May 232016
 

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The Gear I am enjoying NOW (Video)

by Steve Huff

Hello! Happy Monday! Yes, it is yet another Monday already and today I wanted to share a video with you that I made yesterday showing the cameras and lenses I have been shooting with over the past few weeks and months. From the Olympus PEN-F to the Sony RX1RII to the Leica SL to the Sony A6300, RX10 III, and more.

Enjoy the video below!

MORE INFO:

Olympus PEN-F

OLYMPUS 8MM PRO

OLYMPUS 7-14 PRO

SONY RX1RII

SONY RX10III

LEICA SL

LEICA 90-280

SONY A7RII

PETZVAL 58 1.9

May 162016
 
LEICA

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The Leica 90-280 f/2.8-f/4 Lens review with the SL

Hello again and welcome back to SteveHuffPhoto.com! Today I am reviewing a lens that is the largest and biggest lens I have ever reviewed, but at the same time, almost one of the most, IF NOT THE MOST beautiful lens I have ever shot with! Sure, it’s like a bazooka, and it’s expensive. I mean, it is a Leica after all, and it is made for what I feel is probably the best 35mm digital format camera on the market today, the Leica SL.

Remember my SL review? For me it was “Camera of the Year” in 2015 and I still stick by that statement. I have yet to use a camera that delivers this type of quality on build. EVF, pro features, usability and image quality. It’s slimmer than an equivalent DSLR and feels so much better in my hand. While not small, it’s not meant to be. For small, Leica has the M and other solutions. So no, the SL is large, in charge and this new 90-280 is a masterpiece of optical design, proving that Leica is still the best lens maker in the world.

A day at the Butterfly Farm with the Leica SL and 90-280 – COLOR POP

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This lens, and this camera is not for everyone. It’s for those who love Leica, who love quality and who love to have this kind of focal length zoom, in the highest quality possible. This lens, and the 24-90, go above and beyond 90% of M lenses IMO, and on the SL, these two native lenses are stunning. I can not wait to see the 50 Summilux for the SL. I think that will be the best 50 Lux EVER, even though it will be the largest one ever as well :)

Leica sent me the lens and asked me to write down what I thought of it. Most here and in the photo community know I am not a huge fan of big lenses, yet Leica sent it along for an honest opinion, so that is what I will give here as well as show some images I snapped with the lens along the way.

All images can be clicked on for larger versions – EXIF has been embedded

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THE BEAST ARRIVES

When the box containing the lens was exposed, I thought it was the SL box! Nope, it was the lens. It was a monster and before I opened it up to bring out the lens, I thought to myself “THERE IS NO WAY I WOULD EVER CARRY THIS LENS AROUND ALL DAY”! Then I pulled it out and thought…”Well, it’s not THAT huge”…then I added the lens hood and I admit, it looked kind of funny being so large, on the SL. It made the SL look SMALL. So at that time I figured I would just need to go out and use it, and for me, the rendering and image quality would have to be at a 10 out of 10 for me to ever consider this lens. Remember, I’m a small prime guy, and have never been a huge zoom guy though lately with these high quality zooms from Leica, Sony and others I am starting to warm up to the new generation of zoom lenses.

After I started using it I realized that the size here doesn’t matter. I mean, many out there are used to the huge 70-200 f/2.8 lenses from other manufacturers, and this lens is only about an inch longer. It was me who was so used to little M lenses and smaller Sony lenses that made this one feel EXTRA huge. IN reality, for DSLR shooters anyway, it will not be that big of a deal.

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Coming in at $6395.00 it is NOT cheap, but Leica is NEVER EVER cheap, especially for a true German made Leica product. Leica is about end game quality, and they achieved it with the SL (IMO), and the 24-90 and now again with this. Image quality perfection from the color, the pop, the depth, the bokeh, the way it renders and records light, the intimate connection you feel with your lens and camera after using them for a while…that bond, all enhanced with a Leica camera and lens, for me anyway.

So there should be no complaining these days about Leica pricing as it has been this way for a LONG LONG time, longer than most here reading this right now have been shooting ;) It is what it is, and Leica has grown quite a bit from the days of the M8. Today they offer up a complete line of options from the bottom to the top. So that should be applauded as they could have dropped it all and just sold the M line. Instead they are trying to offer up solutions for all, or anyone who has been bitten with the Leica bug. Thats a good thing in my book. More choice for us.

So after the lens arrived, I took it out to see how I could handle it for a few hours of shooting.

I have always loved the colors the SL put out above any and all other digital cameras. 

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There are no other lenses out there quite like this 90-280 from Leica. Sure, many have their 70-200 pro lenses from Canon, Nikon or whoever but this one offers up a unique focal length. While not an f/2.8 aperture lens throughout, at 280 we get to f/4 and that seems to be just fine for a 280mm focal length.

While using it, I was trying to judge it on weight, size, usability as well as color, sharpness, pop and all of those qualities we associate with Leica. Would it be to heavy to even be enjoyable for an enthusiast? Is this strictly for those who are working pros or could an amateur or enthusiast get along with it and enjoy it as well? When I review, I review from a real world standpoint. I do not worry about scientific specs, or pixel peeping. I have always been and always will be a normal guy who LOVES photography and LOVES the gear we use to practice this craft.

For me it is just as much about the images and quality as it is about the usability and design. It is just as much about the memories as it is making those memories, for me. So at the end of the day, how did my time with the SL and 90-280 go?

FAN FLIPPING TASTIC. 

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Yes, it was heavy. YES, I was getting stares from all of those shooting with their phones. YES, it looked like some form of weapon or cannon hanging around my body. At the same time, I knew that when I left, my images would offer up a quality that I could NEVER EVER get from my iPhone.

It’s funny. Five to six years ago, when at a place like this (Butterfly Farm) I would see DSLR after DSLR. Usually huge zooms, and big flash units attached. This week, 99% were shooting with smart phones, which is showing us where the photo world is headed. I feel that within 10 years, cameras and lenses like this, and the type I write about will be a dwindling breed. Sure, there will ALWAYS be higher level cameras and lenses, ALWAYS. BUT, I feel that most of America who used to come here to look for a nice camera to buy are now out there shooting with a phone, and a majority of them are more than happy with that.

Me, I will ALWAYS have to own a nice camera that I can get along well with. I would never be satisfied with a phone as my sole camera. With that said, my 2nd most used camera is my iPhone ;) Because it is ALWAYS with me, 100% of the time and that is why these phones have taken over, we always have them and they put out decent quality, especially if you like a huge depth of field.

We now live in a world of social media, selfie obsession and phone addiction. But now I am getting off topic, let’s get back to the lens and camera as it is a beauty and I wish I had loads of cash as I would own it just to own it even if I would use it on only a few occasions per year. To me, there is something special about the SL with its native lenses. While the SL also is great with M lenses, to see the ultimate quality, one must try one of the native lenses. Then it goes to WOW. But it also goes to LARGE, which blows it for some. Even so, I had fun with my dull day carrying and using this lens.

IT’S ALL IN THE DETAILS

Keep in mind the two shots below were handheld, and one was at 90mm (1st shot) and the other at 280mm and f/4 and 1/250th. Third one was at 280mm and f/4. Click on each one  to see the 100% crop. 

