Oct 052015

Canon EOS M Review (Or Why I Learned to Stop Worrying and Love the Camera)

By Jonathan Acierto


Hello Steve and Brandon,

The Canon EOS M got a lot of bad reviews when it first came out. It was basically dead on arrival due to all of its shortcomings and perceived lack of effort on Canon’s part to design a camera that could rival the other mature mirrorless system cameras from Sony, Olympus, Panasonic, and Fuji. So when it came time to choose a mirrorless camera to carry around to replace my Sony RX100 compact, I chose the Canon EOS M. Why on earth would I choose the apparently worse mirrorless offering? I’ve been using it for a little while now and, even with all its shortcomings, let me explain why I’m happy with the EOS M.


When the EOS M was first released, it was originally priced for retail at about $800 for the kit with the 22mm f/2 pancake lens. Ever since the camera flopped, the price has been dramatically reduced to about $379 for the same kit on Amazon, and even less for the body only. You know what that means: really low used prices. Heading over to the fantastic KEH, I was able to get an EOS M with the 18-55mm kit lens for under $300, less than I paid for the RX100. Even compared to the entry level m43 cameras, the EOS M is a steal. Kudos to all of you who have enough disposable income to buy top of the line mirrorless cameras and glass from Leica, Sony, Fuji, Olympus, Panasonic, etc. Reading headlines of people who have multiple mirrorless cameras and can buy f/-1.0 lenses for all of them makes me jealous. But for the rest of us folks who have a limited amount of disposable income, price is and always will be a major factor.




While the photographic community has shunned the EOS M, the video community has embraced it and it has become somewhat of a cult video camera. I was originally looking to get a camcorder, but entry level enthusiast camcorders with relatively larger sensors start around $1,000. I simply wasn’t interested in getting a consumer grade camcorder due to the small sensors, hence the lack of DOF control. Entry level HDDSLR’s and high end superzooms (like the Sony RX10) have become a great value for getting professional looking video, but they are still relatively bulky and the ergonomics aren’t the best for video. Action cameras are tiny and can withstand all kinds of abuse, but they are just not designed for shooting everyday videos of your kids (unless your kids are surfing or riding a dirt bike and you want to get footage from their point of view).

The EOS M has became a popular camera to use for video because it has a large sensor which enables it to get the same DOF control as HDDSLR’s, it has a mic input so you can get better audio by connecting a much higher quality mic, and it is very compact and light weight, perfect for run and gun video shooting. Years ago I had a Canon Rebel T1i and I loved using it for video, but it didn’t have autofocus or tracking focus in video mode, so I had to manually focus. After a while, manual focus became a real chore. If I was a DP or first AC, I’d probably do a better job with manual focus, but I’m just not that good. The EOS M has auto and tracking focus in video mode. It’s not perfect by any means, and other mirrorless system cameras have better auto and tracking focus in video, but the EOS M is still better in most situations compared to my crappy mannual focusing. Keeping the aperture closed down a bit to get a deeper depth of field helps too. While having a razor thin DOF in a still photo is all the rage nowadays, having a razor thin depth of field for long lengths of time in video footage is now cliche and tends to get really monotonous and hard to watch. Video is a whole different art compared to photography, all you have to do is pay attention to what you see in movies and on TV. In the video world, shallow DOF is used very sparingly.



Operational Speed

Trying to use the EOS M like a DSLR or enthusiast camera sucks, and sometimes it can be painful (sounds like the complaints about the original Fuji X100, doesn’t it?). I’m used to just pointing the camera towards the subject, half pressing the shutter button to acquire focus, and pressing the shutter button all the way down once the camera gets focus. With the Sony RX100, I’m able to get focus and snap a photo or 2 of people on a sidewalk while I’m in a moving car. Letting the EOS M decide what to focus on is a crap shoot, it could focus on the correct subject fairly quickly, or it could take a while to hunt for focus. The slow focus is the main reason why the camera has been criticized so heavily.

Then I had a revelation: the EOS M was designed for regular consumers who are used to a smartphone touch interface. This may be obvious at first, and many reviewers mentioned this, but it’s easy to forget if you’re an enthusiast or professional who normally uses a DSLR, mirrorless system camera, or other more advanced camera. Once I started using the touchscreen to focus, the camera felt much quicker to use. Using the touch screen to focus, then pressing the shutter button to take the photo, works much like my iPhone. The EOS M also does a fairly decent job tracking the subject once you acquire focus via the touch UI. It’s also much quicker to change settings (white balance, ISO, etc.) using the touchscreen compared to using the physical buttons and wheel to dive into menus. People always complain that camera interfaces are stone age, but Canon designed a pretty good touch interface for the EOS M, and reviewers complained it’s too touch oriented for more serious photographers. Go figure.

The biggest slow down after getting over the touch UI focusing seems to be after pressing the shutter button all the way down. The camera takes almost a full second to write to the memory card. I’m not entirely sure why this process is so slow, as the camera can write 1080P video at 30fps to the card without any slowdowns. Is it annoying? It can be, especially when I’m trying to fire off 2 or 3 shots quickly as I do with the Sony RX100 or Canon 6D. Does the slow write speed stop me from shooting the moments I’m trying to capture? No. I actually think the slow write time helps slow me down and be more selective of my shots. With my Canonet QL17 GIII 35mm film rangefiner, I have to wind the film after every shot, so I’m used to not being able to take shots in quick succession. With the EOS M, I’m shooting more in the Cartier-Bresson, wait for the decisive moment style, rather than spraying and praying.

