Oct 202014
 

PORPUBTT

Portraits from the Pub with an Olympus E-M5

By René van Wijck

Hello!

After many years of making photographs I got a little bored by it and I lost my inspiration.

Two years ago I bought myself the Olympus OMD-EM5. This little machine changed my life! It was and is such a pleasure to work with that I have it all the time, wherever I am with me.

I work as a bartender downtown Rotterdam in Holland and started to make pictures of my guests. They all come alone to the pub, and most of the time leave alone.

I gave myself a few rules: no color,no flash,no drinks in the pictures. Most of them I shot with the 45 mm 1.8. I’ll hope you like the results!

You can see more of it on flickr.com/photos/renevanwijck

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Oct 022014
 

One year with the Sony A7r

By Pascal Jappy

Website http://dearsusan.net

It’s been just over one year since my A7r was delivered to my door and few of my cameras had been so intensely anticipated as this one. I vividly remember watching Steve’s Memphis images, particularly those made with the ZM35/2, Voigtlander 35/1.2 and crazy OTUS 55 lenses and mopping up the drool from my keyboard.

A long-time lover of the Mamiya 7 camera, I had never really been able to match the usability and image quality of that camera with any of the – too numerous – digital cameras owned since turning my back to film in the early days, not even my technically excellent D800e. But this Sony certainly felt like a potential candidate with its exciting mix of size, resolution, dynamic range and je ne sais quoi in pixel level fluidity.

So has it lived up to the Mega Mamiya ?

Mostly, yes.

For anyone following the “f/8 and be there” motto, being there has certainly never been easier than with this small, yet robust camera. It’s been with me in the freezing Lapland winter, hot Mediterranean summer and torrential rain that afflicted my neck of the wood in between. It has always delivered the goods in spades and, although a friend’s sample died on him in Greenland, mine has been blessed with excellent reliability.

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One year later, with several new cameras on the market, there still isn’t one I’d want to trade it in for. And the reason I’m writing this so long after the release of this camera is that its price has dropped significantly and will continue to do so with the introduction of its successors in the near future. So, to me, it has become the bargain of a lifetime for many to step into a world of affordable ultra-high quality. Yes, its successors may have more pixels, but not enough to discard this pocket monster. After all, the rumoured 46Mpix successor only offers a negligible 13% increase in resolution on each axis …

So why “mostly” ?

Are you familiar with Guns n Roses’ November Rain video? Well, if you’ll excuse the musical metaphor, my (really, really) beautiful A7r bride snores and sometimes makes me feel like I too “need some time on my own” …

But since the beauty far outweighs the beast, let me get the snoring out-of-the-way first and elaborate on the goodness after that.

Wakey, wakey !
So you’re walking down the street in KL, a monkey is looking eagerly at a lady’s ice cream. You switch your A7r on with the intuition that something funny is going to happen. And it does. And the A7r is still asleep. And the monkey eats the ice cream, particularly relishing the best chocolatey bit down the bottom of the cone. But the A7r is still gathering its wits. The monkey backflips its way to the rooftop, the sun sets, you have a delicious indian curry and, suddenly, the A7r has come to life.

OK, possibly a slight exaggeration here, but you get my angry drift. There are few slower cameras on the market anywhere near this price point. And as a street photography tool, it will mess with your Zen like little else can.

Happily there’s a way around this inconvenience. In the 2nd screen of the toolbox camera menu, you can set the Pwr Save Start Time to 10 seconds and leave the camera on. It takes a full press on the shutter button to wake the camera on so there’s little risk you’ll do it by accident. And doing so normally brings the camera back to life in a much more manageable 1.5s (compared to the sluggish 2-4 seconds from OFF). Since battery life is fairly good, that’s one big issue partly taken care of.

Marshmallow autofocus
My only AF lens on this camera is the (fantastic) Zeiss/Sony Sonnar FE 35mm f/2.8 ZA. Aside from the typically poor construction of the Zeiss lens cap, this is an exceptional performer and could easily be my only lens.

Bu however wonderful, it is let down by the unpredictable autofocus on the A7r.
AF isn’t the fastest, but isn’t slow either. It’s also very accurate when it focuses.
It’s main drawback is the occasional inability to focus at all.

Forget taking AF photographs of clouds. You’ll have to find a distant tall building or mountain range to approximate infinity and recompose your shot once focus has locked.

AF really needs subjects with high edge contrast to function properly. And when it does, near-far situations are a constant worry, the camera always making the strange decision of focusing on the background. The example below of my daughter in the car is very typical.

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That being said, manual focusing is – by a wide margin – the best I have ever experienced on a digital camera. Focus peaking works brilliantly and offers the certainty of 0% miss when combined with the elegant digital zoom system. Given how excellently this camera deals with most third-party lenses, this truly makes up for the occasional inadequacies of the  AF.

Noise
Handling noise seems inversely proportional to electronic noise, in this camera.
A lot has been written about the shutter noise, and there’s very little I can add, other than the camera can even scare you with a very loud noise when powering down.

How bad is it in real-life ? Well, if I’m out walking and making pictures for a few hours, I actually don’t notice and forget all about it. It’s loud, but actually rather pleasant, in a positive, clunky way.

After a long day, it does get tiring to the point that I resist making more pictures unless they really beg to be made. In a way, that’s a good thing, because restraint is always advised after a day’s shooting. But I doubt that Sony intended that way and that noise is really something you could do without when you feel tired. That’s one of the only occasions the camera doesn’t feel like a close friend you want to take along everywhere.

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Churches, theatres and ceremonies when silence are expected are also obvious turn offs. A couple of years ago, I visited 20 churches in Venice to create a collection of photographs. That’s definitely not something I would like to attempt with this camera. Which is a shame considering how brilliantly it would handle the low light and tonal ranges found in these places.

Ergonomics
Mostly excellent. The size is right. Anything smaller would be pain to work with. The camera is light yet feels very robust. There is a – highly subjective but very real –  tactile pleasure to handling it.

And the EVF is so good and informative I would never want to go back to optical. Having fought the D800e to focus manual lenses using its abysmal live view, the EVF on this A7r is an absolute godsend. The artificial horizon is such a help with wide angles too. My percentage of frames requiring no cropping or rotation has increased dramatically thanks to this EVF.

Buttons and dials are firm and positive, although placement seems governed by some inexplicable alien logic or usage scenario.

Automatic white balance
The ease of bulk modification of white balance in editing software such as LightRoom or Capture One kind of makes this a non issue, but AWB is a bit flaky on the A7r. It often seems in a happy mood and makes everything appear a bit more golden than in real-life. That works well in most scenes but adds a slightly sickly mustardy tinge to others. Still, you can set 500 frames to auto-WB in a matter of seconds in any editing software, so no problems here.

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Now the good stuff. There’s no suspense as many others have reported on the superb image quality offered by this little gem. But let me qualify that from my personal point of view.

Sharp, yet organic look at pixel level
36Mpix is a lot. Probably enough for 99% of photographers in the world and certainly enough for me. Obviously, it makes it easy to crop severely to recompose or enlarge a portion of the frame yet retain enough information to obtain quality prints. Which, in turn, means I never need a lens longer than 135mm for any of my shots.

Enchanting forest

But, beyond the pixel count, it’s the actual pixel-level quality that I find lovely. At 100% – at base ISO – the quality is silky smooth with an organic feel to it that I don’t remember with my D800e. Images are fluid and look beautiful viewed at full scale, provided I have been careful to avoid shake. As mentioned above, focusing using peaking in the glorious EVF is easy and very efficient (another major strong point over the D800e). But shake is a very real issue and one of the areas where the greater mass of the D800e helps stabilize. Still, when proper technique is applied, the results are incredibly gorgeous to look at, time after time. When everything comes together, there is a real sense of achievement that is quite similar to browsing through a large format slide with a loupe or examining a great print.

