Olympus E-M5 II IN STOCK – LINKS!
Olympus E-M1 with 40-150 f/2.8 vs Sony A7s with 70-200 f/4
Many have asked for this as well as a Olympus/Sony/Fuji crazy comparison so I will start this one off with a Olympus vs Sony JUST FOR FUN Crazy Comparison! I will be using the E-M1 and the Sony A7s because the E-M1 is the flagship from Olympus and the Sony A7s is closest to the Megapixel count of the E-M1 as well as Sony’s “flagship” A7 series product. If I used the A7II it would have been an 8MP difference vs the 4 MP difference of the A7s and E-M1.
The two lenses used will be the Pro Olympus 40-150 f/2.8 which is a fantastic lens that gives an equivalent of 80-300mm with the light gathering of an f/2.8 lens. The Sony 70-200 f/4 has a constant f/4 aperture yet it is the larger lens with the Olympus being a bit smaller. They are the same price coming in at a cool $1500. The Olympus is weather sealed and has a great integrated slide out hood included.
Next week I will do another more involved comparison, probably my most extensive to date using the Fuji X-T1, Olympus E-M1 and Sony A7s or A7II.
For now, I will keep it simple with two shots. What i am looking for is sharpness, color performance, and overall pop of the shot. Just how much difference will there be using a flagship Micro 4/3 camera and lens vs a killer full frame A7s and premium telephoto?
1st up, a simple shot for detail and color and bokeh…
A simple tree shot to show detail, color and bokeh. 1st up, the Olympus shot. If you right-click and choose “open in new window” you will see the full size image where you can pixel peep to you hearts content. I love the color, sharpness and pop. The bokeh is quite nice as well. Used the 40-150 f/2.8 Zoom at 2.8. On my 27″ screen this image has some real POP and detail.
Same shot as above but resized with a full 100% crop embedded. To those who can’t see the full size shot for some reason, you can see the crop here.
Now the Sony A7s, same shot. 70-200 Lens at f/4. The color is a bit dull in comparison to the Olympus as is the pop. Bokeh is a tad smoother though neither is bad. I love both in this regard. The Olympus is sharper and the edges are sharper as well with the E-M1 file. A tad more shallow DOF due to focal length differences. (True vs Equiv)
For those who can not see the full size shot above see the same image below resized with a full 100% crop embedded..
So from what I see here, the Olympus lens and E-M1 combo produce a more exciting image here. More pop, more detail and more OOMPH! You can see the color differences here easily. As for Bokeh/DOF, f/2.8 on the E-M1 is about the same as the f/4 – f/5.6 on the full frame Sony with a tad more blur going to the Sony (for DOF only). This is a true 40mm vs an 80mm here, so this is why. With the Olympus you are getting a TRUE 40mm f/2.8 and with the Sony a TRUE 80mm f/4. Longer focal length = less (more shallow) DOF. With the Olympus you are indeed getting TRUE f/2.8 light gathering and 40mm (not 80mm) f/2.8 DOF with an 80mm FIELD OF VIEW.
Let’s try one more image …here you can see the DOF differences with the A7s giving you a more shallow DOF at f/4 than the Olympus will give you at f/2.8. For many, they would take the sharper image and larger DOF of the E-M1 over the less detailed and more shallow DOF of the Sony. The same goes for the other way around..many would choose the creamier Sony version over the more sharp Olympus version.
Interesting to see that at 40mm (80 Equivalent on full frame) and at f/2.8 the Olympus E-M1 is bitingly sharp with more depth of field than the Sony file at 80mm and f/4. This is because the Olympus is actually shooting at 40mm, which will always give you more depth of field (less blur) as it is a wider lens. If I plopped the amazing 75 1.8 on the E-M1 and shot at f/4 we would get the same Bokeh as we do from the Sony at f/4 but we would have a 150mm equivalent focal length. It’s all about the lens focal length so even though we are testing a 40mm vs a 80mm, the Olympus 40mm turns into a 80mm for magnification but retains the Bokeh of a 40mm lens. So this is indeed a true 40mm f/2.8 shot for light gathering and bokeh. But we have an 80mm magnification. Understand? Hope so because many do not and get this so wrong.
The Sony A7s image at 80mm and f/4 gives us a more shallow DOF as we are truly shooting an 80mm lens. So more blur and a more “organic” looking image. If I shot the Olympus image with the 42 1.2 Nocticron it would offer even more shallow DOF than the Sony image below and be sharper. So again, it all comes down to lens and what we see here is a 40mm f/2.8 lens vs an 80mm f/4 lens and while the magnification appears similar (because it is) the DOF will always be different. For some, shooting full frame is more of a challenge due to the shallow DOF.
UPDATE: This is the CORRECT Sony image with CORRECT focus. Thank you.
So at the end of the day I own both of these cameras. My Sony comes out when I want ultra creamy shallow DOF or when I want to shoot with Leica M glass. The Olympus comes out when I want to do video (love my 8mm and 12mm primes with 5 axis video) and use a telephoto or use a special prime such as the Nocticron or Voigtlander 25 0.95 or my 8mm Fisheye..or when I want to do night long exposures or will shoot in adverse weather.
There is no winner here, but there can be a “preference”. What is yours?
More Sharpness with more depth of field (Olympus) or a more creamy shallow DOF look (Sony)? BOTH lenses are around $1500 and having both here side by side I can say with confidence that the Olympus 40-150 f/2.87 is technically the better lens. It is better built, weather sealed, has an amazing pull out hood attached and is probably the best lens made for Micro 4/3 (though my fave is still the Nocticron) as well as giving you the light gathering of an f/2.8 lens, fast and accurate focusing and amazing IQ. The Sony is larger, white for some reason, and f/4 but made for full frame and has OIS built in. Both are $1500. Same price. I own both systems..if I were to buy a lens of this type it would hands down be the Olympus 40-150 over the Sony.
Also, For those who say the E-M1 can’t do high ISO, here is a quick snap at night using the Nocticron at 1.2 – ISO 6400 with no noise reduction at all. Click it for larger. Usually 6400 is my max with the E-M1 though I have used 10k ISO images. With the A7s, my cut off is 80K ISO ;) Yes, the A7s is the king of high ISO without question and the Micro 4/3 system can not even get close to what it can do at ultra high ISO.
But at 6400, the E-M1 retains color, sharpness and the files look great. Its all about exposure and NOT using noise reduction…
…and an ISO 10,000 shot from the E-M1 without any NR..stays sharp as can be, even at f/1.2…
…and just for fun, a bokeh shot with the 12mm f/2 – Olympus
The Olympus OM-D E-M5 Mark II Review. Olympus continues to innovate.
By Steve Huff
Below is my 1st look video on the E-M5 II, take a look!
Olympus has continued to innovate and create new technology in cameras while keeping the cameras small, fast, great looking, AS WELL as keeping them performing in Image Quality to the level of an APS-C sensor camera. Yes, there is nothing at all lacking when it comes to image quality, color, or pop when using good lenses. It also does not hurt to have the most amazing lens selection available as well as exclusive features such as Live Time, Live Composite, Advanced 5 Axis IS, and more. I have always said, the LENSES are the heart of ANY system, and for this system there is NO shortage of amazing glass.
The E-M5 II is fast, discreet, quiet, and provides fantastic IQ. The image below is an out of camera JPEG shot with the Panasonic Nocticron (my fave M 4/3 lens ever) under mixed indoor lighting. Sharp, creamy, and perfect color and AWB.
I have written hundreds of reviews for cameras, lenses, bags, straps, accessories and all things photographic. For the life of this website, now going on seven years (Geez, where has the time gone), I have talked a ton about Olympus, Leica, Sony, Ricoh, Zeiss, Voigtlander and many others. I sometimes look back at reviews and remember which cameras were special to me, and which ones I had the best experiences with. Cameras like the Leica M 240, the Sony A7s and A7II, the Olympus E-M1 and E-P5, the Fuji X100..so many great cameras over the years and each year I ask myself…“How can it get better”? Seriously people, today we have so many cameras capable of jaw dropping quality. If we went back in time to 1984 with an E-M5 II or E-M1, photographers back then would FREAK OUT at what can be done.
With image quality peaking, camera companies are starting to look into other improvements such as improved high ISO quality, better video, better image stabilization, and a better usability experience. No other company leads this INNOVATION better than Olympus, and right behind them are Sony.
But remember! Olympus has created some of the best tech in cameras ever. EVER!
Olympus were the 1st ones ever with DUST SHAKING tech to clean sensors of dust automatically. They were 1st with 5 Axis IS and have just improved it to an incredible level in the new E-M5II. They were the 1st with LIVE VIEW in the Evolt E-330 back in the day! Yes, the 1st with LIVE VIEW and they were 1st and are still the only ones with “Live Composite”, an amazing feature that takes all guesswork out of astrophotography and long exposure work. Olympus keeps pushing new technology and for this reason they may be my overall favorite camera company. They are like the “Apple” of cameras.
Some would think that Sony or Leica is my favorite camera company but they are just behind Olympus. Anytime I shoot with a new Olympus camera I am wowed again and again. I mean, the lenses are stellar, 2nd only to Leica M glass IMO. Small, built well, and performance that exceeds the price point, Olympus has it going in in the Micro 4/3 lens world with so many fast primes that focus fast, look great and feel great. They are also small (with the exception of the new 40-150 2.8 pro, which is larger). Hand held low light shooting is a breeze with the latest Olympus cameras due to the amazing Image Stabilization inside. There really is NOTHING like it, not even in pro DSLR land.
The 12-40 f/2.8 Pro Zoom in the Crystal Caves – click image for larger.
The SUPERB Olympus 17 1.8, at 1.8. I prefer this lens to the Panasonic/Leica 15 1.7 for color, pop and overall rendering. Click image for larger!
In the early days of Micro 4/3 there were so many naysayers..“the sensor size is too small” – “you can not get shallow depth of field” – “noise levels are too high” – “can’t compete with APS-C” – yada yada yada. All of these statements had some truth to them in the very early days..E-P1, E-P2..yea, they were slow, had awful low light ability and were crippled when compared to something like a Nikon D300 of the day, but today it is an entirely different story, big time.
Today, just as I said with the E-M1 launch, the E-M1 and now E-M5II, for me, beat ANY APS-C camera made today for usability, build, speed, features, lenses, color and IQ. There is not one APS-C camera made today that I would take over an E-M1 or E-M5II. None. No Fuji, no Sony, no Leica. When I shoot with the E-M1 I have nothing but joy and happiness as it just works. It does the job and it always delivers the results I love. In many ways, it beats some full frame cameras as well because it is consistent and reliable with almost ANY of the lenses you mount.
So how has the new E-M5II upped the game over the original E-M5? In MANY ways, but the real question is…“Is it now better than the flagship E-M1″? I own both and have used both extensively so I will tell you my opinion in this review about that! Keep reading!
The E-M5 II with the 40-150 Pro Zoom at 2.8 – this lens is a masterpiece. JPEG. The colors, the bokeh and the detail this lens provides is just incredible.
The Panasonic Nocticron at f/1.2 – This is a GORGEOUS lens and has no faults.
The new E-M5 II vs the old E-M5..what’s the story?
I loved the original E-M5 and owned it until the E-M1 arrived. I have owned the E-M1 ever since launch and even bought the silver model when it was released and let go of my black one. It’s a gorgeous camera I love and adore for the reasons I already explained. Extremely tough and well made, extremely fast, extremely capable with the 5 Axis and beautiful lens selections…so much to like. But what about those who have the original E-M5..and still love it? Should they upgrade to the new Mark II version?
