Apr 182014
 

The Olympus E-M5 using Dramatic Tone

by Tamer Erdem

Though the basic principles of photography are still valid, digital photography changed the rules of the game when it comes to post/in camera-processing. Post-processing or in camera-processing facilities and potential are almost endless and much more effortless in digital era. Art filters were introduced by Olympus a couple of years ago. After Nikon D300, when I purchased my first Olympus, E-P1, I really fell in love with pinhole effect and grainy black and white art filters.

Then I got E-P2 and like new diorama filter that miniaturize the scene. But the ultimate filter that I can desire was offered by OM-D, E-M5; dramatic tone filter for landscape photography. If you do not have enough time for post-processing and like some punchy, strong and slightly surreal landscape images, go for it without any hesitation. This art filter makes the image, kind of HDR (pseudo-HDR) image by increasing the details in shadow regions and decreasing light exposure in the highlighted regions of image. Also it boosts the color saturation and rendition.
I’d like to show some of my dramatic tone photographs that were taken at Kuşadası seaside in the autumn and Ayder plateau, a unique natural beauty in Turkey. You can also visit Zirkale castle, bridges of Byzantine and Ottoman origin and Fırtına Vadisi ( Storm Valley).

Panasonic Lumix 14mm 2.5, 20mm 1.7 and Leica 45mm 2.8 macro lenses were used.

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Apr 162014
 

The Sony RX1r meets the Olympus E-M1 in Iceland

By Chris Bakker

My website - http://www.chrisbakkerphoto.com

Hi Steve and readers of SteveHuffPhoto.com!

My name is Chris Bakker, a free time photographer from the Netherlands. I began to do photography around Christmas of 2012. I started off with a Sony RX100 by taking photos from all kinds of subjects what surrounded me and It didn’t took me long to really get caught by the beauty of photography . Right from the start I tried to read as many (e)books on photography as I could, follow on a daily basis the online forums and practice the acquired knowledge in the field. I am also a frequent reader of this site and let me tell you this site has giving me so much that I thought it would be time to give a little bit of my contribution in return.

Because I was so into photography I decided in the summer of 2013 to trade in my trusty RX100 for his bigger brother the RX1r. This indeed is a magical powerhouse and capable of delivering some stunning photo’s. This camera has got me even more into photography. Later that year, in November the Olympus OMD E-M1 came out and because I wanted to do different things in photography which needed faster auto focus and different focal length than 35mm, I decided to buy the E-M1 alongside my beloved RX1r and step into the world of micro 4/3.  I can say I have no regrets at all. This camera is so well designed and thought out, it works so well, it just makes you want to go out and shoot.

I often attend workshops and like to learn from the pros. So when the opportunity came by to go to Iceland for 11 days with a pro landscape photographer from the Netherlands, to learn in the field, I decided to go. So on February the 22 I went off to Iceland to return 11 days later home with an overwhelming experience by the beauty of Iceland. Not only did I came home with a lot of photos but also with a lot of acquired knowledge and practical experience.

So l’ll stop the twaddle, let’s get to the photo’s!

E-M1 pana 35-100 f2.8

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E-M1 pana 35-100 f2.8

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Kirkjufellsfoss – E-M1 Oly 12mm f2.0

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Going to Iceland in the winter takes some planning in advance. Although the temperature is about 30 degrees Fahrenheit, which isn’t too cold the wind can be really extreme. And the combination of those two makes it cold. Proper clothing, like multi layers, warm hand cloves and a fur cap is not a luxury. A good windbreaker can be a rain suit. Because of the hard wind, I can advise to take a big and sturdy tripod with you. I have come to situations where I definitely had to hold on to my MEFOTO Globetrotter tripod preventing it from falling over. A tripod can allow you to shoot at times of day when the light is unlike any other. If you want to shoot at sunrise or sunset, and you want to keep the ISO down, you need that long exposure. when you want to work with HDR you need a tripod for sure. Light is everything, don’t miss some of the best light of the day because you didn’t want to carry a tripod. What also comes in handy is to wear knee-pads. The ground is often stony and wet.

Snaefellsjoekull – RX1r

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E-M1 Oly 12mm f2.0

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Brúarfoss – E-M1 Oly 12mm f2.0

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Shining stones in river – E-M1 pana 35-100 f2.8

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While I was out making photos in the field I did quite often use my filters. There are many people that think in digital photography you don’t need filters anymore. Many think that this is also possible in post processing. When you need a slower shutter speed to blur motion, like with waterfalls, or polarizing light to reduce glare, do it with filters. Filters still enable an aesthetic that’s not possible through simple post-production, and in some cases not possible at all, even in Photoshop. Everybody has his own way of working but we people often work in sequence. We start off with 1 go to 2 than react to 3 to get to 4 or so. While this is a quite similar process as in post-production, like Lightroom, it is also a good process at point of capture. When experimenting with filters in the field you see the result immediately and that gives you the change to react to it. So it can definitely be a good thing for creativity. I used mostly a 3 stop ND filter from Singh-Ray and a Big stopper from Hoya the NX400. In a few occasions I used graduated and reverse grad filters, mostly at sunrise or sunset. For Polarizer’s, Singh-Ray Color Combo and the Gold ‘n Blue.

Skógafoss – RX1r

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Northern Lights near Vik – RX1r

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Vik Beach – E-M1 pana 35-100f2.8

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Skaftafell Icecave Vatnajökull – RX1r

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Skaftafell Icecave Vatnajökull – E-M1 Oly 12mm f2.0

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Sunset JÖKULSÁRLÓN Beach – E-M1 Oly 12mm f2.0

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Sunrise JÖKULSÁRLÓN Beach – RX1r

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What really fascinates me is that you can learn infinitely, it’s an ongoing process. Photography has become an essential part of my life. It’s so much fun, it’s a way of living. I hope you enjoy watching these photos as much as I did making them.

Chris Bakker

A few more…

Sunrise JÖKULSÁRLÓN Beach – RX1r

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Jökulsárlón Lake – E-M1 pana 35-100 f2.8

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Jökulsárlón Lake – E-M1 pana 35-100 f2.8

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Vik Beach – RX1r

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Old Turf Farm House – RX1r

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Icelandic Horse – E-M1 pana 35-100 f2.8

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Mar 242014
 

The new Panasonic 15mm 1.7 available for Pre-Order!

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Panasonic is kicking some serious behind in lenses lately. I have been shooting with the new Panasonic/Leica 42.5 f/1.2 Nocticron and it is one of the best lenses I have ever shot with, on any format. Sharp wide open, creamy Bokeh and a sort of Noctilux style rendering, but on M 4/3. It also resembles the $11k Noctilux in design though not nearly as hefty as the Leica counterpart. The Nocticron is a special lens for Micro 4/3 users and even has a manual aperture ring (but this is not usable on Olympus bodies which control aperture with the dial).

In fact, the Nocticron is so good that I am 90% sure I am going to purchase one even though the price is sky-high.

Add to that the new Panasonic/Leica 15mm f1.7 which also has a manual aperture ring and uses a 46mm filter size. This is a duo that will give you a 30mm and 85mm focal length equivalent for your Micro 4/3 body while giving you pro quality color, contrast, detail and bokeh.

The new 15 1.7 comes in at $599 and is available for pre-order NOW in Black or Silver at B&H Photo. It is also available HERE at Amazon. 

The Nocticron is available NOW for $1598 – EXPENSIVE YES but $9500 cheaper than a Leica Noctilux and 85% as good :)  Amazon also sells the Nocticron and it is IN STOCK. 

I am reviewing and using the Nocticron now on an E-M1 and will post my review soon (but it is a light sucker and rocks at night just like the real Noctilux). The 15 will be shipped to me at release for review so will get on that one as soon as I get it! I am telling you..Micro 4/3 just keeps getting better and better for those who are in the system. Pretty exciting stuff IMO as it is the lenses that make the system and no one beats M 4/3 for lenses in the mirror less world.

With these new Leica partnered lenses…makes me wonder if the new and rumored “Leica T” will be a Micro 4/3 body. I HOPE SO. I would much prefer it to be M 4.3  than a new lens mount APS-C. Using a Nocticron and 15 1.7 on a new Leica mirrorless…could be interesting.

Mar 172014
 

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The Olympus E-M10 and 12-40 f/2.8 Pro Zoom Mini Review

With Olympus continually being on top of their own mirrorless camera game I admit…I was a bit hesitant when the E-M10 was announced. I mean, was Olympus going the way of Panasonic who in the past  released cheap, dumbed down tiny bodies just to make a quick sale and find a market for their camera bodies? Let’s face it, the OM-D E-M5 is stellar. The OM-D E-M1 is stellar. The PEN E-P5 is fantastic and beautiful and one of my faves of all time in Micro 4/3. These are three Micro 4/3 mirrorless models that are truly state of the art and can easily provide anyone with gorgeous quality photos while offering speed, build and features that would make any shutter bug happy and many other mirror less camera companies a little nervous.

So why an “E-M10″ that is smaller? 

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Well, that was the question I had when it was announced. I glossed over it and while it looked cool I had doubts about why anyone would want it over an E-m5. Then I saw the cost of only $699 and thought..“well, if it is as great as the E-M5 in use, it will be a BARGAIN of epic proportions”! Then I realized that it had even better performance than the E-M5 and equaled the E-M1 for IQ and Af Speed. That was all I needed to hear. Done deal.

The E-M10 and 12-40 2.8 – This combo is lightning fast, sharp, amazing prime IQ and the very 1st zoom I have ever really wanted to buy in the mirror less world. The IQ is stellar. The color reproduction is rich. The contrast is striking. This lens is truly a pro zoom with a constant f/2.8 aperture across the range.

