difficult city to shoot. The buildings are spotlessly clean and beautiful, the roads are spotlessly clean and beautiful and guess what…the people are spotlessly clean and beautiful.

This presents the street photographer with a problem; no urban decay, no old men with interesting creases which tell the story of their lives and therefore no photography which is focusing on the contrast of modern society. Denmark, like their most famous invention, Lego, is designed beautifully.

My wife and I managed our lucky annual weekend away without our gorgeous children to have a little of us time leaving our three children, happy as could be with the grandparents.

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Copenhagen is famous for Hans Christian Anderson’s “The Little Mermaid”, Canals that look like they are straight out of Amsterdam, (as a result of the Dutch building some of them), interior shops, posh designer food, beer beer beer, bicycles and a design ethos which is evident everywhere.

I was looking forward to using and testing my newly acquired Holy Grail of lenses, the Leica 50mm APO Summicron with the Leica M240.

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These shots are a miss mash of images and colours taken from around the city. I didn’t take hundreds of shots as I was there to relax and soak up the atmosphere rather than document it but I was pleased and I’m still learning all the time what this lens is capable of. I feel I always need about six months to a year to understand a lenses characteristics and this little gem is no different.

Now I think this is a lens which once purchased needs some financial justification as it is stupidly priced. I am not rich, I am quite sane (sometimes), and I am not a man who easily jumps on bandwagons. However I am a professional food photographer, I did sell two lenses to help pay for this piece of glass and I do use the Leica for the odd professional celeb chef portrait when the opportunity arises. I had ordered one of these, cancelled it and then six months later wanted to see what all the fuss is about.

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I think with lenses there is a misconception about what quality is all about when all of these graphs and charts and grids are produced by scientists who are comparing various tolerances across various apertures. I’ve seen enough shots of bookcases and scenes of toys with colour charts to last me a lifetime. Lenses are not solely about sharpness and yet this lens is sold partly because of its incredible sharpness. This, in the grand scheme of things definitely isn’t the main part of this lens that interests me. I did have a Leica 50mm Summilux and on the M240 it does display a little softness but it is a beautiful, quiet lens displaying subtlety and beautiful bokeh which is arguably nicer than the 50mm APO.

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What this lens does better than any other on the M240 is incredible dynamic range to the point where shots properly look like medium format film. The bokeh is nice but not incredible in my opinion, but the 3D pop combined with the sharpness and dynamic range is remarkable. It gives this lens a versatility like no other. Images can be deliberately overexposed and look subtle and beautiful without the whites bleaching out, and yet dark shots are rich and saturated with black blacks and eye popping colour. Black and white converted RAW shots look so authentically Bressonesque in their tonal values that the digital Leica feels like it has come of age.

The big question surely is “is it worth the money?”….. well for me it makes using extra lenses on the Leica seem superfluous and to that extent if you have a few lenses and traded up to the 50mm APO you wouldn’t be disappointed… I wasn’t… but blimey…. how much!

Howard Shooter

www.HowardShooter.com

Aug 072014
 

Leica launches new soft releases!

With all of those soft releases being made and sold over the years it appears that Leica has said “Hey, why don’t we do this”? So now. they have. You can now pimp your Leica with an “official” soft release. Designs are shown below. Let’s just hope they STAY in and do not fall out. My issue with these kinds of releases has been that every single time I have bought one, they have fallen out and been lost. I have yet to have one stay put. Maybe these do?

 

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To get your own release or set of releases, check with your favorite Leica dealer.

Mine are Ken Hansen ([email protected]), PopFlash.com, the Pro Shop and Leica Store Miami.

Jul 272014
 

Black and White Storytelling

by Ben Miller

Steve and Brandon,

I think that all photographers are searching for the perfect camera and a photographic style that they can call their own.

My main focus in photography is black and white storytelling. I find that the sum of several photographs which tells a story can be greater than one just one perfect image. I have found the gear that best suits my focus. In my bag is a Leica M9 and an Olympus OM-D E-M5. Both of these systems allow me to get close to people without being obtrusive. I believe in prime lenses and do not own any zooms.

I recently was commissioned to shoot an event with my M9 and E-M5. During the gathering I was pulled away and asked to join a few gentlemen in the parking lot. I wrote the following story to accompany the captures of what occurred:

 

At every party there is a secret party.

One that only few know about and are invited to.

I was lured away from the crowd to one of these clandestine gatherings.

I turned down the smoke as it is not my thing.

I partook in drink instead.

They handed me a big shot of Fireball whiskey.

I gargled the cinnamon spiced liquor and then swished it around in my mouth.

After swallowing I asked if they had handed me water and if there was anything stronger.

As I raised my Leica to my eye I said “document everything”.

I then smiled and said “don’t worry…..

