The new Sony A7SII is up for Pre-Order!
New Panasonic GX8 is coming! Pre-Orders Up!
The new Panasonic GX8, which appears to have taken some ideas from the Olympus E-M5 Mark II (swivel screen being one of them) and some unique and one of a kind features from Panasonic (swivel up EVF) and turned it into what appears to be the best Panasonic Mirrorless to date for those who love the GX style as opposed to the GH style of body. 4K video, tillable EVF, swivel out LCD, and more are all packed inside this new GX8. The previous GX7 was a fantastic little camera, and I reviewed it HERE.
I have the Olympus E-M5 II Titanium Edition here and think it is a stunner. Would I like the GX8 better? No idea as I have not touched one yet but I hope to soon but would be tough for me to part with the amazing 5 Axis IS in the Olympus as I use it mainly for video, and it’s amazing. Just as with the Olympus, the GX8 allows you to swivel out the LCD to the left and close it up to where we do not even see the LCD, which I like and shoot often with the E-M5 II.
I like the dial based AF selection here as well as the simplistic layout. Could be a great street or every day camera. At $1200 for the body only, it is a bit steep but I shall soon see if it is worth the cost. Keep an eye out for a review SOON!
The GX8 Specs (from B&H Photo HERE)
Pairing 4K recording and an updated Micro Four Thirds sensor, the black Panasonic Lumix DMC-GX8 is a sleek, compact mirrorless camera enabling versatile, multimedia recording. Utilizing a high resolution 20.3 MP Digital Live MOS sensor, along with a Venus Engine image processor, the GX8 is able to record 4K UHD movies at 30 or 24 fps; record full-resolution stills at 10 fps with AF-S or 8 MP stills at 30 fps; and work in difficult lighting situations with a top sensitivity of ISO 25600. Complementing the imaging capabilities is a unique Dual I.S. system that offers the use of both in-camera and in-lens image stabilization systems to effectively minimize the appearance of camera shake. The body design is also characterized by a durable, magnesium alloy construction that incorporates a tilting 2.36m-dot OLED electronic viewfinder and a free angle 3.0″ 1.04m-dot rear OLED touchscreen to suit working from a variety of angles. Offering an enhanced set of imaging features with a comfortable form factor, the GX8 is an everyday camera designed with advanced multimedia capture in mind.
Among other features, the GX8 also features built-in Wi-Fi with NFC to enable seamless wireless image transfer and remote camera control from linked smartphones or tablets. Benefitting both stills and movies, Panasonic’s DFD (Depth-From-Defocus) AF system helps to quicken focusing speeds while a Starlight AF feature maintains focusing accuracy in low-light down to -4 EV and manual focus is accented by focus peaking and Touch AF controls.
20.3 MP Digital Live MOS Sensor and Venus Engine
An updated 20.3 MP Digital Live MOS Micro Four Thirds sensor pairs with the Venus Engine image processor to deliver fast overall performance, a wider dynamic range, with notable image quality to suit working in a wide variety of conditions. Sensitivity ranges from ISO 200 to 25600, with the ability to extend down to ISO 100 for working in bright conditions or with longer shutter speeds. Versatile burst shooting modes also allow you to pair high continuous shooting rates with single-shot or continuous autofocus. Using the mechanical focal plane shutter, you can shoot up to 8 fps with AF-S, 6 fps with AF-C, and 5.5 fps during live view with AF-S. For even faster performance, up to 10 fps shooting is possible with the electronic shutter function or 30 fps at 8 MP using the 4K Photo Modes.
4K UHD Video Recording
In addition to the versatile still shooting modes, the GX8 also supports recording 4K UHD (3840 x 2160) video with either 30p or 24p frames rates at 100 Mbps in the MP4 format. Full HD 1080p/60 is also supported, in both MP4 and AVCHD formats, as well as HD and SD resolutions.
A built-in stereo microphone can be used during recordings, and features an integrated wind-cut filter, or an optional external microphone can be utilized via the 2.5mm jack for even clearer sound.
4K Photo Modes
Utilizing the 4K video recording capabilities, a trio of still shooting modes are available for recording continuous 8 MP stills at a 30 fps shooting rate:
4K Burst: Just as with video recording, this mode will allow you to continuously record 8 MP images at 30 fps for up to 29 min. 59 sec., making it ideal for instances where you need a fast frame rate in order to capture the best moment.
4K Pre-Burst: This mode is ideal for times when you’re unsure of the critical moment to press the shutter button and will record 8 MP images at 30 fps one second prior to and one second after pressing the shutter button in order to give you 60 frames to choose from.
4K Burst (S/S): This mode most closely follows the 4K video recording process, and allows you to playback your video, pause at the chosen moment, and use the shutter button to mark a chosen frame from the video and save it as a single 8 MP frame.
Dual Image Stabilization
Helping to achieve the utmost sharpness when photographing handheld, Dual I.S. combines the GX8’s sensor-shift image stabilization technology with lens-based image stabilization to compensate for a broader range of movement types to render sharper, clearer imagery. Dual I.S. requires the use of compatible Lumix lenses featuring O.I.S.
Body Design and Built-In Wi-Fi
A large OLED Live View Finder features a unique tilting design to benefit working from low angles and also has an impressive 2.36m-dot resolution, 0.77x magnification, and 10,000:1 contrast ratio.
