Remember when I said that Olympus is a company that INNOVATES? They seem to surprise the hell out of me with every camera release. After the amazing E-M5 Mk I I thought…what else can they do? Then they released the E-M1 which is a POWERHOUSE, and I have owned one since release and now own a beautiful silver version. The system, the lenses, the capabilities..are pretty much unrivaled by ANYONE, even the Big C and N.
Now with the E-M5 MkII they did it again. Updated and upgraded the 5 Axis IS to a 5 Stop Performance increase, added a side swivel LCD, put in the large EVF of the E-M1, and added the High Res 40Mp shot mode (creates 107MB RAW files) and the camera also has the Live Time and Live Composite features of the E-M1 and other Olympus Micro 4/3 Cameras.
My review will be coming soon for the E-M5II but just wanted to share an image from last night. I was out with Alex McClure, a friend of mine who lives not too far from me who happens to be an Olympus Visionary. We headed out to a spot in the Desert that he knew of and set out to shoot star trails. With Alex giving me some tips (I have never done this before) it took literally 3 minutes to be off and running.
A video I did showing the E-M5II and E-M1 side by side
The Lens I used was the wonderful Panasonic 8mm Fisheye. The total exposure time? Just around 40 MINUTES! This was using LIVE COMPOSITE which NO OTHER camera system has. Basically you set it to Live Composite…then take ONE image. The camera exposes the scene perfectly so your subject (in my case below, the cacti) is perfectly exposed. You then press the shutter again and it stays open while giving you LIVE Updates on your LCD showing real time exposure. What it was doing was taking 20 second exposures and stacking them in camera. We shot for around 40 minutes at ISO 1000.
After closing the shutter, the finished image popped up on my LCD in about 10 seconds. What you see below is direct from camera, JPEG.
Super easy, super simple. All I needed was the camera, a tripod and a lens. Pretty amazing for 40 minutes of 20 second exposures. Never again will I have to stack images in photoshop. Never again will I have to worry about exposure or over exposure. Normally, just leaving the shutter open would have overexposed the cactus but with Live Composite, no worries. It is genius.
LIVE COMPOSITE MODE – E-M5 II – Around 40 minutes of 20 second exposures, automatically done in camera. The camera does ALL the work. ISO 1000. The E-M1 also does this. This makes these tools my personal pref for night time long exposure work. It’s just SO easy and foolproof.
PRE-ORDER the Olympus E-M5II – Ships in less than 2 weeks!
Hey guys, hope you are all 100% fantastic! Many have been asking me “Steve! Where is your Panasonic LX100 review”!!!
Well, to make a log story short..I had the camera for a few weeks and have mixed emotions on it. After using it with the Fuji X100T and even a Sony RX100 (Hasselblad Stellar) I came to the conclusion that I liked the LX100 the least of the three. Yes, for me (key words..for me) the early version 1 Sony RX100 beat it out due to a few reasons. Even with that said, the LX100 is a compact camera with serious innards and a handsome and rugged build. Leica has their version of this camera which is made in Japan, has Leica styling, and better software and warranty. It is called the D-Lux Typ 109 and many love this camera due to what it offers. I have not had a chance to hold the Leica version so this short and sweet “review” or “non review” will only go over my thoughts of the LX100 from Panasonic. I do have friends who have the D-Lux 109 and they did not have the same issues I had with the LX100. So there ya go.
Most compacts these days use 1″ sensors or smaller. There have been a couple with large APS-C sensors but they were usually with wider angle fixed lenses of 28mm.
The LX100 is a smallish compact, short and squat with a beefy feel and it houses a semi large Micro 4/3 sensor, the same size and type as the wonderful Olympus E-M1, which even today is a world-class camera. The same size as Panasonic’s own GX7, which I really enjoyed.
It sounds like a dream right? A small good-looking and feeling camera with a highly capable sensor and the big name of Panasonic behind it for under $1000. Well, in some ways it is and in others it is not.
After shooting with it for a while I decided I would not review it (as I was not a huge fan) but there has been a surge of emails asking me about it so I decided to put up this short post with my thoughts on the LX100.
click any image for larger version – EXIF is embedded for all photos
It’s a fact, yes, the image quality of the LX100 can be fantastic and really close to APS-C offerings. Most cameras today are good in the IQ dept. as long as you stay away from $49 specials. What I look for when I use a camera is a list of things..and for me to like it, this check list is required..
Usability. Is the camera easy to use? Is it responsive with well laid out controls?
Auto Focus. Does the camera have speedy AND accurate AF?
Image Quality: Is the IQ good, fantastic or AMAZING? I like Fantastic to Amazing :)
AWB, Color, ISO. I also take these things into consideration.
So let me start with the Usability..
The Lx100 is a great looking camera design. Many will adore its style and ease of use. The menu system is a breeze to go through and configure and due to the external controls, the camera is easily learned and anyone can get great results with it. So it passed the design and usability test with flying colors.
Auto Focus. This is where I had issues. The AF of the LX100 seemed speedy enough but in MANY cases it would confirm focus and the result would be an out of focus image. I was using center point, so I knew where the camera should be focusing but it was telling me it nailed it and the results said otherwise. I had enough of these misses (more than any other camera I have used) to make me wonder what was going on with it. It started to frustrate me and made me not want to use it.
Image Quality. The IQ is nice, and just about what I expected but I did expect a little more as I can get better IQ with my E-M1 or the E-P5 or even the GX7. When I shot landscapes at infinity focus with the LX100, the details were mush, even at base ISO. I took several shots and it was always the same. So not sure if I had a defect or if this was a camera issue. Another reason I decided to NOT review it as I was not sure if I had a lemon or this was just how it was. 90% of the time, the IQ was superb. 10% of the time I had issues. But the issues were enough to make me say “wait a minute..something is not right”. I did a comparison here with the LX100, X100T and Sony RX100 V1 (Stellar). Click HERE to see it.
When the LX100 did nail the shot all was well. As for higher ISO, it failed that test for me as well. I am used to other cameras amazing high ISO capabilities these days and Micro 4/3 is losing the high ISO battle for sure. Even so, it is not horrible and MUCH better than it was years ago. Still for the price of $899 I feel there are better options. As I said, I prefer the original Sony RX100 (now $399) to the LX100 for speed, usability, IQ, color, etc. It can be had for half the cost of the LX100 and it will even fit in a pocket. So for me, the LX100 was not enough to push me from my RX100.