I’ll only capture you from the nose down.”

 

Attached are the images from the photo story.

You can view more of my work on my website and blog:

www.photographsbyben.com

www.photographsbybenmiller.blogspot.com

Thank you Steve and Brandon for having a wonderful website that so many of us look forward to everyday.

Cheers,

Ben Miller

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Jul 212014
 

My few days with the very fun Leica C Camera

By Steve Huff

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A couple of months back I had the opportunity to try out the Leica C for a few days. Usually, I am not a BIG fan of small P&S cameras as they always lack something in regards to image quality. For me, I would normally rather take out a camera that is slightly larger as there are many that will give me much better performance, then again, sometimes we want to go SMALL, and the Leica C is a very attractive came that also happens to perform very well for a small and tiny P&S. It even has an integrated EVF (though not to the level of the Sony RX100 III, which my review IS coming soon).

The Leica C is basically a Panasonic LF1 with a new facelift and design on the outer shell. The Leica has some snazzy accessories available for it as well where the Panasonic is sort of “plain jane” when it comes to appearances. If you want to stick out in a crowd and say “look at my beautiful camera” the Leica would be the one to get over the Panasonic, which to my eye is sort of plain and dull looking. We all know that the looks of a camera do not make the images, YOU DO and the cameras guts, or internals, is what pumps out the files for you. IN that regard, the two cameras are the same. Period.

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The LF1 comes in at $319. A very good price for this camera as I found it to be quick, stealthy, quiet and with very nice image quality for a small sensor P&S camera/

The Leica C comes in at $699, NEARLY $400 MORE. So what do you get for that $400? For starters you get Adobe Lightroom software, a better warranty and the Leica design. For some, this is worth it as many “want” a Leica. While not a “real” Leica, it does have the red dot which tells everyone else who has no clue about the details, that yes, this is a Leica.

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The good thing is that it does look like a Leica camera, and if that inspires you to get out and shoot more, then yes, it could be worth it. Just remember though that the Panasonic is $380 less, and is in reality, the same camera besides for the outer design.

With that out-of-the-way, this is not going to be a “review” but my thoughts on the camera after a few days of real world use while on vacation a while back.

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The Leica C is beautiful to look at and hold. It is small but felt nice in my hand. I found it to be quick, snappy, and with a nice menu layout. The EVF was a but on the almost too small side but would do in a pinch. For 90% of shots I used the LCD. The LCD does not swivel, so that was one thing I missed but for a small P&S, this was a little firecracker and while not up to the level of the $798 Sony RX100 III, it had its moments.

I enjoyed shooting this camera in high contrast B&W, which is where it did really well for OOC images. I also found the OOC JPEGS to be crisp with great color. Probably my 2nd fave P&S camera ever, next to the new Sony RX100 III which is the smarter buy at about $100 more, but then again, the Sony doesn’t have the red dot!

Below are a few images I snapped with the Leica C. I had fun with it, and for me that is key. If I can have fun with a camera instead of having frustration, then it goes on my list of “must think about” cameras. The Leica C is not a low light type of camera but it is an every day, take everywhere camera.

You can buy it from Ken Hansen, PopFlash, The Pro Shop, B&H Photo or Amazon! It also comes in a cool dark black or a nice white. There are also deals to be had and you should not have to pay retail on this guy. For example, Amazon has them for $590 right now, using Prime. 

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Jul 142014
 

My favorite cameras for usability, ability and versatility mid 2014

By Steve Huff

Wow. It is already mid 2014. Half of this year has whizzed by faster than ever and as always we have a ton of cameras that we can choose from when it comes to photography. If we want something small that packs a punch, we have that. If we want something for low light, we have that as well. If we want something that is a joy to shoot, hold and use, well, we also have that. Do we have it all in one single camera yet? Well, not really.

There are always new camera seeing released though maybe not as many as the years past. DSLR production, as in new models, has seemed to slow down some from the constant barrage of new models that we used to see. Well, at least it seems like it. Even mirrorless offerings seem to be lasting a little longer between releases these days, and this is GOOD as we are at the point now where almost any camera will give us better results than most of us even need.

So far in 2014 we have had some cool releases and there are still fantastic cameras that were released in the past that are still perfectly usable. The question you need to ask yourself when deciding on a new camera is “What will I be shooting with it”, also “Do I value usability more than overall versatility”? “Will I be shooting mostly low light or in good light”? “Does it need to fit in my pocket”?

Once you decide what it is you want to use the camera for, be it portraits, your kids, vacations, or just an everyday shooter then you need to decide if you want simplicity in a fixed lens model or something that will allow you to choose and change lenses. The choice is yours as there is something out there to fit your needs, and I am going to talk about the cameras I like as of July 2014 with the reasons WHY I really like, if not love them.

