HUGE SAVINGS! AWESOME Sony RX1 Deal with OVF – NEW for $1695!
WOW! ONE OF MY FAVE CAMERAS OF ALL TIME, the original Sony RX1 is now on clearance at B&H Photo and they are giving the RX1 in addition to the Sony OPTICAL VIEWFINDER, a Lowepro Bag and a 32GB SD Card. $1695 total. This is a huge savings of over 50% off, and its new and with warranty.
So last week I received my RX1R camera… yes its the first version of the camera (second technically as there was asl othe RX1). You may say that I am a bit late in this purchase as Sony has recently announced the RX1R II version of the camera… but the reason I bought the first version of the camera is I intend to use this as a fullframe compact carry around camera and not for work related stuff.
The Technical Details
The RX1R camera has been greatly praised in all reviews I have read, with its amazing dynamic range, very good bokeh and low light performance. The camera comes with a fixed lens 35mm Zeiss prime (f2), a very flexible So the camera had everything that I needed, in a very compact body. Also the camera has a silent shutter – no sound at all when you click for the picture – making it perfect for discreet work.
When I say that the camera has an amazing dynamic range, I really mean it. In fact it seems that it even wins against my A7s and A7ii in the amount of information and detail I am able to recover.
If you are like me, I am always imagining street photography shots as I walk around. It happened to me a number of times that I said to myself that I wished I had a camera with me. Now I am making a resolution with myself to carry this gem around with me, wherever I am and up till today (around 2 weeks of use) I have always been able to take it with me apart from one time when I wore a very tight jacket.
What is missing
What I do miss, more then the viewfinder, is a tilting screen. Since this camera is a street photography workhouse, a tilt screen would have been really useful to shoot from the a low point and not attracting too much attention. I have also decided to purchase a wrist leather strap, since I find the camera grip to be existent and constantly feel as if the camera is going to slip from my hands.
I am here sharing some shots I have taken with this camera up till now.
Well I must say, I am really happy with my RX1R and I feel I will be using is a lot over these Christmas holidays ! :)
In 1988, The Sugarcubes debut album “Life’s Too Good” was getting heavy rotation in my cd player and served as an introduction to the quirky band’s native Iceland. Over the years other Icelandic bands like Sigur Ros and Of Monsters and Men, continued to sonically and lyrically paint an enticing canvas of their native homeland, further cementing the small country on my bucket list of places to visit. So this fall, while friends planned their winter vacation to warmer climes, I pitched the family on an adventure in the land of Ice and Fire. My wife has come to accept my odd predilections and the kids were just happy to get passports so we booked the flights and began our planning.
Anxious to capture the beauty of Iceland, I still had to be realistic about the nature of the trip. This was a family vacation, not a photo tour or workshop so I had to pack light and work quickly. Luckily, a friend was in possession of a loaner Sony RX1RII from B&H Photo and offered it up for use during the trip. This friend is building some impressive 3D printed Arca Plate compatible grips for compact cameras that add almost zero weight. Check them out HERE. – highly recommended.
With the RX1RII secured, I committed to use it for the majority of vacation shooting (everything presented here was shot with it unless otherwise captioned). Some may question why use a camera with only a fixed 35mm focal length but not everyone wants to play the roll of conspicuous tourist sporting a DSLR and zoom lens. On the contrary, the RX1RII embodies the classic concept of a decisive moment camera, similar to film compacts like the Konica Hexar AF that enabled pros to pack a much smaller kit when traveling, without sacrificing quality. The a7RII along with the Zeiss Touit 12mm and a Leica Summitar 50/2 also made it into the travel bag, but the primary test was to determine the RX1RII capabilities in real world shooting under some extreme conditions, not a traditional lab review with test charts.
While light was at a premium, what was available (about 5 hours per day around Christmas) was wonderfully diffuse and photography friendly. The weather in Iceland is quite variable with multiple daily changes in climate and conditions as we roamed the countryside. Unfortunately, there was record snow in December and persistent cloud cover so the Aurora Borealis (Northern Lights) were hidden from view, but that didn’t stop us from hitting everything else on the itinerary. With good planning, you can easily maximize the available winter light and complete a full day of activities. Based for part of the trip in a small coastal town named Stokkseyri (pop 445) we managed to drive our rental car to Gulfoss, Seljalandsfoss and Skogafoss waterfalls, the wreckage of an American DC-3 on the black sand beach of Sólheimasandur, the Dyrhólaey promontory, Vik, Geysir, Seljavallalaug swimming pool, the Jökulsárlón glacial lake area and of course Reykjavik and the Blue Lagoon.
Must click on the photos in this report to view them correctly. Also, all images are from the RX1RII unless noted. Some are from the A7RII.
Image below…a7RII 50/2 Summitar
Back to the RX1RII Shots
Reflecting back over the week spent with an RX1RII as a primary tool, there are few cameras that would have been more satisfactory for the task of vacation photography in this environment. The compact size allowed for easily accessible stowage in a jacket pocket, a more challenging prospect for big brother a7RII or even the Leica Q. Why was this important? While the camera was well protected from the weather – see below for thoughts on its weather handling – I still wouldn’t want it exposed to the cold and rain if needn’t be. Second, for many activities, not having a camera or bag swinging around or in a difficult to access backpack was a big plus. The fixed lens meant no concern for switching lenses in extreme cold, humid or dusty conditions and by using a small hood I was able to keep most of the foul weather off the front lens element. The RX is also by nature of its small size and with the new flip screen, extremely inconspicuous, perfect for street scenes and easy low perspective photography.
Autofocus is greatly improved over the original RX1 with advanced modes like object tracking and eye-AF that are not just gimmicks to be ignored. Being able to lock-on to my subject’s eyes or face with the push of the button is a useful feature that enables a more effortless and accurate off-center composition, compared to a traditional focus and re-compose technique. Sony claims a 30% improvement in AF speed and that figure feels about right – maybe 40-50% in some circumstances. Really we are at a level of AF performance with these cameras that is beyond good enough for most purposes.
Since the majority of my work takes place in front of a music stage, I don’t normally expose my gear to the elements in a way they were in Iceland. Both the a7RII and the RX1RII were used unprotected in significant exposures to rain, snow, waterfall spray and sub freezing temperatures. I came away with new found confidence in the weather handling capabilities of these cameras. On the RX1RII I even used the EVF in the rain which I was initially worried would expose the camera to water due to the pop-up mechanism. The one criticism I can lay on the RX is the poor battery performance in cold weather. The little battery just couldn’t hold the juice when the temperature dropped below the freezing point. With a pocketful of spares, I never ran out of power but the hassle of swapping batteries in -15 C was not an overly pleasant experience. There are solutions available, such as using an external power pack via USB and I may look closer at those options if I was to use the camera extensively in such cold environments again. Comparatively, the a7RII battery held up quite well and I never once had to change it in the field.
