May 182015
 
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New Leica Monochrom Typ 246, 1st Look Video & Samples

NOTE: YOU MUST click on the images here to see them correctly. If you do not, you are seeing resized and resampled softer images. Click them for larger size, and to see the correct sharpness. 

It has only been 2-3 days with the new Leica Monochrom but man, I can say with 100% authority that yes, for ME, this is a huge improvement over the last Leica Monochrom (M9) in EVERY way from file quality, to body, to features, to battery, to LCD, to Rangefinder, to the modern features like video and live view (which I will most likely not use). Just as the M 240 did over the M9, the new Monochrom Typ 246 does the same over the old M9 Monochrom.

The new MM 246 with my $30 Jupiter 8 50mm f/2 lens. The MM works well with old, cheap, classic lenses. Click for much better version!

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Now..before anyone gets in a HUFF over my words, as I know there are many die-hard fans of the original Monochrom and M9, what I say here is MY opinion, for my uses and needs. To me, and many others, this new MM is a full mature camera, a niche camera of course, but a full mature camera capable of astounding B&W imagery. It is like having an all B&W camera loaded with EVERY B&W film ever made, as your files can be made to resemble many B&W films. Of course digital will never replicate the look of film, but I feel what this camera can do…well, let’s just say I think it can output BETTER than film, without the hassle, costs and time involved. Personally, I would not choose a B&W film over a Monochrom 246 if given the choice. Of course, others will disagree, the film crowd.

A quick test shot after getting the new MM. 75 Summarit, f/2.4 – click it  to see it how it is supposed to be seen

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I feel the new MM is fantastic. It has the amazing battery life of the 240, the MUCH improved LCD, the MUCH improved menu system, quieter shutter, faster operation and larger buffer, increased DR (yes, it has more DR than the previous MM) and much improved high ISO performance. It is now 24 MP vs 18 MP and while the old MM was a detail MONSTER, I am not so sure yet if this one offers any advatage in resolution. This is something I have not seen, but will have to test.

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When it comes to IQ, the differences are that the new MM has files that are more creamy and rich, where the previous MM had files that were more RAW and hard. Just as those who moved to the M 240 from the M9, if moving from the old MM to the new MM, there will be a period of 1-2 weeks of solid use where you will need to get used to the differences.

Another with the little Jupiter lens at f/2.8 – click for better view

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I can say that the files from the new MM are much easier to process. With the old version, there was a learning curve. The new version seems much easier to get where you want to go when “developing” those RAW files.

This is NOT MY REVIEW, I repeat, this is NOT my review. This is simply my very 1st thoughts after having the camera for 2-3 days. My review will be up after I get to use the hell out of it with carious lenses. I’d say 2-3 weeks.

For now, take a look at my 1st look video of the new MM. Enjoy. My MM came from Ken Hansen, you can email him here for your Leica needs. You can also order the new MM at PopFlash, The Pro Shop B&H Photo, or Leica Store Miami. The new MM is $7450, a bit cheaper than the previous which came in at $7995.

May 162015
 

The New Leica Monochrome Typ 246 has Arrived!

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Just arrived! My new Leica Monochrom Typ 246! Above it was after I shot 10 frames on it. Attached my JB Grip, a 50 Summarit lens and it’s a stunner. A beauty. A unique Niche camera that many do not understand, and I admit, even I do not understand it fully but for those who crave, live, eat and sleep B&W, this my friends is state of the art in B&W photography when it comes to digital.

After an hour of checking it out, I have already noticed an extended DR over the previous MM, a richer file, no blown highlights (as the old MM had a tendency to do) and high ISO is on another level, even y 25K iso shots, that are pushed, look very very good. ISO 12,500 is pretty clean.

The files from the new MM 246 are creamier, richer, deeper, and to my eye, nicer. Not as harsh or crisp. But many will prefer the older rendering of the previous M9 based MM. To me, this MM 246 is MUCH improved as the body is the incredibly good M 240 body which has a much better feel, battery life, LCD, etc over the old M9 style.

I will have a 1st look video and photos on Monday, and will start with my long-term review as I use the new MM 246 for the next few weeks. Oh, and yes, this one is mine, not a loaner. It came from Ken Hansen, who is a legend when it comes to Leica dealers. E-mail him if you need anything Leica related. [email protected] 

More soon!

Two quick test shots right after unboxing. The 1st with the 75 Summarit at 2.4, 2nd with an old 1930’s Elmar at ISO 12,500. CLICK for larger and to see 100% crop!

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Apr 302015
 

The New Leica M Typ 246..or “The New Monochrom”

Seems the rumors were all true! The new Leica M 246, or “New Monochrom” has just been announced by Leica and it is basically what we all thought it would be..an M 240 body with an all new 24MP Monochrom CMOS sensor. No more CCD as with the M9 to 240. This new Monochrom appears to be a beauty. Me, I ADORE and LOVE my M 240 body. For me it kills the Leica M9 body in so many ways from feel, shutter sound, LCD, battery life. quality of controls and the way they feel, menu, RF frame lines and so much more. It is for me, the best digital M body ever designed so I am thrilled to see it make its way to the new Monochrom.