Hagerstown Road Trip 10-3-2015 - 1 of 1

Image Quality

It’s good, what more do you need to know? Just look at the photos. We’re at a point where any camera with a sensor 1″ or larger can take fantastic photos, the only limitation is the quality of the lenses. While the native EF-M mount lenses aren’t professional L glass quality, they’re good. I’d even say they’re better than the older, pre-STM Canon DSLR EF-S mount crop sensor lenses I’ve used. The EF-M 22mm f/2 STM (35mm full frame equivalent) is certainly as good as any of the mid level Canon EF USM prime lenses, it’s about 1/4 of the price, and it’s tiny. Putting this lens on the M makes it almost as compact at the Sony RX100. I don’t plan on using the EF-M 18-55mm IS zoom lens much for stills, but it’s more than good enough for shooting 1080p video. The image stabilization really helps to eliminate vomit-inducing camera shake.

Huntington Pioneer Festival 9-27-2015 - 1 of 1

Closing Thoughts

For all the talk of the convergence of stills and motion in one camera, it still hasn’t quite happened yet in the enthusiast/professional space. In the consumer world, I think the iPhone and smartphones have become the only camera normal people need for stills and videos, making smartphones true convergence devices. That leaves pros and enthusiasts as the only people left who are willing to spend money on a separate camera and/or camcorder.

Mirrorless system cameras have changed the stills world and HDDSLR’s have changed the motion camera world, so it makes sense that the newest convergence cameras will be a combination of those two devices. Mirrorless system cameras are gaining better video capabilities all the time, but Canon started the HDDSLR revolution, so they are coming at the mirrorless world from the opposite direction of taking the HDDSLR video capabilities and cramming them into the EOS M. They did a good job, all they need to do now is match the stills photography performance of their entry level DSLR’s. I think they’re getting there; the reviews for the third generation EOS M3 have been very good. Canon has had plenty of time to improve the M since the original was released 3 years ago. The reviews of the M3 have been so good that Canon decided to release the M3 in the US after initially announcing they wouldn’t. A couple more iterations of the EOS M and they’ll not only catch up to the other mirrorless cameras, but they may even surpass them. In the meantime, I’ll have my EOS M in hand, capturing fantastic videos and photos and having a blast.

All the photos included with this review were shot with the 22mm f/2 EF-M STM lens. For more of my photos, please visit my Flckr page:


Jonathan V. Acierto

Sep 302015

A Hot Summer in Rome

by Massimiliano Tiberi

Dear Steve how are you!

I am here in Rome waiting for the autumn looking back at what I shot this summer and I would like to share with you all my roll of film done with the Leica M2 and a great Tri-X. So refreshing to shot with a so simple camera.

Rome in August can be very hot and the city is a bit empty and lonely but so interesting because something that is hidden became more visible. The people in Rome are so incredibly surrounded by masterpieces that sometimes you forget the living ones to focus on what was done by the ancient inhabitant of this city.

Something of the beauty of this city is fading away so do not miss the chance to visit soon.

more if you like there : http://blog.massimilianotiberi.com/rome-in-an-empty-summer/

I wish you can enjoy :-)










Sep 292015

The Sony A7R (Mk 1) in Japan

by Michael Morris

Dear Steve and Brandon:

I have been reading your site daily for the last few years and have enjoyed reading your reviews and guest posts. I started my venture into the mirrorless world from Nikon with the purchase of the Leica M9 and 3 Leica M lenses in 2010. I tried micro four thirds and APS –C sensors and came to the conclusion that I am a full frame shooter. Over the last year I made some changes in my list of cameras. I sold my Olympus OMD–EM5, my Fujifilm XT-1, and my Leica M9. I now have a Nikon D800E, which I use for portrait work and sports, and a Sony A7R which I use for travel or when I want to travel light. I am anxiously waiting for my A7Rii to ship.

I recently traveled to Japan and brought my Sony A7R with the Sony/Zeiss FE 55mm f 1.8, Sony/Zeiss FE 35 mm f 1.4, Leica M 90 mm f 2.0 APO, Leica Super-Elmer 21 mm f 3.4 (borrowed), and my Nikkor G 14-24 mm f 2.8. I strongly considered purchasing the Sony/Zeiss FE 16-35mm for the trip. In the end I decided to bring the Nikkor zoom despite its size, and use something that I already owned. I used Novoflex adapters for both the Leica and Nikkor lenses.

Here are some sample photos.

Shibuya Crossing – Sony A7R with Nikkor G 14-24 mm f 2.8 ISO 200 1/250 sec


Sumo Wrestling Close shot – Sony A7R with Leica M 90 mm f 2.0 APO – ISO 1600 1/640 sec f 3.4


Sumo wrestling – Wide shot – Sony A7R with Leica Super-Elmer 21 mm f 3.4 – ISO 1600 1/100 sec f 3.4


Leica Store Tokyo – Sony A7R with Sony/Zeiss FE 35 mm ISO 200 1/100 sec f 5.6


Mount Fuji taken from the Shinkansen Nozomi at 170 mph Sony/Zeiss FE 35 mm ISO 200 – 1/200 sec f 4.0


Lobby of Ritz Carlton Kyoto –Sony A7R with Sony/Zeiss FE 35 mm ISO 200 1/4000 sec f 2.0


Maiko – Sony A7R with Sony/Zeiss FE 35 mm ISO 6400 1/250 f 4.0


Kinkaku-ji (The Golden Pavilion) Kyoto – Sony A7R with Sony/Zeiss FE 35 mm ISO 400 1/640 sec f 4.0


Michael Morris MD

Ocala, Florida USA

Sep 282015

USER REPORT: A7RII + Zeiss 35 1.4 Distagon FE: A weekend in Connecticut

by Jesse Hsu

Hi Steve,

After falling in love with the A7s and using it extensively for the past year, I was curious about the A7RII’s low-light capabilities as well as its stabilization to see if it was worth the purchase. ​ Borrowed the A7RII for a weekend trip to Connecticut to assess its performance. I only used the Zeiss 35 1.4 Distagon FE lens.

This shot was taken in the backseat of a car going 75mph on the highway. I wanted to test out the 5-axis stabilization and took a quick snap of the biker in the lane next to us. Not the sharpest obviously, but not bad for a handheld shot.