Remarkable tolerance to older glass
Don’t ask me why, but some sensors seem to emphasize the technical blemishes in some of the older lenses we own and love. Edges can seem mushy and lifeless, for instance.

Not so with the A7r. It may be because of that apparent fluidity, or it may be something else, but the A7r just loves older glass and proves very tolerant to designs that would not work so well on other cameras.

Thanks to some kind friends, I’ve used this camera with a great variety of legacy lenses from Olympus, Nikon, Leica (M & R), Zeiss and Mamiya 645. Roughly 20 lenses in total. Not one has been bad ! Most have been superb.

Yes, I steered clear of the known offenders such as some wide-angle Biogons but, from the superb 19mm (Leica Elmarit-R) to the great 135mm (Leica Apo-Telyt-M) it’s been a bed of roses. Some variation in sharpness, some strong flaring, but definitely no deal-breaking nasties.

So, in keeping with the dropping price of the camera itself, it is quite possible to equip yourself with a slew of fantastic lenses that will never disappoint you.

In the cheap and lovely pantheon, I would state many from the Olympus stable (28, 50, 135) as well as most of the Leica-R offerings (50/2, 35-70/4, 90/2.8). The adapter adds a bit of visual heft to these lenses, but they are not overly large, or heavy, in your bag.

Disneyland 35-70

And at the top of the price ladder, lenses such as the Leica Elmarit-R 19/2.8 II and Leica Apo-Telyt-M 135/3.4 are true stunners. Special mention goes to the specialty Leica Summilux-R 80/1.4 with its gorgeous bokeh. But even the cheaper lenses perform brilliantly as Steve’s recent reviews of the Jupiter 8 and Petzval lenses (among others) illustrate.

Huge dynamic range
I’ve long been fascinated by the aesthetics produced by some of the digital medium-format photographers. The silky smooth tonal range is particularly appealing to me.

The Sony comes closer to producing that look than any other digital camera I have owned. And I strongly believe the astounding dynamic range has a lot to do with these great results. There is very rarely any harshness in the highlights, gone are grad filters, and dark shadows always lift with very little noise.

It’s truly amazing and – to me – the single most fantastic feature of this camera (shared with others using its sensor, such as the Nikon D800 range) which opens up so many new possibilities

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I could go on. The camera is a never-ending source of pleasure; interspersed with some frustrating episodes, but mainly a gem. It has been my constant companion for a year. I have smuggled it in deep pockets, work bags and suitcases to document my daily life, travels, family parties and it has been equally at ease on all subjects – provided they didn’t move too fast ;)

More importantly, in spite of a slightly warm tinge that’s easy to correct, I think this camera is neutral and can suit many styles. With most lenses, its huge dynamic range makes it a treat in B&W.

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But colour landscapes are just as glorious and the detail is formidable.

The only real type of shooting location it wasn’t designed for is whenever silence is a necessity. Churches are one example and you’ll soon feel conspicuous. However, that’s a small price to pay for the other opportunities opened-up by the amazing sensor, light weight and the form factor which doesn’t attract attention.

The reason I’m writing this now is that it will inevitable be replaced. Probably sooner than later. The sensor is 3 years-old and Sony probably have new tricks up their sleeves by next year. But whatever comes up to replace will signal a fantastic opportunity to acquire this level of technology at significantly discounted price. If I was shopping for the almost-perfect-yet-affordable camera today, I’d wait for the A7r’s replacement and buy an A7r :) It’s that good.

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Sep 252014
 

LBGT London Pride festival

By dgd

Hi Brandon, Steve, Everyone

LBGT+ London pride festival is held every year-end of June. Thousands gather to celebrate Lesbian, Gay, Bisexual and Transgender

Begins at Baker Street (Sherlock Holmes’ :)), THEN makes its way through Oxford Street, Piccadilly Circus, Pall Mall and Trafalgar Sqaure. This was my first time.  I was near Trafalgar Square I have never experienced such a wonderful public gathering as I did in LBGT.  I felt the most free, happy, joyous amongst people like I’d never felt before. I have been to many festivals, outdoor concert, sports, Olympics. Been around people from over 100 countries. Sometimes I been to church, mosque, synagogue, Sikh Hindu Buddhist temples, Hari Krisha.  I’ve visited spiritual places.  None of these were as blissful for me when being around people as LBGT.

When I thought about it afterwards it is because only LBGT welcomes everyone with open arms. Whoever they maybe, however they may look, whatever their cultural religious social outlook.I am usually uncomfortable taking photos of strangers. This time I felt so at ease. I took over 200 photos with Olympus c5050 (2003 compact, F1.8 with swivel screen). From these 200 I chose those eleven which reflected the emotion, inclusivity, warmth of LGBT.

Best regards
dgd aka dougie digital dawg

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Sep 152014
 

Photokina! New mirrorless releases from Canon, Panasonic, Olympus, and more!

Photokina is upon us and today there were loads of cameras and lenses announced today from many of the usual suspects. It seems that Canon and Panasonic are jumping on the Sony RX100 bandwagon but Panasonic did it right by making an RX100 style camera but with a full on 4/3 sensor inside which means this guy will deliver the best quality in a compact camera! So far it is my favorite Photokina release (but that silver E-M1 is gorgeous, making it my #2 fave) but there is more to come. Let’s take a look at the cool stuff being announced today!

PANASONIC

The LX100 Compact powerhouse!

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The LX100 that has been rumored forever is now official. The 1st of the so called RX100 clones (even keeping the 100 name) this one is quite nice and will present a challenge to the Sony pocket cam. Basically this little guy has a Leica/Panasonic 24-70 equivalent f 1.7-2.8 lens, 4K video, solid build, great looks, a built-in EVF and wonderful ergonomics and control. It is easy to see that this one will be popular without question.

Coming in at $899 you can pre-order it at B&H Photo HERE.  

I see this as a direct hit to the RX100III but with a larger sensor and LARGER body as well of course.  Wi-Fi, NFC and manual control rings round off this polished looking offering from Panasonic.

Amazon is also taking pre-orders for the LX100.

Even though the LX100 is priced at $899, which may be a little bit high, it is priced appropriately to the RX100III due to the larger sensor. As you can see in the image below of the camera, it is larger than a Sony RX100 but it is still rather compact. This will deliver 4/3 quality in a solid, modern, stylish and usable lens range camera. It has it most of what everyone needs and I see it as a perfect take anywhere, vacation, kids and everyday life camera. With 4K video there is not much this guy can not do (besides long telephoto of course).  An instant winner here IMO and even has ISO up to 25k!

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The Panasonic GM5

Panasonic also released the GM5, a super compact micro 4/3 camera much like the old GM1. From B&H Photo: It features a similar magnesium-alloy body as the GM1, but replaces the pop-up flash with a 1,166k-dot electronic viewfinder, as well as a hot-shoe mount, creating a more full-featured camera system. The GM5 also features a 16-megapixel Digital Live MOS sensor and Venus Engine image processor to produce detailed still images and a heighted sensitivity up to ISO 25600. It is also capable of recording Full HD video at 60 fps.

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The GM5 is a TINY, attractive and useful powerhouse as it is pocketable but also will take any micro 4/3 lens available. If you want SMALL and a TRUE “Micro” 4/3 then be on the lookout for the GM5.

You can pre-order it at B&H Photo for $899 with a 12-32 (24-68) kit lens.

This guy with the 20 1.7 II would make for a great compact camera that would provide beautiful IQ and video.

Amazon also is taking pre-orders for the GM5.

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CANON

The 7D MARK II AND G7X has arrived.

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Canon has released a new 7D Mark II which for me is a YAWN. The 7D is fantastic but as you guys know I am not a DSLR guy. I could fake it and act like I am just to make affiliate sales but hey, I have to be honest. After using cameras such as all of the mirrorless option these days, DSLR’s have become un-necessary. I have done pro work with my Leica’s, with my Sony A7s and with my E-M1 and never did I wish for a DSLR. So yes, Canon released the 7DII but I am going to talk about the G7X which is yet ANOTHER camera from Canon that is 3 years behind the times. It seems that Canon just can not be innovative in the small pocket cam or mirrorless area. They want to keep their DSLR sales strong so they are afraid to release anything revolutionary (like Sony is doing many times per year). Instead they copy others and release little flops like the EOS M. This time it is an RX100 copy in the form of a G7X.