Also, the LX100 will not fit in a pocket. Its thick and beefy. RX100 will. Now that I thin of it, look at these names..LX100, RX100, X100…seems the companies are trying to use the same names for some reason :)
The lens on the LX100 has a tendency to flare badly if you have a light source in the frame. I have seen it with street lamps, sunlight and just about any light source if it is in the view of the lens. Wen I tested this side by side with the Sony RX100, Fuji X100T and my Sony A7s and A7II there were no flare issues. Another nail in the coffin for the LX100..for me but do others have this same issue or did I get a lemon?
At the end of the day the LX100 did not inspire me enough to want to really get out there and shoot with it. I wish I could have tested the Leica version because while it is the same camera, it is made in a different factory to higher standards and includes better extras (warranty, accessories, software) while looking nicer. If the flare issue was not so bad it would jump this camera up from NOT recommended to RECOMMENDED. If the AF did not miss on occasion (more than it should) it would go from RECOMMENDED to HIGHLY RECOMMENDED.
Maybe I will see if I can get a hold of the Leica version to see if it has the same issues I had with this LX100. If I can, expect a full review. This here was not a review, just my thoughts after using it for 3 weeks. I did not like it enough to recommend it so just wanted to explain why in this short post. But if you want a great camera at a superb price, right now you can get the original Sony RX100 for a song. Check out this deal here. $399 loaded with extras and prime shipping at Amazon. I use the Hasselblad Stellar SE as I nabbed one at the blowout 70% off price over the holidays but it is the same camera.
I choose LX7 as a camera for my daughter as well a back up cam when I am traveling. Why LX7 ? Just love its size and features which suit my need like macro, zoom and manual mode. The manual mode comes handy when in low light condition so I can mimic the RF experience.
Almost a year with LX7, both my girl and me are happy with it, here are some the photo produce by this funtastic cam. Ones can produce good photo no matter what the camera is, most important is how ones capture lights correctly.
Thank you and hope to see more good post by talented photographer at your site
OK! The hot and new Panasonic LX100 with the fast f/1.7 to 2.8 24-70 zoom lens and Micro 4/3 sensor is NOW IN STOCK at B&H Photo! This is one of the hottest and most sought after camera releases this year and it is available now, until it sells out that is! Check it out below! (My review will be here soon)!
First of all, I’d like to thank Steve for hosting such a great site. I spend a lot of time looking at and learning about photography on the web and this site is definitely on a very short list of favorites. The quality of the work tends to be on a level well beyond what I see in other places. I draw a lot of inspiration for my own work from the diversity and imagination of the work shown on these pages. There’s also the fact that the gear is very much biased towards mirrorless, compact cameras. I thought a bit about getting a DSLR, but since I saw so many really great images taken with mirrorless and since I’m a great believer in having something compact and therefore being more likely to have it with you, the mirrorless tech was what I gravitated towards. There are of course other advantages as well in going mirrorless…
About a year ago, I bought a Panasonic GH2. I’ve been interested in photography for quite a while; I studied in college where I learned all kinds of darkroom processes as well as lots about the history and theory of the art form. I switched to digital some years ago when I picked up a Canon A630 point and shoot and though I did some work with that camera that I was quite happy with (I posted some photos I took with it before on this site), I eventually got tired of “working within limitations” and yearned for a more versatile tool. I did a fair bit of research and came to the conclusion that a used GH2 represented the features that I was looking for at a cost that I could afford. I have to say that despite the fact that there are a few more recent offerings with a little bit better IQ and more contemporary features that are certainly able to stir the gear lust within me, I’ve been quite happy with the GH2. Of course with only the very old and very simple A630 to compare it to, the GH2 obviously wins in every category. Still, I think that it’s much better than that. I’m consistently impressed with the IQ, I love that I can use old legacy lenses with it (and the macro focusing definitely helps), it seems very fast to focus with low shutter lag (unlike the A630, which seemed to be expressly designed to miss the moment!), all of the controls seem to be very logically laid out, the EVF shows me just what I need to see and when I’m shooting at some odd angle, the tiltable LCD really comes in handy.
In the year that I’ve owned the camera, I’ve used it more than I have any other camera that I’ve had in any given year; I’ve owned a few and done a lot of photography over the years. Part of it has to do with the simple fact that with digital “the film is free,” but also because the GH2 is beautifully handling camera. I’m a firm believer in the idea that it’s the brain behind the lens that’s the most important factor in making an image. Nonetheless, a well designed, high performing camera can make the act of photography much more of a joy and to that effect, the GH2 has really helped to inspire me to get out and take photos. As for the photos, I’ve shot them in several different locales and experimented with a number of different subjects and approaches… I’m always experimenting and working under the influence of different ideas. My work though really isn’t so all-over-the-map as this collection of images might suggest; most of these photos are part of a larger series, each with a consistent theme. The most recent series that I’ve been working on involves shooting little details in my neighborhood. I don’t feel like I live in the most glamorous, scenic place and my surroundings seem rather ordinary… and yet I feel that there are compelling images to be made of my less-than-spectaular surroundings. It’s more difficult to feel like I’ve gotten a really good photo in this type of situation but also a greater challenge and I like that. I’m often thinking of what one of my favorite photographers, Garry Winogrand said, “Photography is not about the thing photographed. It is about how that thing looks photographed.” When I think more of how the subject “looks photographed” then I’m able to worry less about what the subject is and I feel like I can produce more surprise in my photography by creating something out of materials that don’t usually get a second look.
