Dec 182014
 

Last Minute Photo Christmas Gift Ideas!

With only a week until Christmas day, I sure hope that most of you have completed your Christmas shopping! Me, I just started yesterday and finished today. Love shopping online as it is so easy these days  – avoiding the crowds, the parking lots, the stores…though I do find that to have some charm during this time of year. But this year I have been too busy to get to the mall and shop, so all of my shopping was done online at B&H Photo and Amazon.

If anyone out there is still looking for a nice camera gift for their Husband, Wife, Child or someone special, take a look at my list below of cool photo related items that would make for a fantastic Christmas gift this year! With the same day fast shipping from these online shops, getting the gift in time is not a problem.

How about a list of some cool small photo gifts that will put a smile on anyones face?

Tactile Feel? Check out these little buttons…

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I have a couple sets of these, one on my A7s and I love them. They provide a 100% tactile feel to the buttons and improve the feel and use. For $25 you can’t go wrong if you have been looking for something such as this!

Check out the website HERE.

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Want an awesome NON SCREW IN soft release for your Mirrorless? Artisan Obscura is the place to go!

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I have three of these and they STAY PUT. While I lost every screw in shutter soft release I have ever owned, these are the real deal and you will NOT lose them. Superb!

You can check them out HERE.

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How about a strap or two?

There are a couple that I like on Amazon and some are dirt cheap while being very well made and looking superb..

1. Vintage flower strap – wide – under $26

2. Street Strap LONG – I have three of these! 

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3. Braided Leather Barton strap! One of my all time faves!

4. The most amazing strap ever made for the serious photographer or working pro. The MONEYMAKER.

5. Also check out classicases.com as they have some cool new leather straps that I have on hand and LOVE

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How about small pocket cameras that are easy to use but give amazing image Quality?

B&H Photo has the Hasselblad Stellar’s in stock at 70% off

with the black carbon, white/white and orange in stock at $999. I own the Orange one and LOVE it. Been using it every day or two since getting it and it has gotten the most comments of any camera I have carried around with me to date. Plus, it’s a fantastic camera (Sony RX100) and made in Japan vs China of the Sony version. The style, looks, build, packaging and experience is top notch. Well worth the $1k for me as I have been enjoying it more than some $3k cameras I have had in the past.

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The Stellar is HERE at B&H Photo at 70% Blowout Pricing

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or if you want to save some cash, the Sony RX100 V1 is a tremendous value!

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You can buy the RX100 HERE at Amazon for just under $500

The resale of the Hasselblad Stellar will be much better than the Sony but they are basically the same camera (one made in Japan (stellar) and one in China (Sony) and have different cosmetics ad materials used in build. Still, IQ will be the same. RX100 Review is HERE.

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The Ricoh GR – A serious large sensor pocket camera for photographers

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The Ricoh GR is on blowout right now as well. This is a pro level IQ machine that fits in a pocket. Not as slick as the Sony but this is one that steps it up a notch with image quality due to the large sensor. With a fixed 28mm lens though, make sure the person who will be using it is OK with wide angle! My GR review is HERE!

Buy the Ricoh GR HERE at B&H while it is on special!

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Let’s take it up a notch..more performance but a bit larger..

Compact High Performance Cameras (Not quite pocketable)

The new Leica D-Lux (or Panasonic LX100)

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The new Leica D-Lux is actually a Panasonic LX100 in disguise. Much like the Hasselblad stellar situation, Leica places their outer shell on to the LX100 innards and call it their own. Same camera, same lens, same IQ as the cheaper LX100. With the Leica you get the Leica styling, packaging, red dot, better warranty and better software, so paying the extra $300 or so is worth it to many. Resale is also better with the Leica Panasonic versions and this  has been proven in the past.

The LX100 is under $900 HERE

The Leica D-Lux is $1200 HERE

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The Fuji X100T

The latest and (some will say) greatest X100 is the X100T. I have had one for 2-3 weeks and have been happy with it but to me it is pretty much like the previous S version with a new EVF feature that I actually do not like. In any case, it still uses the X Trans sensor which many love and it is a retro styled camera capable of beautiful images. If you have that retro vibe and want a camera to inspire, take a look at the X100T, prob my fave Fuji in production. Still small, and with a great 35m f/2 lens built right in. You can see my X100s review HERE.

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You can buy the X100T at Amazon, B&H Photo or PopFlash.com

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The Sony A6000

Probably the most bang for the buck APS-C large sensor mirrorless camera on the market today. The Sony A6000 is small, sleek, blazing fast (faster than most DSLRs) and can mount any Sony E mount lens or one of any THOUSANDS of lenses from almost any manufacturer using adapters. Great AF, great response, super video and an all around great camera for under $600 with lens. My review is HERE.

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You can buy the Sony A6000 at Amazon or B&H Photo

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..and finally, some more serious cameras for the real enthusiast…

The Sony A7s

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I LOVE this camera for quite a few reasons. You can read my review HERE if you like but the fact is that this guy is about as versatile as you can get.

1. Will shoot in ANY light. From light to dark. Will also AF in the dark with amazing accuracy. 

2. Best low light HIGH ISO camera made today in full frame 35mm.

3. Shoots fantastic video

4. File sizes stay small due to 12MP sensor. 

5. Can mount native E mount lenses or one of thousands of third-party lenses. M mount, S mount, Contax, Nikon, Canon, etc. 

6. Has a silent mode where you can not even tell it is being used or an image being taken, 100% silent.

7. Small and compact for a full frame camera. 

8 Again, did I say it can be used in ANY light?

This was my #1 camera and now is #2 ever since the next camera on the list showed up..

Buy the Sony A7s at Amazon or B&H Photo!

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The Sony A7 Mark II

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Now with 5 Axis image stabilization, tweaked and improved image quality, faster hybrid AF and fantastic pro level build and feel, the Sony A7II is a redesign and enhancement of one of 2014’s most popular cameras. I am finding the IQ to be better, the speed to be better, the IS to be amazing and the feel and build to be superb. It’s a beefy feeling camera. Solid.

The A7II is a versatile monster camera with stellar video and image performance. Again, mount some cool vintage RF glass for a unique experience and classic image quality results.

You can order the A7II at B&H Photo or Amazon

There are so many photo related items that would make superb gifts. NO way I can list them all but feel free to browse the online shops of Amazon, B&H Photo, PopFlash, Leica Store Miami, and the Pro Shop! All highly recommended dealers!

Dec 032014
 

The Great Venice Beach Fire of 2014

By Huss Hardan

Hello Steve and Brandon,

The night of Saturday, October 25 started off like most in Venice Beach, CA. Tourists, drunks, drunk tourists. The usual motley crew including yours truly. But then things changed with the smell of smoke. Now this wasn’t the usual smoke smell that wafts through the neighbourhood – due to 90% of the population suffering from glaucoma – but an acrid smell that warned of more serious events afoot. Something was on fire, so the normal reaction was to grab a camera and go take a look.
It was easy to track down, as I just followed the plumes of smoke, and the sound of sirens. A storage facility was the culprit, one that required 365 firemen to be summoned!

More at : http://www.dailynews.com/general-news/20141026/venice-storage-fire-burns-for-14-hours-injures-eight-firefighters

It was quite the scene with moments of absurdity mixed in. One that sticks with me is the dood cycling through the fire trucks holding his munchies, without a care in the world! Ahh, Venice, don’t ever change!

I used a Leica M-E with Zeiss ZM 50mm Sonnar 1.5. All shots were at 1.5 and ISO 1250 1/125 sec . The intense strobe lights from the trucks made the auto meter go nuts – exposure readings flickering from 1/4000 to 1/30 sec, so I set it manually and stuck with that. As the Leica has an optical view finder, the viewing image was constant, but I wonder how an EVF would have coped with the strobe lights.

Peace out

Huss

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Nov 182014
 

Leica Sale: INSTANT Cash Discounts..here is the list..

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With the holidays coming even Leica is in the giving mood (sort of) – with $750 off on the Leica M 240 and $250 off of most lenses, this is a chance to save a little more on your new Leica lens purchases. Below are direct links to B&H Photo and each lens that took me over an hour to compile..by using those links to purchase anything it will help this site move on and continue ;) So I thank anyone in advance that uses any of my links on this website.

You can also get these discounts at my other recommended Leica dealers – Ken Hansen ([email protected]), PopFlash.com, LeicaStoreMiami.com, and the Pro Shop. 