The new Mark II E-M5 has a more advanced top panel with metal dials instead of plastic.
Well, all I can do is tell you my opinion, and my opinion is that YES, the Mark II is a very worthy upgrade in almost all areas!
Here are the top 11 improvements off the top of my head, the ones that I really noticed from the Mark I…
1. Better build and feel. Grip is nicer and controls are more solid. Metal dials and a very nice and somewhat retro look. (Not to the level of the E-M1)
2. Still weather sealed. (though not to the level of the E-M1)
3. New side out swivel LCD makes shooting much more enjoyable IMO. (I prefer this to the E-M1)
4. The new 5 Axis IS is SPECTACULAR! Not sure how they did it, but they did it. It really excels with video. (Beats the E-M1 5 Axis)
5. New video options including 24, 30, 60 FPS. The video looks so good. (Better video than the E-M1)
6. The EVF is now the same large size as the E-M1. (which means an E-M1 MKII should be even larger when that one comes out)
7. Auto Focus is faster and FPS is faster as well. Overall, a much quicker camera. (Faster than the E-M1 in all but continuous AF)
8. Low light ability is now equal to the E-M1 which was slightly better than the E-M5I..high ISO up to 25,600.
9. It has Live composite and Live time that the E-M1 and E-M10 have. These are amazing features.
10. Silent shutter option for total silence with 1/16,000 shutter speed. (E-M1 does not and will not have the Silent Shutter)
11. New High Res 40 Megapixel shot mode (Tripod is needed with NOTHING moving in the frame, E-M1 will not have this nor does it)
So for $1099, this camera will come as a body only and will NOT come with a Kit Lens. I think Olympus realizes that Kit Lenses are lackluster and do not really show what the cameras are capable of. When you throw a nice prime or pro zoom on these cameras they SHINE and give you APS-C or greater quality. Just browse through the images in this review or my E-M1 review or my E-M5 Mark I review and you will see that just because these cameras uses a smaller sensor than the APS-C and Full Frame cameras, the rendering of the images is spectacular from color to sharpness to pop (due to the sharpness).
ALL images here? OOC JPEGS. NO Raws yet as I am waiting for Adobe to release the update with this camera.The JPEGS from the E-M5II are fantastic.
Panasonic 15 1.7 on the E-M5II – click any image for larger and better view
Olympus 17 1.8 on the E-M5II
Panasonic Nocticron 45.2 f/1.2 at 1.2
So with all of that out-of-the-way, it is obvious when using the new Mark II that the camera has matured since the Mark I, which is now three years old. My review of the original Mark I is HERE and as you can see, I loved it then..but I love it even more now in Mark II form, and I have been used to the E-M1 flagship for 1 1/2 years now. Many have been e-mailing me “what camera should I get? The E-M1 or the E-M5II”? That is a tough one, and I will tell you why…
The E-M5 II and the 40-150 f/2.8 – tweaked this JPEG by lowering the brightness to make the color pop
The E-M5 II or the Pro E-M1?
This is a tough question but when I was in Bermuda with Olympus I was using the new Mark II and thinking “why would anyone want the E-M1 with the E-M5 II having newer tech and features”? The more I used the 5 Mark II I was asking this question. Here, in a small well-built package I had amazing performance and speed, a great image stabilization system..best in the world, the larger EVF of the E-M1, a swivel out to the left LCD, better video capabilities and even a silent shutter and new 40MP High Res shot mode. When I came back home and pulled out my E-M1 I shot both side by side and then I realized why I still slightly prefer my E-M1.
The E-M1 is built better, feels better and I prefer the control layout.
The E-M1 has a sturdier pro level shutter, will last longer.
The E-M1 is freeze proof and shock proof, better weather sealing than the EM5 Mark II.
The E-M1 is slightly larger, fitting into my hand perfectly without adding a grip.
The E-M1, for me, provides slightly better IQ with sharper and richer files. Not sure why, but this is the case. It’s slight but there.
A video showing the E-M1 and E-M5Ii side by side…
For me, I just enjoyed using the E-M1 a bit more, but I have a feeling a new E-M1 Mark II will be out within a year and I will bet you that it will not only have the new features of the 5 Mark II, but newer features exclusive to the new model. Just a guess but Olympus will HAVE To do this as the new E-M5 II will start eating into the E-M1 sales because of what it offers for less money. For most, the E-M5 Mark II, at $300 less cost than the E-M1 while offering more, will be the favorite choice. Truth be told, if buying from scratch I would choose the E-M5 II over the E-M1. Having the E-M1, I would not sell to go to the 5II. For me, owning both is the answer. ;) The 5II makes a perfect complement to the E-M1 as a 2nd body as you get the best of both worlds.
An E-M1 shot with the 12mm f/2 Olympus prime
At the end of the day, for those who are just now jumping to Micro 4/3 I will 100% recommend the E-M5 II as the camera to go for over any other Olympus or Panasonic. It’s a no brainer really. For those asking me if they should sell their E-M1 for the E-M5II, no, I would wait for the E-M1 Mark II. For those wanting to sell the E-M5 Mark I for the II, I would say GO FOR IT. It’s a definite upgrade. You can quote me on that ;)
LIVE COMPOSITE and LIVE TIME = GENIUS!
The Olympus E-M1, E-M10, E-M5 II and the E-P5 Pen have features called “Live Time”, “Live Bulb” and “Live Composite” and I feel many owners of these cameras NEVER use these features or even know they exist. If you have one of these cameras and have not yet used these features, I urge you to give it a try as amazing things can be shot using them, and, the best part…it is a blast to use and shoot using these modes.
Last week a buddy of mine, Alex McClure who is also an Olympus trailblazer, took me out to the AZ Desert to shoot some long exposures and do some light painting with the new E-M5 II and my E-M1. He went over his preferred setting and gave me a tutorial on how to shoot star trails..and it was a blast.
STAR TRAILS, LONG EXPOSURES..LIVE COMPOSITE
For long exposures, Live Composite is phenomenal. We set up our cameras to shoot on a tripod and I plopped on my Panasonic 8mm Fisheye to the E-M5II and set the camera for Live Composite (set it to Manual mode by choosing M on the control dial and turn to the left until you see LIVE COMPOSITE). I set the camera to ISO 1000 and we set it for 20 second exposures. When you take the 1st shot, it will expose for your subject and nail the exposure. The camera will then tell you it is ready to take the composite shot. Press the shutter again and in our case, it started taking 20 second exposures and stacking them automatically IN the camera until we stopped, which was around 40 minutes later. The camera shows you the progress in real-time on the LCD, so no more guessing when you need to stop the exposure! This is HUGE for astro shooters!
Because the 1st shot exposed the scene and our cactus, the 2nd press of the shutter allowed the camera to ONLY LOOK for NEW LIGHT, which in this case were the stars in the black sky. So even with 40 minutes of exposure, the cactus never overexposed and the camera only saw the star trails, and recorded that to the final image.
E-M5 II, 40 minutes of 20 second exposures stacked in camera to create this 100% out of camera JPEG. Amazing, foolproof and the best part? The camera shows you the updates in real time on the camera LCD so you know when you want to shut it off..when you shot is exactly how you want it. No more guessing games. Panasonic 8mm fisheye was used (review here)
LIVE TIME – Real time exposure allows you TOTAL control over your long exposures
Live Time is similar to Live Composite except that it does not take an initial image with perfect exposure. Live Time allows you to do long exposures or light painting while viewing in real time what your images is turning out to be. Sort of like when you used to develop actually film prints in the darkroom..you see it exposing in real time. Set it up on a tripod, press the shutter and start the exposure..when it looks perfect, press the shutter again to close down the shutter.
The image above was taken with the E-M1 as my E-M5 II was on the tripod for 40 minutes taking the Cactus shot above. Still works the same way on both cameras. I stood there and Alex McClure pressed the shutter, ran over to me with some lights and “drew” the light behind me. He ran back to the camera and shut off the exposure. Was VERY cool. This is an OOC JPEG. How amazing is this? No other camera can do what the Olympus does in this regard. It is built into the camera and is basically a one button press and done. What you see is what you get.
Below: Spinning Steel Wool with Live Time – E-M1
E-M5 II Live Time on the Beach in Bermuda
Sony has an app or two that can do similar things, but A: It’s an app that must be added to the camera and B: It is a bit clunky in use and C: It is not as easily implemented nor does it work quite the same way. Other than that, no one else does this. With Olympus it is as EASY as pressing the button and watching the exposure come to life right before your eyes.
Many buy the E-M1, E-M10 or E-M5II just for this feature alone as it works so well and is very easy to use.
The Speed of the E-M5 II
The new E-M5II is faster than the old Mark I for sure, and is up there with the E-M1 when it comes to AF speed. In fact, I was told the only area where the E-M1 excels with AF speed is in continuous AF, which the E-M1 has the edge with. Still, I had no issues with the C-Af of the E-M5 II as you can see in this Dolphin shot..click it for larger.
Overall, in my 2-3 weeks of shooting with the camera I have not had ANY Af issues, whatsoever. In low light it focused and was accurate and in good light it was instant. Olympus also claims to have the least shutter lag of any mirrorless camera made today in the new E-M5 II.
It’s fast, it is smooth and it is quiet. The physical shutter is damped and smooth but it also has the ability to shoot in SILENT mode when you want 100% stealth. I still prefer the physical shutter but many will enjoy the total silence which also allows you to bump the shutter to 1/16,000 s.
The 40-150 Pro Zoom..
The Panasonic Nocticron at f/1.2
The Panasonic Nocticron at f/1.2
Five Axis Improved yet AGAIN!
The new E-M5II has a new improved 5 Axis Image Stabilization that must be used and seen to be appreciated. It beats the 5 Axis in the original MK I E-M5, it beats the even better 5 Axis in the E-M1 and beats the 5 Axis in the Sony A7II handily. I have never seen anything like it. I have tested the limits and found it is easy to take 1 second handheld shots if you wanted to. I pushed it to 2 seconds and while the shot was not usable, it was not nearly as bad as you would think. It was taken in the DARK, and is a TWO SECOND hand held exposure..take a look! TWO SECONDS!
My favorite way to appreciate the new 5 Axis though is for VIDEO. Attach any lens to the E-M5 II and your video will look silky smooth and professional, like it was shot on a massive rig with stabilization. Hand Held video will never be the same. In fact, I will be using the E-M5 II for video production in 2015 due to the superb video quality I can get out of it. It’s quite special.
40 Megapixel High Res Shot Mode
Another new feature of the E-M5 II is the new High Res Shot mode. It is VERY limited though and when I first heard about it I was excited, but as I used it I was less excited because before you can use this mode and get good results with it, you need to have the camera mounted on a secure tripod, you need your subject to be 100% motion free as ANY movement, even from wind, will mess up the photo..and YOU NEED A PRO lens. I shot some side by side with the 12mm f/2 prime at f/4 and was disappointed. I then used the 40-150 Pro 2.8 Zoom and saw the difference better, but again, where and when you can use this mode will be VERY limited.
At the end of the day though, it works and will indeed give you a 104 Megabyte RAW file and a 40 MP image from the 16 MP sensor. The E-M5II does this all in camera without any work needed in post. There is even a RAW converter plug in for lightrroom and photoshop that will process the massive RAW files (which is what I used for the test shots).
Below are two examples. Click the image below to see a larger size and true 100% crops from each file. 1st on the left, the standard 16MP out of camera shot from the E-M5II. On the right, the high res shot from the E-M5 II. You will see differences if you click on the image and look closer. Lens used? The Olympus 12mm f/2.