Initially, I used just the kit zoom on my GH2, a 14-42mm thing. As a kit lens that comes with the camera, I didn’t expect to like it that much, but it seems capable of some really sharp images… I’ve been quite happy with it. Later I got around to buying adaptors for some old 35mm film lenses I had, a Canon 28mm f2.8 and a Nikon 50mm f1.8. I’m really happy with the Nikon in particular in that it’s fast and just the right length for some musical events that I’ve gotten into photographing. The fact that as with any old lens like that, it isn’t capable of auto focus isn’t a problem at all as in the low-light situations where I’m using it, the autofocus in the camera doesn’t work very reliably anyway. The Canon, though it seems to be sharp enough has gotten less use as the focal length and max aperture aren’t ideal for me. I’ve messed around with a Nikon E series 70-150mm zoom as well and gotten better results than I thought that I might with a lens like this. Folks generally don’t seem to be so hot on adapting those old manual focus zooms. The lens I’ve really come to love to use with this camera the most is the only other one that I’ve got that’s designed for it (as opposed to adapted) and that’s the Panasonic/Leica 25mm f1.4. Perhaps I’m projecting something special onto it because I spent nearly the cost of the camera with the kit lens on it, but it certainly does seem like there is something very, very nice about the quality that I’m getting with this lens. It’s very fast, which has been proven to be useful in shooting indoor musical events, which are typically not so well lit. I bought it for these low light situations, but I’ve come to love the look that it’s capable of even more than the speed that I get with that low F-stop. I’m not so great at describing this sort of thing (Steve is really brilliant at it!) but suffice to say, it gives me a look that I haven’t gotten with other lenses. I’ve been using it a lot more than I thought that I would because I usually favor a wider field of view and have felt kind of addicted to the convenience of a zoom. I think that I’m starting to lose a bit of my bias toward the wide-angle lately though and when I go out shooting I’m thinking more in terms of what works with the 25mm.
As for processing (very important to me!), I’ve been using a free program for RAW conversion called LightZone that I’ve been really happy with. I use Photoshop as well from time to time for certain kinds of effects, but I always start with LightZone. I always shoot in the RAW format and really like to spend time adjusting the images with software. I believe that the creative choices I make with the software are nearly as important to creating the images as the parts of the process that I do in the camera…
Photokina! New mirrorless releases from Canon, Panasonic, Olympus, and more!
Photokina is upon us and today there were loads of cameras and lenses announced today from many of the usual suspects. It seems that Canon and Panasonic are jumping on the Sony RX100 bandwagon but Panasonic did it right by making an RX100 style camera but with a full on 4/3 sensor inside which means this guy will deliver the best quality in a compact camera! So far it is my favorite Photokina release (but that silver E-M1 is gorgeous, making it my #2 fave) but there is more to come. Let’s take a look at the cool stuff being announced today!
The LX100 that has been rumored forever is now official. The 1st of the so called RX100 clones (even keeping the 100 name) this one is quite nice and will present a challenge to the Sony pocket cam. Basically this little guy has a Leica/Panasonic 24-70 equivalent f 1.7-2.8 lens, 4K video, solid build, great looks, a built-in EVF and wonderful ergonomics and control. It is easy to see that this one will be popular without question.
Even though the LX100 is priced at $899, which may be a little bit high, it is priced appropriately to the RX100III due to the larger sensor. As you can see in the image below of the camera, it is larger than a Sony RX100 but it is still rather compact. This will deliver 4/3 quality in a solid, modern, stylish and usable lens range camera. It has it most of what everyone needs and I see it as a perfect take anywhere, vacation, kids and everyday life camera. With 4K video there is not much this guy can not do (besides long telephoto of course). An instant winner here IMO and even has ISO up to 25k!
Panasonic also released the GM5, a super compact micro 4/3 camera much like the old GM1. From B&H Photo: It features a similar magnesium-alloy body as the GM1, but replaces the pop-up flash with a 1,166k-dot electronic viewfinder, as well as a hot-shoe mount, creating a more full-featured camera system. The GM5 also features a 16-megapixel Digital Live MOS sensor and Venus Engine image processor to produce detailed still images and a heighted sensitivity up to ISO 25600. It is also capable of recording Full HD video at 60 fps.
The GM5 is a TINY, attractive and useful powerhouse as it is pocketable but also will take any micro 4/3 lens available. If you want SMALL and a TRUE “Micro” 4/3 then be on the lookout for the GM5.
Canon has released a new 7D Mark II which for me is a YAWN. The 7D is fantastic but as you guys know I am not a DSLR guy. I could fake it and act like I am just to make affiliate sales but hey, I have to be honest. After using cameras such as all of the mirrorless option these days, DSLR’s have become un-necessary. I have done pro work with my Leica’s, with my Sony A7s and with my E-M1 and never did I wish for a DSLR. So yes, Canon released the 7DII but I am going to talk about the G7X which is yet ANOTHER camera from Canon that is 3 years behind the times. It seems that Canon just can not be innovative in the small pocket cam or mirrorless area. They want to keep their DSLR sales strong so they are afraid to release anything revolutionary (like Sony is doing many times per year). Instead they copy others and release little flops like the EOS M. This time it is an RX100 copy in the form of a G7X.
The G7X comes in at $699 but has a 1″ sensor like the Sony RX100 and Nikon 1 series cameras. Already the Panasonic above beats the Canon for sensor size. The lens has more reach at 24-100 but does not have the “Leica” name attached to it. No 4K video but it does have 1080 video on board. No EVF. BASICALLY IT IS a Sony RX100 in disguise as a Canon. Not really, but for me, nothing exciting. I would pay the $200 more and buy the Panasonic in a NANO second over the Canon.
Olympus did not create a new E-M2 powerhouse (and frankly, I am glad they didn’t as the E-M1 is still a massive powerhouse of a camera that is capable of APS-C quality) but they did upgrade the E-M1 firmware with new features as well as release a pimped out version in Silver and black. Many have been asking why they did not originally create the E-M1 in silver like they did with the E-M5 and now Olympus has created it! I have to say, it looks mighty sharp in silver! I am a huge fan of the E-m1 and if for some reason you missed my old review of it you can see it here.
The new firmware is pre-loaded onto the Silver E-M1 so right out of the box you get all of the new benefits and features. For those who already own an E-M1 there will be a firmware download so you too can benefit from the new features. So what are the new features?
“Features for improved performance include improved EVF display time lag. The display time lag has been reduced to 16 msec when the frame rate has been set to high-speed. New Photo Story themes “Zoom In/Out” and “Layout” have been added. The addition of a hold function has also made it possible to temporarily save a photo story while shooting, and complete it, later. Live Guide makes it possible to layer on multiple effects simultaneously*. Remote shooting features in the OI.Share™ App have been further advanced, with the addition of a self-timer sequential and interval shooting, allowing for rich variations in movement and expression. A new Scene Mode “Panning” allows you to set the optimal shutter speed automatically to match the movements of an object. “Shade” Art Effect inserts bands of shading on the left and right side of the image (or top and bottom) for a sense of wideness. A new Movie Effect “Old Film” turns your videos into flickering images with noise, scratches and dust, for the vintage look of old movies shot on film.”