ALL images in this review are JPEGS shot with the E-M10 and 12-40 2.8 Lens!

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So one day I received a UPS box from the wonderful B&H Photo who sent me the little black Olympus E-M10 to check out and review. When I opened it up I was impressed with the look, the style and the design..which is basically just like the OM-D E-M5, just in a mini format. It felt solid, booted up quickly and had that blazing Olympus AF speed I have come to love and trust. It surprised me really as I was expecting it to be a little “laggy” seeing that it is a “mini”model that is cheaper.

I ended up deciding to just shoot this camera over a weekend with the Olympus 12-40 Pro Zoom. WHY? Well, I have not yet reviewed this lens and figured it would be a nice test of the camera and lens. AN ALL IN ONE. No need to worry or stress over lenses to use or take with. Easy Squeezy.

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So me, the E-M10 and the 12-40 2.8. That is all. That was the plan.

So how did it do? Read on to find out. Please note! This is not a normal tech “review” but it will be more of my thoughts using this camera over a weekend along with the photos I was able to casually snap. I always prefer real world use of a camera and have been doing these types of reviews and write ups for almost 6 years now. It is IMO, the only way to test a camera for what it is meant to be used for. TAKING PHOTOS and ENJOYING IT!

So one morning Debby and I took a 4 hour drive to Las Vegas and decided to just walk around and shoot the scenery. I did end up bringing along my Leica M 240 and 50 1.5 Nokton but only fired off 6 shots. The Olympus was so much fun, so fast and so GOOD that I did not want to stop using it! Seriously. It did have some faults but only in the handling. Basically, when using the 12-40 and the E-M10 I would highly recommend the accessory grip as the body is a little small for the Zoom as is.

“Orgasim Clinic” – what happens in vegas stays in vegas…

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Olympus and Micro 4/3

I have been a fan of Olympus forever. From the OM film cameras to the 1st real flagship E-1 digital back in the day. The PEN series..yes, I have shot with them all (The E-P5 is the best of PEN’s) and of course the OM-D series all the way to the  top of the Micro 4/3 heap with the Professional E-M1. ALL of these cameras have been wonderful to use and to shoot but especially these new camera bodies Olympus have been releasing over the past couple of years. The E-M5, E-P5, E-M1 are stellar, and I mean that 100%. I have said it a million times about these Olympus bodies but they have something about them that are special.

I have finally figured it out though..as to just what that special thing is. It is a combo of things actually that no other camera manufacturer has been able to accomplish as of yet besides Olympus.

In my opinion, the reason these latest Olympus bodies have been so special is because they offer it all and do it all very well without any real compromise:

1. Build quality - This E-M10 is built just like the current and more expensive E-M5 which is built very good. Solid, smooth dials, precision. It feels “right”. The Pro E-M1 is even better. All are built VERY well with the E-M1 being as good as it gets in the build for a mirrorless camera. 

2. Speed – The E-M10 and other OM-D bodies have blazing fast and accurate AF. It is pretty much instant. No hunting, no slowdown, no misses. I had no AF misses with the E-M10 and 12-40 2.8 lens. Focus was instant and so fast that I was just having fun testing it to try to make it miss or slow down! In super low indoor light at night it did slow down but still locked on and fired and nailed the shot. The Olympus bodies all have stellar AF speed and accuracy. They lose out a bit on CONTINUOUS tracking AF but for shot to shot, they are hard to beat. No other mirrorless body I have tried has the AF speed of the E-M1, E-M5 and E-M10.

3. EVF – The EVF in the E-M10 is NOT the best EVF around. The E-M1 and Fuji X-T1 share that honor but the EVF in the E-M10 is good, just a but on the small side. But this is not a “flagship” body. It is an affordable entry into the OM-D series. The fact that it has an EVF is great, as these days I avoid cameras without them. But overall, the E-M1 has one of the top EVF’s on the market. Huge, clear and VERY easy to use and frame with.

4. Image Stabilization – Olympus has the best IS in the business, no contest. I have never used anything like it. The E-M10 has “3 Axis” IS instead of the higher end bodies “5-Axis” but it works almost just as well. It is so cool to have this feature in a small, more affordable OM-D.  If you have not yet experienced the 5-Axis IS or even 3 Axis IS you are in for a treat.

5. LENSES – Again, Olympus and Panasonic are at the top of the mirrorless heap (next to Leica of course) when it comes to lenses for the Micro 4/3 system. I have shot with all Fuji lenses. All Sony lenses. All Panasonic lenses and mostly all Leica lenses. IMO, these little Olympus primes and now the 12-40 Pro Zoom are some of the best I have shot with next to Leica glass. The size, weight, feel, silence, speed and IQ are stellar on almost ALL of them. I a NOT a zoom guy but this $999 12-40 Pro Zoom equals or surpasses what I have seen from the Canon 24-70 and equals the Nikon 24-70 as well while being smaller and much less expensive. This is an amazing zoom lens. Fast, silent, small (in comparison to full frame and APS-C) and beautiful rich color and contrast/sharpness. Olympus lenses as well as Panasonic make some of the best mirrorless glass. Compared to Fuji lenses, these are faster to AF, all silent in operation, smaller and just as good with IQ. 

6. Image Quality – IQ from the Olympus bodies, including the E-M10 is as good as 98% of us will need. Pro’s use them for high paying jobs. They are that good. What it comes down to is preference of “look” when you decide on a camera body or sensor size. You can print large with Micro 4/3, no issues. You can print large with APS-C and full frame. All will give you a different look and feel but Micro 4/3 is no longer lacking in IQ in any way. The JPEGS are also fantastic out of camera and no special processing software is needed for the RAW files :)

I saw this guy getting ready to give a high-five. I turned around, aide and fired and hit the moment. No hesitation on the camera or lens. THIS is what makes a camera enjoyable.

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Sure, many cameras have these 6 features but Olympus is at the top of the entire mirror less game when it comes to mostly all of them. Micro 4/3 has established itself as a serious format and those who have predicted its demise over the past 3-4 years have been wrong as it is still going and growing in popularity because nothing offers a mixture of getting everything so close to being right that Olympus in the mirror less body world. Others are getting close, but for me, Olympus still rules the mirrorless roost. They do so much right and so little wrong. That is what it is all about because if a camera is frustrating to use, it will fall by the wayside and be forgotten.

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So how is the E-M10 and 12-40 in real use?

For some, the E-M10 will be much too small but as I said, the slick grip for this camera will add the size most need.. IMO, the E-M10 is one hell of a camera and paired with the 12-40 is one of the, if not the, most fun and reliably good camera and lens combos I have shot with. The good thing about the small size is that it makes it LIGHT. The lens is large on the body though so maybe a pancake lens with E-M10 would make a perfect coat pocket companion. Imagine a 17 1.8 or 20 1.7 on the camera. You could slide it in a coat pocket and have it with you at anytime. That kind of quality in your pocket beats any iPhone :)

With the 12-40 being a wide-angle and medium telephoto all in one I was able to walk around and gran shots in different ways. As I walked around Las Vegas I was doing some street sniping as well as normal photos with the stop and frame. With the fast AF and response the E-M10 was able to catch what I wanted without a problem. Something I could not do with any Fuji or Sony I have shot with to date (for example, the high-five guy above would have been missed with the Fuji or Sony). As much as I love the Sony RX1 and A7, they are nowhere near as fast and responsive as the Olympus bodies (though the IQ is GORGEOUS from the full frame sensor – much richer, a different league really). As much as I liked the Fuji X-T1, it is no match for the speed and response of any recent Olympus body.

IQ wise, I like them all but the Olympus colors and IQ always do it for me and I never am left wanting or regretting taking one out. For  my tastes, I prefer the Sony RX1 and Leica M 240 IQ the best overall but the Olympus Micro 4/3 next, ahead of ANY APS-C camera. The fact that these Olympus bodies work better (the 6 things listed above) than any APS-C I have shot with also helps seal the deal.

Olympus JPEGS are always bright, crisp and colorful. 

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The Sensor:

Here is what Olympus has to say about the sensor in the E-M10 along with the processor:

Unprecedented Image Quality That Exceeds Others in its Class

“The lens technology, sensor and image processor are the core of any digital camera. The OM-D E-M10’s partner in photographic excellence is the acclaimed Olympus M.ZUIKO lens system, a family of professional-grade glass that delivers unsurpassed resolution and overall image quality. The E-M10 ups the ante by pairing a 16MP Live MOS sensor with our most powerful TruePic VII image processor for extraordinary resolution and accurate color rendition. Add 3-axis in-body image stabilization that compensates for horizontal and vertical angular shifts (yaw/pitch) as well as camera shake along the optical axis (roll), and you have a camera that captures incredibly sharp images and video, yet is compact enough to bring just about anywhere.”

Walking around the crowds and grabbing shots was not an issue for the E-M10 and 12-40. Speed was fantastic.

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IQ that equals the E-M1. For $699. 

The more I used the E-M10 the more I enjoyed it but I also was starting to realize just how good the lens is. The 12-40 lens is giving us a 28-80 full frame field of view equivalent but in a much smaller package than those huge and unruly and expensive 24-70 full frame zooms. I reviewed the previous Panasonic 12-35 f/2.8 zoom HERE but I enjoyed the Olympus a little bit more. It just seems like a more polished lens and when using it on a Olympus body it is one of those lenses that just “works”. This lens has been a huge seller for Olympus and for good reason as I was finding out. The IQ that comes from this E-M10 and 12-40 is just as good as what I have been seeing from my E-M1 and E-M5, no question about it.

