Apr 072016
 

Camera love from Ricoh GR to Leica Q: confessions of a philanderer

By Denis Sauve

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This is the confession of a 28mm aficionado who loves cameras, mostly pocketable ones, and who has been cheating on his Ricoh GR since 2006.

Like many of us, I suffer from GAS (Gear Acquisition Syndrome). I’ve had more than 25 digital cameras, including gems like the Nikon D700, D800 and DF, a (so primitive) Leica Monochrom, and in my favorite style of compact, no less than 6 Ricoh digital GR cameras. In my relationship with the GR series, I have been like an unfaithful married man, cheating over and over again on his beloved wife.

The GR was my soul mate and true partner. She was the most ergonomic camera I had above all others, including professional DSLRs. I had the GRD1, the GRD2, the GRD3 and the GRD4. Since the Ricoh team succeeded in inserting a APS-C sensor in such a small body with the rebranded 5th “GR”, I bought two of them — love abuse killed the first one.

The GR is not an electronic device that happens to make pictures, like most modern digital cameras, but a real photographic tool, visibly made by photo lovers for photo lovers. Even the Nikon D800 has inferior ergonomics and handling. The extraordinary level of customization, and the prodigious level of fast adjustment we can make with the GR without even entering the menu system, all with one hand, is absolutely insane. I took thousands and thousands of pictures, travelled many times only with one GR, for over 10 years.

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In the long Canadian winter (which lasts 25 months per year!), this camera is always comfortable in any coat pocket. It is a fantastic B&W shooter, either in JPEG out of camera or from raw files. The raws are in the standard DNG format, not like all the proprietary raw format out there. The GR family is a legend in Japan. Look in Flickr, and you will find Japanese GR street shooters who’ve been making B&W pictures since the GRD1, and I suspect this unrecognized camera (in the Western world) had been very important in the digital B&W trend, and in street photography popularity, since 2005.

But I was tempted and strayed! Forgive me, dear GR.

I cheated on her with the Panasonic LX3, the Sigma DP1, the Nikon J1, the Sony-RX100-III, and others. I had one of the extremely rare early Fujifilm X100 units made before the Japan earthquake. Later, I succumbed to the sexy Sony RX1…before the APS-C Ricoh GR was announced: then I returned to the beloved GR!

Later, I had the Leica Monochrom disease, which is an other kind of GAS syndrome, another level of madness, soooo hard on the bank account!

Like a sex addict, I had to try them all. The desire was stronger than my willpower. Yet over and over again, I came back to my GR.

This was before the Leica Q.

When this model was announced, within a few hours, I knew once again I could not resist. I knew I would try it, have fun, lose a ton of money, and come crawling back to my faithful GR after a few months. It was my destiny.

But this time the story changed: the Q became my new wife. The level of shooting pleasure I have with it, and the proportion of “keepers” I found among the pictures taken with this device, are unequaled in my whole life. I lost my Q (really: I LOST IT !!) three months ago, and even as I wait for my second Q, the GR sits on the shelf. Sorry, GR, my heart has gone away. I decided to sell all my equipment, including a collection of professional Nikon lenses, to be able to afford another Q. It is such a marvel.

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I hope some of my pictures show the magic “glow” of the Q Summilux lens and the pleasure I have taking them.

Notes about the Leica Q vs Sony RX1 debate

About focusing
The Q is for real 28mm shooters, for real wide angle composition. The 35mm point of view offered by the Sony RX1 (and now the RX1R mark II) is kind of midway between wide angle and standard. I consider genuine wide angle shooters see the world in 28mm or below.

If your subject is almost in the center of the image, the RX1 may be great as well. But if your composition includes often plural subjects, or a subject in a context, like in a lot of successful wide angle pictures, it is another story. If you want the focus to be on a element in a corner or somewhere else in the rule of thirds, the RX1 is very frustrating. You cannot focus and recompose in order to change the framing, since the field curvature is too important. For instance, the element focused in the center becomes out of focus if you move it a little bit on the left. For this purpose, the use of the tracking function is too slow. Off-centered composition is a pain with the RX1 especially when using open aperture. I don’t see how this may have changed with the mark II.

In this department, the touch screen focus feature of the Q is so a marvelous function. I compose the frame, touch the focus point desired, et voilà: I have my perfect shot with a perfect focus, even wide open. I don’t have problems with focus and recompose either, since the curvature field of the Q lens seems to be less a concern than with the RX1.

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About the Leica “glow”
The RX1 lens is great. I understand some people may prefer it to the Q’s 28mm Summilux. I remember one or two pictures I really love from the RX1’s Zeiss. But when I see pictures from the Q, its “glow” is so strong! But it can have an undesirable side effect: even bad composition and bad subjects make almost good pictures. This “glow”, with the pure pleasure of taking pictures with the Q, makes me shoot uninteresting things like walls or hydrants, and like the result, which is a bad thing somehow. I have to prevent myself becoming a bad photographer because of this too great camera.

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About pocketability
The Ricoh GR is a real pocket camera. It can even fit in a jeans front or rear pocket. I tried to carry the RX1, like the Fujifilm X100 before, in one of my big canadian parka made for minus 100 degrees, and I always felt like I was carrying a dictionary inside my coat. You cannot be comfortable and look normal with such a big camera in your pocket. Same thing with the Leica Q.

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For more than 10 years, I’ve been hoping for a real pocketable (read GR) full frame camera. In the film era, we had the Contaxt T, the Nikon 35 Ti, the Ricoh GR, the Leica Minilux, the Rollei 35, the Yashika T4, the Minox 35 and so on. In digital era, now, the RG is the only one of this kind with a APS-C sensor. I even wrote to Ricoh about my dream of a full frame GR, but I don’t think it will happen, since modern lenses are so big

About pleasure
This is more of a personal preference: I prefer 28mm to 35mm, I enjoy wide angle composition and I love the Q more than great 35mm lenses cameras like the X100 or the RX1.

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When I read that the Sony RX1 is “better” than the Leica Q, it’s like an insult to my wife. No, I reply, no way: my wife is the best woman on earth. She is so marvelous, I even stopped playing around with other cameras! The RX1 is another big electronic gadget which makes photos; the Leica Q is a delight, helping me to see the light and the magic of this world.

But don’t buy the Leica Q. She is all mine. I want to keep her for myself!