The Zeiss Sonnar 35mm f2 lens that the public and reviewers raved about in the original RX1 makes a return in the new camera matched to the resolving power of the 42mp sensor first introduced in the a7RII. The Zeiss was magic on the original and none of that mojo has been lost on the RX1RII. The Zeiss renders almost like a Planar design, with softer/smooth bokeh, while retaining a Sonnar’s critical sharpness in the center wide open and across the field when stopped down – an almost perfect recipe for a 35mm lens. No one should call this Zeiss clinical, but rather images have an organic feel that is hard to come by in modern designs. The lens appears to be resolving every single one of those 42mp, especially evident in scenes with a distant subject such as a landscape. I am simply staggered by the level of detail this combination is resolving in many of the Iceland scenes. Even more impressive was the few handheld panoramics I attempted. The results were beyond expectations; the 42mp sensor in the tiny RX1RII is capable of generating impressive high megapixel stitched images. One shot on the Svínafellsjökull glacier tongue resulted in a 162mp file with levels of detail unheard of in a camera this size.
Image below…Sony a7RII 50/2 Summitar
A7RII and 12mm Zeiss Touit
All images here are shot in RAW so I can’t comment on JPEG performance but working with the Sony files in post is a pleasure. Dynamic range is as expected – stellar – and having continuity between my a7RII and the RX1RII is a big deal as it can be a challenge to match output on a shoot from different camera models. Color is subjective and easily manipulated but I enjoy working with the base Sony color space. So far there haven’t been any surprises or ugliness in terms of how the files react to edits -no artifacts or banding, just rich malleable data.
To wrap it up, if I measure the RX1RII based on the resultant images, the satisfaction while using it and the desire to keep using it, this field test in Iceland can only be categorized as a success. As groundbreaking as the original RX1 was, expectations were high for the new camera and if my experience can be used as an indication, Sony delivered a worthy successor.
Camera talk aside, I hope it is obvious that we fell in love with beauty of Iceland. Thanks to Steve for sharing our little trip and if interested please visit my site where I have a full day-by-day travelogue with details of each stop.
Here we are at the last edge of 2015 and about to head into 2016. YES! We are NOW in the future! Remember back in the 80’s? Well, if you are old enough you do..when many TV shows and movies would be set in the future..like 2010 or 2020 and the vision of earth was always full of either flying cars or spaceships or the world was already gone due to nuclear wars. One thing they always tried to predict was technology, and usually it was way over the top. In any case, as we launch into 2016 we have cameras that beat the pants off of cameras that were launched just 2 years ago. Technology is here, and it is good. While not “Buck Rogers” kind of good, this new Sony is beautiful, but I never doubted it would be anything but.
RX1RII – Also some PP work with this one ;) (Blur, Contrast, Smudge)
Yep, but back in the day we would shoot film. Remember the cheap disc film or the 110 film? AWFUL quality but those cameras and film were had for cheap, and they fit in your pockets ;) Today top end cutting edge digital cameras are made for professionals, enthusiasts and serious hobbyists. They have to be as these things are costing more than they ever have it seems. A Leica SL for $7500 without a lens. A Leica M for $5600, no lens. A Sony A7RII for $3400, no lens. A Leica Q for $4300 which is a single fixed lens camera, and now this…ladies and gentleman…I give you the long-awaited…
Enter the new Sony RX1R Mark II
When the original RX1 was released it quickly became my #1 favorite go to camera for SO MANY reasons. I put up with its faults simply due to the fact that it gave me the best image quality I have seen up until that point. Rich, creamy, full of life, detailed, sharp, gobs of micro contrast, nice bokeh and an overall character that approached the look of Medium Format. It was the 1st 35mm full frame digital that I felt this way about and it even beat out my then previous 3 year love affair, the Leica M9. I suggest reading or refreshing with that old review HERE to see the main character and feature set of the RX1R II as it is mainly the same as the old version with a host of new features, all of which I will talk about here.
Somehow Sony created a 35mm full frame camera in that original RX1 as it gave and produced output VERY much like Medium Format but less sterile, as in, it was almost perfect but still had plenty of character. This was my view on it and it quickly became my all around take everywhere camera. After the RX1R (R stands for RESOLUTION as it had No Low Pass filter) was announced and I reviewed it, I then fell in love again even though the camera was the same, just without an AA/Low Pass filter for even MORE detail. It boosted the RX1 up a bit with more of everything that made it great.
Click this for a larger and detailed version of this. The file quality is amazing with this camera!
Unfortunately it (The RX1R) also kept all of the things that frustrated most about the camera..AF speed was dog slow and the lens looked like a 90 lb weakling trying to push 300lbs. It was slow but most who loved the RX1 and RX1R loved it for what it rewarded their patience with. Some of the most beautiful IQ ever seen in 35mm. The original has sort of collected a cult like status with users who own them vowing to NEVER give it up.
All three image below are from the new RX1R Mark II. Click them to see them correctly.
Kurt Kamka – Lunch Meeting in Phx AZ
My son Brandon sleeping in until noon..
My beautiful Debby once again helping me test cameras ;)
Then there was the Q
In mid 2015 Leica announced and released the Q, which is a camera that aimed directly at the Sony RX1 and RX1R. It is sort of small (though the Sony is quite a bit smaller) has a 28mm f/1.7 lens instead of a 35 f/2 like the Sony and well, it is a Leica. It has the red dot and all and is assembled in Germany. Coming in at $4300 which is $1000 more than the Sony, many felt it would be a Sony killer, and to be honest, it was. It took on the original RX1 and upped the ante with a BUILT in damn good EVF of which the RX1 lacked. It also has a touch screen, a beautiful LCD and has VERY fast AF. It’s a snappy all in one camera that also manages CRAZY GOOD IQ. Now, I do not feel the IQ can match the medium format look of the Sony but it is up there with the best there is in 35mm.
Overall, the Q beat out the old Sony and many were quick to fork over $4300 for the Q, and many still are. It’s one of Leica’s more popular digital cameras of the last 3 years or so. The 24MP sensor in the Q is stunning, so much so that they use it in the new top end SL that comes in at $7,500 (and won my Camera of the Year for 2015, see my review HERE). You can read my Leica Q review HERE.