Both of these are JPEGS from the E-M10 and 12-40 Zoom. EXIF is embedded. Click them for larger/better. The 1st one is a full size camera JPEG. NOT from RAW.

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The E-M10 or the E-M5? That is the question.

Many are wondering..E-M5 or E-M10? Well, after using the E-M10 more and more I came to realize that for me, it beats the E-M5 in almost every way (except it is just a smaller body which I do not prefer..so the grip would be mandatory). It has better Auto Focus implementation. It has a better LCD. It has E-M1 IQ. All for $699. Amazing. Add a nice prime lens and you have a powerhouse capable of pro quality photos and speed. It also has video on par with the other Olympus bodies (which I enjoy and have used for personal projects on many occasions). Today, if I were buying and had to choose between the E-M5 and E-M10, it would have to be the E-M10 and grip.

BUT! There are areas where the E-M5 excel. One, the E-M10 is not weather sealed so if you shoot in rain, dust or rough environments the E-M5 or E-M1 will be the best bet. Also, the 3 Axis is not as good as the revolutionary 5 Axis IS of the E-M5 and E-M1. It is still superb, just loses out a little to the bigger and more expensive brothers.

If you want the ultimate OM-D, go for the E-M1 as it is the best in all areas but this E-M10 is about HALF the price of the $1400 E-M1 while giving the same IQ, speed and performance. Hmmmm.

This one has a vintage Alien Skin filter applied which is giving it the soft look..but I like it. 

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12-40 Zoom or Primes?

I am a HUGE believer in PRIME lenses. Especially FAST prime lenses. I love the 12 f/2, the 20 1.8, 45 1.8, 75 1.8, 17 1.8, etc. They are small, well made, silent and provide the best IQ with the Olympus and Micro 4.3 system. You can achieve shallow DOF and crisp images without an issue. I have avoided Zooms in the past for two reasons. The first reason is that usually, unless you buy a “pro” zoom there is always a compromise in image quality. Cheap zoom are horrible IMO. Kit Zooms are usually horrible as well (though the Fuji 18-55 is nice). Zooms like the Canon and Nikon and Sony 24-70 offerings are nice but they are full frame, horribly large and insanely expensive.

One reason I haven’t used this Olympus 12-40 yet is because I did not think it could offer the IQ of the primes as well as the fact that it is an f/2.8 design. No f/1.8, etc. I like f/1.4, 1.8 lenses!

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Well…after using it I realized that it will be sorely missed when I send it back and I may have to just add it to my Olympus collection when I can fund it. It is so well worth the $999, in fact, if it were $1400 it would be worth it. This lens is versatility and IQ and speed all in one package that comes in at half the size and less than half the cost of those full frame 24-70 counterparts while giving up nothing in performance. Of course full frame sensors offer better everything but in the Micro 4/3 world, THIS 12-40 f/2.8 PRO ZOOM is a must own if you want ONE lens to take out that will deliver prime lens image quality.

It is one hell of a lens and while larger than the primes, it offers much more with a field of view from 24-80mm. This means if you go inside you can shoot at 12mm(24mm)..go outside and zoom out to catch a face at 40mm (80mm)..whatever you need without swapping lenses.

The 12-40 also has a fantastic close focus feature that allows you to focus close when wide. You also have the Olympus Manual Focus clutch for instant switching between AF and MF. The lens is freeze, shock, dust and weather proof. It is silent for movie recording so no rattles, noise or irritating audibles. Olympus designed this one just right and it is an impressive zoom.

With a constant semi-fast f/2.8 aperture, it is the real deal in the Micro 4/3 Zoom world.

I will always love my primes but this is a lens I can see taking out on those days when I just need one lens to cover all I need. Yes…it WILL be mine one day!

All of the images below are JPEG’s ranging from base ISO to ISO 1600. EXIF is embedded.

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Dynamic Range! 

When I wrote my Fuji X-T1 review HERE I mentioned that I had some issues with blown highlights and the Fuji X-Trans sensor. Where I live here in Phx AZ the sun can get quite harsh..in fact, some of the harshest light I have ever come across. It is usually a torture test for most cameras and I have had issues with previous Fuji bodies in this light with flat files, blown highlights and dull looking photos. I have always said that if you give a Fuji some great light it will reward you with amazing image quality. Give it tough light and it can be a tricky situation. Low light can make the Fuji files muddy and ruddy.

One thing that I also have loved about Olympus is that I have never had issues with blown highlights. One reason is that the sensor with these latest OM-D cameras have a very good Dynamic Range and if you do blow the highlights they are easily recovered with the RAW file and a slider or two, even under extreme blow outs. Many think that the DR of the Olympus Micro 4/3 bodies suffer because the sensor is smaller than APS-C or full frame. Usually this would be true but these Olympus sensors always test high on the DR scale and in my real world experience, I have found this to be true.

An OOC JPEG in mid day Las Vegas sun with the white water fountain going full steam. 

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My conclusion on the Olympus E-M10 and 12-40 Pro Zoom.

I will make this easy. If you are leaning towards a Micro 4/3 system but do not want to break the bank with an E-M1, go for the E-M10. It is a WONDERFUL camera that can do just about anything anyone would need. If you want simplicity and versatility as well, buy the 12-40 f/2.8 Zoom and have an all in one kit. This would be a perfect street kit, portrait kit, family kit, vacation and walk around kit. Basically, a jack of all trades and master of most. With the E-M10 and zoom you will only lose out on those shallow DOF effects but if you desire that from time to time add in a 45 1.8 at $399.

In my opinion, Olympus has done it again and are on a constant winning streak with these new cameras and technology. The 3 Axis IS is so good, almost as good as the 5 Axis. The whole speed and user experience of the camera is so pleasurable you just want to keep shooting.

I love the E-M10. It is another camera in the OM-D line that is just a WIN and does not make any real compromises to offer us a more affordable entry unto the Olympus system. Bravo!

Steve

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WHERE TO BUY?

My review sample came from B&H Photo, and they sell the E-M10 at their web site HERE. I highly recommend B&H Photo!

You can also buy the 12-40 f/2.8 Pro Zoom at B&H HERE as well as the accessory Grip HERE.

Amazon sells the E-M10 HERE, the Grip HERE and the 12-40 2.8 Zoom HERE.

PopFlash also sells the Olympus line HERE.

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK - Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

Mar 032014
 

11 cities minus one in 15 days in Europe with OMD-EM5

By Ramon M Flores

Warm greetings from LA!

I’m an avid fan of the site. It’s one of my sources to better my photography. I’ve learned a lot from all his postings and enjoyed viewing all the images shared.

I thought I might as well share some of my images though reluctantly because I still find my photography way below par as I want it to be. I’m a ‘point & shoot’ shooter who happens to have a Nikon D700, a Fuji x100 and an EM5. This reluctancy delayed my decision to share. I have been thinking of emailing Steve as early as September last year. Then I thought, this set of photos (though quite ordinary) might be something different because of the story behind it. So here it goes.

July-August last year, there was an opportunity for me and my wife to accompany our daughter to her school band’s Europe trip. She plays the trumpet and their band performed in 4 cities during that trip. I was so excited that I brought with me almost all of my camera gears. It’s a 15-day Europe trip to 11 cities and we jump-started in Paris where we spent 3 days & 2 nights. Took a lot of pictures including some snapshots of the last leg of the Tour de France. My mind was all set and already fixed to a photo trip adventure while still in Paris.

…on the 3rd day, we left Paris. And this is the sad part – I lost my Nikon D700 & Fuji X100 cameras to a thief in Brussels, including my Nikkor 50mm 14.G & 14-24mm 2.8G lenses, and Fuji X100 WCL, hence I lost all my photos taken in Paris during the first 3 days of my trip. I therefore have no photo documentation of our stay in Paris.

Anyway, lesson learned.

All of these photos were taken using my Olympus OMD EM5 with the 12-50mm lens kit which survived the remaining 12 days of the trip. This camera is hanging my neck almost the entire trip. I had then the opportunity to play around quite a number of its feature. What a fantastic camera. It compensated or at least eased my sadness in losing most of my gears. My realization is that, with this camera, I don’t need my other gears in the first place. You may call it ‘justification’. This is my second attempt to share some of my pictures with Steve. I did not get lucky the first time I guess. Hope this time around, my photos would merit his attention. It’s an inspiration to move on with my hobby on photography with the likes of your dad around unselfishly sharing his love for photography.

Presently, I’m still shooting with my OMD and haven’t thought of adding gears though I’ve acquired a 45mm & 75mm lens for my OMD.

The photos below is a sampling for each cities we’ve visited (minus Paris of course). All photos shot at base ISO 200 and aperture priority unless indicated.

Thank you and my warm regards.

Ramon M Flores

http://www.pbase.com/monflores

Brussels ‘bikes for rent’

14mm, 1/200s, f/6.3

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Brugge ‘color block’

12mm, 1/6000s, f/5.6

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Amsterdam ‘the red is on’

12mm, 1/100, f/5

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Heidelberg ‘hand held night shot’

12mm, 1/3s, f/3.5

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Hague ‘experimenting on presets’

dramatic tone preset

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Goar-Bingen ‘river cruise’

Pop art preset

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Bavaria ‘from the castle’

36mm, 1/80s, f/5.7

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Cortina ‘open door’

12mm, 1/80s, f/3.5

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Innsbruck ‘my daughter’s trumpet’

37mm, 1/125s, f/5.7

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Venice ‘open canal’

12mm, 1/320s, f/8

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Feb 122014
 

New Olympus 7-14 2.8 PRO and 300 f/4 PRO Announced!

new714pro

It seems that at least every week or two we hear of something new in the camera world. The funny thing is I only report on a small percent of it! I talk about those products that are interesting to me and the readers here and there is still an endless stream of products to report on.