1 - Biker

Went out to the backyard and snapped this photo. After opening it up in Photoshop later, I was blown away by the clarity and level of detail. Leaves and tree trunks were sharp and I was able to recover some shadow with ease. Note: No additional sharpening in post.

2 - trees

Went grocery shopping at a local farm for dinner and snapped a sheep who was patiently posing for me. Again, impressed by the clarity of the blades of grass as well as the wool of the sheep when zoomed in.

3 - sheep

As night fell, my friends were getting the grill hot and ready on the porch outside. A great opportunity to test the low light capabilities. There was one light source, an overhead lamp but the sensor performed with no issues as it captured the flames in action and preserved the details of the charcoal piled high in the chimney starter.

4 - grill

I took the next shot as the branzino began to crisp. Notice the criss-cross pattern of the fish scales as well as the powdery soot all over the grill.

5 - fish

Cornish game hens slathered in miso and gochujang were next on the grill.

6 - hens

The next morning we heard some chirping and found some baby birds camped out in the backyard gazebo. The wonderful minimum focusing distance of the 35mm 1.4 allowed me to get pretty close to the subjects and shoot wide open at 1.4 for a heaping of creamy bokeh.

7 - birds

Few friends came by for a dip and the fast boot up time of the camera allowed me to quickly freeze a moment in time. Note the cascading water droplets as clear as day.

8 - swim

Water-skiing in the late afternoon meant another great opportunity to test stabilization. All of the shots were taken on a boat going pretty fast and I was happy that there wasn’t much blur. No tripod used, all handheld. I shot some 4k video but haven’t had a chance to check out the footage in Adobe Premiere.

9 - lake

Conclusion: After putting the A7RII through its paces, I was happy with the results. It preserved amazing detail in low-light scenes and situations where there was considerable movement. I will be ordering the A7RII soon!

More photos (mix of A7, A7s, A7rII) here: www.instagram.com/scrumphsus

Sep 282015

Traveling Light – Big Fun with little cameras!

By Rob McKay

Hi Steve and Brandon, as always great work on the site! I love these tiny pocket cameras so figured I would submit some snaps from them to your fine website.

Ricoh GR

This has to be my all time favourite pocket camera. I love the ergonomics of it, the size is perfect, the layout in my opinion is also perfect. Keeping the body clean, and the lack of external dials, buttons and knobs means I rarely screw up a shot due to something getting moved or switched on or off.
A few snaps with Ricoh balancing on some rocks.



Sony RX100 III

Another awesome pocketable camera, and after looking at a few snaps I made with it, I am kind of missing it. Tiny powerhouse of a camera, but I ended up selling it because it was cutting into my Ricoh time. But thinking I might need the IV!



Sony a6000 + E 16mm 2.8

Obviously the a6000 is a system camera, but it is pocketable as long as you have the right lens on it. In this case the cheapo 16mm.




Rob McKay – https://www.flickr.com/photos/caughtintheair/

Sep 242015


The Sony RX1R around the world

by Dick Hoebee

Hello Steve,

The subject of this write-up is the magnificent Sony RX1R and some of the places I’ve taken it so far. Every photo you see here was shot in RAW and edited in Adobe Lightroom.

Positive points and general comments

Going to New Zealand was something I wanted to do for a very long time, and in late 2013 I finally had the means and time to do it. My trusty Canon Eos 450D was becoming unreliable after five years of heavy use, and I took this opportunity to go out and get a new camera. The logical choice would be a new Canon, as I had accumulated two nice lenses and a great flash. Mostly thanks to the raving reviews on this site, I checked out the Sony RX1R as well, and ended up buying it, to my own surprise.


It was either this camera, or an EOS 5D Mk. III. That’s not an easy choice to make, but I’m ultimately glad I went with the Sony. I was a little anxious about limiting myself to one lens, especially for the monumental price tag that the camera has (I bought it when it just came out, too), but that turned out to be unwarranted, as I never enjoyed a camera more than this thing.


New Zealand was the maiden voyage of the RX1R for me, and boy was I glad I took the plunge before going. This country has many sights that are truly awe-inspiring, and I recommend anyone visiting it at least once in their lifetime. I felt very small there many times. It is a humbling, unforgettable experience.


Besides the incredible image quality of this camera, I absolutely love this thing for its size and weight (or rather, the lack thereof). It is also built like a tank, which gives confidence to carry it all over the place. And I do. Because it’s so easy to take everywhere, I take it everywhere. I left my EOS 450D at home many times when I shouldn’t have, because I didn’t feel like lugging it around, and that’s even a small DSLR. Another advantage about its size is that it is an unintimidating camera to subjects. When you point a big, professional-looking camera with a large lens at people, they sometimes get self-conscious. The RX1R looks more like a cool-looking hobby-camera than the full-frame monster that it is. The shutter is completely silent, too. Most people have no idea what it is (including those who have nice cameras themselves), and some even think it is an analog camera. An older gentleman I met commented that it looked like his Leica M6.






At low to medium ISO settings, photos are incredibly clean. That said, the high ISO performance of this camera is one of the reasons I fell in love with it. I can take it out at night, and take hand-held shots without having to use flash in pretty much any situation. The results are great, and photos still look alive and punchy at ISO 6400 and even 12800. Things naturally get more grainy once the ISO goes up, but it’s nice-looking grain, almost film-like. I leave luminance noise-reduction completely off in Lightroom. With a tripod and long exposure + low ISO, it really shines, too.

I use the RX1R for landscapes, portraits, and as a walk-around camera. The dynamic range is really something else, and it’s possible to achieve some amazing results. Colors are wonderful, and black & white is rich and deep. It’s easy to pull tons of detail out of shadows and highlights, and I’ve never felt the need to pull tricks like multiple exposure HDR. RAW files have an incredible amount of headroom. After having owned and used the RX1R for two years, I still get blown away every singe time I load the files in Lightroom. The image quality is absolutely staggering, still in 2015.