So how would Sony answer Leica’s RX1 clone, the Q? And would it beat it?
Enter the Sony RX1R Mark II!
It’s HEEEEERRRREEE and BOY, were MANY waiting for it. This camera has made my inbox explode more than any other camera in recent memory. Most of you know I am a HUGE fan of the original RX1. I consider it a legend already due to the IQ alone. Now that we have the Mark II version with a FEW new things, it’s closer to perfect that it has ever been, and for me, this new R2 beats the Q. This will not be a huge LONG review as this at its core is still an RX1. Same body design, same feel, same lens, same controls, etc. So this review will focus on real world use while sharing thoughts and images from my 3 weeks with the camera that I have had the pleasure of shooting for the past few weeks.
All images in this review should be clicked on so you are seeing the correct version
The RX1RII and its 42 MP sensor deliver “delicate detail”. It’s never analytical in its rendering but instead it offers what I like to call an ‘Organic Flow” to the rendering. For example, in the boring image below look at the screws, the web, the areas between what IS and what is NOT in focus. It’s falloff is fantastic and that is thanks to the Zeiss 35 f/2. This is a powerful camera that fits in my coat. Wow.
Color & Light
Click on this one to see the beauty in the rendering.
Lovely Blues from the Sony Sensor…
Sony did not rest and now RX1R Mark II is here. That’s a mouthful, so I will call it the R2 from now on this this review.
The new RX1R 2 looks the same, feels the same and yes, even smells the same as the original RX1 and RX1R. Upon closer inspection you will see the built in flash has been removed (not many used the flash, including me as this kind of camera does not need a flash) and now we have a very nice and sleek built in EVF that at first glance looks like an afterthought but in reality is a very nice powerful EVF, slightly improved from the A7RII!
So we now have the camera with a built-in EVF and most importantly faster auto focus which was the main #1 complaint on the original RX1 from those who used it or owned it. The new R2 has 30% faster AF, and I believe it as it is much much snappier than the old one, and even competes head to head with the Leica Q in AF speed. Also, I had no AF issues with the camera.
So what is new in the new R2? All of the below!
New backlit 42MP full frame sensor. Yes, the same sensor as the A7RII!
New built-in and pop up EVF that is slightly better than the A7RII EVF!
The new Af is 30% faster than the old RX1 series. This is evident as soon as you use it. 399 Phase Detect Points.
Swivel LCD screen this time around
Adjustable or Defeat-able Low Pass/AA filter! This is now an RX1 and RX1R in one body!
Eye AF now in this model
WiFi and NFC inside
Uncompressed 14 Bit RAW
Multiple Aspect Ratio Support
Smart Zoom to crop in camera without losing quality..use this with Macro mode ;)
The Sony RX1RII uses the same battery system as the old RX1 and RX100 line. It is one of the weaknesses of the camera so be sure to invest in 2-3 more batteries (you can get generic versions VERY cheap) to get you through the week.
The more I shot with the RX1R2 the more I was falling in love again, just as I did with the original. But at the same time, I have shot with the competition, THE competition that copied Sony and made a better camera than the old RX1 (Mark I). That would be the Leica Q.
The Leica Q vs the RX1RII
While the mighty Q beat the old RX1 and RX1R in just about every way, how will the Q stack up against the latest and greatest from Sony? With this top of the heap technically advanced 42MP backlit sensor, how could the Q compete? Well, lets take a look..but 1st, see my video on the RX1R II vs the Leica Q:
NOTE: I incorrectly spoke at one point with the Leica Q in this video. I said it will stop down the lens automatically when closer than 1M. I was thinking of the X. The Q does not do this but will stop down when in Macro mode.
So at the end of the day, for me, I prefer the new Sony but it’s VERY close. My main reason? The Sony is $1000 less expensive and gives me slightly superior IQ, or at least “different IQ”, and is smaller..and I prefer 35mm to 28mm… though I have no issue with the size of the Q. But do not take my word for it, let’s see some comparisons. Who knows, you may prefer the Q!
Away we go…
1st up. ISO
Let’s get this one out-of-the-way 1st. High ISO. Let’s face it, below these high ISO’s both cameras are comparable, but how do they stack up at 50,000 ISO? Let’s see…
Sony RX1RII – RAW – ISO 50k – MUST CLICK IMAGE!
LEICA Q – ISO 50K – RAW – MUST CLICK IMAGE!
Sony wins, the Leica has banding at its max ISO, and Sony still has steam pushing along to ISO 102,000..Sony Wins the ISO here.
Portrait? These are all good IMO. One is from the Leica Q, one from the RX12 and one from the Leica SL with 50 APO (which is easy to spot). Can you spot which is which? EXIF info is in the photos..
Same shot. The 1st one is the RX1R 2 as you can tell from the longer focal length of 35mm over the Q’s 28mm.
Sony is handling the color better so far…also, bokeh effect will be more pronounced on the Sony due to the longer focal length.
Boots…1st up, Sony
Coming in at $4300, the Q is expensive but hey, it’s a Leica. People love the idea of Leica and when they released the Q, and it exceeded expectations, well, the old RX1 kind of became forgotten. It was much slower than the Q and was dated in comparison. As you can see above the Sony delivers the goods. Some will prefer the Sony rendering, others the Leica. There is no wrong choice here but for me, the RX1R II delivers the goods in a bigger way while being smaller and less expensive by a grand.
Now there are areas of the Q that beat the Sony. For example:
The Q has a 1/16,000 shutter speed so you can shoot wide open in full sun, Sony does not
The Q is a bit snappier to AF but only by a little
The Q menu is simpler than Sony’s
The battery life is better on the Q
The Q has a touch screen, not on the Sony.
With that out of the way, the Sony has some things to like over the Q…
Latest sensor tech with the 42MP Backlit sensor from the A7RII Flagship delivers stunning results
Swivel LCD which is NOT on the Leica
Smaller size, can indeed fit in a coat pocket, Leica Q can not
Better high ISO performance means better night time shooting
files have more of a medium format look over the Q’s harder look
More dynamic range from the Sony
$1000 Less expensive than the Q
You can turn on or off or adjust the AA filter. Want to avoid MOIRE? turn it ON. Want max detail, turn it OFF!
What I tell everyone when they ask “Which should I get” I say “go with what you feel would make you the happiest and don’t look back”. There is no perfect camera but they are getting mighty close these days! The new Sony RX1RII is a stunning machine with power that you would never think could come from a camera this small. I had people looking at some of my sample shots telling me “did you use the Pentax 645”?!? It’s something that Sony is doing these days but the images that come from their latest cameras do indeed have a medium format feel to them.
