Nov 262012
 

Fuji X100 Magic Flares..how to create them. By Simon Peckham

One of the special things about the Fuji X100 that I have learnt and still learning while using the camera is the way the photographer can “play” with the light and the resulting image. I will try to explain how I use the camera to control the light in a little more detail. It’s only possible to be able to control the camera this way using the EVF, it is not possible with the live view or the OVF. Take a look at the lens flare in this image.

You can clearly see the wonderful “star” effect from the suns rays. This is due to the blades at smaller apertures. You can’t see these at wide aperture. Then it’s a question of just trying to get the correct camera angle. Taking care using the EVF set the camera to f11 or f16 it works better at these apertures. It’s ok at f8 but since your pointing the camera directly at the sun it’s better using the smaller. Take care doing this looming directly at the sun is not something any wine should be advising or advocating but to get the shot then we need to take some risk. You also need some subject that can be use as a gobo.

The sun is a giant studio or speed light after all so you need a gobo, this can be a tree, leave,car,building it can be all most anything. Now you need to start to frame the shot by looking at the sun and moving the camera to just get the sun to peep around the gobo, this starts the flare, using the EVF you will be able to “see” the flare now you just need to choose you image. It’s amazing to see the effects that can be created this way, I a, often looking to take shots into the sun, I normally choose to shoot towards the sun at the end of the day it seems a little easier to control. Here is another similar shot.

You can see the above shot has creatures a beautiful flare with a partial halo. I love this type of control that I believe can only be controlled using an EVF. I have not been able to do this on any other camera, I am not sure if it is because it is EVF or the fixed fujinion lens. I am really hoping I will still be able to use this technique with either the Fuji X-pro 1 or the new Fuji X-E1. I would certainly like to hear from any Fuji X-pro1 or Fuji X-e1 owners that can try this method and confirm if is works particularly on other lens’s. it would be a real shame to lose this ability to play with e flaring. Take a look at the next shot.

This halo is really fun to play with. I really cannot explain what this is I don’t really know how it is formed but I do know its a similar technique to get it as the 16 point flares, the halo seems to be best created with the wider apertures but it’s created over all the range if you GE the camera angle right. Again use the EVF to do this and not look directly at the sun using the OVF. The full halo takes a little bit of practice to get the right angle. It’s also very sensitive to getting the right angle, pointing the camera at the sun slowly tilt the camera vertically and you will find you can get the complete halo to appear.

Now it’s just up to you to frame this image compose the shot make the halo appear and click away. I will be playing more with this in the future and hope to be playing with the same either on the new Fuji X-E1 or the Fuji X-Pro1 what ever I end up getting and with what ever range of lens I have I really hope I will still be able to create these type of really cool reflective artifacts and flares. We shall see. Go out and have some fun with this and see if you GE the same or similar results as me.

Simon Peckham – His Blog is HERE

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