Dec 182014
 

The Joy of Shooting Photos

By Dennie Mullete

My name is Dennie, I’m from Bandung, Indonesia. And sorry if my English not so good …

When the first time I found this site, I was searching for a pocket camera with good high ISO performance, and I found Steve reviewing the Olympus PEN E-PL1 … I so impress with the result, even Steve said that E-PL1 has a  really good jpeg engine that time and I was looking for a camera like this from the start… But I still did not know anything about aperture, bokeh, fastlens etc. I’m blind at that time, know nothing about photography. What I know is high ISO is needed when you want to take pictures without flash in low light, so I bought it …

Fast forward, now I have a Canon 6D that really help me when shot low light, and I keep telling myself I’m not a photographer, I’m just taking pictures :) … but I must say … sometimes … the joy, the fun, the mood, the inspiration is the main control about the picture I wanna take, that really takes effect to the result … coz I have the time when mood is down, no joy when shooting … I have 1 or 2 hundred frames but nothing to be keeping … that was a big hit for my photography experience … and I say … I would pick Olympus pen E-PL5 rather than my 6D … just because the joy … the fun to use … I’m not say about the IQ, I’m just saying about the “fun factor” that really take effect of the result … :)

Enough said. I hope u like my pictures and thank you Steve, you are really my Inspiration … for about 3 years now … and I am waiting for your Sony A7 mk II review. Cheers

It’s taken about 10 PM, really dark, at local restaurant, light source from the light garden, and the back is city of bandung, really nice place, the air a bit freezing, the place called “Balakecrakan”, sundanese language, mean “eat together-nes”, 35mm f2 @f2, ISO 12800, 1/60, develop from RAW

IMG_8106w_resize

Taken in my friend place, just hang out, and try snapshot with one source light, the hanging light on the middle room, so i tell my friend to dress like a mob … do u think it’s look like a mob ? :) 35mm f2 @f2, ISO 6400, 1/100, develop from RAW

IMG_5916ee_resize

 “Bandung Caang”, sundaese, mean “Bandung Bright”, spend time with family, is something I must do, family … all the work I do, all my effort, is for my family, so what do the best beside hang out with family ? :) 85mm f1.8@f2, ISO 3200, 1/160 Straight JPEG

IMG_3939_resize

See my facebook https://www.facebook.com/denie.mullete

Dec 182014
 

From a Nikon D800 (DSLR) to Olympus and Fuji (Mirrorless)

by Robin Schimko

Three months ago I had the opportunity to do a reportage on a sailing boat cruising along the coastline of Crete, in the Mediterranean Sea. Last year I did the same thing in the Caribbean but this time I didn’t bring a heavy and bulky DSLR, since I‘ve gone fully mirrorless at the beginning of 2014. For this trip I brought a Fuji X-T1, 23/1.4, Samyang 12/2, Samyang 8/2.8 fisheye and of course my Olympus E-M1, 42.5/1.2 and 75/1.8 with me. I was basically covered for almost any possible situation and at the same time my kit was relatively lightweight and compact.

The day I arrived I met up with my client and the moment he saw my gear he became skeptical. For him it was hard to believe that a camera this small is able to deliver good image quality and a certain look that screams “professionally” taken images. He was very pleased with the images I took in the Caribbean with my D800. So I gave him my tablet to have a look at some of my pictures I took prior this trip just to make him feel more secure and it worked fine.

So, how did it work out?

Well, the mirroless set up had two major advantages over my former D800. The first one is really obvious and that is the small form factor and the light weight. Compared to my DSLR, the Fuji for instance with attached lens is less than half the weight and that makes a huge difference. On a shaky sailing boat it can be really tough to move around safely, especially if you’re carrying heavy gear which needs to be secured with one hand to make sure it’s not bumping into something or someone. The mirrorless kit was much easier to handle and it was a breeze to use. Attached to the Fuji was the Easy Slider by Artisan & Artist which allowed me fit the camera very tightly to my chest, so I could use both hands to secure myself in case I needed to. With a bulky DSLR that would have been much more uncomfortable over the duration of a whole day or at least a couple of hours. The second advantage was the ability to shoot from the hip incorporating the tilting screen. When you look through the viewfinder it can easily happen that you punch yourself in the face with the camera and yeah that had happened to me in the past. :D Like I wrote before, the boat is constantly shaking around and the intensity of those shakes can vary randomly.

In two weeks there was only one thing I wasn’t really keen about and that’s the battery life. Especially the X-T1 tends to eat batteries very quickly and that did concern me. One could say that this is not a big issue if you bring enough spare ones. That’s totally true and I had five batteries with me, but I had no idea that these batteries had to last up to three days. Last year I could recharge every day, but not this time. The boat was quite old and electricity was only available every now and then. That was indeed the only issue I had using mirrorless cameras.

The sailing itself again was a very nice experience. The first week the weather was crazy good and we did sail a lot. The second week everything changed dramatically not just the crew and the second boat that joined us, but also the weather. There was a storm approaching and we couldn’t leave the harbor for two days. Eventually we left on the third day, but the sea was still very rough and half of the crew got seasick. Luckily I wasn’t one of them, but taking photos was almost impossible without a waterproof housing, because every couple of minutes there was a big wave coming in.

Here are some shots I took during my trip and if you like my work, you can follow me on facebook (https://www.facebook.com/RobinSchimkoPicture)
or check out my blog (http://www.fotodesign-rs.de/)

Thank you all for reading,

Robin

1

10

11

12

14

13

15

16

17

18

19

2

20

22

3

4

5

8

9

Dec 082014
 

Tourists Everywhere? Include them in your pictures!

By Pierre Aden

So finally you’re going to Rome (or some other beautiful Italian city) and you are excited to see all these historic monuments, pure history – only for you and your camera! You are going to Vatican city, the Colosseum, the Pantheon to take lots of amazing pictures of these places like no one did before and you see… people, every place is so crowded that you’re hardly able to see the sights at all! Gone is the vision of your perfect photo of the empty St. Peter’s Basilica in HDR.

Let’s face it: All these places have been photographed thousands, if not a million times before. Chances that you will make the perfect architecture picture in these places and being on the cover page of National Geographic are as low as Schwarzenegger becoming the next US president (or even lower). Tourists are everywhere, 12.6 million visitors have been counted in 2013 in Rome.

So why not have some fun and include these tourists in your pictures? This is what I thought when visiting Rome in September and Sicily in October, facing these conditions. Suddenly I thought it would be more interesting to make pictures of the people surrounding me and include them in the pictures of the sights, making the people from all over the world the real attractions.

Here are some examples of my 5 day trip to Rome, all taken with the Olympus E-M1 or the Olympus E-P5 and different lenses. I had a great time and people running into my pictures was not annoying but actually wanted.

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

If you have comments, suggestions or simply would like to get in touch with me I will be more than happy if you contact me via the following channels:

Pictures

www.ultraweit-verwinkelt.net

Facebook

https://www.facebook.com/ultraweitverwinkelt

Google+

https://plus.google.com/110027262868810382651/posts

Thanks for your attention!

Nov 182014
 

$400 off on the Awesome Olympus OM-D E-M5!

omd

Anyone up for a great deal? Getting closer and close to Christmas time again and with there only being 36 days until that big day, maybe some of you will want to buy one of these to place under the tree for that special someone?

The Olympus OM-D E-M5 was the original groundbreaking OM-D digital camera that put Micro 4/3 into the masses. It is still a fantastic camera today, and very similar to the newer E-M1 in image quality. At $599 it is a GREAT buy with a $400 savings going on.

