Feb 042016
 

Visiting the European Motor Show in Brussels

by Dirk De Paepe

A different approach to a car show.

1902 was the first year of the Motor Show in Brussels.

It has been a big event in our country as far as my earliest memories go (and far beyond that). I remember the black and white TV reports, showing the new cars of the late fifties. I still treasure the remembrance of visiting the show as a little boy in the early sixties, together with my parents and my brother, exchanging thoughts about what would be our next car. I also remember visiting with the last class of high school, around 1970, and later a few times to get information for my own next car. The event gets much attention in the Belgian media and provokes lots of traffic jams in the area.

This year, I didn’t visit the show because I was into buying a new car. I visited it because, being such a big event for so many people, I find it an inspirational place to take pictures. Yet this isn’t a typical Motor Show report, with lots of new car models in the lead role. I even carefully avoided to make it too obvious what cars are in the picture. Instead, I wanted to show the visitors. Perhaps you remember from earlier articles of mine, that “people’s behavior” is my favorite subject. Therefor I like to visit places where people behave in a typical, specific or remarkable way.

It always strikes me how people behave in a particular way, when visiting a car show. Well, that’s precisely what I wanted to picture. I’m looking for scenes that stimulate my imagination, that make me wonder what people feel – how they experience the event. I fantasize about their mutual relationships, what there intentions might be, what makes them act as they do, etc…
I hope it’s not too big a disappointment, having to miss all those car pictures, but I’m sure, if you wanna see those typical motor show shots, that you’ll find it not difficult at all to get tons of them on the internet. :-)

First the picture

I invite you to first look at each picture, before reading its title and story. With the title, I try to nail the essence of my personal thoughts about the scene and my intent with the picture. If the title is not immediately clear, the short story will clarify, I hope. Like I said, what I write is just my personal thoughts that go with the scene. I’m not at all saying that those thoughts are all the absolute truth. They’re just the reflections of how my imagination was stimulated by the scene. They are the reason why I took the picture.

It’s clear that I have no part in the scene itself. I’m merely observing and registering. My part is limited to the scene selection, viewpoint, timing and framing. So I didn’t have any power over the light neither. Many consider the light the most essential element in photography. I tend to not share that opinion completely. I believe the most important power of photography is its ability to freeze moments out of reality, giving that moment “a life of its own”. IMO no other art form can do this as easily as photography does. That’s why, again IMO, registering typical and remarkable scenes out of human life, is one of the main “tasks” of photography. Of course, if the light conditions are optimal, that’s wonderful. But I find being there at the right place and the right moment, to be even more important. I believe, when registering, the occurrence outweighs the light.

So each picture is a small story on itself. But let me be clear. I’m not proclaiming that my stories are the absolute truth. Indeed, some of what I describe actually happened. On the other hand, much of it is my personal interpretation of the scene. Which is truth and which is fantasy is completely irrelevant, because I have no journalistic aspirations with this article, not in the least. It’s merely a painting of general human behavior, feelings, reflections. Anyway, I always try to interpret the scene in a way, that very well could have been what actually happened. My goal is to make viewers reflect on human behavior, and thus to induce a better understanding. You are very welcome to interpret those scenes in your personal, very different way. I even strongly invite you to do so. That’s why I prefer the title to be put under the picture, instead of above – like Claude Debussy did with his preludes for piano, putting the title at the end of each score, inviting us to listen and have our own fantasy first, and only afterwards suggesting the subject.

Zeiss Loxia and Batis

When registering, one is first looking for a place that offers opportunities. Then it’s a matter of feeling: moving oneself to a favorable viewpoint, and acting as fast as possible – which sometimes requires cropping/reframing afterwards in pp. To be able to act very fast, is why I often apply zone focusing (with lenses up to 50mm focal length). The Loxia MF lenses are absolutely perfect for this application, IMO – great for zone focusing, thanks to their straightforward DOF scale and fantastic to manually focus very fast thanks to their super smooth focusing ring. Although, for these series, I also used the Zeiss Batis 85 – my first AF lens. I thought it could make sense to have AF in a tele, since its DOF is a lot smaller by definition, which significantly reduces the possibilities for zone focusing. But I have to say that, as far as now, I’m a bit disappointed in AF. I’m just having a hard time, handing over the decision to the camera. And I can’t say I’m experiencing that much “extra comfort” from the AF, compared to using a MF 85mm. It’s different, but on the whole… it’s not that spectacularly focusing faster or better (sometimes the focusing is worse than when performed manually).
Like I said, the other lenses I used were both Loxia’s, 50 and 35 (mainly the 50 here). Those Loxia’s are IMO simply perfect for the A7RII. When Zeiss will make a Loxia tele, I guess I’ll sell the bulkier Batis and replace it with yet another Loxia. (BTW, while writing this, my Loxia 21mm just arrived. The first thing that struck me is that it’s absolutely very compact for a 2.8/21. And I’m also immediately blown away by its IQ.)

OK, enough introduction. Let’s go to the pictures. I hope you’ll enjoy.

 

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Sheer Delight

American cars with big V8 engines are still pretty exotic in Belgium. To experience this is a real joy for many guys, regardless of their age – even if it’s only in a static way and for just a few minutes… at the motor show.

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Still Dreaming

Although already of very respectable age, this man’s mind is in another place. He’s not considering how much he can use this car – how much convenience he can get from it in his professional activity. Instead he’s dreaming about how much he wànts this car – how much pleasure he can get from it for his leisure passion. At the motor show, the dreaming is served for all ages.

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Not Sure

I admire this stylish lady. She proves that women can age beautifully, while still remaining completely natural. I noticed how she came to the show, watching and judging the cars. She wasn’t carrying a paper bag to gather brochures of so many different brands. She was only holding one catalog, the show catalog. A representative was explaining her the specs of a specific model. She was eager for the information. But I think that not all new, modern car features were immediately clear to her, which made her unsure as yet about what to decide. It was the duality of her motivation on the one hand and dubiety on the other that made me wanna take her picture.

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Matters into her hands

This remarkable lady was really into a new car. A few things stroke me. She was on her own. She was visiting the booth of a pretty exclusive brand. She was getting very specific information from this representative for her next personal car. She was connecting very targeted and without any restraint with this young(er) man. I even wonder if he was not taken slightly discomfited by her pretty assertive approach, not looking towards her, while she was absolutely focusing on him. It made me wonder about her place on the social ladder. For sure, she made herself a great career. She seemed to be at the pinnacle of her performance ability – in the stage of her life that she’s 100% self confident, going straight to her goal, fully aware of her exceptional competence. Scenes like this make me realize that we live in an absolute wonderful society in Belgium, where women can make a difference.

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The changing of the guard

Fathers teach their sons. That’s how we believe it to be. But at a given age, this changes, although we usually don’t dwell on it. The son, that I pictured here, wanted to visit the big Motor Show, and has invited his father with him, as a kind of treat. Of course he remembers, as if it were yesterday, how his father took him to the same show as a little boy, more than four decades ago, giving him the best day of his life. Today, he is pleased to return the favor – so happy to demonstrate the marvels of modern car technology, even though his father is at that stage of his life where cars are merely a means of transportation and a lot less thrilling than they used to be. In this scene, the son demonstrates how the lid of this heavy SUV can simply be closed by pushing the button. It’s obvious that the father didn’t know this feature yet. He’s clearly watching in fascination, as if a kind of small miracle is about to happen. I absolutely love this scene. It’s probably my favorite picture of this series. The profound love between father and son screams from it and really moves me.

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Athletism

This man has made it. He’s getting a special VIP treatment. He’s trying out the flagship of a leading brand, a state-of-the-art sports coupé, with all thinkable features and comfort and stunning performance. But merely getting in and out apparently is kind of an ordeal. Although in great shape, training his body on a regular basis, it took quite some time to figure out how to get back on his feet. I took several shots of him – one even showing him with the tongue a bit between his teeth, thinking of the best way to accomplish this task. I even thought of putting those pics in a series of five, for better illustration, but finally reckoned that this one shows a perfect synthesis. It illustrates the required body strength and control. It proves how, once found out the right way to go, one can “dismount” in complete harmony with the lines of the car – as long as one is kind of an athlete. BTW, next picture shows his collaborator (who takes profit from his “boss” to enjoy many exclusive cars on the show), having more difficulties.