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The big question many have is “will this give the same amazing B&W as the previous CCD version”? That remains to be seen as I haven’t seen one, tested one or tried one. I should be able to soon. Expected to ship in just a couple of weeks, around mid May the new Monochrom 246 comes in at $7,450 and as before will be a niche camera that users will cherish and adore. Many do not understand the concept of a B&W only camera but it does have its benefits for sure. The previous M Monochrom put out B&W files that no other camera could match for B&W purists. It was truly the digital version of film, but instead of being stuck with one film, you could get the looks of many types of film. Of course, NO DIGITAL will ever replicate real film, but we can get in the ballpark.

You can see some 1st samples over at the Red Dot Forum, and to my eye, they look fabulous. 

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Some specs:

Outstanding imaging performance with low noise up to ISO 25,000
Live-View and focus peaking
Large buffer memory and Leica Maestro processor
High quality full-HD video function
Easy to use – reduced to the essentials
Body made of high-strength magnesium alloy and solid brass top and base plates finished in black chrome
Sapphire crystal glass cover plate and 3” monitor
Access to a wide range of M lenses from 16 – 135 mm
New filters solely for the Leica M Monochrom widening creative possibilities
Compatible with all accessories for the Leica M (Typ 240)
Access to R lenses with Leica M-Adapter-R for pictures and video
Adobe Lightroom available as a download
Made in Germany

I think the new M 246 Monochrom will be amazing, but I love Leica. I love their cameras. I love how they work, how they feel and that they are the most beautiful cameras made today for 35mm full frame.

Expensive, yes. Worth it? Maybe, that depends on you. Oh, it also now shoots video..only in B&W of course :) 

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You can pre-order the new Monochrom from Legendary Leica Dealer Ken Hansen by e-mailing him at [email protected].

You can also pre-order at the Pro Shop for Photographers, PopFlash.com and Leica Store Miami. 

I wil not be able to buy one but I should be able to test one as I have already spoken with Leica, so look for info soon from me with samples. How soon? Probably a couple of weeks.

OFFICIAL PRESS RELEASE:

Leica Unveils Its New M Monochrom Camera,
Taking Digital Black-and-White Photography to New Levels

Fresh Features Focus on Unsurpassed Imaging Performance, Rich Details,
Peak Low-Light Capabilities, HD Video Capability and Live View Options

April 30, 2015 – Leica Camera introduces the new Leica M Monochrom (Type 246) today, the next step in its hugely successful digital black-and-white photography concept for the Leica M rangefinder camera system. The new Leica M Monochrom, the first and only digital camera to enable a real black and white image – still or moving – without image processing or filtering, will be available May 2015.

“With never-before-seen imaging performance, outstanding low-light capabilities, and richness of detail, the new Leica M Monochrom surpasses the high standards set by its predecessor,” said Roland Wolff, VP of Marketing and Corporate Retail for Leica. “At the same time, it keeps its primary aim sharply in focus: black-and-white images with top quality across the board.”
Thanks to its high-capacity 2GB-buffer memory and Leica Maestro processor, the new Leica M Monochrom captures sequences three times faster than its predecessor. The new processor also enables extremely fast display of the captured images in review mode, making the new Monochrom even more versatile.
The Leica M Monochrom follows the successful route taken by the Leica M and captures decisive moments with 24-megapixel resolution. The monochrome CMOS sensor produces exceptionally sharp pictures at all sensitivity settings up to ISO 25000. As the M Monochrom has no color filter array over the sensor, it requires no interpolation for the calculation of luminance values. The result is 100% sharper images with brilliance and detail contrast that far exceeds what color photography can do.
The new Leica M Monochrom can also capture high-quality full-HD video in black and white. The optional Leica microphone adapter set, comprising an adapter and a stereo microphone, ensures perfect sound. The high-resolution 3″ monitor with 921,600 pixels ensures that photographers have complete control of composition, exposure, focusing and depth of field.
Moreover, the camera now offers full visual control with its Live View function, which provides two focusing methods: the up to 10x magnification of Live View Zoom mode, enabling full control of the sharpness of details in the image on the monitor or the closest focusing distance; and Live View Focus Peaking mode, where sharply focused edges in the image are highlighted by colored lines.

Another advantage of the new CMOS sensor is that, in addition to the M-Lens portfolio, almost all lenses of the Leica R series can now be used with an optional adapter on the Leica M Monochrom to expand the creative capabilities of the Leica rangefinder system, as is also the case with the Leica M. Additionally, all equipment and accessories from the Leica M series are compatible with the new Leica M Monochrom.

Other new features include:
• Nearly unbreakable sapphire crystal cover glass for the LCD monitor, treated with an anti-reflection protective coating to ensure precise assessment of images in any lighting situation.
• A body manufactured from high-strength magnesium alloy, with a top- and baseplate made from solid brass blanks and finished in black chrome.
• New yellow, orange and green filters, available in July.

About Leica Camera
Passion for creating perfect pictures. Leica represents a union of craftsmanship, design and experience. It is a beautiful collision of art and engineering, and the future of form and functionality. Leica Camera is an internationally operating, premium-segment manufacturer of cameras and sport optics products. The legendary status of the Leica brand is founded on a long tradition of excellence in the supreme quality and performance of cameras and lenses, and the iconic images that artists and photojournalists everywhere captured with them. Leica Camera AG is headquartered in Wetzlar, Germany.