Settings & usage

I shoot in Aperture Priority (the ring is nice) or Program most of the time, and I use Manual for long exposure shots and stitch-panoramas. The exposure compensation dial on top is a useful tool for quick adjustment. I assigned the little C-button on top to ISO-settings, which I usually leave on auto with a range of 100-6400. Sometimes I lock it when I want to go for a specific look. All 5 buttons are programmable, as well as the four-way buttons under the wheel on the back. I set metering to multi-metering, and it is generally accurate. The auto-focus does a great job most of the time. It sometimes has a little trouble in the dark, but it usually catches what I want after a try or two. I set it to one focus point in the middle. Focus speed isn’t super fast, but fast enough for me.

I never really use the flash (not needed) or video mode (I’m a photographer, not a video guy). The only accessories I have in my bag these days are a GorillaPod and an extra battery. It really feels like everything I need now.




The Carl Zeiss Sonnar T* 35mm f/2.0 lens is incredibly sharp at every f-stop, and it seems to be at its sharpest at f/5.6 and f/8. The photos are so sharp in fact, that Adobe Lightroom’s default sharpening-setting of 25 is too high and creates harsh edges. Usually I end up setting it around 10-15. Having a 35mm prime lens is easy to get used to, especially when it’s as great as this one. I love primes in general; they force you to get creative and walk around to find a good angle.





The battery-life is not great. I immediately turn the camera off after I’ve taken a shot, and I don’t spend much time reviewing photos already taken. I have an extra battery, but since Sony doesn’t include an external charger (at this price point, I’d say that’s strange), I need to switch them around while the camera is hooked up to charge them. The camera has a standard micro-USB port for file transfer and charging, which means it is compatible with pretty much every standard phone charger out there, which is convenient.




Manual focus is useless without a viewfinder (save for forcing infinity focus), as focus-peaking only works with a magnified view. I don’t know why this is, as the Sony A7 cameras are able to do this on the overview view. Another little quirk is that the camera always returns to infinity focus when it wakes up or turns on. This is something I’d like to be able to lock when I’m waiting to take a shot of something that moves. Both these things are fixable with a firmware update, but Sony doesn’t seem to do those with this camera for some reason.

I miss having an infrared shutter release. That seems like a more logical choice to build into this camera than an external mic-input.

The prices for accessories are ridiculous. I’d like to have the viewfinder (partially because using a circular polarizing filter is almost impossible with the LCD screen), but I’m not paying 500 bucks for that. Even their simple metal lens hood costs 200 bucks (check eBay for knock-offs for 1/10th the price). The only official Sony accessory I bought for it was the leather case. Although that hurt my wallet, I’m glad I got it. It provides good protection, and it really emphasizes the old-school cool look.



I’ve never been this happy about a camera, or any electronic device I’ve ever owned. It is not perfect (no camera really is), but the positives easily outweigh the negatives. The more I use it, the more I love it. The Zeiss lens, overall image quality, build quality and size, make the RX1R nothing less than a masterpiece.

I would probably still love this thing if it gave me an electric shock with every photo I take.

It is that good.

If you liked this write-up and my photos, check out my personal portfolio and blog. I update it constantly.

I also have a Facebook-page. Give me a “Like” and tell your friends, it always helps!

Or, follow me on Twitter if that’s your thing.

I will visit Australia in the near future and many other places after that, so keep an eye on my website and social media pages for new photos soon. Feel free to get in touch if you have any questions or comments, I’m always more than happy to talk.

Many thanks again, Steve, for allowing me to send this in. Keep the website going, I enjoy the hell out of it.


Sep 232015

Leaving Mexico City

by Alejandro Ilukewitsch

Hi Steve,

Soon I will be moving out of Mexico and wanted to share with you and your readers some of my pics from my stay in this wonderful country.

Mexico is great city for street photography, people is warm and definitely like their portrait been taken. It’s a huge city, in which it only takes a bit of luck to bump into something interesting to shoot. I focus mostly in street portraits, but also managed to get some other things :).

I used different kinds of cameras Nikon DF, Sony A7ii, and Leica M240. No specific reason for the cameras, I just love all of them :)

Exif data should be intact. Hope your readers enjoy these pics as much as I enjoyed Mexico, and if anyone is thinking of passing through here a few days, please don’t doubt it, you will be surprise how great it could be.

DSC_9732 (1)







L1008370 (1)



L1006586 (2)








Sorry for posting so many :)

More of my pictures can be seen in:


Thanks for looking!

Sep 212015

A night of Post Processing

By Dirk Dom

What a night!

I did ten black and white shots of my San Francisco trip.

At first, I got all crazy about printing big and I wanted drum scans made. Since that, and printing four feet would see me bankrupt, I used my own scans and enjoyed these.

I’ll print 12 x 18 inches, 30 x 45 cm, on Baryta paper. With my own scans I can go to 24 inches, 60 cm at 300 DPI.

This was a night of calm creativity and intense concentration.

Ansel Adams, the greatest printer that ever lived, said: “the negative is the score, the print the performance”. I performed tonight.

I’m deeply grateful I can do this.

The tools I use would make any Photoshop specialist laugh so hard he’d get cramps, but I use them until I can’t make the print any better. I do burning and dodging, a little bit of levels, mainly to check if I reach the black and white limits (ALT key), that’s all. Of course the images need spotting. Photoshop is as refined as you want, no limit.

Usually I have a very vivid idea about the potential of the print and what I want it to become, getting there is usually not difficult but takes lots of time.

Well, here they are, I didn’t include shots of the city because buildings don’t fit in this series.

This one I made very high key to offset the jet black charred stump and the rest of the Redwood forest.


Here I think I got the range of light in the forest.


Another jet black stump.


The bank of a creek in Ukiah. This shot is so sharp you see every thread of moss on the trees. It screams “Enlarge me BIG!!!”


My son.


One afternoon, the clouds were just magic in Ukiah. I was out for hours watching it all evolve.





Finally, I include this city shot, because of the nice sky: San Francisco from Bernal Heights. I think that’s the best view of the city.