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The G7X comes in at $699 but has a 1″ sensor like the Sony RX100 and Nikon 1 series cameras. Already the Panasonic above beats the Canon for sensor size. The lens has more reach at 24-100 but does not have the “Leica” name attached to it. No 4K video but it does have 1080 video on board. No EVF. BASICALLY IT IS a Sony RX100 in disguise as a Canon. Not really, but for me, nothing exciting. I would pay the $200 more and buy the Panasonic in a NANO second over the Canon.

You can pre-order the Canon G7X here at B&H Photo if you just love Canon :) 

Amazon is also taking pre-orders for the G7X HERE.

OLYMPUS

The new Silver E-M1

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Olympus did not create a new E-M2 powerhouse (and frankly, I am glad they didn’t as the E-M1 is still a massive powerhouse of a camera that is capable of APS-C quality) but they did upgrade the E-M1 firmware with new features as well as release a pimped out version in Silver and black. Many have been asking why they did not originally create the E-M1 in silver like they did with the E-M5 and now Olympus has created it! I have to say, it looks mighty sharp in silver! I am a huge fan of the E-m1 and if for some reason you missed my old review of it you can see it here. 

The new firmware is pre-loaded onto the Silver E-M1 so right out of the box you get all of the new benefits and features. For those who already own an E-M1 there will be a firmware download so you too can benefit from the new features. So what are the new features?

“Features for improved performance include improved EVF display time lag. The display time lag has been reduced to 16 msec when the frame rate has been set to high-speed. New Photo Story themes “Zoom In/Out” and “Layout” have been added. The addition of a hold function has also made it possible to temporarily save a photo story while shooting, and complete it, later. Live Guide makes it possible to layer on multiple effects simultaneously*. Remote shooting features in the OI.Share™ App have been further advanced, with the addition of a self-timer sequential and interval shooting, allowing for rich variations in movement and expression. A new Scene Mode “Panning” allows you to set the optimal shutter speed automatically to match the movements of an object. “Shade” Art Effect inserts bands of shading on the left and right side of the image (or top and bottom) for a sense of wideness. A new Movie Effect “Old Film” turns your videos into flickering images with noise, scratches and dust, for the vintage look of old movies shot on film.”

em1silver2Firmware Upgrade Availability
Firmware Version 2.0 is pre-installed on the Olympus OM-D E-M1 silver model. Existing OM-D E-M1 camera owners can also enjoy the features of this new firmware by upgrading their camera using Olympus Viewer software.

U.S. Pricing and Availability
The OM-D E-M1 in Silver will be available in September 2014.
Estimated Street Price: $1,399.99

You can pre-order the Silver E-M1 at B&H Photo HERE

Also at Amazon HERE. This one ships THIS month! PopFlash.com also will have the new silver E-M1! 

The new 40-150 Pro f/2.8 Lens

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Olympus has also finally released the new 40-150 Pro Zoom! This long-awaited zoom lens has been in the works for a long time now and will round out the systems pro zoom category which also includes the new 7-14 f/2.8. The 12-40 is already known to be an amazing zoom lens and now the 40-150 will give you some reach, at the expense of size and $$$. IT IS NOT CHEAP AT $1,499.00 but those who know the quality of Olympus pro glass will know that this is well worth it. For those telephoto shooters out there who own a Micro 4/3 camera, it will not get any better than this. YES this is a 40-150 f/2.8 zoom, bringing you a 80-300 equivalent! NOW THIS is an amazing lens!

You can pre-order the 40-150 f/2.8 pro zoom lens at B&H Photo HERE 

PopFlash.com is also an Olympus dealer, and a site sponsor!

SONY

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Sony has announced today the new wide angle FE mount (full frame E mount) 16-35 f/4 OSS lens, something many have been waiting for. This one will fill your wide angle needs for the A7 system and comes in at $1349.

You can pre-order it at B&H Photo HERE.

Amazon is also taking pre-orders HERE!

Wide-range zoom lens designed for full-frame FE-mount cameras

Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions

Features a circular that, through the use of curved blades, keeps the aperture almost perfectly circular from its wide-open setting to when it is closed for smoother, more natural defocusing highlights

Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting

Five aspherical elements, including one AA (advanced aspherical) element, and three ED elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor

Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change when focusing. Also, the filter thread at the front of the lens does not rotate, which is convenient when using a polarizing filter

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So there are my fave releases today. For me Canon was the biggest disappointment. They have the funds and ability to create something extraordinary but they never ever seem to do it. They are happy sticking to their DSLR model. Same with Nikon. Nothing exciting at all from them besides the D750 DSLR. No real innovation from the two “Big Guns”. Sony has been constantly releasing new exciting products, Olympus has been keeping the momentum going with amazing lenses and Leica, well, they have yet to make their full announcements but I think we will hear from them by tomorrow.

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SAMSUNG

oops, I almost forgot the NX1

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Samsung has announced the NX1, their flagship mirrorless coming in at A WHOPPING $2799 with kit lens but that one leaves me scratching my head. The price is out there IMO. I will say that the ‘kit” lens seems more like a pro lens with a 16-50 range and a variable aperture starting out at f/2 and going to f/2.8. Still, $2799 for the set is a bit much I think. It looks like a DSLR, the lens is huge and for the money I would take the fantastic Canon 6D with a 24-105 for the full frame performance. I reviewed the 6D and loved the IQ and usability, just hated the weight with those big L lenses, but the quality is stunning. I am finding it hard to see how Samsung can sell this for $2799 with lens. Seems overpriced to me. It may be a stellar camera but not sure how many will plunk down that kind of cash to SWITCH systems. I think only some the current Samsung base will go for it.

Amazon is also taking pre-orders HERE.

Sep 112014
 

The most Interesting Pre-Photokina Releases so far…to me.

With only a few days to go until Photokina kicks off we have already had some pre announcements from Fuji, Sony, Olympus and others. Nothing MAJOR and nothing WOW but I feel these big announcements will come VERY soon ;) They better! So far we have the below announcements that are somewhat interesting, but nothing ground breaking.

FUJI

As I reported the other day, Fuji has announced the X100T, the new 56 1.2, new X-T1 color/finish and even the X30. The X100T is an ongoing evolution of the X100 series camera and for me, the best Fuji has announced yet (more to come i am sure). Me, call me nuts but I prefer the original X100 even today over the X100s. After using both side by side I feel the sensor in the original is a bit more organic and dare I say..more Leica like? The X100T uses the same sensor as the X100s, which is also a fabulous camera that many swear by (my review is here). The X100 series for me is where it is at for Fuji. While I like the X-T1 a lot, the simplicity and classic lines of the X100 is what gets my blood pumping to shoot. For me, it is about simplicity. Period. Simple, clean, easy to use and shoot, fixed 35 f.2. What more can you ask for besides a full frame sensor? (See Sony RX1 for that). The X100T is available for $1299. Priced right for a super camera system.

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The new X30 is also an evolution of the X10, X20 and appears to be a super little camera as well. New EVF, new told LCD, new Classic Chrome simulation and new Large capacity battery that will give you a powerhouse 470 shots makes it sound like the little X30 may be the bang for the buck in the Fuji lineup. It looks sweet as well, the best X10 type camera to date in the design department I think. The cost is also right at $599. 

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You can pre-order all of the new Fuji from my list of recommended Fuji dealers: B&H Photo, PopFlash.com, or Amazon.