For more information about Leica visit www.leica-camera.com

So what do YOU think about the new Leica Typ 246 Monochrom? Leave your comments below! 

Apr 152015
 

West Coast Monochrom

by Phillipp Wortmann

These are photographs taken along the California West Coast during a trip in march 2015. The route was roughly LA – San Clemente – Joshua Tree – Morro Bay – Big Sur – Santa Cruz – Point Reyes – San Francisco.
As I like to keep it simple I brought only my M6, 35 Summicron IV and a bunch of Kodak TriX film. It doesn’t matter if it’s cameras, lenses or film – if I bring more than one I can never decide what to use so limiting myself in that way actually gives me a lot more peace of mind.

For the past year or so I have been almost exclusively shooting 35mm color film but for this trip I wanted to give the black and white another go. This decision was actually made a couple of weeks prior to the trip when I went through my archive and rediscovered some of my older black and white film photos. You can check my little user report on that HERE.

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Another reason for going with black and white was that I had already been to do southwestern US the year before where I shot all Kodak Portra 160. So to avoid ending up with very similar photos from two different trips using Kodak TriX 400 made sense. If you like you can see the color shots from last year here: https://www.flickr.com/photos/derphilipppp/sets/72157648794789646/

So overall the trip was a blast and although I didn’t shoot as much as I had hoped/planned/anticipated I’m really happy with some of the shots I got. I will probably need to find a darkroom to do some prints soon.

The entire album can be viewed here: https://www.flickr.com/photos/derphilipppp/sets/72157651692347201/

You can also see more of my photos here: lifeon35.tumblr.com and instagram.com/derphilipppp/

Best regards and thanks for the opportunity to showcase my work!

Philipp

Apr 062015
 

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A Change Of Perspective – The Voigtlander 15mm f/4.5 III

By Alan Schaller – My Flickr linkhttps://www.flickr.com/photos/alanschaller/

Buy the 15 lens HERE at CameraQuest or HERE at B&H Photo

Hello everyone. First off, a big thank you to Steve for giving me the opportunity to write again on his great site.

I heard very good things about the first and second versions of the Voigtlander 15mm f/4.5, namely their low price, compact size and classy rendering. They were however known to colour shift on the M9, M240 and the A7 series, meaning many digital users used the lens as a black and white tool. From what I can tell from my pictures colour shifting has been completely sorted in this third version of the lens, which of course is a great thing. Also worth mentioning is the incredible lack of distortion.

I happened to have a holiday booked to the South of France a few days after I received my lens, and thought it would be the perfect place to let this super wide-angle flex its muscles! The region I went to (The Côte d’Azur) features crazily photogenic villages, street scenes, the sea and mountainous areas, so I had a lot fun shooting in a variety of environments with the 15mm on my Sony A7s and Leica Monochrom. The shots in this review were all taken on that trip.

Sony A7s ISO 2500 – f/4.5 – 1/40 sec

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I had not extensively used a lens wider than a 35mm before getting this 15mm prime. My main reason for buying a super wide angle lens was to shake up my shooting style. I can confirm that it has, and recommend trying one if you haven’t already! I enjoy the 50mm focal length most of all, and being so used to looking for photo opportunities through the ‘eye’ of a 50, what I was seeing through the 15mm viewfinder initially seemed almost comical. The first day I had the lens, I walked around London with it on the Monochrom, initially marvelling like a child at how I could get whole buildings in frame whilst standing a few meters away from them.

I eventually calmed down and started thinking about how I could get the most out of my new lens. It seemed immediately obvious that it would be useful for shooting landscapes or epic sky scenes, but being primarily a street photographer, I wanted to try and use it on the streets too. Initial test shots proved this to be tricky! A lot of the time you have to get extremely close to the subject to make an interesting shot. The silent shutter on the A7s made me feel more confident to do so. It’s something I am going to enjoy experimenting with.

The thing I have found most interesting and creatively rewarding about using this super wide angle lens is the way it presents an image with such an unfamiliar perspective to the human eye. A 50mm lens is great as it is so familiar to our field of view, but I am really interested by the way this lens is so unfamiliar. Certain scenes that would be very mundane with a standard focal length can become surprisingly interesting when you use a super wide angle. This one was taken on the plane going to France:

Leica Monochrom – ISO 320 – f/4.5 – 1/30 sec

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The Monochrom gets on very nicely with this lens! Images are detailed and have great contrast. If you stop down to f/8 the depth of field is impressive. Also, as the DOF is so deep on a lens this wide, at f8 the lens is focusing from its closest point of 0.5 meters all the way to infinity, so there is zero need to adjust focus! This is a welcome attribute as it takes more consideration to get a shot perfect with a 15mm due to the extra surrounding context inevitably being in frame, and not having to worry about nailing focus helps speed up the whole process.

I have found sharpening to be totally unnecessary when using this lens on the Mono. This lens and camera combo feels great to use, and is perfect in terms of size and weight. They feel seriously solid together in the hand, and look great too! Same goes when it is used on the A7s. It feels well-balanced.

I expected the lens to work fantastically on the Monochrom (as the previous version did too), but I have been super impressed with the results on my Sony A7s. The colour is to die for!