Flickr

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Buy a Q: Ken Hansen (Email him: [email protected]), PopFlash.com, B&H Photo or Amazon 

Jan 082016
 

Shooting the original Sony RX1

by Franklin Balzan

So last week I received my RX1R camera… yes its the first version of the camera (second technically as there was asl othe RX1). You may say that I am a bit late in this purchase as Sony has recently announced the RX1R II version of the camera… but the reason I bought the first version of the camera is I intend to use this as a fullframe compact carry around camera and not for work related stuff.

The Technical Details

The RX1R camera has been greatly praised in all reviews I have read, with its amazing dynamic range, very good bokeh and low light performance. The camera comes with a fixed lens 35mm Zeiss prime (f2), a very flexible So the camera had everything that I needed, in a very compact body. Also the camera has a silent shutter – no sound at all when you click for the picture – making it perfect for discreet work.

When I say that the camera has an amazing dynamic range, I really mean it. In fact it seems that it even wins against my A7s and A7ii in the amount of information and detail I am able to recover.

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Usability

If you are like me, I am always imagining street photography shots as I walk around. It happened to me a number of times that I said to myself that I wished I had a camera with me. Now I am making a resolution with myself to carry this gem around with me, wherever I am and up till today (around 2 weeks of use) I have always been able to take it with me apart from one time when I wore a very tight jacket.

What is missing

What I do miss, more then the viewfinder, is a tilting screen. Since this camera is a street photography workhouse, a tilt screen would have been really useful to shoot from the a low point and not attracting too much attention. I have also decided to purchase a wrist leather strap, since I find the camera grip to be existent and constantly feel as if the camera is going to slip from my hands.

The Pictures

I am here sharing some shots I have taken with this camera up till now.

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Well I must say, I am really happy with my RX1R and I feel I will be using is a lot over these Christmas holidays ! :)

More of my work on www.fbalzan.com

Dec 112015
 
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VIDEO: Side by Side: Sony RX1RII and the Leica Q. Which would I buy?

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Below is a video I just whipped up showing the Sony RX1RII next to the Leica Q. I go over the features, pros and cons of each and state which one I would buy and why. Take a look below! Full RX1RIi review next week ;)

You can buy the RX1RII at B&H Photo 

You can buy a Q at B&H Photo or Ken Hansen (email: [email protected]) or PopFlash.com

 

THREE shots. One from the RX1RII, one from the Q, and for fun, one from the Leica SL with 50 Lux attached..

1st shot, Sony RX1RII. She was sleeping but I got her attention after this one…click it to see the overall rendering of this camera. Lower contrast, plenty of DR and a nice gentle way or rendering fine details..shot at f/2. THIS is amazing IQ. Rich, detailed, with soul. 

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Now the Q, from RAW, same ISO of 1600 as the RX1RII but shot a t f/1.7. A bit “harder” than the RX1RII and darker. I prefer the Sony shot for rendering here. 

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And for fun, the Leica SL with 50 Summilux ASPH at f/2. By this tie she was saying “C’mon Dad, enough of these tests already”! I love the SL, and for me it is the best of all but it should be at the price ;) 

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Dec 082015
 
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Leica Q – Impressions from a Sony RX1 Shooter

By Chad Wadsworth – Visit his website HERE

Over the past few years Sony has disrupted the DSLR industry with their full frame a7 mirrorless line, but the camera that started it all was the original RX1. Since its release in 2012, the RX1 has been labeled a modern classic – a full frame compact that you could use as your main tool without compromise. But technology moves fast and today there is competition in the space from both the Leica Q and the just released update to the RX1, the RX1RII.

The Leica has received praise from the online community so I was curious about how it would compare to my beloved RX1. The 28mm Summilux presents a wider fov compared to the classic 35mm of the RX1 – a positive to some, negative to others. The Q has a touch screen, built-in high-resolution EVF and Leica claims one of the fastest AF systems on the market. It was all certainly enough to have me interested. At the same time, I hoped the RX1 replacement would be announced soon and sure enough, Sony revealed the RX1RII in October, sporting the potent 42mp sensor of the a7RII, 399 phase detect autofocus points, a new pop-up EVF, tilt screen and the worlds first variable optical low pass filter – quite a feature set.

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Finding a Leica Q to play with proved difficult but a couple of weeks ago a good friend purchased Ashwin Rao’s camera and allowed me to use it to shoot the Fun Fun Fun Festival in Austin, TX. Two days of intense shooting with the Q definitely informed my opinion on the camera.

No denying it, the Q is lovely. In comparison to the bulky, Bauhaus on steroids design of the new SL, the Q pays closer homage to the M line with classic rangefinder sensibilities. It looks and feels as if it was carved out of a solid block of aluminum with fine workmanship throughout the build. I particularly like how the thumb grip is inset into the back of the body. I received many compliments on the camera and even ran into one other shooter backstage.

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Comparatively, the RX1RII hews to the same retro aesthetic but with a more modern twist. Build quality is similar but the design adds a unique pop-up EVF and a tilt screen for a more stealthy experience on the street. There is also a direct control dial on the front for focus settings – including a continuous mode with advanced features like AF Lock (tracking) and Eye AF (eye tracking). Even with these modern features an RX1RII shooter is going to field regular questions from strangers on whether the RX is an “old film camera”.

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Initially I was surprised at how large the Q is, but it fits the hand well and isn’t so big that I wouldn’t use it in the same capacity as the RX1. The Sony is smaller and lighter (507g vs 640g), more of a jacket pocket camera. The size of the Rx1 is a major positive if you are looking to travel as light as possible with a full frame sensor. The Q actually weighs more than the original a7 with the FE 28/2 lens mounted (only 604g for that combo).

The 28mm Summilux f/1.7 permanently mounted in front of the Q’s sensor is wonderful. The highest praise I can give it is that when I first loaded images into Lightroom I thought, “wow, they look like they came from an RX1.” Of course the RX1 sports a Zeiss Sonnar 35/2 – the fifth highest rated autofocus lens in the DXO Mark database – and many feel it to be one of the finest 35mm lenses made, but I have no doubt that if scored, the Summilux would do very well. So pick your poison, 28mm or 35mm, both are truly excellent. I prefer 35mm so my choice is clear, but the Q does have a nifty digital zoom feature that lets you auto crop your images (even in RAW) to either a 35mm or 50mm fov. In typical Leica fashion, this digital zoom doesn’t result in a true magnification within the viewfinder, instead digital frame lines are overlaid in a quasi rangefinder effect. A novel implementation, but composing at 50mm with just a small portion of the scene within the frame lines was not ideal. I would at least prefer a menu option to select whether the frame lines or a full screen zoom were activated. Keep in mind that with the plentiful pixels of the RX1RII (42mp), that camera also shares the ability to crop into longer fovs (50mm or even a 75mm), greatly expanding the usability of the fixed 35mm prime lens.