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While I could have lugged my tripod with me, I always like to shoot handheld and if a lens like this is not capable of that, then I would not even review it. But it is capable and it is usable and it is manageable using it handheld. Look at the bird shot above. Handheld at full zoom of 280mm. I have found no issues with the lens at any focal length. It is just as sharp and contrasty at 90mm as it is at 280mm. No distortions, no lens flare issues, not focus problems or zoom issues. In use, this lens is about as perfect as it could get. 

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How about Auto Focus?

The 90-280 on the SL focuses fast. It is silent as can be, and focuses internally so this is not one of those zooms that grows and grows when you zoom. It does not get any larger, thank God. I also tried continuous AF on a butterfly but that was impossible. I do not think any camera could lock on to a fast moving fluttering butterfly and track it reliably. But even so, the SL tried very hard to get there and almost did it. But AF was fast, spot on and always accurate. No misses. If it said it was locked on, it was.

This setup focused faster than my A7RII and 70-300. So there ya go.

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Today, Leica seems to have matured into the digital age quite nicely. In the beginning with the M8, it was a bit hit or miss but today they are creating and putting out TOP NOTCH quality and SIMPLE TO USE gear, and that is sticking with the Leica philosophy. No confusing menus, not a million buttons on the back, not cheap LCD’s or EVF’s and a quality that is hard to understand until you use a real Leica product. The M, The SL, The S or the T or Q, all of these cameras are simply gorgeous in all ways. The designs are unique and simply, there is nothing like them from other manufacturers.

While we have the Sony A7RII, which is also a masterpiece for what it is, it does not match the output, for me, of the SL when it comes to color, and overall smoothness of the files. While beautiful in its own way, the A7RII, is not the same level of camera in any way as the SL. It just isn’t, even though my A7RII gets more use (DUE TO SIZE) and let’s be honest here, that A7RII can do amazing things and has no real weaknesses that I have found. So we are lucky to live in this world today with CHOICES that can bring us all some sort of personal joy from day to day.

LEICA SMOOTH

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Leica has created a fantastic system with the SL, and now with this new and only 2nd lens for the system available, their streak of perfection continues. While not for those who want a small solution, the 90-280 and SL system is top of the field for everything us enthusiasts and pros love about a camera system. It is borderline perfection in design, control and performance. While other systems can beat it for low light and high iso as well as versatility, if you want ULTIMATE quality and have a fat wallet, do not discount the SL system.

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How about VS the Sony A7RII and new 70-300? Or the Olympus PEN and the new 300mm Pro?

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Now this may seem like a silly comparison, and to many it will be. Shooting a brick wall and nail with an SL and 90-280 side by side with an Olympus PEN and 300mm as well as a Sony A7RII and 70-300 G lens if truly a crazy comparison. The Sony G 70-300 is more of a Budget (but very good) 70-300. The Olympus while being a stunning lens, and probably the best optics of them all, is giving you a 600mm equivalent. So not the same focal length. Even so, I wanted to add it to show you what you get from each system, with the same shot.

It’s funny but the Olympus, while having WAY more noise at its base ISO, is the sharpest and most detailed of them all. The Leica has that balance of medium format looking smoothness and sharpness while the Sony here falls flat. To be fair the Sony is using the 70-300 G which is not a pro spec lens while the Olympus and Leica are. With that in mind, the Sony keeps up very well, even with their “budget” zoom.

Leica setup here is $14,000.  Sony setup here is $4500. Olympus setup is $3800.

Let’s see how they do. You must click them for larger and full 100% crop. 

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The one with the most detail is the Olympus, the smoothest most pleasing file, for me is the SL.

BOTTOM LINE ON THE Leica 90-280 f/2.8-f/4

This lens is a masterpiece of modern lens design. The build is Leica all the way. Never cheap or hollow feeling, it feels like it will last 1000 years. Size is the only weakness here for me, as it is the largest lens I have ever used, owned or reviewed. It truly looks like a bazooka or some sort of paparazzi lens. With the size taken out of the equation, everything else is stunning. From the buttery smooth focus ring to the nice zoom action to the high quality exotic glass used to create the lens, the 90-280 can not be faulted optically, in any way.

Contrast is high, higher than even the 24-90. Sharpness is there, detail is there. Color is up there with the 50 APO M lens, which is quite the feat. (Part 2 of the 50 APO review, as used on the SL is HERE).

As for size, sure take a look at it compared to some DSLR 70-200mm Lenses…It’s not that much larger, maybe an inch or so..but you get 280mm vs these which max out at 200mm…

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If you do not mind the size, or the cost, and you own the SL system, this lens is a MUST see, MUST check out. Head to your local Leica shop, or email Leica dealer Ken Hansen for the lowdown at [email protected]. The 90-280mm means business and wedding pros will LOVE This lens as I feel for weddings, this lens will create some stunning masterpieces.

WHERE TO BUY?

The Leica 90-280 can be purchased from any of the highly recommended Leica dealers below:

Ken Hansen – E-mail him at [email protected]

PopFlash.com

B&H Photo

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I receive 100-300 emails a DAY). Because of this, I could use YOUR help to cover my costs for this free information that is provided on a daily basis. 

To help out it is simple, and no, I am not asking you for a penny!!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time (250 hours a month, and about $3000 per month).

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link (not the B&H) and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, Twitter, or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees nor do I (nor will I ever) charge for reviews, so your donations go a long way to keeping this site loaded with useful content. If you choose to help out, I thank you from the bottom of my heart.

May 132016
 

Reviews Next Week: Leica SL with 90-280 and more!

Next week I will be posting two new reviews and one of them is giving me the best IQ from a non medium format camera that I have ever seen.

Yep, the Leica SL with the new 90-280mm f/2.8-f/4 lens was sent to me by Leica to check out and while it is the largest lens I have ever worked with, personally, I feel it is also one of the best quality lenses from a color and IQ standpoint that I have ever used, next to the Leica 50 APO! We can argue all day about its size, and believe me, it is MASSIVE. Like a Cannon (NOT the Camera company, but rather a real CANNON)…take a look.

BBL (BIG BEAUTIFUL LENS)

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This lens is heavy, large and makes the 24-90 look like a baby, but if QUALITY is #1 on your list above all, this lens will NEVER EVER disappoint anyone. It’s quite amazing, and even during my day one silly test snaps, it just has that Leica feel, that quality and smoothness, the bokeh quality and the way the subject just pops a bit. This is why many love Leica. The SL is a camera I LOVE and while many do not care for it due to size, it is a true “pride of onwership” kind of camera for me. Feels amazing, the design is very cool (IMO) and the battery life is superb, dual SD cards is nice to have and the EVF…the EVF makes it for me. Nothing else like it in 35mm format digital today…yet.

I am heading out today to shoot, and will be using all of what Leica sent so I can review this lens next week for you guys. Below are a couple of test snaps.. CLICK THEM for larger versions and to see that 100% crop of the bird.

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I also just started working on getting the Sony A6300 reviewed where I will use the 28 f/2, 50 1.8 and 70-300 along with the Voigtlander 15 f/4.5. for E mount.

I also have the Sony RX10III to shoot more with, the Olympus PEN-F and 7-14 and 300mm pro, and quite a few other goodies here to put to use! Soon!

So check back next week for  these and much more!