I’m so glad that last year I decided to go for film and not for digital black and white. There are always beautiful structures in the negative, often totally unexpected.

Like the cloud in the San Francisco shot:


No way you can get such a thing digitally! (Does Nik software emulate this? I’d like to know) Such structures make a print glow. A print shows this sort of detail, to discover and enjoy.
I think there is nothing more beautiful in photography than fine black and white.

Well, enough.



If it doesn’t look good as a thumbnail, it’s no good.



Sep 162015

Ireland with the Olympus E-M1. A Photographic Journey

by Tom Ohle

My name is Tom and I’m from Ireland. A few years back while visiting my beautiful fiance in Canada I kicked my love for photography into over drive!

Your site is fantastic and largely responsible for fuelling my love for photography. For me it’s the equivalent of a great cup of coffee first thing in the morning.

These next two images are from my favourite place of all. The west coast of Ireland in Co. Kerry just off of the Dingle peninsula at a little place called ‘Inch Strand’. It’s a spectacular part of the world with huge wide beaches as far as the eye can see.

EM1 + Nocticron
“The Kite”


EM1 + Nocticron
“Misty Beach”


The west coast of Ireland (particularly Co. Kerry) is known around the world for its spectacular cliffs. If you ever make it to this part of the world check out Sleigh Head.
This next one was shot overlooking the peninsula. I set out not knowing what to expect and stumbled across this huge hill that overlooked the main peninsula providing a stunning view. I improvised a quick fashion shoot – lighting was very overcast – perfect natural soft box!

EM1 + Nocticron
“He left me in Ireland”


For the most part I like street photography and travel portraiture but I try not to pidgeon-hole myself into a particular genre. I’ve taken my camera and lenses around Ireland and the great white North in Canada. From portraits of random people on the street to portraits of wolves and wolf dogs I generally always have a camera in my hand.

EM1 + Oly 45 1.8
“We need to talk”


I find that the images that I am most drawn to from your other writers tend to have people in them. Either obvious images of people directly or may not so obvious images of landscapes that show the mark of peoples involvement. In more recent times having read some of Neil Buchanan Grants posts here I’ve been inspired to approach my subjects and subject matter from the perspective of a travel photographer. Even in my home town I try to ask ‘ what would be really cool and interesting about this place that I could show somebody in a completely different part of the world ‘.

EM1 + Oly 45
“Who are you lookin at?”


Em1 + PanaLeica 25 1.4
“Violinist on the street”


Busking and street performing are very popular and a large part of Irish city culture. A walk down Dublin’s Grafton street on a Saturday afternoon is an explosion for the senses. Stilt walkers, dancers, acrobats doing back flips, fire breathers – it’s got it all. The shot of the busker was taken in Co. Cork – many of these performers are very street photo friendly and do not mind you taking their photo once you acknowledge them. No better way than by throwing them a few euro :)

“Rebel without a cause”


Dublin has a bunch of really cool locally owned coffee shops. Unfortunately we are seeing more and more big chain coffee shops pop up about the place but thankfully the locals still support the local businesses. Many of these coffee shops make a cool studio for european style impromptu photoshoots!

Sunset in (not on) the Liffey!


For me, a photo has not completed it’s journey until it has been developed and printed. The printing aspect is a recent discovery and I have very much fallen in love with this aspect of the creative process. I now shoot for the print.

Fine art giclee prints on fiber paper are gorgeous. I spend hours trying to get the balance between the choice of edit, the type of paper, texture, color calibration etc… holding a finished product in my hand is immensely satisfying.

I’m very much a learner with a lot yet to learn but I’d hope to have my first article published and open to constructive criticism and feedback from the community. Thank you for taking the time out of your day to look at my photos and I hope that you enjoyed them.

My flickr is : https://www.flickr.com/photos/24434110@N05/



Sep 152015


Over 100 Leica Weddings

by Philip Thomas

Steve- thanks for the opportunity to share my love of the Leica. I’ve been reading this blog for over five years and it was part of your early reviews that finally moved me to try a Leica M9.

Over a 100 Leica weddings have come and gone since I shot my first wedding with a Leica M9 and a Leica M(240). This post is not for readers interested in a review of Leica gear. Rather, it’s more about how I feel when I use it and how it’s shaped my approach to taking photos. Perhaps even making me a better photographer for it.



The small non-intimidating cameras have allowed me to go about my wedding work as unobtrusively as possible and not be seen as the ‘professional photographer’. You see, I don’t want to draw attention to myself much like a street shooter. Couples booking me know in advance my philosophical approach and the idea of a photographer not directing their day has a strong appeal. It’s not just opened my mind up to a patient way of seeing, capturing moments and geometry, but how I carry myself throughout a wedding.




A photographer for over 20 years, I’ve always had an interest in the Leica history. When I first got my hands on a Leica six years ago, I knew from that moment, somehow I had to get one without breaking the bank. Discussing this with my wife’s approval was part of the deal. My first camera was the M9 with a 35mm f1.4 summilux and from that point on I was hooked. Over a 100 weddings later, the M9 and Leica M240 are an integral part of my wedding day along with a few lenses. A 1957 M3 is also part of my personal gear.




My philosophy shooting weddings is to react and anticipate moments throughout a wedding day. I take a few quick group shots. Other than that, I capture the day unobtrusively avoiding those done and dusted wedding cliches. People just ignore me because the Leica is so small, no one takes any notice and those Uncle Bob’s, the often annoying camera enthusiasts at every wedding just do not approach. Compared to lifting a big SLR to my eye certainly gets people’s attention and unobtrusiveness is certainly not part of the vocabulary. Of course, none of this can really be achieved without the appropriate body language throughout the long day shoot.