You can check them out or order one at B&H Photo. 

Oct 272014
 

review-10mm-title

The SLR Magic CINE 10mm t/2.1 Lens Review

by Amy & Tony Medina

Generally, I’ve really enjoyed the SLR Magic lenses, as I already own the 23mm f/1.7 Hyperprime and 35mm T/1.4 CINE, and use them on my Fuji APS-C cameras often. When Steve asked me if I wanted to review the new SLR Magic CINE 10mm T/2.1 for Micro 4/3, I jumped at the chance.

To start with, I think that overall, if you’re a fan of SLR Magic lenses, this one will not be a disappointment.

The time I spent with this lens, I shot it primarily on the Panasonic GX7. They paired well, but I think on a slightly bigger body it would be every better. My husband paired it with the GH1 for video, and he thought it balanced on the camera really well. SLR Magic lenses in general are well built, and they aren’t what I would call light. They have a nice heft to them, and they pair well with bodies like the Fuji XT1, Olympus OMD-EM5 and the Panasonic GH Series that themselves aren’t the smallest of the mirrorless cameras. It did work well on the GX7, and I’m sure it would feel good on equally small bodies… I just think they pair better with bodies that seem a touch more solid themselves.

One nice feature right off the bat that those of you with SLR Magic lenses will appreciate… no screw-on cap this time. Finally! It was your typical snap-on-type lens cap. Ya know, sometimes I like the fact those screw-on caps stay put, but most of the time I find them to be a royal pain in the butt, so I really appreciate a “normal” lens cap on this one.

Call it a pet peeve, but it really irks me that not all SLR Magic lenses are built the same. Some have the f-stop (or t-stop) control on the outside ring, furthest from the body… others have this ring closest to the mount. When I switch back and forth between their different lenses, I find this quite annoying! As a photographer, to me all f-stop dials should always be the furthest one from the body. Of course, it’s mostly just a minor annoyance, and it’s not something that would keep me from buying the lens, but I just wish they were ALL made with the f-stop control in the same place.

As for image quality, there were no surprises. I feel like I know what to expect with SLR Magic lenses, and that consistency carried through to the 10mm T/2.1 CINE.

SLR Magic lenses have that wonderful character they’ve become known for… a bit of a dreamy retro look around the edges, but nice and sharp in the middle. Typically, they shoot just a little flat.. they aren’t super contrasty lenses straight out of the camera, but they grade beautifully and just have so much charm. I find their color rendition quite neutral — not too warm or too cool — and I’m never disappointed with the images I get out of their lenses… it was no different with the 10mm T/2.1. I was very pleased with nearly every photo I took with the lens.

First one is straight out of the camera, the second is post-processed to my taste…

crawling-ivy-original

crawling-ivy

In my opinion, SLR Magic lenses perform okay stopped down, but that isn’t why we buy them. Sharpness edge to edge, that’s not usually the priority of the SLR Magic user. These lenses are really meant to be used wide-open, or more on the open side of things, where they shine and show their unique personality. They provide excellent subject isolation while delivering a lovely “magic” image quality.

The front element is rather large (77mm in diameter), which isn’t a surprise on such a wide lens. Of course, that seems to make it a little prone to flare. However, I find the flare itself to be of the attractive type, and I have the kind of personality where I like to use flare to my advantage to enhance a photo. With a lens like the 10mm T/2.1, where I find the flare so pleasing, I’m often tying to introduce it rather than eliminate it.

It’s up to you whether you want to let that flare creep in or find a 77mm wide angle lens hood that will work to keep it out. The lens does not come with one.

A bit of flare…

bridge-graffiti

I can’t say 10mm is my favorite focal length on micro 4/3, but that’s a really personal thing honestly. Sometimes I did find it a bit awkward… but that’s no shocker when I tend to gravitate more towards the normal focal lengths from 35mm to 55mm (full frame equivalent), or I go for the ultra-wides, like 15mm. 20mm, to me, is just at that point a bit in-between.

Now, my husband on the other hand, when shooting some video tests, loved that it was right there in between… he told me that he liked that it didn’t give that overly distorted look that ultra wides often do, but certainly gave a wider, much more unique perspective than lenses in the mid-normal range.

What’s interesting is that we often disagreed a bit about this lens: some of the things that I would criticize are things he would really liked. An example is that he loves the clickless aperture dial, where that’s one of the things I generally don’t like about SLR Magic lenses (I think I even mentioned that in another review here on Steve’s site). But seriously, that’s not at all unexpected when it comes to a photographer’s vs. a videographer’s opinion.

It’s part of their CINE line of lenses of course, which means it’s optimized for video and has some of those built-for-videographer features, like click-less aperture and a focus ring that will mate up with follow-focus gears. The focus throw is smooth as silk, and comfortable for shooting both photography and video.

For my husband, the wide angle helped minimize shakiness when hand-holding the camera, and having a lens so wide, but also fast, can make for some really cool shots.

All of the footage below is just test footage shot by my husband, and we thought we’d share it. It has been color graded a bit… but most serious videographers will appreciate that rarely are you using footage that you don’t color correct and enhance.

This was all shot on an original GH1.

 

In conclusion, the best way to express how much we both think this is a great lens is to share that we indeed plan to buy it.
For me, even though the focal length was a little “in-between”, I think I can find use for it in my growing arsenal of wide angle lenses that I use for work. And since my husband and I will share it, and he loves it, the biggest downside will be us fighting for it when I want to use it. LOL

As I started off by saying, if you’re an SLR Magic fan already, there’s a lot you’re going to like with this lens. It delivers exactly the way you’d expect it to. It’s wide without being fisheye-distorted, and it’s fast to let in tons of light and allow that great depth of field control.

Overall, it delivers quality images with tons of personality — exactly what we’ve all come to expect from an SLR Magic lens.

 

You can purchase this lens at B&H Photo HERE.

Follow Amy!

Follow me on Facebook: http://www.facebook.com/DangRabbitPhotography

on Twitter: http://www.twitter.com/DangRabbit

on Google+: https://plus.google.com/u/0/+AmyDangRabbit

above-fall

fun-with-miniatures

rust-and-wood

3trees

water-pole

seaweed-shore

through-the-fence

skull-stick

Oct 202014
 

PORPUBTT

Portraits from the Pub with an Olympus E-M5

By René van Wijck

Hello!

After many years of making photographs I got a little bored by it and I lost my inspiration.

Two years ago I bought myself the Olympus OMD-EM5. This little machine changed my life! It was and is such a pleasure to work with that I have it all the time, wherever I am with me.

I work as a bartender downtown Rotterdam in Holland and started to make pictures of my guests. They all come alone to the pub, and most of the time leave alone.

I gave myself a few rules: no color,no flash,no drinks in the pictures. Most of them I shot with the 45 mm 1.8. I’ll hope you like the results!

You can see more of it on flickr.com/photos/renevanwijck

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Oct 022014
 

One year with the Sony A7r

By Pascal Jappy

Website http://dearsusan.net

It’s been just over one year since my A7r was delivered to my door and few of my cameras had been so intensely anticipated as this one. I vividly remember watching Steve’s Memphis images, particularly those made with the ZM35/2, Voigtlander 35/1.2 and crazy OTUS 55 lenses and mopping up the drool from my keyboard.

A long-time lover of the Mamiya 7 camera, I had never really been able to match the usability and image quality of that camera with any of the – too numerous – digital cameras owned since turning my back to film in the early days, not even my technically excellent D800e. But this Sony certainly felt like a potential candidate with its exciting mix of size, resolution, dynamic range and je ne sais quoi in pixel level fluidity.