Steve

PS- If you are interested in the Leica 90-280, give Ken Hansen an email at [email protected]

Can also be found at PopFlash.com and B&H Photo

May 092016
 

FOR SALE: Leica SL, Luigi Case, Extra Battery, as new in box!

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Hey guys! Hope you all had a GREAT weekend! Today I have a camera for sale, which belongs to a reader here. She sent it to me to check out, and offer up here for sale. There are loads of Leica shooters here, and this Leica SL is just like brand new, in box, with a red leather Luigi case and strap as well as an extra SL Battery. I will also thrown in a TENBA Messenger Bag (I have loads of bags here, so happy to give one away) to the buyer.

This Leica SL, which was my pick for Camera of the Year 2015, is a beauty. I tested it out, and it is in perfect condition. It is uber clean, and when it arrived I thought it was new. The owner said she prefer’s her M, and never really used this SL much at all, a few shots. She is now selling to go back to an M.

If anyone is interested, email me and I will give you her contact info. She is selling the SL body, as new in box, unregistered along with the Luigi Case you see here, the strap, an extra battery (TWO total) and the free bag I will throw in. $6800 is what she is asking for the entire set. New, this would cost you $7450 for the body, $220 for the battery, and these Luigi cases are not cheap. Last one I bought was $600. So we are already over $8000 for new. Add the bag and its an extra $200. So $6800 for the lot is very fair. This is a beautiful camera, and the EVF is worth it for the experience alone ;)

So if you are interested e-mail me at [email protected] 

Pics below…

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May 032016
 

My opinion of the Wotancraft Ryker, Scout and the new Leica 28 Cron

by Dan Bar

Hello Steve and Brandon!

About a week ago I received my new 28 cron. It is the first time I use a 28 as I am a 35\50 guy. I was really curious to see how I felt about it. I also read Steve’s articles about the Wotancraft 2 bags + read all articles related, so I bought a new Scout a few months ago, and when I heard a friend of mine ( Tomer Vaknin) wanted to change his Ryker ( his was brown and he bought a new Ona Berlin Black) I immediately gave him one of my BLACK bags and took his BROWN Ryker.

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There are a lot of article\reviews about those bags and i am no expert, so I will just emphasize my opinion and thoughts. Both bags are beautiful , the Ryker is is made of the finest smooth leather and looks beautiful, as a matter of fact to my eyes it is the most beautiful bag on the market. It is not big and it can hold two Leica M cameras with lenses and no more ( in the main department of course). The front department has no zipper which is not safe, so I will never keep batteries of memory cards there. Next is a zipped pocket which can hold the cards + batteries but it is not separated into 2 pockets and that makes it uncomfortable to carry a few things together.

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Nobody mentions it is a heavy bag. You could go to the articles and see it is 1.675 grams but I don’t intend to write a review. I simply mention my feelings. It is a heavy bag, even with one camera ( no BATTERY and charger). It is heavier than the scout wich is bigger. That of course is a leather side effect.

So I will use this bag for only one camera + charger, some batteries , memory cards etc. All being said i love the look of this bag, the leather quality. Everything here shouts top-notch. Oh, unlike my friend Tomer I love the brown color which will age nicer than the black version ( in my opinion). You can see more at WOTANCRAFT.com

THE LEICA 28 CRON

As said I received my 28 Cron a week ago, so I did not have much time with it, As with the bags I shall only write about my feelings. The lens is a beauty. It is small beautifully built like all Leica lenses , very comfortable to use, it is not a heavy and the best thing is the metal hood which is compact and this time screwed to the body so no more accidents with it. I think it is a very sharp lens with a nice bokeh. It is very light and I know LEICA people love the Cron version.

Here are some of the photos of the 28 shot with the Leica 246 of my family..

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Thank you and take care!

Danny

Apr 282016
 

The Best pocket camera!

By Colin Templeton

Hello Steve and Brandon,

Hope all is good with you guys. Sending a few snaps I’ve taken over the past couple of weeks with my new iPhone 6s Plus. As much as I love shooting on my Leica rangefinders, there’s a lot to be said for the convenience of a decent pocket camera, which you have access to

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at all times. The current iPhone admirably ticks that box. And it will only improve with each new generation.

Best wishes,

Colin Templeton

Apr 262016
 

Twenty Four Hours with the Leica Q

by Andrew Gemmell

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I’ve been thinking of buying a digital camera suitable for street photography recently. I’ve been using film for the past 2 years and it does grow a bit tiresome after a while and sometimes it’s just nice to be able to shoot, adjust on the run and keep going knowing you won’t be up for film processing costs!

I was fortunate enough to be offered a Leica Q to borrow for a day. The owner had a window open so I grabbed the opportunity to see what the hype was about. The first thing I noticed, even though it’s not a rangefinder it was very Leica like with intuitive and simple controls. This camera really does make the process simple. Limited menu’s and certainly less controls than most other options in this class.

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Control – ideally as photographers if we can control our shutter, aperture, ISO and focusing it’s really all we need. The Q lets you do this very easily for the first three of those and as for focus the AF was fast and hit the spot 9 out of 10 times. Granted I didn’t use this camera during the evening so couldn’t comment on performance in very low light. Having used the Monochrom in the past it was like using a rangefinder, minus the rangefinder!

Features – the macro I tried a couple of times and I could see it being a feature you could call on from time to time. The frame selector down to 35mm and then 50mm was easy to apply on the run and personally I could see myself using the 35mm though rarely the 50mm.

Lens – Can’t complain here. This lens is superb and at 28mm is ideal for street photography and to an extent broader documentary photography. I usually prefer 50mm as a focal length. I did find this lens does force you to move closer to your subject and with that think about that challenge more as you walk through the streets. In that respect I genuinely think it could really help people, like me, to bring yourself into the moment more than I have in the past. If I’m learning then that’s a good thing.

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Conclusion

All in all it’s a very nice camera. I’ve used the Leica Monochrom, the original Fuji x100, the original Olympus EM5 and on pure specs, simplicity and suitability for street this would be no.2 for me behind the original Monochrom (Though even I admit that is an apples vs oranges comparison)! It’s now “getting on” in this fast paced world, so will be very interesting to see what Leica do next with the Q. I can’t comment on the x100T (improved alot from the x100 from all reports), Ricoh GR or RX1R as direct competitors and no doubt they’d all have there own strengths and weaknesses.

All images in this post were shot with the Leica Q.

Thanks Steve and Brandon for continuing to run a great photographic reference site.

Regards

Andy

Buy the Leica Q at Ken Hansen ([email protected]), PopFlash, B&H Photo or Amazon

Apr 192016
 

QUICK SHOT: Leica V Lux

By Ken Ratcliffe

Hi Steve, thanks for the great web site. After four years shooting the original X100 I felt that my images were getting repetitious and that I needed a second camera to give me more than just the 35mm lens, I felt I was missing some great shots. So I acquired the Leica V-Lux (typ 114). This really is a great camera, the Leica lens and firmware produces quality images from a versatile package. This quick shot I’m sending was taken using the Leica at Lyme Regis on the South Coast England. It’s a quick reaction shot, they were very lucky but very wet. Keep up the good work, best regards Ken Ratcliffe.