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OLYMPUS

Olympus has some new goodies on the way as well…a few that I can not mention just yet but so far they have announced a minor release or two. For example, one is the all black 12mm f/2. The 12 f/2 has long been one of my fave Olympus lenses but to date they have only released it in Silver and a black limited edition that had some extras but also was extra in the $$ department. Olympus has now released the black for normal production so you can get one for $799. This lens is so good on a Olympus body and has given me some fantastic shots. But the lens is nothing exciting if you are looking for something new and fresh. Let’s wait and see what the official Olympus releases will be as compared to the rumor sites :)

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SONY

Sony has announced a new QX camera, the QX1 which is actually an E-Mount in the size and shape of a lens. Basically it helps to turn your iPhone into a high-end APS-C camera. You can use it as is or with your phone. Me, I was never a fan of these oddball cameras. Many love them but for me, if I am going to have something like this, I think I would just use my phone as it is. I love what Sony is doing with the A and RX series but am not sold on the QX yet. Maybe once I give it a try I will enjoy it :) Coming it at $398 you will also need to add an E-Mount lens to this QX1. It is rumored that Sony will be saving its big WOW announcements for 2-4 months AFTER Photokina. Is there truth to this? NO idea but if so it seems odd as they would miss the Christmas season with those big releases. The last two years were huge for the Sony A7 and RX1 with huge holiday sales at launch. I am anxious to see the rumored new RX2 ;)

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ZEISS

As I posted about last week, Zeiss has announced two new full frame manual lenses for the Sony E-Mount system. The Loxia 35 and 50 f/2 will be superb I think and give Sony A7 users more choices when it comes to a high quality fast prime lens, and Zeiss is a name that means quality. I use Zeiss ZM with my Leica’s and love them. Zeiss also announced the 85mm OTUS which has already been tested by DXO and they claim it is the best portrait lens ever made. Coming in at $4,490 IT IS NOT cheap! But damn, it will venice. The Nikon mount can be converted to use on Leica or Sony cameras.  Zeiss rocks for sure but be prepared to pay for the Otus if you want the best!

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What is to come?

I feel that this Photokina will not be as ground breaking as previous years. I see Fuji bringing out the X-Pro 2, which is just about due for a full on refresh new EVF, sensor, etc. I also see Sony releasing new FE lenses for the A7 series, as that is what is needed for the A7 cameras! More fast primes IMO! Olympus will be releasing new lenses I am sure..maybe some pro zooms that are expected and possibly a new prime or two. Panasonic I feel will not be doing anything huge this year and Leica, well, I think they will be releasing something really cool, really expensive and really limited edition. I also feel some new T lenses will be shown as well. The new 28 Summilux will also be announced but I expect it to come it at around $7k. Also, MAYBE a new X camera and D-Lux? Maybe. I think Sony has some big guns that will be special on the way but not sure when they will make them official. Pentax, Nikon, Canon, Samsung…I have not heard anything major going in with any of them though Samsung may have something really interesting coming in a few days.

I guess we will find out VERY soon, so I am looking forward to seeing what actually is announced!

Aug 072014
 

My quick interview with Olympus on the E-M1

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When I was in Ireland with Olympus they sat down with a few of us at Castle Leslie and asked us a few questions about the fabulous and game changing E-M1 camera. Below is my short but sweet interview. Of course you can see my full E-M1 review HERE and my visit to Castle Leslie in Ireland to shoot the E-M1 HERE. I feel the same about the E-M1 today as I did the 1st week it was launched. Best Micro 4/3 made today!  Thanks Olympus!

Jul 212014
 

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The Olympus OMD-EM1 goes to Spain

by Neil Buchan-Grant

I have a few pictures I thought your readers may like to see, taken over two trips to Spain and Italy this year. These were all shot with the Olympus OMD EM1 camera, lenses specified below. I am still using the Leica 50mm Summilux ASPH, currently on the Sony A7, but in general I find the OMD to be the camera I reach for first.

The first visit was to the village of Vejer de la Frontera near Seville in Spain. This hilltop pueblo blanco remains quite unspoilt compared to the towns on the costas further east. I was there to shoot the Feria, a 5 day-long party with fairgrounds, displays of prize cattle, equestrian displays, flamenco dancing, live music and many hospitality tents where everyone is welcome. Vejer is a special place anyone who wants to experience the real Spain should have on their list.

My second trip was to Venice where I and the professional landscape photographer Steve Gosling, ran a workshop for 9 students who came from all over Europe to learn about landscape and people photography. Steve concentrated mostly on the landscape and architecture and I focussed on the street photography and model portraits. This was an Olympus sponsored workshop so most of the students were using OMD cameras. It was a punishing schedule as Steve was up at the crack of dawn and the day would finish quite late, often followed by communal food and drinks!

Andalusia Spain – Olympus 12-40mm 2.8 (at f2.8 23mm) This shot was made with the aid of a polarising filter in the village of Vejer de la Frontera near Seville. Its a traditional village but this is one of their newer buildings.

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Andalusia Spain – Olympus 12-40mm 2.8 (at f4 12mm) This is Canos de Meca beach, which is about 15 minutes from Vejer de la Frontera, also made with a polarising filter.

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Andalusia Spain – Pana-Leica DG25mm 1.4 (at f1.4) This chap was visiting the Vejer annual ‘Feria’ a post easter spring celebration which combines music and dance with horse and bull displays.

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Andalusia Spain – Pana-Leica DG25mm 1.4 (at f1.4) The Paul Newman of cats! in the back street of Vejer de la Frontera

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Venice Italy – Olympus 45mm 1.8 (at 1.8) Professional model and television presenter Chiara Sgarbossa wearing her own Venetian mask, maintains her composure as she is surrounded by hoards of tourists during our shoot in Piazza San Marco.

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Venice Italy – Olympus 75mm 1.8 (at f1.8 1/30s handheld ISO 2000) A romantic moment caught at around midnight in the dimly lit Piazza San Marco

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4, 1/8000 with 3 stop ND) This shot was made through the window of a Vaparetto water bus stop.

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Model and 3rd year law student Ira Lothiriel is captured in the basement of an old venetian house with natural light spilling in from the canal.

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Model Chiara Sgarbossa was laughing because the gondoliers below the bridge we were shooting on were serenading her. She handled their advances with movie star charm!

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) This charismatic lady was looking around the superb Irving Penn exhibition at Palazzo Grassi. The large windows in here were covered in white muslin making huge softboxes!

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Ira Lothiriel in one of the sun-drenched squares, lit with a reflector.

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Chiara Sgarbossa lit with a reflector

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Venice Italy – Olympus 75mm 1.8 (at f1.8) A wedding shoot in Piazza San Marco and a generous model/bride

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Olympus 12-40mm 2.8 (at f2.8 40mm) On old lady taking some shade near Piazza San Marco as others are served iced tea.

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Olympus 12-40mm 2.8 (at f2.8 12mm) This man was seen in Piazza San Marco at 5.30am, an Italian you’d think, but no, he was a Londoner killing time until his flight home that day.

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) This man was very keen to help me scout for locations to shoot in. Nothing to do with the beautiful model that I was with of course!..:)

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f3.2) This Chihuahua was wary of my lens!

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Model Chiara Sgarbossa shot in a Venice alleyway, with the help of a reflector

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Venice Italy – Pana-Leica DG 25mm 1.4 (at f1.4) Ira Lothiriel posing on one of the many bridges that span the back streets of Venice

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Neil Buchan-Grant
http://buchangrant.com/
British Travel Press Photographer of the Year

Jul 142014
 

My favorite cameras for usability, ability and versatility mid 2014

By Steve Huff

Wow. It is already mid 2014. Half of this year has whizzed by faster than ever and as always we have a ton of cameras that we can choose from when it comes to photography. If we want something small that packs a punch, we have that. If we want something for low light, we have that as well. If we want something that is a joy to shoot, hold and use, well, we also have that. Do we have it all in one single camera yet? Well, not really.