Olympus is once again paving the way and providing those who invested in the amazing E-M1 with a couple of rewards :) TWO new pro lenses. The 7-14 Wide Angle F/2.8 Zoom and the 300mm f/4 prime (600mm equivalent). These are both PRO lenses and will be dust and weatherproof with all of the good stuff that normally comes along with these great Olympus lenses (Image quality, pristine build and feel..oh and probably a big price tag).

Olympus promised new pro glass, and they seem to be delivering. These new lenses are expected to ship in 2015 so we have a while to go but at least we know what is on the way! The new 12-40 is already out and gaining rave reviews (my review is coming soon) so with these two lenses one would have a nice pro 3 lens kit. 7-14, 12-40 and 300 offering a 14-28, 24-80 and 600mm equivalent. There is also the 40-150 2.8 PRO scheduled to be released THIS year giving an 80-300 Equivalent.

Oly knows how to make fantastic lenses. Now I wonder what they have in store for us in 2015 in regards to a new pro body? Will they have an E-M1 successor already or will they wait a while?

new300pro

From Olympus…

“The first interchangeable lens of this series, the M.ZUIKO DIGITAL ED 12-40mm 1:2.8 PRO is already available while its successor, the M.ZUIKO DIGITAL ED 40-150mm 1:2.8 PRO, is scheduled to go on sale in the second half of 2014. The final two Olympus system lenses in the M.ZUIKO PRO quartet, covering everything from super wide angle to super telephoto, are currently under development. Both new lenses are scheduled to be released from 2015 onwards. More details will be announced prior to the launch.”

Feb 112014
 

olympus25

Amazon has the new Olympus 25 1.8 IN STOCK NOW in black for $399. This is a STEAL of a DEAL for this lens and I will have mine tomorrow. Full review soon but I have seen loads of photos with this lens and it is superb, fast focusing, silent and gorgeous! Get it HERE! This will give you the classic 50mm field of view on your Micro 4/3 camera with a fast 1.8 aperture!

B&H PHOTO ALSO IS NOW SHIPPING THIS LENS!

Feb 052014
 

On Patience

By Khoa Tran

“Sometimes, the best street photos are taken while wearing a backpack full of groceries…”

Recently, I thought about the differences in approach and style between myself and a photographer friend whose work I admire very much. He’s very good with small details, and I can just picture him (and I’ve actually seen him) spending a heck of a lot of time planning, setting up, and “getting” a particular shot. In contrast, I readily admit to being more of a “snapper who gets lucky.” I will also, however, admit to making my own luck.

While I do have my share of editorial (concert and sports) assignments, and the odd portrait and event gig, my favourite kind of photography is just having a camera with me wherever I go, without necessarily planning to shoot anything in particular.

I am lucky enough to live downtown in Old Montreal. I choose not to own a car, and I get about by walking, riding bikes (motorised and pedal-powered), and taking public transit. Often, I’ll see something and think to myself: “it’d make a great photo if only…” The trick,of course, is in seeing it through, and sometimes, seeing it through takes a bit of time.

In the winter, buildings often make visible steam from exhaust vents, and I’d noticed one in particular, going up a small hill on la rue St-Pierre. Over the past couple of winters, I’d tried to take a few shots of this scene, and it always occurred to me that it would be just perfect if I could catch someone walking through the fog of steam. If I were a more dedicated photographer, I’d find out what was making the steam, and, if possible, find out if there’s some sort of schedule to it, and either plan a shot with someone going through it, or just wait there and be patient until some random person would come through the right place at just the right time.

qui sait?

Olympus E-P3 with the M.Zuiko 14-42 mkII kit zoom

qui sait

Or… I could just happen to have one of my trusty Olympus PENs with me while walking home with a backpack full of groceries. I pass by this particular building fairly often, and I guess in the back of my mind, I knew that eventually I’d just luck out and find myself there at just the right time.

I ride the metro a lot, and I very often have a camera with me. In getting from point A to point B, I might have a photo or two to show for it. Public transit and subway stations are fascinating places. They are never a destination; they are places to which people will go in order to get Someplace Else. There are always people, but they never stay. They disappear off Elsewhere in the blink of an eye, in the heartbeat-quickening door-closing chimes, and the noisy whir of the train’s acceleration.

Over the years I’ve taken a lot of photos at subway and rapid transit stations in various cities (to the point where I am in the very early stages of planning an exhibition of these photos). It’s actually more often than not that I come home without anything noteworthy, but sometimes, just sometimes, I get something like this.

Peel Station, Christmas Eve 2013

Olympus E-PL5 with the Panasonic Lumix G 20mm f/1.7

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This past Christmas was an odd one for me. Significant life changes and scheduling complications meant that I was to spend the holiday alone while most everyone else I knew had left town to spend it with their families. Thus, I decided that Christmas Eve was as good a day as any to replace my pair of worn and leaky boots. So I found myself in a metro station I don’t usually use, switched my camera to my usual “subway mode” (shutter-priority 1/8 or 1/6 of a second), noticed the stairs, and Got Lucky. There’s a weird sort of surreal, detached feeling to this particular photo that’s not entirely unlike spending Christmas alone.

This last photo is of a driveway/garage entrance to a building very very near my own. As far as driveway/garage entrances go, I think it’s very beautifully designed. There also happens to be a steam vent there, and as it’s a residential building, I suspect that it makes visible steam in the winter when someone is running the clothes-dryer. Like in this article’s first photo, I’d often wondered to myself what it would look like if someone were to be in this shot. I’d also tried to stage a couple of photos over the years, but short of going into the building, befriending a resident, and asking him or her to run the dryer on a given night in the winter, it was going to be a tall order.

la rentrée

Olympus E-PL5 with the Panasonic Lumix G 20mm f/1.7

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So instead, a couple of years after moving into the neighbourhood, it just so happened that I was leaving to go to a live music show, someone inside that building happened to be running the dryer, and another resident just happened to be coming home.

http://www.flickr.com/photos/khoa_sus2/

http://www.suspendedseconds.ca

Patience and Fortune, I thank you both.

 

Jan 202014
 

Rendering Comparison: Olympus E-P5 vs Sony A7

by Michael Van den Bergh

First of all I’d like to thank Steve for his great website. I absolutely love his reviews, and his photos are an inspiration.

In this user report I will post comparison shots of the Olympus PEN E-P5 to the Sony A7 at the classical focal lengths: 35, 50 and 85mm.

The Sony A7

Inspired by Steve’s blog, I believe that a great camera is a camera that gets out of your way: convenient to carry, quick to access the right settings, and easy to get the shot you want.

My Nikon D7000 DSLR ticked none of those boxes. That’s how I tumbled into the world of micro four thirds. I currently use a PEN E-P5 as my main camera, and I cannot stress enough how great this camera is.

However, as a micro four thirds shooter there is always that itchy feeling that a full frame camera might produce superior images. With the new Sony cameras the itch got stronger, and on top of that I stumbled upon a crazy deal that I couldn’t refuse: $1,400 for the A7.

This pushed me into selling my Nikon gear and becoming the owner of an E-P5 and A7 side by side. I’m happy I made this jump. Rather than indefinitely debating which system is better for what, I’d rather just get it over with and own BOTH.

Right off the bat, the Sony A7 is fantastic. The controls feel right, everything is easy to access, and that EVF! I actually think the Sony EVF is better than the Olympus VF-4. They are very similar when you compare them side by side: about the same size and resolution, but the deeper blacks of the Sony make me forget that it’s an EVF. For me, that’s a milestone achievement right there: when you stop realizing that it is electronic and it all feels natural. Manual focus is easy through the viewfinder. There is no need for magnification or focus peaking.

The following comparisons are shown as a quick and dirty test, and are in no way scientific. My intention is to show what one might gain by moving from micro four thirds to full frame. This test compares 35, 50 and 85mm equivalent lenses, plus some outliers that might be used in similar situations (the Panasonic 20mm f/1.7 and the Olympus 75mm f/1.8).

35mm Lens Comparison

I find it really interesting to see how the A7 compares to the PEN with the 20mm f/1.7 and 17mm f/1.8 lenses. It is hard to compare focal lengths because of the different aspect ratios, but both of these lenses can be considered as 35-ish.

I don’t have the FE 35mm f/2.8, so I used my Nikon 17-55m f/2.8 for this test. When set to 35mm this actually works and covers the full frame. The Nikon is not a bad lens and should give us an idea of the type of images you can expect from a 35mm f/2.8 lens on full frame.

PEN E-P5 – Olympus 17mm f/1.8 – ISO 200

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Sony A7 – Nikon 17-55mm set to 35mm f/2.8 – ISO 200

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PEN E-P5 – Panasonic 20mm f/1.7 – ISO 200

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As expected, there are no huge differences between these images. The full frame image has a tiny bit more background blur. I’m sure the Sony FE 35mm f/2.8 resolves an incredible amount of detail, but these Olympus and Panasonic lenses are already plenty sharp.

The Olympus 17mm f/1.8 is often discarded as inferior. I’ve never had any issues with sharpness, and I love the way it renders…

PEN E-P5 – Olympus 17mm f/1.8 – ISO 200

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The Panasonic Leica 25mm f/1.4 is my favorite lens on micro four thirds. It has been my go to lens for the past year or so. On the other hand I’m happy I never sold my Nikon 50mm f/1.4 G (which I never liked on my D7000), because this lens works beautifully on the A7.