Right click the images and “open in a new tab or window” to see larger size and 100% crops.
If you opened up the above image and looked at the 100% crops you will indeed see more detail in the 40MP high res mode. This shot was taken with a brand new Olympus 12mm f/2 lens, stopped down to f/4. This was shot with a tripod and is one scene in which you can take advantage of this new feature. The E-M1 will NOT be getting this feature but I expect it will make it to the E-M2 or E-M1 Mark II, whenever they camera comes out (I expect a year).
Here is one more where I used the sharpest Olympus lens I know of, the 40-150 f/2.8 zoom. It is on another level in sharpness and color from the 12mm f/2, and is probably the best lens of this type I have ever used in my life. Smaller than the Nikon and Canon 70-200 2.8 lenses, but sharper, crisper, more pop, better bokeh and better made. If I were a telephoto guy THIS WOULD be mine.
So using a great Olympus lens… let us see if there is a larger difference between standard and high res mode…
Click image for larger view and 100% crops.
How about one with a shot with the E-M5II in standard 16mp mode, one in 40Mp High Res and one from the E-M1 in Standard mode with the same lens? The high res shot is the only one from RAW.
To me, the most detail is coming from the E-M1 in standard mode! I have been finding the IQ from my E-M1 to be slightly more detailed and sharper than what is coming from the E-M5II. One reason why the E-M1 is still the “Pro Flagship”.
For me, this mode is something I would rarely use. If I were a daytime landscape guy I can see this being used but for most of what I shoot, this would not be needed. The cool thing is that it is here if you want it and it will end up being on the next version of the E-M1..of course.
All of the other stuff. High ISO, Art Filters, Etc
Because the E-M5 II is not a brand new model line, and is a continuation of the OMD itself, much of what I have written in the past about the previous models would be repeated here if I wrote about them again. So just to be clear, this E-M5 II has all of the art filter effects and extra features that the previous models have. It also has the same high ISO performance as the E-M1, so look to that review for my ISO tests. This E-M5II does NOT have an AA filter so it is like the E-M1 in this regard (The Mark I had an AA filter).
The Pros and Cons of the E-M5 II
- Small size, solid build. Improves on the build of the E-M5 Mark I
- Faster AF than the Mark I
- Better 5 Axis than the Mark I and E-M1! Best in the world.
- New metal control dials feel better in use
- Slight redesign feels better in the hand
- New swivel to the left LCD is great in use
- New video modes make this the best OM-D for video yet.
- High Res 40MP Mode will be useful for some
- EVF now E-M1 sized!
- Literally no lag
- All of the art modes are still here and better than ever!
- Live Time and Live Composite modes are incredibly good.
- Lens selection is the best in the mirrorless world.
- Improved high ISO from the Mark I, now equals the E-M1
- Overall, best mirrorless camera around for versatility and usability and features.
- Meets or exceeds APS-C cameras.
- Buttons are assignable to however you want them
- Price is only $1099 and you get A LOT for your money here!
- Has a mic input for video use.
- Silent shutter with 1/16,000 second capability.
- In camera KEYSTONE correction (works so good, and easy to use – like tilt shift, but in camera controllable)
- I am getting slightly better IQ (sharpness) from my E-M1 using the same lenses
- Camera seems small, may be too small for some hands
- High ISO still can’t compete with full frame and some APS-C
- Menu may be getting too packed with features, making it confusing for some new users.
- As always, Micro 4/3 will not offer you the shallow DOF control of a full frame sensor.
My conclusion on the Olympus E-M5 II
First of all, if you have not seen my E-M5 Mark I review or the Olympus E-M1 review, I urge you to take a a look. Those reviews go over more of the older features of the camera and I did not want to rehash things such as art filters, etc.
The new E-M5II is the latest camera in the Olympus Micro 4/3 lineup and it is quite a powerhouse. Olympus has “done it again” and not sure how they keep innovating but they do. No other camera company thinks of new ideas quite like Olympus. From the Live Time features to the 5 Axis IS to the speed and build, the E-M5II is revolutionary in many ways. For me, no DSLR could take the place of the E-M5 II or my E-M1. None. With todays technology these little cameras offer MORE for LESS and in the case of the E-M5 II and E-M1, also offer superb build and feel and speed.
Olympus has been committed to their system for years and they show no signs of slowing down. The new 40-150 f/2.8 Pro lens is a masterpiece in design, build and quality. The 12-40 f/2.8 zoom is the best of its kind and all of the fast primes are jewels in the world of lenses. Today, Micro 4/3 lacks in nothing besides ultimate low light high ISO work and super shallow DOF. If you want full frame .95 DOF you will not get it in a Micro 4/3 camera but at the same time, you will get detail and pop all day long and with lenses like the 40-150 and Nocticron, there is plenty of creamy Bokeh to go around.
The next two shots were with the 40-150 f/2.8 wide open…
I have owned the E-M5 and E-M1 and still own the E-M1. It is one of my favorite cameras of all time, and still performs just as well today as it did when it was released. Did the E-M5 II overtake my E-M1? Well, no. I still love my E-M1 a bit more due to the body design, feel, and extra pro build. I also seem to get a bit more snap from my E-M1 images. Other than that the E-M5 II is a powerhouse of features and function. Video, 5 Axis, High Res mode, the new Swivel out LCD, the larger EVF (same as E-M1), Live Exposure modes, the colors and fast AF make it one heck of a bargain in the mirrorless world. Today no one can say Micro 4/3 lacks when compared to other mirrorless cameras because they do not. Anyone who says they do, well, they never gave an E-M1 or E-M5II a serious shot with some great lenses. Once you really use one of these, learn it and shoot with some of the glass that is already legendary, you will fall in love. They are not only powerful, intuitive and beautiful but they put out pro level image quality.
Most of you here know I love Olympus and Micro 4/3. They just feel “right”, especially the Olympus creations. For me, my fave cameras these days are from Sony and Olympus and I see no signs of that changing anytime soon. I have used so many cameras and lenses over the years you can say that I am jaded. I use the favorites that I have tested over the years and one thing has remained constant for me..there has always been an Olympus Micro 4/3 camera on hand at my house. Started with the original 4/3 E-1, then E-3, the the Micro 4/3 E-P1, then E-P2, then E-P3, E-P5, E-M5, E-M1 and now the E-M5II.
With each release they get better and better and while the sensor performance has sort of peaked (for now), they are now doing things that make using the cameras so much more fun and BETTER. Features no one else has. Shoot a video on the new E-M5II and you will be amazed at the new 5 Axis. Shoot a night long exposure with Live Composite and be blown away. Shoot exotic lenses like the Nocticron or 75 1.8 or 40-150 2.8 and look at the detail, color and richness. When I look at images in this review I see amazing color, fantastic details and an organic quality to the files that tell me YES, this is a fantastic camera that should please ANYONE. When I go back to my Fuji X-T1 review the images look..well..like they lack “life”. When I go back to my recent A7II review I see rich files and gorgeous IQ, but in a different way from the E-M5Ii images. That is the difference between full frame and Micro 4/3, a certain creamy richness with plenty of shallow DOF.
What the E-M5II offers is some serious snap, crackle and pop. By that I mean crisp files (snap), bold gorgeous color (crackle) and great edge definition of your subject (pop). Just as beautiful as full frame but in its own way. Two different styles which is why I own a full frame and Micro 4/3 system.
1st two shots below, Nocticron at 1.2. Third shot was with the Olympus 17 1.8 at 1.8
So once again I will say BRAVO to Olympus for pushing the envelope yet again. Offering us a fantastic and highly capable camera at a good price.
I HIGHLY recommend the new E-M5 II without hesitation and if you want to see what lenses I like, read THIS article which I just updated.
Two shots below were with the Olympus 17 1.8
WHERE TO BUY?
You can order the new Olympus E-M5 II from the highly recommended and trusted vendors below. They get my best ratings! Use my links below and you will AUTOMATICALLY help this website move on and grow AND you will get the best deal!
Two more with the Olympus 17 1.8 (my review of that lens is HERE)
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The Power of the Olympus E-M5 II – Long Exposures
By Steve Huff
Remember when I said that Olympus is a company that INNOVATES? They seem to surprise the hell out of me with every camera release. After the amazing E-M5 Mk I I thought…what else can they do? Then they released the E-M1 which is a POWERHOUSE, and I have owned one since release and now own a beautiful silver version. The system, the lenses, the capabilities..are pretty much unrivaled by ANYONE, even the Big C and N.
Now with the E-M5 MkII they did it again. Updated and upgraded the 5 Axis IS to a 5 Stop Performance increase, added a side swivel LCD, put in the large EVF of the E-M1, and added the High Res 40Mp shot mode (creates 107MB RAW files) and the camera also has the Live Time and Live Composite features of the E-M1 and other Olympus Micro 4/3 Cameras.
My review will be coming soon for the E-M5II but just wanted to share an image from last night. I was out with Alex McClure, a friend of mine who lives not too far from me who happens to be an Olympus Visionary. We headed out to a spot in the Desert that he knew of and set out to shoot star trails. With Alex giving me some tips (I have never done this before) it took literally 3 minutes to be off and running.
A video I did showing the E-M5II and E-M1 side by side
After closing the shutter, the finished image popped up on my LCD in about 10 seconds. What you see below is direct from camera, JPEG.
Super easy, super simple. All I needed was the camera, a tripod and a lens. Pretty amazing for 40 minutes of 20 second exposures. Never again will I have to stack images in photoshop. Never again will I have to worry about exposure or over exposure. Normally, just leaving the shutter open would have overexposed the cactus but with Live Composite, no worries. It is genius.
LIVE COMPOSITE MODE – E-M5 II – Around 40 minutes of 20 second exposures, automatically done in camera. The camera does ALL the work. ISO 1000. The E-M1 also does this. This makes these tools my personal pref for night time long exposure work. It’s just SO easy and foolproof.
PRE-ORDER the Olympus E-M5II – Ships in less than 2 weeks!
Two more images but these were shot with my E-M1 and were much shorter, using LIVE TIME not LIVE COMPOSITE
Nature Photography with Olympus OM-D E-M1
By Albert Lowe
Hi Steve, thanks for this opportunity!! Love your website, very informative camera and lens reviews. Keep up the good work.
I started photography when I’m in junior high school, at first I was just shooting for families, friends, and events. Yeah, those kinds of stuff. But then a professional photographer inspired me to do more and teaches me the basics of photography. From an ordinary student that pretty much play games everyday now loves to viewing pictures, I found a passion that changed my life completely, it’s called PHOTOGRAPHY.
My first camera given by my dad is an Olympus PEN E-P2. It’s simple to use and perfect for starters. I spent 1 year with it, learning, practicing. Love this camera. Had good memories, and bad ones too. In 2012, Olympus announced a new mirrorless camera called the Olympus OM-D E-M5. I bought it and wohoooo!!!! An awesome camera!! Yeah!! Small, awesome IQ, fast AF, well worth the money. I love the kit lens, not because of the quality, but because of the macro feature. Because of that lens I can do macro photography and quickly I fell in love with macro. Spent 1 year too with the E-M5, then comes the Olympus OM-D E-M1. After some thought and conversation with my parents… JUST SHUT UP AND TAKE MY MONEY!!!! I sold my Olympus PEN E-P2, OM-D E-M5, my dad’s old Canon EOS 50D to get the E-M1 and the awesome kit lens, the 12-40mm f/2.8.