My fave cameras made for Versatility

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Micro 4/3, Olympus E-M and E-P series

My favorite camera for ALL OUT versatility as of today is still the Olympus E-M1 or even E-P5. These cameras are beautifully made with a solid feel and gorgeous looks (in the case of the E-P5). They have some of the best lenses made for any system next to Leica from fisheye to telephoto and everything in between including some super fast primes like the Nocticron f/1.2 that is one of the best lenses I have ever used. With Micro 4/3 you have speed, you have the lenses, you have the build, you have the amazing 5-AXIS Image Stabilization and you have a smaller size. The lenses are so good, and not so astronomically priced. The color reproduction is beautiful and the B&W is not too shabby either. A camera like the E-M1 has it all and the only real weakness of this camera is that the sensor is smaller than full frame and smaller than APS-C. For this reason you lose out on some shallow depth of field and the images will be a bit more noisy at high ISO than full frame cameras.

Even so, if you shoot mostly in good light and want one hell of a system with unlimited lens choice and an all around great experience with pro image quality results, the E-M1 is still a gorgeous camera. The E-M10 and E-M5 are as well. I reviewed them all and you can read my reviews of these models HERE, HERE and HERE. Yes, you can indeed get DSLR quality and beyond with these models.

You can buy the E-M1 at Amazon or B&H Photo.

Three from Micro 4/3 – Super versatile cameras that do it all. 

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OLYMPUS DIGITAL CAMERA

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My fave camera for Point & Shoot, Vacation and SMALL SIZE!

Sony takes it here for me with the new advanced pocket rocket, the RX100 III. 

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The new Sony RX100 III is a hell of a camera in almost every way. It is small, made very well, has a pop up EVF, tilt LCD and stellar IQ for a small pocket camera. It’s a handsome camera as well and gives us an f/1.8 to f/2.8 lens from 24-70 (ff equiv). What is not to like? The color is great. the files are nice and I have seen some do amazing work with the RX100 version 1 and now Version III improves on that model in every way. This is, hands down, the best pocket camera I have ever seen or used, ever. Video is good as well. It does it all but will not give you the all out versatility or IQ of something like a Micro 4/3 or full frame model. For what it is though, it is the perfect camera for every day shooting, vacation, kids, family, events, etc. Whoever buys an RX100 III will not be disappointed. It is the real deal. I have been able to use one for a but thanks to B&H Photo but have not had serious time yet with it. Will be doing that this week. You can buy the RX100 III at B&H Photo or Amazon.

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My Fave camera for Usability

Without Question, the Leica M reigns supreme here

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The Leica M, any of them from film to the M 240 or Monochrom take this one for me in a huge way. These cameras are ones that you cherish and create an emotional bond with. For those who think that is nonsense, then you have never had that bond with a camera, and yes, it is real. The Leica M is a masterpiece of design, build, and usability. All manual focus using a rangefinder it is a very precision tool that actually can teach you a think or two about photography, framing and exposure. It is a tool one can use for a lifetime if you choose a film model, as they last forever. While the price is off-putting to many, think about it in a new way. This is a camera that will give you the most enjoyment from any camera ever..well, it has for me and not everyone is the same. From the moment you take it from its box all of your regrets of the money spent fade away.

The Leica M6, M7, MP, M8, M9, M240 and Mono will give you that Leica experience that no other camera will give you. As for IQ, others can meet or exceed the Leica in that area but nothing can beat it for usability or for creating that emotional connection. You can buy a Leica from many places these days but my faves have always been Ken Hansen, PopFlash.com, The Pro Shop and Leica Store Miami. These guys will treat you right.

Three from the Leica M 240

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My favorite camera for general every day and low light use

The Sony A7s wins this one easily. 

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You guys know how much I adore the Sony A7s and while it is not the most versatile (only due to lack of native lenses when compared to others such as Micro 4/3) camera it is indeed quite powerful. There is no low light situation that this camera can not tackle, period. When used with the 50 0.95 Mitakon I can see in the dark and when used with the native Sony lenses such as the 35 2.8 or 55 1.8 the camera will even AF in the dark. Amazing. The A7 also has better color performance than the A7 and A7r , better AWB, faster AF and better M mount lens compatibility. You can read my review here to see what it is all about but I now have one of these bad boys with a few lenses and love it to pieces. As I said in the review, the A7s is probably puns for pound, dollar for dollar my favorite camera that I have ever reviewed.

Low light shooters, this is a must try or own. The camera also is excellent in daytime shots and video. If more native lenses were around it would be unbeatable for me as of July 2014.

You can buy the A7s at Amazon or B&H Photo.