THE LEICA M 240 – $750 OFF, NOW $6500 NEW

http://www.bhphotovideo.com/c/product/893170-USA/Leica_10770_M_Digital_Camera_Black.html/BI/4399/KBID/4837/BI/4399/KBID/4837

Here is a list of Leica lenses on sale:

18 3.4 Super Elmar – $250 off

http://www.bhphotovideo.com/c/product/609382-USA/Leica_11649_18mm_f_3_8_Super_Elmar_M_Aspherical.html/BI/4399/KBID/4837

The 21 Super Elmar f/3.4 – $250 Off

http://www.bhphotovideo.com/c/product/798854-REG/Leica_11145_Super_Elmar_M_1_3_4_21mm_ASPH.html/BI/4399/KBID/4837

The 21 Summilux f/1.4 – $250 Off

http://www.bhphotovideo.com/c/product/586191-USA/Leica_11_647_21mm_f_1_4_Summilux_M_Aspherical.html/BI/4399/KBID/4837

The 24 Summilux f/1.4 – $250 Off
http://www.bhphotovideo.com/c/product/586206-USA/Leica_11_601_24mm_f_1_4_Summilux_M_Aspherical.html/BI/4399/KBID/4837

The 28 Elmarit f/2.8 – $250 Off
http://www.bhphotovideo.com/c/product/461972-USA/Leica_11606_28mm_f_2_8_Elmarit_M.html/BI/4399/KBID/4837

The 28 Summicron f/2 – $250 Off
http://www.bhphotovideo.com/c/product/214061-USA/Leica_11604_Summicron_M_28mm_f_2_0_Lens.html/BI/4399/KBID/4837

The 35 f/2.5 Summarit – $250 Off
http://www.bhphotovideo.com/c/product/520349-REG/Leica_11_643_35mm_f_2_5_Summarit_M_Manual.html/BI/4399/KBID/4837

The 35 Summicron f/2 – $250 Off!
http://www.bhphotovideo.com/c/product/134723-USA/Leica_11879_35mm_f_2_0_Summicron_M.html/BI/4399/KBID/4837

The 35 Summilux f/1.4 – $250 Off

http://www.bhphotovideo.com/c/product/720355-USA/Leica_11663_35mm_f_1_4_Summilux_M_Aspherical.html/BI/4399/KBID/4837

The 50 f/2.5 Summarit – $250 off!
http://www.bhphotovideo.com/c/product/520350-USA/Leica_11_644_50mm_f_2_5_Summarit_M_Manual.html/BI/4399/KBID/4837

The 50 f/2 Summicron Original – $250 off!
http://www.bhphotovideo.com/c/product/86059-USA/Leica_11826_50mm_f_2_0_Summicron_M.html/BI/4399/KBID/4837

The 50 1.4 Summilux ASPH – $250 Off
http://www.bhphotovideo.com/c/product/332585-USA/Leica_11891_50mm_f_1_4_Summilux_M.html/BI/4399/KBID/4837

The 50 0.95 Noctilux – $250 off
http://www.bhphotovideo.com/c/product/586190-REG/Leica_11_602_50mm_f_0_95_Noctilux_M_Aspherical.html/BI/4399/KBID/4837

The  75 2.5 Summarit – $250 off
http://www.bhphotovideo.com/c/product/520351-USA/Leica_11_645_75mm_f_2_5_Summarit_M_Manual.html/BI/4399/KBID/4837

The 75 f/2 Summicron – $250 Off

http://www.bhphotovideo.com/c/product/378040-USA/Leica_11637_75mm_f_2_0_APO_Summicron.html/BI/4399/KBID/4837

The 90 f/2.5 Summarit – $250 off

http://www.bhphotovideo.com/c/product/520352-USA/Leica_11_646_90mm_f_2_5_Summarit_M_Manual.html/BI/4399/KBID/4837

The 90 f/2 Summicron APO – $250 off

http://www.bhphotovideo.com/c/product/162726-USA/Leica_11884_90mm_f_2_0_APO_Summicron.html/BI/4399/KBID/4837

The 135 f/3.4 APO – $250 Off

http://www.bhphotovideo.com/c/product/162727-USA/Leica_11889_Telephoto_135mm_f_3_4_APO.html/BI/4399/KBID/4837

The 90 f/4 Macro – $250 off

http://www.bhphotovideo.com/c/product/1054674-REG/leica_11670_90mm_for_4_macro_elmar_m.html/BI/4399/KBID/4837

The Wide Angle Tri Elmar – $250 off

http://www.bhphotovideo.com/c/product/461969-USA/Leica_11626_Tri_Elmar_M_16_18_21mm_f_4_Asph.html/BI/4399/KBID/4837

Nov 132014
 

Photographing the bride on my own wedding

by Milan Swolfs

On the 27th September this year my wife and I got married in Belgium. We both like vintage clothing and love all things from the 20s, 30s, 40s till 50s. My wife www.macheried.com is my muse and we often do (commercial) shoots together.

I couldn’t resist taking some pics of my wife during our wedding with my Leica M9P and Noctilux f0.95 ASPH.

Thanks to your excellent reviews Steve I bought now the Sony A7S together with the Voigtlander Close Up adapter and use it with my Noctilux too. It’s much easier to focus and I can use it at night.

More of our work you can see on my website www.milanswolfs.com

Keep up the good work.

Kind regards

Milan

Milan Swolfs

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Oct 312014
 

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From the Leica M9 to the Leica M240…and Back to the M9

By Ashwin Rao – Follow him on Facebook HERE

Hello my friends. It’s Ashwin, back to talk about my recent GAS (Gear Acquisition Syndrome) journey with Leica. I have been a huge fan of both the Leica M9 and Leica M Monochrom over the course of the life cycles of these cameras. I have always enjoyed the rangefinder way of seeing, from the time I first came upon my very first rangefinder, an M6 TTL. I joined the digital rangefinder transition, as did many others, with the Leica M8, and while that camera had many benefits (incredibly clear and crisp sensor), it was not quite ready for prime time due to its IR sensitivity issues and operational foibles, all of which have been well documented. That being said, many Leica M8’s remain in service today, over 8 years after it first came into production in September of 2006. The Leica M9 was released to much fanfare on September 9th 2009, heralded as the first full frame digital rangefinder, featuring a high quality CCD sensor with the same pixel pitch as the M8, and some cosmetic and operational refinements. The infrared sensitivity issue ,which plagued the M8, was mitigated for the M9, and for many, it is considered a modern legend of digital photography. I received my first Leica M9 in December of 2009, and soon thereafter wrote my first article for Steve, reviewing the M9 and a “travel camera extraordinaire.” 5 years later, I believe those same words hold true. The Leica M9 remains a remarkable camera, capable of capturing the decisive moment and motivating the eager photographer.

Leica M9 and 50 mm f/1.4 Summilux-ASPH

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M240 and 50 mm f/1.4 Summilux-ASPH

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Leica M9 and 50 mm f/1.4 Summilux-ASPH

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With time comes progress (right?) and in September of 2012, Leica announced the Leica M240, or in short, the Leica “M”, the first full frame sensor to feature a new CMOS sensor, which would permit higher ISO shooting, and importantly, live view. In theory, the Leica M240 boasted many performance and design refinements learned from the limitations of the M9. It also allowed rangefinders to compete with other modern cameras in providing an option to focus lenses with live view and it can shoot video. For many rangefinder enthusiasts, particularly those with aging eyes and a large collection of R lenses, the M240 represented an option by which to focus more accurately and use their R lenses, which have not been supported by a modern digital Leica R.

Like many, I was very curious when the M240 was launched. I kept a close eye on those who were able to use the camera early in its production cycle, such as Steve, Jono Slack, Gary Tyson, and others. As the camera became more widely available, I regularly browsed online photo forums and facebook enthusiast pages to find compelling images and reasons to justify upgrade….this process was a year long journey, and one accompanied by great struggle. I truly loved my M9, the “CCD look” that I perceived to be true, and had truly bonded with the camera over years of use, but new cameras are always compelling and entice the prospective buyer with the promise of new features and improved image quality. I also struggled with the concept of investing another $7000 in a camera, when I had just done this a few years back.

Leica M9 and 35 mm f/1.4 Summilux ASPH pre-FLE

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Finally, in the spring of this year (2014), I purchased the M240. It was a harrowing, yet exciting moment. In the year that I had debated whether or not to purchase the M240, I remarked that the color palette, dynamic range and look of files from the M240 was vastly different M9 files. Initially, the M240 seemed to be plagued by inconsistent white balance, but over the year, through firmware upgrades, Leica seemed to improve upon this. Yet, the colors coming from the camera, and skin tones in particular, seemed so different, warmer and more red/orange (a common problem with CMOS digital sensors, by the way), than what I had accommodated to with my M9, which provided a seemingly cooler skin tone profile. As I reviewed images, I came to compare the M9 and M240 images to different image stock. Ultimately, I was compelled to try the M240 to see if I could adjust to this different way of seeing.