A larger means for image composition and playback, the 3.0″ 1.04m-dot rear OLED monitor has a free angle, tilt and swivel design to support viewing from a variety of angles. It is also a touchscreen, which permits intuitive menu navigation and settings control.
Constructed from magnesium alloy with die-cast front and rear frames, the GX8 features a durable design that also incorporates extensive sealing at each joint, dial, and button to render it both splash- and dust-proof.
The sleek flat-body profile incorporates both front and rear dials for intuitive control over aperture and shutter speed settings. Eight assignable function buttons are also available, as well as a dedicated exposure compensation dial.
Built-in Wi-Fi connectivity with NFC allows for wireless image sharing and remote camera control from linked smartphones and tablets.
Depth-From-Defocus and Starlight AF Technologies
For accelerated autofocus performance, DFD (Depth-From-Defocus) technology is employed to quickly calculate the distance to subjects and adjust the focusing position in as little as 0.07 seconds, which enables continuous shooting up to 6 fps with continuous AF. This contrast-detection type focus method benefits both still and video recording modes, as well as subject tracking applications where subject color, size, and motion vectors are used to intelligently lock-onto the moving subjects and ensure precise focus. Additionally, supporting working in low-light conditions, a Starlight AF feature enables accurate AF performance down to -4 EV.
Benefitting manual focus operation, focus peaking is available that highlights bright edges of contrast with a colored outline for quickly recognizing your focus point, as well as Touch MF Assist for touch-to-focus operation.
Other Camera Features
A mechanical focal plane shutter enables a fast maximum shutter speed of 1/8000 sec., as well as a top flash sync speed of 1/250 sec. An electronic shutter function also avails a top shutter speed of 1/16,000 sec. to better enable working in bright conditions and with wider aperture settings.
More than 100 consecutive full-resolution JPG files can be captured in a burst, or approximately 30 consecutive raw files in a single burst.
Raw image files can be processed in-camera for a more streamlined post-production workflow.
Depending on the lens in use, the included DMW-BLC12 battery provides approximately 330 shots per charge when using the rear monitor, or 310 with the electronic viewfinder.
Photo Style modes: Standard, Vivid, Natural, Monochrome, Scenery, Portrait, Custom, Cinelike D, and Cinelike V.
Creative Control modes: Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color, and Sunshine.
New Sony A7RII, RX100IV and RX10II up for PRE ORDER NOW!
Hey guys! Sony opened up pre-orders today at all dealers for the new A7RII, RX100IV and RX10 II! You can use the links below at my preferred place to buy Sony, B&H Photo!
The cool thing about Pre-Ordering? You are not charged until the order ships (from Amazon and B&H Photo) and you can cancel anytime before it ships if you change your mind. So if you see something come out you do not like about the cameras, you can cancel before it even ships. If you have an issue with the camera AFTER it arrives, refunds are quick and easy with B&H Photo and Amazon, all automated. It’s a win/win situation if you think you really want a new camera that comes out later as you will be the 1st to get it as well.
The A7RII – Pre Order it HERE at B&H Photo
The RX100 IV – Pre Order it HERE at B&H Photo.
Pre-Order the new Zeiss Batis Lenses at B&H Photo!
You can now pre-order the new Zeiss Batis lenses at B&H Photo NOW. The Batis page is HERE and the 25 and 85 are available for pre-order. These are full frame AF lenses for the Sony A7 (FE) system. if you wanted a Zeiss but wanted Auto Focus, these are for you. The 25 f/2 will be $1299 and the 85 1.8 will come in at $1199. You can also pre-order at PopFlash.com HERE!
The new Sony RX100III may be the hit of the year!
The new Sony RX100III was announced a couple of days ago and it looks like the best of the series to date, by far. The original RX100 was a killer camera that offered best in class IQ and speed and performance for a great price. The RX100 was a special camera, unlike any other at the time. The only issue with it was that there was not an EVF or viewfinder. The RX100II changed this by allowing the use of the Sony external EVF. They also added a backlit sensor for increased performance. Overall though, it was more of a refresh (which I am not a fan of) than a full-blown new camera.
So now the RX100III is announced and it appears to be a stunner. What is super cool about this one is that Sony has added a POP UP EVF! Press a button and have an instant EVF of you want it. If you do not want it, keep it embedded in the body and used the LCD. Genius. They also kept the built-in flash that also hides in the camera when not in use. They also added a type of 3 Axis IS.
The camera looks the same, is still tiny and pocketable and has a Zeiss lens that will give you an f/1.8-2.8 aperture (a true 1.8 to 2.8 for light gathering) while zooming from 24-70 in 35mm equivalent terms. The sensor is a backlit 20.1 MP 1″ sized monster capable of ISO 12,800. It is said to have much better noise reduction techniques as well over the RX100II and I. The camera also has the Bionz X processor for fast operation and fast AF. The camera also has a built-in ND filter for those times you want to shoot in full sun while keeping the aperture wide open.
The RX100 was a HUGE hit for Sony. A massive seller. The RX100II was a big hit, but not as huge as the RX100 I. The new RX100III may be the runaway hit of the summer for its small size, fast performance, stellar IQ and cool features. For me, having that pop up EVF nails it. With the RX100 II you needed the $500 external which made the cost of a nice RX100II system well over $1200! The new RX100III is $798 and if it performs as well as the other two will be well worth it. With that said, I have yet to handle one so I hope it does indeed live up to the reputation of the previous two RX100 offerings. But this one is all about take anywhere, front pocket, and quality. I will be reviewing this one, so stay tuned.