So has it lived up to the Mega Mamiya ?

Mostly, yes.

For anyone following the “f/8 and be there” motto, being there has certainly never been easier than with this small, yet robust camera. It’s been with me in the freezing Lapland winter, hot Mediterranean summer and torrential rain that afflicted my neck of the wood in between. It has always delivered the goods in spades and, although a friend’s sample died on him in Greenland, mine has been blessed with excellent reliability.

La Defense Nighthawks

One year later, with several new cameras on the market, there still isn’t one I’d want to trade it in for. And the reason I’m writing this so long after the release of this camera is that its price has dropped significantly and will continue to do so with the introduction of its successors in the near future. So, to me, it has become the bargain of a lifetime for many to step into a world of affordable ultra-high quality. Yes, its successors may have more pixels, but not enough to discard this pocket monster. After all, the rumoured 46Mpix successor only offers a negligible 13% increase in resolution on each axis …

So why “mostly” ?

Are you familiar with Guns n Roses’ November Rain video? Well, if you’ll excuse the musical metaphor, my (really, really) beautiful A7r bride snores and sometimes makes me feel like I too “need some time on my own” …

But since the beauty far outweighs the beast, let me get the snoring out-of-the-way first and elaborate on the goodness after that.

Wakey, wakey !
So you’re walking down the street in KL, a monkey is looking eagerly at a lady’s ice cream. You switch your A7r on with the intuition that something funny is going to happen. And it does. And the A7r is still asleep. And the monkey eats the ice cream, particularly relishing the best chocolatey bit down the bottom of the cone. But the A7r is still gathering its wits. The monkey backflips its way to the rooftop, the sun sets, you have a delicious indian curry and, suddenly, the A7r has come to life.

OK, possibly a slight exaggeration here, but you get my angry drift. There are few slower cameras on the market anywhere near this price point. And as a street photography tool, it will mess with your Zen like little else can.

Happily there’s a way around this inconvenience. In the 2nd screen of the toolbox camera menu, you can set the Pwr Save Start Time to 10 seconds and leave the camera on. It takes a full press on the shutter button to wake the camera on so there’s little risk you’ll do it by accident. And doing so normally brings the camera back to life in a much more manageable 1.5s (compared to the sluggish 2-4 seconds from OFF). Since battery life is fairly good, that’s one big issue partly taken care of.

Marshmallow autofocus
My only AF lens on this camera is the (fantastic) Zeiss/Sony Sonnar FE 35mm f/2.8 ZA. Aside from the typically poor construction of the Zeiss lens cap, this is an exceptional performer and could easily be my only lens.

Bu however wonderful, it is let down by the unpredictable autofocus on the A7r.
AF isn’t the fastest, but isn’t slow either. It’s also very accurate when it focuses.
It’s main drawback is the occasional inability to focus at all.

Forget taking AF photographs of clouds. You’ll have to find a distant tall building or mountain range to approximate infinity and recompose your shot once focus has locked.

AF really needs subjects with high edge contrast to function properly. And when it does, near-far situations are a constant worry, the camera always making the strange decision of focusing on the background. The example below of my daughter in the car is very typical.

In car blur

That being said, manual focusing is – by a wide margin – the best I have ever experienced on a digital camera. Focus peaking works brilliantly and offers the certainty of 0% miss when combined with the elegant digital zoom system. Given how excellently this camera deals with most third-party lenses, this truly makes up for the occasional inadequacies of the  AF.

Noise
Handling noise seems inversely proportional to electronic noise, in this camera.
A lot has been written about the shutter noise, and there’s very little I can add, other than the camera can even scare you with a very loud noise when powering down.

How bad is it in real-life ? Well, if I’m out walking and making pictures for a few hours, I actually don’t notice and forget all about it. It’s loud, but actually rather pleasant, in a positive, clunky way.

After a long day, it does get tiring to the point that I resist making more pictures unless they really beg to be made. In a way, that’s a good thing, because restraint is always advised after a day’s shooting. But I doubt that Sony intended that way and that noise is really something you could do without when you feel tired. That’s one of the only occasions the camera doesn’t feel like a close friend you want to take along everywhere.

Church in Marken

Churches, theatres and ceremonies when silence are expected are also obvious turn offs. A couple of years ago, I visited 20 churches in Venice to create a collection of photographs. That’s definitely not something I would like to attempt with this camera. Which is a shame considering how brilliantly it would handle the low light and tonal ranges found in these places.

Ergonomics
Mostly excellent. The size is right. Anything smaller would be pain to work with. The camera is light yet feels very robust. There is a – highly subjective but very real –  tactile pleasure to handling it.

And the EVF is so good and informative I would never want to go back to optical. Having fought the D800e to focus manual lenses using its abysmal live view, the EVF on this A7r is an absolute godsend. The artificial horizon is such a help with wide angles too. My percentage of frames requiring no cropping or rotation has increased dramatically thanks to this EVF.

Buttons and dials are firm and positive, although placement seems governed by some inexplicable alien logic or usage scenario.

Automatic white balance
The ease of bulk modification of white balance in editing software such as LightRoom or Capture One kind of makes this a non issue, but AWB is a bit flaky on the A7r. It often seems in a happy mood and makes everything appear a bit more golden than in real-life. That works well in most scenes but adds a slightly sickly mustardy tinge to others. Still, you can set 500 frames to auto-WB in a matter of seconds in any editing software, so no problems here.

Amsterdam-Canal

Now the good stuff. There’s no suspense as many others have reported on the superb image quality offered by this little gem. But let me qualify that from my personal point of view.

Sharp, yet organic look at pixel level
36Mpix is a lot. Probably enough for 99% of photographers in the world and certainly enough for me. Obviously, it makes it easy to crop severely to recompose or enlarge a portion of the frame yet retain enough information to obtain quality prints. Which, in turn, means I never need a lens longer than 135mm for any of my shots.

Enchanting forest

But, beyond the pixel count, it’s the actual pixel-level quality that I find lovely. At 100% – at base ISO – the quality is silky smooth with an organic feel to it that I don’t remember with my D800e. Images are fluid and look beautiful viewed at full scale, provided I have been careful to avoid shake. As mentioned above, focusing using peaking in the glorious EVF is easy and very efficient (another major strong point over the D800e). But shake is a very real issue and one of the areas where the greater mass of the D800e helps stabilize. Still, when proper technique is applied, the results are incredibly gorgeous to look at, time after time. When everything comes together, there is a real sense of achievement that is quite similar to browsing through a large format slide with a loupe or examining a great print.

Remarkable tolerance to older glass
Don’t ask me why, but some sensors seem to emphasize the technical blemishes in some of the older lenses we own and love. Edges can seem mushy and lifeless, for instance.

Not so with the A7r. It may be because of that apparent fluidity, or it may be something else, but the A7r just loves older glass and proves very tolerant to designs that would not work so well on other cameras.

Thanks to some kind friends, I’ve used this camera with a great variety of legacy lenses from Olympus, Nikon, Leica (M & R), Zeiss and Mamiya 645. Roughly 20 lenses in total. Not one has been bad ! Most have been superb.

Yes, I steered clear of the known offenders such as some wide-angle Biogons but, from the superb 19mm (Leica Elmarit-R) to the great 135mm (Leica Apo-Telyt-M) it’s been a bed of roses. Some variation in sharpness, some strong flaring, but definitely no deal-breaking nasties.

So, in keeping with the dropping price of the camera itself, it is quite possible to equip yourself with a slew of fantastic lenses that will never disappoint you.