PEN E-P5 – Panasonic Leica 25mm f/1.4 – ISO 200

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Sony A7 – Nikon 50mm f/1.4 G – ISO 100

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In this comparison there is an obvious difference in background blur. If bokeh is your thing, full frame really wins here.

I can show some real-world samples as well. I really like the colors from the A7, like the following example. It is with this type of shot that full frame really shines: a comfortable 50mm field of view and great subject separation.

 Sony A7 – Nikon 50mm f/1.4 G – ISO 200

A7_50mm_example

The Panasonic Leica is no slouch either though, and the following photo really highlights its lovely rendering.

PEN E-P5 – Pansonic Leica 25mm f/1.4 – ISO 200

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85mm Lens Comparison

The Nikon 85mm f/1.8 G as my favorite lens on my DSLR. It performs really well on the A7 and I will probably keep it for a while. I am comparing it to the two typical portrait lenses one might use on micro four thirds: the equivalent 45mm f/1.8 and the longer 75mm f/1.8.

For this example the background is only 4 meters away. These are the typical portraits distances where it is more difficult to blow out the background because it is quite near.

PEN E-P5 – Olympus 45mm f/1.8 – ISO 200

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Sony A7 – Nikon 85mm f/1.8 G – ISO 200

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PEN E-P5 – Olympus 75mm f/1.8 – ISO 400

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The Nikon 85mm has quite a bit more background blur than the Olympus 45mm. However, if you look closely the 45mm renders a cleaner bokeh while the Nikon suffers from cat eyes in the corners. Though a different field of view, the 75mm Olympus renders roughly the same amount of background blur as the 85mm Nikon on full frame.

Here’s one last example shot with the A7 and the 85mm. This setup makes it really easy to make spontaneous people shots. This would be much harder on micro four thirds.

Sony A7 – Nikon 85mm f/1.8 G – ISO 1250

A7_85mm_example

So is full frame really better? I think it really depends. For extremely shallow depth-of-field a full frame camera is unbeatable. The photos are creamy and sometimes the gradients seem less harsh, more natural. I assume this is a result of better dynamic range.

Either way, the differences are subtle, and micro four thirds offers an incredible selection of small lenses. It is the system you want to carry with you on your travels. Both cameras (E-P5 and A7) make photography such a pleasure.

I hope this comparison was helpful to everyone out there on the fence between these two systems, or thinking about upgrading!

Jan 132014
 

Novice experience on the OMD-EM5 – Light, Easy, Versatile and Quick

By Jason McCosker

Dear Steve,

I thought I would share my thoughts on the existing gear and setup that I have come to love over the last 9 months. In fact all my gear and processing requirements have come from the real life experiences shared on STEVEHUFFPHOTO.COM.

In December 2012, I was fed up missing so many shots of my 4 and 2 yo with a point and shoot that had such limited control. So I looked out for a small manual system with options that could take me further. Following reviews particularly from this site and a love for the feel, weight, size, EVF and easy setup my decision was the Olympus OMD-EM5 that came with the 12-50mm kit lens.

A few months ago I picked up the 17mm 1.8 prime lens and at the same time your post on VSCO Film 04 came out and as it supported the OMD-EM5 I gave it a try.

I do not personally like the full grainy aspect or some orange skin of the VSCO however with the VSCO tool kit the desired needs to meet all taste can be achieved with 3 or 4 clicks. My desired needs are then resaved as a personal preset so my favourite VSCO combo’s are a one click processing scenario.

I share a few results from a novice perspective that I have managed to get from this setup across macro, kids, landscape and a street walk in the last couple of months. I know all GAS is in me with the release of the EM1 and A7Rr but this setup will last a my needs for some time and I would rather build my lens collection than cater for my GAS desires.

Each image has no planned setup, no specific lighting, is captured within 2-3 seconds of the moment and processed with 1-3 clicks in lightroom utilising VSCO (no more than a minute an image to import, utilise preset and save).

Cheers

JSM (Jason McCosker)

Image 1: Flaming Flower

12-50mm kit lens (macro), VSCO (Kodak E100G Vibrant / Sharpen ++)

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Although the 12-50mm lens is considered slow and big by many, for my needs it is a good all round lens in bright sunlight and of course those rainy days due to the weather seal. I did not utilise the macro mode for some time however it has nice detail and you can blur out edges if desired.

 

Image 2: Jumping High

Oly 17mm prime, VSCO (Fuji Fortio SP/Saturation – / Orange Skin Fix)

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This was a first image test for the 17mm 1.8, I went out in bright sunlight with my 4yo son who was running, jumping, diving and climbing.

 

Image 3: The Web

Oly 17mm prime, VSCO (Fuji Provia 400k- / Orange Skin Fix)

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I don’t often get the little ones to pose for a shot as it will never happen unless they are stuck in a web.

 

Image 4: Surfer on the Lake

Oly 17mm prime, VSCO (Fuji Provia 100F++++ / Grain (None) / Sharpen +++)

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Riding my bike, I noticed a surfer paddling across the lake. Quickly grabbing my OMD and not looking at anything but the scene which is a learner mistake. The camera was setup all wrong (F3.5), so not sharp throughout but shows what the camera and lens combo can achieve even in a dummies hands.

The next three was a street photography experiment involving a quick street walk with no more or less than 7 shots. The first aim was to see if I had the mindset of a street photographer to carry it out. The second aim was to capture the story of the walk and give some insight into the inner city and people of Newcastle – Australia in just a handful of clicks.

Image 5: Ooooh

Oly 17mm prime, VSCO (Agfa Scala 200++ / Shadow Save ++ / Grain (None))

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Image 6: Lunch Break

17mm 1.8, VSCO (Agfa Scala 200+ / Contrast ++ / Grain (None))

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Image 7: Lost

17mm 1.8, VSCO (Agfa Scala 200 / Contrast ++ / Grain (None) / Vignette 1)

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Jan 072014
 

It’s all about Inspiration!

By Sebastien Chort

Hi Steve

First I’d like to deliver a huge THANK YOU

I’ve been working for a long time in the so-called “graphic/animation/movie industry” therefore I’ve been dealing with picture composition, lighting, framing for years. But I mainly spent my time behind my computer creating images in 3D for animation studio or VFX companies. I always had an interest for photography but when digital cameras appeared my envy to snap pictures kind of vanished (IQ was disappointing) and I gave most of my energy toward my pro activity.

Eventually I started to feel frustrated with the long process it takes to create Computer Graphic images and I started to lurk again toward photography with the high expectation to create spontaneous pictures. Then while I was looking for a decent digital camera 2 years ago, I stumbled across your blog and it opened the Pandora box. The flow of great pictures and great reviews you share helped me a lot to find inspiration and to renew my interest toward photography.

I bought a GH2 which caught my interest for its movie capacities and later on I couldn’t resist the OMD EM5. I loved using the GH2 but the OMD is such a great tool I can’t thank you enough for advising it so loudly. I started to go mental with photography gear to be honest and bought a lot of lenses (C-Mount, Canon’s FD, and pretty much everything I could on Panasonic and Olympus MFT).

Finally I started to look back to some film camera as well and I’m the happy owner of a Hasselblad CM with 3 lenses, a Rolleiflex from 1928 and recently I acquired a Leica M3. This might sound like a G.A.S. issue, but I don’t feel that way. I’m experimenting a lot with all my cameras, I love to carry them, to shoot with them, those are just symptoms of an ongoing passionate story with a great medium to create pictures.

I mainly do portraits of my relatives or street photography, but I feel like I’m barely starting to discover how much fun I can get with photography, so it’s a permanent excitement to know I still have to learn about landscape, sport or studio photography.

So I think you have a large responsibility in my renewed passion for photography and I can’t thank you enough for that. I hope you’ll like the few pictures I’m sending and I wish you the best for the years to come

Thanks for reading me ;)

Sebastien Chort

WebSite : http://sebastienchort.com

Flickr : http://www.flickr.com/photos/sebchort/

From Steve: Thanks so much Sebastien! I am glad that reading my site has inspired you but I must say that it is readers just like you that inspire ME in a day to day basis. Seeing so many great photographs helps to push me to get out there and shoot every week. So thank YOU! 

GH2 7mm

GH2 45mm

GH2 cmount

Hasselblad_80mmZeiss

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FujiX100

Dec 192013
 

olyvs

The Olympus OM-D E-M1 VS the rest of the industry

by William Rappard

Photo gear biography: from Oly to Nikon

I have no real analog background, since I began “serious” photography only in early 2007 with an Olympus E-500 DSLR, Zuiko 14-54/2.8-3.5 (great lens) and a Sigma 55-200/3.5-5.6. Image quality from the sensor (8mp Kodak CCD) was terrible, ISO 400-800 being the sensible limit. But already then, this camera had an unusual ability to bond with its user.

I shot great pictures with this one and it taught me not to rely on super high ISO capabilities, but rather fine tune speed and aperture to get what I wanted. More so, it made me want to master it despite (or maybe thanks to) its limitations. However, when I compared my pics to others shot with Canon or Nikon enthusiast DSLR’s (20D/D70 by the time), high ISO’s were such a pity that my ego couldn’t take it. For the sake of comparison, the E-500 produced more (and uglier) noise at ISO 400 than a D7100 would today at ISO 3200/6400.