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Apr 162016
 

Friday Film on a Saturday – Leica M5 and Tri-X

by Matt Forsbacka

Hello,

You run a fun web site – your enthusiasm for photography is infectious. I recently visited Tokyo and Yokohama with my M5 and vintage 35mm Summilux during the iconic sakura season. All of the attached pix are Tri-X pushed to 1600 (developed and scanned by the folks at The Darkroom – thedarkroom.com). I really enjoyed shooting film as an added dimension to my digital picture taking.

All post processing was done in Apple Photos, and I found the scanned files to be pretty forgiving for my amateur photographer purposes. Film or digital? I say both.

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All the best,

Matt

Apr 152016
 

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Fine Art Portraiture with the Leica Monochrom

by Jan Hartmann

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What is FineArt Photography for me?

Beside my work on commercial projects I am still someone who needs a kind of artistic photography. In Short, Fine Art is only another word for artistic photography. Doing Fine Art Photography allows me to express myself and to get into a creative process. Within in this process i can realize my visions and ideas. What I like most about it that I can slow down and have more time to put the focus on composition, expression of the model and the overall impact of the emerging image. And one important element for this kind of work is the Leica Monochrom. The concept of the camera does not have big menus as other digital cameras and reduces everything to the basic parameters of photography – shutter speed, Aperture and ISO. That’s all you need. So you can concentrate on the main part of your work. The Model, The Moment and the Composition. That is where you have to be and not lost in menus.

 

Working with Models

I am not that type of photographer that is frequently looking for new models to work with. A decisive aspect is that I can establish an identical human level and good communication to the people I work with on a free basis. Consequently I prefer working in longterm corporations with a fine selection of models that share my philosophy of teamwork.

One of them is Amelie Lezcano Mendoza“ with who I have just worked 2 times before this project. We both love the timeless character of black and white photography and prefer a natural and authentic look.

The Location In the tradition of working in a Team Amelie was responsible for scouting locations and selecting one. She had chosen a very nice mansion in the architectural style of 19th century. The rooms had a really esthetic interior and big windows that are perfect for the work with natural light.

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The Monochrom in Action

So the Day came and we were drove to the mansion and went into it. While Amelie started to dress herself and have a final look on her makeup, I checked my to M Monochrom Cameras. Both of them are in silver-chrome.

On the first Monochrom a 50mm Noctilux ASPH f/0.95 is mounted and on the other I use the 50mm APO-Summicron ASPH f/2. You will wonder why the hell I use two 50mm lenses and indeed the most expensive in the whole leica lineup. I am 50mm junkie. The first I owned was the Noctilux, a dream of a lens, of which I had a lot of sleepless nights until I got it. The APO is truly another beast and renders totally different. I use them for different shots and situations.

But there is not THE SITUATION for each of these lenses.

My favorite lens is still the Noctilux. No other lens I used has this special rendering. It turns every scenery into a dreamy and aesthetic look. It is amazing to see these soft and natural skins of the models when using the Noctilux. The 50mm APO Summicron ASPH f/2 is more for the “real world“ shots. It renders like there is no lens. And in combination with the Monochrom the results have a look that tends to medium-format-quality. This is visible in the high amount of details and the areas from sharp and unsharp in the final image.

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When Amelie finished her preparations we just started on one of the windows. The first thing I always check is the right exposure. In this case the histogram is very helpful, because if you overexpose than the whites are blown out with no information. That is the Achilles heel of the Monochrom Camera. You just have always to expose and take care for the highlights. If you do so, the rest is just easy.

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To work with Amelie is a joy. She doesn’t need detailed instructions, only smart corrections. Her posing and facial expression happens very intuitive and natural. What always impresses me is here authentic expression.

This is something not many models have. That is a big advantage and influences the final results in a positive way. The big and bright optical viewfinder is something I like the most about the Leica Monochrom. I just see the whole scenery and so it is a lot easier to frame and make the composition.

The 1.4 viewfinder magnification enlarges everything and this help a lot to set the focus plane where you want it – especially with the extremely thin DOF of the Noctilux 0.95. That is much more precise than working with Manual Focus on DSLRs I used before I went to Leica. One general aspect that makes the Leica Monochrom outstanding is the richness of tones. Especially the middle grey tones are unbelievable. I am a fan of the CCD Generation. For my eye the rendering of the CCD is very much like film and does not look so digital.

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The Relation between the Leica Brand and Passion for Photography

Now it is nearly a year that I started to work with Leica. My initial reason to change was the fascination for the Noctilux. What i noticed when i had been working with Canon DSLRs before that there was no real relation to the equipment. You just used it for its function.

But with Leica it is another game. I really love the work with rangefinders and manual focus lenses. With the Leica Monochrom you just get the essential feeling of photography with the basic elements. And what makes Leica unique in this times is the mix of technical perfection, lifetime-built-quality and the simplicity. I am getting nervous when I can not work with my Leica cameras for some days. This is truly very subjective. But for me it is important to have the equipment that makes you passioned and inspired and this is definitely the case with Leica.

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Aspects in my Fine Art Portraiture Work

The most important thing in my work is the emotional aspect. That means the final images should transport a certain feeling. When I work with models I don’t want to see a program of studied poses performed like a machine. My pictures should get an authentic and natural character. In the interaction with the model I try to bring them to be as they are. So when I look at the image I want to get an idea of the person and the character.

Communication is the base of a successful portraiture project. If I have not the right communication, I don’t get the results I want. And these are important requirements that I can go into a creative process, looking for light, the right framing and composition.

At the end I just want to show you some pictures from the Fine Art Portraiture Project with Amelie.

Web: www.janhartmann.photo
Facebook: www.facebook.com/janhartmann.fotografie
Email: [email protected]

Apr 142016
 

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IN USE: The Leica T and the new 35 1.4 Summilux T Lens!

THIS IS AN “IN-USE” REPORT – Giving my thoughts after a week or so of use. Shorter than a full review, with plenty of image samples. Click ’em for larger! 

Hello to all of you here! It’s another beautiful day (90 degrees in sunny Phx AZ in mid April) and here I am looking at one hell of a gorgeous lens today. Now, I will admit up front that the Leica T camera is lagging today when it is compared to its competition, it just is and this is a fact. Yep, it is slower than most, not good for moving subjects as its C-AF is sluggo, it has a lag after every shot and will not give you cutting edge low light or high ISO shots that can compete with the newer cameras today (that are less expensive than the T), but then again, neither does a Leica M but it still has its charms and has many buying it at $6-7k, it’s the Leica way after all. We buy with our heart, at least I always have.

As for the Leica T, I expect that a new T model would be in the works by now, but who knows. Maybe, maybe not.

EVEN with that bit of info, and even though the T is not great at high speed, high ISO, or 2016 functionality (no built in EVF, no tilt LCD) when compared to newer APS-C offerings, it does one thing better than all of those other APS-C competitors and with this lens, even more so.

IMAGE QUALITY!

With the new 35 1.4 Summilux T lens, the T has some new life breathed into it as this lens is a stunner, even outperforming the M version (if it were to be used on the T) and that is saying A LOT. This new lens for the T system is gorgeous, and can also be used on the new Leica SL in crop mode. THIS IS an APS-C lens as is the T itself but it has the traditional Leica build, feel and performance.

YOU MUST CLICK ON ALL IMAGES HERE to see them the way they were meant to be seen! The 35 1.4 for the T has a beautiful way of rendering. 