The day before I buy this camera, I was very excited. So excited that I smiled almost every time at school, even my teachers and friends thought I’m crazy. The next day, I have the E-M1 on my hands. I don’t think I have to tell my feelings, I’m pretty much sure you guys know already…. Anyway, it’s been 1 year I shoot with the E-M1 and I’m going to share my thoughts, experiences with the camera, what I like and dislike, suggestions for the new E-M1 MKII. Oh and yeah, I’m also gonna compare the E-M1 with the Canon EOS 5D Mark II, I had the chance of using it with the 24-70 f/2.8 , 70-200 f/2.8, and 100mm macro L lenses. I usually shoot with RAW files as it gives me the extra quality and the extra editing capabilities for post-processing.
What are my thoughts? (In general)
The E-M1 is simply a fantastic camera. An improvement from the E-M5 in many ways.
Here are the improvements I noticed from the E-M5:
1. The grip is very comfortable
2. Although it’s larger and heavier than the E-M5, it’s still small
3. The AF is improved and quicker, especially with the 12-40mm lens
4. 5-axis IS is updated!!! Yeah well… Let’s just be honest, it’s an overpowered feature
5. FOCUS PEAKING!!!!
6. FPS is quicker, making continuous shots more better
7. Timelapse, although i don’t use that feature a lot but it’s nice
8. EVF is much more enjoyable and more durable
9. And so on
10. Still, the E-M5 is a fantastic camera.
I’m pretty much a guy that loves nature, so i really like photography that has something to do with nature (Wildlife, landscape, etc.)
So, what’s it like to shoot wild life with the E-M1?
Most of my wildlife shots are with the Olympus M.Zuiko 60mm f/2.8 Macro lens & the Olympus FL-600R flash , some uses
the Olympus 12-40mm f/2.8 PRO lens. (Seriously, can’t wait to try the Olympus M.Zuiko 40-150mm f/2.8 PRO lens)
Here are my thoughts:
1) The camera is small, so carrying it for photo shoot is very comfortable. I never feel tired of carrying that camera
2) The AF rocks, but in macro photography sometimes i prefer to use manual focus because sometimes the AF hunts
for seconds. But still, AF is usable in macro photography. As for other wildlife shots i use AF and it’s a 99% chance of
always getting the right focus.
3) The IS helps a lot, it stabilise the Live View for a much convenient shot and helps reduce the shake
4) Weather shield helps a lot, you’ll wish every camera and lens has it
5) I usually don’t exceed ISO more than 400, but sometimes I did surpass to ISO 1000 or even higher. The IQ is still good.
As long as the light is supportive.
6) Focus peaking helps a lot. Making manual focus much more easier.
7) I find that the Olympus M.Zuiko 12-40mm f/2.8 PRO can actually take close-up shots pretty well too. Perfect lens all
around for the E-M1
I have an experience in wildlife photography. I was going on a trip to the Thousand Island in Indonesia. Most of my shots are from my GoPro Hero3+ Black Edition because the main activity is snorkling. But somehow on that island, there is a goat. Yeah, a goat. And it’s a crazy one. Always running and trying to ram someone like a bull. I wanted to get a shot of it with the E-M1 but it flee already. I decided to track it down but my friends tell me to just give up. But I didn’t mind their comments and headed for the goat with or without my friends help. After 2 minutes of searching, I found it. But when it sees me he fled slowly so i follow it. After a while, it finally settles down and started to get curious of what I am. And then what happened? It walks slowly toward me. I also went closer to the goat so I can shoot closer. I quickly take my E-M1 and shoot it. Most of the shots are close-up because it really is close to me, I could even touch it. The results are wonderful and very rewarding. From that day, I believe that patience, will, and the guts to shoot the animal from a close distance will create outstanding pictures.
Suggestions for wildlife photography with the E-M1?
1) For macro, a flash such as the Olympus FL-600R is a MUST. A flash ring is even better. Flash can make a really huge
difference as it produces more light to increase the aperture number, reveal more details, pop those hidden colours, and that’s what macro photography needs.
2) Gather some guts and shoot closer to the animal. I find that shooting closer to animals produces better result almost all
the time. The E-M1 size is also an advantage for shooting closely as it’s appearance is not as bulky as DSLRs that can
scare animals easily when get closely.
3) Maximize the usage of the tilt flip screen. You might have to shoot at low angle when photograph an animal and that
feature helps a lot especially in macro photography
4) Don’t forget to customise those Fn buttons. I set Fn1 button for ISO setting and Fn2 button of magnification. It’s a really
handy feature and you can quick changes without having to press the OK button
5) When taking pictures of an animal(s), don’t just take one photo but dozens. You don’t know what that animal will do later
after you take several shots. I usually find that my 10th picture is better than the first one because i constantly change
the focal length, composition, and angles. The expression of the animal can also change and make the shots completely
6) Try do macro shots after raining. You’ll feel the magic of water droplets on the insects or spider web as you shoot it with
a macro lens and a flash.
And now, for landscape photography. My thoughts with the E-M1? (My combo: E-M1 w/ M.Zuiko 12-40mm f/2.8 PRO
Lens, polariser filter, Grad ND filter, SLIK travel tripod)
1) The size of the E-M1 is small and carrying it is very easy. I’ll explain more later with my experience.
2) The IQ is good for landscape photography
3) Focus peaking really does help when I’m shooting in manual focus for landscapes
4) Weather shield makes the E-M1 very durable and I’m not afraid of getting the camera wet from the rain
5) The dynamic range of the E-M1 is great actually for a four thirds sensor. I can recover lots of highlighted/shadowed
6) Sometimes, I shoot stars and milky way with the E-M1. Which means the usage of high ISOs (1000-2000). I kinda feel
the lack of quality compared to the other cameras, but it’s still good though. A couple of smart noise reduction can do the
trick or do the image stacking technique.
7) I find that the usage of the Olympus Imaging App can be useful as a remote shutter. I like it. The connection is fast too.
8) Live Time is the most overpowered BULB mode ever!!!! So as Live composite. You can see the process of the image
while on BULB mode. As far as I know, only Olympus cameras can do this.
Suggestions for landscape photography with the E-M1?
1) LIGHT. M4/3 cameras can produce FF quality images if the light conditions are favourable. Pick the right time for the
shot you want. It’s not surprising for a landscape photographer to wake up at 04:00 a.m just to get the right shot with
the right light.
2) I suggest to use the E-M1 w/ the Olympus M.Zuiko 12-40mm f/2.8 PRO lens for landscape because of it’s light size and
outstanding IQ. The focal length is also very useful not just for landscapes but for human interest too. But, if you really
want something more light and comfortable with the usage of prime lens, then go for the Olympus M.Zuiko 12mm f/2.0 or Leica Summilux 15mm f1.7 or Olympus M.Zuiko 17mm f/1.8. The size of these prime lenses are very very small that you
can even fit it with the E-M1 with a waist bag. But keep in mind that those lenses are not weather shield so be careful
3) Your E-M1 is very sturdy thanks to that weather shield. Take advantage of it. You don’t have to worry about taking a shot
when it’s raining.
4) Always have more than 2 E-M1 batteries with you. Due to the low temperature, batteries tend to drop faster at the top
of the mountain. Use silica gel or warm cloth to protect your batteries.
5) Always don’t forget to bring your camera and lens cleaning kit, a lens pen might do at least. You don’t want your shots to
be dirty just because you forgot to clean the lens. Beware of dirty sensors too. It’s a pain in the ass to see pictures with
slight black dots because there’s a huge dust on the sensor. Because the E-M1 don’t have a mirror on the front of the
sensor, the chance of a dust to enter the sensor is larger than DSLRs.
6) Hiking with a fellow M4/3 user is always a good idea as you can learn much more stuff and tips to get awesome photos
with an Olympus or Panasonic cameras.
7) Take advantage of the Olympus Image App, use it as a remote shutter so you don’t have to touch your camera for
changing the settings.
8) If you’re going to hike a tall mountain, I suggest you to hire a porter (Supportmen that helps you carry your supplies).
Ask for their help to carry your other supplies such as tent, food, etc. so you can focus to carry your own camera or
maybe grab a snapshot without have to worry you might get tired because of carrying the other heavy equipments.
This is an important experience that changed my photography life forever:
I had once an experience in landscape shooting. In May 2013, I took a flight from Jakarta, my hometown, to Lombok, an
island near Bali, to climb Mount Rinjani (3625 dpl i think. It’s the second tallest active volcano in Indonesia). The mountain is known for its beauty scenery. The sky is awesome, the lake is awesome, the hot spring is awesome (If you’re going to Rinjani, I suggest to try the hot springs, it’s very very relaxing and worth your time.)
The camera of choice? Canon EOS 5D Mark II w/ 16-35mm f/2.8, 24-70mm, and 135mm f/2.0. I also bring the Manfrotto tripod 484RC2, several filters, additional batteries, and so on. All carried in a Lowepro Flipside Sport 15L AW. The total weight of all of them when i checked at the airport? 8kg!!!! That’s even heavier than my friends normal carrier. Back then, I believe that the 16-35mm would be awesome for the ultra wide shoot, 24-70mm for standard shots, and 135mm for human interest photography.
Sounds cool right? 3 L lens with a full frame body. But in reality, IT’S NOT!!! My camera bag is so so so heavy that I become too tired of carrying my carrier (Main backpack for hiking) and my camera bag. When I reach the campsite, I didn’t take my camera out. Why? Because I’m so tired. My will to shoot has gone. All i wanted is to sleep. ZZZZzzz I immediately regret my decision. I should have just bring the E-M5 w/ the 12-50mm (I still didn’t bought the E-M1 yet). Instead of cool landscape shots, I only shoot human interests back when I’m on the mountain. But I did create some good shots though after I decent from the mountain and went to a local beach.
In June 2014, I’m back to that mountain and this time I bring the E-M1 with the Olympus 12-40mm f/2.8 PRO and the SLIK travel tripod. It’s so light that I can move much faster, my will to shoot is raging and burns to get those beautiful shots, and I feel like a boss. Because I feel more energetic and not tired, my shots are better too. The conditions are better to actually The tripod is also very light compared to my heavy Manfrotto for the 5D Mark II. Oh and by the way, the E-M1 is so small that I didn’t bring my big Lowepro bag instead i put in my waist bag, and it fits!!
Once when I was in junior high, I was a Canon fanboy that pretty much say “Nikon sucks!!” to my friends (I’m trying to be honest here). I believe that Canon is the most superior camera system in the world. However, due to the Mount Rinjani incident, somewhat I kinda “hate” my 5D Mark II and started to realise that all cameras are actually good and the act of being a fanboy is omg… so embarrassing. I realised that those type of acts are the ones that destroyed the photography community, newcomers will feel very uncomfortable with these kinds of act. Nowadays, I never dislike camera brands. I like all of them. Canon, Nikon, Sony, Olympus, Fuji, Panasonic, etc… They created wonderful cameras. Remember, it’s the one that behind the camera that matters, the PHOTOGRAPHERS.
So, here’s what I like about the Olympus OM-D E-M1 in general:
1) Great build quality
2) So many awesome features
3) Menu system (Now the Olympus OM-D menu system is considered by many as hard. I admit when using it the first time I was confused. But after a month using it and learned the menu, I think that the menu is actually functional and awesome)
4) 5-axis IS is great. And over powered also. Why? Think of it. Every single lens attached to the E-M1 has an IS although it
actually don’t have one. Because of the in-body IS, Olympus can create awesome lens with much cheaper price because
all of their lenses don’t need IS, the iS is in the body. In my country, the Panasonic 12-35mm f/2.8 OIS is more expensive than the Olympus 12-40mm f/2.8 PRO lens just because the Panny have an IS that increased the price.