At that time, I posted my images on DeviantArt under the nickname “Ouylle” and got some very positive feedback, including a few “daily deviations” for those who know, and even winning a contest once with this picture which became a postcard for a charity cause:

Val d’Aniviers, Switzerland: The Cloud Factory Olympus E-500 @ ISO 100, 27mm, f5.6, 1/4000s

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Of course, as a complete geek, I had to try other cameras to figure out if a better IQ potential in low lights could enhance my photography. I entered the high ISO quest many of us know since the heroic ages of digital photography, but still pulled out nice pictures with my E-500.

I’ve tried other Olympus DSLR’s, such as the E-420 and E-510, which were in a certain way the ancestors of the E-M5 and E-M1 in terms of form factor, except for the vintage design. But neither of them could compete with their APS-C counterparts from the likes of Canon, Nikon, Minolta (already sensor-stabilized) or Pentax, despite Olympus offering some of the best glass around (remember the Zuiko 50mm macro f2 ?).

My father still owns his Nikon F from the 60s and always told me Nikon was the Rolls Royce of photography (I guess he never heard of Leica, but that’s another story). So when I received some amazing Nikkor glass from a cousin as a present (!), I gradually decided to switch from Oly to Nikon and got myself a D70s to play with.

Image quality, while mediocre by today’s standards, was stellar compared to my trustworthy E-500 and it’s Oly fellows. However, the newly announced and highly anticipated D300 became my next dream camera. As I was enjoying shooting my Nikkor primes, I quickly traded my D70s for a D300 and was blown away again by the IQ: ISO 1600 became very clean and ISO 3200 fairly usable. This sort of abilities became my benchmark in terms of IQ. At this stage, digital noise control was already better than with any high sensitivity film.

With a grip, a tripod and some other lenses such as a Sigma 10-20, Nikkor 20/2.8, 24/2.8, 50/1.4, 60 macro /2.8, the incredible 105/2 DC and AF 80-200/2.8 D, I thought I had the PERFECT kit for a semi-professional enthusiast.

At the time, I was shooting everything from paid jobs (weddings, corporate portraits, events) to holidays, club or street photography. I learned a lot (and earned good money) with this heavy, but reliable and high performance Nikon kit, covering everything from eq. 15mm to 300mm with great quality glass.

Switzerland: Fields.
Nikon D300 @ ISO 200, 10mm, f13, 1/250s

Photo 3

 -

Geneva: Right-before bride. Nikon D300 @ ISO 1600, 50mm, f2, 1/2000s

Photo 4

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Beirut, Achrafieh: View on the mountains from the balcony. - Nikon D300 @ ISO 100, 16mm, f10, 30s.

Photo 5

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Geneva, Usine Club: Happy cluber Nikon D300 @ ISO 250, 16mm, f13, 1/160 with SB800 flashgun

Photo 6

Back then, I was young, still fit, and my back was strong, all of which was required by the amount of glass and metal I had to carry around for my paid jobs and my own personal pleasure. Although the money earned as a semi-pro financed my appetite for new gear, shooting weddings, charity events or corporate portraits for money did not appeal to me enough to become my main job and eventually, I finished my law degree and became… a lawyer.

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The photographer I remained: replacing the D300

Still, I LOVE photography and could not live without shooting and sharing my pics ! As a casual photographer, I love all kinds of photography. From portrait to architecture, streets to landscapes, holidays to everyday, there is always something in my sight that screams: “shoot me !!!”. When I hear the call and carry some gear, earth could stop revolving but I wouldn’t care less: I have to get that picture and if possible, get it right and be proud to show it.

Since my pro illusions are gone, I usually share my work on facebook (check me out: facebook.com/william.rappard), which isn’t very sexy and does not require more than a few megapixels. It may not be useless to recall that the D300 was only 12 megapixels, which is low today even by cell phones standards. However, those megapixels allowed me to execute many paid job and personal projects very efficiently.

I even made an exhibition once about an incredible trip in Senegal, and have been happy with the quality delivered by the D300′s 12mp for > 1 meter prints on canvas. Since then, I realized that outright pixel count was no faithful indicator of a camera’s real abilities in the big prints department. Shoot it right and it will look right.

At this time, the D300′s sensor was industry leading for those who wanted the performance and IQ, but not the bulk of a fully fledged full frame DSLR setup (or the cash for a Leica which, at that time, was less than convincing, high ISO wise).

On top of that, the bokeh I could achieve with the 60mm macro, the 105/2 DC and the 80-200/2.8 was fully satisfying and I remember saying I would never need to buy anything else for a very long while.

Here are three pics from my trip in Senegal which I believe are not too bad. The first one has been sold to a company on a 1.2 meter/ 80 centimeter canvas for a fair amount of money (financing an NGO in north-east Senegal) !

 

Senegal: They are into tires Nikon D300 @ ISO 800, 16mm, f5 1/20s

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Senegal: Just another kid Nikon D300 @ ISO 400, 60mm, f3.2, 1/80s

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Senegal: The gang Nikon D300 @ ISO 200, 24mm, f6.3, 1/80s

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Quality wise, I remember thinking that for my needs, this kit was all I could ever want and I shot dozens of thousands of pictures with it, killed all the rubber grips and the camera just kept shooting whatever I threw at it. But boy, the whole package including 5-6 lenses was heavy !

The size, weight & IQ have-it-all quest: back to Oly

As a dedicated geek, I have tried MANY cameras since the Nikon D300, from Pentax K5 and it’s famous ltd pancakes (GREAT DSLR combo by the time) to the modern-vintage Fuji’s X-Pro 1 & X100 (superior image quality at the cost of slow general operation and somehow light built quality). As time went on, my priority was to reduce the weight and bulk of my kit in order to carry it with me as much as possible, while not going anything bellow my D300 in terms of IQ.

After trying many compact cameras to complement my Nikon/Pentax kits on the light side, I ended up buying a Ricoh GR which turned out to be the best pocket camera when a pocket is the only compromise you’re ready to make to lightness, but not at the cost of IQ and usability.

This camera is a gem of a compact in use, but you’re still stuck with 28mm and 2.8 max aperture. It will pull out some bokeh if shot close to the subject, but don’t expect too much in this department, given the focal length.

As for my full kit, Nikon and Canon (and to some extent Pentax and Leica) have failed to deliver a crucially lighter and more effective alternative to my “historic” D300 package at a fair price. Pentax’s attempt (K5 + pancakes) was nice, but still not light enough, when packed with lenses covering all my needs.

This was until Olympus, the brand which bonded me to photography with their slow AF/bad ISO/small viewfinder E-500, released the OM-D EM-5 powerhouse, which I brought, immediately loved and equipped with a bunch of nice primes.

It served well, shot right and reliably but yes, the buttons were small and the viewfinder, although great, was still small and not as enjoyable as an optical device such as the D300′s/Pentax K5′s. Despite these relative flaws, I LOVED shooting it as it always delivered what I expected in any given light conditions.

The grip (which secondary horizontal shutter actually broke after heavy use) made it really nice to hold and quite pleasant to look at as well. As with my old E-500 and my fantastic D300 kit, I was finally bonding with another camera system, except for a few niggles on the body side. Best of all, the image quality was clearly on par, if not better than the D300′s and the 5 axis stabilizer and small pin sharp lenses were blessings.

A whole package covering anything from eq. 24mm to eq. 150mm between f1.4 and f2 AND fitting a VERY small Think Tank bag was breathtaking compared to my DSLR’s ! I could finally use quality gear AND walk around with it not worrying about my back !

From landscapes to street photo all around the world, the E-M5 was (nearly) everything I wanted but…

Ireland: Draw-me a coast. Olympus EM-5 @ ISO 200, 12mm, f8, 1/500s

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Basel: layered expectations - Oly EM-5 @ ISO 400, f5 1/10s

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Cambodia: passing by… Oly E-M5 @ ISO 200, 25mm, f3.5, 1/400s

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Bangkok: legs & shapes Oly E-M5 @ISO 2000, 75mm, f4.5 1/160s

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Replacing the EM-5

Its time had come. Until the E-M5, I had never had such a high hit rate, but it was not “ultimate” enough in its handling. It’s niggles couldn’t be forgiven in a long-term relationship with a power user. The buttons and the viewfinder were just not as enjoyable as they should be on an ultimate camera.

The wait has not been too long before many amazing products began to ship from Panasonic, Olympus and Sony all offering nice occasions to spend some cash for the better. All the new releases in the prosumer market out-perform my D300 benchmark in terms of IQ, which ceased to be a crucial criterium of choice. The high ISO quest had ended.

What about full frame ?

One of my very best best friend recently posted a contribution about his switch from Leica to Sony. Didier Godmé, who’s been the instigator of my photographic passion, has always been craving for full frame cameras. He owned a Canon 5DMarkII and a Leica M9, two of the very best full frame cameras released at their times.

Let’s put this straight right away: the full frame rendering is magnificent and no smaller sensors will probably ever equal it. It is incomparable to what a micro four thirds sensor could deliver, due to it’s physical limits. This is particularly true with a fast 35mm (or equivalent) lens. Stick one of those amazing 1.2′s on a Leica M240, Canon 5DMark III, Nikon Df or Sony A7r and you will get the very best potential image quality in the industry for such combo.

Therefore, except for very small details (all of which can be played around in Lightroom and RAW), most of you won’t choose apart from these fabulous full frame cameras based upon sheer IQ, but mostly on their usability, depending on your shooting style and what you will do with your images after you shoot them.

In my opinion, this demonstrates that usability is not only a major argument in favor of a camera over another. It’s probably the ONLY acceptable argument, provided, for my needs, the chosen camera allows a beautiful > 1 meter print at ISO 3200 in color or 6400 in B&W, which settings correspond to more than my most ambitious needs to date.