M9 and 50 mm Noctilux f/0.95

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M240 and 50 mm APO Summicron-ASPH

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In the process of buying my M240, I quickly sold my M9 to be able to focus on one color rangefinder option. I set into getting to learn my camera, and was able to have the M240 around for a very important part of my life, that is, my wedding and the months around this event. I managed to shoot the camera regularly.

What were my conclusions, you might ask? What was my conclusion from this costly experiment? Well, the title of the article summarizes the basic experience, but let me elaborate. I simply couldn’t get used to the M240 and I could not find a bond with the camera. First, and most challenging for me, was the color reproduction of the camera and its inconsistent white balance reproductions under artificial light, particularly in rendering skin complexion. I often found skin tones to render excessively yellow or orange, and I simply could not find ways in Adobe Lightroom, to get skin tones to look as I enjoyed. I could get close, but adjusting skin tones would often affect the color reproduction of the rest of the image. Apparently, I had accommodated to the look of the M9, and I could not get close enough with the M240. Second, and disappointing to me, was an issue with banding at higher ISO’s. Whenever I took a shot that was underexposed, lifting the shadows resulted in noticeable banding at ISO’s of 3200 and higher (and occasionally at ISO 1600). I was able to remedy the banding issue using software fixes (Nik software’s has a de-banding tool that’s very useful). In practice, shooting in low light was nearly as limited for the M240 as it was for the M9, which has a practical ISO limit of around 640, after which banding behaviors are the norm with image adjustment.

M240 and Summicron 28 ASPH

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Leica M9 and Noctilux 50 mm f/0.95

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For the M240, I also struggled mightily with the “start up time” of the camera. When powering the camera on, it takes about 2-3 seconds before the photographer can actually take a shot. Initially, I thought this was a camera defect, but trying a few friends’ M240’s, I found the behavior to be universal. I tried to remedy this by leaving the camera on all of the time, given that the M240 sports a much-improved battery than the M9. However, after prolonged periods when the camera went back to sleep, I noticed the same lag. There were several instances where I missed an important shot , and this became an increasing turn off as I used the camera more.

M240 and Noctilux f/0.95 – Lauren

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As I used the M240 more, I became increasingly aware of the weight of the camera. At first, I felt that the camera felt more confident, more solid, less “airy” in hand, but after some time, I found the added bulk to be unwanted. My shooting arm would get sore. Not a huge deal, but enough of a difference to be annoying. After all, there was an outcry when the M8 and M9 were built with much thicker bodies than previous film M bodies, and here was a camera that provided even more bulk and heft to a shooter (myself) who valued size and discretion in his camera.

M240 and Noctilux f/0.95 – Andi

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M9 and Noctilux f/0.95

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Finally, I became increasingly annoyed over time with the menu layout. I wasn’t entirely sure when to press the “Menu”, “set”, and Info buttons. It was not nearly as intuitive an experience as to how best to adjust settings on the fly as it was with the M9. Even the ISO adjustment methodology seemed more cumbersome to me, who had gotten used to the simplicity of the M9’s menu and button implementation. The M240 had new buttons in unexpected places, and on occasion, which thought I was capturing images, I had accidentally triggered video shooting.

M240 and 90 mm f/4 Macro Elmar

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M9 and Rigid Summicron 50 mm f/2 (v2)

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As you read this, you may feel that I am unfairly bashing the M240, and that with more time, I would have adjusted to the cameras many quirks. While this may be true, I kept coming back to my struggles with the M240’s image rendering. As I looked on my screen at old M9 shots, and compared them to the M240 images that I had captured, I took note of several things. I find the M9 to have rendered a more “crisp” pixel, while the M240 renders a slightly softer pixel. Further, the M240 renders with much more dynamic range, but for some reason, images taken with this camera seemed to exhibit less 3D pop that I saw with my M9.

In summary, I began to find reasons to return to my Leica M9, and in August, after 4 months, I sold my Leica M240 and returned to the M9. I can say that I am happy with this choice and much more settled with keeping the M9 and its awesome CCD sensor and way of rendering.

Well, I spent a lot of time bashing the M240, no? Let me bash the M9 for some balance. The M9 is a camera full of quirks and deficiencies. First off, it has a completely inadequate and dated 200,000+ pixel LCD. It was an out of date LCD the moment it was released, and 8 years later, it’s ridiculously poor…One cannot count on confirming clear focus with the M9’s LCD. Further, there’s a slight delay between when the image snaps into focus on the LCD, making images seem blurry for a moment.

There are times when the M9 freezes operationally and won’t take a shot. And I don’t just mean when the buffer is full. At times, I have missed important shots because the M9 simply refused to take the shot. Further, battery life is quite poor (300-400 shots), compared to the far improved M240 sensor. The M9 has an ISO limitation that stems from its CCD sensor. It’s only capable of being shot reliably through ISO 640 (or 800 if you are willing to live with lost dynamic range, muddier images). Compared to today’s sensors (think Sony, Fuji, Olympus, and Panasonic), this ISO limitation seems arcane. Compared to the M240, which offers clean ISO’s through 1600 and inconsistent but occasionally decent performance at ISO 3200, it seems old as well. Yet, at base ISO through ISO 400, the M9 offers something unique. It offers a lovely color palette. Images, particularly of people jump off the screen. Skin tones and rendering can take on a lifelike look, while the M240 occasionally presents skin tones in a waxy (CMOS) manner. You’d never see this on your cell phone or laptop monitor, but on a calibrated larger home monitor or large print, there’s a difference there that’s continued to be noticeable to me.

Ultimately, I came to accept the limitations of the Leica M9 to gain its benefits. The M9 turns on and is ready to shoot instantaneously. It’s silent shooting mode is cleverly implemented and useful when employed. It’s a lighter and airier camera and is less fatiguing to hold in the hand for prolonged shoots. It’s menus offer operational simplicity, which seems to echo the rangefinder way of seeing. It’s CCD rendering (yes, I believe that the CCD “look” is real…sorry to all of the naysayers) is awesome and increasingly unique in a world where CMOS sensors have taken over.

I believe that the Leica M9 continues to represent the pinnacle of Leica’s imaging achievement. Like many countless others who’d hope for a camera that offers the best of all worlds, I strongly suspect that such a camera will never materialize. I doubt that there will ever be another CCD-sensor Leica. And thus, I am “stuck” with the M9, and of course, my beloved Leica M Monchrom. For those times when I desire revelatory ISO performance, I have moved to the Sony A7s, which I have used extensively (nearly exclusively) with Leica M lenses, and I find that its limitations (primarily the 12 megapixel sensor and tunnel view SLR way of seeing) don’t bother me all that much. The Sony is not built anywhere as confidently as the Leica (in terms of feel), but it’s a great camera worth checking out for a modern CMOS option. IT’s colors are not Leica colors, but I have found that I can get skin tones that I like with this camera.

Leica M9 and 35 Summuilux FLE

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Leica M9 and 50 mm f/1.4 Summilux ASPH

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Thus, for me, the Leica M240 is now part of my photographic past. The Leica M9 has returned to my kit. It represents my photographic present. I certainly hope and expect that Leica will continue to re-invent itself with new innovative products and improved rangefinders. The Leica M240 was not the right camera for me, but I hope that the next iteration will be a better fit. At that time, the M9 will remain with me. It’s a lifetime camera, unless Leica finds the guts to go back to CCD or a sensor the renders similarly. It offers a unique rendering that blends so well with M lenses. It’s a great option for photography, even today.

M240 and 50 mm APO-Summicron ASPH

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I imagine that many of you will take exception to my thoughts and comments. I welcome your thoughts, your debate, and your criticisms to this argument. It simply represents my opinion and current thinking on the matter.

Here’s a summary of what I consider the strengths and weaknesses of the 2 cameras discussed:

Pros of the Leica M9
• CCD sensor – per pixel microontrast and dynamic range at low ISO
• Menu and operational simplicigty
• Weight
• Heft
• Instant On
• Silent shooting mode

Cons of the Leica M9
• ISO limitation
• Rear LCD is terrible
• Poor battery life
• Indoor and outdoor white balance inconsistency
• Reduced dynamic range compared to modern sensors
• Occasionally the shutter doesn’t fire
• IR sensitivity is still there, though less so?