20.1MP 1″ Exmor R BSI CMOS Sensor and BIONZ X Image Processor
The large 20.1 megapixel 1″ Exmor R CMOS sensor features backside-illuminated technology to enhance its low-light capabilities to a native ISO 12800 while still retaining vivid clarity. Using Sony’s Column A/D Conversion and area-specified noise reduction, images are rendered with impressive quality and smooth gradations between tones and colors due to the marked, intelligent reduction in apparent noise. Further enhancing imaging quality, detail reproduction technology works to increase the fine detail rendering capabilities for a more three-dimensional, realistic image quality while diffraction-reducing technology helps to enhance the optical qualities of the lens by suppressing diffraction that is common when working at smaller apertures. Additionally, aiding working in difficult lighting conditions, the sensitivity can be extended to an effective ISO 25600 when using Multi-Frame NR, which records and composites sequential images in order to attain high sensitivity with minimal noise.
Also benefitting the image quality, as well as overall camera performance, is the BIONZ X image processor, which provides continuous shooting up to 10 fps in Speed Priority Mode, 2.9 fps shooting with single-shot AF, a shutter lag time of just 0.008 sec., and a start-up time of 1.6 sec.
Zeiss Vario-Sonnar T* Lens
The built-in Zeiss Vario-Sonnar T* lens provides a 35mm-equivalent focal length range of 24-70mm, covering wide-angle to portrait length perspectives to suit working in a wide variety of shooting conditions. An f/1.8-2.8 maximum aperture benefits working in difficult lighting conditions throughout the entire zoom range and also enables greater control over focus placement for shallow depth of field imagery, which is further accentuated by a seven-blade diaphragm to produce a smooth out-of-focus quality. Nine aspherical elements, including two cemented AA (advanced aspherical) elements, are incorporated into the lens design to minimize chromatic aberrations throughout the zoom range to benefit creating sharp, clear imagery. The lens also features a Zeiss T* anti-reflective multi-layered coating to help minimize lens flare and ghosting in order to produce imagery with rich contrast and color neutrality.
Benefitting the 2.9x reach of this lens, as well as supporting working in difficult lighting conditions and with longer shutter speeds, is Optical SteadyShot image stabilization, which helps to offset the effects of camera shake. When recording movies, the image stabilization utilizes an Intelligent Active Mode, which also uses electronic image stabilization to compensate for both camera shake and rolling shutter effects.
Additionally, a neutral density 0.9 filter is incorporated into the camera’s design, which provides a reduction of three stops in exposure to enable working in bright conditions with wider aperture settings and for greater control over how subject movement is rendered.
Within the compact design of the RX100 III is both a high-resolution electronic viewfinder and a large rear LCD monitor. The 0.39″ 1,440k-dot SVGA OLED Tru-Finder EVF provides a bright, clear means for eye-level monitoring, which is well-suited to critical compositions and working in bright conditions. It features 100% frame coverage, a unique pop-up mechanism, and a Zeiss T* coating on the optics to reduce surface reflections and flare for enhanced visibility. Alternatively, a 3.0″ 1,229k-dot Xtra Fine LCD screen is also available and features a tilting design (180° up, 45° down) to benefit working from high, low, and front-facing angles. WhiteMagic technology has been applied to the LCD’s design, too, to increase effective brightness for easier viewing in bright lighting. When working with both viewing means, an integrated eye sensor automatically switches between both the EVF and LCD. Additionally, the camera can be turned on simply by popping the EVF into place.
For intuitive, SLR-like adjustments over a variety of camera settings, a manual control ring surrounds the lens and features a smooth, click-less design for quick and quiet changing of settings. The ring can be assigned to control a variety of features, at different values, such as zoom, aperture, and Picture Effects. A step-zoom feature can be utilized, too, to allow instant switching between commonly used focal lengths.
Full HD Video Recording
Full HD 1920 x 1080 movies can be recorded in the high-quality XAVC S format, which uses a Long GOP (Group of Pictures) structure, MPEG-4 AVC/H.264 video compression, and linear PCM audio compression, and saves within the MP4 container format. These compressed files permit recording times up to 29 minutes while allowing 50 Mbps video recording at 1080/60p, 1080/30p, 1080/24p, and 720/120p frame rates. Full-pixel readout helps to minimize any artifacts in recordings due to the ability to utilize data from the entire image sensor, which ultimately results in smooth, high-resolution recordings. Movies can also be recorded in the AVCHD format, which is ideal for HDTV playback and Blu-ray disc burning, and the MP4 format, which is ideal for uploading online. Additionally, when shooting for two purposes in mind, dual recording is possible in different formats-XAVC S and MP4 or AVCHD and MP4-for the ability to instantly share footage while also having a higher quality version for subsequent editing.
Benefitting advanced video applications, the RX100 III also supports clean HDMI output for recording uncompressed video via an optional external recorder and for real-time viewing on an accessory monitor. Recording frame rates include 24p, 60p, and 60i, and the shooting info display can be turned off during recording for a cleaner view when utilizing an external monitor.
Built-In Wi-Fi Connectivity with NFC
Built-in Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices, with no complex set-up required. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera’s shutter release.
Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera’s features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
Other Camera Features
A contrast-detection autofocus system works to acquire precise focus using single-shot or continuous AF modes. When working with moving subjects, Lock-on AF, with wide, center, and flexible spots, adjusts the target frame size as the subject moves throughout the image frame. Face detection and face registration technologies can be used to base focus on recognized faces and Eye AF is also available, which is a detail-oriented focusing function that prioritizes and dedicates focusing performance on a subject’s pupil for sharply-rendered portraits.
For manual focus control, DMF (Direct Manual Focus) and standard manual focus options are available. Benefitting precise manual focus, focus peaking can be used, which highlights edges of contrast within the frame for a more objective means of determining critical sharpness, or MF Assist is available, which enlarges the image for a better view of important details.
A zebra function can be used for easier detection of exposure clipping to prevent overexposure.
A dedicated Custom button permits assigning of one of 42 possible functions for instant, one-touch access to a chosen control.
A digital level gauge detects pitch and roll types of movement and helps to produce even, consistent horizons and plumb verticals.
Smile Shutter technology enables the camera to automatically release the shutter when a subject’s smile is detected
Multi Frame NR records consecutive images at a reduced ISO sensitivity and then composites them into a single image to realize higher effective sensitivity (up to an equivalent ISO 25600) with minimal image noise. Standard image compositing is comprised of four exposures and High image compositing utilizes 12 distinct exposures.
Dynamic Range Optimizer (DRO) works to improve images featuring backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be controlled automatically or fine-tuned using five settings.
Picture Effect modes allow you to apply creative settings and emphasize certain facets of individual images for a richer, more aesthetic picture quality. Posterization (Color/B&W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration modes are available.
Creative Style settings provide control over how the camera processes images based on different predetermined styles: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, and Style Box. Within these settings, contrast, saturation, and sharpness can also be adjusted depending on personal preference.
To extend the effective reach of the optical zoom lens, Clear Image digital zoom can be used to intelligently magnify scenes up to 5.8x at full-resolution. This digital zoom technology uses an intelligent interpolation process to minimize the amount of image degradation in order to produce realistic, high-quality images.
In-camera creation of 4K slide shows is possible for rich playback to ultra high definition televisions. An HDMI port is incorporated into the camera’s design, too, to enable direct connection to HDTVs.
TRILUMINOS Color support is supported to produce rich, natural colors when imagery is viewed on a TRILUMINOS Display.
The all new Sony A7s is now up for pre-order at B&H Photo HERE or Amazon HERE at $2,498.00. This will be a full frame monster of a low light shooter. I mean, ISO 50-409,000! 4K video capable and more. Ships July 8th 2014 but pre-orders will always get the 1st shipment! This one will be popular just due to the insane low light capabilities. Slap on a 50 0.95 and shoot in the dark!
Take a look at the official Sony video showing an example often ISO possibilities.
And the video possibilities:
Leica T Pre-Order links and more reviews!
With the Leica T review going live this morning at 6AM, or 12 hours ago it has enjoyed 98,000 views and almost 300 comments. Wow! As expected, the comments are mixed as it always is with any Leica product review or announcement. One one side you have the Leica haters and on the other you have the Leica fans. Then you have those who just appreciate nice things. Doesn’t matter, we have loads of choices these days and it is always best to buy a camera that MOVES YOU, no matter what it is.
Now that the T review is done and the camera has been shipped back to Leica I am hard at work on a new review for the Mitakon 50 f/0.95 lens I spoke about yesterday. I will be reviewing the new Sony A6000 (in hand) with the lens as well as the A7 so we can see how the lens does on an APS-C and full frame. I was told by Sony yesterday that I should be getting an A7s soon for review..well, not sure HOW soon, but soon-ish. Should be fun.
More T Reviews!
As for the Leica T, let’s continue on with T day! I found all of the other reviews online besides mine and will link to the ones I really enjoyed. The more you know about it the better!
The one I enjoyed the most is from a guy I have huge respect for. I feel he is an amazing photographer and he also had the T for about 8 days. He was able to test it with BOTH lenses and came away with some gorgeous shots and interesting thoughts on the camera. Check out the review of the T from Kristian Dowling HERE.
Sean Reid who runs a pay review site published his review on the T this morning as well. You can see it here if you are a paid member.
So check those out if you like. There are 1-2 more online that can be found through google but all seem to say the same thing about the T ;)
You can pre-order the T and all accessories or lenses at the direct links below:
B&H Photo has it listed HERE
Ken Hansen is taking pre-orders. Just e-mail him at [email protected] and tell him you want to pre-order your T!
PopFlash.com is taking orders as well!
The Pro Shop for photographers is all ready to take your pre-order.
Leica Store Miami is also taking pre-orders HERE.
Amazon has yet to put up the T for pre-order..not sure why they are so late to the game.
The T will ship in about a month from today give or take a few days.
The new Panasonic 15mm 1.7 available for Pre-Order!
Panasonic is kicking some serious behind in lenses lately. I have been shooting with the new Panasonic/Leica 42.5 f/1.2 Nocticron and it is one of the best lenses I have ever shot with, on any format. Sharp wide open, creamy Bokeh and a sort of Noctilux style rendering, but on M 4/3. It also resembles the $11k Noctilux in design though not nearly as hefty as the Leica counterpart. The Nocticron is a special lens for Micro 4/3 users and even has a manual aperture ring (but this is not usable on Olympus bodies which control aperture with the dial).
In fact, the Nocticron is so good that I am 90% sure I am going to purchase one even though the price is sky-high.