At the end of the day, all full frame cameras listed above meet this technical requirement more than well, as also do many NON full frame. Conclusion: as much as I adore full frame rendering, I don’t NEED it to be moved by a picture.

If your skills are bad, full frame won’t save the picture. If your skills are good, full frame will enhance the picture’s looks, but will never be the sine qua non condition of your picture’s overall quality, contrary to your eye and your ability to translate what you see in the picture.

On the contrary, when I’m moved by something I observe, I DO NEED to be able to shoot it the best possible way. The camera should NEVER stand in the way because it’s too slow or suffers a sluggish conception or is too noisy. Period.

As of today, in my view, no complete kit based around any full frame camera currently in the market is the best possible tool for my kind of spontaneous and compulsive shooting.

For my needs however, there is now one kit that fits the whole bill. Yes, each and every of my NEEDS are now covered by this equipment. A nice break, if not an end, in my long quest for the best possible complete enthusiasts’ photo kit.

The OM-D E-M1

First, the IQ. As I said, the E-M1 is NOT on par with likes of Fuji APS-C or the latest full frames for potential outright high ISO/narrow DOF/high resolution image quality, solely due to it’s sensor’s size. However, global IQ of an actual image is basically the result of four things:

The sensor;

The lenses;

The light conditions;

The eye of the operator.

On the sensor, the Oly cannot compete due to size. Right. However, it undeniably performs well until ISO 6400 in color and B&W, which is way good enough for me, even when I pixel peep (which I confess I do !). Sensible Lightroom processing (which I use) will greatly improve things if I’m not happy with the OOC images.

On all other factors, as much as the technical side is concerned, it just rules badly over ANY rival on the market. Zuiko prime lenses are notably mind blowing, dare I say next to the likes of Leica or Zeiss if maybe less character-full. Throw in IS, fast AF, size and weight and they become dangerously close to industry leading.

Get a grip and the Zuiko 12/2, 17/ 1.8, Pana-Leica 25/1.4, Zuiko 45/1.8, 75/1.8 along the pro 12-40/2.8 zoom, stuff the whole gently in a smallish Retrospective 7 Think tank bag and stare at what this small and light package represents in terms of photographic opportunities. Very few things you can’t achieve with such a small kit, don’t you think ?

If you think the telephoto range and bokeh are on the weak side, I don’t. Remember my old Nikkor 105/2 DC ? With an adapter, that baby gets me an equivalent 210mm with an f2 aperture and “defocusing” abilities. Feel free to compare this combo to other offerings in terms of size, weight and equivalent speed and you’ll realize this is unique in the industry. Believe me, this piece of glass has character when mounted on the E-M1 ! And guess what: there is enough room in the bag for it too !

I would love to mention the Voigtländer f0.95′s, but I don’t own any… What I can mention, however, is the best image stabilizer money can buy. Bare hands, the Oly IS set behind any of the aforementioned glass makes you feel like you can capture more light than actually available, even in a dark street by night. In my eyes, this unique feature alone more than compensates for the lower high-ISO abilities of the Oly’s sensor.

With such a kit, you can capture light in any conditions with your own two hands. On a tripod, you can use the live time functions to see your image appear while it’s being shot… looking at your cell phone ! This little Oly let’s you tailor craft your image, whatever the light conditions. The following pictures have all been shot in Geneva in various occasions:

Law Firm
Oly E-M1 @ ISO 200, 26mm, f3.2, 1/160s

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From my heart to you Oly E-M1 @ ISO 6400, 75mm, f3.2, 1/50s.

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Wifed
Oly E-M1 @ ISO 5000, 105mm f2 DC f2, R4.

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Omega Seamaster Chrono Diver’s 300m, a.k.a “the Blakexpedition” Oly E-M1 @ ISO 400, 34mm, f6.3, 15s


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Very un-twins !
Oly E-M1 @ ISO 250, 12mm, f2.8 1/40s

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Through there, eye Oly E-M1 @ ISO 5000, 23mm, f11

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Runner under the moon Oly E-M1 @ ISO 1000, 34mm, f1.8, 1/30s

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The Courtyard Oly E-M1 @ ISO 100, 12mm, f16, 1800s

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My love Oly E-M1 @ ISO 6400, 20mm, f2.8, 1/40s

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Geneva Airforce Oly E-M1 @ ISO 100, 105mm, f2, 1/400s

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End of Automn Oly E-M1 @ ISO 200, 105mm, f2, 1/1600s 

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Waiting

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Oly E-M1 @ ISO 3200, 21mm, f3.2

No offense to Sony fans but to tell the truth, I didn’t feel the same willingness to gather light so steadily using Didier’s new A7r, nor… any other camera. For me, the A7r’s shutter sound kills it in terms of discrete shooting and I don’t feel the same urge to shoot in low light. Nikon and Canon’s DX cameras are way too heavy when fully equipped. Fuji’s hit rates are way too low. APS-C DSLR’s are not better in terms of IQ, and despite their optical viewfinder, they are worse at pretty much anything else.

Which brings me to the E-M1′s viewfinder. The Oly’s exceeds all reasonable expectations one would have in this area for a digital device. It’s huge, crisp, doesn’t lag (the Sony does) and although it can provide visual peaking for manual focusing, it’s good enough to do without. 

Is it a better experience than looking through a Df’s full frame optical viewfinder ? No. Is it a worse tool than the Df’s or… the M’s ? Oh no ! It’s not romantic, but it never get’s in the way of pleasure. And let’s face it: previewing the result before triggering is a gorgeous cheat indeed.

Build quality and design, although industrial, is at least as good as Leica’s or professional grade Canonikons, while being, in my opinion more comfortable in hands than any of those when used with the vertical grip. Design is a matter of tastes, but to mine’s, it’s how the ultimate shooting tool should look like today. 70-80′s golden age design and size, plus modern controls, a grip and a tiltable screen. Seriously how was it supposed to be better ? By altering the power switch’s place and that’s pretty much it.

Many have already praised the qualities of Oly’s new flagship. I’ll go a step further and say that, in my opinion, a full kit based on this baby may well be… the best photography kit ever made available for the masses. The whole set costs barely more than Leica, Nikon or Canon’s flagships… body only.

In conclusion…

For full frame lovers already equipped with Leica glass, the Sony A7r is an absolute must, but for the rest of us, it’s Olympus all the way. No other camera than the Oly OM-D E-M1 and it’s stable of fine glass gave me so much pleasure in capturing life around me, day after day since I got them.

Whatever you shoot, any combo based on this baby will nail it just right, provided it’s setup the right way. The keep rate is far superior to my old D300 (past reference), due to this godsend blazingly fast and deadly accurate AF, which will never ever suffer from front/back focus issues (unless I decide to use the DF function of my brave old Nikkor 105).

For manual focusing fans, no problem. It has focus peaking, provided you even need it despite the huge viewfinder… Take it for what it’s worth, but you could shoot Leica glass on this baby and I’d be curious to see how a fast 50mm would performs on it at an equivalent of 100mm.

The OM-D E-M1 gives access to what may be the best system ever conceived for 98% of enthusiast/pro photographers having enough cash to afford it. As a system, it has no competition. Period. In my opinion, as far as the price/quality/weight/size ratio of a whole functional kit is concerned, Olympus has become an industry leader.

If I’d had one request, it would be about the menu system and the looks of the indications in the viewfinder, which I find terrible compared with the A7r. I don’t see any reason not to work this out through a firmware update and actually really look forward to it. Of course, I could use more megapixels to do some crops, but having the menus and viewfinder info fixed is a priority which should not wait the next product release to see the light of day. However, this cosmetic imperfection is by no means a deal breaker.

Unfortunately, Olympus don’t pay me to praise them… ;) Nevertheless, it is a firm which, like Apple in the end of the nineties, has understood early what most quality-conscious customers really wanted and worked hard to deliver a product that fits the bill.

I know I sound like an Olympus fan boy and that’s probably what I am. However, I must say this company stuns me. When they came out with the 4/3 concept, everyone laughed and indeed, the output could be terrible. Today after every possible technical and financial difficulty, they show the way to the rest of the industry by giving us what we really want at a price that we are ready to pay.

With such a kit as mine, everyone trying hard and having an eye could become a professional, from a purely technical point of view. To my opinion, this is a small revolution in the industry !According to my standards, such a performance is pretty admirable nowadays. Cheers Oly !

Last word: do I shoot better pictures with the OM-D E-M1 than I did with the E-500, D300 or E-M5 ? No. I still believe I shot my best pictures with these cameras. Do I feel I could shoot my best pictures with the OM-D E-M1 in future years ? Oh yeah ! Did I have the same feeling with any other camera I tried ? Nope.

In my humble opinion: Olympus: 1; the rest of the industry: 0.

Cheers ! Thank you for reading !

(Steve’s full Olympus E-M1 review is HERE)

 

Oct 262013
 

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The Phoenix AZ Zombie Walk with the Olympus E-P5 and E-M1!

Just arrived back home from the Zombie Walk here in Phoenix, AZ and it was a blast as usual. This year I brought along the Olympus E-M1 and E-P5 with a 17 1.8, 25 0.95 and 45 1.8. Oh, and also a Panasonic 8mm Fisheye. I was curious to see if I would prefer using one camera over the other and while I thouroghly  enjoyed them both, i enjoyed the E-M1 a little more and most of my faves came from the E-M1 as well. Not sure why that is..because the IQ is VERY close with the E-M1 being a little different in color and sharpness. Just slight.