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FFF 2015 - Peaches

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FFF 2015 - Omar Rodriguez-Lopez

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The EVF in the Q is high resolution and comfortable to view, with little to no visible lag. There is some smearing deep in the corners but it isn’t too bad. I personally find the EVF too flat and with poor color balance compared to the Sony EVFs, which tend to have more contrast and very accurate color. I noticed that shadows often had a blue tint while highlights were yellowish. When I had a chance to try out the Leica SL with its huge EVF I noticed the very same color and contrast characteristics.

Where I was more impressed with the Q was in the autofocus performance category. One of my first shots of the day at Fun Fun Fun Fest was this image of a skateboarder flying up a ramp. He was traveling at a high rate of speed with only a fraction of a second to capture the moment. The Q’s AF was very quick and nailed the focus perfectly. My original RX1 could not have done the same. The a7RII with the FE 28/2 felt like it came close to matching the speed of the Q, but I at the time of this article I don’t yet know if the RX1RII is blessed with all the same AF capabilities of its big brother. I did get a chance to try the RX1RII at Photo+ and the AF seemed very speedy inside the Expo but I couldn’t test it in a wide variety of environments. As long as your subject has good contrast you can count on the Q to grab focus very quickly and accurately – we are talking faster than SLR speed in many circumstances. Having a contrast detect system, the Q will struggle a bit in low contrast scenes, but overall the focusing experience with the Q in the field was a non-issue and that is a very good thing.

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FFF 2015 - Wrestling

FFF 2015 - Skate BMX

FFF 2015 - Skate BMX

So we have established that the Q is a handsome camera with great build quality, a stellar lens, a nice EVF and exceptional autofocus capabilities. The original RX1 had only three of those five characteristics, lacking a built-in EVF and excellent autofocus, and the new RX1RII looks to have all five. A camera is worth more than the sum of its parts though and the most critical aspect of any comparison is image quality.

I’m not going to be subtle about this, the Leica Q produced files that disappointed compared to the output from my Sonys. Specifically, dynamic range was relatively anemic (Ming Thein quotes 12.5-13 stops in his detailed review of the Q) and color balance was erratic in cloudy weather. With over 14 stops of dynamic range, the Sony RX1 and a7 bodies dominate when it comes to shooting in challenging light conditions where one would desire to recover highlights or pull detail from shadows. With the Q files I simply could not recover to the same effect and it wasn’t really close. Working with the files felt like I was a generation behind – I don’t like going backwards. Was I happy with many of the Q images? Absolutely, but the overall experience of editing Q RAW files and the number of images rejected due to a lack of depth in the data was dispiriting.

I also witnessed an alarming problem with banding in some Q files. In the image below, note the horizontal banding at the top of the image over the black tarp of the stage. This photo was taken at a moderate ISO and I did not heavily edit the shadow or black levels so I can only surmise that the banding may be due to the electronic shutter feature of the Q. Using silent shutter on the Sony a7 cameras will result in similar banding but with the Sonys you have the option to turn the feature on or off. On the Q, whenever your shutter speed exceeds 1/2000th of a second, the camera automatically activates the electronic shutter which enables faster speeds. There is no option to turn off this feature so if it is indeed responsible for the banding, you are stuck with it. On the RX1 and RX1RII there is no electronic shutter feature and the cameras are limited to 1/2000 when shooting wide open (1/4000 when stopped down).

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Compared to the a7RII

On day two of the festival the weather was particularly nasty so I left the Q home and packed the a7RII and the little Sony FE 28/2. That lens is sensationally sharp with great bokeh for a 28mm so I was curious to see how it would stack up against the brilliant Summilux on the Q. I have to say that I see little difference in sharpness between the two which is impressive considering the $450 price point of the Sony lens. The mix of photos below are from both Q and a7RII, you should have a hard time discerning which camera they came from.

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After shooting over a thousand frames with the Q in a challenging environment, even with the more limited dynamic range and banding problems, I was still impressed with many of the images that the camera produced; but at the end of the day I still prefer the Sony RX1 files with their rich depth and malleability. Given the killer 35mm Zeiss Sonnar lens, the smaller size and weight, the increased resolution, more advanced AF, class leading dynamic range and lower cost, my RX1RII order is safe.

See below for more samples from the Q.

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FFF 2015 - Peaches

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Nov 092015
 

Hi Steve and Brandon,

It was Saturday , 15. August when I took this picture of Oslofjord ,Norway. My favorite camera is Sony RX1 , I have the A7R, but this time I grabbed my Sigma SD1 Merrill. Foveon sensor is still excellent when you use it in a «proper» way.

Regards from Kingdom of Norway,
Goran Jorganovich

SDIM2138

Jun 092015
 
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The Sony RX1 maintaining its relevance

By Chad Wadsworth – His website is HERE

Two years can feel like a lifetime in the digital camera market, with fresh faced models seemingly delivered on a frantic six month schedule. But that’s roughly how long my RX1 has been in service – two full years. It was the golden child back then, always with me, consistently impressing with the sweet render of its Zeiss Sonnar 35/2 and the jaw dropping dynamic range from the 24-megapixel sensor. But new interchangeable lens models were released by Sony and the RX1 would often be relegated to the drawer. The newer Alphas boast faster AF, built-it EVFs, higher resolution or better low light performance, and the ability to mount nearly every lens ever made for the format.

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Funny thing though, the RX1 still deserves a place in the current stable and an argument can be made that it represents something wholly unique and special that can’t be duplicated by its siblings. It is the camera that I grab when I want to travel, go out with friends or just don’t want to think about lens options. There is a power in simplicity and limiting yourself to a single, classic 35mm lens. I rarely feel restricted with the fixed field of view and find that it is well suited for intimate scenes, landscapes and even portraits.

Given this ongoing admiration for the RX1 I decided to break down what makes the camera relevant today:

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The Lens

Like the legendary Hexar AF film compact and its Summicron killer 35/2, the heart of the RX1 is its fixed prime lens with silent leaf shutter. When the RX1 was released, the review sites gushed over the Sonnar that Sony had literally shoehorned into the frame to achieve the compact stature of the camera. With no less than three physical rings – aperture, focus and macro – the all metal Zeiss looks and feels the part of a classic rangefinder optic. Today, that lens is no less sharp, tactile or well built. You won’t find any test charts here but I’ve never been disappointed with the Sonnar’s resolving capability and its lovely rendering of out of focus areas. At times I’ve flirted with switching to the R model with no AA filter for improved resolution but photography isn’t solely about sharpness or resolution and there is a coherence inherent in this lens sensor combo that consistently satisfies.