There are always new camera seeing released though maybe not as many as the years past. DSLR production, as in new models, has seemed to slow down some from the constant barrage of new models that we used to see. Well, at least it seems like it. Even mirrorless offerings seem to be lasting a little longer between releases these days, and this is GOOD as we are at the point now where almost any camera will give us better results than most of us even need.

So far in 2014 we have had some cool releases and there are still fantastic cameras that were released in the past that are still perfectly usable. The question you need to ask yourself when deciding on a new camera is “What will I be shooting with it”, also “Do I value usability more than overall versatility”? “Will I be shooting mostly low light or in good light”? “Does it need to fit in my pocket”?

Once you decide what it is you want to use the camera for, be it portraits, your kids, vacations, or just an everyday shooter then you need to decide if you want simplicity in a fixed lens model or something that will allow you to choose and change lenses. The choice is yours as there is something out there to fit your needs, and I am going to talk about the cameras I like as of July 2014 with the reasons WHY I really like, if not love them.

My fave cameras made for Versatility

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Micro 4/3, Olympus E-M and E-P series

My favorite camera for ALL OUT versatility as of today is still the Olympus E-M1 or even E-P5. These cameras are beautifully made with a solid feel and gorgeous looks (in the case of the E-P5). They have some of the best lenses made for any system next to Leica from fisheye to telephoto and everything in between including some super fast primes like the Nocticron f/1.2 that is one of the best lenses I have ever used. With Micro 4/3 you have speed, you have the lenses, you have the build, you have the amazing 5-AXIS Image Stabilization and you have a smaller size. The lenses are so good, and not so astronomically priced. The color reproduction is beautiful and the B&W is not too shabby either. A camera like the E-M1 has it all and the only real weakness of this camera is that the sensor is smaller than full frame and smaller than APS-C. For this reason you lose out on some shallow depth of field and the images will be a bit more noisy at high ISO than full frame cameras.

Even so, if you shoot mostly in good light and want one hell of a system with unlimited lens choice and an all around great experience with pro image quality results, the E-M1 is still a gorgeous camera. The E-M10 and E-M5 are as well. I reviewed them all and you can read my reviews of these models HERE, HERE and HERE. Yes, you can indeed get DSLR quality and beyond with these models.

You can buy the E-M1 at Amazon or B&H Photo.

Three from Micro 4/3 – Super versatile cameras that do it all. 

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My fave camera for Point & Shoot, Vacation and SMALL SIZE!

Sony takes it here for me with the new advanced pocket rocket, the RX100 III. 

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The new Sony RX100 III is a hell of a camera in almost every way. It is small, made very well, has a pop up EVF, tilt LCD and stellar IQ for a small pocket camera. It’s a handsome camera as well and gives us an f/1.8 to f/2.8 lens from 24-70 (ff equiv). What is not to like? The color is great. the files are nice and I have seen some do amazing work with the RX100 version 1 and now Version III improves on that model in every way. This is, hands down, the best pocket camera I have ever seen or used, ever. Video is good as well. It does it all but will not give you the all out versatility or IQ of something like a Micro 4/3 or full frame model. For what it is though, it is the perfect camera for every day shooting, vacation, kids, family, events, etc. Whoever buys an RX100 III will not be disappointed. It is the real deal. I have been able to use one for a but thanks to B&H Photo but have not had serious time yet with it. Will be doing that this week. You can buy the RX100 III at B&H Photo or Amazon.

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My Fave camera for Usability

Without Question, the Leica M reigns supreme here

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The Leica M, any of them from film to the M 240 or Monochrom take this one for me in a huge way. These cameras are ones that you cherish and create an emotional bond with. For those who think that is nonsense, then you have never had that bond with a camera, and yes, it is real. The Leica M is a masterpiece of design, build, and usability. All manual focus using a rangefinder it is a very precision tool that actually can teach you a think or two about photography, framing and exposure. It is a tool one can use for a lifetime if you choose a film model, as they last forever. While the price is off-putting to many, think about it in a new way. This is a camera that will give you the most enjoyment from any camera ever..well, it has for me and not everyone is the same. From the moment you take it from its box all of your regrets of the money spent fade away.

The Leica M6, M7, MP, M8, M9, M240 and Mono will give you that Leica experience that no other camera will give you. As for IQ, others can meet or exceed the Leica in that area but nothing can beat it for usability or for creating that emotional connection. You can buy a Leica from many places these days but my faves have always been Ken Hansen, PopFlash.com, The Pro Shop and Leica Store Miami. These guys will treat you right.

Three from the Leica M 240

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My favorite camera for general every day and low light use

The Sony A7s wins this one easily. 

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You guys know how much I adore the Sony A7s and while it is not the most versatile (only due to lack of native lenses when compared to others such as Micro 4/3) camera it is indeed quite powerful. There is no low light situation that this camera can not tackle, period. When used with the 50 0.95 Mitakon I can see in the dark and when used with the native Sony lenses such as the 35 2.8 or 55 1.8 the camera will even AF in the dark. Amazing. The A7 also has better color performance than the A7 and A7r , better AWB, faster AF and better M mount lens compatibility. You can read my review here to see what it is all about but I now have one of these bad boys with a few lenses and love it to pieces. As I said in the review, the A7s is probably puns for pound, dollar for dollar my favorite camera that I have ever reviewed.

Low light shooters, this is a must try or own. The camera also is excellent in daytime shots and video. If more native lenses were around it would be unbeatable for me as of July 2014.

You can buy the A7s at Amazon or B&H Photo.

Three from the A7s, 1st one using the Voigtlander 35 1.2 wide open and a 100% OOC JPEG. 2nd one is from the Mitakon 50 0.95 and third and fourth is from the Zeiss 50 Sonnar 1.5. 

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Runner Ups

The Fuji X-T1 and Leica T are also very cool and very capable cameras. The Leica is different than other cameras in its interface and joy of use. It is a Leica and gives you the Leica style of IQ and pride of ownership. The Fuji is still a lightweight in the build but for Fuji fans, this is the best of the lot when it comes to Fuji interchangeable lens bodies.

Of course these are not the only cameras I like, but they are my faves as of July 2014. The Sony, the Leica, the Olympus..all superb in so many ways and unlikely  to leave anyone disappointed as long as you use them with good glass. The key is to get out and use them (for me it has been tough since it has been 110-112 every day and me and extreme oven like heat do not jive well for more than 5-10 minutes) and have fun using what you do own. The key is you more than anything, not the gear..though I admit..it is very fun to test and try new cameras!

Jul 092014
 

An Introduction to Light Painting

by Olympus Trailblazer Jamie MacDonald

As photographers, we know that our craft is all about light. We chase the golden hours of morning and evening, and the blue hour of twilight, and we spend hours in the studio with strobes and Speedlights. But there is another genre of photography you can explore where light isn’t used only to enhance the scene; rather, it BECOMES the scene.

This is what happens when light becomes the scene:

©2013 Jamie A. MacDonald

What does it take to start light painting? Nothing more than your camera, a source of light and your imagination. Here is a basic list of tools to get you started in light painting:

• A camera capable of shooting in manual mode. If you’re an extreme beginner, don’t worry – shooting in manual is easy for this!
• A tripod or some other way to stabilize your camera during the exposure.
• A cable release or remote for your camera. If you do NOT have one, don’t worry! I explain a technique below for shooting without one!
• A light source. What kind? Pretty much anything that produces light can be used! Some examples of things I’ve used are LED flashlights, an iPhone, sparklers, glow sticks and bracelets, and one of my favorites is a set of battery-powered holiday lights!

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Now that we have the gear ready, let’s go shoot!

Step 1: The first thing we need to do is find a good location, preferably away from any other light sources. The reason we prefer a location without too much ambient light is that, during our long exposure, this ambient light may overexpose our scene. If possible, I also suggest using a location that will add interest to your image.

Step 2: Let’s start by putting our camera on the tripod and setting the camera to manual mode. I will give you some settings to start with and offer some suggestions on adjustments you can make if need be. You will also need to set your camera to manual focus. This is important because autofocus in the dark just isn’t going to cut it.