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I was actually VERY curious about this lens and wondered if it would be worth a look so when Leica asked if I wanted to give it a try, I could not resist! I am glad I did as I really enjoyed using it, and it had me, at times, wondering if it was worth it for me to own just to use on the SL as I do not own a T and have no plans to buy one at this point in time. With a price tag of $2395 new, this lens is NOT cheap. It’s more expensive than the full frame top tier professional new Sony G master lenses, and those are some mighty fine pieces of glass (of course, they will not work on a T, was just comparing cost) though much larger and heavier, and again, for Sony not Leica.

For most, a crop sensor prime lens for $2350 is tough to swallow but then again, all of Leica’s cameras and lenses are on the pricey side. That is no secret or mystery as it has been like this forever. Just look at the 35 Summilux M lens for a REAL expensive but oh so gorgeous 35 1.4 lens that is small, built like a tank and delivers that Leica look and glow we all love :) Just under $5k. Makes this one look affordable ;)

If you own a Leica T though, and If you have the money to spend, you could do worse than buying this lens. Believe me when I say that this lens is a stunner in every way. Sharpness, Bokeh, Color, Contrast, Build, Feel, AF accuracy and speed (limited only by the T itself) is as good as it gets in a 35 1.4 APS-C lens.

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I am not sure how many of you that are reading this own a T but if you do, and love fast prime lenses, this is one you WILL want to take a look at.

While being a 35mm lens, the equivalent focal length of this lens will be more like 52mm so many will see it as a 50mm lens. Due to the APS-C crop factor of 1.5, 35mm is not the field of view you will get, so keep that in mind. But hey, 52mm may be even better for most as 50mm is usually a goto for most prime shooters.

The Leica 50 Summilux has always been their most popular lens for the M mount, and this lens will give you a 50mm reach (though not a 50mm character) when used with the T or SL, so what is NOT to like?

The struggle for some will be the price. Many have been wondering what is going to happen with the Leica T line as it has been sort of slow out of the gate and talk about the T is quiet sparse on the forums, even the Leica forums.  It never seemed to take off even though it has a slick interface, is created from a solid block of aluminum and hand polished for hours in Germany :) My full review from when it was launched can be seen here. It is like a camera that APPLE would create in so many ways.

Even so, many have been harsh critics of the T. When I originally reviewed the T, I enjoyed it and thought it was great for the time. The IQ stood out with the Leica X style of IQ and color, and the only issue at launch was the two lenses you had to choose from. One a slow expensive zoom and one a 23mm Summicron f/2 prime that stopped down to a slower aperture if you focused closely.

These days there are a few more lenses to choose from with the T but jumping into the T system could cost you more than jumping into other possibly more attractive systems. $4100 is what it would cost you for a T camera and this one lens. Around the same cost as a Q and $1000 more than an RX1RII. More than an A7II or Fuji X-T1.

Is the T worth buying just for this lens? For some, it just may be. For others, no. For those who own a T, it is a MUST to at least look at it, rent it or give it a try.

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LEICA = SIMPLICITY – PASSION – GORGEOUS BUILD AND IQ

Leica offers simplicity, solid build and gorgeous IQ and lenses. That’s what you can expect from them in todays world of whiz bang cameras that are really computers in disguise. Many buy into Leica just for that reason as many feel, myself included, that Leica IS photography. There has always been a mystique around the brand and while many cry they are only for the elite, I say this is NOT true. Leica is for the passionate photographer which is why I jumped in with an M7 many many years ago while my income at the time was below poverty level. I saved, and saved and sacrificed other things to own it and that camera was with me for a long time, and I adored it.

My 1st Leica was an M7, and I adored it and shot hundreds of rolls of film through it with my 50 Summicron

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I was not ever any kind of “elite” and never will be but I appreciated the design, the form, the way it worked and the small jewel like lenses that were just at times, GODLY. I enjoyed the history of the company and knew I had a product in my hand I could be proud  to own, happy to own. It’s a special thing when you own a Leica as it is the passion inside of us that attracts many of us to the brand.It truly is. So not all Leica users or owners are “Elite’ or “Rich’ or “Snobs”. Many are true working class photographers, others are hobbyists and enthusiasts and yes, some are collectors. But most of the friends I know that shoot Leica, are in no way rich. They just really enjoy the Leica experience, and contrary to what many may say, you do get a Leica experience with the T, as there is nothing else like the T from any other camera manufacturer. While not an M or an S or an SL or X, the T is like the red headed stepchild of the Leica family. The oddball in the bunch.

But odd as in good. Different. Unique.

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So in my opinion, this is who a lens and camera like this are made for, the passionate photographer who has always had a thing..a spark or a love for the Leica brand of cameras. It is expensive, sure, but gear like this always rewards you with gorgeous results and that pride of ownership that many cameras lack. To some, a camera is just a tool they use occasionally. For others, they bond with their cameras and make the most of owning that camera. They use it daily, learn its weaknesses and strengths and exploit those strengths.

The Leica 35 Summilux T is by all accounts a fantastic performer in the real world. While I have never done scientific chart testing, I am sure this lens will test out great as the real photos from it bring out the best of the T itself. FOR ME, it is the best T lens available to date. If you love your Leica T, this is where it’s at! I always say these days, buy ONCE and be done with it. Meaning, I quit buying cheap lenses as I never liked them or loved them, even though I knew I was saving money. Buy once, and you will not lose money as you will have something you love and can bond with. QUALITY.

WHERE TO BUY?

You can pre-order the Leica 35 Summilux T at the dealers below, all whom I recommend 100%

KEN HANSEN – Email him at [email protected]. Ken is a legendary Leica dealer.

POPFLASH.COM – PopFlash.com is a huge Leica dealer as well. Tony Rose is very well respected in the Leica world.

B&H PHOTO – Order the 35 1.4 at B&H HERE

A few more samples with the Leica 35 Summilux T on the T. CLICK the images for larger, better versions. EXIF is embedded on all of these shots. 

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I receive 100-300 emails a DAY). Because of this, I could use YOUR help to cover my costs for this free information that is provided on a daily basis. 

To help out it is simple, and no, I am not asking you for a penny!!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time (250 hours a month, and about $3000 per month).

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link (not the B&H) and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, Twitter, or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees nor do I (nor will I ever) charge for reviews, so your donations go a long way to keeping this site loaded with useful content. If you choose to help out, I thank you from the bottom of my heart.

Apr 092016
 

5

Five Reasons why I prefer Mirrorless to a DSLR, ANY DSLR…

By Steve Huff

You know, ever since the humble beginnings of this website I have been drawn to smaller, sexier and cameras that have fun factor and mojo to them. I started this site with a Leica M8 review due to my love for what was at the time, IMO, the sexiest digital camera available. It was so different from the standard DSLR’s that flooded the digital camera market for so long. It was small, but had a serious heft, feeling like it was made out of a block of stone. The viewfinder on a Leica M has always been a tried and true old school rangefinder, which offered a much more challenging experience, at first. Soon, it became my favorite way of “seeing” with a camera viewfinder.