Pros of the M240
• ISO improvements (though banding limits realistic ISO to < 3200, and in some cases, 1600
• Moderate Dynamic range improvement
• Solid battery life
• Build Quality
• EVF capacity, for those who want it
• Much improved shutter sound and less shutter shake
• Fantastic Black and White Conversions

Cons of the M240
• Heavier
• Meno complexity and dials
• Adds complication to a simple RF concept (i.e. video, EVF, etc)
• Unnatural Color reproduction of skin tones
• Indoor white balance inconsistency
• Shooting lag, when camera is first activated
• More IR sensitivity?

Feasible areas of improvement for the next Leica M:
• Improved color stability for white balance
• Improved color rendering of skin tones
• Reduced banding artifacts for high ISO, particularly when adjusting images
• Baseplate access to the battery and SD card
• Make the camera thinner, rather than thicker
In fairness to bias, my time with the M240 was self-limited to 4 months. My time with the M9 has extended to nearly 5 years. There may be much in that difference in experience that may explain some of my experiences with these cameras. All the best to you, and most importantly, keep your hand on the shutter and keep making images, regardless of camera.

M240 and Rigid Summicron 50 mm f/2 (v2)

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M240 and 35 mm Summilux ASPH FLE

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Oct 302014
 

Some Leica M 240 love..

by Per Bendiksen

I’ve been an on and off hobby photographer for some years now. Born and raised in Viking land, Norway. We have the nicest fjords and the most beautiful blondes in the world!

I’ve started analog, went digital, back to analog and now digital again. I’ve had many different system and brands, mostly Nikons – but where I am now feels like home.

Leica M typ240! Shooting rangefinder is somehow religious. Being able to shoot with a Leica is even better. OK, I sound crazy – but the last years of photography nothing has given me a better feeling similar to that first time framing, focusing and BAM the shutter speed. Love it!

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Mostly I like to put a person in my pictures, when no one around – landscape, street, buildings etc.

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Thanks for hosting this inspiring site!

Happy shooting folks!

more pictures @ perbendiksen.wordpress.com

Oct 262014
 

Quick Comparison EOS M, Nikon Coolpix A and Nikon 1 V3

By Noel Beharis

Dear Steve

I am a Nikon fan. I have a respectable Nikon collection starting from the Nikon F Photomic through to a Nikon D3. I also love Leicas and Hasseblads. I have collected a few of each camera brands over the years.

Recently I returned from Europe. I carried with me my Hasselblad H3d-31 II, a Panasonic GH4 for videos and the Canon EOS M which seems to be the most unloved Compact System Camera out there. Travelling to several cities over a short period of time made me realised that carrying around a Hasselblad H3d-31 was painful Carrying the Panasonic GH4 was necessary as my daughter sang at Notre Dame and the EOS M was the camera I reached for first because it was the fastest lightest camera of the group.

It’s image quality was decent with it’s APS-C sensor. The touch screen was great. Just touch the part of the screen you want the camera to focus on and presto, the meters on that spot and takes the image. Very quick. I used it almost exclusively with the Canon 11-18 lens (18-28 equivalent). When you want the whole scene, it took it all in with a minimum of fuss.

As for image quality, I will let the images speak for themselves.

Canon EOS M Images

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It’s no medium format camera but for a travel compact with interchangeable lenses, it can take the odd award-winning shot if you try hard enough. I found using menus to navigate between P, A, S & M annoying but that is the price you pay for compact size. It could handle any situation without a sweat. Great thing about it aside from it’s image quality, there are many Gypsies that occupy the streets of major cities in Europe, no one cared about the EOS M or thought twice that I had a digital camera. If I lost it, it wasn’t that expensive. These Gypsies have expensive tastes and they will follow you if they see you with a Leica. The practical side to owning a Leica is that you need to think as Noah did. If you don’t travel in pairs, you just don’t travel. You need that other person to have your back while you are shooting.

They are frightened though of the H3D because it would cause significant damage if I used it in the same way one uses a Baseball bat or a Cricket bat (I do live in Australia. We play Circket. Losing a Leica because you came out second best to the Gypsy lunging for your camera while you are taking a photo of St Charles Bridge in Prague or Montmarte in Paris is definitely not Cricket. Thankfully, it didn’t happen to me. In case you were trying to guess, I went to Paris, Stuttgart, Berlin. Prague, Chania, Thessalonika and Helsinki. From 2400 photos, there are a few images to go through.

Given the number of cities I visited, I came home with a back ache carrying cameras. I nearly had heart failure when there was no overhead luggage space on the aircraft and my camera bag, Hasselblad and all when in the cargo hold. I thought it was lost forever. It wasn’t. I was shocked. I was ropeable and none of my family wanted to be with me until my camera bag with all the cameras returned to me intact. At least I had travel insurance but still, Hasselblads are not the easiest things to replace. Neither are aching backs!

Where do my Nikons come into this? I needed something that could do the work of bigger cameras and fit in my pocket. I also needed to cut down on what I carried with me. I needed to be light and nimble. The camera had to be fast and pack a punch quickly. Much that I like the Leica M, manually focussing a moving target is not one of those things often done quickly. You need to anticipate the moment. Sometimes, you can be tone deaf to the moment. Further, your average relative that wants a happy snap gets impatient waiting for you to set the camera up. Traffic and bystanders often get in your way. That fleeting moment you want, the kiss on the footpath or the growling cat at the zoo just won’t wait for you. The EOS M has its limitations. Although it’s small, it has this large lens protruding from it which makes it difficult to put into a jacket pocket or place in a small compartment in your back pack It’s autofocus system is OK but it’s not what I would call lightening quick. I would still take it with me wherever I went but I needed something really small and fits into my pocket that was quicker.

Enter the Nikon Coolpix A and Nikon 1 V3.

The Nikon Cooplix A should really be named the Nikons 28TiD. It is its digital successor. It’s a fixed 18.5mm f2.8 (28mm equivalent) APS C pocket camera that is small enough to fit in your trouser pocket. I packs a wallop when it comes to image quality. After playing with it for a week there was nothing this camera could do wrong in my eyes. I wish I discovered this camera before I went to Europe. That said, it’s autofocus system is quicker than the EOS M but as I discovered, it is no match for the Nikon 1. I missed the odd photo opportunity. Nevertheless, I could take it with me on my lunch break anywhere and discretely shoot any subject I wished without attracting the attention the Hasselblad did. By the way, I love that H3D.

Although the 28mm equivalent is not a 18mm equivalent lens the EOS M carried, I find 28mm is my preferred focal length for walking around. I know 35mm is a classic focal length is well “classic”. I found the 28mm focal length more flexible for most walk around subjects including capturing that decisive moment. I can more easily take one or two steps closer when compared to taking 2 steps back into the Seine river.

I attach some of the iconic subjects of my home town Melbourne Australia.

Nikon Coolpix A Images

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I haven’t pitted the EOS M against the Coolpix A because I think they are different cameras. The EOS M is a more flexible package but it is bigger than my Coolpix A. Since acquiring the Coolpix A, I would consider leaving the EOS M at home. It will capture the images the EOS M could miss (but not necessary would miss). I think it is capable of some spectacularly sharp images with a film like rendering of colour and image quality.

I am happy to dive into the details of the camera but suffice to say it’s a DSLR APS-C equivalent camera that has a fixed 28mm equivalent lens that fits in your pocket that is not much bigger than an iPhone 4 and smaller than an iPhone 6plus. It will do everything the DSLR does at the same speed. It just primarily menu driven.

Why then, after purchasing the Coolpix A did I want the Nikon 1 V3? I just wanted one. Aside from that, I would call this the Ferrari of the pocket camera world. I have a D3. It’s about as quick but not quicker than the Nikon 1. The Nikon 1 is about getting the photo. It will shoot so fast that if it existed on that fateful day the naked little girl in vietnam that ran from the Napalm attack was captured by that famous photographer photojournalist, it would have captured 100 + frames before the little girl ran out of the frame. You would have seen every moment from her clothes catching fire, the explosion forming behind her and every half step she took towards the photographer as she tried to escape the cataclysm. Maybe that’s why that one image is special. Because the rest is left to the imagination.

Seriously, this camera may only have a one inch sensor but if you are not cropping the image, I can’t say I would notice the difference. Yes it has noise in the shadows. Yes doesn’t allow a crop of the image to be as clean as a larger sensor camera. Yes it may be overshadowed by other compact systems but none of the other are as discrete, fast, and have an image that is quite like the Nikon 1. Viva la Difference. It may not produce the best possible image you could get but it will get the photo every other camera would miss. It never misses. If I were a photojournalist, this is the one I would take with me into the field. I can shoot silently and still get up to 60 frames without autofocus and 20 frames with it. It’s not a point and shoot. It’s the gatling gun of the compact camera world with near APS-C image quality. I would carry two bodies, one with the 32 f1.2 permanently mounted to it. The other with the 10 f2.8. Basically a 28mm and 85mm equivalent set up.