Step 3: With the camera in manual mode, we can set the ISO to 100–200, aperture to f/8, and you can control your exposure time by using your camera’s bulb mode. If your camera doesn’t have a bulb mode, I suggest setting the exposure to 30 or 60 seconds and using the camera’s timer function to trigger the shutter. The length of the exposure will depend on how much time is needed to perform the painting. Some images I’ve created took 15 minutes, others only 30 seconds or so.

Step 4: Another thing we need to do is make sure we turn off any type of anti-vibration system your camera or lens may have. If left on when mounted to a tripod, it can produce some not-so-sharp results.

Step 5: Finally, the last thing we have to do is focus our camera on the location where the light painting will take place. The easiest way to do this is to have a friend stand in the location you’ll be photographing and have them shine a flashlight on themselves. When they are illuminated, you can then easily fine-tune your focus on them.

Step 6: Get the person who is going to be doing the light painting out in position with their tools and tell them to start moving on a count of three, waving around their flashlight, LED light or whatever you are using. One…Two…THREE! Now trigger your shutter and let the long exposure begin.

Step 7: When the shutter closes, the light painter can stop dancing around and come see what was created. If you are using a cable release or remote, you can end the exposure at any time. But what if you’re alone? Or what if you don’t have a remote or cable release? No problem! Trigger the shutter and run out into position to paint. I have used this technique many times myself with great, if not tiring, results.

©2013 Jamie A. MacDonald

Now if all that waving the lights around seems a little random and abstract, it is. But when you see the results of the random movements, you may find that they are exactly what you wanted. If random isn’t what you’re after and you’d prefer a more controlled use of light painting, an easy way to start is by using a flashlight to “paint” an object during your long exposure.

The best advice I can give you is to pass on that given to me by the gentleman who got me started in light painting. He told me the best thing I could do once I had the basic settings figured out was to ask myself, “What if?” Almost all of my light-painting images started out with me asking myself those very words.

So go out into the night, have fun, and, most importantly, ask yourself, “What if?”

Jamie MacDonald

May 192014
 

One year with Olympus E-P5

By Baris Parildar

Hello Steve, first of all I appreciate everything you do for photographers. Your website and youtube channel have tons of great information. I check your website almost everyday and enjoy it. Thanks for letting me share my pictures with your audience. This is my first ever article about photography. I started taking pictures with a Canon T2i 3 years ago. And my life has changed so much since then. Photography and video making suddenly became our passion in life with my girlfriend. We spent almost all our weekends taking pictures, hiking, discovering new things about photography and sometimes making small videos. After using my T2i for 2 years, I came to a point that I started thinking about having a smaller camera with me all the time. T2i is not even a heavy DSLR. But I was usually carrying 2 camera bodies and 4-5 canon lenses. I had times thinking about leaving my camera and lenses in the middle of the long hikes. It is really though to carry all that stuff for hours.

So I decided to get on the mirrorless wagon. I checked out almost every camera out there and decided to go with Olympus. My first choice was the E-M5. I had the chance to play with the camera for a week. I got used to it so fast. Auto focus and sharpness was so good. I couldn’t believe my eyes when comparing it with my Canon shots. Only problem was the color reproduction. It took me a while to learn how to edit the color of OLYMPUS RAW files in Lightroom. I figured out that it was different. Not worse than Canon, just different. I needed to handle it more carefully. That week the new E-P5 came out. I found the look cooler than the E-M5. Since the sensor was the same, image quality would be the same. I bought the E-P5. And never left it at home for a year. Olympus 9-18mm is my main lens. It’s one of the best landscape lenses I’ve ever tried. I mostly shoot directly into the sun. It handles everything great. Almost as good as Canon L lenses. My everyday street photography lens is the Panasonic 20mm f1.7. This is all I need for quick shots even for some macro photography. I use it at f2 for portraits and don’t need anything more. I had the Olympus 45 f1.8 for a while but I had to sell it. That is a great lens too. Recently bought a Panasonic zoom telephoto and using it quite a bit lately.

I am so glad that I made the switch from Canon to Olympus. I don’t think I would be able to take half of the shots I took with a bigger camera body. Having a small camera lets you take it anywhere you want. And another great thing about this is, everybody thinks that you are an amateur photographer when you have a tiny camera with you. You are invisible with a mirrorless camera. I just love the look of people at me thinking I have no idea about photography. I show up next to photographers with huge full frame dslr bodies with my little E-P5 and most of the time I get the shot I want with a little effort and no back pain. I use 500px as my main portfolio website now. One of my shots with the E-P5 made it to “the most popular photo” on 500px which is a great honor for me. I get inspired so much with all those great pictures on that website everyday. I like to edit my photos. Some people may find them processed too much but I don’t think about what other people think when I edit my photos. Depending on how I feel, I might over process or sometimes don’t even touch anything on my photos. It totally depends on how I feel about the photograph and how I want to reflect my feelings.

Here are some samples from my one-year journey with the Olympus E-P5. I feel lucky to have such a great camera.

Thank you very much again for giving me this opportunity.

Baris Parildar.

 

Here are the links you can find more about my photos:

Personal website: www.barisparildar.com

500px: http://500px.com/Barisparildar

Instagram: http://instagram.com/barparildar

Flickr: https://www.flickr.com/photos/89927345@N03/

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May 172014
 

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New Orleans for Fun, Photos and Ghosts with Olympus TG-3 and E-M10

Wow, finally I am at home relaxing in my Pajamas and with cup of coffee in hand I am feeling blessed in all aspects in my life. From happiness, to love, to living a stress free happy life.  I am wondering how in the hell I managed to end up so happy in life, so at peace, so fulfilled. In any case, it feels good to be back home after traveling for the past 11 days or so. For the past three days I was in beautiful and spooky New Orleans with Olympus camera and a few other bloggers. Why were we there? Well, it was a press trip to allow certain websites to test out the new Tough TG-3 camera as well as the E-M10, the mini E-M5 which is absolutely FANTASTIC! I reviewed it a little while ago HERE but I loved it just as much as I loved the E-M5 and E-M1. For the cost, it is quite amazing in its capabilities and equals the E-M5 and E-M1 in IQ, without question. For under $800 you get the E-M10 and Lens. Great buy. 

So after visiting my Mom for a week over Mothers Day I came home for one night and flew out to New Orleans for this trip that was to be jammed packed from morning until night. Going on a late night Ghost Walk, touring the beautiful Oak Alley Plantation, taking an almost two hour long Swamp tour to staying right in the heart of the French Quarter and hitting some famous pubs, bars and restaurants we sure did get a chance to see as much as we could in those 2 1/2 days. I have always wanted to see New Orleans as it is filled with a rich and sometimes tragic history. It seems like a place we should all see at least once in life.

At the Oak Valley Plantation shot with the E-M10 and the awesome 12-40 2.8 Pro Zoom

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When I arrived to the W Hotel in the French Quarter I was boon away as it was smack dab in the middle of the quarter and with all of the rich history I was looking forward to just hanging out and shooting some images. But within 5 minutes of arriving I had to change and head down to the lobby to meet the group for dinner. As we took the walk to dinner it was a sensory overload with all of the people, the bars, the strip clubs, and all of the debauchery that the French Quarter is known for.

Shot with the E-M10 and 25 1.8 while heading to dinner on night #1

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After some amazing food was into our belly we headed to a walking Ghost Tour that net up a local haunted bar. This was to be a 90 minute walking tour of the French Quarter at night while we were told ghost stories about the history of the area. Was good fun and we made sure to get a beer or two before the walk. The tour was not scary at all but more educational. Wether the stories were real or not I do know but it was fun to walk the city at night.