Three from the A7s, 1st one using the Voigtlander 35 1.2 wide open and a 100% OOC JPEG. 2nd one is from the Mitakon 50 0.95 and third and fourth is from the Zeiss 50 Sonnar 1.5. 

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Runner Ups

The Fuji X-T1 and Leica T are also very cool and very capable cameras. The Leica is different than other cameras in its interface and joy of use. It is a Leica and gives you the Leica style of IQ and pride of ownership. The Fuji is still a lightweight in the build but for Fuji fans, this is the best of the lot when it comes to Fuji interchangeable lens bodies.

Of course these are not the only cameras I like, but they are my faves as of July 2014. The Sony, the Leica, the Olympus..all superb in so many ways and unlikely  to leave anyone disappointed as long as you use them with good glass. The key is to get out and use them (for me it has been tough since it has been 110-112 every day and me and extreme oven like heat do not jive well for more than 5-10 minutes) and have fun using what you do own. The key is you more than anything, not the gear..though I admit..it is very fun to test and try new cameras!

Jul 132014
 

The best for me: Leica Monochrom!

by Francois Roosens

I think it’s the moment to send you some pictures from my Leica MM (Monochrom). Leica came into my life about 2 years ago, I sold my D4, D800e and all reflex kit to buy it.

The Leica MM is for me the best camera I have bought. I now own the MM(The best), M240,  A7r,  A7s (fabulous), and also the Lumix GM1 (it’s a perfect micro camera). I like your job.. Thanks for everything.

I am sending you some picture of « GILLES » from Belgium, it was in March for the « Carnaval » It was an important feast in my country. Early in the morning Gilles come pick  up other gilles and drink and eat at each house. in front of every house, they dance around… and lunch some oranges to give at children or at people for have a lucky year. I hope you like this.  The Leica 24 Summilux and 50 Noctilux 0.95 was used for that and I was up at 4AM.

Thank you!

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Jul 082014
 

Neko Case

Taming the Nokton 50 1.1

By Manikarnika Kanjilal

My name is Manikarnika Kanjilal. I am a doctoral student and I devote my almost my entire (lately dwindling) free time in pursuit of photography. I was always interested in photography but started being seriously into it for the last couple of years – after I found a Digilux 2 on ebay. It was Steve and Thorsten Overgaard’s reviews that made me acquire the camera and thus start exploring my photographic vision. This post is however not meant to wax poetic about that cult camera but on another “controversial” lens about which the photographic community seems to be divided.

Last summer I acquired a second-hand Nokton 50 1.1 in a moment of insanity and went on to use it in a one-lens-one camera challenge to myself. What was even more insane was that I did this while covering a four-day music festival in my city.

Edmonton Folk Music Festival is quite the religious experience for a huge number of music lovers in this town. People queue up at the gates for a chance to place their tarp as close to the main stage since 3 am or some ghastly time like that. The main stage is at the bottom of a hill and people sit on the hill as a natural amphitheater. For four days tarps and their placements become an extension of the private space and ego for many of the audience members. For someone like me that attends the festival alone and spends most of it standing or walking or crouching to not get in the way of other photographers, tarp politics is fascinating. There are six side stages that hold simultaneous workshops during the day and the main stage performance starts at around 7 in the evening when audience from all these side stages come back to their tarps and settle down for the evening like homing pigeons.

My motivation for choosing a Leica film body and the Nokton f1.1 came from the fact that carrying a backpack full of stuff up and down a hill very soon starts to feel like I am carrying a backpack full of sins from all my past lives. In short, I wanted to travel light and be able to capture decent photos on stage after dark. I did carry my Digilux 2 as a backup but I liked the images from the film set-up way more. It was at times disconcerting because I had no immediate feedback like that in digital. I was being extremely cautious with achieving focus as well as not shooting too much and wasting film. It was quite the lesson in constrained optimization. I had a couple of rolls of Portra 400 in my pocket along with a 4-stop ND filter for when the sun was too strong. This was pretty much it. I ended up using a total of 4 rolls of Portra over four days. I shot everything either wide open or at f1.4. A huge advantage of working with such a constrained/minimalist set up is that this year I had a lot of time to enjoy the music instead of being glued to the camera viewfinder. Often I pre-focused and waited for the musicians to hit the spot instead of trying to track them in their movement. The other advantage of shooting a film rangefinder is that the photographer doesn’t hide behind the camera. With a little practice one shoots with both eyes open and it does wonders when actually connecting with the subject – be it musicians on stage or people on the street.

I ended my nokton-festival challenge with the portrait of a very young music-lover and her mom holding the Forever Folkfest candles in the dark. Nokton 50/1.1 is a beast that needs to be tamed. Using it on a film rangefinder feels almost like writing with a brush pen blindfolded and the challenge could be a source of constant excitement for any photographer.

Cheers!