And the black and White conversions can be stunning!
Remember, this guy packs the 42 Megapixel sensor of the top of the heap FLAGSHIP Sony A7RII (See review HERE). That is FORTY TWO MILLION pixels in your coat pocket! That is the draw to this camera, not “Which one is better”. This is the smallest full frame camera you can buy as far as I know, and according to Sony, it offers the best IQ of any camera they currently produce. This is the top of the heap for IQ when it comes to Sony full frame. At the same time, it is not the best for video, and even Sony will tell you this. This camera was designed for the enthusiast and passionate shooter who wants a no compromise camera – one they can shoot day, night or anywhere in between all the while getting top of the line quality that will beat just about any full frame camera around well past its price point.
The camera also has an adjustable AA filter meaning if you want MAX RESOLUTION turn it OFF and you have an RX1RII. Turn it on and you have an RX1II. Adjust it and you can customize it to your needs. Me, I left it OFF at all times as I am ANTI AA filter. I RARELY EVER have Moire issues, so always leave it off.
But let’s see some shots with 100% crops to check details…
These bricks…this is a JPEG but click it to see the full 100% crop
…you get the drift…
corner to corner this camera is sharp..this is an OOC JPEG
Any reports you may have heard about the Sony RX1RII’s image quality not being as stellar is it was hyped up to be..well, not sure what to make of those (must have had a stinker) as I think the camera is as good as it gets in this class of camera. It bests the old model easily in speed, usability, and image quality. It’s more versatile with the nice pop up EVF and delivers a fantastic experience. In all other ways it is the same as the 1st version. Same menu system, same size, same style, same lens, etc. So there is nothing to report on there.
I did hear something about Sony stopping production for a few weeks but I have not confirmed this nor do I know what it is about (I do not go by rumors or “he said/she said”). If this is the case, and fact, then the issue is not in my camera that I have here.
-For me, my three full frame references are the Leica SL, Sony RX1RII and the Sony A7RII. To me, these are as good as it gets in 2015, heading into 2016 for cameras that deliver the goods. Expensive? Yes, very. Worth it? Only you can answer that one.
Is the Sony RX1R II for you? Maybe..maybe not! My Final Word.
Think about it like this. The Sony RX1R II is like having an A7RII and 35 Loxia with AF in your coat pocket. Tiny, small, but uber powerful. There is nothing not to like on the Sony RX1RII. It’s beautiful in build, feel, and the EVF is fanatstic, even besting the one in the A7RII and it easily hides away when you do not want it. It delivers the best IQ of the Sony line due to the matched lens to sensor (which I talk about in my original RX1 Review HERE). It’s as good as it gets in an all in one, with the Leica Q right on its heels.
I love this camera as I loved the original, and it has earned a place at the top of my “keeper heap” in the Huff Household.
But I have many cameras. Many here will be using this as their one and only camera, so if this is the case I would say to make sure you are OK with only shooting 35mm as that is all you will get. There is no zoom on this guy, but that is the beauty of it. In many ways, using only the 35mm focal length for a year can greatly improve your photography, so for many this could be a welcome change from those big huge DSLR’s.
If you like what you see here from the camera then you will love it when it is in your hands. It’s a superb upgrade to the Mark 1 and while not a huge revelation when compared to the old one, it is a very nice step in the right direction for this series.
One more detail shot using an OOC JPEG! Click it for the larger version with 100% crop.
Where to Buy?
If you are interested in the RX1R Mark II I recommend the dealers below 100%:
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Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I receive 100-300 emails a DAY). Because of this, I could use YOUR help to cover my costs for this free information that is provided on a daily basis.
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UPDATE: My RX1RII Review should be up within 7-10 days..
A few have been asking me when my Sony RX1RII review will be up and it has been delayed due to the comparison with the Leica Q, which many have asked for. It has been very hard to get a hold of a Q, even the rental houses have been out of stock, and I did not feel like buying one to do a comparison ;)
LensRentals finally received the Q back in stock, so I rented it for a few days (over $200)! so I can compare with the RX1RII for the Sony review, which is what the delay was about.
But so far I can say that the RX1RII is stunning. The IQ for me, edges out the A7RII and Sony did tell me the RX1RII is their best image quality camera they have ever produced, beating even the A7RII. If one is OK with just a 35mm f/2 (and what a lens it is) then the RX1RII is well worth a serious look.
Iin comparison to the Leica Q the Sony is smaller, actually has a true F/2 lens (Leica will stop down no matter your manual setting when closer than 1 meter), even when in Macro mode, has a pop up very nice and very good EVF (much better than I expected and improves on the A7RII EVF) and offers a tilt LCD, 30% faster AF than the previous version, an adjustable or defeat-able AA filter, and superior low light and high ISO performance.
The RX1rII also “feels” more solid than the Q which is a very lightweight body, especially for a Leica. For example, the Q feels NOTHING like an M in the hand. The RX1RII is also about $1000 less than the competing Q. Does the Q offer you $1000 more of a camera? In this case, I will say no. The RX1RII can beat the Q in overall technical IQ, dynamic range, ISO, etc so it is all a matter of taste.
Will one prefer the high contrast bolder color look of the Q or the higher dynamic range and gentleness of the RX1rII sensor? They both are full frame and both are gorgeous capable cameras but the RX1RII does offer more for less IMO.
I’m in a constant dilemma when photographing people: shoot first or ask first? While asking is more polite and avoids awkward situations, I find that a lot of times it ruins the moment. In this case I shot first and got busted, which luckily ended up sparkling a very interesting conversation. I showed the picture I just took of her and she liked it, I hope you do too.
NOTE: This is not my review, just a 1st look. My full review will be in 2-3 weeks and no, the title shot above is not banding. It is window blinds :)
Wow. So I have had this new Sony RX1RII for only three full days and it is just as magical as the Mark I but with faster AF, a unique beautiful pop up EVF (that bests the A7RII’s EVF) and the new A7RII Sensor giving us 42MP of full frame power that will fit in a coat pocket. The RX1RII is SMALL, just as the original was and this is good as it is discreet, and thin and so easy to take anywhere. It’s about the size of an Olympus E-M10 but packs a 35mm f/2 lens inside with that full frame sensor (perfectly matched btw), powerful EVF and even an adjustable low pass filter. Yep, with the MKII you can turn on your low pass filter or turn it off and even set sensitivity so it defeats the purpose for the non R version as both are now in one! Pretty cool. Having a Moire issue? Turn it on. Want maximum detail? Turn it off. Easy and Brilliant.