The Ghost Tour was led by this woman who was full of knowledge about the legends and ghost stories of the French Quarter. E-M10, 25 1.8 using grainy B&W

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Next Up…

We ended up at a Karaoke Bar where we watched some fun to watch but horrible singers as we enjoyed a few drinks. I shot a few with the E-M10 in grainy B&W mode which adds massive grain but allows use of super high ISO without worry as you expect the noise ;) resembles grainy old film in many ways.

E-M10 at the Karaoke Club but I shot the crowd below who was really enjoying the show.

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Mr. Chris Gampat from the Phoblographer was there as well as freelancer Laura Hicks. 25 1.8 in darkness and grainy B&W mode. Not sharp due to motion blur but captures the moment.

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A club nearby had a live band and I grabbed this shot through the street window with the 25 1.8

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Two of the wonderful ladies who are with Olympus. They made sure we all had a great time while using their latest cameras. E-M10 and 25 1.8 in Grainy B&W.

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Lots of music in the French Quarter!

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With night# 1 wrapped up I was back in my room for some much-needed sleep.

Trying out the Tough TG-3 on Day 2 at the Oak Alley Plantation

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At 6AM the alarm woke me and I prepared for the day by getting ready, answering some e-mails and eating a good breakfast. This was the day of more tours and it started out with a bus ride to Oak Alley Plantation which was gorgeous of course. The weather was in the 70’s with some sun and I could not have asked for better. We learned about the history of the plantation and was able to snap some shots. This was the day I also was able to test out the new Olympus Tough TG-3.  I have never tested the TG1 or TG2 because I was never interested in an all-weather point and shoot. After using the new TG3 for two days I went to Amazon to pre-order one. At $349 it is a crazy steal of a deal and will take all kinds of abuse being shockproof, weatherproof and waterproof to 50 feet. It has high def video, slow motion high-speed video and a very cool Microscope mode that is unlike any macro I have ever tried. At $349, this guy is a must own for anyone who needs a good all around TOUGH camera to survive the elements around them. While not the last word in image quality it is very good for what it is, a small sensor P&S built into an indestructible body.

With the Ring Light, which is a must own for this camera! Snaps on and off easily and works GREAT!

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You can pre-order the TG-3 HERE at Amazon. Ships in 3 weeks or so according to Olympus. $349. They also sell a wide-angle converter, a tele converter and the coolest ring light I have ever seen for around $40 that makes the Microscope mode work unbelievable well.

Here are a few shots I snapped with the TG-3 tough while at the plantation and the swamp tour:

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You can see the reflection of the ring light in her eye while in Microscope Mode. I could have gotten closer but did not want to touch her eye!

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On the Swamp Boat Tour…behind me..

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and seeing some gators up close…

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At one point I dubbed the Tough into the swamp as an alligator came for it. A couple of us tried this and I shot some video but the camera was sideways so the video is not very good. Still, the Tough captured HD video while dunked in a nasty swamp!

Below: Microscope mode as  the camera and light were set on top of my ring…

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…and here I literally laid the camera down on my hand – yes, the lens rested on my hand and still focused – Microscope mode. Looks like I need to moisturize! Damn. 

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Overall my 1st impression of the TOUGH TG-3 was amazing. Fantastic! The $349 body is well worth it for those who want a take anywhere all-weather all activity camera. Add in the ring light for under $50 and the Wide angle lens for around $109 and you have a pretty capable little system that will withstand drops, kicks, water, snow, ice and anything you throw at it. Microscope mode takes it over the top and is easily accessible with the dial. Just turn it to the little image of the Microscope.

The Tough is one tough cookie. I even dunked it in a Lilly pond and when I took it out this was the image I snapped:

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After this I dried it off and it was performing just as it was before. No damage to the camera, lens, internals or memory card.

But back to the Plantation and Samp tour. I also shot with the E-M10 and 25 1.8 and 75 1.8 while there and came away with some great quality shots. Keep in mind, all of these shots are OOC JPEGS. No RAW. Olympus can pull of JPEG very well and the E-M10 is no exception.

Here are some shots with the E-M10 and various lenses:

The E-M10 and 12-40 Zoom at 2.8

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The E-M10 and 75 1.8 wide open, natural light. 

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Some behind the scenes antics..

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On the boat I shot the other boat with the 2nd half of our group with the 75 1.8

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The eyeball of my new friend, Mr Alex McClure, an Olympus trailblazer and amazing photographer based in Phoenix AZ. Shot with the E-M10 and Voigtlander 17.5 at 0.95!

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More fun with the E-M10 and 75 1.8…

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The final night..

After the tours we were able to get to the hotel and freshen up before dinner and another night out in the French Quarter. On the way to dinner I took along the E-M10 and my 20 1.7 II and shot a coupe of snaps along the way in Grainy B&W mode..

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I had a blast in New Orleans but the only problem is I did not have any personal time to explore. That means I must go back soon for a few days to see all that it has to offer. Just the little taste I had of the sights, sounds and food all told me it is a special place. I highly recommend the E-M10, as I did in my full review of the camera HERE. The new TG-3 is one hell of a camera as well and priced right. You can order that TG-3 HERE. The ring light is HERE.

So I thank Olympus and all of those who were there along for the ride. Was a great time of fun, friends and shooting!

Steve

May 012014
 

One is not enough – using both the m43 and X sensors

By Arindam Pal

Hi Brandon and Steve,

It’s been over a year I sent something to you. Those were pictures taken during a short visit to my native land in India. A lot has changed over the year, both personally and professionally. Last year, I was shooting with the OM-D E-M5 but did not much like the noise response and preferred the Fuji X Pro, in spite of it being slow.

Steve’s review on E-M1 was up by October of 2013 and I placed an order along with the 17 1.8 and 45 1.8. The E-M1 is a great addition to the family. It has improved upon the E-M5 in many ways. Love the large EVF, snappy autofocus and the rugged, all-terrain look. I was quite happy with the results, although I found low light noise to be an issue. I understand people have different preferences and opinions. Many would prefer the slight noise that the E-M1 produces at ISO 1600 and above. However, I personally find any amount of noise distasteful. Coming from a D3S, it’s a challenge to accept it.

So, I decided to get another body and ended up buying a lightly used X-E2 body along with the 23 1.4 and 14 2.8. I could not be happier. Now when I shoot in low light and want high quality noise free images, I use the Fuji and when I need a faster response, I just carry the OM-D. Both are equally fun to use. I also bought a Nikon adapter to use my existing Nikon primes. I found that the 85 1.8D Nikon lens goes very well with the Fuji.

Must say, I am tempted by the upcoming Sony A7S with its practically noise free images but hope Fuji or Oly will come up with something extraordinary very soon

Sending a few pictures chronologically. Hope you would like them enough to post them on your blog. I did not bother much about the technical details when I was shooting these – but they show the passion I have for my newly grown family! Please feel free to use any or all of them:

E-M1 and 45 1.8 @f/1.8 ISO 400 1/4000 with -1 EV to create the silhouette

The 1st one is of wife 36 weeks in pregnancy

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 X-E2 and 23 1.4 @f/2 ISO 1000 1/70

The 2nd one is our first daughter, Aarwen celebrating her 1st month on this Earth

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 E-M1 and 45 1.8 @f/1.8 ISO 400 1/200

The 3rd one – Aarwen again, holding on to her mother

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 X-E2 and 23 1.4 @f/2 ISO 1600 1/160

The 4th one – Aarwen with her first plaything

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 X-E2 and 23 1.4 @f/2 ISO 1600 1/25

5th – she likes to talk to Mommy

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 X-E2 and 23 1.4 @f/4 ISO 200 1/170

6th one is from my recent visit to Bangalore, a street vendor selling fresh young coconut water to beat the heat

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Thanks so much,
Arindam

Apr 182014
 

The Olympus E-M5 using Dramatic Tone

by Tamer Erdem

Though the basic principles of photography are still valid, digital photography changed the rules of the game when it comes to post/in camera-processing. Post-processing or in camera-processing facilities and potential are almost endless and much more effortless in digital era. Art filters were introduced by Olympus a couple of years ago. After Nikon D300, when I purchased my first Olympus, E-P1, I really fell in love with pinhole effect and grainy black and white art filters.