5) Outstanding overall image quality and dynamic range
6) AF is fast, really fast even
7) Awesome EVF, feels more comfortable than an OVF in my opinion
8) The fps is fast
9) The camera is very responsive
10) The one thing that make me love this camera so much: The SIZE. IT’S SMALL!!!
11) Small sensor. Now this is actually what I like and dislike. Due to the smaller sensor, the body can be smaller and so the
lens too. Which means more convenience for shooting.
12) Many customisable buttons
13) The buttons are big and very comfortable
14) Weather shield is a beast
15) Live bulb and Live Time (Live composite can be upgraded to the E-M1 with firmware update) is no damn nice!!!
16) All Olympus lenses are full-time MF lenses
Here’s what I don’t like about the Olympus OM-D E-M1 in general:
1) Battery is kinda not that strong, I know it’s a general problem for a mirrorless camera but still, it’s kinda annoying.
2) I don’t know if you guys have this issue or not, if you playback an image, sometimes the image is pixelated when zoomed
in on the camera’s LCD. But when imported to the computer, the image is normal, no pixelated problem.
3) Low light. I feel that the biggest weakness of M4/3 cameras compared to APS-C cameras is the low light capability. I’m
not saying that the E-M1’s low light is awful but it’s just lacking. They should focus on improving the sensor’s low light
4) Small sensor. Now this is actually what I like and dislike. Due to the smaller sensor, I get less DoF. But that’s not much
of a problem for me, I can bear with it. The issue is that smaller sensors can’t handle high ISO very well compared to
APS-Cs and Full Frame cameras.
5) Video mode. I know it has nothing to do with photography, but nowadays, many photographers are interested in
videography. One of those interested in videography is me. It’s kinda sucks that for a $1500 camera you get only
1080p 30fps. I really wish that they give RAW video mode and 24fps. 4K is not necessary yet but it’ll be awesome.
But at least they improved the video in the E-M5 Mark II. I’m very happy about that.
6) The price.. I think it’s kinda too high or maybe that’s just my country. Inflation is so high. Gotta move to USA as fast as I
7) So mmmm…. Yeah i think that’s the only thing I found problematic about this camera
And now, it’s time for E-M1 Vs 5D Mark II based on my experience using it (M4/3 Vs Full frame):
1) Build quality: Both of them are great
2) Size: Without doubt the E-M1 is much smaller and I like it. The 5D Mark II is just a big beast that can cause my arms to
feel tired after 1 week of using it.
3) Handling: The E-M1 is smaller and I like it better than the 5D Mark II. But it depends on people though, because some
actually prefer larger cameras because it has larger grip that fits with their hands.
4) AF: Easy. E-M1 wins, the 5D Mark II isn’t designed for fast AF, it’s more about getting that superb IQ for it’s class back
when it’s released. But the 5D Mark II’s AF is still usable especially put in some high quality L series lenses such as the
24-70mm f/2.8 and 70-200mm f/2.8 L. I also find that the AF system in DSLRs are better for shooting sports so I
actually use the 5D Mark II for sports instead of the E-M1 (REMEMBER: I haven’t tried the 40-150mm f/2.8 PRO lens yet.
maybe that lens can transform my E-M1 into a better sport camera than my Canon). But if your gonna go sport
photography, don’t use 5D cameras, use 7D or 1D cameras.
5) Low light: The 5D is better in my opinion due to the larger sensor. I even once shoot with ISO 25600 on a concert.
Although the low light performance isn’t that great nowadays but it’s good actually back in 2008 when it’s first released.
6) IQ: Actually I see almost no difference but it’s just that the 5D has higher resolution so yeah the 5D wins but seriously,
the E-M1 can catch up and even better than the 5D Mark II as long as the light is enough.
7) Features: The E-M1 wins because the controls are better and besides, it’s a newer camera than the 5D Mark II.
8) DoF control: The 5D obviously wins due to the full frame sensor so creating bokeh pictures is easier with the 5D. But still
the E-M1 can create bokeh pictures too. Give it a fast lens and you can still create a bokeh picture with the E-M1.
9) VF: I find EVF (E-M1) to be more useful compared to OVF (5D Mark II), the EVF of the E-M1 is very responsive and
overall I prefer the EVF rather than the OVF. But OVFs are still very responsive and more natural looking.
10) Video: 5D wins. 1080p with 24fps is available. Olympus only has 30fps. The only thing that I like about the Olympus
for video is the 5-axis IS. It’s very well stabilised, and not all Canon lenses have OIS. But in the end… When you shoot
a film, gimbals are much more useful and create better results in terms of quality and stabilisation than normal IS.
Suggestions for a new E-M1 MKII camera:
1) Video update please: 1080p that can do 24, 25, 30, 50, 60 or even 120 fps. RAW video. 2.7K can also be a nice upgrade
2) More Fn buttons please. Loved them
3) I’m really interest with the High-Res shot of the E-M5 Mark II. Try improve it and put it to the new E-M1
4) 5-axis IS improved please, make it 6-stop if possible :D Pretty much sure almost every photographer will be astonished with that.
5) AF system that can actually shoot better in sports, would really appreciate that.
6) Improve the battery life
7) Low light performance must be improved and make a big difference than the first E-M1. With that, I’m pretty much sure everyone will be interested with the new E-M1
8) Focus peaking can be actually used while recording on video
So yeah that’s it. Thanks for reading!!! The Olympus OM-D E-M1 will always be my main camera unless there’s an Olympus OM-D E-M1 Mark II coming out :)
Year of the Cat with Micro 4/3
by Pierre Arden
Yeah, I know what you want to say: “Cat pictures are boring. They are for amateurs with mobile phones. A cat pictures can never be considered as art.”
Is this really true? Cats are probably the most photographed creatures on earth and there must be a reason for that. Yes, they are cute. But as an owner of two cats I can tell they are so much more and it’s up to you to show that through the lens.
Disclaimer: Yes, I like dogs, too – I even make pictures of them, but cats are more mysterious and I am attracted to them a little more. Sorry dog lovers / cat haters ;).
So given the millions of cat pictures out there, how can one try to create some unique and inspirational cat photos? Well, I always try to “read” the cat and make pictures according to the character. It’s much easer if you have a bond of course or at least some street cat has an affection to you so being good with cats is a big plus (and a good way to have a chance to get near them).
But let’s start with my own cats: Of course I know them very well so I try to show some different sides of them which make them unique to me. McLovin (I know, the name…) is an impressive British Shorthair tom who can look like a boss but on the other hand also be very cute and persuasive when it comes to his favorite food. So most of the time he is lying around, making the room look nicer. So I use a longer focal length like my 45mm (90mm equivalent) on the Olympus PEN E-P5 or the OM-D EM-1. That lens is not to long for indoor shots if you don’t want much of the surrounding on the picture. I also used the Sony NEX 5r with the 50mm prime lens (75mm equivalent) in the past.
Since these cats trust me it’s easy to get near and make pictures so it’s always fun to use a fisheye lens with a short minimum focus distance for some nice close-up shots.
Wanda, my second cat, is more active than McLovin is – she is a Savannah so there are some wild cat genes left in her. Due to that I make pictures of her on the balcony or while playing fetch with me. I have a good view on the Frankfurt skyline so it’s possible include some nice background in the shots. She is very curious so there are lots of nice opportunities to make interesting pictures of her.
Before I talk about outdoor cats in the next part let’s see some pictures on Wanda and McLovin:
It’s more difficult to capture pictures of street cats. It’s often not possible to get near if they are shy and since you don’t know them and probably can’t spend much time with them you have no chance to get very deep into their character. I often use a longer lens like the brilliant M.Zuiko 75mm F1.8 (150mm equivalent) on the Olympus E-M1 for some nice portraits. In this case I try to be on eye level with the cats to make them look more impressive, a tiltable screen on the camera helps a lot in this case. If you are lucky, you have nice surroundings you can include in the pictures, in this case I use a wider angle like the M.Zuiko 9-18mm (18-36 equivalent).
It can be very interesting to spot street cats in their areas and on my vacations I always look for some cats to make a scene more interesting. A cat makes every picture better ;).
In the following examples you can see some cats I met in Malta, Sicily, Portugal and Kyoto. Some of them were very shy, some were very relaxed (like the little cat in Malta):
A macro lens is a good chance to capture some of the amazing details a cat body has to offer. It’s not easy because you need to get very near and movement often makes the pictures unusable (and you don’t want to use flash on a cat eye!). The results are worth it though, I use the the M.Zuiko 60mm Macro lens from time to time to get a closer look at my cats. See some examples:
There are more ways to create nice cat pictures that stand out from all the mobil phone pictures out there but I think this is enough for some inspiration. You can see my complete set of cat pictures by following the link below:
Feel free to get in touch with me if you have any questions, thanks for your attention!
I live in Frankfurt, Germany and when I’m not working in a bank I am a passionate travel photographer. You can see more of my pictures on my homepage www.ultraweit-verwinkelt.net where you can find pictures of Japanese cities like Tokyo, Nara and Koyasan as well as other places around the world (and pictures of cats, cats are important…). All photos are also available as prints and for licensing.
Home from Bermuda and I brought the E-M5II with me!
See my 1st look of the E-M5II HERE. This is a quick follow up to that, full review in about 2 weeks.
Whew! Last week was a crazy week. Three full days of travel, two days in Bermuda and loads of fun, shooting, and testing the brand new and pretty damn incredible E-M5II. Most of you here know how I operate..I write ONLY about cameras that I love. Cameras that motivate me, move me and impress me. I also have a love for small mirrorless cameras as they have come a LONG way since the early days of the E-P1. With cameras like the Sony A7 series which feature full frame sensors in smaller bodies as well as Olympus constantly pushing technology to the limits, today we have some absolutely MIND BLOWING cameras that can do things that no past cameras could do.
Before I write more I want to thank EVERYONE at Olympus for the great week, as well as the great friends I was able to see again during the trip! Was great seeing and working with you ALL! I am truly blessed to be able to do what I love in life.
As with previous Micro 4/3 Olympus cameras, Live Time is here and its so much fun to use. You will see you exposure happening in real-time, and you can stop it when the finished image is to you liking. I used live time for all of the images below, and seeing it magically expose on the LCD in real-time is amazing and something no DSLR or any other camera can do.
In the case of the E-M5II, it does incredible things that NO DSLR can do. The more I use and study this little camera the more I am impressed with it. It’s a pretty beautiful thing. It’s about half the size of my beloved Sony A7s, faster to AF, weather sealed, has the best IS you can get today (5 stops) and has the best lens lineup next to Leica IMO. While it loses out on the full frame sensor and those gorgeous rich files that come from full frame, Olympus has stepped it up with the new 40 Megapixel High Res mode.
That mode is very nice but it has limitations. You MUST use a tripod and nothing in your frame can be moving. Even so, for those doing detailed landscape work, this can be a superb tool as the results are very nice even though so far I have only been able to see the JPEGS (A photoshop plug-in is on the way for processing the high res RAW files).
Just some JPEGS from the E-M5II – click for larger.
Olympus keeps on pushing on and finding new ways to test the limits of what a camera can do. For example, LIVE TIME and LIVE COMPOSITE are revolutionary and NO OTHER camera can do this, yet it is something that opens up new avenues for photography. It is mind blowing if you really think about it. The new 5 Axis..INCREDIBLE. I have talked about all of this in my original 1st look report, which can be seen HERE but I just wanted to say it again as this camera, so far, has been phenomenal. I am VERY impressed.