The Leica M8 had a good run, but when the full frame M9 hit, all hell broke loose. At the time, the only full frame digital cameras were things like the Canon 5D and Nikon D700. The M9 hit and there it was, a full frame camera that was much smaller than any DSLR. The M lenses were and are tiny in comparison to DSLR lenses (due to being manual focus) and the M9 made an amazing small, but very well made (better made than any DSLR) full frame powerhouse, with image quality that could no be matched, at the time, by any camera. Even today no camera can recreate the look of the old M9, not even the M 240 which is Leica’s latest M camera.

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But this article is not about Leica, I only mention the M8 and M9 as I feel, for me, these are the cameras that were very important at the time they were released, as there was simply no other full frame offerings that could come close to the build, size and performance (as long as we had decent light of course, those early Leica’s were not so hot in low light). The M9 was huge for Leica, they sold a ton of them and it was the M9 that had Leica selling out their entire stock of M glass for months at at time. Wait lists were long, and Leica was riding the new mirrorless wave. There was a reason for this, and it is called TIMING.

LEICA T AND NEW 35 SUMMILUX 1.4 T Click it for larger.

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Soon after the M8 and M9, other companies started releasing convincing mirrorless cameras that lived up to the promise of smaller size, and more fun factor but many of them were flawed with lack of lenses, slow AF or quirky performance. Many looked gorgeous, like the Olympus EP1, but it was so dog slow, had no EVF 0r OVF and it had only a couple good lenses to choose from. Panasonic made waves with the GF1 and soon, many were on the mirrorless train, but it was a slow road. Over the years these companies were releasing body after body but the lenses were taking time. This caused the DSLR crowd to predict the demise of mirrorless … “What good is a small body if you do not have good lenses”..

Then Olympus and Panasonic started kicking ass  by releasing amazing lenses that were small and performed incredibly well. Fast primes with attractive jewel like design and stunning performance. Lenses like the Olympus 75 1.8, 45 1.8 and the Panasonic 20 1.7 and the drool worthy Nocticron..today we have LOADS of lenses for the Micro 4/3 system, all we could ever want or need from ultra wide 7-14 or 8mm fisheye to 300mm fast pro primes and consumer zooms.

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Fuji was going full steam ahead as well, let us not forget about them! Fuji created TONS of excitement for mirrorless with the original Fuji X100. Many were saying “Now I can have my affordable Leica M style camera”..some were calling it a rangefinder, of which is most certainly was and is not, but it gave us the same kind of feeling as using one. Image quality was up there with the M9 even though the X100 was an APS-C camera and not full frame. Low light slaughtered the M9 and many feel the X100 was the start of Leica’s sales decline. See, Leica attracted the MASSES with the M9, unlike what they have done before (and after). The masses came out for the worlds first full frame mirrorless camera, which was the M9, there was nOTHING like it. I was getting THOUSANDS of emails over 6 months about the Leica M9 from normal joe’s who heard about it and was intrigued, even at the high price tag. When the X100 came out, that halted Leica’s mystique a bit as many saw the X100 as being like an M. While it was not, in any way – not in build, feel, shooting experience, or output, an M, it resembled one with its shape, and put out fantastic performance, so that was plenty good enough for the masses, at 1/6th the price.

Sony 24-70 G Master and Sony A7RII. Click for larger!

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When Sony hit the market with the original A7 series, I was excited by the possibilities. Attaching Leica M glass to it, shooting great full frame video, and having this full frame powerhouse taking up less space in my bag than a DSLR. While the A7 was larger than anything from Olympus, Panasonic or the other guys, it was indeed full frame. Much like the Leica M9, the Sony had the same benefits, but more of them. While the Sony was nowhere near as beautiful in design, build or feel as the Leica M9, the sensor inside the Sony was much more versatile. Able to capture scenes with massive Dynamic Range (the M9 did not have a huge DR) and even at night with low light high ISO performance that was cutting edge (unlike the Leica which suffered even at ISO 1250). Add swivel LCD’s and the EVF and video performance and you had an all in one powerhouse that was smaller than an APS-C DSLR yet full frame. Again, the weakness was LENSES. Sony had a 28-70 kit zoom that was average, and a couple of primes, the 35 2.8 and 55 1.8 Zeiss.

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I jumped in but over time realized the A7 series would need a lot of polishing to get up to speed and be better than most of what was out there. Soon we had more lenses, and more bodies. The A7 and A7R were replaced with the A7II, A7RII and A7S and A7SII. NOW we are talking! The MK II bodies improved the shape, build, and feel of the old A7 series. Also, the AF speed was improved quite a bit and we had a better EVF and better specs all the way around. Lenses I love for my A7RII are the Sony/Zeiss 16-35, Sony/Zeiss 35 1.4, Loxia 50 and the new Sony 85 1.4 G Master which is just gorgeous. The new 70-300 looked very promising as well.

Sony 24-70 G Master – A7RII

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Sony 85 1.4 G Master – A7RII

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Today there are tons of lenses for Olympus, Panasonic, Fuji, Sony and always have been for Leica. The choice of high quality Mirrorless systems out there today is head spinning. Most looking to dive into mirrorless TODAY have a tough choice, and again, I get so many emails asking me “which one should I get” and I do not really answer those questions as a camera choice is personal, and should be made by the buyer, not me! With that said, I love them all but my faves, today are still Leica, Sony, Olympus and a couple Fuji models. After using them all, shooting with them all, for me, these brands make cameras that just fit “me”.

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Leica’s M 240 is a beautiful camera in every way but with so many other full frame offerings today (from Sony) the Leica M 240 did not sell as well as the M9. The Olympus E-M1 and PEN-F are fantastic as well, mature cameras that perform to a high standard, look and feel amazing and just “work”. Sony is on a roll with the RX1RII which I have not even mentioned yet! The RX1R for me, was a huge step forward for Sony as they created a SMALLER than Leica M full frame mirrorless with a Zeiss 35 f/2 that beat Leica’s own 35 Summicron (and the Leica lens cost more than the entire CAMERA and LENS from Sony). To me, one of the most magical cameras ever made was the RX1RII, for IQ. The new Mark II has slightly different image rendering and color but has improved the AF speed and performance. I own the RX1RII and adore it and use it for personal shots all the time.

Click it for better version – Sony RX1RII

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With an RX1RII I could not even imagine wanting to replace it with a large bulky full frame DSLR and 35mm lens that would be 3X the size, 4X the weight and not even perform as well. The RX1RII is an amazing tool, if  you can handle 35mm. The Leica Q also rocks but is $1000 more, much larger and has a 28mm. I prefer the Sony in every way but many prefer the Leica. Personal pref, and both are two of the best most practical mirrorless cameras released in recent times with IQ that is tough to beat.