The new MkII has the same body and lens as the original but now with Sony’s current best sensor that now resides in their top of the line full frame A7RII. Superb high ISO, superb dynamic range, a beautiful EVF that slides up so nicely when needed (and we do not have to pull it out as we do with the RX100 IV) and one of the best 35mm lenses ever made (that bests the Leica summicron yet the RX1RII camera costs the same as just a Leica 35 summicron), the RX1RII is here to take on the Leica Q for king of the fixed lens full framers. It has been three years since the original RX1, so I am happy to see the new model arrive.
I love the original RX1 and RX1R. I love the Leica Q. For me, the Q surpassed the Sony RX1R (1st version) due to the EVF and speedy AF as well as the gorgeous IQ of the Q. So how will the new Sony RX1RII stack up to the Q? In my full review that will come within 3 weeks, I hope to find out as I will shoot them side by side. My early gut feeling tells me the Sony may edge out the Leica Q, and at around $1000 less. The Sony is smaller, feels heftier, has a gorgeous 35mm Zeiss lens, a swivel LCD, very nice EVF, superior low light capability, and that massive sensor from the A7RII inside. It also shoots video but Sony says the RX1RII is more of a Photographers Camera than a video camera, so do not expect A7RII or SII video quality here, it will not beat them. But for photos, it can indeed surpass the quality of even the A7RII.
The RX1R II is meant for the streets, everyday life, portraits, still life, and even some close-ups with the macro mode of the lens. It’s for the photographer on the move who doest want to worry “what lenses shall I bring”. The RX1RII says “Get in close” and “Zoom with your feet” and using it is quite the joyful experience.
In my early shooting tests I am LOVING the image quality, ease of use, joy of use and the faster AF which I would say is about 30-35% faster (Sony says 30%) than the original RX1 and RX1R. It’s a noticeable improvement for sure. But the files from the RX1RII can and will beat an A7RII with 35mm lens attached (so says Sony and ME) as the lens of the RX1RII is matched perfectly with the sensor, so it was tweaked for amazing output. The files are sharp corner to corner, and it is quite amazing how well this lens and sensor work together. Sony showed me some large prints with perfect sharpness across the entire frame.
I am shooting this camera daily right now and will have the review up in December (which is soon). For now, enjoy some snapshots I took during my 1st 24 hours with the RX1RII…nothing serious just yet but this camera builds on the now cult status original and improves it in all the areas we wanted it to be improved. AF, EVF, and even Sensor. Oh, it also now has continuous tracking AF (will test this in my full review) and it is accessible from the front dial with the other focus modes.
The RX1R II next to the Leica M (Top) and OM-D E-M10 II (Bottom) – Smaller than both.
With all of these amazing new cameras hitting (Leica SL, Leica Q, Sony A7RII, SII and RX1RII, Olympus E-M10 II)..not sure which one is going to make my “Camera of the Year” for 2015 just yet!
You must click the image for a larger and MIUCH better view and rendering! All are OOC JPEGS! This camera is incredible as nothing out there can touch it for size..hard to believe this packs a 42MP full frame punch in the size of an E-M10 II with a nice solid build. Wow.
YOU MUST CLICK IMAGES TO SEE THEM CORRECTLY! IF YOU DO NOT, YOU ARE NOT SEEING THEM AS THEY SHOULD BE SEEN.
You can order the new Sony RX1R Mark II At B&H Photo or Amazon at the direct links below. Starts shipping November 25th! It’s not cheap but quality never is.
Last year I’ve decided to start a Project 365, one picture a day every day. I didn’t know that was such an effort coming up with a new image everyday, it became a great exercise I’m more aware visually and I carry a couple of cameras with me 24/7. Shooting this project with a mirrorless system was an easy decision but I was surprised that the RX-1 became the best option, the small size the full frame quality and the fast built-in lens makes this camera almost unbeatable for street and travel photography. Here are few images from my project, I hope you’ll enjoy.
The subject of this write-up is the magnificent Sony RX1R and some of the places I’ve taken it so far. Every photo you see here was shot in RAW and edited in Adobe Lightroom.
Positive points and general comments
Going to New Zealand was something I wanted to do for a very long time, and in late 2013 I finally had the means and time to do it. My trusty Canon Eos 450D was becoming unreliable after five years of heavy use, and I took this opportunity to go out and get a new camera. The logical choice would be a new Canon, as I had accumulated two nice lenses and a great flash. Mostly thanks to the raving reviews on this site, I checked out the Sony RX1R as well, and ended up buying it, to my own surprise.
It was either this camera, or an EOS 5D Mk. III. That’s not an easy choice to make, but I’m ultimately glad I went with the Sony. I was a little anxious about limiting myself to one lens, especially for the monumental price tag that the camera has (I bought it when it just came out, too), but that turned out to be unwarranted, as I never enjoyed a camera more than this thing.
New Zealand was the maiden voyage of the RX1R for me, and boy was I glad I took the plunge before going. This country has many sights that are truly awe-inspiring, and I recommend anyone visiting it at least once in their lifetime. I felt very small there many times. It is a humbling, unforgettable experience.
Besides the incredible image quality of this camera, I absolutely love this thing for its size and weight (or rather, the lack thereof). It is also built like a tank, which gives confidence to carry it all over the place. And I do. Because it’s so easy to take everywhere, I take it everywhere. I left my EOS 450D at home many times when I shouldn’t have, because I didn’t feel like lugging it around, and that’s even a small DSLR. Another advantage about its size is that it is an unintimidating camera to subjects. When you point a big, professional-looking camera with a large lens at people, they sometimes get self-conscious. The RX1R looks more like a cool-looking hobby-camera than the full-frame monster that it is. The shutter is completely silent, too. Most people have no idea what it is (including those who have nice cameras themselves), and some even think it is an analog camera. An older gentleman I met commented that it looked like his Leica M6.
At low to medium ISO settings, photos are incredibly clean. That said, the high ISO performance of this camera is one of the reasons I fell in love with it. I can take it out at night, and take hand-held shots without having to use flash in pretty much any situation. The results are great, and photos still look alive and punchy at ISO 6400 and even 12800. Things naturally get more grainy once the ISO goes up, but it’s nice-looking grain, almost film-like. I leave luminance noise-reduction completely off in Lightroom. With a tripod and long exposure + low ISO, it really shines, too.