With a leaf shutter, the lens is nearly silent and allows discrete shooting that lends itself to street, movie stills, sound recording environments or any other application where a silent shutter is a necessity. I often forget about the importance of having this ability until it is required.

The Sonnar does have its minor faults, but unless you are using an Otus, what lens doesn’t? Most notably, there is some CA that will need to be cleaned up on occasion, as well as distortion and vignetting that is magically erased in-camera. I never worry for a second that the lens is somehow hobbled or deficient. I would rate it as one of the finest 35/2 lenses made, equal to the Leica Summicron (king of bokeh), and Hexanon, better than the Minolta AF.

Relevancy today (10/10)

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The Body

When released, the RX1 was a clear shot across Leica’s bow. It is considerably smaller than the digital M bodies with a similar level of build quality, yet houses a modern full frame sensor with exceptional capabilities. It truly was the first of its kind and has yet to be eclipsed. You often read words such as “exquisite”, “finest”, “teutonic”, “brick” or “tank” to describe its build and design. Nothing has changed over those two years, in-fact time has proven the validity of those early claims. The detents on all of the metal control dials and rings remain as firm as the day I unboxed the camera. Some mild brassing on the focus ring is the extent of visible wear, although I have encased the camera in a leather half case made by Ulysses in Japan. The camera comes from the factory with a small patch of griptec type material on the front right hand side and a modest thumb grip on the rear. These two features provide just enough surface tension to make single hand holding possible but there are many first or third-party options to improve the ergonomics if desired. The case I purchased provides a nice little leather grip integrated into the design and retains access to the battery and SD card.

Controls are decidedly manual, with the aforementioned aperture ring plus an exposure compensation dial with 3 stops of adjustment +/-. When shooting full manual or shutter priority, shutter speed is assigned to the rear thumb dial. Personally, I prefer this setup to a shutter speed dial on top of the body and find that the combination of physical dials and rings to be ideal for controlling aperture, shutter speed and exposure comp.

The display is perhaps the most contentious component of the design. In an apparent attempt to keep the body as compact as possible, the RX1 was delivered without an OVF, EVF or tilt-screen. You get a nice LCD with good visibility in bright light (on the Sunny Weather setting) but that’s it. Many refused to purchase a camera where you are required to use the stinky diaper technique of composition. Sony does offer an optional OVF or EVF solution but both are pricey and alter the compact form factor of the camera. Personally, I chose to purchase the EVF and find it to be an effective add-on that not only allows for eye-level viewing, but with its articulating eyepiece, you get a right-angle finder, rendering you less intrusive to subjects on the street.

It is remarkable to think that in many ways this CyberShot branded camera remains Sony’s finest design. I know I’m not alone in hoping that a new model will eventually be introduced that retains the same level of build quality along with the retro rangefinder aesthetic and maybe a few improvements. If not for the lack of a built-in viewfinder I would rate the body a 10/10 today.

Relevancy today (9/10)

Backstage at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

Backstage at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

Latasha Lee and the Black Ties - Portrait

Latasha Lee and the Black Ties – Portrait

Backstage at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

Backstage at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

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The Sensor

As of the the date of this article, the RX1 sensor is the second highest rated in a Sony body, higher than any Canon camera and higher than any Medium Format system sensor – per DXO ratings. Pretty impressive for a two year old model. With 14.3 stops of dynamic range (widest range of all the Sony cameras), the ability of the sensor to hold highlights and recover shadows is truly astounding. I routinely overexpose when shooting in daylight at f/2, 1/2000 and have no trouble pulling back the highlights. High ISO performance is excellent and as a concert shooter, I have no qualms about using 3200 or even 6400 in a pinch. I rarely rely on software noise reduction as I find the noise pattern to be acceptable and even attractive in a film grain sense. Compared to the sensor in my newish a7II, I feel the RX1 sensor to be absolutely equal if not slightly advanced.

Relevancy today (10/10)

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User Interface

All new alpha cameras use an updated version of the RX1’s interface. Comparing those new menus to the RX1 can be a bit of a letdown. The RX1 menus are spartan and lack many helpful features found in the more recent models. One example is the inability to assign a function to the rear control ring – on the a7 models I keep ISO programmed to the ring for immediate control. On the RX1 you must program a custom button to first access ISO and then select the desired setting from the menu. There is potential for significant interface improvement so it is disappointing that firmware has not been upgraded to better synch the interface design with the current models.

Relevancy today (6/10)

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Memorial Day Weekend 2015 Middle Creek Ranch

Processor

Along with Interface, this section is where the RX1 most shows its age. Autofocus performance has been greatly improved in the newer alpha cameras so living with the older contrast detection system in the RX1 can at times be frustrating. On the upside, AF is generally very accurate, more so than my DSLRs ever were, it just takes the camera a bit longer to get there. Things are generally fine in good light but the hunting begins when the light goes down or in strong backlight conditions. Switching over to manual focus is always an option but the fly-by-wire mechanism requires its own form of patience and skill. Still, to put things in perspective, I have used the RX1 in extreme concert lighting conditions with solid success, just don’t expect it to provide the speed of today’s advanced systems.

Relevancy today (6/10)

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The band Tobacco performing at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

The band Tobacco performing at The Mohawk as part of the Red Bull Sound Select in Austin, TX, USA 13 August 2013.

A True Classic?

Given the frequency of product advancement in the mirrorless space, a photographer needs to be at peace with their purchase decision. Many agonize over the right time to buy or upgrade, scanning the rumor sites for hints at what is coming next. This cycle of advancement and obsolescence can paralyze or infuriate. With a camera like the RX1 I knew when I purchased it that there would be improvements in later models, specifically to the AF speed and interface. The question I had to ask myself was whether the things that made the camera unique were enough to warrant the considerable cost of the RX1. I did not buy the camera back in 2013 for the AF performance or the interface/menu controls, I bought it for the lens, sensor and body design/build and of course for its compact form. On its introduction the RX1 was the smallest full frame camera you could buy and two years later, continues to hold that title. Sony didn’t just make the smallest full frame camera in the world, they blessed it with arguably one of the finest sensor and lens combinations available and they wrapped it in a beautiful metal retro shell with manual aperture and exposure compensation controls. Due to its compact size and its handsome design – I’ll admit a bit of vanity here, I want to carry the camera with me all the time, confident that I am not compromising anything when it comes to the images it will help me produce.