In the cheap and lovely pantheon, I would state many from the Olympus stable (28, 50, 135) as well as most of the Leica-R offerings (50/2, 35-70/4, 90/2.8). The adapter adds a bit of visual heft to these lenses, but they are not overly large, or heavy, in your bag.

Disneyland 35-70

And at the top of the price ladder, lenses such as the Leica Elmarit-R 19/2.8 II and Leica Apo-Telyt-M 135/3.4 are true stunners. Special mention goes to the specialty Leica Summilux-R 80/1.4 with its gorgeous bokeh. But even the cheaper lenses perform brilliantly as Steve’s recent reviews of the Jupiter 8 and Petzval lenses (among others) illustrate.

Huge dynamic range
I’ve long been fascinated by the aesthetics produced by some of the digital medium-format photographers. The silky smooth tonal range is particularly appealing to me.

The Sony comes closer to producing that look than any other digital camera I have owned. And I strongly believe the astounding dynamic range has a lot to do with these great results. There is very rarely any harshness in the highlights, gone are grad filters, and dark shadows always lift with very little noise.

It’s truly amazing and – to me – the single most fantastic feature of this camera (shared with others using its sensor, such as the Nikon D800 range) which opens up so many new possibilities

DSC02196

I could go on. The camera is a never-ending source of pleasure; interspersed with some frustrating episodes, but mainly a gem. It has been my constant companion for a year. I have smuggled it in deep pockets, work bags and suitcases to document my daily life, travels, family parties and it has been equally at ease on all subjects – provided they didn’t move too fast ;)

More importantly, in spite of a slightly warm tinge that’s easy to correct, I think this camera is neutral and can suit many styles. With most lenses, its huge dynamic range makes it a treat in B&W.

DSC07879-Modifier

But colour landscapes are just as glorious and the detail is formidable.

The only real type of shooting location it wasn’t designed for is whenever silence is a necessity. Churches are one example and you’ll soon feel conspicuous. However, that’s a small price to pay for the other opportunities opened-up by the amazing sensor, light weight and the form factor which doesn’t attract attention.

The reason I’m writing this now is that it will inevitable be replaced. Probably sooner than later. The sensor is 3 years-old and Sony probably have new tricks up their sleeves by next year. But whatever comes up to replace will signal a fantastic opportunity to acquire this level of technology at significantly discounted price. If I was shopping for the almost-perfect-yet-affordable camera today, I’d wait for the A7r’s replacement and buy an A7r :) It’s that good.

 DSC02285-Modifier

DSC00814-Modifier

DSC02338-Modifier-Modifier

DSC09646

DSC08360

DSC06771-Modifier

DSC06766

DSC05761-Modifier-2

DSC05676-Modifier

DSC05069

DSC04407-Modifier

DSC03346

DSC03300-Modifier

DSC03074-Modifier

Sep 252014
 

LBGT London Pride festival

By dgd

Hi Brandon, Steve, Everyone

LBGT+ London pride festival is held every year-end of June. Thousands gather to celebrate Lesbian, Gay, Bisexual and Transgender

Begins at Baker Street (Sherlock Holmes’ :)), THEN makes its way through Oxford Street, Piccadilly Circus, Pall Mall and Trafalgar Sqaure. This was my first time.  I was near Trafalgar Square I have never experienced such a wonderful public gathering as I did in LBGT.  I felt the most free, happy, joyous amongst people like I’d never felt before. I have been to many festivals, outdoor concert, sports, Olympics. Been around people from over 100 countries. Sometimes I been to church, mosque, synagogue, Sikh Hindu Buddhist temples, Hari Krisha.  I’ve visited spiritual places.  None of these were as blissful for me when being around people as LBGT.

When I thought about it afterwards it is because only LBGT welcomes everyone with open arms. Whoever they maybe, however they may look, whatever their cultural religious social outlook.I am usually uncomfortable taking photos of strangers. This time I felt so at ease. I took over 200 photos with Olympus c5050 (2003 compact, F1.8 with swivel screen). From these 200 I chose those eleven which reflected the emotion, inclusivity, warmth of LGBT.

Best regards
dgd aka dougie digital dawg

1 P6290046

2 P6290085

3 P6290067

4 P6290510

5 P6290119

6 P6290118

7 P6290129

8 P6290265

9 P6290314

10 P6290398

11 P6290538

Sep 152014
 

Photokina! New mirrorless releases from Canon, Panasonic, Olympus, and more!

Photokina is upon us and today there were loads of cameras and lenses announced today from many of the usual suspects. It seems that Canon and Panasonic are jumping on the Sony RX100 bandwagon but Panasonic did it right by making an RX100 style camera but with a full on 4/3 sensor inside which means this guy will deliver the best quality in a compact camera! So far it is my favorite Photokina release (but that silver E-M1 is gorgeous, making it my #2 fave) but there is more to come. Let’s take a look at the cool stuff being announced today!

PANASONIC

The LX100 Compact powerhouse!

LX100k_front

The LX100 that has been rumored forever is now official. The 1st of the so called RX100 clones (even keeping the 100 name) this one is quite nice and will present a challenge to the Sony pocket cam. Basically this little guy has a Leica/Panasonic 24-70 equivalent f 1.7-2.8 lens, 4K video, solid build, great looks, a built-in EVF and wonderful ergonomics and control. It is easy to see that this one will be popular without question.

Coming in at $899 you can pre-order it at B&H Photo HERE.  

I see this as a direct hit to the RX100III but with a larger sensor and LARGER body as well of course.  Wi-Fi, NFC and manual control rings round off this polished looking offering from Panasonic.

Amazon is also taking pre-orders for the LX100.

Even though the LX100 is priced at $899, which may be a little bit high, it is priced appropriately to the RX100III due to the larger sensor. As you can see in the image below of the camera, it is larger than a Sony RX100 but it is still rather compact. This will deliver 4/3 quality in a solid, modern, stylish and usable lens range camera. It has it most of what everyone needs and I see it as a perfect take anywhere, vacation, kids and everyday life camera. With 4K video there is not much this guy can not do (besides long telephoto of course).  An instant winner here IMO and even has ISO up to 25k!

IMG_422968

The Panasonic GM5

Panasonic also released the GM5, a super compact micro 4/3 camera much like the old GM1. From B&H Photo: It features a similar magnesium-alloy body as the GM1, but replaces the pop-up flash with a 1,166k-dot electronic viewfinder, as well as a hot-shoe mount, creating a more full-featured camera system. The GM5 also features a 16-megapixel Digital Live MOS sensor and Venus Engine image processor to produce detailed still images and a heighted sensitivity up to ISO 25600. It is also capable of recording Full HD video at 60 fps.

main1-Taste-RED

The GM5 is a TINY, attractive and useful powerhouse as it is pocketable but also will take any micro 4/3 lens available. If you want SMALL and a TRUE “Micro” 4/3 then be on the lookout for the GM5.

You can pre-order it at B&H Photo for $899 with a 12-32 (24-68) kit lens.

This guy with the 20 1.7 II would make for a great compact camera that would provide beautiful IQ and video.

Amazon also is taking pre-orders for the GM5.