I use the RX1R for landscapes, portraits, and as a walk-around camera. The dynamic range is really something else, and it’s possible to achieve some amazing results. Colors are wonderful, and black & white is rich and deep. It’s easy to pull tons of detail out of shadows and highlights, and I’ve never felt the need to pull tricks like multiple exposure HDR. RAW files have an incredible amount of headroom. After having owned and used the RX1R for two years, I still get blown away every singe time I load the files in Lightroom. The image quality is absolutely staggering, still in 2015.
Settings & usage
I shoot in Aperture Priority (the ring is nice) or Program most of the time, and I use Manual for long exposure shots and stitch-panoramas. The exposure compensation dial on top is a useful tool for quick adjustment. I assigned the little C-button on top to ISO-settings, which I usually leave on auto with a range of 100-6400. Sometimes I lock it when I want to go for a specific look. All 5 buttons are programmable, as well as the four-way buttons under the wheel on the back. I set metering to multi-metering, and it is generally accurate. The auto-focus does a great job most of the time. It sometimes has a little trouble in the dark, but it usually catches what I want after a try or two. I set it to one focus point in the middle. Focus speed isn’t super fast, but fast enough for me.
I never really use the flash (not needed) or video mode (I’m a photographer, not a video guy). The only accessories I have in my bag these days are a GorillaPod and an extra battery. It really feels like everything I need now.
The Carl Zeiss Sonnar T* 35mm f/2.0 lens is incredibly sharp at every f-stop, and it seems to be at its sharpest at f/5.6 and f/8. The photos are so sharp in fact, that Adobe Lightroom’s default sharpening-setting of 25 is too high and creates harsh edges. Usually I end up setting it around 10-15. Having a 35mm prime lens is easy to get used to, especially when it’s as great as this one. I love primes in general; they force you to get creative and walk around to find a good angle.
The battery-life is not great. I immediately turn the camera off after I’ve taken a shot, and I don’t spend much time reviewing photos already taken. I have an extra battery, but since Sony doesn’t include an external charger (at this price point, I’d say that’s strange), I need to switch them around while the camera is hooked up to charge them. The camera has a standard micro-USB port for file transfer and charging, which means it is compatible with pretty much every standard phone charger out there, which is convenient.
Manual focus is useless without a viewfinder (save for forcing infinity focus), as focus-peaking only works with a magnified view. I don’t know why this is, as the Sony A7 cameras are able to do this on the overview view. Another little quirk is that the camera always returns to infinity focus when it wakes up or turns on. This is something I’d like to be able to lock when I’m waiting to take a shot of something that moves. Both these things are fixable with a firmware update, but Sony doesn’t seem to do those with this camera for some reason.
I miss having an infrared shutter release. That seems like a more logical choice to build into this camera than an external mic-input.
The prices for accessories are ridiculous. I’d like to have the viewfinder (partially because using a circular polarizing filter is almost impossible with the LCD screen), but I’m not paying 500 bucks for that. Even their simple metal lens hood costs 200 bucks (check eBay for knock-offs for 1/10th the price). The only official Sony accessory I bought for it was the leather case. Although that hurt my wallet, I’m glad I got it. It provides good protection, and it really emphasizes the old-school cool look.
I’ve never been this happy about a camera, or any electronic device I’ve ever owned. It is not perfect (no camera really is), but the positives easily outweigh the negatives. The more I use it, the more I love it. The Zeiss lens, overall image quality, build quality and size, make the RX1R nothing less than a masterpiece.
I would probably still love this thing if it gave me an electric shock with every photo I take.
I will visit Australia in the near future and many other places after that, so keep an eye on my website and social media pages for new photos soon. Feel free to get in touch if you have any questions or comments, I’m always more than happy to talk.
Many thanks again, Steve, for allowing me to send this in. Keep the website going, I enjoy the hell out of it.
Soon I will be moving out of Mexico and wanted to share with you and your readers some of my pics from my stay in this wonderful country.
Mexico is great city for street photography, people is warm and definitely like their portrait been taken. It’s a huge city, in which it only takes a bit of luck to bump into something interesting to shoot. I focus mostly in street portraits, but also managed to get some other things :).
I used different kinds of cameras Nikon DF, Sony A7ii, and Leica M240. No specific reason for the cameras, I just love all of them :)
Exif data should be intact. Hope your readers enjoy these pics as much as I enjoyed Mexico, and if anyone is thinking of passing through here a few days, please don’t doubt it, you will be surprise how great it could be.
I have been a very frequent reader of your wonderfully informative posts and reviews (via Facebook mainly) over the past few years.
In fact, I bought an x-pro 1 after reading your excellent review back in 2012 (cannot believe it was that long ago). Something about the camera really attracted me to it from the word go…probably its Leica looks along with auto focus (and a great choice of prime lenses). The camera literally pulled me out onto the streets to take pictures! Through past few years I have stuck with it (quirks and all).
The images attached here were taken in London (Shepherds Bush Empire) last year, when I was invited to see a friends band (My Life Story) play a reunion gig.
I wanted to concentrate on the backstage atmosphere (last-minute rehearsals etc.) as there were plenty of photographers to capture the show from the auditorium.
All were shot as RAW files, and the BW conversions were made using photo-shop plug-in silver FX. These were all shot around 1600 ISO using auto focus. I made frequent use of the exposure compensation dial, whilst looking through the viewfinder at the EVF to see the results instantly.
So far I have been very temped to switch to the A7s or the RX1, but have decided to wait a little longer (although fast losing patience) for the x-pro 2 release date and reviews as I have invested in lenses for this system.
Thanks for all of the great work you put into your site.
I first entered photography with a manual 1960s honey-well Pentax and 50mm lens in medical school. It was my uncles and an easy way to collect some credits. I soon expand to a canon 40d, and then the 5d mark II (85 f1.2 lens). However that 5000$ system would often sit at home and only taken out occasionally. I then read your article on the RX1 and RX100 and bought both of those at once with the slush funds of selling my previous canon system. I really loved the RX1, but longed for a little flexibility in interchangeability.
I then switched to the sony A7 and Leica summilux 50 f1.4. But for some reason I couldn’t shake my nostalgia for the RX1 and its images and feel of the camera. The Leica A7 combination felt imbalanced to me (literally b/c of the lens weight and artistically), and i re-invested in the Rx1 and sold the A7. I kept the leica lens though, maybe it’ll get me into the next leica system.
I am a Otolaryngology head/neck surgeon and recently returned from a medical missions trip in Peru. Medicine has really inhibited my interested in the arts, but photography is easily included for documentation purposes. So i hope that you guys enjoy some of my photos, with minimal touch-up and cropping. I think that the operating theater is a place that few people ever get to see the joys and awe of. It’s a place where the lighting is dramatic and where a lot of miracles happen.