Tomorrow Sony may announce a replacement with a faster lens, better AF and interface, maybe even an integrated EVF, but when it comes to the quality of the images, we are reaching a point of diminishing returns. What the RX1 produces today is without doubt at the top end of the spectrum, so good that I seriously worry whether a new model would “mess with success”.

Sony achieved a rarity when they designed the RX1 – they produced a camera that many will claim has already reached cult status, which in the throwaway and upgrade world of digital cameras, ensures its relevancy for many years.

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Leave a comment below if you still own an RX1 or would like to.

May 152015
 

Between Leica Monochrom & iPhone for street photography 

By Brigitte Hauser

I like looking at street photos and street portraits. That’s why I started to try myself.  I did these streets with following cams.

The Sony RX 1 is my good friend 

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I take it for travelling. The smoking guy is taken on the Azores island San Miguel and the blond lady in the Fernand Léger museum in France. The rx 1 is small, has a silent shutter and an outstanding image quality. It’s an astonishing versatile cam. I like also its macro mode and the high contrast b/w filter. If I had to choose only one  cam, I think I would take the RX1. 

Now a few with the Ricoh GR

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I have a lot of fun. I take it with me almost everywhere, working, shopping, walking with the dog. The coffee shop in the rain and the young man reading Richard Dawkins are taken in Zurich, my home town. The GR is so small, so nice to touch and so easy to use. It’s a joy. You don’t attract a lot of attention if you shoot in the streets with it. Focal length of 28 mm is perhaps a little bit wide for me. But you can set it on 35 mm.

About a year ago I had the opportunity to buy  a Leica Monochrom with a 50 mm summicron lens

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I call it my soul and bitch cam. The IQ is great very sharp  and it seems to me photos have a kind of an artistic  old-fashioned look. For street photography  I’m often not fast enough to compose properly or I miss the focus. But I adore this diva of cam.

The opposite of Leica MM is probably my iPhone 5

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The good thing for street photography with the mobile is: it’s always in the bag and you can really go close. People are not aware that you are taking a photo of them.  But  I just don’t like the experience to take photos with a phone. It’s also not a very courageous way to take street photos.

Thanks for looking
Yours
Brigitte

 

 

Mar 102015
 

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Road Trip – A video from 8000 stills and the Sony RX1

by Ofer Rozenman

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I’m a frequent reader of your blog and really like the content you post. Last year you shared a video of mine and recently I’ve finished working on a new stop motion road trip video which I thought you might also like:

On September `14 my wife and I traveled with our friends to eastern Europe. As designated shooter I’ve tried capturing the road trip with this stop motion video made of 200GB and 8000 stills. Enjoy! Sony RX1 for the stills!

Showreel: rozenmanofer.wix.com/showreel

Route: Sarajevo (Bosnia) – Mostar (Bosnia) – Dubrovnik (Croatia) – Lokrum (Croatia) – Cavtat (Croatia) – Prcanj (Montenegro) – Split (Croatia) – Sibenik (Croatia) – Baska (Croatia) – Postojna (Slovenia) – Venice (Italy) – Plitvice lakes (Croatia) – Zagreb (Croatia)

Equipment: Sony RX1.

Music:Big Jet Plane (Radio Edit)” by Angus and Julia Stone 

As themselves: Sanda Krsho, Milen Debensason, Liran Hadaya

Everything else: Ofer Rozenman

Jan 232015
 

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6 Months With The Sony RX1

By Simi Tometi

Hello Steve, Brandon, and fellow site readers. My name is Simi Tometi, and I am a medical student from Dallas, Texas. School usually keeps me busy(and broke) for the most part but whenever I do have some spare time I indulge in photography.

Last summer I was presented with an opportunity to purchase the Sony RX1(with viewfinder) in immaculate condition for roughly 1/2 of its initial price. With the Fujifilm X100S selling on Amazon for as low as $850(used), I was a bit hesitant. After reading countless reviews and analyzing the specs sheets I went with the RX1. To be honest the deciding factor was that I didn’t want to look back months later wishing I would have just spent the extra cash on the RX1 instead of the X100s.

It’s been just over 6 months, and I’m glad to say I’m more than happy with my purchase. Though the camera as a whole isn’t perfect, it never ceases to amaze me.

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When I purchased the camera, the first thing I noticed was its cold utilitarian build. The whole camera is composed of metal, giving it a solid feel reminiscent of the Canon 5D Mark III(however I’m not completely sure if it’s made up of the same magnesium alloy). The buttons and dials are laid out logically, except for the record button, which is positioned between the rear and right side of the camera. I didn’t find this placement problematic until I added a Black label braided silk strap to the camera, which often presses the button activating the movie mode function.

The Carl Zeiss 35mm f/2 lens, is nothing short of a masterpiece. From its buttery smooth focus ring, to its clickable aperture dial, it just does not disappoint. Wide open, it’s just a treat to use due to how jaw-droppingly sharp it is. Stopped down sharpness really doesn’t increase much, yet the increase in micro-contrast may make you think otherwise. Optical performance is just stunning; rarely do I find any traces of chromatic aberration.

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In regards to ISO performance, the camera once again doesn’t disappoint. At 6400, noise is present but very well controlled with files retaining plenty of detail and files still being remarkably flexible.

Together, the Carl Zeiss lens, functional camera body, and full frame 35mm sensor(from Sony’s flagship a99) make a formidable little camera that best nearly every other comparable option. When shooting the rear LCD screen only gives you a taste of the outstanding 16-bit raw files did this beast is able to capture.

Admittedly, the RX1 falls short in numerous areas that can’t ignored due to its initial price tag of $2800.

Most notably the auto focus of this camera just plain sucks. It really is hit or miss. I feel as if this issue could be resolved with a firmware update, but the RX1 hasn’t received any since launch. For this type of investment one would expect more than this sluggish contrast detection AF system.

Regarding accessories, they’re just too expensive. I understand this is a premium item, and should be surrounded by such, but seriously… Why would anyone pay $250 for the Sony leather case(with no access to the SD card or battery when attached), when the Gariz version can purchased for $125? The Sony brand lens hood sells for $120, while the third-party metal hood that looks and feels the same is being sold on amazon for $7. Really the only individuals I could see purchasing these accessories are those who’ve previously considered purchasing the Hasselblad Lunar(rebranded Sony Nex-7) for $5000.