Add to that the new Panasonic/Leica 15mm f1.7 which also has a manual aperture ring and uses a 46mm filter size. This is a duo that will give you a 30mm and 85mm focal length equivalent for your Micro 4/3 body while giving you pro quality color, contrast, detail and bokeh.
The Nocticron is available NOW for $1598 – EXPENSIVE YES but $9500 cheaper than a Leica Noctilux and 85% as good :) Amazon also sells the Nocticron and it is IN STOCK.
I am reviewing and using the Nocticron now on an E-M1 and will post my review soon (but it is a light sucker and rocks at night just like the real Noctilux). The 15 will be shipped to me at release for review so will get on that one as soon as I get it! I am telling you..Micro 4/3 just keeps getting better and better for those who are in the system. Pretty exciting stuff IMO as it is the lenses that make the system and no one beats M 4/3 for lenses in the mirror less world.
With these new Leica partnered lenses…makes me wonder if the new and rumored “Leica T” will be a Micro 4/3 body. I HOPE SO. I would much prefer it to be M 4.3 than a new lens mount APS-C. Using a Nocticron and 15 1.7 on a new Leica mirrorless…could be interesting.
The OM-D E-M10 and 25 1.8 Lens! New Olympus Firecrackers!!
Sweetness! It must be new camera week as just now Olympus officially announced the much talked about and rumored “baby” E-M5, the E-M10 (right after Fuji dropped the HOT X-T1)! This is IMO a $699 firecracker that will allow anyone to get a taste of the fantastic E-M5 at a great price point. The E-M10 is an all metal body full of features and is pretty much the full IQ of the E-M5 and E-M1 in more affordable body that any enthusiast can afford. The OM-D E-M10 will NOT replace the E-M5. Instead the lineup will remain as it is for now – the starter E-M10, the middle of the road E-M5 and the rock n rolling pro, the E-M1. I feel this is a great move as it gives a more affordable option to those wanting the OM-D experience. Same IQ, same solid build, same experience!
If anyone has shown that the Olympus M 4/3 offerings can hang with the big boys it is this very website. Guest post after guest post has shown the power of these little Olympus bodies and IMO they can do anything an APS-C can do besides a little bit less performance at high ISO. They are faster, more accurate in the AF, have better lenses, more lenses and better build than just about any comparable mirrorless body. I am a HUGE HUGE fan of the E-M5 and E-M1 and I expect the E-M10 to be just as wonderful with a few dumbed down features such as 3-Axis IS to the 5-Axis of the more expensive brothers.
Below are the quick notes I took at last weeks briefing on the camera:
New 3 Axis IS
8 FPS shooting
Built in WiFi and Flash (first time for flash)
$699 body 0nly
$799 body and kit 14-42 II kit
New Grip – very cool design!
The New 25 1.8 Lens
I am also VERY excited about the new Olympus 25 1.8 lens even though we already have the amazing Panasonic 25 1.4. I will tell you why: The design is small, high quality and uses the same optical formula as the super sweet 45 1.8, which is a stellar lens. It will be available in black or silver and for $399. It will focus FAST, be silent in Autofocus and I have no doubt it will be an amazing lens. I have my pre-order in! At $399 this is the biggest no brainer for any Micro 4/3 user who has not yet jumped to the Panasonic 25 1.4. I can not tell a lie..I prefer Olympus lenses to Panasonic lenses as I love the design, feel, silence and speed, oh, and the IQ. The lens below is on the silver OM-D E-M10. NICE. For $1100 you can get the E_M10 and the new 25 1.8 (50mm equivalent) so you have your camera and fast 50, all in a small but high performing package.
Of course I will be reviewing the new OM-D E-M10 as soon as I can get one!
Other new Olympus Cameras and Lenses announced…
Olympus has also announced a new super zoom, the SP-100 (A 50X $399 camera with EVF) as well as a new TOUGH camera, the TG-850 for $279 with swivel LCD and drop proof, freeze proof, water proof and crush proof all the way (I will review this one). There is a new fisheye lens cap lens and a new pancake version of the 14-42 Kit zoom (that will NOT be the included lens with the E-M10..OLD ONE IS BUNDLED). The new zoom is actually smaller than the older 17 2.8 Pancake!
The new 9mm fisheye lens cap!
MORE INFO ON THE NEW E-M10!
OLYMPUS EXPANDS OM-D® CAMERA LINE-UP WITH NEW, EXTREMELY COMPACT E-M10 — THE OM-D FOR ALL
The Image Quality and Power of the E-M1 and E-M5 are now Packed into a More Affordable OM-D Body; Two New Lenses Broaden Olympus’s Micro Four Thirds® System
CENTER VALLEY, Pa., January 29, 2014 — Olympus adds to its award-winning OM-D family with the new E-M10, an interchangeable lens camera that combines the outstanding image quality, speed and power of the flagship Olympus® OM-D E-M1 and the Olympus OM-D E-M5 into an extremely compact and stylish all-metal body. Featuring the new TruePic VII image processor, the same found in the OM-D E-M1, 16 megapixel Live MOS sensor, Wi-Fi® technology, a large, high-speed electronic viewfinder, 3-axis image stabilization, ultrafast autofocus and a built-in flash, it’s the OM-D for photographers looking for an affordable, yet powerful, system camera they can use every day. The new, super-slim M.ZUIKO® DIGITAL 14-42mm f 3.5-5.6 EZ pancake zoom lens and the super-bright M.ZUIKO DIGITAL 25mm f1.8 expands Olympus Micro Four Thirds line-up to 15 lenses.