Then I got E-P2 and like new diorama filter that miniaturize the scene. But the ultimate filter that I can desire was offered by OM-D, E-M5; dramatic tone filter for landscape photography. If you do not have enough time for post-processing and like some punchy, strong and slightly surreal landscape images, go for it without any hesitation. This art filter makes the image, kind of HDR (pseudo-HDR) image by increasing the details in shadow regions and decreasing light exposure in the highlighted regions of image. Also it boosts the color saturation and rendition.
I’d like to show some of my dramatic tone photographs that were taken at Kuşadası seaside in the autumn and Ayder plateau, a unique natural beauty in Turkey. You can also visit Zirkale castle, bridges of Byzantine and Ottoman origin and Fırtına Vadisi ( Storm Valley).

Panasonic Lumix 14mm 2.5, 20mm 1.7 and Leica 45mm 2.8 macro lenses were used.

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Apr 162014
 

The Sony RX1r meets the Olympus E-M1 in Iceland

By Chris Bakker

My website – http://www.chrisbakkerphoto.com

Hi Steve and readers of SteveHuffPhoto.com!

My name is Chris Bakker, a free time photographer from the Netherlands. I began to do photography around Christmas of 2012. I started off with a Sony RX100 by taking photos from all kinds of subjects what surrounded me and It didn’t took me long to really get caught by the beauty of photography . Right from the start I tried to read as many (e)books on photography as I could, follow on a daily basis the online forums and practice the acquired knowledge in the field. I am also a frequent reader of this site and let me tell you this site has giving me so much that I thought it would be time to give a little bit of my contribution in return.

Because I was so into photography I decided in the summer of 2013 to trade in my trusty RX100 for his bigger brother the RX1r. This indeed is a magical powerhouse and capable of delivering some stunning photo’s. This camera has got me even more into photography. Later that year, in November the Olympus OMD E-M1 came out and because I wanted to do different things in photography which needed faster auto focus and different focal length than 35mm, I decided to buy the E-M1 alongside my beloved RX1r and step into the world of micro 4/3.  I can say I have no regrets at all. This camera is so well designed and thought out, it works so well, it just makes you want to go out and shoot.

I often attend workshops and like to learn from the pros. So when the opportunity came by to go to Iceland for 11 days with a pro landscape photographer from the Netherlands, to learn in the field, I decided to go. So on February the 22 I went off to Iceland to return 11 days later home with an overwhelming experience by the beauty of Iceland. Not only did I came home with a lot of photos but also with a lot of acquired knowledge and practical experience.

So l’ll stop the twaddle, let’s get to the photo’s!

E-M1 pana 35-100 f2.8

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E-M1 pana 35-100 f2.8

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Kirkjufellsfoss – E-M1 Oly 12mm f2.0

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Going to Iceland in the winter takes some planning in advance. Although the temperature is about 30 degrees Fahrenheit, which isn’t too cold the wind can be really extreme. And the combination of those two makes it cold. Proper clothing, like multi layers, warm hand cloves and a fur cap is not a luxury. A good windbreaker can be a rain suit. Because of the hard wind, I can advise to take a big and sturdy tripod with you. I have come to situations where I definitely had to hold on to my MEFOTO Globetrotter tripod preventing it from falling over. A tripod can allow you to shoot at times of day when the light is unlike any other. If you want to shoot at sunrise or sunset, and you want to keep the ISO down, you need that long exposure. when you want to work with HDR you need a tripod for sure. Light is everything, don’t miss some of the best light of the day because you didn’t want to carry a tripod. What also comes in handy is to wear knee-pads. The ground is often stony and wet.

Snaefellsjoekull – RX1r

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E-M1 Oly 12mm f2.0

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Brúarfoss – E-M1 Oly 12mm f2.0

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Shining stones in river – E-M1 pana 35-100 f2.8

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While I was out making photos in the field I did quite often use my filters. There are many people that think in digital photography you don’t need filters anymore. Many think that this is also possible in post processing. When you need a slower shutter speed to blur motion, like with waterfalls, or polarizing light to reduce glare, do it with filters. Filters still enable an aesthetic that’s not possible through simple post-production, and in some cases not possible at all, even in Photoshop. Everybody has his own way of working but we people often work in sequence. We start off with 1 go to 2 than react to 3 to get to 4 or so. While this is a quite similar process as in post-production, like Lightroom, it is also a good process at point of capture. When experimenting with filters in the field you see the result immediately and that gives you the change to react to it. So it can definitely be a good thing for creativity. I used mostly a 3 stop ND filter from Singh-Ray and a Big stopper from Hoya the NX400. In a few occasions I used graduated and reverse grad filters, mostly at sunrise or sunset. For Polarizer’s, Singh-Ray Color Combo and the Gold ‘n Blue.

Skógafoss – RX1r

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Northern Lights near Vik – RX1r

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Vik Beach – E-M1 pana 35-100f2.8

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Skaftafell Icecave Vatnajökull – RX1r

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Skaftafell Icecave Vatnajökull – E-M1 Oly 12mm f2.0

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Sunset JÖKULSÁRLÓN Beach – E-M1 Oly 12mm f2.0

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Sunrise JÖKULSÁRLÓN Beach – RX1r

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What really fascinates me is that you can learn infinitely, it’s an ongoing process. Photography has become an essential part of my life. It’s so much fun, it’s a way of living. I hope you enjoy watching these photos as much as I did making them.

Chris Bakker

A few more…

Sunrise JÖKULSÁRLÓN Beach – RX1r

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Jökulsárlón Lake – E-M1 pana 35-100 f2.8

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Jökulsárlón Lake – E-M1 pana 35-100 f2.8

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E-M1 pana 35-100 f2.8

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Vik Beach – RX1r

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Old Turf Farm House – RX1r

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Icelandic Horse – E-M1 pana 35-100 f2.8

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Mar 242014
 

The new Panasonic 15mm 1.7 available for Pre-Order!

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Panasonic is kicking some serious behind in lenses lately. I have been shooting with the new Panasonic/Leica 42.5 f/1.2 Nocticron and it is one of the best lenses I have ever shot with, on any format. Sharp wide open, creamy Bokeh and a sort of Noctilux style rendering, but on M 4/3. It also resembles the $11k Noctilux in design though not nearly as hefty as the Leica counterpart. The Nocticron is a special lens for Micro 4/3 users and even has a manual aperture ring (but this is not usable on Olympus bodies which control aperture with the dial).

In fact, the Nocticron is so good that I am 90% sure I am going to purchase one even though the price is sky-high.

Add to that the new Panasonic/Leica 15mm f1.7 which also has a manual aperture ring and uses a 46mm filter size. This is a duo that will give you a 30mm and 85mm focal length equivalent for your Micro 4/3 body while giving you pro quality color, contrast, detail and bokeh.

The new 15 1.7 comes in at $599 and is available for pre-order NOW in Black or Silver at B&H Photo. It is also available HERE at Amazon. 

The Nocticron is available NOW for $1598 – EXPENSIVE YES but $9500 cheaper than a Leica Noctilux and 85% as good :)  Amazon also sells the Nocticron and it is IN STOCK. 

I am reviewing and using the Nocticron now on an E-M1 and will post my review soon (but it is a light sucker and rocks at night just like the real Noctilux). The 15 will be shipped to me at release for review so will get on that one as soon as I get it! I am telling you..Micro 4/3 just keeps getting better and better for those who are in the system. Pretty exciting stuff IMO as it is the lenses that make the system and no one beats M 4/3 for lenses in the mirror less world.

With these new Leica partnered lenses…makes me wonder if the new and rumored “Leica T” will be a Micro 4/3 body. I HOPE SO. I would much prefer it to be M 4.3  than a new lens mount APS-C. Using a Nocticron and 15 1.7 on a new Leica mirrorless…could be interesting.

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