Sony A7s – ISO 100 – f/8 – 1/200 sec

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Sony A7s – ISO 100 – f/8 – 1/250 sec

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As many people know the A7s is a low light monster, which meant I could shoot at any time of night despite the fact that this is a pretty slow lens. Simply crank the ISO to 8 or 10 thousand and snap away handheld, knowing the images will retain great detail and colour. Simple! As I mentioned before, the edges retain their colour well, even under pixel peeping scrutiny, so hats off to Voigtlander for taking the time and putting in the R&D to revise this lens so well for digital sensors. Chromatic aberration seems very well controlled, but can still be spotted if you pixel peep. I am sure Voigtlander will sell many of these, as the price, although an increase from the previous generations of the f/4.5 15, is still way way below the outlay for similar offerings from Leica or Zeiss. Despite being relatively cheap, the lens is built excellently, has a metal hood and body, and takes sensible 58mm filters. Most importantly, from what I can tell, the image quality is right up there with those more pricey offerings from Leica and Zeiss.

Leica Monchrom – ISO 320 – f/5.7 – 1/125 sec

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I can already tell that this lens is a keeper, which means more of my shots taken with this lens will be going up on my Flickr page for the foreseeable future! So if you are interested in seeing more shots, feel free to have a look!

https://www.flickr.com/photos/alanschaller/

Feb 102015
 

Second go with the Leica M Monochrom

By Chris H

Not long ago, I published my first blog post via stevehuffphoto.com (Many thanks to Steve for sharing my write up) about my first serious experience with the Leica M Monochrom + Vintage LTM lenses in Paris.

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The Leica M Monochrom has definitely sparked my passion for black and white photography.  I love shooting in black and white but was never as motivated until owning the Leica M Monochrom.  One of the main reasons is because the Leica M Monochrom leaves me no alternatives but to shoot in black and white.  There were times that I struggled to generate great black and white frames but the more I struggled, the harder I pushed myself.  I love keeping myself at the limit because that’s where you unleash your full potential.  Some people might ask why did I not keep a color camera in hand but that is because I like to be completely focused on the one thing I wish to master.  From time to time I seek challenges, keeping myself out of the comfort zone is a method to achieve improvement.

Tokyo, Japan is one of my favourite capitals as it has some of the most astonishing architecture, countless vintage camera stores and of course Japanese food allowing me to enjoy more than 3 meals per day.  Being a frequent traveller, I am always impressed by what I see but to also be able to capture it exactly as how I felt at that moment is not easy.  Often one perfect frame which I already have in mind will take quite long to reproduce through my camera and lens.  This time I have decided to explore a very unfamiliar focal length – 21mm   Knowing that it might not be easy to use since the Leica M 21 F/1.4 ASPH is not a shift lens (I love lenses with shift movement for shooting architecture / landscape) plus the widest focal length I experienced is 28mm.  Being a first timer with the 21mm I had this fear which I might not able to cope with such wide perspective in such a short matter of time.  Finder choice, I picked the Universal Wide-angle Viewfinder.  Yes, not many people like it due to the look, plus it adds weight and size to the M but for me I value its practicality..  It is bright, like a TV screen and features that beloved leveler.  The leveler is a star because I dislike correcting perspective in post-production; dragging or cropping pixels are never a good thing.  For a filter option, I went for a normal UV MRC by B+W which I did not prefer too much and would have loved to have a yellow filter (rarely in stock in Hong Kong) for boosting the shadow detail a little.

First location – Tokyo International Forum

This is a masterpiece location which I visited as part of an architectural tour almost 10 years ago.  There are only bits and pieces in my memory which I can recall unfortunately.  Being able to return and appreciate this beauty after so long has made me very emotional.  The camera was kept in the bag for the first 45 minutes or so after arriving on site. I just wanted to focus on enjoying the atmosphere and every bit of detail like the materials, shape and structure which formed this amazing art piece.  As time went on, the sun found its way out of the clouds.  I have noticed some amazing shadows being cast on the ground through the curtain wall and roof structures.  Walking up and down, standing and kneeling.  People at the Tokyo International Forum must have thought I am a strange person but I could not care less because I knew that there was not much time left for me to enjoy this ultimate wonderland and to make the most of it, I had to focus.  As a first timer to the 21mm the final images are very encouraging; I am pretty much in love with this focal length.

Understand one thing, shooting a non Tilt-shift ultra wide forces you to work harder on composition.  The Leica M 21 F1.4 Summilux Asph is extremely sharp even at wide open (if you own a good copy); to me, stopping down is for extra depth of view plus getting rid of the slight vignette.  There is a bit of pincushion distortion at the edges but is totally acceptable as such fast aperture ultra wide is not easy to design.  Running the lens profile option through Lightroom 4 can correct the distortion instantly.

Second Location – Tokyo Sky Deck

An awesome location that allows you to capture Tokyo’s skyline and sunset without having massive glass windows in front killing the image quality!  Even though you are not that into photography, it is a great location to spend an afternoon with your loved ones.  As the sun goes down, seeing Tokyo lighting up slowly, the atmosphere is just incredible.  If you want a good spot, please be sure you arrive early because there were plenty of photographers that were already there in the early afternoon.