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For my style of shooting the EVF($450) is a must have, and without it I probably would have went with the Fuji X100s. I really wish Sony included it with the camera or implemented the same way they did in the RX100 III.

Weather sealing is something I feel Sony could have added at this price point. When you own something of this value, you’d like to be assured its protected against the elements(e.g. Unexpected light drizzle).

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To sum it up, the Sony RX1 is stellar tool for few photographers. If you can tolerate the sluggish autofocus and the daunting price tag, you’ll be rewarded with outstanding build, superb high-ISO performance, and top tier image quality.

Simi Tometi

http://instagram.com/justsimi_

https://www.facebook.com/simi.tometi

https://www.flickr.com/photos/simitometi/

Oct 172014
 

Faces of the World Cup

By Caesar Lima – His website is HERE

Every 4 years the World Cup hosts 32 countries and an amazing soccer tournament in a different country. Since it was hosted in Brazil this time and being from Brazil and a photographer, I couldn’t resist making my 6 week trip down there into a project of capturing some of the excitement of this unique event. I decided to take mirrorless cameras because of their smaller size. I took a Sony RX-1, a Leica T with a 23mm and 5 M lenses plus a Sony A7r with 50mm and the new 70-200mm. I was able to take all this gear into the stadiums with no problem.

The games were held in different cities and I also ventured out into the streets and bars to capture the faces of the fans. There were amazing crowds of people from different countries, like a huge party. The Brazilian people are amazing hosts and they love to party. They were very proud to have all these visitors, the combination of great soccer games, 12 brand new stadiums, great food and lots of beer made it the best World Cup ever.

I feel very lucky to have been there and to have been part of such cool event.

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Aug 192014
 

Dogstreets: Mans best friend 

By Brigitte Hauser

Dear Brandon, Steve and Readers

The daily inspiration from all over the world makes me happy and smiling almost every day. Thanks a lot.

I am an amateur photographer and I like street photography. Since our old dog Murphy has died in the beginning of 2014 I see a lot more dogs in the streets than before!

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So I started my dogstreets project.

Taken in Nice (France), with Sony rx 1.

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Near Portofino (Italy) also with Sony rx 1.

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Taken in Zurich, Switzerland with Nikon Df and Leica Monochrom.

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The last pic shows Pablo our new dog by LMono, it is a “street dog” from Spain.

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As you see I use three cams. (I would prefer only one with only one lens) The one I use most is Sony rx1 because of its size. Focusing is sometimes e bit slow. I adore the LMono. But with Leica I need two hands free for focusing. And with a young dog at the doglead – very very difficult:-) That’s why I also use the Df although it’s a bit bulky for streets especially with Nikkor 58, 1,4. But super lens.

Enjoy the pics.

Yours
Brigitte

Jul 042014
 

RX1 / Spiders in Australia

By Matthias Wäckerlin

Hello!

Shooting proper Macro with the Sony RX1 with the superb Carl Zeiss Sonnar 2/35? YES, you can!

My name is Matthias Waeckerlin (Switzerland) and I have been living now for 2 years with my family in Camden near Sydney.
I’m a “stay at home dad” looking after our little children. Previously, I was working as a professional photographer.
My HEAVY Nikon gear, about 8kg, did not pass the check-in at the Zurich airport, too heavy, was the answer of the lady behind the counter! So, I had just my Sony RX1 around my neck and I never regret it since today. I never missed my Nikon. The RX1 is the best camera I ever had: small – light – solid – outstanding full frame quality – quiet (no shutter sound). The only drawback is the autofocus. I hope it will be better in the new model.

I did many pictures for all kinds of settings. And I never had an issue with this little monster.
As you can see high quality macro shooting is also possible with the RX1. Sometimes it needs a bit of patience, some spiders are very fast. The best method to get these little monsters into focus is using the manual focus with focus peaking and then moving the camera slightly forward and backward until the spiders get sharp. I set the macro mode to the closest distance. The challenge was to catch the spider when they had a short rest. Some spiders were sitting in their web, then the wind was the challenge. I set the camera to the M and A mode for all of my pictures, used JPG option and did the editing in Lightroom. Most of the pictures have ISO between 50 and 400. Just one has ISO 1600. No tripod and no flash.

The amazing quality of the 24MP C-MOS sensor allows to crop the images to a little piece.
This is still big enough to view it in the Web and in Lightroom. I won’t print a poster…

Best regards

Matthias

www.matthiaswaeckerlin.ch

AUSTRALIEN, CAMDEN, Macarthur Park, SPINNE

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17 Broughton Street, AUSTRALIEN, CAMDEN, SPINNE

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AUSTRALIEN, CAMDEN, Nepean Lodge Unit 8A - 335 Werombi Road, SPINNE

Feb 272014
 

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One year with the Sony RX1

by Raymond Hau –   http://jkspepper.tumblr.com    –    http://www.flickr.com/photos/_dhermes/

 

My setup used to be a Canon 350D with various good lenses, then I decided I needed an upgrade and so, after many a umm’ing and ahh’ing over which full-frame Canon model to upgrade to I went and bought a Sony RX1 instead.

That single action brought about a complete change to my outlook on photography and my photographic equipment needs.

Refreshing

The RX1 concept was different to anything that had existed before it and in my view rather refreshing; to provide the best photography output in as simple as manner as possible… and make it small.

It’s not for everyone, the fixed 35mm lens and lack of a viewfinder will be sure to put off hardcore gear addicts and the price will put off everyone else but for those that really know what they want out of a camera, out of photography, will never let go of this marvel.

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I shot manual film SLRs from my early days, had a break of 5 years or so and then ventured back into photography with both feet firmly in the digital camp with the 350D. I used it for a while and then I kinda. just. stopped. I had gradually lost interest; digital with all its technological advancements was exciting but something was missing, I loved photography but strangely I didn’t love this.

I picked it up again a few years later and rekindled an interest but it wasn’t until I set my hands on the RX1 that I realised what I was looking for and it was refreshingly simple.

Simplicity

The RX1 is in essence a simple device, it does not have a zoom; it does not have a viewfinder; it has neither the ergonomics nor an AF system that works; and it does not even have a battery charger (!). What it does have however is a wonderful lens mated to a superb sensor and that is all I needed.