Some have been asking me a few questions:
Q: IS the EM5II better than the E-M1?
A: Olympus clearly stated that the FLAGSHIP is the E-M1 and the E-M5II resides in the middle. But IMO, until they have all of these new features in the E-M1, I would say the EM5II beats the E-M1 in many ways. The E-M1 has a beefier build and body, more pro. The E-M5II is smaller, and while not a PRO build, it is much better than many cameras made today in the same class. The E-M1 is more rugged and has a deep grip, the E-M5II does not have a grip but one can be added. Speed wise, the E-M5II is faster than the E-M1. It also has the same IQ and ISO performance. It has better 5 Axis and the silent shutter option as well. All in all, if you do not mind the less pro body, the E-M5II is a better camera in my opinion.
Q: How long can you handhold a shot with the new 5 Axis?
A: Probably 1 second to be sharp but I have done quite a few at 2 seconds with impressive results. This is incredible and will also depend on your focal length of course. It’s the best IS on the market as of Feb 2015.
Just for fun, two 2 second hand held shots ;)
Q: When does the E-M5II ship?
A: End of TIHS month, Feb 2015.
Q: How is continuous AF?
A: In my limited tests so far, VERY good! See an image series below:
All in all in my 3 days with it the E-M5II is performing well. At the Bermuda event I had a couple of glitches with freeze ups but the camera is not final yet and I am sure there are firmware things they will figure out before launch. I predict another winner for Olympus and I will have a huge real world style review up in about 2 weeks, just before the camera ships.
There are other new things from Olympus to talk about as well..the new TOUGH TG-860 camera which is PRETTY AMAZING and beats my Go Pro for fun factor, video and ease of use. I ordered on already and at $279 I will use it for my YouTube videos and underwater shots. Waterproof to 50 feet, shockproof, to 7 feet, cold proof to 14 degrees and crushproof to 220 lbs! The flip out LCD allows you to take video or selfies of yourself and works out perfect for some of my video work and reviews.
I will get to that camera as well SOON.
Olympus OM-D E-M5 Mark II! Hands On 1st look & Video!
Man, doing camera reviews is a TOUGH job. Here I am in beautiful Bermuda with other colleagues testing out the new Olympus OM-D E-M5 Mark II. The follow up to the HUGELY successful E-M5 (My review of the original E-M5 is HERE). For the past couple of years I wondered how Olympus could top themselves after the E-M1. I mean, what else can they do? The E-M5 and E-M1 (E-M1 review is HERE) are superb cameras for the Micro 4/3 format, and IMO, the best there is for this system. When I was asked to come do a test of the camera for two solid days in Bermuda, I could not pass it up. ;)
I also learned about the new PRO 8MM F/1.8 Fisheye they are coming out with this year as well as the “Olympus Air” and the new 14-150 “kit” zoom that is now weather sealed. Also, Firmware 3.0 for the E-M1 which should be out in the next 2-3 weeks. Good stuff!
All images in this 1st look report are OOC JPEGs with either the 12-40 Pro or 40-150 Pro Zoom Lenses. Click them for larger.
“CENTER VALLEY, Pa., February 5, 2015 — Olympus introduces an exceptional high-resolution still and advanced motion picture hybrid with the new OM-D E-M5 Mark II®. This advanced interchangeable-lens camera features a compact dustproof, splashproof body, with a familiar, premium design. Packed with 5-axis image stabilization, a 40-megapixel high-resolution shot mode, sophisticated, stunning HD video, integrated Wi-Fi® and a variable-angle 3-inch touchscreen, the OM-D E-M5 Mark II makes it easy to get the shot you need, every time. The easy-to-use 2.36 million dot, super-large, high-definition electronic viewfinder has a field of view of 100%, and a viewfinder magnification of 1.48x. The camera is equipped with Adaptive Brightness Technology, which automatically adjusts the backlight brightness in accordance with environmental lighting. The new LV Boost II*1 is convenient for shooting stars, and Creative Control provides complete freedom of control over color, tone, focus, and aspect ratio.”
Today was day one with the camera. That is it. ONE day. I had the 12-40 f/2.8 Pro Zoom and the 40-150 Pro Zoom to shoot with it and of course I only shot JPEG as there is no software to process RAW files as of yet. So remember, all images here are 1st look images, all JPEG and out of camera.
My 1st Look Video on the Olympus E-M5 II with my thoughts and some quick video samples (nothing fancy here)
Well, IT IS GORGEOUS and an AMAZING update to the old E-M5, and here is why:
40 MP High Res Shot
Olympus said that with this mode you will meet or exceed full frame detail. Yes, you can get a 40MP file from the 16MP sensor using this new exclusive mode on the E-M5 II. You will need a tripod and a good lens to take advantage of it but from what I understand the detail is stunning in this mode and I have sen samples. I will be testing this mode TOMORROW but once again it is Olympus pushing tech and INNOVATING as they have done for years. Remember, they were 1st with 5 Axis..they were 1st with a Swivel LCD (E-330 back in the day) and they were 1st with a mirror less weather proof, freeze proof, shock proof body in the E-M1. They are also the ONLY camera today with the exclusive LIVE TIME and LIVE COMPOSITE MODES, which are FANTASTIC.
Here is what Olympus says about 40 MP High Res Shot:
“The Olympus OM-D E-M5 Mark II takes high-resolution imaging to a whole new level. In addition to the exceptional 16-megapixel stills you’ve come to expect from OM-D, the E-M5 Mark II captures 40-megapixel images*2 using an innovative pixel-shift technique that is facilitated by the voice-coil motor IS unit. The 40-Megapixel High-Res Shot mode captures eight sequential images, moving the sensor by 0.5-pixel steps between each shot. Then, the E-M5 Mark II compiles those images to produce a super-high resolution shot that rivals those captured with a 40-megapixel full-frame camera.
A tripod and a high-resolution M.ZUIKO® DIGITAL PRO or M.ZUIKO Premium lens are recommended to use the 40-Megapixel High-Res Shot mode, which captures eight shots over a period of one second. Another two seconds are required to compile the final image. Images can be captured at up to f/8 with a shutter speed of up to eight seconds and a sensitivity of up to ISO 1600. When shooting in RAW+JPEG mode, the camera will save a 40M JPEG file, a 64M RAW (ORF) file and a 16M RAW (ORI) file. 64M RAW images may be processed using Photoshop CS4 and later with a required plug-in.”
The new improved 5-Axis IS.
This is new and upgraded and works SO AMAZINGLY WELL. It beats the 5 Axis in the Sony A7II, E-P5, E-M5 Mark I and the E-M1. Olympus briefed us and told us it is their best Image Stabilization system to date. This new improved 5 Axis is so amazing with video and photos. One guy here took a handheld shot at 1.2 seconds and it looked damn good on his LCD! Crazy. Olympus claims 5 Stops of performance. I was seeing unreal performance with this E-M5II 5 Axis..can not wait to test it more.
1st image was using “Live Time” where you can see your exposure happening in real-time, perfect for night exposures. The image below was shot at ISO 1600 at night, and I let LiveTime go until the exposure was right where I wanted it.
…and “Live Composite” which is quite special and unique to Olympus. Basically the camera takes TWO shots. The 1st one determines the exposure for the shot..the 2nd shot just leaves the shutter open for up to SIX HOURS looking for NEW light. When it sees the new light it adds it to the images, without affecting your original exposure. This would be amazing for night-time shooting but you do need a tripod of course.
Here is the Lowdown from Olympus on the 5 Axis in the E-M5 II:
“The Olympus OM-D E-M5 Mark II’s in-body 5-axis VCM image stabilization system offers unprecedented performance. The camera’s 16-megapixel sensor shifts horizontally, vertically and on the X (pitch), Y (yaw) and Z (roll) axes in order to provide 5.0 EV steps of compensation performance. The OM-D E-M5 Mark II can capture sharp images at shutter speeds as low as 1/4-second without the use of a tripod. Sensor shift on the X and Y axes can also assist when photographing close-up subjects. Image stabilization extends to the 3-inch, 1.04M-dot rear vari-angle touchscreen and the 2.36M-dot electronic viewfinder (1.48x magnification), providing a full image stabilization preview when the shutter button is pressed halfway.”
Electronic Silent Shutter capable of 1/16,000 S
The new silent shutter is superb and capable of 1/16,000 of a second shutter speeds and 11 FPS continuous shooting. If you prefer to use the physical shutter you are limited to 1/8000s and 10 FPS shooting, which exceeds the E-M1 and past E-M5 regardless. The silent shutter is just that..silent.
OM-D Movie – They now are getting much better with video
“The OM-D E-M5 Mark II’s advanced video features enable photographers to capture cinema-quality movies from the palm of their hand. The camera’s 5-axis image stabilization compensates for even the slightest movement, allowing the camera to capture stable footage without the use of a sophisticated and expensive stabilization rig, or even a tripod, letting users shoot in environments where adding heavy equipment may not be practical. The mechanical IS unit can also work in concert with Electronic Stabilization if desired.
The OM-D E-M5 Mark II captures 1080p video at up to a 60p frame rate with up to 77 Mbps high bit-rate recording possible at the 30p setting. Additionally, the OM-D E-M5 Mark II supports 50p, 30p (29.97p), 25p and 24p (23.98p) frame rates, making it easy to blend footage captured using other camera systems. An integrated microphone jack supports external audio input, while a headphone jack positioned in the HLD-8G External Grip enables real-time audio monitoring. Focus Peaking with four color choices (red, yellow, black and white) as well as three selectable intensities for optimal manual focus results. Settings can be adjusted while recording using the 3-inch touchscreen, including AF-point selection, exposure, electronic zoom and Movie Tele-converter, microphone sensitivity, headphone volume and art effects. Additionally, OM-D Movie supports time code settings and connection to an external HDMI® monitor during recording. You can also add an Olympus PCM recorder for high-quality audio capture.
Photographers can take advantage of the OM-D’s popular Art Filters while in Movie Capture mode. Users can select from Pop Art, Soft Focus, Pale and Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line and Watercolor while capturing video. A Movie Tele-converter lets users touch an area on the screen to enlarge it without losing image quality, while the Clips tool enables short clip capture, allowing users to combine footage and effects directly on the camera for instant sharing.”
I am only one day in with this new camera and I am really enjoying it. From the quick and fast AF (faster than the E-M5 and E-M1 from what I can tell) , the new side swivel LCD which is FANTASTIC in use and the improved 5 Axis IS and Video. I will be testing the new 40MP High Res Shot tomorrow but I can see the possibilities with it for sure. The E-M % Mark II will not ship with a lens as it will be body only for $1099. It will come with a very cool new flash that not only rotates side to side but up and down as well. I was able to handle this little dynamo and it was very cool, not your typical bundled flash (though it is small).
I love Olympus..always have ever since the good old film days, and then again with the original 4/3 E-1. They always have something special and unique about their cameras and they ALWAYS innovate and bring us new features, including superb firmware updates for the E-M1.
So far so good and I have only been shooting OOC JPEG in NEUTRAL color mode…for ONE day.
This camera easily outclasses the older E-M1 Mark I and IMO even outshines the E-M1 for less money. Next to the E-M1 the E-M5 II is smaller but feels just as good, is a bit faster, can shoot faster FPS, has better 5 Axis IS and video, and so on.