Pre-Owned Leica items

Thanks to the super guide by Tokyo camera style, I was able to check out a few vintage camera stores around Tokyo.  Price wise was not very attractive but you can always find mint to like new condition items in Japan. Therefore if you are looking for collector grade items, Japan is the place to go!

http://kenshukan.net/john/archives/2013/12/26/tokyo-photo-travel-guide-part-2-shinjuku-camera-shop-walk/

I could never get enough of Tokyo.  Revisiting is the only option!

I hope you all enjoy the images. Please be sure to leave any comments and feedback by either emailing me or leaving me a message on my Facebook page! Thank you!

Instagram: FotografiePorter

Facebook page: https://www.facebook.com/FotografiePorter

Website:  www.FotografiePorter.com

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Oct 122014
 

A new Leica M Monochrom and Special Artist Edition soon?

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It appears Leica has been working on a new Monochrom camera based on the M 240 (as I hinted at long ago). Gone will be the current monochrome and in its place the new version which will be like an M 240/M-P but with its sensor receiving the B&W treatment just as the M9 did for the current Monochrom camera. It will give a different look just as the M 240 gives a different look over the M9, and IMO, it will be better with a higher Dynamic Range as well as giving better high ISO performance. My guess? ISO 25,000 max. Just a guess of course. :)

So when will this new Monochrom hit the streets? NO idea, as for now it is just really rumors as nothing is official yet but somehow info has leaked (as it always seems to do).

The other big news/rumor is that there will be a full on raw brass M 240 “Lenny Kravitz” special edition. Not sure I get this one at all but hey, some may enjoy it. Usually if there is a celebs name on it, expect to pay more and being unique it will end up being a limited run priced higher than any standard M 240 or M-P. I will predict it is nothing more than cosmetics as it will have the same sensor as the M 240 and M-P. Nothing is confirmed as to it being a “Lenny Kravitz” edition but that is the word on the street (Lenny is an avid Leica shooter).

I am loving my silver chrome Monochrom which is already a classic. Will be interesting to see when this new version arrives but we all knew it was only a matter of time.

As soon as more details and news or release info hits I will share it here. Seeing that I am not a rumor site though, you may want to check LeicaRumors.com to see if they have more info.

Steve

 

Sep 152014
 

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Black & White with the Sony A7s, Leica Monochrom and Cheap lenses!

There is a beauty to B&W that is oftentimes not seen in color. Sure, there is place for color photography as our own vision is in color, this is how we see but there is something classic about B&W that just pulls at the heartstrings for many of us. When I was growing up the big thing was Polaroid cameras and instant film. Even 110 cameras and those silly disc cameras with disc film were in. There was NOTHING quite like what we have today and photography, while well-loved by so many back then, was not practiced nearly as much as it is today.

The Sony A7s with the Voigtlander 15 f/4.5. For ANY Leica Monochrome or Sony A7s shooter, his lens is a MUST own. It does well on color on the A7s as well. One of my faves. At $599 shipped, you can not go wrong for those times when you want wide-angle on your full frame. 

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With so many color filled images on Facebook and in all of the social circles I have become quite fond of pure, simple B&W photography.

Yesterday I went out to shoot some portraits of my (soon to be) stepdaughter Katie. I brought along my Monochrom, a Sony A7s and even a Mamiya 645 with Leaf Credo 40 back (have it for testing now) and the HoldFast Money Maker and Roamographer bag I just reviewed. I have to say, this Sony A7s just keeps on impressing the hell out of me. Seriously. It seems there is NOTHING it can  not do. From ultra low light to super bright light. From rich color to pleasing B&W. From using Sony FE lenses to using Leica mount lenses. It just seems to do it all, very well. I won’t even get into the video aspect, which is its main feature.

Even the 85mm f/2 Jupiter 9 that I paid $80 for is a fun lens. This is another Russian Leica screw mount lens and while it is a bit soft wide open it is well worth the cost for when you want a soft look. Sony A7s.

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For me, so far, the Sony A7s has been the best camera release of the year. Even with all of the new stuff at Photokina, so far, nothing has gotten me more than the A7s in 2014. I was shooting it yesterday with a $30 Jupiter 8 lens I picked up locally, which is a Russian Leica Screw mount 50 f/2. Yes, $30. How can ANY $30 lens be any good? Well, it may not be anything like a Leica or Zeiss 50 but it has its charms for sure.

Below is an image I shot with the A7s and Jupiter 8 lens, wide open at f/2. For $30 it can render a beautiful soft image. This was shot on the Sony A7s.

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As I mentioned earlier, I also brought along the Leica Monochrom, which for me is an instant classic. I feel Leica will release a new Monochrome in a year or two based on the M240 or whatever the next M will be. If they do, it will not be like the current monochrome due to the CCD sensor. Again, as with the M9 vs M 240, there will be fans of each model. The Monochrom has something about it that makes you just want to use it, shoot it and LOVE it. Is it worth $8,000? No. But it is a wonderful camera to own and use and it has results that can be superb, depending on the lenses you use with it.

The Leica Monochrom with Voigtlander 15 (cropped)

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The MM is simple in its design, it is an M after all. It has simple menus, basic settings, and is small yet very sturdy and solid. Many scoff at buying a camera that can only do B&W but if you love pure and true B&W imaging and have a true passion for it, there is no other alternative. For me it is like having a Leica film camera loaded with every B&W film type on the market and then some. You can dial in any look you want from Tri-X to Neopan to Delta.