Firmware Upgrade Availability
Firmware Version 2.0 is pre-installed on the Olympus OM-D E-M1 silver model. Existing OM-D E-M1 camera owners can also enjoy the features of this new firmware by upgrading their camera using Olympus Viewer software.
U.S. Pricing and Availability
The OM-D E-M1 in Silver will be available in September 2014.
Estimated Street Price: $1,399.99
Olympus has also finally released the new 40-150 Pro Zoom! This long-awaited zoom lens has been in the works for a long time now and will round out the systems pro zoom category which also includes the new 7-14 f/2.8. The 12-40 is already known to be an amazing zoom lens and now the 40-150 will give you some reach, at the expense of size and $$$. IT IS NOT CHEAP AT $1,499.00 but those who know the quality of Olympus pro glass will know that this is well worth it. For those telephoto shooters out there who own a Micro 4/3 camera, it will not get any better than this. YES this is a 40-150 f/2.8 zoom, bringing you a 80-300 equivalent! NOW THIS is an amazing lens!
Sony has announced today the new wide angle FE mount (full frame E mount) 16-35 f/4 OSS lens, something many have been waiting for. This one will fill your wide angle needs for the A7 system and comes in at $1349.
Wide-range zoom lens designed for full-frame FE-mount cameras
Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions
Features a circular that, through the use of curved blades, keeps the aperture almost perfectly circular from its wide-open setting to when it is closed for smoother, more natural defocusing highlights
Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting
Five aspherical elements, including one AA (advanced aspherical) element, and three ED elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor
Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting
Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change when focusing. Also, the filter thread at the front of the lens does not rotate, which is convenient when using a polarizing filter
So there are my fave releases today. For me Canon was the biggest disappointment. They have the funds and ability to create something extraordinary but they never ever seem to do it. They are happy sticking to their DSLR model. Same with Nikon. Nothing exciting at all from them besides the D750 DSLR. No real innovation from the two “Big Guns”. Sony has been constantly releasing new exciting products, Olympus has been keeping the momentum going with amazing lenses and Leica, well, they have yet to make their full announcements but I think we will hear from them by tomorrow.
oops, I almost forgot the NX1
Samsung has announced the NX1, their flagship mirrorless coming in at A WHOPPING $2799 with kit lens but that one leaves me scratching my head. The price is out there IMO. I will say that the ‘kit” lens seems more like a pro lens with a 16-50 range and a variable aperture starting out at f/2 and going to f/2.8. Still, $2799 for the set is a bit much I think. It looks like a DSLR, the lens is huge and for the money I would take the fantastic Canon 6D with a 24-105 for the full frame performance. I reviewed the 6D and loved the IQ and usability, just hated the weight with those big L lenses, but the quality is stunning. I am finding it hard to see how Samsung can sell this for $2799 with lens. Seems overpriced to me. It may be a stellar camera but not sure how many will plunk down that kind of cash to SWITCH systems. I think only some the current Samsung base will go for it.
The latest and greatest Micro 4/3 (for video at least) is now in stock at B&H Photo at the link below. Check out the user reviews of this guy..49 five star reviews. I have not yet had a chance to test this one but will within the next few weeks. Many have been waiting for this to be in stock, so here you go..now if your chance if you are one who has been wanting a GH4. Many swear by the GH series and to some, they are hands down the best Micro 4/3 available.
My favorite Micro 4/3 Telephoto zoom: Panasonic 100-300mm F4-5.6
By Michael Ma
Hi Steve & Brandon!
I’ve been following your site for a long time and have submitted photos once or twice. Congratulations on your continued success.
Your reviews on mirrorless cameras and especially on M4/3 cameras have played a big part in convincing me to try the system. Because of their small sensors, I think M4/3 cameras have a real advantage over other formats in telephoto (2x crop factor). However there are not many lenses to choose from: only the Olympus 75-300 and the Panasonic 100-300mm are native m4/3 lenses.
I chose the Panasonic because of price and weight. This lens has received mixed reviews. Some don’t like it because it doesn’t have a tripod collar; some don’t like it because it’s a little soft wide open; some don’t like it because it’s made mainly from plastic. For those reasons, this lens can be had for a bargain. I also like the fact it is bigger and heavier than the Olympus lens so I can hold it more steadily. All the shots here are handheld.
I got the lens last weekend and immediately took it out for a spin. And I LOVED it! I used it on an EM1 demo body I borrowed and took it to the New York central park zoo. It was an overcast day and some of these shots were taken indoors in the bird sanctuary. So the light was not ideal.
This Macaw was dangling on the branch and eyeballing this strange man with a long lens pointed at him. I was separated from the bird by a thick glass, from 10 feet away. The camera was able to focus very quickly on the bird’s eye, at 250mm and F6. ISO 800, 1/80s. The stabilization worked wonders and I was able to get a crisp shot. This lens rendered colors extraordinarily well. I didn’t need to crank up the contrast in post processing.
This Red Crossbill was busy fixing its nest when I zoomed in from about 30 feet away, at 300mm zoom (600mm equivalent). ISO 800 and shutter was 1/160 (F5.6? I forgot). Still indoor lighting. This is already a 100% crop of the shot and as you can see, with just a touch of sharpening, it is sharp enough for most presentations. The lens retained very nice contrast and again accurate colors.
Now heading outside, still at maximum zoom of 300mm, I caught this sparrow picking up some grass and flying onto a branch. Very sharp indeed. The lens was able to delineated the feather patterns very well and even at F5.6, this length gave great subject isolation and very shallow DOF.
I was standing among about 20 people when I took this shot. A monkey was picking fleas off his buddy. He looked up and I snapped the shot. At 300mm the lens was still sharp enough to make out each individual hair on his body, and the bokeh was smooth. There was another photographer in the crowd with me with a full frame Canon 1D and a 400mm F5.6 lens on a tripod. His setup knocked people around in the crowded space and he told me he still wasn’t able to reach close enough to fill the frame without his teleconverter. I was very glad that I used the much more compact, and in this case, more capable m4/3 system.
Lastly, I had to run up the hill to get a glimpse at the snow leopard. If you’ve been to the Central Park zoo you’d know that the shelter is very dark and a thick (often dirty) glass separated the tourists from the leopard. The animal was very shy that day and hung far from the display area behind a tree. Again, at maximum zoom I was able to quickly focus on his face when he peaked up and take this shot.