No Doubt the Coolpix A has more punch in it’s colour and it’s noise is well controlled. It has a better lens and sensor combination . It’s no where near the fun to use that the Nikon 1 is. It is also a fixed lens camera. Hence, the designers can sort out the lens and sensor combination better than an interchangeable lens camera the Nikon 1 is. I would pick the Coolpix A over the Nikon 1 if I had time to take the photo. The Nikon 1 is the one I would pull off the shelf because I know I will have time to take the image and the 19 other ones it takes before the Coolpix A has taken the first one.

After purchasing the Nikon 1, I had to see what it was like compared to the Coolpix A. I attach photos of the same subjects with the Nikon 1 of Melbourne on a warm spring day (see below). I used the standard 10-30 zoom. The Coolpix A was set to vivid colour. the Nikon 1 was set to standard. Although I used vivid colour in the second last Nikon 1 photo of the building (the Rialto tower). I do not think it adds much in the same way it pushed the colour in the Coolpix A. I think the lens and sensor combination in the Coolpix A overshadows the zoom on the Nikon 1. Message to Nikon, build a better standard Nikon 1 10mm lens that is faster than 2.8.

thank you again Steve for being patient with me. I love your website.

I hope my email interests you enough to write about these cameras for me.

Best wishes

Nikon V3 Images

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Oct 222014
 

Why do we take pictures?

By Arend-Jan Westerhuis – See the website HERE

It’s a vexed question for sure, especially in the psychological sense. But I’m not going to do the full research here.

In the article, which my brother wrote a while back, he introduced us as wedding photographers. And in that proession we have seen a lot of other people take pictures. Some of them really go out on a limb to get their content and by doing so they are sometimes interfering with us or the proceedings of the day. My brothers and I tend not to mind these other photographers as much as some of our colleagues do. Sometimes we call their bluff by jumping in front of them, after they did it to us. Which on occasion is the start of a cold war of ‘who gets the closest.’

So why do they do it? Taking that pictures I mean. For instance; what is driving that uncle to bring his fancy DSLR and that monstrosity of a flashgun to the wedding? Whatever it is he may be doing, he isn’t going to create something beautiful, or document any precious moment in a subtle manner. He is at most having the idea of adding value to the day whilst maybe entertaining the concept of honing a skill. Another archetype we seem to encounter is the girlfriend-of-the-bride unholstering her iphone during her jump in front of us forcing me to recompose the shot . I like to think it is part of their coping process; to stretch out the emotions of the moment by being able to summon them again at will until they are without substance. Possibly hoping to care more on a later moment.

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I did not intend for this article to be a vent, although it certainly seems to start off that way. On the one hand I can congratulate them with their enthusiasm for photography. But on the other I just keep wondering; Why do they even invest the effort? Why don’t they just enjoy that moment where your friends are in the spotlight. I am there as a photographer which is a role I hope to fullfill to their satisfaction. So what is the urge to take pictures without being asked to? Who are they taking those pictures for? And in realising that question I ask myself: Why does anyone take pictures without being paid to do so? I hope that by reflecting on ourselves and others everyone reading this article may find out for themselves what their drive to take pictures is.

Since the dawn of the digital camera it seems everybody deems themselves an artist. Or at least the access to means to be taking pictures has skyrocketed. I see a lot of people with entry-level DSLR’s paired with power zooms who are trying to be creative. On a wedding day they might be thinking they see some things which I might not. Which will probably turn out to be true. The urge to be creative is good in and of itself! I’d say that it is import to try to develop some new skills every once in a while. Possibly a sport or dancing or whatever. But in this case I’d say you pay to high a price. You miss more than you gain. As it seems that at all important life events are witnessed through the lens of a camera. Maybe it would be better to practise on something else?

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In the past there has been a discussion about whether photography could even be art. Some said that is because in essence the camera copies. It doesn’t create because it transcribes. And its product is a resemblance of something that was. Some people reading will probably feel the strong urge to oppose these statements and while I do not wish to deny photography its artistic possibilities I do think a good study of what these people are stating actually helps to think about what makes photography unique to other media. For instance I think that in this copying power lies the true greatness of photography. It enables the photographer to point out something small or big that really happened. Which makes it different from for instance painting where everything is an interpretation. The camera is a witness to things; the things we point it at. Which may be a tear, an emotion, a murder or a kiss. It can be a play of lines, repetition. A photo can be suggestive or revealing. It is the skill of a photographer to see, expect, put together by framing and capture those things. And everyone notices different things!

But is that power of photography still a cherished quality today? Everyone has a camera, so when every picture you see is of something extraordinary, no picture is anymore. Sure, if images of special moments become common it create the urge for something extra. It seems people turn away from wanting to capture extraordinary and move towards the forcing emotions in viewing and the estrangement of the visible world. Some would call it art or a move towards art, but I’m worried photography is blurring with painting, where the first emotion of a photo is no longer: ‘wow, that really happened!’

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Not all is lost yet though. But where we now stand and depending on what group of photographers you are tuned into it seems everything is about filters, lenses and photoshop. VSCO and instagram are solutions available for the amateurs and upwards. The ability to create atmosphere where there was none. Nostalgia has been turned into a forced emotion which can applied to pictures taken just minutes ago. Even Lightroom in the right(wrong) hands can turn a rainy day into a Spanish sunset. On the other end is the use of ultra-high speed lenses which are the solution for the connoisseur. Isolation power seems to be the new standard for those with exquisite taste in glass. The recipe only involves the following ingredients: a subject, a background and high-speed glass. The first step is to place your object anywhere but in the middle, leaving the rest of your frame to be turned into sweet swirly bokeh! Even some good photographers resort to this type of image making once they acquire those expensive high speed lenses. But consider this: if a pictures wouldn’t be a good one at F5.6, it’s also crap at F0.95. Most of us (me too, I admit) drool over the bokeh because everything hard to obtain is something to lust after. It does not, or in any case I think it should not, make the picture substantially better.

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One famous photographer at old age was pointed to the fact that his hands were not as steady anymore. He replied that “sharpness is a bourgeois concept”. I’d say that depth of field has joined sharpness as something to brag with. Sometimes F0.95 might be needed to create sufficient isolation to force attention towards a subject, but most of the time there are other option available as well. In these pictures the isolation is abundant and therefore redundant. This still entails however that I have a timeline on Flickr and Facebook full of pictures which seems to be stuff found on casual Sunday strolls like leaves, flowers and other nonsense. In these types of pictures it’s clearly used to show off lenses, bokeh, filters and such. More important than the actual flower is the size of the bokehballs behind. If you cannot invest the time to find some interesting subjects, maybe you couldn’t afford the gear after all?

One of the better reasons for taking pictures which I frequently hear is that photographs serve well as memories. It is the department me and my brothers are in. ‘The business of memory making’ or maybe just giving people the means that help savour their special moments. And yes, if my house was burning down I too would try to save my hard-drive for the pictures. Pictures as documents of history can be very valuable. But if you yourself and the family are the targeted audience, isn’t it better to make memories before trying to savour them? And by only recognising social highlights as picture worthy, aren’t we cutting short on life itself? The mundane and the average? If the ‘extraordinary’ of what you are taking pictures of is usually a social highlight within your group of friends you might want to consider leaving your camera home more often.

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But what is picture worthy then? Is it up to you? Or maybe up to the viewer? Some people have good eyes for landscapes or architecture and others more for people. Some recognise moments that should be shared, which is the journalistic approach and sometimes, it is the beauty of something or someone. For me personally a good photo is a well-timed and well executed picture of something that occurred. The type of occurrence that make that you cannot go back and redo the image, because whatever it was is gone by then. As long as I have that moment, a lack of sharpness or bokeh is not necessarily problematic, because the moment and what is happening is the central piece. In photography, I would argue, you should put your own needs aside. A photographer should not be bragging through his pictures with his gear, his friends, money or anything else. In editing it should not be about forcing an atmosphere where there was none, let alone faking or manipulating authenticity. I like to think that photography is about letting others see whatever it is you have seen and want them to see. Something real and something that you think might be of value to them. This forces you to become an entertainer and therefore the other has become the audience. Everybody sees a lot of stuff every day and chooses to ignore most of it. So seeing a picture is the author telling you it shows something worth watching. There is a great vulnerability in showing the things you think are special. And in that sense photography is a very serving and humble profession.