Best-In-Class Image Quality The Olympus OM-D E-M10’s 16-megapixel Live MOS sensor, combined with the TruePic VII image processor and M.ZUIKO lenses, delivers beautiful image quality with high resolution, superior color reproduction and high sensitivity that exceeds other cameras in its class. A maximum sensitivity of ISO 25600 is perfect for shooting dark scenes and indoor shooting locations, and ISO LOW mode (100 equivalent) expands the low-sensitivity end. The sensor’s rich dynamic range makes smooth gradations possible and beautifully depicts high-contrast highlights and shadows. Fine Detail Processing II technology configures the appropriate sharpness processing for each individual lens resulting in natural, high-quality resolution.
The Olympus OM-D E-M10’s in-body 3-axis image stabilization system is derived from the world’s first 5-axis system in the E-M5 and E-M1. The 3-axis version effectively counteracts yaw, roll and pitch with both still shots and HD movies, regardless of the lens attached to the camera yielding great results even in poor lighting conditions or when using an exposure time of 1/15 second or less.
The on-board FAST AF is Olympus’ fastest-ever AF system and uses 81 target areas that cover the whole image. Small AF Target and Super Spot AF modes make it possible to zoom in and focus accurately on minute sections of the frame. The E-M10 is also capable of capturing high-speed action with 8fps sequential shooting, the fast processor supports continuous capture of up to 20 RAW frames or an unlimited number of JPEG frames*, and the Continuous Auto Focus with Tracking mode accurately tracks and captures moving subject as fast as 3.5 fps.
Beautiful OM-D Design
The ultra-slim, compact and lightweight Olympus OM-D E-M10 body is built with precision-machined metal parts and a premium feel that inspires the user. Two easy-to-reach metal dials give excellent operability and improved control, and the grip is designed to rest comfortably in the user’s hand. Despite its size, the E-M10 is the first OM-D with a built-in flash that is optimized for 1/250 second synchronization, a benefit for daytime flash photography.
High-Speed Creative EVF
The large, 1,440,000-dot electronic high resolution viewfinder (EVF) located on the optical axis of the E-M10 features a 120-fps refresh rate, a 100 percent field of view and maximum 1.15x magnification to help accurately frame shots. An eye sensor seamlessly switches the display between the tilting, 3.0-inch touch-screen monitor and the electronic viewfinder. Camera setting information, such as shutter speed, is displayed at the bottom of the viewfinder and photographers can take full advantage of the EVF’s ability to display the effects of various exposure adjustments, Art Filter effects and Creative Controls like Color Creator, Image Aspect control, Highlight/Shadow control, Live Histogram, Display of five different grid patterns and even a Level Gauge — all without having to remove your eye from the viewfinder.
New features, including Live Composite Mode and Photo & Movie Capture, expand the user’s creative potential. Live Composite Mode is a tool that offers previews of long exposures in the EVF, a perfect tool for anyone looking to easily capture light trails when shooting a star-filled sky. Photo & Movie Capture lets users shoot high-quality still images without interrupting the video recording. 12 Art Filters, three HDR capture modes and Photo Story support your photographic imagination.
The Olympus OM-D E-M10 includes built-in Wi-Fi, and the setup is simple. By quickly scanning the QR code displayed on the camera’s LCD with a smart device, it syncs with the Wi-Fi network created by the camera. The free Olympus Image Share smartphone app synchronizes a user’s smartphone and E-M10 so the camera’s Live View is effectively displayed on the phone. In this way, the camera can be controlled by touching the smartphone display as if it were the camera itself, and users can send selected images directly to websites and social media.
Two New Micro Four Thirds Lenses
Olympus has also introduced two new Micro Four Thirds lenses to its line-up. The super-slim M.ZUIKO DIGITAL 14-42mm* f3.5-5.6 EZ pancake zoom lens measures just .9 inches thick, making it the world’s slimmest standard zoom lens.** It has a smooth electric zoom that is suitable for shooting movies, and can also be zoomed in and out remotely using compatible smartphones through the updated Olympus Image Share app. The super-bright, lightweight, high-performance M.ZUIKO DIGITAL 25mm* f1.8 lens has a fixed focal length and is ideal for capturing portraits or close-ups from as little as 9.8 inches away. Both new lenses are sold separately.
New Micro Four Thirds Accessories
A host of new Micro Four Thirds accessories join the Olympus Micro Four Thirds line-up, including the fixed-aperture F8.0 Fish Eye Body Cap lens with a focal length of 9mm (35mm equivalent: 18mm). It’s an ultra-slim accessory for creative wide-angle shooting through its 5-element, 4-group lens construction. The multi-use lens barrier MF lever switches from pan focus shooting to close up 8-inch shooting with a single press of the lever. The ECG-1 matching ergonomic grip is a removable grip exclusively for use with the E-M10. Designed for absolute comfort, the grip is the perfect thickness for resting the ring finger and pinky when holding the camera. A single press of the lever on the bottom of the grip easily removes it, making replacing batteries and memory cards seamless. The MCON-PO2 macro converter is compatible with six Olympus Micro Four Thirds lenses and adapts them for close-up shooting. Finally, the Automatic Opening Lens Cap LC-37C is available exclusively for use with the new M.ZUIKO DIGITAL ED 14-42mm F3.5-5.6 EZ. When the camera is turned off, this accessory protects the lens from dust and scratches, and when the camera is powered on the lens cap instantly opens for snapshots and quick shooting.