My full review will be up by the end of Feb 2015, so be sure to check back as I am sure I will be posting updates over the next few days and weeks, including a test of the new 40MP High Res Mode. We have a full day of shooting tomorrow as well so I am excited to see what I can squeeze out of the camera.
So far, so good! GO GO GO Olympus!
PRE ORDER THE E-M5 II
You can PRE ORDER the E-M5 Mark II at B&H Photo using the link below. The camera will be shipping by the end of this month, Feb 2015.
B&H PHOTO: PRE-ORDER THE E-M5 II HERE IN SILVER!
B&H PHOTO: PRE-ORDER IN BLACK!
AMAZON: PRE ORDER IN SILVER
AMAZON: PRE ORDER IN BLACK
More from Olympus on the new and exciting E-M5 Mark II
The Olympus OM-D E-M5 Mark II pairs a redesigned16-megapixel Live-MOS Micro Four Thirds® sensor with the Olympus TruePic™ VII processor, enabling brilliant image quality in bright and low-light conditions alike. The 1/8000 mechanical shutter allows photographers to shoot using a large aperture for maximum bokeh, even in bright, daylight conditions. Users can capture RAW images at up to 10 fps with S-AF, or 5 fps with C-AF tracking enabled. An Anti-shock mode utilizes electronic first-curtain shutter to reduce shutter shock during sequential shooting, and a new Silent mode enables a full-time 1/16000 second electronic shutter, eliminating the mechanical shutter noise entirely for absolutely silent shooting. The 81-point Fast AF provides an expanded focus area, with unparalleled speed, while Small Target AF allows users to focus on small areas across the entire frame.
The OM-D E-M5 Mark II includes integrated Wi-Fi, enabling remote shooting, geotagging and easy image sharing using the Olympus Image Share app on an Android® or iOS® smartphone or tablet. Photographers can use the Olympus Image Share app to apply Art Filters. Users can also start and stop movie recording using a wirelessly connected smartphone, or with the RM-UC1 Remote Cable Release. Studio photographers can take advantage of Olympus Capture support, enabling complete control of the OM-D E-M5 Mark II from a connected Mac® or PC.
Portability and Build
The OM-D E-M5 Mark II features a dustproof, splashproof body, that, when properly sealed and paired with select M.ZUIKO DIGITAL lenses, can even be used in the rain. Olympus’ renowned Supersonic Wave Filter technology uses super high speed frequency movement to “shake” any dust or debris off the sensor, eliminating dust marks that irreparably spoil images. Two body colors are available: a luxurious black with texture casting, and a bright, gorgeous silver. The camera includes machined metal dials, an extended grip and a lowered center of gravity that makes the OM-D E-M5 Mark II comfortable to hold in a variety of positions. The camera (body only) weighs just 417 grams, or 14.7 ounces, making it one of the lightest models in its class.
The OM-D E-M5 Mark II includes a dustproof and splashproof bundled flash, the FL-LM3, with Guide Number 9 (at ISO 100) and tilt and swivel positioning, enabling users to light subjects directly or by bouncing the flash off of a ceiling or wall.
The HLD-8 is a dustproof and splashproof power battery holder for exclusive use with the OM-D E-M5 Mark II, which enhances both the camera grip and power supply. The HLD-8G Non-powered Grip pairs a substantial camera grip with a headphone jack for monitoring audio during video capture, and an HLD-6P Power Grip, which can attach directly to the camera or to the HLD-8G, provides additional battery power for extended shoots. Because the grip (HLD-8G) and battery holder (HLD-6P) can be separated, the grip can be used alone when necessary. The HLD-6P battery holder is the same as the HLD-6 which was previously designed for the OM-D E-M5. The ECG-2 Metal External Grip can be attached to and removed from a tripod easily, and includes a battery pass-through for changing batteries without removing the grip.
An EE-1 External Dot Sight, which is compatible with any camera with a hot shoe, makes it easier to frame subjects during super-telephoto shooting An EP-16 Large Eyecup is also available, which blocks sunlight, making the electronic viewfinder easier to use. A redesigned version of the OM-D E-M5’s popular full-cover case, which includes a body cover and removable front cover, is also available as the CS-46 FBC Leather Cover and Body Jacket. The PT-EP13 Dedicated Underwater Case can be used at depths of up to 45 meters, and is designed specifically for the OM-D E-M5 Mark II. The case is equipped with a pick-up viewfinder and can be used with the cameras bundled FL-LM3 flash, along with a variety of lenses.
U.S. Pricing and Availability
The Olympus OM-D E-M5 Mark II will be available in February 2015.
Estimated Street Price
$1,099.99 Body only in Black or Silver
Italy, Transylvania, Austria with Sony A7s, Olympus E-M1 and Leica
by Neil Buchan-Grant – See all of his guest posts HERE
I thought it was about time to share with you some of the pictures I’ve been making over the last year. As ever my photography has been mostly made with the Olympus EM1 but following on from your enthusiastic response to the Sony A7s, I decided to trade in my A7 for one. I only use the Leica M 50mm Summilux ASPH on the A7s but its a combination that, although limited in application, has proved to be a great one.
I spent most of the summer at home in England enjoying the fine weather we had here, but I booked myself a week of shooting in a villa on Lake Como in northern Italy for the end of August. The village I stayed in was buzzing as George Clooney was in town shooting his latest coffee commercial just before his wedding in Venice. I then had a very fruitful week in the marvellous city of Sibiu in Transylvania. I was given backstage access to a fashion show there which led to some intimate low light shots made with both cameras.
This was made in the hotel Villa D’Este, in the games room, with a Sony A7s and Leica M 50mm Summilux, 1/160s, f1.4 ISO 1600 Model: Thorn
Shot with the Sony A7s + Leica M 50mm Summilux in available light, 1/320s, f1.4 ISO 100 Model: Bethany Cammack
Another shot in the city of Sibiu made with the Olympus OMD EM1 + Leica DG 25mm 1.4, 1/200, f1.4, ISO 200, available light. Model: Amalia Beksi
In London this shot used only available light and was made with the OMD EM1 and the new 40-150mm 2.8 lens @ 45mm, 1/50s, f2.8, ISO 1600
During a quick break in Vienna Austria, I was lucky to come across an exhibition featuring the work of a New York fashion photographer of the 1950’s called Lillian Bassman. I found her work incredibly beautiful. She was a contemporary of the likes of Richard Avedon and Irving Penn but for me she took things to new levels of artistic endeavour with her innovative printing techniques and her eye for elegance and drama. I’ve since bought her book “Women” and I now long to work with long-necked women and couture hats!
This was shot in the villa on Lake Como with the Sony A7s + Leica M 50mm Summilux, 1/200s f1.4 ISO 800, available light (grain added later in Silver FX) Model: Donutella Viola
This was made in the villa on Lake Como with some continuous lights I had brought with me. Shot with the Olympus OMD EM1 + Olympus 17mm 1.8, 1/80s, f2.8, ISO 800 (grain added later in Silver FX) Model: Chiara Sgarbossa
I made this shot in the garden in Como with the Sony A7s and Leica M 50mm Summilux, 1/80s, f1.4. ISO 100, available light Model: Jessica De Virgilis
Another shot of Jessica made at the edge of Lake Como. It was shot at dusk with an off camera flash through a mini softbox on the Olympus OMD EM1 and the Olympus 12-40mm 2.8 lens @ 12mm, 1/250s, f3.5, ISO 200. The image is a composite of the original colour version and a black and white conversion, blended to give a dramatic effect. Model: Jessica De Virgilis
Shot with the Sony A7s + Leica M 50mm Summilux in available light, 1/320s f1.4, ISO 100 Model: Bethany Cammack
Finally the prospect of more dark winter skies was too much so I booked a week in the Spanish Canary Islands over Hogmanay. I had the new Olympus 40-150mm 2.8 PRO lens on loan, it just went back today..:( and I was dying to use it in good light. Its’s a lens which I would happily recommend to anyone with a micro four thirds camera, it’s bitingly sharp! By some ridiculously lucky chance encounter, I ended up shooting a UK model who was there on vacation. This gave me some great opportunities to test this new lens on something other than landscapes. Thanks again for the opportunity to share these pictures with your readers.
I took this shot backstage at the fashion show in Transylvania with the Olympus OMD EM1 + 45mm 1.8, 1/60s, f1.8, ISO 3200 available light, (grain added later in Silver FX) Model: Raluca Mararu
This was also made at the same event with the OMD EM1 + 17mm 1.8, 1/100s, f1.8, ISO 1000, available light (grain added later in Silver FX Model: Rosalinda Mihaela Zadaroinea
This image was made in the changing rooms with the Sony A7s and Leica M 50mm Summilux, 1/125s, f 1.4, ISO 1000, available light, (grain added later in Silver FX) Model: Cucerzan Adelina
During my stay in Sibiu I was lucky to work with some of the models on locations in the city. This was made with the Olympus OMD EM1 + 12-40mm lens, 1/320, f2.8, ISO 200 using an off camera flash through a mini softbox (18”) Models: Amalia Beksi and Flavia Bodi
British Travel Press Photographer of the Year
A few more…
This landscape in Fuerteventura was made with the OMD EM1 + 40-150mm 2.8 PRO @ 40mm, 1/320s, f4, ISO 200 Polariser
This image was made at sunrise in Fuerteventura with the OMD EM1 + 12-40 2.8 PRO @ 12mm, 1/2500s, f2.8, ISO 200, Polariser
Another one in Fuerteventura this time with the Olympus OMD EM1 + 40-150mm 2.8 PRO @ 115mm, 1/1600s, f2.8, ISO 200 available light Model: Bethany Cammack
This picture was made in Fuerteventura in available light with the OMD EM1 + 45mm 1.8, 1/3200s, f1.8, ISO 200 Model: Bethany Cammack
This picture was made during a rehearsal of the English National Opera’s Nutcracker at the Colosseum in London. It was made with the OMD EM1 + 75mm 1.8 lens, 1/400, f1.8, ISO 3200 (grain added in Silver FX)
This photo of people watching a firework display in Winchester was made with the Sony A7s and Leica M 50mm Summilux, 1/125s, f1.4 ISO 25,600
The Joy of Shooting Photos
By Dennie Mullete
My name is Dennie, I’m from Bandung, Indonesia. And sorry if my English not so good …
When the first time I found this site, I was searching for a pocket camera with good high ISO performance, and I found Steve reviewing the Olympus PEN E-PL1 … I so impress with the result, even Steve said that E-PL1 has a really good jpeg engine that time and I was looking for a camera like this from the start… But I still did not know anything about aperture, bokeh, fastlens etc. I’m blind at that time, know nothing about photography. What I know is high ISO is needed when you want to take pictures without flash in low light, so I bought it …
Fast forward, now I have a Canon 6D that really help me when shot low light, and I keep telling myself I’m not a photographer, I’m just taking pictures :) … but I must say … sometimes … the joy, the fun, the mood, the inspiration is the main control about the picture I wanna take, that really takes effect to the result … coz I have the time when mood is down, no joy when shooting … I have 1 or 2 hundred frames but nothing to be keeping … that was a big hit for my photography experience … and I say … I would pick Olympus pen E-PL5 rather than my 6D … just because the joy … the fun to use … I’m not say about the IQ, I’m just saying about the “fun factor” that really take effect of the result … :)
Enough said. I hope u like my pictures and thank you Steve, you are really my Inspiration … for about 3 years now … and I am waiting for your Sony A7 mk II review. Cheers
It’s taken about 10 PM, really dark, at local restaurant, light source from the light garden, and the back is city of bandung, really nice place, the air a bit freezing, the place called “Balakecrakan”, sundanese language, mean “eat together-nes”, 35mm f2 @f2, ISO 12800, 1/60, develop from RAW
Taken in my friend place, just hang out, and try snapshot with one source light, the hanging light on the middle room, so i tell my friend to dress like a mob … do u think it’s look like a mob ? :) 35mm f2 @f2, ISO 6400, 1/100, develop from RAW
“Bandung Caang”, sundaese, mean “Bandung Bright”, spend time with family, is something I must do, family … all the work I do, all my effort, is for my family, so what do the best beside hang out with family ? :) 85mm f1.8@f2, ISO 3200, 1/160 Straight JPEG
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From a Nikon D800 (DSLR) to Olympus and Fuji (Mirrorless)
by Robin Schimko
Three months ago I had the opportunity to do a reportage on a sailing boat cruising along the coastline of Crete, in the Mediterranean Sea. Last year I did the same thing in the Caribbean but this time I didn’t bring a heavy and bulky DSLR, since I‘ve gone fully mirrorless at the beginning of 2014. For this trip I brought a Fuji X-T1, 23/1.4, Samyang 12/2, Samyang 8/2.8 fisheye and of course my Olympus E-M1, 42.5/1.2 and 75/1.8 with me. I was basically covered for almost any possible situation and at the same time my kit was relatively lightweight and compact.