My reasons why I use a rangefinder are multiple. Along with the obvious history and inspiration using Leica, my mind has opened up to a world that I didn’t always see before and I strongly believe that as a work in progress my images are stronger. The full manual focus (yes, I can focus more often than not quicker manually than auto focus), the simplicity of shutter and aperture give me complete control over the final images. If I mess up, then I cannot blame the camera. It’s basic aperture and shutter operation. My eye pre-visualizes the type of images I want to create vs the former method of shooting a DSLR and reacting to everything and then the momentary blackness of the shutter closing may mean missing the shot entirely. With the rangefinder, I don’t miss anything, other than the occasional physical finger action not quite paired with my brain.






I rarely look or monkey chimp the reviews after each shot or if I do it’s just to check the histogram. My mind already has the image before pressing the shutter. It’s shooting with purpose versus the temptation to machine gun images that a SLR offers. Sure you can shoot multiple images albeit at a slower burst rate, but that’s not what the Leica have been designed for, It’s more of a cerebral thoughtful approach. This all takes practice in getting efficient. A recent wedding client, a Leica aficionado was kind to marvel how quickly I could focus and shoot their images on par with a SLR, just not wasting files space on a card with multiple shots that look the same.





I have and do often shoot a full days wedding armed with just two Leica’s, a M9 and M240 using just available light. Not only does this approach work wonders for my ageing back but it keeps me nimble on my toes without having to drag a heavy bag around. I’ve always been a huge fan of Henri Cartier-Bresson who not only used a Leica and a 50mm lens but marveled at how in his documentary films that remain how he moved around like a cat on tip toes.






There are many wonderful rangefinder type cameras on the market today compared to just five to ten years ago. At the end of the day, the final image is still the most important, not the camera. But the tools to make that image, surely can inspire and motivate you to take your passion and craft to the top. For me, those sublime Leica lenses and little cameras do the trick. The Leica enables me to just concentrate on the subject and my consciousness is focused on the decisive moment, not what menu option I should have.







Thanks for reading. My site is www.philipthomasstudios.com

Warm regards,
Philip Thomas

W: www.philipthomasstudios.com
Blog: www.philipthomasstudios.com/blog/

Nominated Top 20 Wedding Photographer in Texas

WPJA-Wedding Photojournalist Association® Multi-award Winning Photographer.

Sep 142015

Sony A7RII and Voigtlander 35 1.2 Test

by Rob McKay

Hi Steve and Brandon,

The site is looking awesome as usual and packed full of great info!

All four of these street snaps I shot within a 4min span while out testing the Voigtlander 35mm f/1.2 Nokton lens on my A7RII and all wide open.

Because of your recent posts on the Sony A7RII, I sold my A7S and jumped in. I have both Loxia’s, the brass Petzval, 70-200 FE f/4, 55mm f/1.8 and recently grabbed the 28mm FE F/2 after reading your review on it. My Leica lenses seem to work great on this body as well.

A7RII can be found HERE. The Voigtlander 35 1.2 can be seen HERE. 





Loving the files from the Sony A7RII and the interesting images the Voigtlander f/1.2 produces.

Thanks again!

Rob McKay

Aug 282015


A year with film – Leica, Contax, Nikon, and Hasselblad

By Adam Laws

I hope your well and have a cup of tea close by, it’s pretty miserable here in London. It’s been awhile since my last submission and I thought I would write to you about my year of analogue photography with a Leica, Contax, Nikon, and Hasselblad.

Since my last post on portraiture with the Sony A7 ‘apparently’ I have been going all hipster though I must say without the beard by shooting analogue.

The majority of my work is still shot on my Sony A7.

Sony images 1, 2 and 3 – 

Sony 1

Sony 2

Sony 3

However I have been supplementing my digital work with far more analogue images, furthermore I generally shoot all my personal snaps now on film. I don’t believe film is better in any way but I do believe without trying to sound all hippy film gives a more organic image. Most importantly I enjoy the process of shooting film more, and surely fun is the most important element in the creative process.

So I’ve gone through some cameras this year, which I will elaborate on why giving a brief synopsis/feel of the cameras.


I bought a Leica M6 TTL with a .85 viewfinder and 50 ‘cron. Leica’s are beautiful aren’t they? The lore written about them makes them sound at times like unicorns at times, as such I romanticized owning one.

My thoughts on owning one – Well they are beautifully built. Solid and satisfyingly weighty. I did struggle with ownership, which ultimately made me sell it after a few months. This is not the cameras fault but more the time in my life I purchased it. Soon after I started my part-time photography degree, I needed to shoot an element of film in a studio and the Leica with its limited flash sync was not ideally suited to this task.

I also struggled with the notion of how expensive it was. Don’t get me wrong it is a beautiful piece of machinery, which evokes an emotive response and for that I totally appreciate why individuals buy them. However for the less money I could purchase a Hasselblad 500cm, Nikon FM2n, and Contax G2 all of them with glass and have change. Is a Leica M6 better than all 3 of these cameras? And would I have less fun shooting these cameras. So I sold the Leica to find out.

Leica images 1, 2, and 3

Lecia 1

Lecia 2

Leica 3


This camera is a beast. Well it terms what I’m used to. The sound of the low thud of the shutter makes me smile. I do struggle with its size. I’m used to traveling light so having a big medium format camera is somewhat strange for me. It also interesting shooting back to front, something I am still getting used to.

The best thing about the camera, even more so than the negative size it produces is the reaction I get from the model. As soon as a model sees this camera in my experience they instantly get more serious about the project.

Hasselblad 1, 2, and 3

Hasselblad 1

Hasselblad 2

Hasselblad 3

Nikon FM2n

This is becoming one of my favourite cameras I own. The bright viewfinder, the solidness of the camera, and the big manual dials. It does not feel as good as the Leica, not as well made or smooth. I would say the camera is more utilitarian workhorse. I use it with an awesome Nikkor 50mm 1.2, which is a joy to use.

Generally this camera is loaded with FP4 film shot relatively wide own in a studio environment, where I would be using the model light as a source of light in-between shots with Sony or Contax G2. I have started taking this camera on the street with me when I fancy shooting B’n’W.