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Suction Force

With a less well-trained body and being not that limber as his boss, this guy has great trouble getting in the cockpit. His body just seems much too colossal to ever succeed. At this stage, I almost expect him to be sucked in with a loud “pwah!”, by a big vacuum-cleaner-like force in the car. Well,… he finally got in alright, but the getting back out was just problematic. He performed like a dozen different stages, taking a good twenty seconds to complete the process in the most inelegant way thinkable, before finally getting back on his feet with a big smile on his face – just to conceal the shame of his fumbling. This car clearly is worth every penny – a show within the show.

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A Job to Love

Years ago the girls, working at the booths of a motor show, had kind of a pinup role. Nowadays, there are still (young) women working, but they do a terrific job in informing the visitor. All of them, as far as I could observe, were perfectly multilingual (in Brussels that means at least Dutch, French and English) and were professional in their approach. The young lady in this picture is clearly loving what she does. I spoke to her afterwards, showing her this photo and asking if I should delete it. Of course I could keep it. But the way she communicated with me in an open, friendly and welcome way (like she did with all other people) was simply telling me that she absolutely loves working at the motor show. And she does a great job indeed!

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The Decisive Test

I took four shots of her, since she gave me so many nice poses. When she realized that I was really shooting her, she stopped, looked at me and said (with a big smile): “You are taking my picture, or what?!”. I answered: “Well, I find girls much more beautiful than cars.” “Oh”, she replied with an even bigger smile, “a normal guy!” I can tell you, she is a very beautiful girl, playing a nice role in this scene, kind of how a movie star often has to play expressive scenes. What is the value of a car anyway, when you can’t properly check you makeup…! Her brother, sitting in the passenger seat, is just checking the dashboard. The representative, standing next to her, doesn’t seem to get the relevance of her test and is just patient.

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Tresspassing

When an exhibitor places a barrier around a car, he indicates that this is a very expensive and exclusive model. He expects the visitor to be that tactful, to stay behind the barrier, unless he is invited to approach. The two guys in this scene visit the show together, since they work together (like is the case with many male duo’s visiting a motor show). One is the boss, the other a privileged employee. The employee feels the need to prove his initiative and dynamism to his boss, by stepping over the barrier and elucidate some technical specs of this exceptional automobile. The boss absolutely keeps his reservation, being able to get all the information that he wants, from the place where he is expected to be. In a very controlled and subdued way, he’s perfectly mastering every situation.

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Ultimate Specs

This male duo is young friends, and are staying well behind the barrier. They are reading the specs of a Formula 1 car. And it’s not just any bolide, it’s the one that became World Champion in both the 2014 and 2015 seasons. It’s a car that, for 200% sure, they will never drive. Still they are absolutely fascinated about those specs. Totally unrealistic of course, but still the ultimate car fantasy for sure.

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Inspection

Yet another duo of friends. But those are apparently really into the technique. I guess they know what they’re looking at and that it’s not just an act for show. Future customizers?

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On Facebook in a Minute

I guess about half of the visitors is taking pictures. Many with a camera, even more with their smartphones. Those two cars are in an enclosed environment. I didn’t see how this young man was able to enter “the premises”, but I could see him perform the “I was here” act.

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Enlightened Admiration

The exhibitors spare no effort to draw the visitor’s attention to their booth. Here, they performed a quite impressive light show at the ceiling. This young man is clearly loving it.

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Design

Some visitors have a double purpose: watch and be watched. This young lady drew a lot of attention.

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Keeping it beautiful

Those booth workers, both male and female, have different assignments: informing the visitors and from time to time cleaning up the cars, wiping away the dust and possible finger prints. Like I said, those jobs are done by man and women alike – and I shot them both. But who can blame me that I selected this picture as the most beautiful one?! BTW, again, the professionalism of those workers is remarkable. I was very obviously aiming my camera at here for about maybe a minute to get the right frame. But this didn’t change her attitude or her facial expression one single bit. All the time she just kept on cleaning, just as if I wasn’t there, not specifically posing, but giving me all the time I wanted for my shot! Indeed, the exhibitors still engage beautiful girls, but they are so much more than just looking good.

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The Essence

I noticed this scene, because, although this is one of the smallest cars of the show, it brought the biggest smile on people’s faces – like if it made them realize that it’s the feel good factor that matters the most. This girl clearly enjoyed this particular one a lot. So I wanted to catch her happy face in the rearview mirror. But her face immediately changed in a kind of wondering expression. I didn’t notice that her boyfriend was in fact trying to get a beautiful picture from his love, sitting in the driver’s seat of her dream car. He was waiting for me to leave, because he didn’t want me in his picture. I, from my part, unaware of his presence, was waiting for her happy face again to appear in the mirror. After some five seconds, she understood what her friend was referring to. She looked in the mirror and gave me a beautiful smile. Only at that moment, I understood what was going on, noticing (part of) her boyfriend with his camera in the very corner of my frame, so I came half a step closer. I pushed the button and thanked them both for their open and welcoming spirit. I believe the boy took his shot ten seconds after mine.

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Today and Tomorrow

This is not a typical motor show picture, but rather one that shows our present world. Since Bataclan, also the Belgian government pickets protection at every event where lots of people gather. This is what we see today, and it’s not gonna change any time soon. The shot was taken, while standing in the cue at the cloakroom, just before getting back home.

See more on flickr

You can get more technical details about these pictures, via the exif data, that goes with them on my flickr pages . I gathered all these pictures in HR in a dedicated album, with the obvious title “Visiting The European Motor Show Brussels 2016” (https://www.flickr.com/photos/keepnitgood/albums/72157663992622111), where there will also be black and white versions of them.

And I’d like to conclude with thanking Steve and Brandon for keeping this unique site online. I insist on mentioning with every article, that the opportunity they give us, by publishing our articles, is flat-out fantastic. We have a really great community here, thanks to their effort. And having been in the publishing business myself for over 3 decades, I know that this is far from obvious. I love to read the articles of so many of you, I also hope you liked mine.

Dirk

Feb 032016
 

NEW Sony G Master f/2.8 Lenses Promise to WOW! PRE-ORDER Links HERE!

Sony held a press event this morning in NYC and while I was supposed to be there, an ankle and then a nagging leg issue arose after my last Austin trip so instead of traveling to NYC I had a good friend, Amy Medina,(local to NYC) go cover it for me! It appears Sony is releasing an all new slew of UBER High Quality lenses for the Sony A7 system (FE) as well as the new A6300 (details on the camera later)..

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Sony Launches New G Master™ Brand of Interchangeable Lenses

Three new models including 24-70mm F2.8 Zoom, 85mm F1.4 Prime and 70-200mm F2.8 Zoom deliver unrivaled imaging experiences

NEW YORK, Feb. 3, 2016 – Sony Electronics, a worldwide leader in digital imaging and the world’s largest image sensor manufacturer, has today introduced their flagship G Master™ brand of interchangeable lenses.
Sony’s new brand includes three new E-mount full frame lenses including a 24-70mm constant F2.8 standard zoom, an 85mm F1.4 prime and a 70-200mm constant F2.8 telephoto zoom. Representing the ultimate blend of high-resolution and beautiful bokeh, the new lenses feature Sony’s innovative optical element technology, design and calibration. This allows them to produce still image and video content with a level of detail and expression that has never before been possible.
“The new G Master brand represents the finest and most impressive group of lenses that Sony has ever brought to market,” said Neal Manowitz, Vice President of Digital Imaging at Sony Electronics. “With our knowledge of what the future will bring for digital imaging, we have designed these lenses and can ensure that the G Master brand will inspire and ‘wow’ photographers and videographers for years to come.”

Sony claims these lenses are the best lenses they have EVER created and they promise that these new lenses will WOW users with the stunning IQ capabilities. I have no doubts that they will and I look forward to testing this new glass soon. Details below with images to come a little later today from Amy.