Manikarnika

Website: http://kanjilalmanikarnika.com/

Flickr: https://www.flickr.com/photos/chhayanat/

Havana d'Primera

Avett Brothers

Portrait by the candlelight

Neko Case

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John Butler Trio

John Butler Trio

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Forever, Folkfest

Fatoumata Diawara

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Delhi to Dublin

Delhi to Dublin

Charles Bradley and his Extraordinaires

Dave Alvin and the Guilty Ones with Vioux Farka Toure and Amos Garrett

Jun 252014
 

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An Evolution Through Passion

By Marlon Co

Thank you so much! Your site and its contributors are truly an inspiration to me. I check the site everyday and the combination of technical information and passionate art-makers make this site a place where anyone can feel welcome, which is why I write to you today. I am a young 25 (soon to be 26) year old based out of Westchester, New York. I am a graphic designer by trade and a photographer by passion.

My interest in photography began in my freshman year in high school. I remember my girlfriend at the time asking me what I wanted for Christmas and I said without hesitation: a digital camera. What I had pictured in my mind was a DSLR, but I knew that was a lofty request. Instead I received a Sony point-and-shoot that was interesting but didn’t provide me the control I was seeking. Plus it was almost unusable given the fact that it devoured AA-batteries, burning through a pair after about 20 shots or so…insane. Nonetheless this was still a blessing to me as it prompted me to do some more research into the tools I needed to achieve what I wanted to in photography. In a sense it gave me passion and G.A.S. This is of course a good thing at the beginning of one’s photographic life. Experimentation with techniques and equipment is paramount to finding out what works for you. But as we all know, once you figure out what does work, G.A.S. does not easily go away. You still have the urge to try more stuff, especially given the current leaps technology is making.

Fast forward to my senior year of high school; I dropped photography for a while in those in between years, but still did research online. I explored different styles of photography to see what I was attracted to and more importantly what I enjoyed—initially this was street like many others before me. While this stimulated my interests, I still did not have a camera to work with. Naïve as I was, I had not considered film at all; a much cheaper alternative to buying digital for high school student at the time. Desiring to get what I wanted, I set out looking for work. After a year of working at a chocolate shop after school I had saved enough to purchase a Canon Digital Rebel XT. It was with this camera that I first began exploring the world and light.

Follow Your Own Direction, Leica M9, 50mm

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I practiced throughout my college career and while my shots were OK in my eyes, they never reached the level I wanted to accomplish. I blame a lot of that on the fact that I was just blindly shooting things, not shooting RAW, and not knowing enough about the photographic workflow; especially in processing. I was still snap-shooting but not CRAFTING shots with purpose, care, and intent. Slightly discouraged by my perceived lack of skill, photography took the back seat while I played with graphic design in college.

It was four years later in my last year in college that I had the opportunity to rediscover my love of photography. I have the darkroom to thank for that. Most importantly I am thankful for my professor who taught the only two classes in photography at my university; the only classes I ever took. It was in his first class that I went back to the roots of photography and learned the beauty of film and the darkroom, shooting with the standard AE-1. In the second class we developed our styles and each decided on a series to individually produce for a final show at the end of the semester. These classes truly shaped and solidified my passion.

It’s been four years since I graduated…I pursued graphic design as my career path but photography remained (and so did G.A.S). Since then, I’ve been continuously shooting with a variety of cameras. I eventually landed on an M9-P last year when I found out I loved the small size and awesome little lenses of rangefinders after shooting a Zorki-4 (now broken) and an R-D1s. My next investment will be the M (or next incarnation), but that’s down the line…

Follow Your Own Direction, Leica M9, 50mm

Autosave-File vom d-lab2/3 der AgfaPhoto GmbH

This time last year, at the close of a long-term design project, I decided to give-in to my passion and I started looking for work in photography with the simple desire to learn more and to grow. I never got any “real” jobs, but I still kept shooting. My subject matter and style was as eccentric as I was. A few months later, I was hired by a friend from high school and got to shoot my first paid gig as a photographer; a wedding of all things! While this was not my first time shooting at a wedding—I had previously snapped at two weddings for fun— this was the first time it meant anything because now it wasn’t just for me, it was for someone else; I had to produce. The couple trusted in my ability and style. At the end of the day I think I did a pretty good job for my first time. The bride mentioned that she cried while looking at the shots I had taken, rest assured they were tears of joy, so I think the newly weds enjoyed them as well!

Woodland Dance, Leica M9, 50mm
They were a truly fun couple to photograph.

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Laughing During the Ceremony, Leica M9, Voigtlander 75mm

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That event further changed me. It proved to me that someone out there thinks I am good at this and instilled in me a confidence that I could pursue photography. However, as we all know working in art is extremely difficult and is easier said than done. The term “starving artist” doesn’t exist merely by random chance, it describes the struggle that we as artists have to go through to be “successful.” Most times, especially in our formative years, that means doing a lot of work for essentially no pay–but if we really cared about cash, we would’ve done something else right?