So maybe think about it; why are you taking pictures? What message are you conveying through your images?

Kind regards,

Arend-Jan Westerhuis

Links: http://www.westerhuisenwesterhuis.nl

Facebook: https://www.facebook.com/WesterhuisWesterhuis

Oct 202014
 

Which is Which? Leica Monochrome vs Sony A6000

UPDATE: #1 is the A6000 and #2 is the Monochrome! You guys got it right, (most of you)!

Have not done one of these in a while and I always get asked to do these crazy comparisons so here we go. Which is which?

ONE image was taken with a Sony A6000 and one with a Leica Monochrome. Not going to say what lenses were used with each but let’s do a fun poll to see who can guess it right.

So seeing that the Leica is an $8000 camera vs the Sony at $648 pick which one you feel is from the Leica. EXIF has been stripped. 

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If you are unsure which is from which camera, then just take your best guess. :)

UPDATE: Sony is #1 and Leica is #2!

Oct 152014
 

The Leica X Edition Moncler – limited to 1,500 pieces

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PRESS RELEASE:

New York, New York (October 15th, 2014) — Leica Camera continues to celebrate 100 years of photography with the limited Leica X “Edition Moncler”. The new edition was designed in collaboration with Moncler and infuses both brand’s values of quality design and technicality. The aesthetically pleasing and highly technical camera pays homage to the French origins of Moncler with a premium leather trim in a three-color scheme of red, white, and blue. The silver version of the Leica X is appealing to both photographers and fashion forward camera users.

The exclusive Leica X ‘Edition Moncler’ is strictly limited to 1,500 units for the entire global market. The additional camera case was designed in accordance with Moncler’s world famous down jackets. The matching genuine leather camera strap bears the inscription, Leica & Moncler, highlighting the collaboration. The Leica X ‘Edition Moncler’ will be available from Leica Stores, Boutiques, and Moncler flagship stores, beginning October 2014.

This exclusive camera was first unveiled during the Frieze Art Fair in London at the opening of Fabien Baron’s exhibition, “Monuments”. The opening was hosted by Leica and Moncler at Sotheby’s on October 14th. Fabien Baron, Vanity Fair’s “most sought-after creative director in the world”, highlights the exemplary collaboration between Leica and Moncler with his exhibition. Baron’s photographs, captured with the Leica S medium-format camera system, show the spectacular ice and snow-bedecked landscapes of Greenland and express the fascination of nature with which Moncler is deeply involved.

The technical specifications of the Leica X ‘Edition Moncler’ are identical to those of the standard production model of the new Leica X camera. The camera features a professional APS-C-format CMOS sensor with 16.5 megapixels (effective 16.2 megapixels) with a Summilux 23 mm f/1.7 ASPH. lens, increasing creative freedom and guaranteeing exceptionally brilliant pictures.

It also offers a wide range of camera functions, an intuitively simple handling concept and the iconic, premium attributes of Leica product design. The Leica X provides everything an amateur or professional photographer needs for commercial, small business or family use.

About Moncler

Moncler was founded at Monestier-de-Clermont, Grenoble, France, in 1952 and is currently headquartered in Italy. Over the years the brand has combined style with constant technological research assisted by experts in activities linked to the world of the mountain. The Moncler outerwear collections marry the extreme demands of nature with those of city life. In 2003 Remo Ruffini took over the company, of which he is currently Chairman and CEO. Moncler manufactures and directly distributes the Moncler clothing and accessories collections Moncler Gamme Rouge, Moncler Gamme Bleu, Moncler Grenoble and Moncler Enfant through its boutiques and in exclusive international department stores and multi-brand outlet

Oct 142014
 

Use any strap on your Leica T! New T Strap Lugs…

Match Technical just released a couple of new items for the Leica T. First up is the new T Strap Lugs. As T owners know, the T comes with a proprietary system for connecting straps..only Leica straps. Many are not fans of the rubber Leica straps for the T and they have had no way to use other straps on their beloved camera..until now.

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Using these you just snap these into the camera and bingo, use any strap! You can order them at Leica Store Miami.

Match Technical also designed and released a new Thumbs Up for the T.

You can click HERE to see it and read more about it. Looks pretty slick!

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I have not tried or tested either of these as they are brand new but I have had experience with Match Technical and they have always been excellent. They have a knack for finding solutions to little issues with certain cameras and their solutions always seem to work so well.

Oct 132014
 

Trying out the Leica M240…once again.

By Dan Bar

For a long time I did not like the new M 240. As I wrote once before,  I did not like the colors and I know I was not the only one. I thought the rear buttons where too close to each other . When i first used it a few months ago my fingers ( I have long slim fingers) kept pushing the wrong ones . Whenever i wanted to look at the pics i just shot, I found myself activating the LV button instead.

But than I read what steve said about the camera, and I spoke with Thorsten Overgaard who said he only uses the M, not even the Leica MM anymore. I certainly appreciate these two photographers so I decided to try the M again.

Now maybe Leica heard the color complaint and changed something about the sensor (From Steve: Nothing was changed with the sensor) as all of a sudden the colors seemed much better to me. They lost their red yellow look I did not like before.
The rear LCD is much better now, and the shutter sound seems quieter (From Steve: nothing was changed with the LCD or the Shutter since the M 240 was released) . I still think the rear buttons are too small and too close to each other but I sure like the camera now and its fantastic capabilities.

Here are a few samples all taken with the 35 Summilux ASPH.

Danny

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Oct 122014
 

A new Leica M Monochrom and Special Artist Edition soon?

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It appears Leica has been working on a new Monochrom camera based on the M 240 (as I hinted at long ago). Gone will be the current monochrome and in its place the new version which will be like an M 240/M-P but with its sensor receiving the B&W treatment just as the M9 did for the current Monochrom camera. It will give a different look just as the M 240 gives a different look over the M9, and IMO, it will be better with a higher Dynamic Range as well as giving better high ISO performance. My guess? ISO 25,000 max. Just a guess of course. :)

So when will this new Monochrom hit the streets? NO idea, as for now it is just really rumors as nothing is official yet but somehow info has leaked (as it always seems to do).

The other big news/rumor is that there will be a full on raw brass M 240 “Lenny Kravitz” special edition. Not sure I get this one at all but hey, some may enjoy it. Usually if there is a celebs name on it, expect to pay more and being unique it will end up being a limited run priced higher than any standard M 240 or M-P. I will predict it is nothing more than cosmetics as it will have the same sensor as the M 240 and M-P. Nothing is confirmed as to it being a “Lenny Kravitz” edition but that is the word on the street (Lenny is an avid Leica shooter).

I am loving my silver chrome Monochrom which is already a classic. Will be interesting to see when this new version arrives but we all knew it was only a matter of time.

As soon as more details and news or release info hits I will share it here. Seeing that I am not a rumor site though, you may want to check LeicaRumors.com to see if they have more info.

Steve

 

Oct 072014
 

The Classic Leica 5cm Elmar f/3.5 Collapsable Lens on the Monochrom

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Hello to all! Happy Tuesday! It is 9 AM, I am sitting down at my desk to write this article with my morning coffee and a cookie. Life is good. Today I want to share my experience with an old classic lens. The gorgeous and TINY collapsible Leica Elmar 5cm f/3.5 Lens (50mm f/3.5). Yes, it is old, it is slow in aperture, but it is a beauty for shooting in decent light, especially with the Monochrom, which I absolutely adore. So why do I adore the Monochrom when it is just a black and white sensor camera? I mean, any camera can shoot in B&W, right?

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Yes. You can also convert using the pricey software solutions. Even so, I find there is nothing quite like using the Monochrom, or the quality I get from it when it comes to tonality, detail and overall look of the files. I also love using a rangefinder and since this one is based on the M9 body with a CCD sensor, it has a different look than most CMOS sensors made today. I especially like the fact that it is so simple. When using it you know what you are going to get. No color issues, no color casts, any lens can be used without issues and you do not have to fiddle with White balance or worry so much about high ISO as this guy shoots up to 10k with ease.

But today I want to talk briefly about a VERY classic lens. The Leitz 5CM f/3.5 Elmar. It is chrome and looks stunning on the Monochrom. It is tiny and weighs next to nothing. It is built and made to Leica standards and my copy that I found locally for $200 looks like it just rolled off the assembly line.

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My lens was made somewhere around the 1940’s but this lens was made through 1961. Even though my lens is more than 60 years old, it appears and functions as brand new. I bought it mainly just to have it, and seeing that it was so affordable I could not pass it up. I never thought it would get much use but I took it to Las Vegas with me last weekend when meeting up with some great guys from Germany at CosySpeed testing out some cool products.