RX1RII and the Leica Q

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OH! I totally forgot this article was titled “Five reasons why I prefer mirrorless to DSLRs”..so before I start on another long ramble, lets get to that:

  • THEY ARE SMALLER, PERIOD. Even the larger mirrorless cameras, the Sony A7 Mark II series, are smaller than even APS-C DSLR’s while providing performance that trounces them in many areas. Low light, Dynamic Range, Sharpness, EVF over small OVF, and very good AF performance. Add something like a Voigtlander 40 2.8 to an A7 series body and you have a small powerhouse (and you can not use this lens on a DSLR). Add a HUGE 24-70 G Master lens and the fight gets closer for size but even so, still smaller in the body, which is the part you HOLD. The part that must be comfy in your hands. The Sony wins in size over ANY FULL FRAME DSLR, to which it must be compared. Take a 5DII and 24-70 and it will be larger and heavier than the Sony yet we lose the EVF, swivel LCD, and that nice Sony sensor DR and ISO performance. There is a reason Sony leads in the sensor department, they make the best. So I will choose the Sony over any DSLR due to size, features (did I say 5 Axis IS inside)? Make no mistake, the Sony A7 Mark II series may have some large pro lenses but as a whole, it is still smaller and more enjoyable for me to use over a full frame DSLR and  those large pro lenses? For me they beat the Canon and Nikon equivalents in IQ and build, so why not use them on a smaller body? Hmmmm. Take on a Olympus PEN-F or Panasonic GX-8 or Fuji X100 and you are at a whole new level of small, light and with amazing IQ. Mirrorless wins the size game every time.

A7RII vs Nikon D810 – SIZE body only. 

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  • LENSES! There are now plenty of lenses to choose from! No excuses now! Fuji, Sony, Panasonic, Olympus and Leica all have great lenses available for their mirrorless systems. Some are tiny like the Sony full frame 28 f/2 and 50 1.8, some are large and some are small and incredible (almost any prime from Olympus).
  • FUNCTION! EVF, Tilt LCD and something like 5 AXIS IS inside are things you will not see in a mirrored DSLR. While I appreciate that MANY prefer a good OVF to a good EVF I think many OVF die hards have not shot through an incredible EVF yet. Something like the Leica SL offers an EVF experience that beats ANY OVF, hands down. It’s incredible. Using a Sony A7 or Olympus E-M1 or even a Fuji X-T1 offers more function and is more versatile than any DSLR I have ever shot with. Things with Olympus like Live Bulb, Live Time and Live composite is changing the way we shoot astro. Things like this we do not see in DSLR’s.
  • ABILITY TO USE 3rd PARTY LENSES: These new mirrorless cameras work very well with Leica M lenses these days, any M mount lens in fact. I can buy a used M lens for $300 and get amazing shots with character when mounted on a Sony, Fuji or even Olympus camera. Can’t do that on ANY DSLR (mount a Leica M mount lens to it). I love shooting my Sony with a 50 Jupiter or even 50 Noctilux. We can now use these incredible lenses on something other than a $7k Leica.
  • PROGRESSION: Never have I seen technology in digital imaging move so fast. Mirrorless is moving ahead with new innovations, new designs, and new tech. EVery year we have some kind of new progression in mirrorless while DSLR’s remain pretty much the same in looks, style, function and everything else. In my eyes, DSLR’s today are getting stale. Mirrorless today is energizing so many with the size, tech inside and the things we can do with them in a much easier way than ANY DSLR. (something like shooting the night and seeing your exposure develop in real time using Olympus’s LIVE TIME)

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There are more reasons like being able to pick up something like a Fuji X100 or Sony RX1 and just be UBER light. No lenses, no bag needed. But you will come back with impressive high quality shots. The mirrorless world is growing, and sales are strong for some, stronger than DSLR’s in some cases. I remember 10 years ago (or so) going to disneyland and seeing so many with big DSLR’s around their neck (I had a Leica M7 and 35 Lux) and thought “WHY would they do that”! Today if I go to Disneyland I see MANY with small mirrorless cameras, but mostly all use their phones or even iPads for their photo and video. THIS is why DSLR’s are also losing steam with the average Joe’s of the world. While Fuji and Sony helped slow Leica’s M sales, I see the phones slowing DSLR sales. See, the mass public used to walk into Best Buy and say “I want to look like a pro”, and they would buy a DSLR and then realize that simply buying one will not make them a pro! They end up using it for a few weeks and then sitting it on a shelf due to size and disappointment. These days, the masses use their smart phones so while a few still go to Best Buy and buy those DSLR’s they have on display, as they know their phone can not compete, that number is MUCH lower today than 10 or even 5 years ago.

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Today many have been trained by their phones (for small size and ease of use) and when they go to buy a real camera, they want something SMALLER, something FUN, not a huge DSLR. They see cameras from Sony and Fuji and think “WOW, this is smaller and looks great”, this is why the original Sony A6000 did SO WELL and sold in huge numbers. So for most of the public, the smart phone is the way to go. For most Enthusiasts and Hobbyists, Mirrorless is the choice. For most PROS who shoot weddings, Sports or wildlife, DSLR’s are still king but that is starting to also go the way of mirrorless. While many predicted the doom of Mirrorless years ago, I will say here now that I predict a continuing downward slide for the DSLR over the next few years. Eventually, Canon and Nikon are going to have to give in and create a kick ass mirrorless system. Otherwise they face the reality of even more shrinking sales over the long term. I guess time will tell but the way I see it is that mirrorless gives us smaller size, more function and features, an experience which is more fun that using a DSLR.. and today, IQ is no longer a compromise as it was a few years ago. We can have it all and then some with mirrorless today, and that is a good thing.

Steve

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ALL Mirrorless Camera Review – MIRRORLESS CENTRAL

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I receive 100-300 emails a DAY). Because of this, I could use YOUR help to cover my costs for this free information that is provided on a daily basis. 

To help out it is simple, and no, I am not asking you for a penny!!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time (250 hours a month, and about $3000 per month).

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link (not the B&H) and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

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Mar 292016
 

The Mirrorless Revolution is just Starting..

By Steve Huff

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COMMENTARY

As I sit here in a Sony “Rountable” meting with all of Soy’s top people telling me about the past, present and future of their digital imaging business, things are looking very good for Sony. Sales are up, profits are solid and they are dedicated to releasing high quality premium digital imaging products to those like me and you, who love quality cameras, lenses and also camera that are fun to use, functional and provide us with the capability to create our own visions using a tool we enjoy and love.

Ever since Sony released the original NEX series, the 3 and 5 (my review here) I have been smitten with their unique out of the box thinking and while I have not loved or even liked every camera they have released (as I feel many have been a rehash of the same designs), I have adored a few of them and feel that Sony is now, without question, the one camera company that I feel is innovating and doing the most to push imaging tech forward. During  those early NEX 3 and 5 days, many dismissed mirrorless and for good reason. They were slow, sluggish and not very “user-friendly”  – but man how things have changed in a few short years.

The 1st Sony NEX. The NEX-3

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While Sony IMO is the one doing the most innovating, this does not take away a thing from others who are also innovating. Companies like Olympus are doing great things with every camera release, and trust me, they have something really amazing planned for this year. I feel it in my gut!

Then we have companies like Leica who are trying very hard to release unique cameras that are different from anything else out there. Think the T, the SL and even the super popular Q (all have been reviewed here in detail). Sure, Fuji, Sigma and even Canon and Nikon who are also releasing amazing cameras but to be honest, what I see from them is more of the same..less innovation in every release and while something like a Fuji X Pro 2 is a beautiful camera (that I actually do indeed really like) it is Sony who just keeps pushing and creating cameras that can do more.

Serious Mirrorless: The Leica SL

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While I feel Sony could have a redesign of some of their bodies, and even be more aggressive in what they are doing, I think they are on the right path and honestly, I can see them leapfrogging over Nikon in the near future. Sony is on a roll, sales wise and their popularity in the camera business is growing quickly and steadily for them.