Around the same time, another friend offered me the chance of a lifetime. He is a comedian who wanted to travel the United States to do shows and pursue his own art. Fortunately for me, he wanted someone to document the adventure. Being a photographer, he thought I would be a natural fit to film the entire journey. So on October 8th, 2013 we set out in a 31ft RV and traveled the United States. We left from New York and moved down the East coast to Miami, zig-zagging through the Southern states until we reached the Pacific, then headed up the West coast to Vancouver, B.C. Eventually we made our way back through the middle states until we arrived home in New York. Frequent stops allowed us the time to really see the land and meet its people.

Raheem the Jewler, Leica M9, Canon 50mm 1.2 LTM
He tried to sell me various lenses after seeing my M9 while I was walking around a flea market in Florida. While he did not have any M lenses, he had a kind heart and was eager to have his picture taken, something I find quite rare in people.

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Abby and Nick, Leica M9, Voigtlander 35mm 1.4

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Fast forward to now, nine months later—yes, you read that correctly—I emerge from that experience tired, but ultimately more whole. Leaving your comfort zone so entirely and spending that much time away from all that you love reveals a lot about person. It provides you with a whole new perspective and I wouldn’t have given up this experience for anything. Photography is about perspective after all; it is a point of view on the world.

Now what’s the point of all this? Especially that title at the top that has, so far, had nothing to do with anything other than being a mini biography of my photographic life? Well I’m about to get to that. The common thread that is meandering through these various phases of my young life is this: passion. Not once in all those years did I ever lose interest completely. While there were times of self-doubt, as there always will be, my passion for this craft kept me wanting to learn and now it inspires me to produce.

Last year, I foolishly thought that the only thing I needed to become a fully realized photographer was a job in photography. I felt that if I worked in any field that involved photography I would be recognized as more “professional.” In a sense I was looking for validation from those already in the field that I was good enough. At times I still feel this way, but I now realize that it really doesn’t matter as long as you produce and do what you love. Who cares what other people think? If you like your work, you like your work, and that’s what matters. As long as you produce (practice) you’re succeeding as an artist; and hopefully simultaneously promoting your own happiness.

The trip around the US provided me with the realization that my dreams are as real as I make them. If I want to be a photojournalist (arguably my favorite type of photography, and one of the hardest fields to get into), I simply have to create my own stories. Just because I haven’t gotten a job as a photojournalist doesn’t mean I’m not one. I am as much a photojournalist as I make myself to be and now that I am home I have taken a retrospective look at my work to find common themes and stories in my photography. In parallel to this I am also diving into the stories I want to start to work on. In a nutshell, I just want to DO. I want to stop waiting around, talking, and thinking; I want to produce and do so with purpose.

Exhale, Canon Digital Rebel XT, 50mm 1.4
Probably one of the first chances at photojournalism. My brother called me at 3AM telling me I needed to pick him up on I-287 in Westchester. He narrowly avoided the car wreck on the right coming home from work, but got a flat from the debris. This police office walks slowly back towards the scene, his breath visible in the February night.

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So this is my philosophy now: to just produce, produce, PRODUCE! To chase the stories, images, and ideas that interest me with abandon, but without losing clarity and focus. If the art gets noticed, it gets noticed, but that’s not the important part. It’s giving yourself to your passions fully. If you’re not producing, you’re not practicing, and if you’re not practicing, then you’re not evolving/growing. Simple as that.

While this is all just the rambling thoughts of a 25-year-old who has tried to pursue a path less traveled; I think the lesson applies to everyone who may have doubts about their own passions. At times I felt defeated, but that defeat came from within. Similarly, success also comes from within, so if you love what you do: DO IT! At all costs, through all challenges and doubt. Indulge in your passion and you will get better, you will evolve, you will grow, and you will become more yourself. No person or job title can take that personal success from you, much less define it; you have to define yourself on your terms.

Now that you’ve gotten to know me and my (possibly) not so eccentric ideas, I’d like to show how I’ve started to put these ideas into practice, in pictures now! Don’t worry not so much reading left!

The first set is an incomplete series that I “discovered” while looking at old photos and have decided to expand upon into the future. My brother and I have always traveled around NY when it experiences harsh weather conditions. For the New York Tri-State area, this typically means hurricanes and big snow storms. Protected by my brother’s jeep, he calls it the Mongoose, and believe me this thing growls, we carefully navigate our hometown and occasionally venture into NYC to witness the power of nature. I always have a camera during these bonding moments between us, and often find a moment of calm in these storms.