I decided to take a 30 minute stroll around the strip to see who and what I could photograph. I found many people staring at the camera, some asking me if it was a film camera and others just saying “cool camera”! While most were shooting with iPhones, iPads and even quite a few Sony NEX cameras, no one was shooting with a Chrome Leica Monochrom with this classic lens attached :)

The lens will render in a classic way as it should for being a 60+ year old lens. 

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Being limited to f/3.5 Aperture scared me as I am used to shooting wide open at f/1.4 or f/2 most of the time. I realized that I may have a large DOF but hey, the old masters shot with lenses like this if not this exact lens for a while. I am nowhere NEAR as good as those guys..I am not even a pimple on their chin..but to use a lens that some of them used felt good and I knew the limitations and I accepted them. After I thought more about it I realized there were no real limitations and in fact, it should be easier to shoot with a lens like this as focusing would be made easier with a larger depth of field!

So away I went, walking, smiling, interacting, laughing and observing…

When you walk in Vegas be prepared for many who are only out to have a GREAT time..for many this is a break from stress, work, and their hectic lives so most are friendly and will be happy to let you snap their image..

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It was easy to use and shoot with this classic lens and I am pretty quick with a rangefinder and manual focus. I usually prefer to do more “street portraits” than “street shooting”. I find most street shots that people post online are usually quick sneaky grabs of people and many of them are not so good. I prefer some form of interaction with these people, some form of eye contact. A few words, or even a nod and smile. If they are receptive then I take a shot. Sometimes they are not and I still grab a shot but its all part of the experience of being immersed in the action…

This is one of the guys who pass out the cards for female strippers and escorts who come to your room..they usually hate their photo being taken, but this guy just gave me an odd look when I nodded and asked for a photo. He was probably wondering what I was using to snap the shot. 

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While this Elmar will not be a favorite of mine, it will be pulled out from time to time when I want to feel nostalgic and classic :) It’s a beautiful lens and if you find a mint copy for a good price SNAG IT! I find it worth it to have it in my collection for  the price I paid of $200.

A few more images below using this lens, at wide open at 3.5:

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

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B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

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One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Oct 062014
 

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The Leica X Typ 113  Review in under 3500 words. Gorgeous IQ, but with a flaw.

by Steve Huff

When I found out that Leica created a new “X” camera with a Summilux lens and a faster aperture of F/1.7 I was VERY happy. FINALLY! Leica created the X many of us have wanted…or did they? With all new stylish looks, a larger size using the X-Vario body, and a very GORGEOUS brown and silver color along with the stealthy black Leica has left out the built in EVF that 90% of us have been begging for. Why oh why? If an EVF was put in this camera it would have flown off the shelves!

Since the X was announced I have had no less than 100 e-mails telling me something like this:

“Steve! If the new X had an integrated EVF I would have pre-ordered instantly”!!

This also happened with the X2 to some extent but not like this. See, the X2 did not sell as well as the X1 due to the fact that it was so much like the X1. Same body, same lens, same everything besides a new sensor that at the time helped with high ISO. The X1 sold VERY well, it flew off of the shelves because it was the 1st of its kind, at the time. The X2 did not do as well as the X1 sales wise and Leica assumed it was because it did not have a zoom lens, so they made the X-Vario with a slow slow aperture zoom. The Vario sold even less than the X2. Ugg.

So this time, here in 2014, Leica decided to give us Leica fans (almost) what they wanted! An X camera with a FAST fixed Summilux lens. Usually a Summilux is an f/1.4 design but on the X it is (supposedly) an f/1.7 design. But before I get into the lens, let us get back to the missing EVF, that so many cameras today have.

I think I know why Leica did NOT include it (intreated EVF) in the new X, and in my opinion it is for a couple of reasons. Mainly, I think and would guess that they used the X Vario shells that did not sell to make the new X. The X-Vario did not have a built-in EVF so this one could not as well. It also seems they do not have the know how to do it as none of their German-made non Panasonic cameras have an EVF built-in. It could also be that they just want to milk us for more money so we buy the external $600 EVF that kills the beauty of the X camera (IN MY OPINION).

Who knows the true story but I was willing to overlook the EVF issue and just enjoy the camera, because it is one hell of a beautiful looking camera.

But is that beauty only skin deep?

The X look is here in full effect! I shot this at night as I was flying high in the sky in Las Vegas. I love the crisp look and vibrant colors. ISO 1,000, and this one was shot wide open as the subject was very far away, allowing the f /1.7 aperture to be used.

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With the excitement of the new faster Summilux lens I was ready to try it out and take some close up portraits just to see how nice the Bokeh would be when shot at f/1.7. Finally, we can get shallow DOF with an X! YES!

With a 23mm lens giving a 35mm equivalent this camera will still not be capable of extreme Bokeh effects because with the wide-angle lens (23mm) it is tough to get a very shallow DOF unless you shoot up close to your subject. No biggie right? I mean, how much shallow DOF do you need? Shooting this lens/camera up close at 1.7 would and should provide plenty of shallow DOF if that is what you are looking for. Better yet, it will open up to allow more light in for when you are in low light. Well, this is what I thought anyway.

First off, The X has the same 16.2 MP APS-C sensor as the X2 and X-Vario. Nothing new. It is basically an X-Vario with a new faster Summilux prime. Period. Basically the same AF performance, same IQ, same color signature, etc. So there is no need for me to re-hash the IQ performance. You can see that in my X2 and X-Vario reviews.

So off I go to start shooting the new X and I immediately see the same beautiful image quality that I was able to squeeze out of the X2 and Vario but one  thing was frustrating me…

This camera will NOT let you shoot at f/1.7 much of the time, unless your subject is far away! Well, FOUR FEET away.

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Frustration was kicking in as I was manually setting the aperture to f/1.7 using the MANUAL dials yet when I went to shoot an image the camera would change the aperture electronically to 2.5 or 2.8, even when the dial said 1.7! I thought it was a glitch, a firmware issue… but nope, I soon found out that this was done purposely by Leica!

What has been said is that this lens is not so good at close focus wide open when it does to image quality..meaning, the IQ suffers when shooting close wide open. So if you try to shoot wide open, for a head and shoulders portrait for example, you will not be able to. You lose that extra shallow DOF ability and what you get is VERY similar to what you would get from an X2. In fact, for 90% of my use the camera always went to f/2.5 or f/2.8. Why would I want to shoot a landscape at f/1.7? Close to mid focus distance will get you f/2.2 to f/2.8. Leica should have said this was a “Variable Aperture” lens as this is what it acts like I am sad to say.

Out of 100 images during my testing the camera shot around 4 or 5 at f/1.7  – the rest were between f/2.2 to f2.8. For me this negates the whole reason for the faster lens!! I mean, I may as well have been shooting with an X2! It is smaller, has no lens quirks and offers the same good looks and can be found for less money.

For me, if a lens is advertised as an f/1.7 lens it should shoot at f/1.7 when you want it to, not when IT wants to. No Leica should override your manual settings, period.

You need to be at around 4 feet from your subject to use f/1.7. Before that it works like a sliding scale from 1.7 at four feet down to 2.8 at its minimum focus distance. It will give you f/2, f/2.2 and f/2.5 depending on how close you are. 

Leica X – set for f/1.7 and camera shot it a 2.2 – self-reflection

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That X Image Quality..so beautiful!

As always with the X series, what struck me was the image quality. I love it. The crispness, the colors, the sharpness across the frame. Same as the X2 and Vario 100%. It is nice, I will give it that. The camera looks fantastic around you or when pulling it out of your bag and  it delivers gorgeous image quality in good light and good IQ in semi low light. It starts to fall apart in real low light and the focus starts to hunt some. Speed wise, it is pretty good considering this is a Leica :) With each release Leica seems to improve the AF ever so slightly.

Take a look at my X2 review HERE and my Vario review HERE to see the similarities in IQ. 

This is the DOF you can expect at f/2.8

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Basically though, this camera is pretty much an X2 in a Vario body and/or a Vario with a 23mm fixed prime lens. I have written extensively about those two cameras and to just write more of the same would be silly. This new X has the Vario body with an X2 and Vario sensor. Leica have done away with the small X1 and X2 size bodies and from now on will produce the X in this larger size, which is more like an M4 when it comes to size.

Truth be told, without a built-in EVF, it is not very inspiring to shoot. I had my A7s, Leica MM and this X with me for a Las Vegas weekend and using the X was odd compared to the other two cameras. I was constantly holding it out looking like an amateur or tourist and for me, this goes against the whole Leica philosophy!