Nikon 1, 2, and 3

Nikon 1

Nikon 2

Nikon 3

Contax G2

The Contax is pretty much always in my bag. It can do everything my Sony can but it uses film. Unlike the Nikon this is normally loaded with colour Portra. The focus is always accurate and makes a great travel companion.

The contax does feels better in my hand than the Leica ever did. This is due to the thumb rest situated at the back of the camera. In addition the dials are a step up from that of the Nikon, but the camera feels very electronic with autofocus sounding something like Robocop. I also use this as a secondary studio camera generally mimicking the settings I had with the Sony to have a comparative organic film image.

Contax 1, 2, and 3

Contax 1

Contax 2

Contax 3


Generally there isn’t one. I think ultimately as long as you enjoy the process of creating images that is the most important element.

Sometimes there is a more suitable tool for the job, but that doesn’t also mean it is the most fun way to complete the job after all.

For me I like the organic images, the slower pace of shooting, the challenges asked of you using antiquated cameras, and thought processes that go through your mind.

I have enjoyed playing about with different formats and cameras. I think it’s always a great idea to play around with as many cameras as possible that way you know what you like and don’t. In addition the challenges posed by new equipment makes you think about your photography, which is never a bad thing.

You can view more of my work on my website: www.adamlaws.com

However I regular update my Instagram with my newest work: https://instagram.com/adamlawsphotography/

Aug 262015
SteveHuffJoaoMedeiros 16


A Manual Approach to Wedding Photography

by Joao Medeiros

I’m not comfortable writing. Images, particularly photography are what drives me. Since very young Art was part of my life, I went from painting and waiting to be an architect to abandon everything for a life in the theatre, just to pursue a career in Jazz playing trumpet.

But at my twenties, I was struggling to make it and everyone was making sure I knew I had to earn money to be a successful individual. Money was never my interest, I’m passionate about Art, any form of it. But Photography had a degree of intimacy and control that I had never experienced.

I went to college to take a photography bachelor and complemented it with a bachelor in Fine Arts and a master’s degree in Visual Arts teaching, things went on for a while, drifting in teaching, corporate/event photography, restoration related jobs before I finally found the one area where I had complete creative freedom. A freedom that allows me to choose the gear that gives me pleasure while creating and expressing myself through Photography and eventually sharing my Vision.

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Weddings are something that has been with society since we had the need to express our love for our life companion. Happiness is something that needs to be shared and celebrated with our loved ones. And that’s what I like about them, it’s all about family and friends making the most of Life. When I was in college, I did the whole course with only an Olympus OM 1 and a 50mm, since then manual focus is second nature to me, even when I had top DSLR’s AF never grew on me. But when I used the first serious EVF (Panasonic GH2) I knew what I wanted and what I wanted to see while composing. Eventually, when I step up to weddings I needed the best dynamic range and colour I could get my hands on it, so I bought a Sony A99 and a Nikon D800e to figure out my needs. After a year the Sony won me, not because it was superior to the D800e, it was Sony’s approach to photography that made it. The fully articulated LCD, I. S and Minolta’s heritage all over the place made the A99 a superior tool in my hands.

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When the mirrorless Sony A7 appeared on the scene I had no doubts and bought one immediately with a set of Zeiss ZM and Voigtlander lenses with the VM close adapter. Since then, shooting has been a real pleasure. Nothing beats feeling your shots, even when we are capturing fleeting moments like kisses, exchanging vows/wedding rings or sharing a secret while on the dance floor at 4 am. Having a small, robust camera with the best glass in the industry makes me feel very confident and secure that when I get home, I have all I need to put together a body of work that reflect my vision. That’s the main lesson I learned, you really need to follow your own unique vision of things.

SteveHuffJoaoMedeiros 09

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We are all different, but you really need to push beyond the limits to reach for that inner voice. Recently I added the amazing sigma Art 35mm f 1.4 to my set, the only complain is its sheer size when compared to my little Zeiss ZM 35mm f2. My workflow is pretty straightforward, I use B&W mode to concentrate on composition and focus while having red peaking and magnify to guarantee that every moment is in focus. For 75% of all my work, I use the 35mm focal length with my Sony A7 and take advantage of the articulated LCD from the A99 to get more discrete and intimate portraits with the 85mm, also from Sigma. Just a little detail, I removed the slt mirror from the A99 and use it in manual focus, so it’s basically a big mirrorless camera. I’m more of a guest than a professional photographer, at least that’s how I’m perceived by my clients, family and friends. A friend who happens to make a living from photography. I really try to enjoy the wonderful day, conscious that I’m very fortunate to be at a private party while making a living. I’m always the first to arrive and the last to leave, it’s after all a body of work and not just a staged kiss with the golden hour moment. It’s people that drive me, the concept of family and friendship not staged moments.

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I’m looking forward to get the new Sony A7RII since it brings some new features like a new and stronger shutter that it’s better damped, the I. S, min. auto shutter, copyright embed info, better high ISO performance and even the silent shutter option although with some caveats.

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Thank you.


João de Medeiros


Aug 252015

Fujifilm’s Professional F2.8 zooms take on nature

By Ben Cherry

About me

My name is Ben Cherry; I am an environmental photojournalist and Fujifilm X-Photographer. I’ve been using the XF16-55mm and XF50-140mm alongside the X-T1 for most of the year now. During that time I’ve spent three months in Borneo and two months in Costa Rica, where I’ll be until mid-December for a conservation research role. It is fair to say that these lenses have been put through a tropical boot camp, pushing them to their humid and heat limits. You can find more of my work via: www.bencherryphotos.com

The Lenses

Both are weather sealed with constant F2.8 apertures, these zooms are built to last with superb image quality, making them up to the ever-increasing standard of photographers that need gear to work everyday, all day. Made to complement each other, this could be a two-lens set up for many photographers who want a lightweight system that covers a wide focal length. Indeed if you’re not after smaller F-Stops, then these offer prime quality optics.