Some of my faves from the day are below, but what is really cool is that today we have so many lenses in the Micro 4/3 world that can give us whatever we want..from ultra fisheye wide to wide to standard to shallow DOF tools such as the 25 0.95. It’s an all around fantastic system and the REALLY cool thing is I did not have one out of focus image. Not a one. Also, using the 25 0.95 on either camera was a joy. No need for magnification or peaking due to the EVF being so large and clear.

At the end of the day I would purchase an E-M1 if buying into the Micro 4/3 system just because it offers so much and does it all so right. The E-P5 is also awesome, with looks that kill but the large EVF on top sort of kills the Mojo when in use or trying to put in a bag.

I have spoken quite a bit about these two cameras and it seems I can not say enough. I love them but most of all I love these lenses! They are so so good.

The E-M1 or E-P5 along with a Sony A7 or A7r would make for one killer “Do It All” system. One built for speed and versatility and one built for flat-out IQ. G.A.S. sucks.

Check out the images below and click on them for the details!

See ya Monday with the new Sony’s IN HAND!

Steve

The E-P5 and 17 1.8 at 1.8 – click it for larger

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The E-M1 and 25 0.95 at 0.95

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The E-P5 and 45 1.8 at 1.8. This lens at $399 is a must for any M 4/3 user. Trust me. 

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E-M1 and 17 1.8 at f/2.2

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E-M1 and 17 1.8 – Wide open at 1.8. Click it for large and detailed. Who said this lens was soft? This was also in some bright sunlight and the E-M1 handled it nicely. 

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The E-M1 and 17 1.8

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Again, the 17 1.8

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E-M1 and 25 0.95 at 0.95 and up close – amazingly sharp for wide open. The E-M1 works magic on these lenses

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Again, E-M1 and 25 0.95 at 0.95

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E-P5 and 17 1.8

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E-P5 and 17 1.8

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E-M1 and 25 0.95 at 0.95. DOF is thin but I focused on the girl..

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E-M1 and 25 0.95 at 0.95

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E-M1 and 25 0.95

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E-M1 and 17 1.8 – This was in SUPER harsh light but the highlights were easily recovered here in RAW processing. 

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E-P5 and 8mm Fisheye

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E-P5 and 17 1.8

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E-P5 and 17 1.8

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17 1.8

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45 1.8

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Me and Debby! WITHOUT Makeup :)

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ORDER LINKS:

You can order the E-M1 Here

You can order the E-P5 Here

You can order the 25 0.95 Lens HERE

You can order the 17 1.8 HERE

You can order the 45 1.8 Here

Oct 262013
 

Back from NYC, next up..Nashville, TN with the Sony A7, A7r and RX10!

Just a weekend update! I am back home in Phx, AZ after a quick two-day trip to NYC for Photo Plus. While there I visited B&H Photo, Went to the show, Met about 50 readers of this site, spent some time walking around taking some snaps and was even able to mount the Voigtlander 12mm to the A7 and A7r!

Was a great fast paced two-day trip and LOADS of fun.

I am home for the weekend and then Monday morning at 6:30 AM I leave for Nashville TN to meet up with loads of other Bloggers, Journalists and writers for a Sony media event where we will get to test the new A7, A7r and the RX10 (as well as many other Sony goodies). So starting Monday night I will try to have updates every day (if time permits, it is a packed schedule). I will be bringing about 7 Leica mount lenses with me thanks to Stephen Gandy at Cameraquest (who loaned me lenses ranging from 12mm-50mm) as well as lensrentals.com (Zeiss ZM and more).

I already have my two Leica M to E Mount adapters packed..one Novoflex, one cheap $15 special :) I think that both will work just fine.

Today I am going down to the Zombie Walk to see what kind of fun images I can get, and then tomorrow the State Fair. I will be bringing the Olympus E-M1 and E-P5 with me to these, each armed with a different lens, so I will have a report soon on using those two cameras side by side, and which one I prefer.

Below are a few more images from NYC taken with the Olympus E-P5 and various lenses (17 1.8, 45 1.8, 8mm Panasonic Fisheye). Oh, and a new Daily Inspiration will be up later!

Steve

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Oct 242013
 

Some images from Photo Plus in NYC today. Sony, Zeiss, Leica…

What a day! Whew…

Yesterday I flew out of Sunny AZ at 6am headed to NYC for the Photo Plus show going on this week. When I arrived in NY I did a big “UH OH” because I realized I only brought a light jacket with me, and here I was in NYC in 48 degree weather! The good thing is that it was not THAT cold so I survived a short walk to dinner with some friends and had a great evening. As always, I had a camera with me so for the chilly walk back I snapped a shot or two..

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This morning I woke up later than I expected, around 8:30AM. Had a business phone call at 9 through 9:30 and by the time I headed out to the show it was 10:30.

On my way I had to take a picture of myself in front of B&H Photo, the “Candy Land” for photo and tech geeks!

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I only had a 15 minute walk to the convention center from my hotel, and was cool that B&H is one block from my hotel. Makes it too easy to spend money though!

As I walked I snapped a few shots with a fisheye that I have been playing around with…

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When I arrived to Photo Plus I saw a few familiar faces and made my way to pick up my press pass.

I ended up walking around and it seemed every few steps someone who knew me would walk up to me to chat! Was so cool to meet so many readers of this site today, all were super nice and wonderful people.

I eventually found my way to the most crowded section of the show (from what I saw) and it was the Sony Booth. They had the A7 and A7r on display, as well as the new RX10 (which is  looking better and better to me the more I mess with it). I even had a chance to borrow a Zeiss 50 1.5 Sonnar from a woman who was testing some old lenses on the A7. She was kind enough to let me take a shot or two with her lens mounted on the A7.

I snapped a shot of a guy who was chatting with me (a reader here) at 1.5, wide open. Sony would NOT let me put an SD card in the camera (they are saying the camera is still not FINAL in FW, so pre-production) but when I saw the playback it had the full on Zeiss character and was beautiful. I am telling you this..the camera was a breeze to manually focus with this Zeiss ZM lens. No focus shift because you are using Live View, so what you see is what you get.

The OOF transitions were creamy, the color was nice for being indoors with horrible light and I can tell that this camera is going to deliver on IQ, no doubt in my mind at all. After more hands on time with the A7 and A7r I can tell you that yes, the A7r does have metal dials on top where the A7 has plastic. They both feel great and I noticed no difference in feel or build when in my hand. I have a feeling that the a7r is going to be the Godzilla of resolution. A beast.

Shot with the 50 Zeiss Zm Sonnar at 1.5

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So after messing around and chatting with a few folks a woman walks up from Zeiss to show me the new Otus lens. This lens is a statement piece from Zeiss and coming in at $4000. The 55 1.4 design is gorgeous but man, this lens is HUGE (though light).

She wanted me to try it on the A7r and I used the Metabones Adapter to do so. When I looked at the results on the screen..WOWOWOWOWOW. This lens is something the perfectionist will want. Those who want ultimate IQ..this lens will do the trick and seeing that it is a pro manual focus lens (NO AF), it feels REALLY good in use. It is just large.

I HEARD MUMBLINGS…Sony was telling Zeiss..MAKE THIS FOR FE MOUNT! So we shall see. Below is the lens with hood attached and Metabones EF to E mount adapter. I may get to shoot with this lens on the A7r NEXT WEEK and this time, with an SD card in the camera :)

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So as I left Sony I headed toward Nikon, Canon, Fuji and Panasonic. Not much new there. Saw the GX7 but I already reviewed it here. I saw the All weather Nikon 1 which was larger and much more solid than I expected and I saw a few other things around the convention center that were more interesting than what Nikon was offering..

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I stopped by the Olympus booth and they were busy with everyone checking out the E-M1 and even E-P5. I saw quite a few walking around today with OM-D E-M5′s and E-P5′s. The woman above was doing an act for Olympus demoing their wifi smartphone/ipad remote feature. Before I shot this I cracked a joke which was probably not good because she could have lost her concentration :) But she didn’t. Behind here you can see every Olympus Micro 4/3 and 4/3 lens ever made.

The Leica booth had a few gawkers but they were not showing anything new besides their “Glossy Black” D-Lux 6. Yet another refresh of the same old D-Lux 6 which appeared to be slapped together just for the show..I mean, they had to have SOMETHING new right?

They did have this on display…

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I stopped by Fuji as well and took a look at the new X-E2. Looks and feels like an X-E1. Same build. AF seemed faster but not a dramatic difference. The new 23 1.4 was fantastic though.  This is a lens I would buy if I owned a Fuji. Smaller than you think as well.

So after the show I walked back to my room, stopped off at B&H Photo once again and am now laying in my hotel bed writing this update. What I learned today from Photo Plus is that there is MASS interest in the Sony A7 and A7r as well as  the new RX10. Olympus is hot with the E-M1 and Nikon and Canon are still Nikon and Canon with their usual DSLR updates. (yawwwn)

Leica is holding steady with M sales doing very well for them and Panasonic had quite the crowd as well.

So without a doubt, the biggest thing here this year is the Sony A7 and A7r. Sales are STRONG, results are looking AMAZING and the camera is well made, solid and has very fast AF. When something this good comes along, it gets noticed and the people I spoke with today who were giving it a spin all said the same thing..”I pre ordered one already”. They were all happy with the fact that they did.

Remember, starting on the 28th I will have loads of samples and news and videos on the new A7 and A7r and RX10, so bookmark and come back because you will NOT want to miss it.

For those wondering, all photos posted here were shot with an Olympus E-P5.

OLYMPUS DIGITAL CAMERA

I will beheading back to the show tomorrow morning to throw a Voigtlander 12mm on the Sony A7 and A7r and to see what I see on the LCD. Of course, what I see you will see here right after :)

 

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