The Leica MM with the Voigtlander 15 – cropped

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So how much difference is there between a file from the Sony A7s and Leica Monochrom when both are done in B&W? Well, the Monochrom will have much more fine detail for super large prints and a more subtle shift of grey tones throughout but the A7s is also very nice with B&W imaging. For the images here I used VSCO filters for ALL of the images so they will all have a similar signature and look. Without those filters the differences are more pronounced with the Monochrom giving a deeper range of grey tones to the image. But I have to hand it to the A7s. It rocks with color or B&W. Daytime or night use. But I still love my Leica MM! Also, use it with some great lenses and it will really strut its stuff.

You must click on these images to see them correctly and larger/better quality. This one is a full wide image from the MM and 15.

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For this shoot I used not only the Voigtlander and the Russian glass, I also use the Sony/Zeiss 55 1.8 which is a fantastic lens. Contrasty, sharp even when wide open and has Auto Focus so you do not have to be critical with your eyeball :) Both images below were with the A7s and 55 1.8 lens.

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So while B&W may not be everyone’s cup of tea, I love it. For me it pays homage to Photography’s past while also allowing a purity to come through. No white balance to worry about, no color shifts, no problems. Just pure. simple. photography. I would like to thanks my model, Katie Casey for her time and patience with me while I tried to manually focus those old lenses in the 100 degree heat :)

You will notice I did not include any images from the Leaf Credo/Mamiya system. I shot about 20 images with that setup yesterday and it was a BEAST. Heavy, cumbersome, large and loud.

 With that said, here is one from the Leaf setup though the shadow of my head ruined the shot:

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and again, the similar shot with the A7s and $30 Jupiter lens which shows the soft Jupiter signature:

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You can read my full Sony A7s review HERE or buy one HERE at Amazon or at B&H Photo HERE.

You can read my full four-part Leica MM review HERE, see my gallery HERE or buy one at Ken Hansen ([email protected]), PopFlash.com, Leica Store Miami or Pro Shop. Also at B&H Photo or Amazon.

Sep 142014
 

Concentration Camps with the Leica Monochrom

by Dan Bar

Hello Steve and Brandon,

It has been some time since my last photos. Anyway I spent a week in Poland intending to visit the two concentration camps Auschwitz and Birkenau. I decided to take the Leica Monochrom + 35 Lux 1.4 only. I first started with Birkanau ( first 5 pics) which was not easy to watch and certainly not easy to photo , yet still bearable. The long line of concrete with the holes in it is actually a latrine where they were forced to do their needs in front of the others. I then went to Auschwitz where I had to stop soon after starting my visit, simply could not face the horror . So I decided to put on only some of the sights I saw there. I hope these deeds will never ever happen again anywhere on the planet.

Thank you

Danny

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Aug 292014
 

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A night with the Monochrom at ISO 10,000

So yesterday you saw where I wrote about the new Leica M-P and the silver Monochrom. Last night Debby and I decided to take a drive down to a cool hangout here in Phoenix called “The Lost Leaf’. We have been there a few times now and it always offers a great atmosphere, a huge selection of beers and drinks and every single night, live music. The last time I was there I brought along the Sony A7s and tested it in the torturous low light conditions of the Lost Leaf, which at times borders on near darkness. The A7s did well, even when pushed to over 80,000 ISO and seeing that I was going that high in ISO with the A7s, I did not think the Monochrom would be able to handle it, especially with the 50 f/2 lens I had on the camera. But I gave it a shot. I cranked the Monochrom to ISO 10,000, which is the max ISO for this camera, and I snapped a few frames.

Before heading in I set the MM to ISO 6400 and snapped a shot of this mural on the wall across the street. Click on it to see  the tones, graduations and sharpness. It was shot at 50mm and f/2, wide open.

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At ISO 10,000 the Monochrom puts out files that look like Tri-X 400 film.  All images below were shot at ISO 10,000

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People hanging out on the patio waiting for the nights musical act, Copper & Congress. 

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As the band started to play I took a test shot from my table to test the lighting and to see if ISO 10k and f/2 was enough. I managed to get 1/60th second.

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I feel the Monochrom puts out convincing B&W that does remind me of my M6 ad M7 film days..

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I moved in closer to get some shots of the band..

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By far my fave shot of the night, and this one is a JPEG from camera. ISO 10,000, f/2 – click it for much better viewing experience.

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The Sony A7s was also with me…

I also brought the Sony A7s with me along with the 35 2.8 and 55 1.8 Zeiss. It focused so accurate and fast for me using auto focus, even in these dim conditions..it was amazing. With that said, I had to crank the ISO higher on the Sony as I was using an f/2.8 lens so I used ISO 16,000 and 32,000. Only problem was I had the camera (by accident) set to JPEG only, and was shooting in the gimmicky “high contrast B&W mode” which killed the tonality of the image. None of them looked good, but it was my mistake for using the HC B&W option. Here is one example below of what that setting will do when used at high ISO and low light:

The next two shots were taken with the Sony A7s at ISO 16,000 and 32,000 using the 55 1.8 and 35 2.8. Problem is I had the camera set to JPEG only and used the High Contrast B&W mode which destroyed the tones. Lesson learned.