The Panasonic 100-300 quickly became one of my favorite lenses. It is a revelation to have such a handy setup being able to reach to 600mm when I need it. It is easy to carry, has fast focus, renders vivid colors in moderate to good light. The softness at the longest reach is easily corrected with a bit of sharpening. Between getting a slightly softer shot and not getting a shot at all? I’ll take getting the shot every time. In the right condition it is far more versatile than a system 5x of its cost.
Oh, by the way. Did I mention I took my six and four year old girls along with me that day? Imagine taking care of them AND carrying a 20lp full frame system and a tripod? Forget about it.
A Panasonic GX7 and 20 1.7 II Update..still a great combo!
By Steve Huff
Just a quick update for all of you Micro 4/3 shooters out there. As some of you know, I have been shooting with Olympus cameras for the past couple of years and LOVING them, specifically the wonderful E-M1. I also enjoyed the Panasonic GX7 when I reviewed it but for me it did not stick around because I was loving the Olympus E-M1 so much. Recently I came across a used Panasonic GX7 in black along with a 20 1.7 II lens and I have been shooting it here and there for the past two weeks. Nothing major, just enjoying it and having fun with it! The only way to be!
Snapped a quick shot of this couple on a chilly day in Sedona. The guy saw me and hammed it up but his girlfriend and dog did not :) The GX7 and 20 1.7 II combo provides very sharp results. Click the images for larger and sharper view.
After these two weeks I have grown to really enjoy the GX7 more and more. While it is quite a but different from the E-M1 in many ways, the image quality is just as good it seems, just a bit different. The Panasonic cameras always have a different color signature and many love Olympus for the colors and many love Panasonic for the higher contrast look of the files. I find the Panasonic files seem to have more drama..more edge.
ISO 3200 with the 20 1.7 II at 1.7. I used the in camera HC B&W for this one.
With the 20 1.7 II, the GX7 is a perfect walk around camera. Giving you a 40mm focal length magnification it is in between the popular 35mm and 50mm that many of us get stuck choosing between. With the 20, no need to choose, just go for the 40mm!
Around 6PM in Sedona AZ – deep colors here due to the fact that I dialed in some negative exposure compensation to richen up the red rocks and blue sky.
The GX7 in all black is pretty slick-looking. It looks more discreet than the silver and black version and is nice and light. I have also REALLY enjoyed the swivel EVF even though I am not a huge fan of the EVF quality or size. When compared to the new Fuji X-T1 EVF the GX7 looks tiny with off colors. But it does get the job done because as I have said, it really does not matter these days as ALL cameras can take a fantastic image.
Scorpion Hunting in my backyard at 8pm. These nasty little buggers come out when it gets dark and they hide in the crevices of the block fence. At night, with a backlight in hand it is easy to see them as they start to emerge for the backyard takeover. I’d guess there are probably 20-30 out there every night and one will make it into my house ever couple of weeks. I even had one under my blankets on my side of the bed last year. The sting of the Bark Scorpion is NASTY, they are the most venomous scorpion in the USA and the only one capable of causing DEATH. So much fun huh?
The GX7 and 20 1.7 II up close and personal…ISO 12,800, YES! 12,800 – f/2.8
Today in 2014 there are so many awesome camera choices that ANYONE can get out there and enjoy photography, even with a lower budget, while getting super high quality images. Big money is not needed for truly spectacular image quality. Even though in todays fast paced tech world, the GX7 is already outdated to many, it is still a fantastic option for those wanting a simple, small, fast and high quality solution for their imaging needs. This camera and one lens would make a great family camera for all situations. Low light, good light, video, etc.
Add on the upcoming 15 1.7 and the delicious 42.5 Nocticron and you have a killer system that can do all kinds of neat tricks :) But the 20mm 1.7 II is a gem. While not the fastest to focus it continues on with the legendary status that version one brought with it in a new shiny metal package. Overall, the GX7 is the first Panasonic I have really enjoyed since the amazing (for its time) GF1.
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The new Panasonic 15mm 1.7 available for Pre-Order!
Panasonic is kicking some serious behind in lenses lately. I have been shooting with the new Panasonic/Leica 42.5 f/1.2 Nocticron and it is one of the best lenses I have ever shot with, on any format. Sharp wide open, creamy Bokeh and a sort of Noctilux style rendering, but on M 4/3. It also resembles the $11k Noctilux in design though not nearly as hefty as the Leica counterpart. The Nocticron is a special lens for Micro 4/3 users and even has a manual aperture ring (but this is not usable on Olympus bodies which control aperture with the dial).
In fact, the Nocticron is so good that I am 90% sure I am going to purchase one even though the price is sky-high.
Add to that the new Panasonic/Leica 15mm f1.7 which also has a manual aperture ring and uses a 46mm filter size. This is a duo that will give you a 30mm and 85mm focal length equivalent for your Micro 4/3 body while giving you pro quality color, contrast, detail and bokeh.
I am reviewing and using the Nocticron now on an E-M1 and will post my review soon (but it is a light sucker and rocks at night just like the real Noctilux). The 15 will be shipped to me at release for review so will get on that one as soon as I get it! I am telling you..Micro 4/3 just keeps getting better and better for those who are in the system. Pretty exciting stuff IMO as it is the lenses that make the system and no one beats M 4/3 for lenses in the mirror less world.
With these new Leica partnered lenses…makes me wonder if the new and rumored “Leica T” will be a Micro 4/3 body. I HOPE SO. I would much prefer it to be M 4.3 than a new lens mount APS-C. Using a Nocticron and 15 1.7 on a new Leica mirrorless…could be interesting.
Hi Steve! My name is Mark Seawell. I live in Germany and work on Ramstein Air Force base, HQ for the U.S Air Force in Europe. Though I’m retired from the Air Force, I now work as a civilian employee for Ramstein. This area has the largest concentration of Americans outside of the United States, over 25,000. We arrived in Germany in Aug 2005 and I quickly fell in love with the land while taking long walks with my wife. I don’t know if you’ve ever been to Germany but when the rain is not coming down (think Seattle) this is some of the most beautiful land in the world.
My fate was sealed when I decided to “bring a camera along” for our walks. Soon I was taking pictures and I haven’t stopped for 5 years! I’ve shot Lumix the entire time moving form the Panasonic G1 to the GH2 and in November of last year the GH3.