GM5_k_H-FS12032_front

———-

CANON

The 7D MARK II AND G7X has arrived.

mainEC378_01

Canon has released a new 7D Mark II which for me is a YAWN. The 7D is fantastic but as you guys know I am not a DSLR guy. I could fake it and act like I am just to make affiliate sales but hey, I have to be honest. After using cameras such as all of the mirrorless option these days, DSLR’s have become un-necessary. I have done pro work with my Leica’s, with my Sony A7s and with my E-M1 and never did I wish for a DSLR. So yes, Canon released the 7DII but I am going to talk about the G7X which is yet ANOTHER camera from Canon that is 3 years behind the times. It seems that Canon just can not be innovative in the small pocket cam or mirrorless area. They want to keep their DSLR sales strong so they are afraid to release anything revolutionary (like Sony is doing many times per year). Instead they copy others and release little flops like the EOS M. This time it is an RX100 copy in the form of a G7X.

topEC378_10

The G7X comes in at $699 but has a 1″ sensor like the Sony RX100 and Nikon 1 series cameras. Already the Panasonic above beats the Canon for sensor size. The lens has more reach at 24-100 but does not have the “Leica” name attached to it. No 4K video but it does have 1080 video on board. No EVF. BASICALLY IT IS a Sony RX100 in disguise as a Canon. Not really, but for me, nothing exciting. I would pay the $200 more and buy the Panasonic in a NANO second over the Canon.

You can pre-order the Canon G7X here at B&H Photo if you just love Canon :) 

Amazon is also taking pre-orders for the G7X HERE.

OLYMPUS

The new Silver E-M1

em1silv

Olympus did not create a new E-M2 powerhouse (and frankly, I am glad they didn’t as the E-M1 is still a massive powerhouse of a camera that is capable of APS-C quality) but they did upgrade the E-M1 firmware with new features as well as release a pimped out version in Silver and black. Many have been asking why they did not originally create the E-M1 in silver like they did with the E-M5 and now Olympus has created it! I have to say, it looks mighty sharp in silver! I am a huge fan of the E-m1 and if for some reason you missed my old review of it you can see it here. 

The new firmware is pre-loaded onto the Silver E-M1 so right out of the box you get all of the new benefits and features. For those who already own an E-M1 there will be a firmware download so you too can benefit from the new features. So what are the new features?

“Features for improved performance include improved EVF display time lag. The display time lag has been reduced to 16 msec when the frame rate has been set to high-speed. New Photo Story themes “Zoom In/Out” and “Layout” have been added. The addition of a hold function has also made it possible to temporarily save a photo story while shooting, and complete it, later. Live Guide makes it possible to layer on multiple effects simultaneously*. Remote shooting features in the OI.Share™ App have been further advanced, with the addition of a self-timer sequential and interval shooting, allowing for rich variations in movement and expression. A new Scene Mode “Panning” allows you to set the optimal shutter speed automatically to match the movements of an object. “Shade” Art Effect inserts bands of shading on the left and right side of the image (or top and bottom) for a sense of wideness. A new Movie Effect “Old Film” turns your videos into flickering images with noise, scratches and dust, for the vintage look of old movies shot on film.”

em1silver2Firmware Upgrade Availability
Firmware Version 2.0 is pre-installed on the Olympus OM-D E-M1 silver model. Existing OM-D E-M1 camera owners can also enjoy the features of this new firmware by upgrading their camera using Olympus Viewer software.

U.S. Pricing and Availability
The OM-D E-M1 in Silver will be available in September 2014.
Estimated Street Price: $1,399.99

You can pre-order the Silver E-M1 at B&H Photo HERE

Also at Amazon HERE. This one ships THIS month! PopFlash.com also will have the new silver E-M1! 

The new 40-150 Pro f/2.8 Lens

1082046

Olympus has also finally released the new 40-150 Pro Zoom! This long-awaited zoom lens has been in the works for a long time now and will round out the systems pro zoom category which also includes the new 7-14 f/2.8. The 12-40 is already known to be an amazing zoom lens and now the 40-150 will give you some reach, at the expense of size and $$$. IT IS NOT CHEAP AT $1,499.00 but those who know the quality of Olympus pro glass will know that this is well worth it. For those telephoto shooters out there who own a Micro 4/3 camera, it will not get any better than this. YES this is a 40-150 f/2.8 zoom, bringing you a 80-300 equivalent! NOW THIS is an amazing lens!

You can pre-order the 40-150 f/2.8 pro zoom lens at B&H Photo HERE 

PopFlash.com is also an Olympus dealer, and a site sponsor!

SONY

1082052

Sony has announced today the new wide angle FE mount (full frame E mount) 16-35 f/4 OSS lens, something many have been waiting for. This one will fill your wide angle needs for the A7 system and comes in at $1349.

You can pre-order it at B&H Photo HERE.

Amazon is also taking pre-orders HERE!

Wide-range zoom lens designed for full-frame FE-mount cameras

Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions

Features a circular that, through the use of curved blades, keeps the aperture almost perfectly circular from its wide-open setting to when it is closed for smoother, more natural defocusing highlights

Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting

Five aspherical elements, including one AA (advanced aspherical) element, and three ED elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor

Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change when focusing. Also, the filter thread at the front of the lens does not rotate, which is convenient when using a polarizing filter

 —–

So there are my fave releases today. For me Canon was the biggest disappointment. They have the funds and ability to create something extraordinary but they never ever seem to do it. They are happy sticking to their DSLR model. Same with Nikon. Nothing exciting at all from them besides the D750 DSLR. No real innovation from the two “Big Guns”. Sony has been constantly releasing new exciting products, Olympus has been keeping the momentum going with amazing lenses and Leica, well, they have yet to make their full announcements but I think we will hear from them by tomorrow.

—–

SAMSUNG

oops, I almost forgot the NX1

nx1

Samsung has announced the NX1, their flagship mirrorless coming in at A WHOPPING $2799 with kit lens but that one leaves me scratching my head. The price is out there IMO. I will say that the ‘kit” lens seems more like a pro lens with a 16-50 range and a variable aperture starting out at f/2 and going to f/2.8. Still, $2799 for the set is a bit much I think. It looks like a DSLR, the lens is huge and for the money I would take the fantastic Canon 6D with a 24-105 for the full frame performance. I reviewed the 6D and loved the IQ and usability, just hated the weight with those big L lenses, but the quality is stunning. I am finding it hard to see how Samsung can sell this for $2799 with lens. Seems overpriced to me. It may be a stellar camera but not sure how many will plunk down that kind of cash to SWITCH systems. I think only some the current Samsung base will go for it.

Amazon is also taking pre-orders HERE.

Sep 112014
 

The most Interesting Pre-Photokina Releases so far…to me.

With only a few days to go until Photokina kicks off we have already had some pre announcements from Fuji, Sony, Olympus and others. Nothing MAJOR and nothing WOW but I feel these big announcements will come VERY soon ;) They better! So far we have the below announcements that are somewhat interesting, but nothing ground breaking.

FUJI

As I reported the other day, Fuji has announced the X100T, the new 56 1.2, new X-T1 color/finish and even the X30. The X100T is an ongoing evolution of the X100 series camera and for me, the best Fuji has announced yet (more to come i am sure). Me, call me nuts but I prefer the original X100 even today over the X100s. After using both side by side I feel the sensor in the original is a bit more organic and dare I say..more Leica like? The X100T uses the same sensor as the X100s, which is also a fabulous camera that many swear by (my review is here). The X100 series for me is where it is at for Fuji. While I like the X-T1 a lot, the simplicity and classic lines of the X100 is what gets my blood pumping to shoot. For me, it is about simplicity. Period. Simple, clean, easy to use and shoot, fixed 35 f.2. What more can you ask for besides a full frame sensor? (See Sony RX1 for that). The X100T is available for $1299. Priced right for a super camera system.

x100t_11p_img_x2

The new X30 is also an evolution of the X10, X20 and appears to be a super little camera as well. New EVF, new told LCD, new Classic Chrome simulation and new Large capacity battery that will give you a powerhouse 470 shots makes it sound like the little X30 may be the bang for the buck in the Fuji lineup. It looks sweet as well, the best X10 type camera to date in the design department I think. The cost is also right at $599. 

fujix30black

You can pre-order all of the new Fuji from my list of recommended Fuji dealers: B&H Photo, PopFlash.com, or Amazon.