Golf Course, Hurricane Irene 2011, Nikon D90, Voigtlander 40mm
A golf course near my old home in Larchmont, NY transformed by Irene into a lake.

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Random Snowstorm, Canon 50mm 1.4
I left the shelter of my friends home to find these tracks in the empty street and untouched snow.

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Along the Edge, Hurricane Sandy, Leica M9, Canon 50mm 1.2
Literally just an hour before Sandy made landfall, my brother and I were driving around Mamaroneck, NY to find these people taking a walk, despite the rising water and inpending storm. The hulls of the boats are usually not visible from this angle and the next day four of these trees were gone.

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Going Home, winter storm Nemo, Leica M9, 35mm 1.4
During a late night drive in this storm, my brother was wiping off the accumulating frost on his windshield wipers when this brave soul was slowly biking home in the snow.

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This next series is what I’ve titled “Colorful Patchwork” and it represents my experience of the vast North American landscape as I traveled on the RV road trip. These photos came out of my internal need to produce a photographic project while on the road trip. I never expected it to turn out this way, as I mainly shoot with some human element present, but the images are simply half-memories of what I thought was beautiful at that moment as the world passed by the RV window or when I stood still long enough to really see. For this series, I put a general constraint on the composition of the photos and what I noticed is that, while somewhat repetitive, the set as a whole is stronger because of those guidelines. Another important lesson I learned: create with intent and purpose, focus.

Chesapeak Bay Bridge, Canon 5D MKII, 75mm
A really amazing bridge, but somewhat discomforting when in the fog and you can’t see the end 23 miles later.

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South Beach, Miami, Leica M9, 50mm

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Atlanta, Leica M9, 50mm

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Waking-up to the Pacific, Leica M9, 50mm
After 3.5 months of driving and reaching California at night, waking up to this sight in Malibu nearly brought tears to the eyes.

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So you start producing, great, but what happens now? Well, you keep going thats for sure, but you also put yourself out there if that’s part of your goals. So here at the beginning of my newest adventure (the first time I’ve ever submitted to a major blog such as this one), I am beginning a process of bringing my work to a larger audience to see what happens. I’m jumping in head first and running with it.

You’ve seen quite a random selection of what I do as a photographer, like I said my style and subject matter is eclectic. You’ve also gotten a glimpse of how I evolved with my photography. That whole process is now propelling me into the future of my work with a new motivation and even stronger passion.

So here I am. My name is Marlon and I love photography. The world—this life—is beautiful if you choose to see it that way. I hope my photos remind people of that.

If you liked my work feel free to check out my links below. If you didn’t like it at all, well you’re entitled to that, no hard feelings! I have plenty of years ahead to get better and maybe change your mind!

www.co-graphic.com

www.facebook.com/mc0photography

A few more shots:

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May 242014
 

New Leica Silver Monochrom, 28 Summilux SE and 90 Macro set!

Most of you gave probably seen all of this already but Leica introduced a couple of new items this past week, which some of you may be happy about and some of you may not as they all cost a pretty penny. First up is my fave, the silver chrome Monochrom camera. Up until now the Monochrom was only offered in a matte black finish, which I feel is beautiful. When Leica released the special Ralph Gibson edition of the Monochrom I was in awe of the beauty of the camera in chrome as it closely resembled an MP ousted of an M. I secretly wished that Leica would release the standard Monochrom in silver chrome and they just did. Coming it at the same $7995 as the standard, the chrome should start shipping anytime now. I may even have one to check out and if so I will do a new video on the Monochrom and my thoughts on the camera today. Sure it is damn expensive for a B&W camera but Leica has been VERY successful with this model and one thing rings true..all who own this camera adore it and say it is their favorite camera ever. I have many friends who own it and will never get rid of it. I know of a couple who have bought TWO so in case one dies of gets damaged or lost they have another. Crazy huh? There is something to be said for an all B&W camera that is optimized for B&W. Especially when it is in the form of a Leica rangefinder.

There has been rumors and evidence of a new version of the Monochrom coming for Photokina, the M type 230. Could this be a new Monochrom in an M 240 body? Possibly. Also, the M Monochrom silver chrome edition below is said to be a limited run. 

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You can pre-order the silver chrome MM at B&H Photo HERE. Ken Hansen also is taking pre-orders as is PopFlash and The Pro Shop

Leica also announced a new 90macro adapter that is best used with the 90mm f/4 lens they sell. Gone will be the old Macro kit and in its place the new macro adapter. Will start to ship in June.  This will allow macro photography with the M, which is pretty damn cool considering this was never really possible (in any easy way). 