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The tactile feedback from the all metal construction, the well dampened focusing ring and the reassuring click of the aperture ring around the lens gives quiet confidence when your AF is failing and the battery is about to die after only 300 shots, because you know that when you go home and upload your 300 shots, each one will be as beautifully rendered as the next and just how you intended to capture that scene.

I didn’t care that the AF enjoys the hunt because like a Mountie, he always gets his man (most of the time anyway and don’t even bother trying when anything is on the move). I learnt never to rely on AF in certain circumstances and resorted doing things the old-fashioned way.

The Old-Fashioned Way

One could argue that I’m a little bit backwards; why move from a system which gives perfectly acceptable AF, flexibility of focal lengths and adequate cost for something that offers none of that? I had to focus with my feet, manually twiddle the focus ring and lighten my wallet by a fair few G’s (in HKD that is).

But that was the epiphany, the eureka moment, the realisation that I enjoyed it (well, I would certainly enjoy it more if it hadn’t cost me an arm and a leg but I digress).

What was missing from shooting with digital SLR systems (be it Canon or Nikon) was the process itself, I was no longer enjoying the physical process of taking photographs, it didn’t matter whether the output was good if I didn’t care to take the time and effort to get out there with a camera.

More Gloomy Clouds over Hong Kong

It is a slower process, I would even say a more considered one but I’m not a professional photographer so I don’t need the ability to snap a gnat doing a reverse somersault in the tuck position off a cat’s back from 200m at a moment’s notice lest my family starve from lack of income; I’m just a guy, standing in front of a camera, asking for an enjoyable experience.

The Review

When I evaluate a camera during the first few weeks of purchase, I focus on the negative aspects of the camera; once I have a handle on what I don’t like I can then decide whether I can live with it. If I can, I will love it and keep it, if I can’t it’s gonna go; you can see this when I reviewed the Sony A7R.

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However, with this “One year in review” I will focus instead on the positive aspects of the camera, what I have found to be the highlights after owning the RX1 for a year.

35mm

I love the 35mm focal length. You either do or you don’t I suppose and I do. I’m naturally a wide-angle shooter and lengths from 50mm upwards are awkward for me; I’m always too close to the subject, perhaps I have no inhibitions about getting in close or feel that I lose the intimacy or interaction when shooting people. Oh, and I love landscapes and the close 20cm focus distance when in macro mode is also a boon for those inevitable food photographs.

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Carl Zeiss

Consider me a convert to the Carl Zeiss clan; before the fixed 35mm f/2.0 attached to the front of the RX1 I hadn’t had a lot of experience with Zeiss glass, only hearing about them and not giving them much thought. Now I am a true convert and have already amassed a collection of 4 (if you include the one on the RX1). I had never seen the famed Zeiss ‘3D pop’ before now and in good sunlight it is truly evident and a marvel to behold.

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The glass is sharp wide open and right across the frame, the colours are pleasing and at f/2.0 is fast enough and beautiful enough (bokeh!) for me to indulge my creative side. It’s so effortless I almost feel like I’m cheating. It’s not perfect, there exists slight distortions and vignetting which can be corrected in post but for the most part can be considered immaterial.

I have read reviews and musings from the world-wide webs which go on to proffer the argument that this could be one of the finest lenses ever produced, I do not doubt them although having the lens mated specifically to a sensor with micrometer precision obviously has its benefits.

Exmor

The Exmor CMOS sensor is amazing and I am not using that term lightly. I have had access to and have regularly used a number of cameras over time and now also owning the Sony A7R, Fujifilm X-E1 and X-T1, I can empirically say the 24MP sensor housed within that tight metallic body is the best I’ve ever used. Its dynamic range (DR) and noise characteristics are exceptional.

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It’s the only file where I can shoot straight into the sun and then pull every slider in post (using Adobe Lightroom) without breaking the image. It’s the only file where I can create HDR images with only one image (instead of the usual 3-plus images). It’s the only file where I never, ever, worry about artifacting in post and lets me really fire up my creative juices. The A7R and Fujifilm files are not even close on this one, like I have already said, this camera makes taking pictures easy.

Size

This thing is tiny; it’s an engineering marvel how they have managed to fit a full frame sensor inside that body. It’s by no means pocketable (unless you are a giant or like wearing trench coats) but it is vastly superior to its full frame brethren. It means that I can carry it anywhere and everywhere I go and I often do; during the last year it has been to clubs, bars, restaurants, functions, parks, hikes, events, trips; Hong Kong, England, Japan, Cambodia, India, Korea, China, Italy and more.

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It’s non-invasive, not attention worthy (especially with black nail polish over the trademarks) and not intimidating. It’s the perfect stealth camera which to many may look like an older 1990’s era point and shooter, obviously the fast and silent leaf shutter helps too.

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I’ve been with friends and to people’s houses where they remarked why I hadn’t brought a ‘proper’ camera like their large Canon or Nikon systems. I merely shrug and say “I make do with what I got”, little do they know…

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It’s a leaf shutter, fast (1/4000s max, although speed limited to 1/2000s when wide open up until f5.6 if I remember correctly) and silent (it really is). It will sync flash at any speed you would want, especially useful for wide open shots during day light.

Viewfinder

There is however one thing the RX1 doesn’t give you and it’s something I know I couldn’t live without and that is a viewfinder; I was so used to optical viewfinders in all my previous cameras that it was a given that I would want the same again. Shooting using the LCD screen just didn’t give that same feel or enjoyment so I almost immediately started to look at the Sony OVF.

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I tested one and was amazed by how large and bright it was; then I saw the ludicrous price tag and decided that it was ridiculous sum of money to pay for a piece of glass so I started looking elsewhere for third party designs from Leica and Voigtlander. What I saw underwhelmed me enough for me to eventually consider the electronic viewfinder (EVF) as I was not willing to spend so much money on what was essentially a dumb piece of glass. Let’s just say that I am now a convert to the EVF world; would I still prefer a large bright digital SLR OVF? Sure. But EVFs do offer some advantages and I can live with the negatives.

Street Meat Vendor

The Sony EVF is a joy to use and only now when I compare it to the EVFs from the A7R, X-E1 (rubbish) and X-T1 that I realised I had started out with a really good example of one. I’m not sure whether the EVF for the RX1 is the same as that built into the A7R but I swear the RX1 EVF is slightly better and is enjoyable to use even alongside the large and bright EVF of the Fujifilm X-T1.