I took the first picture on the 18th of January with my GH3. Something was there that moved me. I loved the quiet solitude of the tree standing alone. . This picture was taken close to Steinwenden and is typical for this area. I call it “Quiet Light”.
18 Jan 2014 Panasonic GH3 Lumix 45-200mm F/9.0 ISO 250 1/125 Adobe LR 5.3 SilverEfex Pro
The next picture is from my village of Rehweiler, Germany. The morning was misty and I found myself alone close to the tracks. What I found inspirational about this was the mood of mystery. Where are the tracks going? What is around the bend? What is the destination? View to Eternity.
8 Jun 2013 Panasonic GH2 Lumix 45-200mm F/7.1 ISO 160 1/800 Adobe LR 5.3 SilverEfex Pro
The last picture was taken on the back roads between Reuschbach and Obermohr, Germany. It had rained the entire month in Novermber 2011. It would not stop. Finally, on the last day of November there was no rain and that was enough reason to take my camera as I drove in. The mist was everywhere, covering the land. I had taken a few pictures above Reuschbach and was happy and drove the road to Obermohr where we lived for nearly 6 years but had recently moved. As I came around the bend I was struck by this site. The mist totally dominated my former village but rising majestically through it all was the church tower. I nearly ran into a ditch and the cars behind me were none to happy as I positioned myself, eager to capture this fleeting moment before it all went away. There could be only one name for this image that had inspired me so…”Heaven’s Gate”.
30 November 2011 Panasonic G1 Lumix 45-200mm ISO 100 72mm LR 3.2 SilverEfex
Crazy Comparison Part 2: Fuji X-M1, Leica M 240, Olympus E-M1 and Panasonic GX7
Woooooooo! It never fails, ever! Every time I have done a crazy comparison (and I have done many over the years) people get all kinds of bent out of shape. Anyone who knows me or this site will know I do these comparisons FOR FUN. They are real results, posted for all to see but these are cameras that are not even meant to be compared! The X-M1 is the budget Fuji. The GX7 is the top end Panasonic and the Leica..well, we all know what that is.
But it is fun sometimes to put underdogs in a race to see if they can get close to winning. It’s a classic game really. Does anyone not remember the tortoise racing the rabbit in old Saturday Morning cartoons? So to all of you getting all bent out of shape and the Fuji owners feeling like they need to attack and defend, relax. All I am doing is showing real results from all cameras. I was motivated to do this because so many trash Micro 4.3 as a system when they have zero clue about what it is, what it does or the results that can indeed come from it. It’s just as capable as APS-C as i have always said but in many ways MORE SO. Why? Because you will never miss a shot due to dodgy AF. You will have a solid well made machine that inspires you. You will have a selection of some of the best fast primes available. But a camera is a personal choice. We all have different likes, different passions and different opinions.
So as I showed in the 1st test, Micro 4/3 can hang with the big guys, and it appears I ruffled some Fuji feathers with my own opinions on the Fuji build and AF. I have been saying it since the X-Pro 1 launch and it still remains. The Fujis need work to be exceptional. I strongly feel Fuji is working on this and in 2014 we may see something special from them. Then when everyone upgrades and says “Wow, it is so much faster to focus and I never miss a shot“…well, then my honest comments on the current X bodies will prove to be true :) It will happen. Watch and see.
When you own a camera system and are dedicated to it there is something that happens along the way. You forgive it for its shortcomings..you bond with it and you have no idea what other cameras can do because you shoot your camera. I do that with the Leica! I like shooting it so much that I forgive it for its off-color in some lighting, I forgive it for being $7000 and I forgive it for having a slow clunky EVF :) Many feel the way I do about their Fuji or Olympus or Sony or Panasonic as I do about my Leica. But whatever we do, we should never lose track of WHY we use what we use. Because we love it, enjoy it and it makes us want to go out and photograph. Whatever that camera is for you it is the right one :)
In fact, we should not even worry about new cameras or new tech as long as we are happy with our current camera. But we live in a “Disposable Society” where we buy, sell, buy sell and buy and sell. Sites like mine do not help this either! Believe me, I am well aware.
At the same time, many of us love technology. We enjoy using new cameras, testing them, trying out new lenses. It brings us joy as it is apart of our passion. So in many ways it is perfectly fine because we only live once, might as well enjoy it while we can.
What I am getting at is that these comparisons are called “Crazy Comparisons’ for a reason. Have fun with it and take it for what it is, a comparison of mismatched cameras. :)
I will always stand by my word though as I do not lie or make up nonsense for the sake of it. I report my true feelings so if I say the Fuji bodies feel cheap to me, that is what I mean. If I say the Pansonic GX7 has a cheap feeling dial it is because I feel it does. If I say the Leica is overpriced it means I feel it is. None of this means camera A, B or C is crap. They are all fantastic in their own way.
In any case, enjoy the next set of comparisons which will include a high ISO test and another image shot at f/2 with each camera.
BTW, to those who say I hate Fuji, I do not. The fuji X100 and X100s are some of the best cameras you can get and the X100s focuses as a Fuji should. It is one that Fuji improved and they did a great job. They need to do this in a new X-Pro 2 and X-E2 and then we will be getting somewhere.
HIGH ISO TEST
For this test I am testing ISO as I ALWAYS have for the past 5 years, so those who want to complain about it I suggest you do not even look at the results.
I test cameras in a real world way, always have, always will. I take a camera and use it as 99% of buyers would. I turn it on and use it. I do not set the metering to match another brand of camera, I use the cameras metering as is. ALL cameras have different ISO discrepancies. ALL of them. What is ISO 1600 on one camera is not really 1600 on another. Just how it is. But when I use say a GX7 I am not trying to set it to meter like a Sony RX1. No, I use it as it is. So this test will be done with each camera metering how they meter at any given ISO so you see WHAT YOU WILL GET from said camera. Real world.
So each camera was set to ISO 3200 for this test as that is as high as most of us ever will go and many will not even touch that high of an ISO these days. But for the sake of testing, ISO 3200 sounds good.
With all of that out-of-the-way, let us take a look at three cameras with three different sensor sizes and what to expect from ISO 3200 with each one in a normally lit home environment. Testing high ISO with studio lights is ridiculous. Who shoots high ISO in a studio light environment? No one. Again, real world because with less light we see the true ISO performance when we will really be using high ISO.