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Finally, Leica introduced an all new limited edition kit, metal suitcase and all! A combo of the new M-A film camera (which is basically based off of the MP), a special edition Monochrom and the new 28 f/1.4 Summilux, ALL MADE FROM STAINLESS STEEL. Yes, a 28 summilux! The new lens is not released on its own yet but it will be within a few months (My prediction)  - For now, the only way to get it is in this limited edition kit, of which only 101 have been made. This will set you back around $30,000 USA. INSANE! Stainless steel must be pricey these days :)

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Starting Price: € 22.000 (or $30,000 US)

This year, Leica Camera AG is celebrating 100 years of Leica photography. On the occasion of this special anniversary, a uniquely special highlight will be presented in the course of the official opening celebration for the new Leica headquarters in the Leitz Park complex in WETZLAR on MAY 23, 2014: the Leica M Edition 100. The first set will be auctioned at the WESTLICHT SPECIAL AUCTION “100 YEARS OF LEICA” on May 23rd in Wetzlar.

As the first Leica special edition of its kind, the Leica M Edition 100 brings together a purely mechanical rangefinder camera for film photography – the LEICA M-A – with a digital Leica M (LEICA M MONOCHROM) in one set. The combination of these two cameras is unique. Its symbolic character as an homage to the beginnings of Leica 35 mm photography and, in particular, to black-and-white photography makes the centennial edition truly special. This applies, above all, to its high-quality construction and finish: for the first time ever, both Leica cameras and the lenses in this set are made from solid stainless steel.

Both cameras stand as symbols for the origins of Leica photography and the present day. The Leica M-A, with technical specifications based on the currently available Leica MP film camera, is a direct descendent of the Ur-Leica. Alternatively, the second camera, a Leica M Monochrom, is the contemporary variation of the theme composed a century ago by Oskar Barnack.

The set also includes THREE SUMMILUX-M LENSES with focal lengths of 28, 35 and 50 mm. Renowned for their combination of extremely compact size, speed and exceptional imaging quality, they ideally reflect the characteristic performance criteria with which Leica lenses contributed to the establishment of the brand as a legend.

The M centennial set will be supplied in a black anodized aluminium case constructed by Rimowa especially for Leica. Inside, the case is subdivided into compartments precisely tailored to the individual components of the set and lined with real leather in black.
The set also includes Kodak TRI-X 400 black-and-white film for use with the Leica M-A.

SPECIAL ENGRAVING on the top plate of the body commemorates the centennial, as do the unique serial numbers that end with the four digits of the years between 1914 and 2014.

The Leica M Edition 100 is strictly LIMITED TO 101 SETS for the entire global market. The cameras and lenses will be available exclusively as sets from Leica Stores and Boutiques from June 2014; none of the items contained in the sets will be available as separate items (For example, there will never be a stainless steel 28 Lux made available for sale separately, but there will be a black 28 Lux sold separately – I imagine the same will go for the M-A as I bet they will release it to replace the MP in black or chrome eventually) 

 

May 072014
 

The Sony A7r & 55 1.8 along with the M9 & Noctiluxf1

By Julien Ducenne

Hi Steve and Brandon,

My Name is Julien Ducenne, I am a filmmaker living in London and working on images for about 12 years now.

Since long time my dream was to have a Leica M and couple years ago I bought the M9 with a CV 35f1.2, I was amazed by the quality of both and quickly bought a Noctilux f1 to continue my personal learning and exploration on images. I really love shallow depth of field, and the bokeh was great…
Until the day when the Sony A7r was available, I bought it with the FE55mm 1.8 and with a bokeh result really close to the Noctilux ( at equal aperture), I had more details and Sharpness on my pictures. I did not regret the Noctilux at all and I will continue to Buy M mount lenses but I will use both…

…At the end gear is only gear and the result only matter…

Have a great day.

Julien Ducenne

My Flicker : http://www.flickr.com/photos/ducenne/

A7r_55mm_02

not alone

escape

M9_50f1_01

M9_35CV12_01

May 052014
 

3 days of paris!

By Rikard Landberg

Hi Steve!

I would like to share some photos from my trip to Paris with you and your readers. I used a Leica M4-P with a Zeiss Biogon 35/2.8 loaded with Tmax 400. It´s a great combo!

My ”style” of photography is black and white photos with a lot of negative space. The negative thing about negative space is that i often don’t get close enough. The challenge on this trip was to get closer but still work with negative space. Did i succeed?

Paris_looking outTOYP

Paris_smöga (2)TOYP

Paris_bänkparTOYP

Paris_fotografTOYP

Paris_jackaTOYP

Paris_parTOYP

Paris_pornmanTOYP

Paris_fredTOYP

Paris_cafe (2)TOYP

Paris_spegelTOYP

Website: www.rikardlandberg.se
Flickr: www.flickr.com/landberg

Thank you!
Rikard Landberg, Sweden.

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