Look at the brand new just announced RX10 III. I did not even review the Mark II version as I felt it was pretty much just like the Mark I (though it did have upgrades). I did not feel it was worth an upgrade to the II from the I and did not even want to do a review as I like to spend my time on cameras that I feel are really great and worth a purchase. It has to excite me these days to get a full long review and as I look back at my recent reviews over the past two years, the largest ones have been from Sony, Leica and Olympus.

Serious Lens Power: The new Sony RX10 III

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I will state right here, that these three camera companies above are my faves . Each of these are doing things that most others are not. Technology is getting quite amazing, even with something like the new Sony 4K HDR video, which looks so amazing. Yes, video in HDR 4K…think MASSIVE Dynamic Range instead of the cheesy HDR look of some images when they are overdone. But back to the new RX10 III. With its all new high quality 24-600mm f/2.4 – f/4 lens. Yes, f/2.4 at the wide end and f/4 at the long end, of 600MM. With this comes incredible opportunities for shooting. Macro, video, telephoto… it’s something that has never been done, which is what I am talking about here. I mean, who has made an all in one camera with a 24-600mm lens, a HIGH QUALITY lens no less, with a starting aperture of f/2.4? No one. Add to that the impressive video capabilities of this new offering. It will be a great solution for so many.

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While I was not a HUGE MASSIVE RX10 fan, I did enjoy the 1st one (see my review here) but this one changes the game of this series of camera. It could be an all in one for almost any personal, family or every day situation. So Sony is innovating constantly and this is what I love to see.

Some call me a “Sony Fan Boy”, Some call me an “Olympus Fanboy” and some even still call me a “Leica Fanboy”. I find these terms amusing as I am not a fanboy of anything, I just love quality. I love good build, consistent focus, smaller size, great lens choices, even is using a third party lens with adapter to get my vision out there.. and each of these brands offer all of that and more.

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With that, I am thrilled to see what is happening in digital imaging these days. It seems we are getting more and more QUALITY offerings for those of us who enjoy these things (ME AND YOU) and while most of the world already own a camera in their smart phones, there are some of us who want more..a real experience and you just can not get that from a phone. At least I can’t. The feeling of holding something like a Leica M or Olympus PEN-F or Sony RX1 and using them is so much more satisfying to me than using a phone, or any DSLR.

Today, in 2016 we have choices. We can go DSLR and get great results. We can go tiny and get great results (Sony RX100) and we can go enthusiast and get amazing results with something like a Leica M, SL or Sony A7RII or A7SII.

While the death of the point and shoot is upon us, or past..the mirrorless revolution has just begun, and it’s getting so so good. Stay tuned my friends, there is so much to come this year.

Steve

Feb 252016
 

PRESS RELEASE FROM LEICA:

HUAWEI and Leica Camera announce long-term technology partnership for the reinvention of smartphone photography

Leaders in the smartphone and photographic worlds come together to create a premium visual world renaissance

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[Wetzlar, 25th February, 2016] Today HUAWEI Consumer Business Group (BG) and Leica Camera AG are delighted to announce the start of a strategic partnership, a co-operation with shared premium ambitions and spirit, which will see both technology and photography brands combining their shared ethos in a long-term commitment to the art of craftsmanship, meticulous engineering and the spirit of winning collaboration, to create a powerhouse in the reinvention of smartphone photography.

In 2012, HUAWEI became the world’s third-largest smartphone manufacturer and was the first Chinese company to sell more than 100 million mobile phones in one year in 2015. The first Chinese brand to appear on the prestigious Interbrand Best Global Brands list in 2014, HUAWEI soared to number 88 in 2015 whilst launching the globally critically acclaimed HUAWEI Watch and HUAWEI P8. In 2016, HUAWEI looks to build on its success with Leica Camera: a mutually beneficial collaboration with the most iconic name in the photographic world to bring joint superior excellence to consumers.

For over 100 years, premium iconic camera manufacturer Leica Camera has been creating lightweight cameras favoured by street photographer pioneers and world-class optical lenses, fulfilling the passions of its community. With ingenious optical engineering and formidable craftsmanship, Leica cameras, recognisable by their ‘red dot’ branding, are

German engineering at its best, and continue to attract new generations of consumers who aspire to achieve “the Leica look” and own these masterpieces of design. In addition to making precision-crafted masterpieces, Leica supports prominent photographers and emerging new talent around the world.

Richard Yu, CEO of the HUAWEI Consumer BG said: “We choose our partners carefully, and with this extraordinary collaboration we are offering our wide customer base and consumers the best elements of two expert brands in harmony: combining innovation and design, enhancing the user experience and continuing to inspire amazing advancement in human technology through exceptional premium imaging quality. Leica is a legend in the world of photography; we believe no other manufacturer has revolutionised the industry as much as them. We, HUAWEI, take the utmost pride in exceptional quality and Leica is in a class of its own in its sector.”

Oliver Kaltner, CEO of Leica Camera AG said: “The strategic alliance between HUAWEI and Leica Camera demonstrates the desire of two rapidly growing and globally active brands to continuously push the envelope of the technologically possible. In addition to innovative strength and premium standards, our two companies are united by the commitment to uncompromising quality. The technology partnership with HUAWEI offers Leica Camera an excellent opportunity to introduce its proven optical expertise into a new product segment and to unlock exciting business areas in the field of mobile devices. Smartphones make a very important contribution to the world of photography and open an important door for Leica to new target groups and fields of application.”

“The legendary status of the Leica brand is founded on a long tradition of innovation, highest precision and craftsmanship. I’m pleased and convinced that the traditional German medium-sized company Leica Camera will bring its values and comprehensive expertise in optical engineering to the long-term partnership with HUAWEI in order to achieve the best possible imaging results in the field of smartphone photography – and to take it to the next level of quality”, emphasizes Dr Andreas Kaufmann, majority shareholder and chairman of the supervisory board of Leica Camera AG.

More details on the culmination of HUAWEI and Leica’s partnership, which will span

research and development, design, co-engineering, user experience, marketing and retail distribution, will be shared as the partnership continues.

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About Leica Camera

Leica Camera AG is an internationally operating, premium-segment manufacturer of cameras and sport optics products. The legendary status of the Leica brand is founded on a long tradition of excellence in the construction of lenses. And today, in combination with innovative technologies, Leica products continue to guarantee better pictures in all situations in the worlds of visualisation and perception. Leica Camera AG has its headquarters in Wetzlar, in the state of Hesse in Germany, and a second production site in Vila Nova de Famalicão, Portugal. The company operates branch offices in China, England, France, Japan, Singapore, Switzerland, South Korea, Italy, Australia and the USA. New and innovative products have been the driving force behind the company’s positive development in recent years.

About HUAWEI Consumer Business Group

HUAWEIs products and services are available in more than 170 countries and are used by a third of the world’s population, ranking third in the world in mobile phone shipments in 2014. Sixteen R&D centers have been set up in the United States, Germany, Sweden, Russia, India, and China. HUAWEI Consumer Business Group is one of HUAWEIs three business units and covers smartphones, mobile broadband devices, home devices and cloud services. HUAWEIs global network is built on 20 years of expertise in the telecom industry and is dedicated to delivering the latest technological advances to consumers around the world.

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