One Year In

I love the RX1. I already know I will not sell it, exchange it or need to upgrade it. When it comes to 35mm, the RX1 is all I need which is why after one year and three additional bodies I still only have one 35mm focal length in my collection and that is the one attached to this camera.

It has changed my whole outlook, my philosophy and my equipment needs.

Julian

City life trams

I want them to be small and manageable; I want that tactile old school feel of an aperture ring; I want a single focal length to keep things simple; and most if all I want to really enjoy using it.

What I would really want is a collection of RX1-type cameras at differing focal lengths; an ultra-wide (~18mm), wide (35mm), normal (50mm) and short-telephoto (85mm). One camera for one task, no changing lenses in the field and if I didn’t bring the right camera with me, I’m not going to stress over missing a shot. Simples.

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The end.

Raymond Hau

Dec 262013
 

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The Sony RX1 goes to Rio De Janeiro

by Mash

Hi Steve,

Been following your site for a little over six months now and thanks to your reviews I picked up the Fuji X100s and the Sony RX1.

I originally had a Nikon D300s, and it had been sitting on my desk for over two years because it was just such a hassle to carry everything around. That’s when I started researching fixed lens Cameras and based on your review I picked up the Fuji X100s first and sold the entire Nikon D300s kit.

The Fuji X100s really was a delight to use. It definitely is much more intuitive to use then the Sony RX1. The only thing that bothered me about the Fuji files was I never found the images sharp enough, there was a softness to it that some people may prefer, but it never really tickled my fancy.

Couple of months later, I planned a trip to Rio and was trying to decide on to take the Fuji or buy the Sony RX1. After reading and re-reading your review of the RX1, I sold the Fuji and bought the Sony RX1.

The Sony RX1 costs a little over USD $3000 here, and having heard horror stories about muggings in Rio, I became paranoid of taking it with me.

So, as I was committed to the trip and didn’t have any other camera I did two things to ensure the safety of the Camera.

1. Took out a travel insurance policy that covers theft or loss.

2. I also took some artistic tape, and randomly taped over the camera and the logos. You can see in the image below (taken with iphone 5).

I had no idea if uglifying the camera would work, but when two random people I met on the trip commented, “Oh did you break your camera?”, appears to have had the desired effect I wanted.

It was my first time visiting Rio De Janeiro, so I really didn’t know what to expect. Nothing was really planned and I went with the flow. I was lucky enough to have run into a wide spectrum of shooting opportunities and challenges.

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Sony RX1 in use

For all the shots below, I had the camera set to aperture priority and in most cases the aperture was set to F2. The only adjustments I would make to control the light was using the exposure dial, dialing it up and down as needed.

What I really loved about this simple setup was, it allowed me to focus on what I wanted to capture rather than trying to get a perfect shot every single time.

The camera was set to auto focus most cases, in some rare instances I used the manual focus option. I had programmed the AEL button to switch between auto and manual focus, and once used to it – became a breeze to change.

I shot everything in RAW and then edited everything in Lightroom 5.

I wanted to share some images to show you the breath of images captured and how beautiful and sharp the images are.

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Ipanema Beach

The shooting conditions on the beach was bright sun light with a lot of movement.

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Churches and Chris the Redeemer

I love how beautiful the bokeh out of the camera is. This image was shot in almost dark church, with natural light pouring in 500 yards from the front doors.

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A look at how the macro functions. Again, there was barely any light in the room.

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The following image was shot about 500 feet away looking up at the painted windows. Using the multi zone focus moved the focus point down, to avoid the windows being washed out by too much light.

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Sunday mass. The silent shutter sound didn’t alert anyone to the fact that I was taking photos.

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Christ the Redeemer. I loved this photo opportunity. With the sun perfectly positioned on the palm of christ. I was shooting straight at the sun, and the clouds were recovered post processing. I was really impressed by the dynamic range of the RX1, to allow me to do that.church 5

Rio Pride Parade

To give you an idea of the color rendering range of the camera, I was lucky to have come across the Rio Pride Parade. I will let the images talk themselves, the only adjustment I made was to put up the vibrancy.

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Teachers Demonstration

While visiting downtown Rio, ran across what was a teachers unions strike. Chose to render this in black and white in post processing.

I am not sure how people would have reacted if I was lugging around a huge DSLR. I would like to believe, people felt much less threatened thinking I am using a simple point and shoot.

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teacher strike 2

teacher strike 3Favela Visit

This was the part of the visit I was most looking forward to. It was a foggy and rainy day, and parts of the favela were in complete darkness only lit by a small fluorescent light.

I used a simple umbrella to protect the camera and the camera was small enough to operate with my other free hand. Don’t think it would have been that easy with a larger DSLR.

The camera did hunt a few times, but nothing that was annoying or unbearable.

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Overall Impressions

Yes it may be over priced. It may have been foolish purchasing it a few weeks before the release of the Sony full frame A7. Saying all that, life is too short to live with regrets, and I am glad that the Sony Rx1 was beside me on this amazing trip to capture these beautiful moments.

I love the Sony Rx1. At no moment did I wish I had another camera, or wanted a faster focus or a different lens. It was a trusty companion by my side to take the photos the moment I wanted them.

I am already planning my next trip, and can’t wait to take the Sony RX1 along.

If you would like to see images from my brazil trip, pay a visit to my site

http://thisismash.com/street-art-brazil/

You will see more about the street art, the music, and more shots from the above themes.

Thank you Steve for letting me share this with your readers.

Mash

PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREE for you to HELP OUT!

Hello to all! For the past 5+ years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and as many as 1500 at any one given moment. Because of this I need and use super fast dedicated web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this FREE information that is provided on a daily basis. This is not a paid subscription site, so no money is exchanged for the information here.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – This one will not work by bookmarking it.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;) You can also help out by writing a guess post or review on a piece of gear you love and adore. If interested in this, just send me an email here.

Oct 192013
 

A cool Sony RX1 “Video” from NYC by Ofer Rozenman

Saturday fun! Check out the video below by Ofer Rozenman. He used the 35mm camera that I feel has the best IQ of ANY digital 35mm camera to date, in all situations, the Sony RX1. BUT it is not really a “Video”! It is stop motion without a tripod using over 6000 images. Pretty cool!

Here is what Ofer has to say:

“During September ’13 me and my girlfriend visited (again) our favorite city in the world – NYC. Instead of taking one still of every place we’ve been at, we took 50, in order to make a stop motion video out of it. We’ve ended up with over 140GB and 6K images.”

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