————-

OLYMPUS

Olympus has some new goodies on the way as well…a few that I can not mention just yet but so far they have announced a minor release or two. For example, one is the all black 12mm f/2. The 12 f/2 has long been one of my fave Olympus lenses but to date they have only released it in Silver and a black limited edition that had some extras but also was extra in the $$ department. Olympus has now released the black for normal production so you can get one for $799. This lens is so good on a Olympus body and has given me some fantastic shots. But the lens is nothing exciting if you are looking for something new and fresh. Let’s wait and see what the official Olympus releases will be as compared to the rumor sites :)

91Qn+TowxvL._SL1500_

—————–

SONY

Sony has announced a new QX camera, the QX1 which is actually an E-Mount in the size and shape of a lens. Basically it helps to turn your iPhone into a high-end APS-C camera. You can use it as is or with your phone. Me, I was never a fan of these oddball cameras. Many love them but for me, if I am going to have something like this, I think I would just use my phone as it is. I love what Sony is doing with the A and RX series but am not sold on the QX yet. Maybe once I give it a try I will enjoy it :) Coming it at $398 you will also need to add an E-Mount lens to this QX1. It is rumored that Sony will be saving its big WOW announcements for 2-4 months AFTER Photokina. Is there truth to this? NO idea but if so it seems odd as they would miss the Christmas season with those big releases. The last two years were huge for the Sony A7 and RX1 with huge holiday sales at launch. I am anxious to see the rumored new RX2 ;)

61R2ZjJwY+L._SL1500_

——————

ZEISS

As I posted about last week, Zeiss has announced two new full frame manual lenses for the Sony E-Mount system. The Loxia 35 and 50 f/2 will be superb I think and give Sony A7 users more choices when it comes to a high quality fast prime lens, and Zeiss is a name that means quality. I use Zeiss ZM with my Leica’s and love them. Zeiss also announced the 85mm OTUS which has already been tested by DXO and they claim it is the best portrait lens ever made. Coming in at $4,490 IT IS NOT cheap! But damn, it will venice. The Nikon mount can be converted to use on Leica or Sony cameras.  Zeiss rocks for sure but be prepared to pay for the Otus if you want the best!

1077282 1080387

——————

What is to come?

I feel that this Photokina will not be as ground breaking as previous years. I see Fuji bringing out the X-Pro 2, which is just about due for a full on refresh new EVF, sensor, etc. I also see Sony releasing new FE lenses for the A7 series, as that is what is needed for the A7 cameras! More fast primes IMO! Olympus will be releasing new lenses I am sure..maybe some pro zooms that are expected and possibly a new prime or two. Panasonic I feel will not be doing anything huge this year and Leica, well, I think they will be releasing something really cool, really expensive and really limited edition. I also feel some new T lenses will be shown as well. The new 28 Summilux will also be announced but I expect it to come it at around $7k. Also, MAYBE a new X camera and D-Lux? Maybe. I think Sony has some big guns that will be special on the way but not sure when they will make them official. Pentax, Nikon, Canon, Samsung…I have not heard anything major going in with any of them though Samsung may have something really interesting coming in a few days.

I guess we will find out VERY soon, so I am looking forward to seeing what actually is announced!

Aug 072014
 

My quick interview with Olympus on the E-M1

EM1

When I was in Ireland with Olympus they sat down with a few of us at Castle Leslie and asked us a few questions about the fabulous and game changing E-M1 camera. Below is my short but sweet interview. Of course you can see my full E-M1 review HERE and my visit to Castle Leslie in Ireland to shoot the E-M1 HERE. I feel the same about the E-M1 today as I did the 1st week it was launched. Best Micro 4/3 made today!  Thanks Olympus!

Jul 212014
 

OLYMPUS DIGITAL CAMERA

The Olympus OMD-EM1 goes to Spain

by Neil Buchan-Grant

I have a few pictures I thought your readers may like to see, taken over two trips to Spain and Italy this year. These were all shot with the Olympus OMD EM1 camera, lenses specified below. I am still using the Leica 50mm Summilux ASPH, currently on the Sony A7, but in general I find the OMD to be the camera I reach for first.

The first visit was to the village of Vejer de la Frontera near Seville in Spain. This hilltop pueblo blanco remains quite unspoilt compared to the towns on the costas further east. I was there to shoot the Feria, a 5 day-long party with fairgrounds, displays of prize cattle, equestrian displays, flamenco dancing, live music and many hospitality tents where everyone is welcome. Vejer is a special place anyone who wants to experience the real Spain should have on their list.

My second trip was to Venice where I and the professional landscape photographer Steve Gosling, ran a workshop for 9 students who came from all over Europe to learn about landscape and people photography. Steve concentrated mostly on the landscape and architecture and I focussed on the street photography and model portraits. This was an Olympus sponsored workshop so most of the students were using OMD cameras. It was a punishing schedule as Steve was up at the crack of dawn and the day would finish quite late, often followed by communal food and drinks!

Andalusia Spain – Olympus 12-40mm 2.8 (at f2.8 23mm) This shot was made with the aid of a polarising filter in the village of Vejer de la Frontera near Seville. Its a traditional village but this is one of their newer buildings.

OLYMPUS DIGITAL CAMERA

-

Andalusia Spain – Olympus 12-40mm 2.8 (at f4 12mm) This is Canos de Meca beach, which is about 15 minutes from Vejer de la Frontera, also made with a polarising filter.

OLYMPUS DIGITAL CAMERA

-

Andalusia Spain – Pana-Leica DG25mm 1.4 (at f1.4) This chap was visiting the Vejer annual ‘Feria’ a post easter spring celebration which combines music and dance with horse and bull displays.

OLYMPUS DIGITAL CAMERA

-

Andalusia Spain – Pana-Leica DG25mm 1.4 (at f1.4) The Paul Newman of cats! in the back street of Vejer de la Frontera

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Olympus 45mm 1.8 (at 1.8) Professional model and television presenter Chiara Sgarbossa wearing her own Venetian mask, maintains her composure as she is surrounded by hoards of tourists during our shoot in Piazza San Marco.

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Olympus 75mm 1.8 (at f1.8 1/30s handheld ISO 2000) A romantic moment caught at around midnight in the dimly lit Piazza San Marco

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4, 1/8000 with 3 stop ND) This shot was made through the window of a Vaparetto water bus stop.

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Model and 3rd year law student Ira Lothiriel is captured in the basement of an old venetian house with natural light spilling in from the canal.

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Model Chiara Sgarbossa was laughing because the gondoliers below the bridge we were shooting on were serenading her. She handled their advances with movie star charm!

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) This charismatic lady was looking around the superb Irving Penn exhibition at Palazzo Grassi. The large windows in here were covered in white muslin making huge softboxes!

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Ira Lothiriel in one of the sun-drenched squares, lit with a reflector.

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Chiara Sgarbossa lit with a reflector

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Olympus 75mm 1.8 (at f1.8) A wedding shoot in Piazza San Marco and a generous model/bride

OLYMPUS DIGITAL CAMERA

-

Olympus 12-40mm 2.8 (at f2.8 40mm) On old lady taking some shade near Piazza San Marco as others are served iced tea.