Thank you for all that effort of keeping the site up and running. I take a lot from your site but unable to return much cause
none of those sites ship to my city. But your site has helped me buy several cameras and recently it’s the RX1.
I guess many of the photos here are done in low light which I think is where RX1 is most amazing. Journey was here and could only get the 100ft away seat and it still did pretty respectable at ISO8000. I was at Disney on Ice show and was about 120ft away and again I thought what came out were pretty good for a wide-angle lens with 100% cropped photo in low light. Shutter was 640secs as they were move fast and ISO was pretty low at 2000. All shot handheld with high shutter speed to compensate action and handshakes. The old man at the Journey concert
was a cheeky shot from the back at I didn’t realise iso was 12,800 and it is still usable.
There are two shots from Japanese cemetery, almost at sunset. So it was not a lot of lights but it came out OK, a
Putting an old CZ 432/35 optical viewfinder bought from eBay for $100 also helped make the camera more fun to use. Overall I love this camera and what Sony is becoming. I just bought a Vivitar 0.47x wide angle converter just to have more fun with it, so I will share more images if I can get some I think are worth sharing.
By the way, I’m not a photographer by any standard, not an avid nor an enthusiast, so I apologise if the images don’t have artistic value in them.
Many of these images have very high ISO which is the point of this post, the low lights level capabilities of RX1.
My name is Wim Arys, I’m a music producer from Belgium. I’ve been an avid reader of your excellent site for some time now, and enjoy reading your hands on tests of new cameras and equipment. I was very interested in photography as a teenager, but strayed towards music production after high school. My teenage passion was rekindled some years ago when I bought an Iphone 3S, and started taking pictures again.
After a while I became dissatisfied with the image quality and bought myself an EPL5, then an EP-5, a Fuji X100S, a Sony RX1 and earlier this year an Sony A7. My girlfriend and I have a non-profit travel blog www.freeasbirds.com, so we travel as much as possible, exploring the world whilst sharing our mutual passion for photography. For our latest trip to Kenya, I wanted to try out the A7 with a zoom lens on safari. Since there was no E-mount full frame zoom available, I decided to go for the Sony SAL 70300G f4.5-5.6 SSM A-mount with the Sony LA-EA4 converter. Not the fastest zoom, but designed to a high standard, as the G mark indicates and available at a reasonable price point.
I’ve read comments about a zoom lens on an A7, saying that this defeats the purpose of a small(er) mirror-less full frame camera, but this combo is very light and surprisingly easy to handle. I had no problems carrying it around all day and it balances well in hand. Photography on safari has many challenges: the savannah is very dusty, the roads are bumpy and the drivers hardly give you time to frame and focus your shots.
Everything in Africa is supposed to go Polé Polé (take it easy) but these drivers race around the parks like madmen. The SAL70300G with LAEA4 adapter luckily has contrast AF and phase AF on the A7 and our driver John quickly became used the sound of cameras snapping away. The AF is very fast, the only quibble I have is that all the focus points are in the centre of the frame. So if I wanted to focus off-centre, I had to set focus and reframe, which was almost impossible in these conditions. Another problem is the lack of image stabilisation on all A-mount lenses (because the Alpha range of cameras have in camera IS). All my pictures came out a bit bland too (perhaps due to all the dust in the air), but I always shoot in RAW, so with the nice A7 full frame sensor, it was no problem boosting the colours/shadows in post. I normally use Capture One for this, but it seems not to be a good match with the A7. Lightroom did the trick.
I always carry my trusted Olympus E-P5 too, preferably with the fantastic 75mm f1.8 or Panasonic/Leica 25mm. This is still my favourite street camera, although the A7 with 35mm allowed me to take different kinds of pictures when we visited a Masai tribe. After going through my 4000+ pictures at home, I started missing the image quality of my RX1. The sensor and lens combo on this little gem are amazing. It is off course a fixed lens combo, so I never could have gotten these shots with that camera.
The SAL70300G, although a descent lens in good to average lighting, does have its limitations, especially at 300mm. I like the ergonomics and styling of the Sony A7, the ‘loud’ shutter sound does not bother me at all. I think the idea of a stealth camera has become obsolete nowadays, you are fooling yourself if you think people don’t know what you are doing. The autofocus could be faster, compared to the E-P5 but I would not consider it slow. Perhaps just a bit faster than the Fuji X100s. This camera is not a DSLR killer either, I’m guessing in will take a few more versions until Sony (or another brand) gets there.
What the A7 delivers is top image quality in a compact size, though I might return this one and go for the A7r for the added resolution.
If you would like to submit your own guest article, review, or just talk about your experience with anything photographic, send your idea to Steve HERE. You can also read how to do it HERE.
My setup used to be a Canon 350D with various good lenses, then I decided I needed an upgrade and so, after many a umm’ing and ahh’ing over which full-frame Canon model to upgrade to I went and bought a Sony RX1 instead.
That single action brought about a complete change to my outlook on photography and my photographic equipment needs.
The RX1 concept was different to anything that had existed before it and in my view rather refreshing; to provide the best photography output in as simple as manner as possible… and make it small.
It’s not for everyone, the fixed 35mm lens and lack of a viewfinder will be sure to put off hardcore gear addicts and the price will put off everyone else but for those that really know what they want out of a camera, out of photography, will never let go of this marvel.
I shot manual film SLRs from my early days, had a break of 5 years or so and then ventured back into photography with both feet firmly in the digital camp with the 350D. I used it for a while and then I kinda. just. stopped. I had gradually lost interest; digital with all its technological advancements was exciting but something was missing, I loved photography but strangely I didn’t love this.
I picked it up again a few years later and rekindled an interest but it wasn’t until I set my hands on the RX1 that I realised what I was looking for and it was refreshingly simple.
The RX1 is in essence a simple device, it does not have a zoom; it does not have a viewfinder; it has neither the ergonomics nor an AF system that works; and it does not even have a battery charger (!). What it does have however is a wonderful lens mated to a superb sensor and that is all I needed.
The tactile feedback from the all metal construction, the well dampened focusing ring and the reassuring click of the aperture ring around the lens gives quiet confidence when your AF is failing and the battery is about to die after only 300 shots, because you know that when you go home and upload your 300 shots, each one will be as beautifully rendered as the next and just how you intended to capture that scene.
I didn’t care that the AF enjoys the hunt because like a Mountie, he always gets his man (most of the time anyway and don’t even bother trying when anything is on the move). I learnt never to rely on AF in certain circumstances and resorted doing things the old-fashioned way.