Leica cameras have always had a viewfinder (in the past, the golden years) and these days, even with thousands asking for an X with a Summilux lens and built-in EVF they cripple it without an EVF and even cripple the lens by not allowing us to use it wide open in most scenarios! As I said, a bit odd but Leica has always been a bit odd, a bit quirky and a bit “we do it how we want, deal with it”.

While it retains the beautiful design, build and gorgeous IQ, it is less versatile than something like the Sony RX1. The RX1 is smaller, is full frame, will focus closer and has a magical Zeiss 35 f/2 lens built-in. The Sony also left out the EVF but I have a feeling that if and when an RX2 arrives it just night have an EVF. I sure hope so. The RX1 delivers more in low light with as much shallow DOF as you could want and while it does not have the brilliant color and crispness of the X files, it has its own unique full frame quality and look that is very desirable.

Many have asked me this question and NO, the new X typ 113 is in no way a Sony RX1 killer. Not at all. The X is a camera for those who want a beautiful camera to look at and use during decent light without expecting too much in the way of shallow DOF or high ISO abilities. At ISO 3200 it starts to get noisy and the AF lacks in these low light scenarios as well. This is not a low light camera even with the new lens. When I say low light I mean night-time indoors, or even evening indoors. This will not be a camera for those low light moody shots in a bar, for musicians on a lowly lit stage or even  on the street once the light goes down. Instead, the X excels in decent light where it can show off the amazing color and snap it has to the files that no other camera has.

It’s a strange thing really…

I love the camera for its design and image quality in most situations but I dislike that it has been crippled with the aperture as well as having to buy an expensive add on EVF that kills the looks and design (as well as making it harder to put into a bag). So for me, I will not be purchasing an X but I can understand how some will want to. Many of you may not have interest in shallow DOF or low light high ISO work. For you, this camera is a treat. It is smaller than the Vario due to the smaller lens and it feels really nice in the hand (unlike the vario which was odd with the long lens) and as I have said many times already, the IQ is fantastic with that Leica feel and look.

Click the image below to see them larger and see what I mean about the crisp Look.

The 1st one was shot at 1.7 but the camera gave me f/2.5, ISO 500

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 A reflection shot  – this one was shot at f/9

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Below at f/11. Good light, stopped down..nice looking files. Look at the red color how rich and distinct it looks. 

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So who will want this camera? X or T?

If you have been wanting a German-made Leica that has the beautiful looks of an M with the image quality of the X and you do not mind the aperture issue when shooting closer subjects OR the fact that the high ISO in low light is not as good as other competing cameras then I suspect you could be extremely happy with the X.

FULL SIZE SAMPLES:

Below are two full size samples from the new X. The first one is full light at f/2.8, ISO 100 and the second in actually quite good light, indoors with dull open doors and windows allowing light to flood in, yet the camera needed ISO 1600 at f/2.8. Click them for full size.

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FOCUS:

The AF is decent, and I had no issues with focus, at all. Engaging manual focus is easy, just twist the lens out of AF mode and away you go. There is even a distance scale on the lens for manual focus use that seemed to work well. Also, The LCD will show you the expanded magnified view so you can easily nail it, but for me, this method of focusing is slow. AF works just fine.

Nothing else gives the unique IQ of the X Series of cameras, but the T does since it shares the same sensor. I love the Leica T and the fact that M lenses can be used on it. It provides the X IQ but with a choice of lenses and in a more modern styled unibody. You can read my full T review HERE. The T will set you back more than the X because it is $1900 for the body only, and lenses are NOT cheap. The EVF for the X or the T will set you back $600. Yes, $600 for a wart that sits on top of the camera, IMO, destroying the looks of the X but with the T it seems to fit. The X is classic looking Leica, the T is modern-day Leica.

Again, set to f/1.7 but camera decided to shoot it at f/2.5. B&W High Contrast out of camera JPEG

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ISO 3200. If you click it you can see the camera starts to lose some DR at higher ISO, as well as color changes but still looks very nice and is 100% usable.

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Set for f/1.7 but camera gave me f/2.8 – ISO 1000  – put of camera B&W JPEG

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My final word on the Leica X with 23 f/1.7 Lens

I have been seeing a sort of backlash against Leica from new early owners of the X camera who are a bit upset at the fact that this camera will not let you shoot with the aperture set to f/1.7, as advertised, in many and most situations. If you want to shoot a head and shoulders portrait at 1.7, you can’t. If you want to shoot up close for a Bokeh effect at 1.7, forget it. Many have e-mailed ME complaining about it as if I were Leica and as soon as those emails started coming in I knew there would be more to come.

Leica probably could fix the issue with firmware but I am not sure they will as they chose to cripple the lens for a reason, supposedly that reason is due to the fact that the lens close focus wide open performance is below the quality levels they want to see. They do not want images online showing softness when wide open so to fix this they set the camera to automatically change the aperture if shooting up close wide open. Yet they advertise it as the new X with a Summilux f/1.7 lens even though you need to be around four feet from your subject or more to use the lens at f/1.7. Leica does not advertise this in their marketing blurbs, they just advertise it as an f/1.7 lens:

“The extremely fast initial aperture of its Leica-Summilux 35 mm f/1.7 ASPH. lens creates an exceptionally beautiful bokeh, as a result, the exploration of the creative possibilities of selective focus is fascinating and particularly rewarding with the Leica X. The lens is almost completely insensitive to flare and ghosting affects. And all this is possible without an extra lens hood. It delivers bright, clear, and incredibly sharp photos – from infinity to a close-focus distance of only 0.2 metres. As well the CMOS sensor of the Leica X fulfills what its APS-C format promises: outstanding photos with exceptional colour fidelity and the finest rendition of details – even in unfavorable light.”

Odd.

With that said, if you are up close, just like with the X2, you can shoot at f/2.8 and still get a shallow DOF, but you have to be CLOSE. The bag was my subject.

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For some this will not be a deal breaker, for others it will. Add to this the fact that they once again ignored the option of an integrated EVF and we have more who will not buy this camera. Then we have the same old sensor from the X2 and Vario, with no real enhancements to low light performance. Some are saying this is an old sensor in a snazzy new body.

The fact is that the new X CAN AND DOES deliver in image quality, giving that unique X look that other cameras do not give you. Even at f/2.8 you can still get some shallow DOF when shooting up close (as shown above) but still not as much as we expected to get at f/1.7. It is a gorgeous camera made to Leica standards and is like owning an X Vario body with a faster fixed prime lens. If the X-Vario was something you lusted after but with a smaller and faster prime, here you go. Just be aware that in many situations you will not be able to shoot wide open. Also keep in mind that this is still not a night-time or very low light camera. It is still at its best with good light.

The Leica X comes in at $2295, not as much as I thought considering the X2 came in at $1995 with the slower lens and smaller more compact body. At this price point there are many options out there from Sony, Fuji, and others. For example, the new X100T looks fantastic and comes in at $1295. It also has an APS-C sensor, and an f/2 35mm equivalent lens with a classic RF styled body including an integrated and super nice hybrid EVF/VF. It is a proven design that many adore. The Leica X has easy to navigate menus and is simple to set up and operate. That is one thing Leica excels at..simplicity…but are they trying to be too many things at one time?

I feel Leica should stop trying to be so many things for so many people. I believe they should offer just the M and T series but make another T with a built in EVF. Then we have an APS-C modern Leica and the classic full frame M series (both the MM and M versions). Both interchangeable lens cameras, and systems they could focus on 100%. I personally feel they should just drop the rest along with the Panasonic clones. Of course this will not happen but it seems that Leica may be losing sight of who they once were and what they need to offer to those who love Leica and what they stand for. With a C, X, M, T, D-Lux and V-Lux it just seems to be to much IMO.

Do you want the new X? The questions to ask yourself is: “Do I want a real German made Leica”? “Would I mind the negatives of this camera”?

$2295 is not cheap. It is a lot of money. For me, I was  bit let down due to the fact that when shooting I had to hold out the camera like a  tourist and in most cases, unless focusing close, the images lacked pop (for example, street shots). No internal EVF takes the excitement of the X down for me, as does the lens issue but at the end of the day I will always love that X IQ. It’s a tough call but one thing that can not be discounted is the IQ. It is superb. It is pure Leica X, and for that, for many, will be enough.

Steve

Below is my 1st look video on the Leica X before I discovered the Aperture issue:

WHERE TO BUY?

You can buy the Leica X from the 100% trusted and recommended dealers below:

Ken Hansen – email him at [email protected] (tell him I sent you!)

PopFlash.com

The Pro Shop

Amazon

B&H Photo

Leica Store Miami

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

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