New FE24-70mm F2.8 G Master Standard Zoom Lens – Pre-Order it at B&H Photo HERE

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Featuring some of the most advanced lens technologies in market today, the new FE 24-70mm F2.8 GM (model SEL2470GM) is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting1.
The new lens is built with three aspherical elements including a newly developed, extremely precise XA (extreme aspherical) element that reduces aberration and delivers the ultimate resolution throughout the entire zoom range and aperture range, as well as from corner to corner of all image files. Additionally, an ED (Extra-low-Dispersion) glass element and Super ED glass element keep chromatic aberration to a minimum while maximizing resolution and bokeh without any unnatural coloration.
The lens features a 9-bladed aperture that maintains a near circular shape at all settings and is coated with Sony’s original Nano AR coating to suppress reflections and ensure spectacular contrast and clarity.
The new FE24-70mm F2.8 GM lens has a direct drive SSM (Super Sonic wave Motor) focusing system that works with incredible efficiency thanks to a new set of algorithms that positions the lens elements quickly and accurately. The motor is smooth and quiet, making it an ideal choice for shooting both still images as well as movies.
To maximize usability, the lens is dust and moisture resistant and features a compact, streamlined design that includes AF/MF switch as well as focus hold, zoom lock and hood release buttons.
Two new matching filters for the FE24-70mm F2.8 GM lens have also been introduced, including the VF-82MP MC protector and VF-82CPAM Circular PL filter..

The next G Master lens coming off the line is the new 85 1.4 which MANY have been waiting for patiently. ALso shipping in March and coming in at $1800

New FE 85mm F1.4 GM Telephoto Prime Lens – Pre-Order at B&H Photo HERE

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Designed as the ultimate portrait lens, the long-awaited new FE 85mm F1.4 GM telephoto prime lens (model SEL85F14GM) strikes a perfect balance between resolution and bokeh in a compact package.
The lens features a new XA (extreme aspherical) element as well as three ED glass elements that work together to ensure that the in-focus areas are captured in extremely high resolution while the surrounding out-of-focus areas dissolve smoothly into a beautiful soft backdrop. It has a circular aperture with 11 blades – the most ever used in an α lens – that ensures bokeh is smooth and visually appealing. Externally, the new model has Sony’s original Nano AR Coating, which is of particular importance in a portrait lens as it reduces flare and ghosting, even with backlit subjects or similarly challenging lighting conditions.

For accurate autofocusing, the FE 85mm F1.4 GM lens includes a ring drive SSM motor system that provides ample power and speed to drive the lens’ large, heavy focus group. It’s also equipped with two position sensors to support flawless focus control of the large, heavy lens elements.

The New FE 70-200 f/2.8 G Master Lens – Pre-Order at B&H Photo HERE

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Covering the frequently used 70-200mm focal range, the new FE 70-200mm F2.8 GM OSS telephoto zoom lens (model SEL70200GM) offers extremely high rendering, AF performance and image stabilization, making it a versatile choice for shooting wildlife, sports, weddings and a variety of other events and locations1.

The new flagship telephoto zoom model delivers extraordinary sharpness and clarity throughout the entirety of its zoom range thanks to its three advanced lens elements including XA, Super ED and ED glass components, as well as its Nano AR coating.

The new FE 70-200mm F2.8 GM OSS lens features a floating focusing system – implemented in an α zoom lens for the first time – that contributes to an impressive minimum focusing distance of merely 0.96m and ensures AF performance is optimized during both still and video shooting. The lens includes a SSM (Super Sonic Motor) plus dual linear motors that work together to move large lens elements quickly – a task that requires a high level of drive control and ensures focus accuracy. The new model also has built in Optical SteadyShot™ image stabilization for capturing sharp, blur-free subjects at all focal lengths and a rotating tripod mount that allows the camera to be quickly removed from a connected tripod as needed.
The new 70-200mm telephoto zoom lens is dust and moisture resistant with an additional fluorine coating added to the front lens. It also has a focus hold button as well as a focal range limiter.

Sony has also announced new compact 1.4x and 2x Teleconverters – models SEL14TC and SEL20TC respectively – that offer even greater reach while maintaining the overall streamlined design and feel of the 70-200mm lens.

Pricing and Availability

The new FE 24-70mm F2.8 GM Standard Zoom and 85mm F1.4 GM Telephoto prime lenses will be SHIP in March for about $2,200 and $1,800, respectively. In Canada, they will be sold for $2,900 CA and $2,400 CA, respectively.
The new 70-200mm F2.8 GM Telephoto Zoom Lens and its compatible 1.4x and 2x Teleconverters will be available in May. Pricing is not yet available for these models.  The new G Master Series of interchangeable lenses will be sold at a variety of Sony authorized dealers throughout North America.  A variety of exclusive stories and exciting new content shot with the new lenses and other Sony α products can be found at www.alphauniverse.com , Sony’s new community site built to educate, inspire and showcase all fans and customers of the Sony α brand.

Feb 022016
 
Sydney+Wedding+Photography+Gallery+21

A Professional Wedding Photographer’s Perspective on Switching to Sony Mirrorless


by Peter Georges

Excluding short interludes with cameras from Nikon, Fuji and Leica most of my photography life has been centered on Canon DSLRs.

Although it functioned as my workhorse system, I was never completely satisfied with what was on offer from Canon. Issues of sensor technology aside, DSLRs have issues pertaining to focus accuracy once higher megapixels are involved. Issues relating to mirror slap and the lack of image stabilization on prime lenses also become difficult to deal with as the megapixel count rises. As I would later learn, there are other advantages mirrorless systems offer that make it difficult to go back to a DSLR camera.

Read on to find out why I made the switch to Sony Mirrorless, why DSLRs are history for my style of photography and what I think remains to be done to completely seal the deal.

A7RII

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The Early Steps

Initially it was the Sony A7s that drew me in. Sony became professionally acceptable for video use well before photography. It makes sense doesn’t it? Autofocus does not factor into the equation very much allowing an easy jump into a new camera body while adapting your existing Canon EF lenses with ease.

It stoked my curiosity with regard to the viability of the A7 system for professional photography. I picked up a Sony A7II and the Sony FE 35mm f/1.4 Lens and after some heavy testing went in to my next wedding with that combo. A Canon 5d Mark III kit was available as backup and tele reach. It worked! Almost…

A7II + 5d Mark III wedding: http://www.petergeorges.com.au/jonathan-monica

Although I delivered some of my best images, the Canon had to come out more often than I’d have liked. Unfortunately the A7II wasn’t completely ready. Poor tracking, no continuous autofocus when using eye detect and poor low light autofocus meant the 5d Mark III had to be used for the bridal entrances and for almost the entirety of the reception. Although the A7s was better at picking up focus in low light conditions, the lack of phase detection meant it was simply too slow to capture people in motion.

A7RII

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The Camera That Changed Everything

Then – almost as if to immediately curb my disappointment in the autofocus performance – the Sony A7rII was announced and I picked up mine on the day of release.

All of a sudden I could use continuous eye detect focus (a revolution in itself), focus in low light and track subjects coming toward me with ease.

A problem with mirrorless cameras is the lack of support for firing IR flash beams to achieve low light autofocus. I believe it’s to do with the autofocus points being on sensor which is behind an IR filter. They need to be many stops better in low light conditions compared to a DSLR to compete. The advantage they do have however – unlike DSLRs – is that the autofocus operates based on the aperture of your lens rather than a fraction of the light being passed by the mirror to a separate autofocus sensor. In all my experiences so far the A7rII with a 35mm f1.4 can achieve focus even in extremely dark club environments.

As high megapixel DSLRs make the job of producing sharp images more and more difficult, the A7rII has the perfect storm of technologies that make it easier than ever:

Image Stabilization which is applied to all lenses including f1.4 primes
• The traditional mirrorless strength of accurate focusing, without the need for per-lens focus tuning
• The lack of mirror slap
• The lack of shutter vibration thanks to an electronic first curtain shutter
• Continuous eye detect autofocus, since getting critical focus on the eye is always key

Add that with a WYSIWYG view on your exposure and it means a staggeringly high hit rate. Allowing you to focus on making great artwork rather than managing the technical aspects of photography.

I happily said good bye to chimping.



Full Sony mirrorless wedding: http://www.petergeorges.com.au/ryan-georgie

A7RII

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I can’t say enough about the joys of having a tilt screen with the same focus capability as the EVF. It has been a mini-revolution. I rarely hold the camera up to my eye and thanks to IBIS I don’t receive a penalty for the slight loss of stabilization. This has allowed me to experiment with creative angles so much quicker than having to move my whole body into position. Once again it is a culmination of features which makes it impossible to go back to a DSLR.

Current Limitations and the Future

It will only take one or two more generations at the rate Sony is going to completely close the gap on the remaining DSLR advantages: speed, durability and native lens selection. There is no technological reason at all why it won’t happen – and quicker than many expect. Mirrorless cameras have the potential to do everything a DSLR can do. The reverse is not true.

Speed is the key. With faster and faster sensor read outs and more advanced onboard image processing the disadvantages of mirrorless melt away.

A7RII

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I do have some issues with the current implementation however, so to Sony I say:

• Give us dual SD slots throughout your A7 model range! This is absolutely critical especially if you want to capture the wedding market. Don’t leave this to the mythical A9, put it in the A7iii. This should be a standard and not a way to get people to buy a camera with features they don’t need. At the moment I’m forced to back up my images multiple times throughout the day because SD cards can and will fail.
• Work out a nice solution for moving the focus point. There are situations where there are no eyes to detect and a simple joystick would do wonders. The current system is an ergonomic nightmare.
• Consider releasing larger and more durable models with better battery life.

As for Canon and Nikon? I predict they will eventually strip the mirror box from future generation 5d’s and D810’s while retaining fast autofocus with EF and F mount lenses. They would be absolutely crazy to get rid of their lens advantage. They won’t have the smallest or lightest cameras, but they will be smaller and lighter than they currently are. More importantly, not a single one of my reasons for moving to mirrorless was size or weight.

I’d like to thank Steve for letting me contribute to the site.

Peter Georges

http://www.petergeorges.com.au
https://www.facebook.com/petergeorgesphotography

Jan 222016
 

It’s Friday! WooHoo! Enjoy your weekend and be sure to come back NEXT WEEK!

Hello to all here! It’s Friday and I just wanted to wrap up this week by saying ENJOY IT! If you are in the path of the Monster SnowStorm heading throughout some states in the USA, STAY SAFE, STAY WARM and get some images if you can! I will be here NEXT WEEK with some testing of new exciting gear, reporting from Austin TX and then New York City! So start checking back Monday for some cool news and info.

This past week I have been using my RX1RII more and more and have been really getting into it. My RX1RII has no issues  – at all. It is stealthy, quiet, quick, and provides rich stunning IQ. I bought THIS hood for mine and it’s nicer than the Sony version that costs so much more. All metal too.

Debby as an Evil Clown. RX1RII and PP 

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I have also been testing the Leica 50 Summilux Limited Edition (GORGEOUS VERSION OF THIS LENS!) on my Sony A7RII and it is just as lovely using the Sony as it is on the Leica SL for most shooting. It’s got some crazy pop, color and sharpness that is somehow beating my last couple of 50 Summilux lenses. Not sure if they lucked out and had a superior glass chunk for this addition or if they were assembled with more precision or if the housing of the 1959 version helps it. Maybe my last two standard Lux’s were not 100%. Who knows. I just know the last time I had a 50 Lux designed like this, it was also PHENOMINAL (The LHSA Edition many years ago). See more of what I wrote about it HERE. 

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I did nothing to the OOC shot below yet look how amazingly sharp it is where I focused. A7RII, 50 Lux. Click for 100% crop at the right size. Keeps the 50 Lux Character as well.

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ENJOY YOUR WEEKEND!!! STAY SAFE, STAY WARM!

Steve

Jan 192016
 

HUGE SAVINGS! AWESOME Sony RX1 Deal with OVF – NEW for $1695!

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WOW! ONE OF MY FAVE CAMERAS OF ALL TIME, the original Sony RX1 is now on clearance at B&H Photo and they are giving the RX1 in addition to the Sony OPTICAL VIEWFINDER, a Lowepro Bag and a 32GB SD Card. $1695 total. This is a huge savings of over 50% off, and its new and with warranty.

The original RX1 to this day offers lovely IQ as the original sensor is still quite amazin g today IMO. I love my RX1RII but the old original still rocks, just a but slower, lol. See my original review here of my 2012 Camera of the Year, the RX1. 

To see this offer directly CLICK HERE

Jan 182016
 
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New E mount and M Mount Ultra Wides from Voigtlander!

YES! Voigtlander has once again announced new glass and this time the new lenses are not only for Leica M mount but now Sony E mount as well! It seems Voigtlander has taken notice of Sony’s popularity in the full frame mirrorless world and have created a 10mm, 12mm and 15mm lens for the E or FE system. Yes, these are manual full frame lenses and they look as beautiful as can be ;)

The new lenses for Sony FE include a 10mm f/5.6, 12mm f/5.6 VIII and the ever so popular 15mm f/4.5 VIII. These versions will work perfect on the Sony system as they were designed for the Sony system. No more issues using these ultra wides in M mount on the Sony. So THIS IS AWESOME as the 12 and 15 are fantastic pieces of glass that can go up against any Ultra wide in the same Focal Length. See them below:

The 10, 12 and 15 are available for pre-order at CameraQuest NOW. INFO HERE!

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Voigtlander is also releasing new M mount lenses. The 10 f/5.6 and the 12 f/5.6 VERSION III which is improved yet again like they did with the 15 Version III. I can not wait to see the 10mm in action as 10mm is WIDE.

The new M mount Ultra Wides. The 10mm f/5.6 and the 12mm f/5.6 VIII. Available HERE

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I am thrilled to see Voigtlander start making lenses for the Sony FE system. Especially well made manual lenses such as these as it adds a unique twist to the usual auto focus experience. Reviews will be coming soon!

Jan 102016
 

Zeiss Sonnar C ZM Lens for sale, As new in box! $680!

SOLD!!! The Sonnar is SOLD!

1st come, 1st serve! This is a 2 week old Zeiss Sonnar C Zm lens (Leica Mount). Works amazing on any Sony A7 body, the Leica M or the Leica SL. You can see my recent report on it here.  This is a very unique lens, and so much different from just about any modern 50 out there. It has the creamy bokeh, 3D pop and creamy color that Zeiss is known for. The lens sells new for $1200, and I am selling it, as new in box, unregistered for $680 as a “reader appreciation” special. Every now and then when I sell a personal lens or camera I offer it at a much lower price than normal, so if you want this one, in black, in box, $680 via paypal will get it ($20 shipping).

If you want it, 1st one to email me and pay gets it. EMAIL ME HERE if interested. 

**I also have a Leica 50 Summicron (pre APO, no 6-bit) in leather Leica case (latest version before APO) for $1250 and a 90 Elmarit 2.8 (latest slide out hood version before it was discontinued) ASPH I am selling for a friend at $1250. I have them in hand and both are a 9 condition. Just no boxes or 6 bit coding. This is actually my 2nd fave 90mm lens next to the $3600 90 APO. $1250 is a steal for this guy**

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a few shots with this lens on the Sony A7RII and the Leica SL. 

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Jan 082016
 

Shooting the original Sony RX1

by Franklin Balzan

So last week I received my RX1R camera… yes its the first version of the camera (second technically as there was asl othe RX1). You may say that I am a bit late in this purchase as Sony has recently announced the RX1R II version of the camera… but the reason I bought the first version of the camera is I intend to use this as a fullframe compact carry around camera and not for work related stuff.

The Technical Details

The RX1R camera has been greatly praised in all reviews I have read, with its amazing dynamic range, very good bokeh and low light performance. The camera comes with a fixed lens 35mm Zeiss prime (f2), a very flexible So the camera had everything that I needed, in a very compact body. Also the camera has a silent shutter – no sound at all when you click for the picture – making it perfect for discreet work.

When I say that the camera has an amazing dynamic range, I really mean it. In fact it seems that it even wins against my A7s and A7ii in the amount of information and detail I am able to recover.

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Usability

If you are like me, I am always imagining street photography shots as I walk around. It happened to me a number of times that I said to myself that I wished I had a camera with me. Now I am making a resolution with myself to carry this gem around with me, wherever I am and up till today (around 2 weeks of use) I have always been able to take it with me apart from one time when I wore a very tight jacket.

What is missing

What I do miss, more then the viewfinder, is a tilting screen. Since this camera is a street photography workhouse, a tilt screen would have been really useful to shoot from the a low point and not attracting too much attention. I have also decided to purchase a wrist leather strap, since I find the camera grip to be existent and constantly feel as if the camera is going to slip from my hands.

The Pictures

I am here sharing some shots I have taken with this camera up till now.

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Well I must say, I am really happy with my RX1R and I feel I will be using is a lot over these Christmas holidays ! :)

More of my work on www.fbalzan.com

Jan 072016
 

Mixing Music & Photography

by Eliot Lewis

My name is Eliot Lewis of the Daryl Hall & John Oates band and the “Live From Daryl’s House” TV show and Independent artist.

I first discovered Steve from his awesome shots of Seal who I was lucky to cross paths with several years ago and since then I’ve been following this fantastic website almost on a daily basis. I’ve also been shooting for many years while on tour as I’m always inspired to document my travels.

I like to travel pretty light so recently I’ve been shooting with a Sony A6000 with two lenses and a Panasonic LX100. I’ve been very fortunate to mix music and photography and have even done some photos and record covers for Daryl and John.
We recently finished a tour of Japan and returned to the legendary Budokan arena.

Here’s a few from this tour and many thanks for looking. You can see more of my photography at www.eliotlewis.com

“My View” taken with Sony A6000 and the Sony 10-18mm

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“Osaka Girl” taken with Sony A6000 and the Sony FE 28

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“Osaka Girl” taken with Sony A6000 and the Sony FE 28

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Dec 222015
 

A Maltese mirrorless wedding with Sony

by Franklin Balzan

Hi there! First of all let me say that I am extremely happy to finally contribute to this blog! I am Franklin, an engineer with a passion for photography from the small island of Malta. Since the start of my interest in photography, in the last couple of years I have been shooting with mirrorless cameras. I was intrigued by the Sony Mirrorless realm… maybe due to their lighter and smaller than the equivalent DSLRs, I first purchased a Nex 5, then a Nex 6 and finally the a6000 before I upgraded to fullframe. Its been quite a journey…

The Gear

My current setup is as follows:

Bodies:

A7s + JB Hand Grip
A7ii + JB Hand Grip

I cannot stress how much the JB handgrip improves the handling of the camera. I have also a Meike vertical grip, however the JB grip is just better – lighter, takes less space and adds a vintage look to the camera!

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Lenses:

  • Sony 35 f1.4
  • Zeiss Batis 85mm f1.8
  • Sony 16-35

These are the main lenses I am currently using for my work at the moment. I also owned the Sony 24-70z for a while but I did not find it sharp and fast enough and have therefore decided to sell it off.

Lighting:

I am currently using two Nissin di700 together with their air controller which can wirelessly trigger them.

Other

  • Optech sholder strap
  • Think Tank mirrorless camera bag
  • Lowepro Flipside 300

I find this setup to be flawless for portraits and acceptable for wedding photography, even though in a fast paced wedding the autofocus sometimes struggles to keep up – nothing which can’t be worked around with a bit of tempo. The IQ is however flawless and I have made a decision to use the two bodies both with prime lenses attached, giving me different views during a wedding or a shootout, mostly shooting in a wide open fashion.

Pre-wedding shootout:

I had already met this sweet couple some months back for their engagement photoshoot at the St. Lucija Chinese Garden. For this shootout, I used my a6000 camera and a sparkle of imagination!

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Wedding day

On the 6th of November I had the opportunity to shot Alex and Veronica’s wedding – a simple yet elegant wedding. The wedding day started with the makeup artist arriving at the Bride’s house in Birzebbugia. In Malta, The gorgeous November day, coupled with the sea view available from the house’s balcony, refreshed the bride and her family. As the preparations were underway, the air was filled with excitement… and soon the time arrived for the limousine to take away the bride.

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​Veronica and Alex married in the Tal-Herba Chapel located in Birkirkara and then followed up the wedding with a private function at a restaurant in Valletta. The location’s choice, while simple and elegant, provided also with an opportunity to use the bar for a quick shootout. The wedding was relatively slow-paced, so I had no problem with the autofocus.

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More of my work can be seen on www.fbalzan.com. I look forward to your comments.

Dec 182015
 
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The Sony RX1R Mark II Review

by Steve Huff

If you are interested in the RX1R Mark II I recommend the dealers below 100%:

B&H Photo – Click here to order the camera or see more info on the B&H Page

Amazon – Order via Amazon Prime RIGHT HERE!

Here we are at the last edge of 2015 and about to head into 2016. YES! We are NOW in the future! Remember back in the 80’s? Well, if you are old enough you do..when many TV shows and movies would be set in the future..like 2010 or 2020 and the vision of earth was always full of either flying cars or spaceships or the world was already gone due to nuclear wars. One thing they always tried to predict was technology, and usually it was way over the top. In any case, as we launch into 2016 we have cameras that beat the pants off of cameras that were launched just 2 years ago. Technology is here, and it is good. While not “Buck Rogers” kind of good, this new Sony is beautiful, but I never doubted it would be anything but.

RX1RII – Also some PP work with this one ;) (Blur, Contrast, Smudge)

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Yep, but back in the day we would shoot film. Remember the cheap disc film or the 110 film? AWFUL quality but those cameras and film were had for cheap, and they fit in your pockets ;) Today top end cutting edge digital cameras are made for professionals, enthusiasts and serious hobbyists. They have to be as these things are costing more than they ever have it seems. A Leica SL for $7500 without a lens. A Leica M for $5600, no lens. A Sony A7RII for $3400, no lens. A Leica Q for $4300 which is a single fixed lens camera, and now this…ladies and gentleman…I give you the long-awaited…

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Enter the new Sony RX1R Mark II

When the original RX1 was released it quickly became my #1 favorite go to camera for SO MANY reasons. I put up with its faults simply due to the fact that it gave me the best image quality I have seen up until that point. Rich, creamy, full of life, detailed, sharp, gobs of micro contrast, nice bokeh and an overall character that approached the look of Medium Format. It was the 1st 35mm full frame digital that I felt this way about and it even beat out my then previous 3 year love affair, the Leica M9. I suggest reading or refreshing with that old review HERE to see the main character and feature set of the RX1R II as it is mainly the same as the old version with a host of new features, all of which I will talk about here.

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Somehow Sony created a 35mm full frame camera in that original RX1 as it gave and produced output VERY much like Medium Format but less sterile, as in, it was almost perfect but still had plenty of character. This was my view on it and it quickly became my all around take everywhere camera. After the RX1R (R stands for RESOLUTION as it had No Low Pass filter) was announced and I reviewed it, I then fell in love again even though the camera was the same, just without an AA/Low Pass filter for even MORE detail. It boosted the RX1 up a bit with more of everything that made it great.

Unfortunately it (The RX1R) also kept all of the things that frustrated most about the camera..AF speed was dog slow and the lens looked like a 90 lb weakling trying to push 300lbs. It was slow but most who loved the RX1 and RX1R loved it for what it rewarded their patience with. Some of the most beautiful IQ ever seen in 35mm. The original has sort of collected a cult like status with users who own them vowing to NEVER give it up.

All three image below are from the new RX1R Mark II. Click them to see them correctly.

Kurt Kamka – Lunch Meeting in Phx AZ

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My son Brandon sleeping in until noon..

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My beautiful Debby once again helping me test cameras ;) 

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Then there was the Q

In mid 2015 Leica announced and released the Q, which is a camera that aimed directly at the Sony RX1 and RX1R. It is sort of small (though the Sony is quite a bit smaller) has a 28mm f/1.7 lens instead of a 35 f/2 like the Sony and well, it is a Leica. It has the red dot and all and is assembled in Germany. Coming in at $4300 which is $1000 more than the Sony, many felt it would be a Sony killer, and to be honest, it was. It took on the original RX1 and upped the ante with a BUILT in damn good EVF of which the RX1 lacked. It also has a touch screen, a beautiful LCD and has VERY fast AF. It’s a snappy all in one camera that also manages CRAZY GOOD IQ. Now, I do not feel the IQ can match the medium format look of the Sony but it is up there with the best there is in 35mm.

Overall, the Q beat out the old Sony and many were quick to fork over $4300 for the Q, and many still are. It’s one of Leica’s more popular digital cameras of the last 3 years or so. The 24MP sensor in the Q is stunning, so much so that they use it in the new top end SL that comes in at $7,500 (and won my Camera of the Year for 2015, see my review HERE). You can read my Leica Q review HERE.

So how would Sony answer Leica’s RX1 clone, the Q? And would it beat it?

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Enter the Sony RX1R Mark II!

It’s HEEEEERRRREEE and BOY, were MANY waiting for it. This camera has made my  inbox explode more than any other camera in recent memory. Most of you know I am a HUGE fan of the original RX1. I consider it a legend already due to the IQ alone. Now that we have the Mark II version with a FEW new things, it’s closer to perfect that it has ever been, and for me, this new R2 beats the Q. This will not be a huge LONG review as this at its core is still an RX1. Same body design, same feel, same lens, same controls, etc. So this review will focus on real world use while sharing thoughts and images from my 3 weeks with the camera that I have had the pleasure of shooting for the past few weeks.

All images in this review should be clicked on so you are seeing the correct version

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The RX1RII and its 42 MP sensor deliver “delicate detail”. It’s never analytical in its rendering but instead it offers what I like to call an ‘Organic Flow” to the rendering. For example, in the boring image below look at the screws, the web, the areas between what IS and what is NOT in focus. It’s falloff is fantastic and that is thanks to the Zeiss 35 f/2. This is a powerful camera that fits in my coat. Wow.

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Color & Light

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Click on this one to see the beauty in the rendering. 

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Lovely Blues from the Sony Sensor…

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Sony did not rest and now RX1R Mark II is here. That’s a mouthful, so I will call it the R2 from now on this this review. 

The new RX1R 2 looks the same, feels the same and yes, even smells the same as the original RX1 and RX1R. Upon closer inspection you will see the built in flash has been removed (not many used the flash, including me as this kind of camera does not need a flash) and now we have a very nice and sleek built in EVF that at first glance looks like an afterthought but in reality is a very nice powerful EVF, slightly improved from the A7RII!

So we now have the camera with a built-in EVF and most importantly faster auto focus which was the main #1 complaint on the original RX1 from those who used it or owned it. The new R2 has 30% faster AF, and I believe it as it is much much snappier than the old one, and even competes head to head with the Leica Q in AF speed. Also, I had no AF issues with the camera.

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So what is new in the new R2? All of the below!

  • New backlit 42MP full frame sensor. Yes, the same sensor as the A7RII!
  • New built-in and pop up EVF that is slightly better  than the A7RII EVF!
  • The new Af is 30% faster than the old RX1 series. This is evident as soon as you use it. 399 Phase Detect Points.
  • Swivel LCD screen this time around
  • Adjustable or Defeat-able Low Pass/AA filter! This is now an RX1 and RX1R in one body!
  • Eye AF now in this model
  • WiFi and NFC inside
  • Uncompressed 14 Bit RAW
  • Multiple Aspect Ratio Support
  • Smart Zoom to crop in camera without losing quality..use this with Macro mode ;)

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The Sony RX1RII uses the same battery system as the old RX1 and RX100 line. It is one of the weaknesses of the camera so be sure to invest in 2-3 more batteries (you can get generic versions VERY cheap) to get you through the week.

The more I shot with the RX1R2 the more I was falling in love again, just as I did with the original. But at the same time, I have shot with the competition, THE competition that copied Sony and made a better camera than the old RX1 (Mark I). That would be the Leica Q.

The Leica Q vs the RX1RII

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While the mighty Q beat the old RX1 and RX1R in just about every way, how will the Q stack up against the latest and greatest from Sony? With this top of the heap technically advanced 42MP backlit sensor, how could the Q compete? Well, lets take a look..but 1st, see my video on the RX1R II vs the Leica Q:

NOTE: I incorrectly spoke at one point with the Leica Q in this video. I said it will stop down the lens automatically when closer than 1M. I was thinking of the X. The Q does not do this but will stop down when in Macro mode. 

So at the end of the day, for me, I prefer the new Sony but it’s VERY close. My main reason? The Sony is $1000 less expensive and gives me slightly superior IQ, or at least “different IQ”, and is smaller… though I have no issue with the size of the Q. But do not take my word for it, let’s see some comparisons. Who knows, you may prefer the Q!

Away we go…

1st up. ISO

Let’s get this one out-of-the-way 1st. High ISO. Let’s face it, below these high ISO’s both cameras are comparable, but how do they stack up at 50,000 ISO? Let’s see…

Sony RX1RII – RAW – ISO 50k  – MUST CLICK IMAGE!

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LEICA Q – ISO 50K – RAW – MUST CLICK IMAGE!

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Sony wins, the Leica has banding at its max ISO, and Sony still has steam pushing along to ISO 102,000..Sony Wins the ISO here.

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Portrait? These are all good IMO. One is from the Leica Q, one from the RX12 and one from the Leica SL with 50 APO (which is easy to spot). Can you spot which is which? EXIF info is in the photos..

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Same shot. The 1st one is the RX1R 2 as you can tell from the longer focal length of 35mm over the Q’s 28mm. 

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Sony is handling the color better so far…also, bokeh effect will be more pronounced on the Sony due to the longer focal length.

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Boots…1st up, Sony

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Leica Q

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1st, Sony

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Coming in at $4300, the Q is expensive but hey, it’s a Leica. People love the idea of Leica and when they released the Q, and it exceeded expectations, well, the old RX1 kind of became forgotten. It was much slower than the Q and was dated in comparison. As you can see above the Sony delivers the goods. Some will prefer the Sony rendering, others the Leica. There is no wring choice here but for me, the RX1R II delivers the goods in a bigger way while being smaller and less expensive by a grand.

Now there are areas of the Q that beat the Sony. For example:

  1. The Q has a 1/16,000 shutter speed so you can shoot wide open in full sun, Sony does not
  2. The Q is a bit snappier to AF but only by a little
  3. The Q Design is Nicer IMO
  4. The Q menu is simpler than Sony’s
  5. The battery life is better on the Q
  6. The Q has a touch screen, not on the Sony.

With that out of the way, the Sony has some things to like over the Q…

  1. Latest sensor tech with the 42MP Backlit sensor from the A7RII Flagship delivers stunning results
  2. Swivel LCD
  3. Smaller size, can indeed fit in a coat pocket, Leica Q can not
  4. Better high ISO performance means better night time shooting
  5. files have more of a medium format look over the Q’s harder look
  6. More dynamic range from the Sony
  7. $1000 Less expensive than the Q
  8. You can turn on or off or adjust the AA filter. Want to avoid MOIRE? turn it ON. Want max detail, turn it OFF!

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What I tell everyone when they ask “Which should I get” I say “go with what you feel would make you the happiest and don’t look back”. There is no perfect camera but they are getting mighty close these days! The new Sony RX1RII is a stunning machine with power that you would never think could come from a camera this small. I had people looking at some of my sample shots telling me “did you use the Pentax 645”?!? It’s something that Sony is doing these days but the images that come from their latest cameras do indeed have a medium format feel to them.

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And the black and White conversions can be stunning!

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The Details…

Remember, this guy packs the 42 Megapixel sensor of the top of the heap FLAGSHIP Sony A7RII (See review HERE). That is FORTY TWO MILLION pixels in your coat pocket! That is the draw to this camera, not “Which one is better”. This is the smallest full frame camera you can buy as far as I know, and according to Sony, it offers the best IQ of any camera they currently produce. This is the top of the heap for IQ when it comes to Sony full frame. At the same time, it is not the best for video, and even Sony will tell you this. This camera was designed for the enthusiast and passionate shooter who wants a no compromise camera  – one they can shoot day, night or anywhere in between all the while getting top of the line quality that will beat just about any full frame camera around well past its price point.

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The camera also has an adjustable AA filter meaning if you want MAX RESOLUTION turn it OFF and you have an RX1RII. Turn it on and you have an RX1II. Adjust it and you can customize it to your needs. Me, I left it OFF at all times as I am ANTI AA filter. I RARELY EVER have Moire issues, so always leave it off.

But let’s see some shots with 100% crops to check details…

These bricks…this is a JPEG but click it to see the full 100% crop

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Again…

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…and again…

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…you get the drift…

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corner to corner this camera is sharp..this is an OOC JPEG

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Any reports you may have heard about the Sony RX1RII’s image quality not being as stellar is it was hyped up to be..well, not sure what to make of those (must have had a stinker) as I think the camera is as good as it gets in this class of camera. It bests the old model easily in speed, usability, and image quality. It’s more versatile with the nice pop up EVF and delivers a fantastic experience. In all other ways it is the same as the 1st version. Same menu system, same size, same style, same lens, etc. So there is nothing to report on there.

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I did hear something about Sony stopping production for a few weeks but I have not confirmed this nor do I know what it is about (I do not go by rumors or “he said/she said”). If this is the case, and fact, then the issue is not in my camera that I have here. 


-For me, my three full frame references are the Leica SL, Sony RX1RII and the Sony A7RII. To me, these are as good as it gets in 2015, heading into 2016 for cameras that deliver the goods. Expensive? Yes, very. Worth it? Only you can answer that one.

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Is the Sony RX1R II for you? Maybe..maybe not! My Final Word.

Think about it like this. The Sony RX1R II is like having an A7RII and 35 Loxia with AF in your coat pocket. Tiny, small, but uber powerful. There is nothing not to like on the Sony RX1RII. It’s beautiful in build, feel, and the EVF is fanatstic, even besting the one in the A7RII and it easily hides away when you do not want it. It delivers the best IQ of the Sony line due to the matched lens to sensor (which I talk about in my original RX1 Review HERE). It’s as good as it gets in an all in one, with the Leica Q right on its heels.

I love this camera as I loved the original, and it has earned a place at the top of my “keeper heap” in the Huff Household.

But I have many cameras. Many here will be using this as their one and only camera, so if this is the case I would say to make sure you are OK with only shooting 35mm as that is all you will get. There is no zoom on this guy, but that is the beauty of it. In many ways, using only the 35mm focal length for a year can greatly improve your photography, so for many this could be a welcome change from those big huge DSLR’s.

If you like what you see here from the camera then you will love it when it is in your hands. It’s a superb upgrade to the Mark 1 and while not a huge revelation when compared to the old one, it is a very nice step in the right direction for this series.

One more detail shot using an OOC JPEG! Click it for the larger version with 100% crop.

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Where to Buy?

If you are interested in the RX1R Mark II I recommend the dealers below 100%:

B&H Photo – Click here to order the camera or see more info on the B&H Page

Amazon – Order via Amazon Prime RIGHT HERE!

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HLPHH

PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 7 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I receive 100-300 emails a DAY). Because of this, I could use YOUR help to cover my costs for this free information that is provided on a daily basis. 

To help out it is simple, and no, I am not asking you for a penny!!

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website, in money and time (250 hours a month, and about $3000 per month).

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link (not the B&H) and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, Twitter, or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees nor do I (nor will I ever) charge for reviews, so your donations go a long way to keeping this site loaded with useful content. If you choose to help out, I thank you from the bottom of my heart.

Dec 142015
 
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DEAL OF THE YEAR: Save nearly $6000 on Hasselblad (Sony) – NOW!

SEE THE LUNAR DEAL HERE

SEE THE STELLAR DEAL HERE

Christmas gift alert!

Remember when Hasselblad took a Sony RX100 (V1) and a NEX-7 with 18-55 Kit Zoom and dressed them up with rubies, premium woods and an exotic cosmetic overhaul? They put in their own firmware (from what I understand) and released these special high-end versions of the then great Sony cameras. Problem is, someone forgot to tell Hasselblad that these models would be replaced yearly, and now we are on the RX1oo MKIV and the NEX line has been abandoned all together in favor of full frame in the A7 series.

Well forget paying $7000 for the Lunar and $2300 for the stellar. Today at B&H Photo you can get the once $7k Lunar for $1199 and the once $2300 Stellar for $649! 

Save close to $6000 on the Hasselblad Lunar. Once sold for $7000, you can now get this exclusive kit, with exotic box, and the entire Hasselblad makeover for $1199. Yep, $5800 OFF, right now…this is OK if you want a pimped out deluxe NEX-7 that NO ONE else in your hood will own ;)

YOU CAN SEE THE PRODUCT PAGE AT B&H PHOTO HERE!

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My favorite though is the Stellar, of which I bought one last year in the special edition ORANGE. BUT this year we can get a new Stellar in CHAMPAIGNE/OLIVE for $649 and these sold normally for $2200. They even have the carbon fiber version and the Zebra Wood version in stock. Yep, $649 gets you the RX100 V1 in the Hasselblad shell, wood grip, exotic box and all of the fancy stuff you would expect. Compare this to the Sony RX100 which is still being sold at $398 and you are now paying $249 more for a very unique RX100 with a much tougher shell, the exitic wood grip and custom leather strap. NOT BAD for  this one as the Stellar is indeed pretty stellar. $649 is more in line with what it should cost today.

These are great cameras but they were made fun of globally at launch for the insane prices ($7000 for a NEX-7) but at these prices, they are great buys, even today. Especially the Stellar.

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SEE THE LUNAR DEAL HERE

SEE THE STELLAR DEAL HERE

Dec 112015
 
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VIDEO: Side by Side: Sony RX1RII and the Leica Q. Which would I buy?

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Below is a video I just whipped up showing the Sony RX1RII next to the Leica Q. I go over the features, pros and cons of each and state which one I would buy and why. Take a look below! Full RX1RIi review next week ;)

You can buy the RX1RII at B&H Photo 

You can buy a Q at B&H Photo or Ken Hansen (email: [email protected]) or PopFlash.com

 

THREE shots. One from the RX1RII, one from the Q, and for fun, one from the Leica SL with 50 Lux attached..

1st shot, Sony RX1RII. She was sleeping but I got her attention after this one…click it to see the overall rendering of this camera. Lower contrast, plenty of DR and a nice gentle way or rendering fine details..shot at f/2. THIS is amazing IQ. Rich, detailed, with soul. 

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Now the Q, from RAW, same ISO of 1600 as the RX1RII but shot a t f/1.7. A bit “harder” than the RX1RII and darker. I prefer the Sony shot for rendering here. 

leicaq

And for fun, the Leica SL with 50 Summilux ASPH at f/2. By this tie she was saying “C’mon Dad, enough of these tests already”! I love the SL, and for me it is the best of all but it should be at the price ;) 

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Dec 082015
 

UPDATE: My RX1RII Review should be up within 7-10 days..

rx1rII

A few have been asking me when my Sony RX1RII review will be up and it has been delayed due to the comparison with the Leica Q, which many have asked for. It has been very hard to get a hold of a Q, even the rental houses have been out of stock, and I did not feel like buying one to do a comparison ;)

LensRentals finally received the Q back in stock, so I rented it for a few days (over $200)! so I can compare with the RX1RII for the Sony review, which is what the delay was about.

But so far I can say that the RX1RII is stunning. The IQ for me, edges out the A7RII and Sony did tell me the RX1RII is their best image quality camera they have ever produced, beating even the A7RII. If one is OK with just a 35mm f/2 (and what a lens it is) then the RX1RII is well worth a serious look.

Iin comparison to the Leica Q the Sony is smaller, actually has a true F/2 lens (Leica will stop down no matter your manual setting when closer than 1 meter), even when in Macro mode, has a pop up very nice and very good EVF (much better than I expected and improves on the A7RII EVF)  and offers a tilt LCD, 30% faster AF than the previous version, an adjustable or defeat-able AA filter, and superior low light and high ISO performance.

The RX1rII also “feels” more solid than the Q which is a very lightweight body, especially for a Leica. For example, the Q feels NOTHING like an M in the hand. The RX1RII is also about $1000 less than the competing Q. Does the Q offer you $1000 more of a camera? In this case, I will say no. The RX1RII can beat the Q in overall technical IQ, dynamic range, ISO, etc so it is all a matter of taste.

Will one prefer the high contrast bolder color look of the Q or the higher dynamic range and gentleness of the RX1rII sensor? They both are full frame and both are gorgeous capable cameras but the RX1RII does offer more for less IMO.

So look for my review within a week or so, the camera is also in stock now at Amazon (one left for prime) ;) Three snaps below from the RX1RII…

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kurt

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Dec 042015
 

The Importance of candid shooting

by Dirk De Paepe

Social Media (Loxia 2/50 Planar: f/13, 1/500, ISO400)

01. Social media

Street shooting is without any doubt one of our most compelling disciplines, because it represents the pinnacle of photography’s greatest forte: catching and copying moment’s out of real life and freezing them into lasting images. Only photography can perform this and it does it in a way that our first impression automatically is, that we’re looking at a faithful scene out of reality (although we all know about so many possible tricks – which BTW are not performed in the pictures that go with this article). Every experienced street photographer knows that there are moments and viewpoints where so many things fall into place, that they become special and/or typical. That’s why timing is a crucial factor in this creative process.

(Of course, as always, I express my personal vision in this article, but I believe that it’s only in the exchange of different visions that we can further develop. So you are very welcome to comment from a different point of view.)