**As of January 29, 2014. Shortest distance between the mount and the front end of the lens, when retracted.
New Camera pre-order! Panasonic GX7, Sony QX10, Olympus E-M1, Leica C
Many new cameras have been announced in the past week or two, and more are on the way before the end of the year..I think :)
Panasonic has the cool and well received new GX7, Sony has announced some cool and different things in the QX10 and QX100 lens/cameras, a DSLR like $399 Alpah 3000 in e-mount and the new NEX-5T and 16-70 Lens. Leica has announced a rebadged Panasonic LF1 but it is pretty nice looking, and the LF1 is a great little camera as it is. The Leica gives us the style, design and warranty of a Leica for $200 more with some cool accessories available for it as well. Of course, the big one so far is the Olympus OM-D E-M1 and 12-40 2.8 Pro Zoom Lens. Below are full links to my recommended dealers for pre-orders of all of these new releases. Many of us love to pre-order because it means we get the cameras 1st. Sometimes these hot cameras end up having long wait times for those who do not get their order in early (Leica M 240, Sony RX1R, Fuji X100s). The best part is you can pre-order from the dealers below yet your card will not be charged until the items ship. You can cancel at any time before that if you change your mind.
UPDATE: The new Sony Alpha 3000 is IN STOCK and at $398 it is the best bang for the buck out there. It seems to me Sony will LOSE money on this one to get people into the E-Mount system. This is a high speed, with EVF, APS-C camera that is SMALL but DSLR shaped that will accept E- Mount Lenses, have great low light performance, FAST AF, live view, HD video and all of the normal things we expect, including an 18-55 Zoom lens. All for $398. Amazing. I will be reviewing this SOON but did get to see it this past weekend. $398 is a steal for someone wanting to get into an APS-C sensor camera coming from a P&S and wanting that DSLR style.
So for those who are interested, I have listed the new releases that are coming VERY soon below along with their pre-order links! Later today I will have a review up of a Canon 6D with Canon 85L 1.2 and Sigma 35 1.4. Check back later!
Sony QX10 and QX100:
Sony Alpha 3000 with EVF and lens, $398 – BEST bang for buck camera on the market, hands down!
Pre-Order at B&H Photo – IN STOCK NOW!!
Pre-Order at Amazon – IN STOCK NOW!!
Sony NEX-5T – The latest and greatest “5”:
Pre-Order at Amazon – IN STOCK NOW!
Pre-Order at B&H Photo – IN STOCK NOW!
Leica C – compact with built in EVF:
Pre-Order through Ken Hansen – email [email protected]
Olympus OM-D E-M1:
Olympus 12-40 f/2.8 Pro Zoom:
Wow! Premium 32 1.2 (85mm) for Nikon 1 Series arrives…
Nikon has upped the ante, finally with this new lenses for the Nikon 1 series! A high quality super fast 1.2 aperture 85mm equivalent is ready to be pre-ordered and it looks very nice. While it costs about triple of the Nikon V1 closeout price of $299 at about $900, I bet this will be an amazing portrait lens for the Nikon 1.
This lens will feature a metal construction, Nano coatings and a floating element along with a big manual focus ring for super fine focusing. It will arrive in Black or Silver and you can pre-order it now at B&H Photo. I can not wait to get a hold of one to test as it can take the little impressive 1 series to the next level with some real shallow DOF possibilities and a pro grade construction.
Also looks like Nikon reduced the price of the V2 body, now at $696. A perfect companion to the new 32 1.2. Still, a Nikon V2 and 32 1.2 lens will set you back about $1600, more expensive than an Olympus E-P5 or OM-D E-M5 with a 25 1.4 or 45 1.8 which will get you more shallow DOF if you wanted it. Still, for those Nikon 1 fans, and there are quite a few out there now including my Son who made the V1 and 18.5 his #1 camera, this lens is VERY welcome.
Olympus PEN E-P5 and all black Lenses now available at Amazon for pre-order
The new Olympus PEN E-P5 and all new accessories and black lenses are now available at Amazon and B&H photo for pre-order. THESE ARE ALL scheduled to be released and shipped by June 15th – about 30 days from now but 1st come, 1st serve. Amazon does not charge you until the item ships, not even an authorization. B&H does not charge you but may do an Authorization at the time of order. Both are easily canceled online if you change your mind. Links below:
The best bang for the buck is to get the package with lens and EVF which saves you some cash..to the tune of $
The Silver Kit:
The Black Kit:
The new EVF – VF-4
Amazon – VF-4 – $279
B&H Photo – VF-4 – $279
The new Black 75 1.8 Lens (see my review of this amazing lens HERE)
The new Black 45 1.8 Lens (Review Here)
The new Black 17 1.8 Lens (Review Here)
So who and why should you pre-order? If you know for a fact you want this new E-P5 or any of these lenses, pre-ordering ensures you get them 1st, when they are released. Sometimes, like with the OM-D E-M5 there is huge demand and when the camera ships, they are not available as they are all shipped to those who pre-ordered 1st. Pre-ordering is a zero risk thing to do. How so? Well, you do not get charged until the item ships. For example, I pre-ordered the silver set at Amazon with the new EVF and black 17 1.8. I did this so I can review it and get it when it is released. My debit card (I do not believe in credit cards) was not charged, nor was it authorized. It will not be charged until the items ship on or around June 15th. Anytime before this I can go into my Amazon account online and cancel my order or change my shipping speed. So if I decide in 2 weeks that I don’t want it, I can cancel it – no harm.