I personally do prefer to use prime lenses as I feel that they encourage me to be creative, the likes of the XF16mm have pushed me to improve my compositions. But when on the move, in hot tropical environments, I couldn’t ignore the convenience of these two lenses. The XF50-140mm is a no-brainer for me as it is the longest F2.8 or faster lens currently available. In the rainforest I’ve found that I’ve craved light more than focal length, so this lens ticked a lot of boxes (not that I’m not waiting on the edge of my seat for the impending super telephoto zoom!..).

XF50-140mm-2.jpg (leaping proboscis monkey), XF50-140mm-5.jpg (play fighting pygmy elephants), XF50-140mm-26.jpg (scarlet macaw portrait), XF50-140mm-27.jpg (scarlet macaw in flight)

Certain things stand out in this 1st picture.. Male proboscis monkeys have a permanent erection and when they’re not eating only have one thing on their mind.

Certain things stand out in this picture.. Male proboscis monkeys have a permanent erection and when they're not eating on have one thing on their mind.

Ben Cherry XF50-140mm-5

Ben Cherry XF50-140mm-26

Ben Cherry XF50-140mm-27

As for the XF16-55mm, this was a lens I took a little more time considering whenever it came to packing the bag light. The reason for that is it covers the same range as the XF16mm, XF23mm and XF56mm, three exceptional prime lenses with faster apertures. But again it comes back to one word, convenience. Stuck in a rather wet part of the world, whenever it does rain, it pours and the last thing I want to do is change lens. So more often than not the XF16-55mm gets the nod. Other than missing the faster apertures of the primes, I have no hesitation to use this zoom instead, especially as it is weather sealed. A lot of people are put off this lens by the lack of OIS, yes it would have been helpful… but at the same time I understand Fujifilm’s explanation, I’d rather have the brilliant image quality than compromise some for OIS.

XF16-55mm-5.jpg (Sunrise at Mt. Kinabalu), XF16-55mm-15.jpg (violet woodnymph pit stop), XF16-55mm-17.jpg (vivid Pacific sunset),  XF16-55mm-18.jpg (released baby turtles using red filtered flash so don’t distract babies.)

Mt. Kinabalu at Sunrise

Ben Cherry XF16-55mm-15

Ben Cherry XF16-55mm-17

Ben Cherry XF16-55mm-18


Other than the superb build and image quality, these two lenses have very snappy autofocus, especially when used with the X-T1 (the only camera which makes this a weather resistant system). I’ve captured monkeys leaping through the air, elephants fighting, and birds swooping through the rainforest. None of these were easy autofocus tasks. The X-T1 has been greatly improved by a series of firmware improvements. I am sure these two lenses will see a huge performance boost with the next generation cameras, which will have improved hardware instead of only updated firmware. To put it another way, if I was told I could only have access to two lenses then no doubt it would be these two, with the XF16-55mm just pushing out the superb XF10-24mm – please Fujifilm, make a F2.8 WR version!

What is rarely brought up is the effective focal length of the XF16-55mm, which is 24-85mm, that extra 15mm over the usual 24-70mm range is a big benefit. Expanding the uses of this lens, particular helpful for portrait photographers.

XF16-55mm-10.jpg (inquisitive young elephant)

Ben Cherry XF16-55mm-10


Because of all that lovely glass, range and build quality, these aren’t exactly light lenses when compared to the rest of the Fujifilm range. Not to say that they feel out of place though. If using the hand or battery grip with an X-T1 then even the XF50-140mm is nicely balanced. I feel like these lenses have more to give but are waiting for camera upgrades, this isn’t necessarily a bad point just one to think about. I have been in situations where I know the lenses can handle the moment but sometimes the X-T1 gets a little flustered. This occasional occurrence is massively outweighed by the general satisfaction I get from using this system over others I have tried.

XF50-140mm-6.jpg (tactile family members)

Ben Cherry XF50-140mm-6


This system has been baked and soaked more than I’d ever admit to Fujifilm representatives… (awkward because they’ll probably read this… sorry!). But it is still working and producing images that I am very happy with. Certainly the products have more to give than I am currently demanding, this encourages me to push myself so I can reach the standard of these brilliant products. The camera market is incredibly competitive, a good thing as there are basically no bad systems out there. However, for me, this weather resistant X-Series is definitely my preferred choice. For anyone looking at camera system options, no matter your genre, I firmly believe that the X-Series at least warrants consideration, it is certainly producing the goods for me with nature photography.


Aug 242015

Leica M: Not perfect, but I love it.

By Steven Jermaine

Hey Brandon and Steve, first thank you for keeping up all the hard work over the years. It’s been a pleasure to read and see the growth. Over the years GAS has led me to and through many cameras, such as the fuji x100, sony nex 7, sony rx1, nikon df, Leica m8, canon 70d, and etc But with the blessing of my wife my GAS was abated with the purchase of a Leica M240 and Zeis 50mm f2 lens. It’s my daily camera and goes with me everywhere. I purchased mine certified used from popflash.com and verified the two-year warranty with Leica NJ.

This camera I am sure everyone knows is amazing so I won’t have to go there. And yet, I am sure everyone knows it has its issues and as a person who has experienced it, I’ll touch on it a little. This camera has been sent to NJ for repair early this year for two months. That wasn’t a fun time as the rangefinder was out of alignment amongst other things. I purchased a Sony A6000 to hold me over (Great little camera).






Despite the issues I find myself still in love from day one. The camera inspires me to take it out everyday and attempt to create something. Some days I don’t make any images while others I shoot a whole lot. But it’s always with me and like you always say, that’s should be the camera you own.

Ok this is getting a little long but as for the images, these are test shoots and my daily musings around Washington D.C. I hope you enjoy them. Thank you everyone for your time. If you’re in D.C. and want to photo-walk around, don’t hesitate to email or dm on Instagram. I’m always looking for photo friends.


Steven Jermaine

© 2009-2015 STEVE HUFF PHOTOS All Rights Reserved

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