YOU MUST CLICK THEM FOR FULL SIZE and The Olympus E-M1 was delivered just as I was setting up this test so I included it in this ISO test!
Leica M 240 ISO 3200 – f/8
Fuji X-M1 ISO 3200 – f/8
Panasonic GX7 ISO 3200 – f/8
and the Olympus E-M1 which was delivered just as I was setting up this test! – ISO 3200 – f/8
100% crops to make it easier
The CLEAR winner at ISO 3200 is the Leica – richness, color, noise..all beats the other three. The Fuji is next in line with a sharp image (all were shot at f/8 on a tripod) and some noise where the Micro 4/3 are still looking good IMO and up there with many APS-C cameras. In print or web size, you would not even see the noise and this is at 3200! Even so, the Leica is VERY far ahead here IMO, as it should be for that kind of premium :)
One more image from RAW test (Olympus E-M1 was not in my hands for this one)
Leica M 240 – 50 Summilux at f/2 – MUST click it to see larger/full size
Fuji X-M1 – Zeiss Touit 32 1.8 at f/2 – MUST click it to see larger size
GX7 – Nokton 25 at f/2 – from RAW – resized – MUST click it to see it correctly
So there you go. You can take a look at the samples and see for yourself. They are all good at producing lovely looking files. :) Me, I prefer the GX7 and M 240 as I find the Fuji to be off color and not as good looking of a file. If this were taken in Studio light, the Fuji would have shined. But in natural light, the other two, to me, do a better job.
I will leave you with one from the GX7 and 25 0.95 wide open and up at the closest focus distance. Some funky color PP here as well :)
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I just received one and will be doing a full review of the camera but at $999 its is a decent price/deal if you are one who prefers the Panasonic over Olympus when it comes to Micro 4/3. You can see the Amazon deal HERE.
B&H PHOTO also has the deal but are not showing it as in stock as of this writing. Looks like the $100 off is through October 12th and is an obvious answer to the E-M1 because at $1399 the E-M1 was $300 more than the $1099 GX7 and for $300 more, you get quite a bit extra in that OM-D (weather sealing, 5 Axis IS, The HUGE new EVF, Pro Build, Live Time, etc). Now the E-M1 is $400 more than the GX7 Kit lens setup and $500 more than the GX7 body only. Not sure why Panasonic did not release the GX7 in all black for the USA though it is one sexy looking camera, and the AF seems pretty fast in my initial dim lighting test BUT..
In the hand the GX7 feels quite a bit less “robust” in the build quality department. It is good, feels equal to the OM-D E_M5, Fuji X-E1, etc but it is not up there in build or feel as the E-M1 is. The in body IS of the GX7 appears to be pretty nice as well, but I have only fired off a few test shots so far. The dials, knobs and buttons have a cheaper feel than the E-M1 as well, but again, just as good as 95% of other mirrorless cameras. Where Panasonic excels with the GX7 is the tilting EVF (which is VERY cool) and the rangefinder type of design that has become quite popular as of late. It closely resembles the Samsung NX300 but with an EVF added.
I will say that the fit and finish of the Samsung NX300 is a little nicer than the GX7 in the “feel” department but the GX7 is, like I said, VERY sexy. It seems like a highly capable Micro 4/3 and between this and the new E-M1, I feel they are the best of what Micro 4/3 has to offer in a body for shooting stills. If video is your main thing, go to the GH3.
Again, the GX7 is now available and in stock/shipping with Kit Zoom for $999 at Amazon right HERE. The E-M1 should be shipping anytime now as well, my guess is within 5 days.
With the E-M1 out and the new E-M5II scheduled to hit the shops in about 2-3 weeks I have been getting asked repeatedly “what lenses should I buy with it”. Well, buying a lens is almost like buying underwear. It’s all personal preference, lol. But even so, there are some superb lenses for this system and in case you did not know it, yes, you can use Panasonic lenses made for Micro 4/3 on a Olympus Micro 4/3 body and vice versa.
In the mirrorless world some of my favorite lenses come from Micro 4/3. Below is a list (and some alternatives) of what I would buy if I were diving fresh into Micro 4/3.
The Olympus E-M1 and new E-M5II are a big deal in the Micro 4/3 world as they are quiet amazing bodies full of modern day tech. You can order the camera at Amazon or B&H Photo or PopFlash.com.
My fave: The fast aperture of f/2 allows the Olympus 12mm f/2 to shoot in lower light while getting sharp and colorful images. The 12mm is a premium lens for the Micro 4/3 system giving you a 24mm equivalent.
There are a few GREAt wide-angle choices but depending on how wide and how fast you want to go will decide what to get.
**The best bang for the buck will be in blue bold text!**
**My favorite will be in RED text!**
Olympus 12mm f/2 – A beautiful little lens and a favorite of mine even though I find it a little on the pricey side today with so much competition. GORGEOUS in the all black edition (which is no longer sold) this lens offers AF speed that is FAST, focus accuracy and a fast f/2 aperture along with close focusing and nice manual focusing features. It is small, light and looks the part. The key word is SMALL. :) A 24mm equivalent t in focal length.
Panasonic 15 1.7 - A gorgeous and TINY lens made in collaboration with Leica this panasonic will give you a tad more contrast and color saturation that the Olympus 12mm, as well as give you a 30mm equivalent instead of a 24, so not as wide. It is a fantastic lens and while I prefer the 12, this comes in 2nd.
Panasonic 14 f/2.5 -Smaller and flatter than the 12mm and just about as good image quality wise. It is not as fast to AF (but still super fast) and it is not as slick as the 12mm but it is MUCH cheaper at $340 or so. Almost $400 less than the Olympus. You lose a half of a stop going from f/2 to f/2.5 as well as 2mm but you save cash while getting a fantastic lens. A 28mm equivalent.
Olympus 9-18 Zoom – This is a wide-angle little jewel. I have not yet reviewed it (but will be VERY soon on the E-M1) but have tried it and if you want versatility with an effective focal range of 18-36 this is your guy. Sharp, great color and while slow in the aperture department many of us will not need a fast aperture for this focal length. This lens sells for $699.
Olympus 17 1.8- This is not really ‘wide” but is on the wider side of neutral. This will give you a 35mm equivalent and I LOVE this lens. It is one of my faves for everyday all around use and has given me astounding quality results. My review is HERE.