When the camera does ship..what if it sucks? What if I hate it? What if it has quirks? Easy, I can return it for a full 100% refund. I log into Amazon, go to my account and find the order. I click on “return item” and instantly Amazon presents me with a UPS shipping label I can print or they offer me the option of having UPS pick it up from my home on the next day where the driver will have a label. All I have to do is box it up. When I return an item to Amazon, my refund is usually processed as soon as they see UPS have picked it up from me or when I have dropped it off at a UPS location. Amazon has the best return process in the business, just do not abuse it.
When a camera is returned to Amazon (as long as it is not a defect) they sell it as used at a discount, sometimes pretty nice discounts. They do not resell it as new, ever.
I have been shopping with Amazon for MANY years and have bought many items from them. I have returned a few as well from Headphones, Cameras, Lenses and other misc. items. Never an issue or problem. Always a joy.
So pre-ordering a camera is actually quite smart if you know you will want it. It makes sure you get it when it is released and that you will not be waiting in some line for your name to come up. That is how I get most of my cameras 1st :)
As I have done in the past over the last 5 years, I provide pre-order links on new cameras and lenses for your convenience and also because it helps this site to continue on. When you use those links above, I get a small percentage that helps pay for web hosting and all of the other expenses that add up to run this site (which are much more than you could know). That is the only thing that keeps this site rolling along. So thanks in advance to anyone using my links for their purchase. It costs you nothing more at all, but really helps me out. So thank you :)
The new Ricoh GR Camera is ready for pre-order and ready to stomp on the Nikon Coolpix A!
A new GR digital and it looks FANTASTIC and mark my words: THIS IS A NIKON COOLPIX A KILLER! It may say Pentax but it looks, feels, smells and shoots like a Ricoh GR on steroids.
I have been asked by 20-30 to review the Nikon coolpix A so I tried it out in a shop and was not impressed. Why? The AF speed is just too slow for my tastes in this price bracket of $1100. The IQ is good it just seems to me like Nikon rushed it together to have something to compete with in the APS-C segment. If a camera does not have snappy AF these days I do not want to own it as it doesn’t excite me one bit. At $1100 the coolpix A is not the best buy IMO. At $700, yes. $1100, no. I’d go with the incredible Fuji X100s for $1299 before I would buy a Coolpix A for $1100. Don’t get me wrong, the Coolpix A has great imaging potential but so does the Sigma DP Merrill series, even more so actually.
The new GR WILL be reviewed by me as it is a camera that excites me and makes me think of the possibilities. A pocket camera with an APS-C sensor, decent AF and a killer lens, all with the GR heritage. Amazing. The lens is a 28mm equivalent and has two aspheric elements and 7 elements total. The GR series has always been fantastic and I am thrilled that it has now stepped up to APS-C. The all black smooth design of the GR brings me back to the old film GR cameras. Sweet.
Take a look at the official video below on the new camera:
B&H Photo has the GR up for pre-order at $796.95, and that is a great price for a camera like this. My pre-order is in because I feel not only will this beat the Nikon Coolpix A but it probably will dethrone my fave pocket rocket, the Sony RX100! My crystal ball is showing me a price redux on the coolpix A soon… :)
Key Features of the new GR
16.2MP APS-C Format CMOS Sensor – I feel 16-18 Mp is perfect.
GR ENGINE V Image Processor
No Optical Low-pass Filter – YES!
18.3mm f/2.8 Lens (28mm Equivalent) – Nice wide FOV
3.0″ 1,230k-dot White Magic LCD Screen
Full HD 1080p Video Capture
ISO Range of 100-25600 – A GR digital with ISO up to 25,600 means 3200 will be great.
High Speed AF and 4 fps Burst Shooting
Image Effects and Macro Mode
Compact Magnesium Alloy Body – These bodies always feel great.
To me, that is what it is all about. Excitement. If a camera can excite me just from looking at specs and a video, then I am in. More soon and you can see my old GRIII review HERE.
The new Leica M 240 Pre-Order links
Had about 16 e-mails today asking me where I recommend to go to for a new M. As previously posted, the top Leica dealers have been taking pre-orders for the M for a while. Below is a list of where you can pre-order the new Leica M 240, well, the dealers and stores that I highly recommend for stress free and hassle free shopping:
Ken Hansen – email him at [email protected]
PopFlash – http://www.popflash.com
The Pro Shop for Photographers – Call them at 561-253-2606
Fuji X100s and X20 Available for Pre-Order at Amazon – $1299
Amazon now has the Fuji X100s available for Pre-Order at $1299. You can check it out or pre-order HERE!
Yep, $1299 for the X100S which has the same body and style as the X100 but with the new improved X-Trans sensor, new Manual focus system, new phase detect super fast AF and more. Amazon does not charge you until the camera ships and you can cancel at anytime. By pre-ordering early you can be one of the 1st to get the camera. This is how I get all of my cameras that I am interested in, just by being early on pre-order lists. Amazon also has the best return policy around so it’s never a gamble. If you are someone who is upgrading to the X100s, I would get in now!
Amazon has the X20 for pre-order as well HERE
B&H Photo also has the X20 up for pre-order HERE