OLYMPUS DIGITAL CAMERA

-

Olympus 12-40mm 2.8 (at f2.8 12mm) This man was seen in Piazza San Marco at 5.30am, an Italian you’d think, but no, he was a Londoner killing time until his flight home that day.

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) This man was very keen to help me scout for locations to shoot in. Nothing to do with the beautiful model that I was with of course!..:)

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f3.2) This Chihuahua was wary of my lens!

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Model Chiara Sgarbossa shot in a Venice alleyway, with the help of a reflector

OLYMPUS DIGITAL CAMERA

-

Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Ira Lothiriel posing on one of the many bridges that span the back streets of Venice

OLYMPUS DIGITAL CAMERA

Neil Buchan-Grant
http://buchangrant.com/
British Travel Press Photographer of the Year

Jul 142014
 

My favorite cameras for usability, ability and versatility mid 2014

By Steve Huff

Wow. It is already mid 2014. Half of this year has whizzed by faster than ever and as always we have a ton of cameras that we can choose from when it comes to photography. If we want something small that packs a punch, we have that. If we want something for low light, we have that as well. If we want something that is a joy to shoot, hold and use, well, we also have that. Do we have it all in one single camera yet? Well, not really.

There are always new camera seeing released though maybe not as many as the years past. DSLR production, as in new models, has seemed to slow down some from the constant barrage of new models that we used to see. Well, at least it seems like it. Even mirrorless offerings seem to be lasting a little longer between releases these days, and this is GOOD as we are at the point now where almost any camera will give us better results than most of us even need.

So far in 2014 we have had some cool releases and there are still fantastic cameras that were released in the past that are still perfectly usable. The question you need to ask yourself when deciding on a new camera is “What will I be shooting with it”, also “Do I value usability more than overall versatility”? “Will I be shooting mostly low light or in good light”? “Does it need to fit in my pocket”?

Once you decide what it is you want to use the camera for, be it portraits, your kids, vacations, or just an everyday shooter then you need to decide if you want simplicity in a fixed lens model or something that will allow you to choose and change lenses. The choice is yours as there is something out there to fit your needs, and I am going to talk about the cameras I like as of July 2014 with the reasons WHY I really like, if not love them.

My fave cameras made for Versatility

EM1

Micro 4/3, Olympus E-M and E-P series

My favorite camera for ALL OUT versatility as of today is still the Olympus E-M1 or even E-P5. These cameras are beautifully made with a solid feel and gorgeous looks (in the case of the E-P5). They have some of the best lenses made for any system next to Leica from fisheye to telephoto and everything in between including some super fast primes like the Nocticron f/1.2 that is one of the best lenses I have ever used. With Micro 4/3 you have speed, you have the lenses, you have the build, you have the amazing 5-AXIS Image Stabilization and you have a smaller size. The lenses are so good, and not so astronomically priced. The color reproduction is beautiful and the B&W is not too shabby either. A camera like the E-M1 has it all and the only real weakness of this camera is that the sensor is smaller than full frame and smaller than APS-C. For this reason you lose out on some shallow depth of field and the images will be a bit more noisy at high ISO than full frame cameras.

Even so, if you shoot mostly in good light and want one hell of a system with unlimited lens choice and an all around great experience with pro image quality results, the E-M1 is still a gorgeous camera. The E-M10 and E-M5 are as well. I reviewed them all and you can read my reviews of these models HERE, HERE and HERE. Yes, you can indeed get DSLR quality and beyond with these models.

You can buy the E-M1 at Amazon or B&H Photo.

Three from Micro 4/3 – Super versatile cameras that do it all. 

cafeg

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

 

My fave camera for Point & Shoot, Vacation and SMALL SIZE!

Sony takes it here for me with the new advanced pocket rocket, the RX100 III. 

IMG_392229

The new Sony RX100 III is a hell of a camera in almost every way. It is small, made very well, has a pop up EVF, tilt LCD and stellar IQ for a small pocket camera. It’s a handsome camera as well and gives us an f/1.8 to f/2.8 lens from 24-70 (ff equiv). What is not to like? The color is great. the files are nice and I have seen some do amazing work with the RX100 version 1 and now Version III improves on that model in every way. This is, hands down, the best pocket camera I have ever seen or used, ever. Video is good as well. It does it all but will not give you the all out versatility or IQ of something like a Micro 4/3 or full frame model. For what it is though, it is the perfect camera for every day shooting, vacation, kids, family, events, etc. Whoever buys an RX100 III will not be disappointed. It is the real deal. I have been able to use one for a but thanks to B&H Photo but have not had serious time yet with it. Will be doing that this week. You can buy the RX100 III at B&H Photo or Amazon.

DSC01824

DSC01876

 

My Fave camera for Usability

Without Question, the Leica M reigns supreme here

OLYMPUS DIGITAL CAMERA

The Leica M, any of them from film to the M 240 or Monochrom take this one for me in a huge way. These cameras are ones that you cherish and create an emotional bond with. For those who think that is nonsense, then you have never had that bond with a camera, and yes, it is real. The Leica M is a masterpiece of design, build, and usability. All manual focus using a rangefinder it is a very precision tool that actually can teach you a think or two about photography, framing and exposure. It is a tool one can use for a lifetime if you choose a film model, as they last forever. While the price is off-putting to many, think about it in a new way. This is a camera that will give you the most enjoyment from any camera ever..well, it has for me and not everyone is the same. From the moment you take it from its box all of your regrets of the money spent fade away.

The Leica M6, M7, MP, M8, M9, M240 and Mono will give you that Leica experience that no other camera will give you. As for IQ, others can meet or exceed the Leica in that area but nothing can beat it for usability or for creating that emotional connection. You can buy a Leica from many places these days but my faves have always been Ken Hansen, PopFlash.com, The Pro Shop and Leica Store Miami. These guys will treat you right.

Three from the Leica M 240

redL1001211

L1001185

debby1

My favorite camera for general every day and low light use

The Sony A7s wins this one easily. 

fronta7s

You guys know how much I adore the Sony A7s and while it is not the most versatile (only due to lack of native lenses when compared to others such as Micro 4/3) camera it is indeed quite powerful. There is no low light situation that this camera can not tackle, period. When used with the 50 0.95 Mitakon I can see in the dark and when used with the native Sony lenses such as the 35 2.8 or 55 1.8 the camera will even AF in the dark. Amazing. The A7 also has better color performance than the A7 and A7r , better AWB, faster AF and better M mount lens compatibility. You can read my review here to see what it is all about but I now have one of these bad boys with a few lenses and love it to pieces. As I said in the review, the A7s is probably puns for pound, dollar for dollar my favorite camera that I have ever reviewed.

Low light shooters, this is a must try or own. The camera also is excellent in daytime shots and video. If more native lenses were around it would be unbeatable for me as of July 2014.

You can buy the A7s at Amazon or B&H Photo.

Three from the A7s, 1st one using the Voigtlander 35 1.2 wide open and a 100% OOC JPEG. 2nd one is from the Mitakon 50 0.95 and third and fourth is from the Zeiss 50 Sonnar 1.5. 

3512debby

DSC00128

DSC02072

DSC02063

Runner Ups

The Fuji X-T1 and Leica T are also very cool and very capable cameras. The Leica is different than other cameras in its interface and joy of use. It is a Leica and gives you the Leica style of IQ and pride of ownership. The Fuji is still a lightweight in the build but for Fuji fans, this is the best of the lot when it comes to Fuji interchangeable lens bodies.