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As you can see, using high contrast B&W on the A7s destroyed the details, the tones and the overall look of the image (IMO). From now on, no more gimmick modes for me! If it were set to standard B&W it would have looked great. I can also see the NR at work from the camera even though it was set to low. Still, the A7s performed like a beast. Fast AF, quick and easy shooting, no issues. If I had it set to RAW and JPEG I could have saved my photos so user error on that one.

At the end of the day though I soooo loved shooting the Monochrom last night. It has been a while since I shot anything like this with a Leica and with the insanely low light here (It’s literally lit up by one red light bulb) I did not think the Leica would cut it, especially with a 50 f/2. While the Noct would have been amazing here, the little Zeiss 50 Planar f/2 did well. For me the Mono images have a teeny something about them that is beautiful and now I know that I can go up to ISO 10k in the dark without issue. It’s all about the exposure and if you nail it then you will have minimal noise.

I will be back to the Lost Leaf soon I am sure because it is great fun to see and shoot these live acts in such a cool inmate environment.

You can check out the Lost Leaf here and if you are ever in Phoenix I highly recommend stopping in. You can check out Copper & Congress at their website HERE. 

Apr 152014
 

ishotitwinners

The winner of the $16,290 and Leica Monochrom from I-SHOT-IT!

So did any of you here enter the last B&W Photo Competition from I-SHOT-IT? Click HERE to see the newly announced winners, including the winner of the Monochrom and the $16,000 cash. They already started the next B&W competition so if you think you have what it takes, and are in the mood for some healthy competition then CLICK HERE To check it out.

Congratulations to the winner!

Steve

Mar 212014
 

‘A Night at the Opera’ with the Leica Monochrom & M2

By John Tuckey

Hi all, here’s another few film shots for you from my last shoot. We have Ilford HP5+ shot on an awesome old Leica M2 body with the Lux 50 ASPH attached and a couple of Contax 645 Medium format shots on PanF. I developed this lot myself so I think the PanF fans will be a little happier with how the PanF looks here ;-)

As usual the ‘real’ shoot for me was digitally shot on the M-Monochrom while the film was shot for fun and side projects. This time I’ve also included a few of the M-Monochrom shots that were taken as I think there’s an interesting contrast between the ISO 400 film and the digital shots also at ISO 400. To me, it’s not a question of better or worse, but as you’d expect they are very different.

For those interested, more from this shoot at: http://500px.com/jrtbloke/sets/carla_march_set

Attachment Captions and suggested running order:

M2 & Summilux 50mm ASPH @ f/1.4, 1/60, ISO 400 (Ilford HP5+)

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M-Monochrom & Noctilux @ f/1, 1/125, ISO 400

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M2 & Summilux 50mm ASPH @ f/1.4, 1/60, ISO 400 (Ilford HP5+)

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 M-Monochrom & Noctilux @ f/1, 1/125, ISO 400

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M2 & Summilux 50mm ASPH @ f/1.4, 1/60, ISO 400 (Ilford HP5+)

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M-Monochrom & Noctilux @ f/1, 1/125, ISO 400

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M2 & Summilux 50mm ASPH @ f/1.4, 1/60, ISO 400 (Ilford HP5+)

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M-Monochrom & Noctilux @ f/1, 1/125, ISO 400

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Contax 645 and 80mm f2, f/2, 1/3000, ISO 50 (ilford PanF+)

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M-Monochrom & Noctilux @ f/1, 1/4000, ISO 400 (and ND grad)

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All images post processed in Lightroom, but all in line with my 10 minute promise… which is for the health of my eyes! I just promise myself to never spend more than 10 minutes on an image in post. My reasoning is that if its crap after 10 it’ll always be crap (crap in, crap out) so then I just chalk it up to go and take another.

All the best

John Tuckey

http://www.jrtvintage.co.uk

http://500px.jrtvintage.co.uk

http://www.facebook.com/jrtvintage/

Mar 192014
 

The I-SHOT-IT Competition heats up again!

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Over the past year or so I have been telling everyone here about these great photo competitions over at I-SHOT-IT.com . The last few premium contests have all produced winners who found out about it from this very website, which is amazingly cool. Prizes have been $25,000 cash and a Leica Monochrom as well as other huge cash prizes and Leica cameras. I-SHOT-IT.com offers competitions across a wide range of subjects and prize levels.

Imagine entering a B&W photo to the premium competition and winning a Leica Monochrom WITH a load of cash. I have gotten thank you letters from previous winners who found out about the competitions from me, so I want to make sure I pass along the next one which is ending in about 2 weeks in hopes that another winner from HERE can take home the cash and prize.

The Premium B&W competition has a prize including the Leica Monochrom camera and the cash amount. As of this writing it is just over $5600 but it always climbs during the last few days of the competition. The entry fee for the PREMIUM contest is $20 so I would make sure you have a superb photo before entering this one. If you win, the prize is quite special though. It only takes one to win.

They also offer free competitions with lesser prizes. 

So be sure to check out all of the ways you can enter over at I-SHOT-IT.com. I feel they are providing a great service to those who want to get out and shoot as THIS WILL motivate you to get out and get the best shots of your life. For me, that is what it is all about. If I could enter I would pay my $20 and go out to find the best B&W shot I could possibly take and then submit it. I can not enter as I-SHOT-IT.com is a site sponsor but I know many of you here do enter, so I can live vicariously through some of you, lol.