The Old-Fashioned Way
One could argue that I’m a little bit backwards; why move from a system which gives perfectly acceptable AF, flexibility of focal lengths and adequate cost for something that offers none of that? I had to focus with my feet, manually twiddle the focus ring and lighten my wallet by a fair few G’s (in HKD that is).
But that was the epiphany, the eureka moment, the realisation that I enjoyed it (well, I would certainly enjoy it more if it hadn’t cost me an arm and a leg but I digress).
What was missing from shooting with digital SLR systems (be it Canon or Nikon) was the process itself, I was no longer enjoying the physical process of taking photographs, it didn’t matter whether the output was good if I didn’t care to take the time and effort to get out there with a camera.
It is a slower process, I would even say a more considered one but I’m not a professional photographer so I don’t need the ability to snap a gnat doing a reverse somersault in the tuck position off a cat’s back from 200m at a moment’s notice lest my family starve from lack of income; I’m just a guy, standing in front of a camera, asking for an enjoyable experience.
When I evaluate a camera during the first few weeks of purchase, I focus on the negative aspects of the camera; once I have a handle on what I don’t like I can then decide whether I can live with it. If I can, I will love it and keep it, if I can’t it’s gonna go; you can see this when I reviewed the Sony A7R.
However, with this “One year in review” I will focus instead on the positive aspects of the camera, what I have found to be the highlights after owning the RX1 for a year.
I love the 35mm focal length. You either do or you don’t I suppose and I do. I’m naturally a wide-angle shooter and lengths from 50mm upwards are awkward for me; I’m always too close to the subject, perhaps I have no inhibitions about getting in close or feel that I lose the intimacy or interaction when shooting people. Oh, and I love landscapes and the close 20cm focus distance when in macro mode is also a boon for those inevitable food photographs.
Consider me a convert to the Carl Zeiss clan; before the fixed 35mm f/2.0 attached to the front of the RX1 I hadn’t had a lot of experience with Zeiss glass, only hearing about them and not giving them much thought. Now I am a true convert and have already amassed a collection of 4 (if you include the one on the RX1). I had never seen the famed Zeiss ‘3D pop’ before now and in good sunlight it is truly evident and a marvel to behold.
The glass is sharp wide open and right across the frame, the colours are pleasing and at f/2.0 is fast enough and beautiful enough (bokeh!) for me to indulge my creative side. It’s so effortless I almost feel like I’m cheating. It’s not perfect, there exists slight distortions and vignetting which can be corrected in post but for the most part can be considered immaterial.
I have read reviews and musings from the world-wide webs which go on to proffer the argument that this could be one of the finest lenses ever produced, I do not doubt them although having the lens mated specifically to a sensor with micrometer precision obviously has its benefits.
The Exmor CMOS sensor is amazing and I am not using that term lightly. I have had access to and have regularly used a number of cameras over time and now also owning the Sony A7R, Fujifilm X-E1 and X-T1, I can empirically say the 24MP sensor housed within that tight metallic body is the best I’ve ever used. Its dynamic range (DR) and noise characteristics are exceptional.
It’s the only file where I can shoot straight into the sun and then pull every slider in post (using Adobe Lightroom) without breaking the image. It’s the only file where I can create HDR images with only one image (instead of the usual 3-plus images). It’s the only file where I never, ever, worry about artifacting in post and lets me really fire up my creative juices. The A7R and Fujifilm files are not even close on this one, like I have already said, this camera makes taking pictures easy.
This thing is tiny; it’s an engineering marvel how they have managed to fit a full frame sensor inside that body. It’s by no means pocketable (unless you are a giant or like wearing trench coats) but it is vastly superior to its full frame brethren. It means that I can carry it anywhere and everywhere I go and I often do; during the last year it has been to clubs, bars, restaurants, functions, parks, hikes, events, trips; Hong Kong, England, Japan, Cambodia, India, Korea, China, Italy and more.
It’s non-invasive, not attention worthy (especially with black nail polish over the trademarks) and not intimidating. It’s the perfect stealth camera which to many may look like an older 1990’s era point and shooter, obviously the fast and silent leaf shutter helps too.
I’ve been with friends and to people’s houses where they remarked why I hadn’t brought a ‘proper’ camera like their large Canon or Nikon systems. I merely shrug and say “I make do with what I got”, little do they know…
It’s a leaf shutter, fast (1/4000s max, although speed limited to 1/2000s when wide open up until f5.6 if I remember correctly) and silent (it really is). It will sync flash at any speed you would want, especially useful for wide open shots during day light.
There is however one thing the RX1 doesn’t give you and it’s something I know I couldn’t live without and that is a viewfinder; I was so used to optical viewfinders in all my previous cameras that it was a given that I would want the same again. Shooting using the LCD screen just didn’t give that same feel or enjoyment so I almost immediately started to look at the Sony OVF.
I tested one and was amazed by how large and bright it was; then I saw the ludicrous price tag and decided that it was ridiculous sum of money to pay for a piece of glass so I started looking elsewhere for third party designs from Leica and Voigtlander. What I saw underwhelmed me enough for me to eventually consider the electronic viewfinder (EVF) as I was not willing to spend so much money on what was essentially a dumb piece of glass. Let’s just say that I am now a convert to the EVF world; would I still prefer a large bright digital SLR OVF? Sure. But EVFs do offer some advantages and I can live with the negatives.
The Sony EVF is a joy to use and only now when I compare it to the EVFs from the A7R, X-E1 (rubbish) and X-T1 that I realised I had started out with a really good example of one. I’m not sure whether the EVF for the RX1 is the same as that built into the A7R but I swear the RX1 EVF is slightly better and is enjoyable to use even alongside the large and bright EVF of the Fujifilm X-T1.
One Year In
I love the RX1. I already know I will not sell it, exchange it or need to upgrade it. When it comes to 35mm, the RX1 is all I need which is why after one year and three additional bodies I still only have one 35mm focal length in my collection and that is the one attached to this camera.
It has changed my whole outlook, my philosophy and my equipment needs.
I want them to be small and manageable; I want that tactile old school feel of an aperture ring; I want a single focal length to keep things simple; and most if all I want to really enjoy using it.
What I would really want is a collection of RX1-type cameras at differing focal lengths; an ultra-wide (~18mm), wide (35mm), normal (50mm) and short-telephoto (85mm). One camera for one task, no changing lenses in the field and if I didn’t bring the right camera with me, I’m not going to stress over missing a shot. Simples.