The day I arrived I met up with my client and the moment he saw my gear he became skeptical. For him it was hard to believe that a camera this small is able to deliver good image quality and a certain look that screams “professionally” taken images. He was very pleased with the images I took in the Caribbean with my D800. So I gave him my tablet to have a look at some of my pictures I took prior this trip just to make him feel more secure and it worked fine.
So, how did it work out?
Well, the mirroless set up had two major advantages over my former D800. The first one is really obvious and that is the small form factor and the light weight. Compared to my DSLR, the Fuji for instance with attached lens is less than half the weight and that makes a huge difference. On a shaky sailing boat it can be really tough to move around safely, especially if you’re carrying heavy gear which needs to be secured with one hand to make sure it’s not bumping into something or someone. The mirrorless kit was much easier to handle and it was a breeze to use. Attached to the Fuji was the Easy Slider by Artisan & Artist which allowed me fit the camera very tightly to my chest, so I could use both hands to secure myself in case I needed to. With a bulky DSLR that would have been much more uncomfortable over the duration of a whole day or at least a couple of hours. The second advantage was the ability to shoot from the hip incorporating the tilting screen. When you look through the viewfinder it can easily happen that you punch yourself in the face with the camera and yeah that had happened to me in the past. :D Like I wrote before, the boat is constantly shaking around and the intensity of those shakes can vary randomly.
In two weeks there was only one thing I wasn’t really keen about and that’s the battery life. Especially the X-T1 tends to eat batteries very quickly and that did concern me. One could say that this is not a big issue if you bring enough spare ones. That’s totally true and I had five batteries with me, but I had no idea that these batteries had to last up to three days. Last year I could recharge every day, but not this time. The boat was quite old and electricity was only available every now and then. That was indeed the only issue I had using mirrorless cameras.
The sailing itself again was a very nice experience. The first week the weather was crazy good and we did sail a lot. The second week everything changed dramatically not just the crew and the second boat that joined us, but also the weather. There was a storm approaching and we couldn’t leave the harbor for two days. Eventually we left on the third day, but the sea was still very rough and half of the crew got seasick. Luckily I wasn’t one of them, but taking photos was almost impossible without a waterproof housing, because every couple of minutes there was a big wave coming in.
Thank you all for reading,
Tourists Everywhere? Include them in your pictures!
By Pierre Aden
So finally you’re going to Rome (or some other beautiful Italian city) and you are excited to see all these historic monuments, pure history – only for you and your camera! You are going to Vatican city, the Colosseum, the Pantheon to take lots of amazing pictures of these places like no one did before and you see… people, every place is so crowded that you’re hardly able to see the sights at all! Gone is the vision of your perfect photo of the empty St. Peter’s Basilica in HDR.
Let’s face it: All these places have been photographed thousands, if not a million times before. Chances that you will make the perfect architecture picture in these places and being on the cover page of National Geographic are as low as Schwarzenegger becoming the next US president (or even lower). Tourists are everywhere, 12.6 million visitors have been counted in 2013 in Rome.
So why not have some fun and include these tourists in your pictures? This is what I thought when visiting Rome in September and Sicily in October, facing these conditions. Suddenly I thought it would be more interesting to make pictures of the people surrounding me and include them in the pictures of the sights, making the people from all over the world the real attractions.
Here are some examples of my 5 day trip to Rome, all taken with the Olympus E-M1 or the Olympus E-P5 and different lenses. I had a great time and people running into my pictures was not annoying but actually wanted.
If you have comments, suggestions or simply would like to get in touch with me I will be more than happy if you contact me via the following channels:
Thanks for your attention!
$400 off on the Awesome Olympus OM-D E-M5!
Anyone up for a great deal? Getting closer and close to Christmas time again and with there only being 36 days until that big day, maybe some of you will want to buy one of these to place under the tree for that special someone?
The Olympus OM-D E-M5 was the original groundbreaking OM-D digital camera that put Micro 4/3 into the masses. It is still a fantastic camera today, and very similar to the newer E-M1 in image quality. At $599 it is a GREAT buy with a $400 savings going on.
The SLR Magic CINE 10mm t/2.1 Lens Review
by Amy & Tony Medina
Generally, I’ve really enjoyed the SLR Magic lenses, as I already own the 23mm f/1.7 Hyperprime and 35mm T/1.4 CINE, and use them on my Fuji APS-C cameras often. When Steve asked me if I wanted to review the new SLR Magic CINE 10mm T/2.1 for Micro 4/3, I jumped at the chance.
To start with, I think that overall, if you’re a fan of SLR Magic lenses, this one will not be a disappointment.
The time I spent with this lens, I shot it primarily on the Panasonic GX7. They paired well, but I think on a slightly bigger body it would be every better. My husband paired it with the GH1 for video, and he thought it balanced on the camera really well. SLR Magic lenses in general are well built, and they aren’t what I would call light. They have a nice heft to them, and they pair well with bodies like the Fuji XT1, Olympus OMD-EM5 and the Panasonic GH Series that themselves aren’t the smallest of the mirrorless cameras. It did work well on the GX7, and I’m sure it would feel good on equally small bodies… I just think they pair better with bodies that seem a touch more solid themselves.
One nice feature right off the bat that those of you with SLR Magic lenses will appreciate… no screw-on cap this time. Finally! It was your typical snap-on-type lens cap. Ya know, sometimes I like the fact those screw-on caps stay put, but most of the time I find them to be a royal pain in the butt, so I really appreciate a “normal” lens cap on this one.
Call it a pet peeve, but it really irks me that not all SLR Magic lenses are built the same. Some have the f-stop (or t-stop) control on the outside ring, furthest from the body… others have this ring closest to the mount. When I switch back and forth between their different lenses, I find this quite annoying! As a photographer, to me all f-stop dials should always be the furthest one from the body. Of course, it’s mostly just a minor annoyance, and it’s not something that would keep me from buying the lens, but I just wish they were ALL made with the f-stop control in the same place.
As for image quality, there were no surprises. I feel like I know what to expect with SLR Magic lenses, and that consistency carried through to the 10mm T/2.1 CINE.
SLR Magic lenses have that wonderful character they’ve become known for… a bit of a dreamy retro look around the edges, but nice and sharp in the middle. Typically, they shoot just a little flat.. they aren’t super contrasty lenses straight out of the camera, but they grade beautifully and just have so much charm. I find their color rendition quite neutral — not too warm or too cool — and I’m never disappointed with the images I get out of their lenses… it was no different with the 10mm T/2.1. I was very pleased with nearly every photo I took with the lens.
First one is straight out of the camera, the second is post-processed to my taste…
In my opinion, SLR Magic lenses perform okay stopped down, but that isn’t why we buy them. Sharpness edge to edge, that’s not usually the priority of the SLR Magic user. These lenses are really meant to be used wide-open, or more on the open side of things, where they shine and show their unique personality. They provide excellent subject isolation while delivering a lovely “magic” image quality.
The front element is rather large (77mm in diameter), which isn’t a surprise on such a wide lens. Of course, that seems to make it a little prone to flare. However, I find the flare itself to be of the attractive type, and I have the kind of personality where I like to use flare to my advantage to enhance a photo. With a lens like the 10mm T/2.1, where I find the flare so pleasing, I’m often tying to introduce it rather than eliminate it.
It’s up to you whether you want to let that flare creep in or find a 77mm wide angle lens hood that will work to keep it out. The lens does not come with one.
A bit of flare…
I can’t say 10mm is my favorite focal length on micro 4/3, but that’s a really personal thing honestly. Sometimes I did find it a bit awkward… but that’s no shocker when I tend to gravitate more towards the normal focal lengths from 35mm to 55mm (full frame equivalent), or I go for the ultra-wides, like 15mm. 20mm, to me, is just at that point a bit in-between.
Now, my husband on the other hand, when shooting some video tests, loved that it was right there in between… he told me that he liked that it didn’t give that overly distorted look that ultra wides often do, but certainly gave a wider, much more unique perspective than lenses in the mid-normal range.
What’s interesting is that we often disagreed a bit about this lens: some of the things that I would criticize are things he would really liked. An example is that he loves the clickless aperture dial, where that’s one of the things I generally don’t like about SLR Magic lenses (I think I even mentioned that in another review here on Steve’s site). But seriously, that’s not at all unexpected when it comes to a photographer’s vs. a videographer’s opinion.
It’s part of their CINE line of lenses of course, which means it’s optimized for video and has some of those built-for-videographer features, like click-less aperture and a focus ring that will mate up with follow-focus gears. The focus throw is smooth as silk, and comfortable for shooting both photography and video.
For my husband, the wide angle helped minimize shakiness when hand-holding the camera, and having a lens so wide, but also fast, can make for some really cool shots.
All of the footage below is just test footage shot by my husband, and we thought we’d share it. It has been color graded a bit… but most serious videographers will appreciate that rarely are you using footage that you don’t color correct and enhance.
This was all shot on an original GH1.
For me, even though the focal length was a little “in-between”, I think I can find use for it in my growing arsenal of wide angle lenses that I use for work. And since my husband and I will share it, and he loves it, the biggest downside will be us fighting for it when I want to use it. LOL
As I started off by saying, if you’re an SLR Magic fan already, there’s a lot you’re going to like with this lens. It delivers exactly the way you’d expect it to. It’s wide without being fisheye-distorted, and it’s fast to let in tons of light and allow that great depth of field control.
Overall, it delivers quality images with tons of personality — exactly what we’ve all come to expect from an SLR Magic lens.
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Portraits from the Pub with an Olympus E-M5
By René van Wijck
After many years of making photographs I got a little bored by it and I lost my inspiration.
Two years ago I bought myself the Olympus OMD-EM5. This little machine changed my life! It was and is such a pleasure to work with that I have it all the time, wherever I am with me.
I work as a bartender downtown Rotterdam in Holland and started to make pictures of my guests. They all come alone to the pub, and most of the time leave alone.
I gave myself a few rules: no color,no flash,no drinks in the pictures. Most of them I shot with the 45 mm 1.8. I’ll hope you like the results!
You can see more of it on flickr.com/photos/renevanwijck