Of course these are not the only cameras I like, but they are my faves as of July 2014. The Sony, the Leica, the Olympus..all superb in so many ways and unlikely  to leave anyone disappointed as long as you use them with good glass. The key is to get out and use them (for me it has been tough since it has been 110-112 every day and me and extreme oven like heat do not jive well for more than 5-10 minutes) and have fun using what you do own. The key is you more than anything, not the gear..though I admit..it is very fun to test and try new cameras!

Jul 092014
 

An Introduction to Light Painting

by Olympus Trailblazer Jamie MacDonald

As photographers, we know that our craft is all about light. We chase the golden hours of morning and evening, and the blue hour of twilight, and we spend hours in the studio with strobes and Speedlights. But there is another genre of photography you can explore where light isn’t used only to enhance the scene; rather, it BECOMES the scene.

This is what happens when light becomes the scene:

©2013 Jamie A. MacDonald

What does it take to start light painting? Nothing more than your camera, a source of light and your imagination. Here is a basic list of tools to get you started in light painting:

• A camera capable of shooting in manual mode. If you’re an extreme beginner, don’t worry – shooting in manual is easy for this!
• A tripod or some other way to stabilize your camera during the exposure.
• A cable release or remote for your camera. If you do NOT have one, don’t worry! I explain a technique below for shooting without one!
• A light source. What kind? Pretty much anything that produces light can be used! Some examples of things I’ve used are LED flashlights, an iPhone, sparklers, glow sticks and bracelets, and one of my favorites is a set of battery-powered holiday lights!

OLYMPUS DIGITAL CAMERA

Now that we have the gear ready, let’s go shoot!

Step 1: The first thing we need to do is find a good location, preferably away from any other light sources. The reason we prefer a location without too much ambient light is that, during our long exposure, this ambient light may overexpose our scene. If possible, I also suggest using a location that will add interest to your image.

Step 2: Let’s start by putting our camera on the tripod and setting the camera to manual mode. I will give you some settings to start with and offer some suggestions on adjustments you can make if need be. You will also need to set your camera to manual focus. This is important because autofocus in the dark just isn’t going to cut it.

Step 3: With the camera in manual mode, we can set the ISO to 100–200, aperture to f/8, and you can control your exposure time by using your camera’s bulb mode. If your camera doesn’t have a bulb mode, I suggest setting the exposure to 30 or 60 seconds and using the camera’s timer function to trigger the shutter. The length of the exposure will depend on how much time is needed to perform the painting. Some images I’ve created took 15 minutes, others only 30 seconds or so.

Step 4: Another thing we need to do is make sure we turn off any type of anti-vibration system your camera or lens may have. If left on when mounted to a tripod, it can produce some not-so-sharp results.

Step 5: Finally, the last thing we have to do is focus our camera on the location where the light painting will take place. The easiest way to do this is to have a friend stand in the location you’ll be photographing and have them shine a flashlight on themselves. When they are illuminated, you can then easily fine-tune your focus on them.

Step 6: Get the person who is going to be doing the light painting out in position with their tools and tell them to start moving on a count of three, waving around their flashlight, LED light or whatever you are using. One…Two…THREE! Now trigger your shutter and let the long exposure begin.

Step 7: When the shutter closes, the light painter can stop dancing around and come see what was created. If you are using a cable release or remote, you can end the exposure at any time. But what if you’re alone? Or what if you don’t have a remote or cable release? No problem! Trigger the shutter and run out into position to paint. I have used this technique many times myself with great, if not tiring, results.

©2013 Jamie A. MacDonald

Now if all that waving the lights around seems a little random and abstract, it is. But when you see the results of the random movements, you may find that they are exactly what you wanted. If random isn’t what you’re after and you’d prefer a more controlled use of light painting, an easy way to start is by using a flashlight to “paint” an object during your long exposure.

The best advice I can give you is to pass on that given to me by the gentleman who got me started in light painting. He told me the best thing I could do once I had the basic settings figured out was to ask myself, “What if?” Almost all of my light-painting images started out with me asking myself those very words.

So go out into the night, have fun, and, most importantly, ask yourself, “What if?”

Jamie MacDonald

May 192014
 

One year with Olympus E-P5

By Baris Parildar

Hello Steve, first of all I appreciate everything you do for photographers. Your website and youtube channel have tons of great information. I check your website almost everyday and enjoy it. Thanks for letting me share my pictures with your audience. This is my first ever article about photography. I started taking pictures with a Canon T2i 3 years ago. And my life has changed so much since then. Photography and video making suddenly became our passion in life with my girlfriend. We spent almost all our weekends taking pictures, hiking, discovering new things about photography and sometimes making small videos. After using my T2i for 2 years, I came to a point that I started thinking about having a smaller camera with me all the time. T2i is not even a heavy DSLR. But I was usually carrying 2 camera bodies and 4-5 canon lenses. I had times thinking about leaving my camera and lenses in the middle of the long hikes. It is really though to carry all that stuff for hours.

So I decided to get on the mirrorless wagon. I checked out almost every camera out there and decided to go with Olympus. My first choice was the E-M5. I had the chance to play with the camera for a week. I got used to it so fast. Auto focus and sharpness was so good. I couldn’t believe my eyes when comparing it with my Canon shots. Only problem was the color reproduction. It took me a while to learn how to edit the color of OLYMPUS RAW files in Lightroom. I figured out that it was different. Not worse than Canon, just different. I needed to handle it more carefully. That week the new E-P5 came out. I found the look cooler than the E-M5. Since the sensor was the same, image quality would be the same. I bought the E-P5. And never left it at home for a year. Olympus 9-18mm is my main lens. It’s one of the best landscape lenses I’ve ever tried. I mostly shoot directly into the sun. It handles everything great. Almost as good as Canon L lenses. My everyday street photography lens is the Panasonic 20mm f1.7. This is all I need for quick shots even for some macro photography. I use it at f2 for portraits and don’t need anything more. I had the Olympus 45 f1.8 for a while but I had to sell it. That is a great lens too. Recently bought a Panasonic zoom telephoto and using it quite a bit lately.

I am so glad that I made the switch from Canon to Olympus. I don’t think I would be able to take half of the shots I took with a bigger camera body. Having a small camera lets you take it anywhere you want. And another great thing about this is, everybody thinks that you are an amateur photographer when you have a tiny camera with you. You are invisible with a mirrorless camera. I just love the look of people at me thinking I have no idea about photography. I show up next to photographers with huge full frame dslr bodies with my little E-P5 and most of the time I get the shot I want with a little effort and no back pain. I use 500px as my main portfolio website now. One of my shots with the E-P5 made it to “the most popular photo” on 500px which is a great honor for me. I get inspired so much with all those great pictures on that website everyday. I like to edit my photos. Some people may find them processed too much but I don’t think about what other people think when I edit my photos. Depending on how I feel, I might over process or sometimes don’t even touch anything on my photos. It totally depends on how I feel about the photograph and how I want to reflect my feelings.

Here are some samples from my one-year journey with the Olympus E-P5. I feel lucky to have such a great camera.

Thank you very much again for giving me this opportunity.

Baris Parildar.

 

Here are the links you can find more about my photos:

Personal website: www.barisparildar.com

500px: http://500px.com/Barisparildar

Instagram: http://instagram.com/barparildar

Flickr: https://www.flickr.com/photos/89927345@N03/

baris parildar

baris parildar

baris parildar

baris parildar

baris parildar

baris parildar

baris parildar

© 2009-2014 STEVE HUFF PHOTOS All Rights Reserved