Whoever wins this next one, if you come from here again let me know as it would be amazing to help deliver another winner from this community!

Go to the I-SHOT-IT home page HERE.

Check out their Facebook HERE. 

Check out and enter the B&W Premium Competition HERE

The FREE competition is HERE.

Mar 052014
 

colintempletont

In praise of the Leica Monochrom

by Colin Templeton

Hi Steve,

I’ve been a regular visitor to your site over the years, and thought it was time I contributed something, rather than continue to sit on the sidelines.

I work for a national newspaper in Scotland. I love my job – I’m based in Glasgow, as is my newspaper, so much of my work is in and around the city, although I also get to see a fair bit of Scotland.

But the city is what fascinates me. And when I’m not working I get out and about with my Leica M Monochrom. I love to document everyday life on the streets. I’ve owned, and used, a Leica M6 since the mid-nineties, and always liked the images it produced. They seemed to have more life to them, dare I say it, more soul than the pictures I got from the Nikon F5 I used for work, and the rangefinder camera was simply much more fun to use.

When I started at the newspaper full-time, around five years ago, they supplied the camera gear needed for the job, so I was left with all the Nikon kit I had used as a freelance. I sold it all (thank you, eBay) and bought a Leica M9. That camera was a revelation – essentially the same as the M6, but with the advantages of being digital. And when it was announced that Leica were launching a black and white only M, I didn’t hesitate – I traded in the M9, and found myself with an M Monochrom. I’d been converting the majority of my shots into black and white anyway.

Eighteen months later, I’m still smitten by this camera. Picking it up make me want to go out and shoot with it. And I do, pretty much every day (I post a daily photograph on Blipfoto: http://www.blipfoto.com/contraflow). A lot of praise has been heaped on the M Monochrom, and I find myself much in agreement. The camera is very small, light, unobtrusive, a joy to shoot with, and the files it produces are like nothing I’ve seen before. You can step on them hard and they just don’t break up. Not that you need to be hard on them, because if exposed correctly, they need hardly any work. Everything is in the file – it just needs to be breathed on a little to coax the best from it.

One of the best things about the M Monochrom is that you get to use Leica lenses on it. I’m an ex-Nikon user, and now a full-time Canon user, so I know all about the image quality of those two systems. But the tiny Leica lenses have detail and character in spades, by comparison. It almost seems ludicrous how heavy and large a pro Canon DSLR is, when the diminutive Leica has the same size sensor, and much smaller, faster, sharper lenses. Any DSLR I’ve ever used feels like the computer it is. I can’t bond with it. And when I see the results, they fulfil the brief, but it almost feels as though the camera made the picture, not me. That’s a good thing, because it makes the job easier. But there’s no fun involved. Using a Leica rangefinder is fun. You have to really slow down and think. Just take a single shot and make it count. When I get a picture from a Leica M that I’m happy with, I really feel as though I made the image, not the camera.

My two favourite lenses for the M Monochrom are the 50mm M Summilux ASPH, and the 28mm Summicron ASPH. Occasionally I’ll use an old 1960’s 90mm Tele Elmarit “fat” version 1, but generally it’s just the two lenses for me. And mostly it’s the 50mm. A lot has been made about the modern aspherical lenses being too sharp, too clinical in their rendering for the M Monochrom sensor, but I just don’t see it. I think the modern 50mm and 28mm render beautifully, and with plenty of character. But maybe that’s just me.

Anyway, I could go on and on. I adore the M Monochrom. It doesn’t get in my way, it just allows me to take great pictures. It’s like my M6, loaded with an endless supply of all my favourite black and white films.

My website is: http://colintempleton.com/

I’m also a member of the Elephant Gun photography collective: http://www.750grain.com/colintempleton/

And I’m on Twitter: https://twitter.com/colintempleton

Very best wishes, and thank you,

Colin

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Mar 042014
 

LEICA M MONOCHROMATIC IMAGES

By Michael Nemlich

I gain so much from yours as well as others posts, so I would be honored to contribute some in revenge. These days I use the M (240) following M9, M8 and Digilux 3. Since I do a lot of B&W images, before I moved to the 240 I considered the attractive and tempting MM; but my left side brain resisted, for one and only (good) reason, as follows:

According the phrase: “a picture is worth a thousand words”’ let’s talk (4) pictures:

The image “A” is of a scene in Manasseh-Heights. The image is chromatic, as a standard human eye sees it.

If this scene would have been taken with the MM it would be seen as image “B” with very close tones of both fields. No much can be done to distinguish between them.

Nevertheless, converting the original (color “A”) image to monochrome IN PP has the inherent option to influence the grey tones via the color channels; so lightening the oranges and darken the greens yields the image “C” and vice-versa results the image “D”. For me this was the one and only – but crucial – reason to stay with a ‘color’ sensor for B&W photography. Some short experience with the MM encouraged this theorem.

I hope this short essay helps.

All the Best. Nemlich

nemlich.leicaimages.com and www.beshumma.com

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© 2009-2015 STEVE HUFF PHOTOS All Rights Reserved
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