My Fave:The Voigtlander 25 f/0.95 is a large, heavy and powerful lens on Micro 4/3. If you love your shallow DOF but want sharpness and great color, this is it. Just be prepared for manual focus only! Should do very well on the E-M1 with the huge EVF.
New Olympus 12-40 – The new super pro zoom by Olympus could end up being my new fave. No, I am not usually a zoom guy but this one is special. Superb quality, superfast AF and a semi fast f/2.8 aperture. Expensive but should be worth it to those who like zooms with a constant f/2.8 aperture. Weather proof as well and will kick the 12-50 to the curb. $999. Review is mixed in with my E-M10 review HERE.
Panasonic 20 1.7 II – A powerhouse pancake with a small design. Not the fastest to AF but it has become a legend for its size, price and output. You can not go wrong with this lens, period. Review is HERE.
Panasonic 25 1.4- Another legendary favorite for Micro 4/3. This one is deliciously good but around $500 or so and it is larger and noisier to AF than the 20. Gives you a little more magic over the 20 so up to you if the expense and size is worth it. This is also a fave of mine but the “bang for the buck” goes to the 20 1.7II. My review is HERE.
Voigtlander 17 or 25 0.95 – These are beasts. Heavy, Large and of HIGH quality build. All manual and much like shooting an old (or new) Leica lens in feel. Sharp at 0.95 and with a fantastic character and Bokeh. I love the 17.5 and 25 but if pressed with only owing one 25 (50mm equiv) I would go for the 25 f/0.95 or the 25 1.4 from Panasonic. These are around $1000 so they are the most expensive. When you hold one you will wonder why they are not $1500 :)
Want Some reach?
The Voigtlander 42.5 at f/0.95 is beautiful. :)
Panasonic Nocticron 42.5 f/1.2 – THIS my friends is my all around favorite lens for the system in general. Modeled after a Leica Noctilux AND Summicron, this lens offers the performance of both of those Leica legends. Super sharp even at 1.2, creamy bokeh and a beautiful color rendering. If I could only have ONE lens for my E-M1, this would be it. See my review HERE. More shots with it in my E-M5 II review HERE.
Olympus 45 1.8 – This is almost a MUST own. A 90mm equivalent and coming it at around $349 this lens is so worth it that if you own a nice Micro 4/3 camera and do not own this lens you should really reconsider that thought. Fantastic in every way. For me, limited use as I am not a 90mm guy but for those who are, this one rocks. Priced right. My review of this lens is HERE.
Voigtlander 42.5 – Another Voigtlander masterpiece! The 42.5 gives us an 85mm f/0.95 equivalent. Amazing sharp lens and you can see my review HERE. Not cheap but fills out the Voigtlander trinity of lenses for Micro 4/3 which gives us a 35, 50 and now 85mm, all f/0.95! Top quality here guys. You can buy this from CameraQuest HERE.
More? How about a Telephoto!
The 75 1.8 will give you a 150mm equivalent so if you are shy, and want to keep some distance, this lens will let you do it.
Olympus 75 1.8 – Ahhhhhh, one of the best pieces of glass in the Micro 4/3 lineup, period. This lens is a masterpiece but long at 150mm (equivalent). Still, this is one of those special lenses and it feels, looks and performs like a million bucks. In black it is super sexy as well. Not very large or heavy but just right with fast AF as well. Bravo Olympus. My review is HERE.
Panasonic 35-100 - This is in the high quality premo line for Panasonic and it does not come cheap but from what I hear, it is a great high quality tele option. $1500!
Panasonic 100-300 – The budget telephoto with some serious power and high quality. Many swear by this guy, and if you want REACH…as in 600mm equivalent, this is the best $600 you can spend on your Micro 4/3 for a native lens.
Olympus PRO 40-150 f/2.8 – WOW, this lens is a MASTERPIECE in build, function and performance. If you want a 80-300 equivalent in a pro made weather sealed lens, this is about as good as it gets. Puts most 70-200 Pro lenses to shame. Images in my E-M5 II review.
Specialty Lenses – Macro and Fisheye
The E-M5 and Panasonic 8mm Fisheye – GREAT special effect lens. But make sure to GET CLOSE!
Panasonic 8mm Fisheye – I have shot with the cheap manual focus Rokinon fisheye and the quality Panasonic 8mm fisheye and I LOVED the 8mm from Panasonic the most. It feels nice, build is superb as is performance. This is a great special effect lens for occasional up close use. I love it. You can see my review HERE. Amazon sells this beauty via PRIME.
The Olympus 60 Macro is AMAZING. Highly recommended for Macro lovers.
The best micro 4/3 lenses reviewed! In case you missed them!
So it’s a “not so lazy” Sunday for me and the internet is all abuzz with the latest leak for the new Olympus Pro E-M1. Many are thrilled and others are not so thrilled. Me, I am thrilled because I see it for what it is, and after using and loving the OM-D E-M5 since day one of its release, I am happy to see a pro built “E-M5 on Steroids” while still remaining much smaller and compact that the bullky and mostly cheap feeling midline DSLRs. The OM-D E-M5 has proven itself and many talented shooters have used it to create some amazing images, many surpassing what I see in full frame models. But again, it is all about who is behind the camera anyway :)
The OM-D E-M5 is a fantastic tool with what I feel are the best lenses created for any mirrorless system to date (Excluding Leica M). Yes, I have used every Fuji lens, every Zeiss Touit lens, Every Sony lens and most lenses for other mirrorless system. The Micro 4/3 glass is not only up there with the best lenses in APS-C and Full Frame format, in some cases they beat the big expensive pro lenses for sharpness, color and CA/Flare. The best part? There are a TON of them to choose from.
Yep, the primes made by Olympus and Panasonic are quite amazing which is what has made Micro 4/3 as a system so successful. If it was not for the lenses, the system would have failed. I have reviewed most of these fantastic pieces of glass and looking back today I can still see how great they are. They all have great build, super fast AF, and in the case of the primes, fast apertures.
The old days of “I cannot get shallow DOF with my Micro 4/3″ have long been gone. So if you missed them, take a look below at the lenses I have reviewed for this system. As always, all mirrorless camera and lens reviews can be found easily in my “Mirrorless Central” section which is accessed under the review tab at the top of any page.
I have had a few e-mails this morning asking me about Micro 4/3 lens reviews, and where to find them. Well, I have almost reviewed them all over the years and you can access the ones I took a look at using the direct links below: