Jun 092015
 
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The Sony RX1 maintaining its relevance

By Chad Wadsworth – His website is HERE

Two years can feel like a lifetime in the digital camera market, with fresh faced models seemingly delivered on a frantic six month schedule. But that’s roughly how long my RX1 has been in service – two full years. It was the golden child back then, always with me, consistently impressing with the sweet render of its Zeiss Sonnar 35/2 and the jaw dropping dynamic range from the 24-megapixel sensor. But new interchangeable lens models were released by Sony and the RX1 would often be relegated to the drawer. The newer Alphas boast faster AF, built-it EVFs, higher resolution or better low light performance, and the ability to mount nearly every lens ever made for the format.

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Funny thing though, the RX1 still deserves a place in the current stable and an argument can be made that it represents something wholly unique and special that can’t be duplicated by its siblings. It is the camera that I grab when I want to travel, go out with friends or just don’t want to think about lens options. There is a power in simplicity and limiting yourself to a single, classic 35mm lens. I rarely feel restricted with the fixed field of view and find that it is well suited for intimate scenes, landscapes and even portraits.

Given this ongoing admiration for the RX1 I decided to break down what makes the camera relevant today:

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The Lens

Like the legendary Hexar AF film compact and its Summicron killer 35/2, the heart of the RX1 is its fixed prime lens with silent leaf shutter. When the RX1 was released, the review sites gushed over the Sonnar that Sony had literally shoehorned into the frame to achieve the compact stature of the camera. With no less than three physical rings – aperture, focus and macro – the all metal Zeiss looks and feels the part of a classic rangefinder optic. Today, that lens is no less sharp, tactile or well built. You won’t find any test charts here but I’ve never been disappointed with the Sonnar’s resolving capability and its lovely rendering of out of focus areas. At times I’ve flirted with switching to the R model with no AA filter for improved resolution but photography isn’t solely about sharpness or resolution and there is a coherence inherent in this lens sensor combo that consistently satisfies.

With a leaf shutter, the lens is nearly silent and allows discrete shooting that lends itself to street, movie stills, sound recording environments or any other application where a silent shutter is a necessity. I often forget about the importance of having this ability until it is required.

The Sonnar does have its minor faults, but unless you are using an Otus, what lens doesn’t? Most notably, there is some CA that will need to be cleaned up on occasion, as well as distortion and vignetting that is magically erased in-camera. I never worry for a second that the lens is somehow hobbled or deficient. I would rate it as one of the finest 35/2 lenses made, equal to the Leica Summicron (king of bokeh), and Hexanon, better than the Minolta AF.

Relevancy today (10/10)

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The Body

When released, the RX1 was a clear shot across Leica’s bow. It is considerably smaller than the digital M bodies with a similar level of build quality, yet houses a modern full frame sensor with exceptional capabilities. It truly was the first of its kind and has yet to be eclipsed. You often read words such as “exquisite”, “finest”, “teutonic”, “brick” or “tank” to describe its build and design. Nothing has changed over those two years, in-fact time has proven the validity of those early claims. The detents on all of the metal control dials and rings remain as firm as the day I unboxed the camera. Some mild brassing on the focus ring is the extent of visible wear, although I have encased the camera in a leather half case made by Ulysses in Japan. The camera comes from the factory with a small patch of griptec type material on the front right hand side and a modest thumb grip on the rear. These two features provide just enough surface tension to make single hand holding possible but there are many first or third-party options to improve the ergonomics if desired. The case I purchased provides a nice little leather grip integrated into the design and retains access to the battery and SD card.

Controls are decidedly manual, with the aforementioned aperture ring plus an exposure compensation dial with 3 stops of adjustment +/-. When shooting full manual or shutter priority, shutter speed is assigned to the rear thumb dial. Personally, I prefer this setup to a shutter speed dial on top of the body and find that the combination of physical dials and rings to be ideal for controlling aperture, shutter speed and exposure comp.

The display is perhaps the most contentious component of the design. In an apparent attempt to keep the body as compact as possible, the RX1 was delivered without an OVF, EVF or tilt-screen. You get a nice LCD with good visibility in bright light (on the Sunny Weather setting) but that’s it. Many refused to purchase a camera where you are required to use the stinky diaper technique of composition. Sony does offer an optional OVF or EVF solution but both are pricey and alter the compact form factor of the camera. Personally, I chose to purchase the EVF and find it to be an effective add-on that not only allows for eye-level viewing, but with its articulating eyepiece, you get a right-angle finder, rendering you less intrusive to subjects on the street.

It is remarkable to think that in many ways this CyberShot branded camera remains Sony’s finest design. I know I’m not alone in hoping that a new model will eventually be introduced that retains the same level of build quality along with the retro rangefinder aesthetic and maybe a few improvements. If not for the lack of a built-in viewfinder I would rate the body a 10/10 today.

Relevancy today (9/10)

Backstage at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

Backstage at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

Latasha Lee and the Black Ties - Portrait

Latasha Lee and the Black Ties – Portrait

Backstage at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

Backstage at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

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The Sensor

As of the the date of this article, the RX1 sensor is the second highest rated in a Sony body, higher than any Canon camera and higher than any Medium Format system sensor – per DXO ratings. Pretty impressive for a two year old model. With 14.3 stops of dynamic range (widest range of all the Sony cameras), the ability of the sensor to hold highlights and recover shadows is truly astounding. I routinely overexpose when shooting in daylight at f/2, 1/2000 and have no trouble pulling back the highlights. High ISO performance is excellent and as a concert shooter, I have no qualms about using 3200 or even 6400 in a pinch. I rarely rely on software noise reduction as I find the noise pattern to be acceptable and even attractive in a film grain sense. Compared to the sensor in my newish a7II, I feel the RX1 sensor to be absolutely equal if not slightly advanced.

Relevancy today (10/10)

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User Interface

All new alpha cameras use an updated version of the RX1’s interface. Comparing those new menus to the RX1 can be a bit of a letdown. The RX1 menus are spartan and lack many helpful features found in the more recent models. One example is the inability to assign a function to the rear control ring – on the a7 models I keep ISO programmed to the ring for immediate control. On the RX1 you must program a custom button to first access ISO and then select the desired setting from the menu. There is potential for significant interface improvement so it is disappointing that firmware has not been upgraded to better synch the interface design with the current models.

Relevancy today (6/10)

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Processor

Along with Interface, this section is where the RX1 most shows its age. Autofocus performance has been greatly improved in the newer alpha cameras so living with the older contrast detection system in the RX1 can at times be frustrating. On the upside, AF is generally very accurate, more so than my DSLRs ever were, it just takes the camera a bit longer to get there. Things are generally fine in good light but the hunting begins when the light goes down or in strong backlight conditions. Switching over to manual focus is always an option but the fly-by-wire mechanism requires its own form of patience and skill. Still, to put things in perspective, I have used the RX1 in extreme concert lighting conditions with solid success, just don’t expect it to provide the speed of today’s advanced systems.

Relevancy today (6/10)

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The band Tobacco performing at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

The band Tobacco performing at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

A True Classic?

Given the frequency of product advancement in the mirrorless space, a photographer needs to be at peace with their purchase decision. Many agonize over the right time to buy or upgrade, scanning the rumor sites for hints at what is coming next. This cycle of advancement and obsolescence can paralyze or infuriate. With a camera like the RX1 I knew when I purchased it that there would be improvements in later models, specifically to the AF speed and interface. The question I had to ask myself was whether the things that made the camera unique were enough to warrant the considerable cost of the RX1. I did not buy the camera back in 2013 for the AF performance or the interface/menu controls, I bought it for the lens, sensor and body design/build and of course for its compact form. On its introduction the RX1 was the smallest full frame camera you could buy and two years later, continues to hold that title. Sony didn’t just make the smallest full frame camera in the world, they blessed it with arguably one of the finest sensor and lens combinations available and they wrapped it in a beautiful metal retro shell with manual aperture and exposure compensation controls. Due to its compact size and its handsome design – I’ll admit a bit of vanity here, I want to carry the camera with me all the time, confident that I am not compromising anything when it comes to the images it will help me produce.

Tomorrow Sony may announce a replacement with a faster lens, better AF and interface, maybe even an integrated EVF, but when it comes to the quality of the images, we are reaching a point of diminishing returns. What the RX1 produces today is without doubt at the top end of the spectrum, so good that I seriously worry whether a new model would “mess with success”.

Sony achieved a rarity when they designed the RX1 – they produced a camera that many will claim has already reached cult status, which in the throwaway and upgrade world of digital cameras, ensures its relevancy for many years.

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Leave a comment below if you still own an RX1 or would like to.

May 152015
 

Between Leica Monochrom & iPhone for street photography 

By Brigitte Hauser

I like looking at street photos and street portraits. That’s why I started to try myself.  I did these streets with following cams.

The Sony RX 1 is my good friend 

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I take it for travelling. The smoking guy is taken on the Azores island San Miguel and the blond lady in the Fernand Léger museum in France. The rx 1 is small, has a silent shutter and an outstanding image quality. It’s an astonishing versatile cam. I like also its macro mode and the high contrast b/w filter. If I had to choose only one  cam, I think I would take the RX1. 

Now a few with the Ricoh GR

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I have a lot of fun. I take it with me almost everywhere, working, shopping, walking with the dog. The coffee shop in the rain and the young man reading Richard Dawkins are taken in Zurich, my home town. The GR is so small, so nice to touch and so easy to use. It’s a joy. You don’t attract a lot of attention if you shoot in the streets with it. Focal length of 28 mm is perhaps a little bit wide for me. But you can set it on 35 mm.

About a year ago I had the opportunity to buy  a Leica Monochrom with a 50 mm summicron lens

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I call it my soul and bitch cam. The IQ is great very sharp  and it seems to me photos have a kind of an artistic  old-fashioned look. For street photography  I’m often not fast enough to compose properly or I miss the focus. But I adore this diva of cam.

The opposite of Leica MM is probably my iPhone 5

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The good thing for street photography with the mobile is: it’s always in the bag and you can really go close. People are not aware that you are taking a photo of them.  But  I just don’t like the experience to take photos with a phone. It’s also not a very courageous way to take street photos.

Thanks for looking
Yours
Brigitte

 

 

Mar 102015
 

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Road Trip – A video from 8000 stills and the Sony RX1

by Ofer Rozenman

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I’m a frequent reader of your blog and really like the content you post. Last year you shared a video of mine and recently I’ve finished working on a new stop motion road trip video which I thought you might also like:

On September `14 my wife and I traveled with our friends to eastern Europe. As designated shooter I’ve tried capturing the road trip with this stop motion video made of 200GB and 8000 stills. Enjoy! Sony RX1 for the stills!

Showreel: rozenmanofer.wix.com/showreel

Route: Sarajevo (Bosnia) – Mostar (Bosnia) – Dubrovnik (Croatia) – Lokrum (Croatia) – Cavtat (Croatia) – Prcanj (Montenegro) – Split (Croatia) – Sibenik (Croatia) – Baska (Croatia) – Postojna (Slovenia) – Venice (Italy) – Plitvice lakes (Croatia) – Zagreb (Croatia)

Equipment: Sony RX1.

Music:Big Jet Plane (Radio Edit)” by Angus and Julia Stone 

As themselves: Sanda Krsho, Milen Debensason, Liran Hadaya

Everything else: Ofer Rozenman

Jan 232015
 

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6 Months With The Sony RX1

By Simi Tometi

Hello Steve, Brandon, and fellow site readers. My name is Simi Tometi, and I am a medical student from Dallas, Texas. School usually keeps me busy(and broke) for the most part but whenever I do have some spare time I indulge in photography.

Last summer I was presented with an opportunity to purchase the Sony RX1(with viewfinder) in immaculate condition for roughly 1/2 of its initial price. With the Fujifilm X100S selling on Amazon for as low as $850(used), I was a bit hesitant. After reading countless reviews and analyzing the specs sheets I went with the RX1. To be honest the deciding factor was that I didn’t want to look back months later wishing I would have just spent the extra cash on the RX1 instead of the X100s.

It’s been just over 6 months, and I’m glad to say I’m more than happy with my purchase. Though the camera as a whole isn’t perfect, it never ceases to amaze me.

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When I purchased the camera, the first thing I noticed was its cold utilitarian build. The whole camera is composed of metal, giving it a solid feel reminiscent of the Canon 5D Mark III(however I’m not completely sure if it’s made up of the same magnesium alloy). The buttons and dials are laid out logically, except for the record button, which is positioned between the rear and right side of the camera. I didn’t find this placement problematic until I added a Black label braided silk strap to the camera, which often presses the button activating the movie mode function.

The Carl Zeiss 35mm f/2 lens, is nothing short of a masterpiece. From its buttery smooth focus ring, to its clickable aperture dial, it just does not disappoint. Wide open, it’s just a treat to use due to how jaw-droppingly sharp it is. Stopped down sharpness really doesn’t increase much, yet the increase in micro-contrast may make you think otherwise. Optical performance is just stunning; rarely do I find any traces of chromatic aberration.

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In regards to ISO performance, the camera once again doesn’t disappoint. At 6400, noise is present but very well controlled with files retaining plenty of detail and files still being remarkably flexible.

Together, the Carl Zeiss lens, functional camera body, and full frame 35mm sensor(from Sony’s flagship a99) make a formidable little camera that best nearly every other comparable option. When shooting the rear LCD screen only gives you a taste of the outstanding 16-bit raw files did this beast is able to capture.

Admittedly, the RX1 falls short in numerous areas that can’t ignored due to its initial price tag of $2800.

Most notably the auto focus of this camera just plain sucks. It really is hit or miss. I feel as if this issue could be resolved with a firmware update, but the RX1 hasn’t received any since launch. For this type of investment one would expect more than this sluggish contrast detection AF system.

Regarding accessories, they’re just too expensive. I understand this is a premium item, and should be surrounded by such, but seriously… Why would anyone pay $250 for the Sony leather case(with no access to the SD card or battery when attached), when the Gariz version can purchased for $125? The Sony brand lens hood sells for $120, while the third-party metal hood that looks and feels the same is being sold on amazon for $7. Really the only individuals I could see purchasing these accessories are those who’ve previously considered purchasing the Hasselblad Lunar(rebranded Sony Nex-7) for $5000.

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For my style of shooting the EVF($450) is a must have, and without it I probably would have went with the Fuji X100s. I really wish Sony included it with the camera or implemented the same way they did in the RX100 III.

Weather sealing is something I feel Sony could have added at this price point. When you own something of this value, you’d like to be assured its protected against the elements(e.g. Unexpected light drizzle).

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To sum it up, the Sony RX1 is stellar tool for few photographers. If you can tolerate the sluggish autofocus and the daunting price tag, you’ll be rewarded with outstanding build, superb high-ISO performance, and top tier image quality.

Simi Tometi

http://instagram.com/justsimi_

https://www.facebook.com/simi.tometi

https://www.flickr.com/photos/simitometi/

Oct 172014
 

Faces of the World Cup

By Caesar Lima – His website is HERE

Every 4 years the World Cup hosts 32 countries and an amazing soccer tournament in a different country. Since it was hosted in Brazil this time and being from Brazil and a photographer, I couldn’t resist making my 6 week trip down there into a project of capturing some of the excitement of this unique event. I decided to take mirrorless cameras because of their smaller size. I took a Sony RX-1, a Leica T with a 23mm and 5 M lenses plus a Sony A7r with 50mm and the new 70-200mm. I was able to take all this gear into the stadiums with no problem.

The games were held in different cities and I also ventured out into the streets and bars to capture the faces of the fans. There were amazing crowds of people from different countries, like a huge party. The Brazilian people are amazing hosts and they love to party. They were very proud to have all these visitors, the combination of great soccer games, 12 brand new stadiums, great food and lots of beer made it the best World Cup ever.

I feel very lucky to have been there and to have been part of such cool event.

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Aug 192014
 

Dogstreets: Mans best friend 

By Brigitte Hauser

Dear Brandon, Steve and Readers

The daily inspiration from all over the world makes me happy and smiling almost every day. Thanks a lot.

I am an amateur photographer and I like street photography. Since our old dog Murphy has died in the beginning of 2014 I see a lot more dogs in the streets than before!

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So I started my dogstreets project.

Taken in Nice (France), with Sony rx 1.

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Near Portofino (Italy) also with Sony rx 1.

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Taken in Zurich, Switzerland with Nikon Df and Leica Monochrom.

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The last pic shows Pablo our new dog by LMono, it is a “street dog” from Spain.

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As you see I use three cams. (I would prefer only one with only one lens) The one I use most is Sony rx1 because of its size. Focusing is sometimes e bit slow. I adore the LMono. But with Leica I need two hands free for focusing. And with a young dog at the doglead – very very difficult:-) That’s why I also use the Df although it’s a bit bulky for streets especially with Nikkor 58, 1,4. But super lens.

Enjoy the pics.

Yours
Brigitte

Jul 042014
 

RX1 / Spiders in Australia

By Matthias Wäckerlin

Hello!

Shooting proper Macro with the Sony RX1 with the superb Carl Zeiss Sonnar 2/35? YES, you can!

My name is Matthias Waeckerlin (Switzerland) and I have been living now for 2 years with my family in Camden near Sydney.
I’m a “stay at home dad” looking after our little children. Previously, I was working as a professional photographer.
My HEAVY Nikon gear, about 8kg, did not pass the check-in at the Zurich airport, too heavy, was the answer of the lady behind the counter! So, I had just my Sony RX1 around my neck and I never regret it since today. I never missed my Nikon. The RX1 is the best camera I ever had: small – light – solid – outstanding full frame quality – quiet (no shutter sound). The only drawback is the autofocus. I hope it will be better in the new model.

I did many pictures for all kinds of settings. And I never had an issue with this little monster.
As you can see high quality macro shooting is also possible with the RX1. Sometimes it needs a bit of patience, some spiders are very fast. The best method to get these little monsters into focus is using the manual focus with focus peaking and then moving the camera slightly forward and backward until the spiders get sharp. I set the macro mode to the closest distance. The challenge was to catch the spider when they had a short rest. Some spiders were sitting in their web, then the wind was the challenge. I set the camera to the M and A mode for all of my pictures, used JPG option and did the editing in Lightroom. Most of the pictures have ISO between 50 and 400. Just one has ISO 1600. No tripod and no flash.

The amazing quality of the 24MP C-MOS sensor allows to crop the images to a little piece.
This is still big enough to view it in the Web and in Lightroom. I won’t print a poster…

Best regards

Matthias

www.matthiaswaeckerlin.ch

AUSTRALIEN, CAMDEN, Macarthur Park, SPINNE

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17 Broughton Street, AUSTRALIEN, CAMDEN, Redback, SPINNE

17 Broughton Street, AUSTRALIEN, CAMDEN, Huntsman, SPINNE

17 Broughton Street, AUSTRALIEN, CAMDEN, SPINNE

AUSTRALIEN, CAMDEN, Macarthur Park, SPINNE

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AUSTRALIEN, CAMDEN, Nepean Lodge Unit 8A - 335 Werombi Road, SPINNE

Feb 272014
 

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One year with the Sony RX1

by Raymond Hau –   http://jkspepper.tumblr.com    –    http://www.flickr.com/photos/_dhermes/

 

My setup used to be a Canon 350D with various good lenses, then I decided I needed an upgrade and so, after many a umm’ing and ahh’ing over which full-frame Canon model to upgrade to I went and bought a Sony RX1 instead.

That single action brought about a complete change to my outlook on photography and my photographic equipment needs.

Refreshing

The RX1 concept was different to anything that had existed before it and in my view rather refreshing; to provide the best photography output in as simple as manner as possible… and make it small.

It’s not for everyone, the fixed 35mm lens and lack of a viewfinder will be sure to put off hardcore gear addicts and the price will put off everyone else but for those that really know what they want out of a camera, out of photography, will never let go of this marvel.

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I shot manual film SLRs from my early days, had a break of 5 years or so and then ventured back into photography with both feet firmly in the digital camp with the 350D. I used it for a while and then I kinda. just. stopped. I had gradually lost interest; digital with all its technological advancements was exciting but something was missing, I loved photography but strangely I didn’t love this.

I picked it up again a few years later and rekindled an interest but it wasn’t until I set my hands on the RX1 that I realised what I was looking for and it was refreshingly simple.

Simplicity

The RX1 is in essence a simple device, it does not have a zoom; it does not have a viewfinder; it has neither the ergonomics nor an AF system that works; and it does not even have a battery charger (!). What it does have however is a wonderful lens mated to a superb sensor and that is all I needed.

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The tactile feedback from the all metal construction, the well dampened focusing ring and the reassuring click of the aperture ring around the lens gives quiet confidence when your AF is failing and the battery is about to die after only 300 shots, because you know that when you go home and upload your 300 shots, each one will be as beautifully rendered as the next and just how you intended to capture that scene.

I didn’t care that the AF enjoys the hunt because like a Mountie, he always gets his man (most of the time anyway and don’t even bother trying when anything is on the move). I learnt never to rely on AF in certain circumstances and resorted doing things the old-fashioned way.

The Old-Fashioned Way

One could argue that I’m a little bit backwards; why move from a system which gives perfectly acceptable AF, flexibility of focal lengths and adequate cost for something that offers none of that? I had to focus with my feet, manually twiddle the focus ring and lighten my wallet by a fair few G’s (in HKD that is).

But that was the epiphany, the eureka moment, the realisation that I enjoyed it (well, I would certainly enjoy it more if it hadn’t cost me an arm and a leg but I digress).

What was missing from shooting with digital SLR systems (be it Canon or Nikon) was the process itself, I was no longer enjoying the physical process of taking photographs, it didn’t matter whether the output was good if I didn’t care to take the time and effort to get out there with a camera.

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It is a slower process, I would even say a more considered one but I’m not a professional photographer so I don’t need the ability to snap a gnat doing a reverse somersault in the tuck position off a cat’s back from 200m at a moment’s notice lest my family starve from lack of income; I’m just a guy, standing in front of a camera, asking for an enjoyable experience.

The Review

When I evaluate a camera during the first few weeks of purchase, I focus on the negative aspects of the camera; once I have a handle on what I don’t like I can then decide whether I can live with it. If I can, I will love it and keep it, if I can’t it’s gonna go; you can see this when I reviewed the Sony A7R.

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However, with this “One year in review” I will focus instead on the positive aspects of the camera, what I have found to be the highlights after owning the RX1 for a year.

35mm

I love the 35mm focal length. You either do or you don’t I suppose and I do. I’m naturally a wide-angle shooter and lengths from 50mm upwards are awkward for me; I’m always too close to the subject, perhaps I have no inhibitions about getting in close or feel that I lose the intimacy or interaction when shooting people. Oh, and I love landscapes and the close 20cm focus distance when in macro mode is also a boon for those inevitable food photographs.

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Carl Zeiss

Consider me a convert to the Carl Zeiss clan; before the fixed 35mm f/2.0 attached to the front of the RX1 I hadn’t had a lot of experience with Zeiss glass, only hearing about them and not giving them much thought. Now I am a true convert and have already amassed a collection of 4 (if you include the one on the RX1). I had never seen the famed Zeiss ‘3D pop’ before now and in good sunlight it is truly evident and a marvel to behold.

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The glass is sharp wide open and right across the frame, the colours are pleasing and at f/2.0 is fast enough and beautiful enough (bokeh!) for me to indulge my creative side. It’s so effortless I almost feel like I’m cheating. It’s not perfect, there exists slight distortions and vignetting which can be corrected in post but for the most part can be considered immaterial.

I have read reviews and musings from the world-wide webs which go on to proffer the argument that this could be one of the finest lenses ever produced, I do not doubt them although having the lens mated specifically to a sensor with micrometer precision obviously has its benefits.

Exmor

The Exmor CMOS sensor is amazing and I am not using that term lightly. I have had access to and have regularly used a number of cameras over time and now also owning the Sony A7R, Fujifilm X-E1 and X-T1, I can empirically say the 24MP sensor housed within that tight metallic body is the best I’ve ever used. Its dynamic range (DR) and noise characteristics are exceptional.

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It’s the only file where I can shoot straight into the sun and then pull every slider in post (using Adobe Lightroom) without breaking the image. It’s the only file where I can create HDR images with only one image (instead of the usual 3-plus images). It’s the only file where I never, ever, worry about artifacting in post and lets me really fire up my creative juices. The A7R and Fujifilm files are not even close on this one, like I have already said, this camera makes taking pictures easy.

Size

This thing is tiny; it’s an engineering marvel how they have managed to fit a full frame sensor inside that body. It’s by no means pocketable (unless you are a giant or like wearing trench coats) but it is vastly superior to its full frame brethren. It means that I can carry it anywhere and everywhere I go and I often do; during the last year it has been to clubs, bars, restaurants, functions, parks, hikes, events, trips; Hong Kong, England, Japan, Cambodia, India, Korea, China, Italy and more.

Dharavi Mother

It’s non-invasive, not attention worthy (especially with black nail polish over the trademarks) and not intimidating. It’s the perfect stealth camera which to many may look like an older 1990’s era point and shooter, obviously the fast and silent leaf shutter helps too.

Cambodia Boat Kid

I’ve been with friends and to people’s houses where they remarked why I hadn’t brought a ‘proper’ camera like their large Canon or Nikon systems. I merely shrug and say “I make do with what I got”, little do they know…

Shutter

It’s a leaf shutter, fast (1/4000s max, although speed limited to 1/2000s when wide open up until f5.6 if I remember correctly) and silent (it really is). It will sync flash at any speed you would want, especially useful for wide open shots during day light.

Viewfinder

There is however one thing the RX1 doesn’t give you and it’s something I know I couldn’t live without and that is a viewfinder; I was so used to optical viewfinders in all my previous cameras that it was a given that I would want the same again. Shooting using the LCD screen just didn’t give that same feel or enjoyment so I almost immediately started to look at the Sony OVF.

Man selling meat sticks

I tested one and was amazed by how large and bright it was; then I saw the ludicrous price tag and decided that it was ridiculous sum of money to pay for a piece of glass so I started looking elsewhere for third party designs from Leica and Voigtlander. What I saw underwhelmed me enough for me to eventually consider the electronic viewfinder (EVF) as I was not willing to spend so much money on what was essentially a dumb piece of glass. Let’s just say that I am now a convert to the EVF world; would I still prefer a large bright digital SLR OVF? Sure. But EVFs do offer some advantages and I can live with the negatives.

Street Meat Vendor

The Sony EVF is a joy to use and only now when I compare it to the EVFs from the A7R, X-E1 (rubbish) and X-T1 that I realised I had started out with a really good example of one. I’m not sure whether the EVF for the RX1 is the same as that built into the A7R but I swear the RX1 EVF is slightly better and is enjoyable to use even alongside the large and bright EVF of the Fujifilm X-T1.

One Year In

I love the RX1. I already know I will not sell it, exchange it or need to upgrade it. When it comes to 35mm, the RX1 is all I need which is why after one year and three additional bodies I still only have one 35mm focal length in my collection and that is the one attached to this camera.

It has changed my whole outlook, my philosophy and my equipment needs.

Julian

City life trams

I want them to be small and manageable; I want that tactile old school feel of an aperture ring; I want a single focal length to keep things simple; and most if all I want to really enjoy using it.

What I would really want is a collection of RX1-type cameras at differing focal lengths; an ultra-wide (~18mm), wide (35mm), normal (50mm) and short-telephoto (85mm). One camera for one task, no changing lenses in the field and if I didn’t bring the right camera with me, I’m not going to stress over missing a shot. Simples.

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The end.

Raymond Hau

Dec 262013
 

rx1riotitle

The Sony RX1 goes to Rio De Janeiro

by Mash

Hi Steve,

Been following your site for a little over six months now and thanks to your reviews I picked up the Fuji X100s and the Sony RX1.

I originally had a Nikon D300s, and it had been sitting on my desk for over two years because it was just such a hassle to carry everything around. That’s when I started researching fixed lens Cameras and based on your review I picked up the Fuji X100s first and sold the entire Nikon D300s kit.

The Fuji X100s really was a delight to use. It definitely is much more intuitive to use then the Sony RX1. The only thing that bothered me about the Fuji files was I never found the images sharp enough, there was a softness to it that some people may prefer, but it never really tickled my fancy.

Couple of months later, I planned a trip to Rio and was trying to decide on to take the Fuji or buy the Sony RX1. After reading and re-reading your review of the RX1, I sold the Fuji and bought the Sony RX1.

The Sony RX1 costs a little over USD $3000 here, and having heard horror stories about muggings in Rio, I became paranoid of taking it with me.

So, as I was committed to the trip and didn’t have any other camera I did two things to ensure the safety of the Camera.

1. Took out a travel insurance policy that covers theft or loss.

2. I also took some artistic tape, and randomly taped over the camera and the logos. You can see in the image below (taken with iphone 5).

I had no idea if uglifying the camera would work, but when two random people I met on the trip commented, “Oh did you break your camera?”, appears to have had the desired effect I wanted.

It was my first time visiting Rio De Janeiro, so I really didn’t know what to expect. Nothing was really planned and I went with the flow. I was lucky enough to have run into a wide spectrum of shooting opportunities and challenges.

gaffed sony rx1

Sony RX1 in use

For all the shots below, I had the camera set to aperture priority and in most cases the aperture was set to F2. The only adjustments I would make to control the light was using the exposure dial, dialing it up and down as needed.

What I really loved about this simple setup was, it allowed me to focus on what I wanted to capture rather than trying to get a perfect shot every single time.

The camera was set to auto focus most cases, in some rare instances I used the manual focus option. I had programmed the AEL button to switch between auto and manual focus, and once used to it – became a breeze to change.

I shot everything in RAW and then edited everything in Lightroom 5.

I wanted to share some images to show you the breath of images captured and how beautiful and sharp the images are.

– 

Ipanema Beach

The shooting conditions on the beach was bright sun light with a lot of movement.

ipanema 1

Ipanema 2

Churches and Chris the Redeemer

I love how beautiful the bokeh out of the camera is. This image was shot in almost dark church, with natural light pouring in 500 yards from the front doors.

church 1

A look at how the macro functions. Again, there was barely any light in the room.

church 2

The following image was shot about 500 feet away looking up at the painted windows. Using the multi zone focus moved the focus point down, to avoid the windows being washed out by too much light.

church 3

Sunday mass. The silent shutter sound didn’t alert anyone to the fact that I was taking photos.

church 4

Christ the Redeemer. I loved this photo opportunity. With the sun perfectly positioned on the palm of christ. I was shooting straight at the sun, and the clouds were recovered post processing. I was really impressed by the dynamic range of the RX1, to allow me to do that.church 5

Rio Pride Parade

To give you an idea of the color rendering range of the camera, I was lucky to have come across the Rio Pride Parade. I will let the images talk themselves, the only adjustment I made was to put up the vibrancy.

pride 1

pride 2

pride 3

pride 4

Teachers Demonstration

While visiting downtown Rio, ran across what was a teachers unions strike. Chose to render this in black and white in post processing.

I am not sure how people would have reacted if I was lugging around a huge DSLR. I would like to believe, people felt much less threatened thinking I am using a simple point and shoot.

teacher strike 1

teacher strike 2

teacher strike 3Favela Visit

This was the part of the visit I was most looking forward to. It was a foggy and rainy day, and parts of the favela were in complete darkness only lit by a small fluorescent light.

I used a simple umbrella to protect the camera and the camera was small enough to operate with my other free hand. Don’t think it would have been that easy with a larger DSLR.

The camera did hunt a few times, but nothing that was annoying or unbearable.

favela 1

favela 2

Overall Impressions

Yes it may be over priced. It may have been foolish purchasing it a few weeks before the release of the Sony full frame A7. Saying all that, life is too short to live with regrets, and I am glad that the Sony Rx1 was beside me on this amazing trip to capture these beautiful moments.

I love the Sony Rx1. At no moment did I wish I had another camera, or wanted a faster focus or a different lens. It was a trusty companion by my side to take the photos the moment I wanted them.

I am already planning my next trip, and can’t wait to take the Sony RX1 along.

If you would like to see images from my brazil trip, pay a visit to my site

http://thisismash.com/street-art-brazil/

You will see more about the street art, the music, and more shots from the above themes.

Thank you Steve for letting me share this with your readers.

Mash

PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREE for you to HELP OUT!

Hello to all! For the past 5+ years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and as many as 1500 at any one given moment. Because of this I need and use super fast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this FREE information that is provided on a daily basis. This is not a paid subscription site, so no money is exchanged for the information here.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – This one will not work by bookmarking it.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;) You can also help out by writing a guess post or review on a piece of gear you love and adore. If interested in this, just send me an email here.

Oct 192013
 

A cool Sony RX1 “Video” from NYC by Ofer Rozenman

Saturday fun! Check out the video below by Ofer Rozenman. He used the 35mm camera that I feel has the best IQ of ANY digital 35mm camera to date, in all situations, the Sony RX1. BUT it is not really a “Video”! It is stop motion without a tripod using over 6000 images. Pretty cool!

Here is what Ofer has to say:

“During September ’13 me and my girlfriend visited (again) our favorite city in the world – NYC. Instead of taking one still of every place we’ve been at, we took 50, in order to make a stop motion video out of it. We’ve ended up with over 140GB and 6K images.”

Aug 202013
 

Cycle Messenger World Championships

Cycle Messenger World Championship 2013

by Andrew Tobin – His blog is HERE

As part of my coverage of “unconventional” world championships, I took myself off to Lausanne in Switzerland for the Cycle Messenger World Championships of 2013. I had spotted this event a while ago and put it firmly into the calendar as a “must attend”.

Cycle Messenger World Championships

Packing for the trip proved more complicated than I thought. Having figured out that Lausanne was a pretty hilly place and I would be walking A LOT, and it was going to be hot, the last thing I wanted to be doing was carting a couple of 1D bodies and big lenses all over the place, as well as various bits of remote flash kit and other gubbins. So instead I decided to shoot the whole event with lightweight compact gear, taking 3 cameras – an Olympus OM-D with 45, 9-18 and 8mm fisheye lenses, a Sony RX1 and a newly acquired Sony RX100 Mark II. This combination would give me a good choice of focal lengths and apertures so I could deal with pretty much anything that came my way. With the RX100 in my pocket, the RX1 around my neck and the Olympus and lenses in a belt pack, I was as mobile as I could wish for. In a small backpack went a laptop, flash, pocket wizards, light stand and mini-octabox.

I also wanted to travel hand-luggage only and the big gear would have surely triggered some weight limit or other. Happily the airline (Swiss) didn’t bat an eyelid and the lightstand and electronic trickery went through airport security without any problems as I tried hard to pretend my bag weighed nothing at all.

Gear for the trip. Manfrotto lightstand, Sony RX1 with viewfinder, Olympus OM-D, Yongnuo YN560-II flash, 2x Pocket Wizard Plus II, Sony RX100 mark II, Panasonic 8mm fisheye, Olympus 9-18 zoom, spare batteries for the Sonys (not needed), cards, clip thing (unused), lightstand attachment thing. Forgot to incude the mini softbox in this pic.

CMWC gear

So, an early flight put me in Geneva at 9am on Saturday, and the efficient Swiss train system whisked me into Lausanne in about 45 minutes for me to begin my 2-day walking marathon, with some cycling photography thrown in.

After familiarizing myself with the course, chatting to the organisers and riders, and climbing lots of hills, I needed to make my key decision of the weekend. How to cover the event? I already had some ideas in mind before I arrived, but it quickly became pretty obvious to me that it was all about the people and the “vibe”, and the racing was almost secondary. More than anything this is a gathering of like-minded people who might normally be bracketed as “alternative”. It takes a certain something to be a cycle courier, out in all weathers, always under time pressure, not earning much, very physically fit, and never using any fossil fuels. The camaraderie amongst everyone at the event was obvious from the start. Some competitors had ridden from England down to Paris where they met still others for the 3-day ride from Paris to Lausanne, several on fixed wheel bikes with no brakes (making the mountains on the roads into Lausanne quite challenging!). Lots of them referred to the other couriers as their “family”, so it’s clearly a close-knit group of like-minded people who like nothing better than to get together for a good laugh.

James from Glasgow, who rode down from Canterbury to Paris to Lausanne. Top guy.

Cycle Messenger World Championships

And that was the decision made for me. I would shoot the event more like a documentary, trying to capture the people and atmosphere with the race action as a secondary part of the weekend. This also suited my choice of kit as the small cameras are generally useless at catching anything moving fast (or even slow in the case of the RX1) when compared with a pro body like a Canon 1D. It didn’t stop me trying to get a bit of action though. And I also decided to make most of the pictures monochrome because a) I like it a lot and b) it suited a more documentary style look at the event.

A rider toils up the hill as others dry off in the sun after a dip in the “jacuzzi” up by the cathedral.

Cycle Messenger World Championships

Started in 1993 by Achim Beier from Berlin, the championships comprise a number of challenges including a sprint, a track stand (longest time stationary on the bike), a cargo race where heavy loads are carried on special bikes, and the main race. The course winds through central Lausanne and includes bridges, stairs, cobbles, narrow alleyways and challenging hills.

The main race simulates the job of a bike courier making numerous drops and pickups across the city by following a manifest or delivery/pickup list. Riders need to check in at specific checkpoints, hand over their delivery and get a new one. It involves a number of manifests to be run in sequence, each involving multiple deliveries. As well as being a test of sheer physical fitness lasting 3-4 hours, the race is a huge mental challenge as the riders need to plot their own route from one checkpoint to the next. Ensuring that they take the shortest or most efficient route is a work of the black arts as far as I could see. It wasn’t unusual to see riders pick up a new manifest and then sit somewhere quiet while they worked out their route and sequencing. To make matters worse, at some checkpoints you may need to deliver one item and pick up three, so knowing what you need to do where is vital to avoid repeat visits. Obviously you couldn’t drop something off if you hadn’t already picked it up somewhere else! This aspect makes the whole thing very different to a normal challenge against the clock and the winner is the person that combines the physical with the mental.

Cycle Messenger World Championships

Cycle Messenger World Championships

Cycle Messenger World Championships

It was hot as well. Did I mention that? I had enough trouble climbing up all the steps and hills on foot – the riders were getting a real beating. It didn’t take long for some of the riders to take advantage of the ancient water troughs that are scattered around the city.

Cycle Messenger World Championships

Saturday was practice and qualifying, plus the cargo race which involved carrying large or strange loads. The cargo bikes are bonkers – long things with a load carrying space up front and a linkage from the handlebars to the front wheel. These poor guys had to carry everything from 12 foot long oars to a TV cameraman who wanted a rider’s eye view of the course.

Cycle Messenger World Championships

Having learned the course through walking a lot and getting blisters, taking a bunch of pictures and figuring out what was going on, I was ready for the evening party. These guys party well. The event had been going on all week with a party every night, so they were well-practiced by the time I turned up. Hosted at the Casino Montbenon overlooking Lake Geneva, I had a horrible thought that it would be a dress-up suit and tie job, but then realised that there was no way on this earth that the majority of the riders would get anywhere near a suit other than to deliver one. And so it turned out that it was a very cool event in a club under the casino, with most people out in the open air as the temperature dropped and the sun set over the alps.

Cycle Messenger World Championships

The party game me a chance to break out my little octabox. After some fiddling with Pocket Wizards and the RX1, I got everything working fine and went off in search of interesting suspects, of which there were plenty. I’ll say this – these guys are just so friendly and open – lovely people. Here’s two of them…

Cycle Messenger World Championships

Cycle Messenger World Championships

So the RX1 turned out some beautifully detailed pictures, but occasionally had brain fade and wouldn’t focus properly even though the focus assist light was on. You’ve just got to be quite patient with it when shooting at night, and give it time to get focus and the square to go green before you hit the button. It’s worth noting that after turning on face detection my results improved significantly.

Cleverly, the organisers hadn’t scheduled any early morning starts, with riders needing to be at race HQ by 11am (though quite a few dragged in after that). This allowed ample time for at least 4 hours sleep to let the beer work its way through the system. Free carrots were available to all competitors.

The start itself was mad. The 100 riders (men and women) all started at the same time. The high qualifiers from Saturday got to be at the front of the “grid”. Well, they weren’t at the front, their bikes were. All the bikes were laid down in the road, the first package and manifest was put next to each bike, and the riders were ushered 50 yards back down the hill. At the appointed time after some general un-Swiss fanning about, they were off! The riders had to run up the hill, get to their bike, read the manifest to plot a route, and then head off. With different manifests the riders headed in all sorts of directions, so a few wisely took their time to figure out the best route as there’s nothing slower than riding in completely the wrong direction, especially as the course was one way and if you got it wrong you’d need to go round again.

Cycle Messenger World Championships

There followed all sorts of madness as riders hurtled about. I walked some of the course before stopping and sending a set of pictures to the UK newspapers. Once that was done I walked the course a bit more and took some more pictures. Here’s a few of them…

Cycle Messenger World Championships

Cycle Messenger World Championships

Cycle Messenger World Championships

I had in mind some key shots to get at the end of the race. Obviously the winners, but also I wanted pictures of riders immediately they finished. I rigged up the RX1 again and used my flash held off camera with a simple diffuser on it, triggered by pocket wizards again. The high flash sync speed of the RX1 came in handy here as well as I wanted to drop the ambient light a bit so was up at 1/500th or more.

Cycle Messenger World Championships

Cycle Messenger World Championships

Cycle Messenger World Championships

Obviously I’m not as practiced with the RX1 interface as, when people moved from shade to sun I was often too slow to adjust settings (I was shooting in manual) and had to resort to just switching to aperture priority and letting the camera sort it out. In frenzied situations when people are moving about all over the place it’s vital to be 100% practiced with your camera of choice, which I wasn’t.

And that was it. Race over. Party time (again) followed by a very early flight out on Monday morning.

What can we glean from the gear selection for the event? The cameras did their job, but are no way as good when you absolutely must get the shot as a pro-spec body and lens. There were times when I wished I had a 1DIV and L lenses with me. The speed of focus is the main thing. I could have nailed far more portrait shots after the race with a 1D, even with the relatively slow focusing 24 1.4 lens. However I’d have been stuck with a slow off-camera flash sync speed. I’d also have been knackered hefting all that gear. I watched the 2 or 3 agency guys that were there as they lugged their gear about and felt delighted that I was running such a light setup. Also, people didn’t seem to mind when I got in really quite close with the little RX1 either. Sometimes it’s good to have big cameras to shout that you know what you’re doing (sort of!), but at other times it’s good to be a bit more under the radar.

Looking at my stats for the weekend, I shot most pictures using the RX1 with 242, then the Olympus OM-D with 197 (though there were a lot of 9 frames per second disastrous panning shots), then 41 with the RX100 mark II. Out of that lot, 140 made the final edit. Each camera played its own part, as I used the RX1 when I wanted really high quality and shallow depth of field, the OM-D when I wanted a bit of lens choice and high frame rate, and the RX100 when I lost the plot and just wanted to get a picture, or when I had the wrong lens on the OM-D. The different menu systems and buttons and dials is enough to drive me crazy though as I’d get aperture & shutter mixed up, ISO would be all over the place and so on. What I really want is something the size of the RX1 with pro-spec speed of focus and camera responsiveness. The OM-D is fast, but not fast enough when tracking focus. In any event though, I tried to shoot within the limitations of the cameras and make the best of what I had available.

Just to finish off this unusually long post I have to say what a superb event it was. If you ever get the chance to go in 2014, then do it. Support these guys and girls – they are simply an excellent bunch of people. And should you come across them in some big city somewhere, just be aware that they know exactly what they are doing, are fit as anything, and don’t earn much.

Andrew Tobin

See Andrew’s Blog HERE

 

Aug 152013
 

Hi Steve!

I’ve been following your site daily for a couple of years now. Your site often inspires me to just go out & shoot! Unfortunately, it also inspired me to go out & buy new gear on several occasions. About 8 months ago, I put an end to my G.A.S. by picking up a Sony RX1.

Well….it worked! I absolutely love this camera, and have no desire to change or upgrade. As you stated in your review, this camera just nails it 99% of the time for me. It suits my style of photography perfectly, and because it’s so compact, it goes everywhere with me! I couldn’t ask for more (except maybe a built-in evf).

I’ve included a few photos I’ve taken over the summer. I try to shoot a wide range of subjects & dabble with as many styles of photography as I can, so I had a hard time picking just 3 images to submit. Hope it’s ok that I included a few more :)

The images below include some landscapes, a panorama, a shot of the milky way, a portrait of my sons w/ a wirelessly triggered off camera flash through an umbrella, and a few candid shots. All of the photos have had some degree of post-proccessing. I’m a graphic designer by trade, so I enjoy the post-processing almost as much as taking the photos!

You can see more of my work here:

flickr.com/sarber

500px.com/sarber

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Aug 052013
 

Shooting Shanghai with a Sony RX1 by Hawk

Hi Steve,

My name is Hawk, I’m a Chinese guy living in Shanghai, I visit your website twice a day since last year, I’m a huge mirrorless camera fan. and your review let me made final decision to buy the amazing RX1, thank you! I was hesitated for a long time that days, I told my wife and my dad about this camera and the price, they just think I am crazy and stupid. But after I get this camera and take some photo showed them, they feeled amazing too, understand why this tiny camera are so expensive. I think I made the right decision to choose the RX1,thanks again for your review and inspire.

I used to have a NEX3 and adapted a CONTAX G45 lens, which is also quite amazing, I’m looking forward to use this lens on the coming soon full frame NEX. But now I carrying just the RX1 for my daily use (Street Photography). The RX1 is quite good for streetshot, it won’t get noticed or made people annoyed. You can take your photo easily and silently , but the result is really amazing .

Here are some photo of my strreetshot in Shanghai and my trip to a Chinese ancient town“Xi Tang”, I only shot in RAW files, use lightroom to convert some to B&W and make little adjustment .

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Jul 052013
 

Ciao Italy with RX1 by Nguyen Phan

Hello Steve,

How are you doing? I’m Nguyen from Viet Nam. First of all, I want to say thank you so much, after watching your Sony RX1 review, I decided to sell my Canon 5D Mark 3 and bought a Sony RX1 which is just awesome and I took it with my Leica M7 to Italy one week ago, I can say I’m addicted to RX1 because of the color rendering its self, fast focusing, friendly looking and the sharpness of the photo result.

I traveled in Italy for 9 days and I found out that Italians are so fun and cute. I went to Roma, Florence, and Venice, the people from these cities are quite different from each others. Here are some photos that I want to show you.

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“All roads lead to Rome”, and yes, Rome was my first destination.

I met a lot of Italians in here. Although I’m not a native English speaker but Italians were so cute with their “broken-English”. I found a Roman woman in a colorful dress on the way to Termini station, when I asked for a couple of photos she said she doesn’t speak English much, so I asked her with a slow and simple English accent and I also used my body language. She smiled and agreed. Later I met a huge group of people who were demonstrating near the Termini Station. I joined them and asked some people what their demonstration was about, and didn’t forget to ask them for some portrait photos. They found out that I was interested in taking photo so they happily let me take a couple of photos. When they explained something to me, they tried to explain it in a funny way and it was so funny. I’m addicted to Italian accent.

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I stayed Rome for 3 nights before moving to Florence, and hell Florence is awesome, the city is noted for its history, culture, and it also contains numerous museums and art galleries. I went out on the street from early morning, met a sleep-walking old man, street cleaning staffs, oh, these guys saw me when I was taking photo of some mannequins, and they ask and grinned:

“Are-rr you ta-king phodo?”

“Yes, Can I take a couple of photos of you guys?” – Asked me and pointed my camera at them

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They look so happy and let me took some wonderful photos with their vehicles, I strongly like these photos.

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I stopped at Venice and spent 3 nights there, I lived in a hotel near Ve Mestre. This station is about 20-minute away from Venice by train, but I went to Venice twice a day, and got lost many times in Venice. I met an Italian man on the water bus, first he found out I was interested with my camera and he asked: “Ciao, Photographer?”

He looked older than 35

I said: “Buongiorno Ciao, No no Photo-shooter”

“Film ca-me-rar?” – Said him

I like the way Italians speak English. It’s simple, honest and they aren’t embarrassed. – LIKE ME LOL, just make it simple.

And he met a friend of him was driving a GONDOLA, he said sorry to me, then called his friend for 3 times before his friend recognize him and they spoke loudly some Italian which I didn’t understand.

“Italians are so fun” – Said me

“Yeah i see” – an UK woman said

“Sorry, meet friend, so happy” – Said him

“It’s ok, I understand” ” Are you married?” – Asked me

“No no, Im girl” – he answered

“What? What do you mean “Im girl”?, you mean you love guys”? – Asked me again

“Yes, I don’t love girl” he answered

“But you can marry a girl and have children, kids are really cute” – Said me

“But I don’t like girl, I cannot marry, I’m stupid” – Said him

“Common, its ok. It’s fine. – I said

“You so nice, your eyes are nice too, I like your eyes” – Said him

“Really? Thank you but I don’t think it’s that nice” – Answered me

“It’s nice” – Said him

He was a really cute guy.

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I took a lot of photos in Venice by RX1 and also M7, but I’m still waiting for the film development and I will update film photos as soon as possible on my blog.

You can see my blog here: http://johnnyphanphotography.com

My flickr: http://www.flickr.com/photos/yeongwon90/

My Facebook: https://www.facebook.com/JohnnyPhanPhotography

Btw, I’m waiting for your Sony RX1R review.

Best Regards,

Nguyen

Jul 032013
 

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1st Look at the Sony RX1R Camera! A few detail shots.

Just took possession of the new Sony RX1R and RX100II cameras, both of which are additions to the RX line instead of replacements. No, Sony is not discontinuing the original RX1 or RX100, they will be sold side by side with these new offerings for those who want a choice. I thought that was odd seeing that the new RX1r is the same price as the RX1 but offers a bit more detail. Who wouldn’t choose the new R?

Will you see a difference between the RX1 and RX1R? Click the image below for a full size from RAW file at f/2

I highly suggest looking at these on a nice display. iPhone or iPad viewing will not show you what this camera is capable of.

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When asked why someone would take an RX1 over the new RX1R, seeing as they are both the same price and same camera except for the AA filter missing in the RX1R version, I was told that those who shoot JPEG will not want to upgrade as they will really not see a difference. The new “R” model is for those who want that last ounce of detail from the camera, which will only be visible when shooting RAW. In other words, it’s all in the processing. If you are a serious shooter and shoot and process RAW files and want the most detail you can get, the RX1R will be for you.

Below is almost a 100% crop from a full image

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one more with crop…the detail is staggering. Again, you must click it for large size and 100% crop. High quality display is recommended.

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The RX1R will still have the same IQ, same high ISO capability, same color, same lens, same sensor, same body and same everything as the RX1. It does not focus faster nor does it have anything new besides the missing AA filter which does indeed give more details when viewing at 100% or printing large. In other words, if you own an RX1 there is no need to sell for an RX1R as you will most likely never see the difference and due to the missing AA filter you may even see some moire pop up in some situations.

The RX1s has fantastic color just as the RX1 does

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If buying new today I would take an RX1R just to have that extra ounce of performance as moire does not bother me in the slightest and in my quick sample shots I have not seen it pop up at all.

After testing the RX1R out for a few shots on the beach and in lower light at dinner, I am blown away by the sharpness and detail of what this little guy can do. It is no secret in internet camera land that I LOVE the RX1. Now I love it even more with the R version just because it gives us that little bit of more bite and detail. The original is no slouch in the resolution department but the R just gives that little bit more, just as the Nikon D800 vs D800E does.

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I will do a refresh review very soon as I use the camera more including a side by side with the RX1, same scene, same shot, etc. I have this loaner for a little while so I hope to show the difference, which is indeed slight, but there.

Take a look at the 1st few shots below taken with the RX1R, the 1st one is full size, saved as a “9” JPEG in CS6. Click it for full size and check out the detail where I focused, on the big toes. This was shot at…f/2. Wide open. So the softness you see on the sides is where the shallow DOF comes into play by shooting up close and wide open.

 Click for full size image. This was at f/2, wide open and up close. I focused on the big toes where you can see the detail in the sand grains. 

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This shot is cool as you can see the sand detail and rich tonality. 

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The overhead pelicans – click it for larger! Converted this one to B&W.

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Another full size image – shot at f/4 – you must click it to see the full size.

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and a few more snaps throughout the day with the RX1R

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ISO 12,800 at night at an outdoor pub, B&W JPEG from camera

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and one in color at ISO 6400…at night

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You can Pre-Order the Sony RX1R at Amazon HERE or B&H Photo HERE. It is expected to ship in 2-4 weeks. The RX1R comes in at the same price as the RX1 at $2798.

The camera has a full frame sensor, a fixed and amazing 35mm Zeiss f/2 lens all in a compact solid and pro build metal body. This RX1r is the same exact camera as the original RX1 minus the AA filter for enhanced detail. I will be doing a full refresh review with side by sides with the RX1 and tripod landscape style shots. I see no reason to buy the original RX1 if you have not yet splurged for one yet if you did buy an original RX1, I see no real reason to sell and upgrade. Both will deliver fantastic results as they are.

More soon and I will do a refresh review of the RX100II as well. Stay tuned!

© 2009-2015 STEVE HUFF PHOTOS All Rights Reserved
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