Sharing (Loxia 2/35 Biogon: f/13, 1/320s, ISO1600)

02. Sharing

The most important subject in street shooting is people. And thus the comparison with portraiture, both posed and unposed, is obvious. I believe a posed portrait mainly must show a person in the way that he/she wants to be shown. The acting skills of the portrayed person play a big role herein, as well as the communicating skills of the photographer. The key idea is: “this is the image of myself that I want to show”. Because such a picture is all about this one person’s specific personality (or the personality that one wants to show), he/she should be in control of the impression he/she makes on the spectator, or the photographer needs to put him/her that much at easy that he/she acts natural. (Of course this domain is bigger, but this is the essence of it. Working with a professional model for instance won’t necessarily have the model’s personality as the subject of the picture.) I’d like to make a comparison with colors now. One could say that this kind of portraiture (posed portraiture, that is) represents one color of the spectrum, say green. Of course there’s an infinite amount of nuances in green and green is a very interesting color indeed, but still, they are all green and there are still so many other colors! That’s why I believe that unposed shooting of people can show so many more aspects of humanity, of typical human behavior, and therefore I believe it to be much more interesting than posed portraiture.

City traffic (Loxia 2/35 Biogon: f/13, 1/200sec, ISO 1600)

03. City traffic

The importance of unposed shooting, which can only be done candid, doesn’t lie in showing the true being and the true character of one specific person, as many still believe. Because the candid photographer (generally) doesn’t know his target person, there’s no question of portraying this specific person’s identity. Instead he’s rather holding up a mirror and makes us, as spectators, reflect about how we all, as people in general, can act/react in different circumstances. With his candid shots, he’s creating a pallet, as diverse as possible, of the different aspects of humanity. The portrayed persons merely act as representatives of mankind, not as particular individuals. This is the more so, because we only picture one moment out of their whole life, without any added context. The weakness of photography is, that it’s very difficult to tell the whole story in one picture. Therefore documentary photography requires a series of pictures to do the job. But in street shooting, registering those isolated moment also involves a great forte: it stimulates our imagination, having us create our own story around the picture, giving birth to so many interpretations of the same scene. It makes the picture to transcend from this one person and represent mankind.

Lonely (Loxia 2/35 Biogon: f/13 1/1600sec, ISO1600)

04. Lonely

We start to realize (subconsciously) that everybody, ourselves included!, could show that same kind of behavior as the pictured person, in specific circumstances. The more we recognize this behavior within ourselves, the more we realize that all humans are pretty much alike. When we realize that everybody can pass through typical or strange or weak or even embarrassing moments, we will more easily accept our own weaknesses and failures and as such also accept other’s imperfections. It can help in being less embarressed about certain defaults we think we have, realizing that everybody has his own defaults. As such this can work liberating, since we’ll be more in peace with ourselves. Once we realize this true purpose of candid shooting – portraying mankind – we will be able to see that it’s not at all about intruding into one specific person’s identity. This is impossible anyway, because the photographer doesn’t know the “model” and both the photographer and spectator don’t know the circumstances that lead to this registered momentarily situation. So the picture can’t possibly show this one person’s true nature. A good street photographer realizes that. He doesn’t want to intrude in one’s soul. Instead his photography is all about revealing the true nature of humanity in general, as said, by exposing how we all can act, given the right circumstances. As such, street photography is a means to increase tolerance amongst people. Candid street shooting is not at all about violating once privacy. Think about it. We take those pictures in plain public, which means that every image has been fully exposed anyhow to all bystanders. No photographer is expected to think that anybody is showing behavior in plain public that he doesn’t want to be shown. Also think about the thousands of safety camera’s that film us and register our behavior on a constant basis – sometimes to be used for much less honorable purposes.

Because of all of this, I believe candid pictures to be the most interesting, when people don’t look into the lens and are not aware that they are being photographed. Looking towards the camera/photographer almost always results in an image, in which the person seams to think: “I’m being photographed!”. I believe that from that moment on, the picture looses his real candid character, almost always withdrawing the portrayed person from his natural behavior, resulting in cramped and uninteresting images. In exceptional cases, it càn deliver beautiful shots though. A minority of people immediately reacts to the camera in an open, welcoming way. Those pictures can really show something valuable of this person’s true nature. They can result in very beautiful “personality portraits”. One could call those shots “Unposed, yet aware portraits”.

Beautiful people (Loxia 2/50 Planar: f/13, 1/800, ISO400)

06. Beautiful people

But no matter how beautiful they can be, it’s still like they all are different shades of blue. Blue is a very beautiful color, with many nuances, and I absolutely wanna use all those blues, but still I prefer to see the whole color spectrum! The situation, and therefore the expression of face and body, is (in average) much more interesting, much more representing the whole of mankind, when there’s no photographer disturbing it. Candid shots show so much clearer all different aspects of human life and behavior. The majority of people only look natural, when the shot was taken fully candid. That’s why the great street photographers often preferred a Leica M camera over a big SLR, so they could shoot in a more discrete way. Today we see a lot of Sony A7x bodies go along the Leica’s, together with a range of Micro 4/3’s and APSC’s. I like to pair my A7r with the Zeiss Loxia lenses, that I find simply perfect for street shooting, regarding size, performance and IQ. From time to time, I will add the Canon FD 85mm f/1.2 or Jupiter 9 (85mm as well) to the lot. (I’m really looking forward to the Loxia 85 or 90mm to come, for that matter.)

Severe facades (Loxia 2/50 Planar: f/11, 1/250sec, ISO400)

07. Severe facades

All pictures posted here, were shot in Antwerp, my favorite city, in a span of a few hours time. I chose to post only shots from that particular shoot, just show that there is a lot to notice in a short time. Although most street photographers shoot or publish in B&W, I decided to keep all shots in color. It’s how I think at this moment. I agree, B&W emphasizes on the essence of the act, still I believe that the colors can really contribute to the street feeling and to the atmosphere of a country, a region, a city. Where I live, in Belgium, real life colors are more grey and murky than for instance in Spain, let alone in Africa. They are less brilliant and saturated. So in the color balance I pursued grays to be really gray and not to overdo the colors, although with the modern cameras and post production software, it’s so very easy and tempting to do so. Still, I’m not proclaiming to produce perfectly faithful colors. Instead I tried to make them contribute to the general feeling that I got from the place, as such contributing to feeling that I got when observing the pictured people.

Pedestrian zone (Loxia 2/35 Biogon: f/13, 1/800sec, ISO1600)

08. Pedestrian zone

But more than the color treatment, it’s the people themselves that play the central role in those pics. Some absolutely didn’t know that I was shooting and act absolutely natural. Some noticed me but didn’t change their expression a single bit. Some reacted enthusiastic and opened up. A single one showed a bit of an annoyance. But after all, I experienced no real reluctance with any of them. And in all of them I noticed enough typical human behavior to show those pictures to you.

Hasty (Loxia 2/35 Biogon: f/13, 1/800sec, ISO1600)

09. Hasty

Finally, aside the catching of the moment, I also try to take care of the composition. That means that I try to integrate the surroundings in a meaningful way. I have my personal insights on arranging the subjects and objects in a picture, but this would take me too far to elaborate about this in this article. But I can say that, while shooting, this is done with a sense of balance and a “load of rules” that have become more or less natural to me. The fine tuning is done in post of course. Often I think in square images when shooting, which shows. Integrating the surroundings in the composition requires a larger depth of field, which I achieve by zone focusing. The Loxia’s are fantastic lenses for that kind of work. Like I wrote in my reviews about them, published on this site, they can produce tremendous detail on all plans, even when hyperfocusing. And zone focusing is a fantastic technique for street shooting, since there is zero focusing time required, thus offering the fastest way to react to any situation, faster than any AF system. Finally, using a hi-res sensor together with those state-of-the-art lenses, gives you quite some cropping power, which sometimes can be interesting when you caught an interesting moment’s event at some distance.

Wretched (Loxia 2/35 Biogon: f/13, 1/400sec, ISO1600)

10. Wretched

Please, as always, click on the pictures to see them in bigger format with better IQ, and go to my flickr page to see them in full size, with the Exif data included. You’ll find them, and more, in a dedicated album, named “In the streets of Antwerp” .

I hope you enjoyed the images. Thanks for reading and watching and, as always, special thanks to Steve and Brandon for keeping on publishing this great site.

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