VIDEO: Side by Side: Sony RX1RII and the Leica Q. Which would I buy?
Below is a video I just whipped up showing the Sony RX1RII next to the Leica Q. I go over the features, pros and cons of each and state which one I would buy and why. Take a look below! Full RX1RIi review next week ;)
THREE shots. One from the RX1RII, one from the Q, and for fun, one from the Leica SL with 50 Lux attached..
1st shot, Sony RX1RII. She was sleeping but I got her attention after this one…click it to see the overall rendering of this camera. Lower contrast, plenty of DR and a nice gentle way or rendering fine details..shot at f/2. THIS is amazing IQ. Rich, detailed, with soul.
Now the Q, from RAW, same ISO of 1600 as the RX1RII but shot a t f/1.7. A bit “harder” than the RX1RII and darker. I prefer the Sony shot for rendering here.
And for fun, the Leica SL with 50 Summilux ASPH at f/2. By this tie she was saying “C’mon Dad, enough of these tests already”! I love the SL, and for me it is the best of all but it should be at the price ;)
Steve’s Picks: Unique Products of the Year from Cameras to Gadgets to Audio
It’s no secret that I love tech, gadgets and gear. I love photography and great camera gear. I love Hi Fi audio and all things Paranormal. Basically, I live my life as happy as I can be, and always try to do the things I love and try things that bring pleasure to my life. I test and try so many gadgets every year I am toying with the idea of branching off to a 2nd review website for Gadgets, tech and Hi Fi. Maybe one day. Until then, below is a list of cool items I tried this year, some with reviews you may have ever realized I wrote ;)
The Leica SL is a masterpiece in the world of Mirrorless Cameras. Why? Well, read my review if you missed it (here) and bask in the beauty of the SL. Leica got it so right here and for so many reasons. First, it’s built to a level like I have never seen in any camera. Weather sealed, solid metal construction without being overly heavy and a solid and pro feeling to all the buttons and controls. The shutter is so smooth, the response nice and fast, the EVF is class leading…best in the world at this time. The ISO capability is beyond anything Leica has ever done and the IQ, color and DR is all at the top of the heap. The only real competitor to the SL in the Mirrorless world is the Sony A7RII (review here) and while close, it just can not compete with the SL in build, feel, speed, control, AWB/color, EVF and inspiration/joy of use. With that said, The Sony A7RII is my #2 camera of the year for me and would have taken it if not for the SL being delivered mid November.
The Sony A7RII – Camera of the year Runner Up – Buy it HERE
In 2nd place for the cam of the year, for me, is the Sony A7RII. For the money, $3200, you get very close to the Leica SL in performance and with its full frame 42 MP sensor, you get class leading resolution (but use good lenses to get the most from it). With its nice EVF, tilt LCD and growing collection of lenses there really is nothing quite like the A7RII in the Mirrorless world for the price and what it offers. See my full review HERE.
For anyone into HI end HiFi Audio, the Focal Sopra #2 is a groundbreaking speaker. if you thought Leica cameras were pricey then do not get into high end Home Audio! The Sopra speakers while not cheap are very cheap when you consider what they offer, which is sound that normally is reserved for $35-50,000 loudspeakers. Coming in at $13,000, these are the most amazing speakers I have heard up to $50,000. For 15-20 years I have been into high end audio, and today in 2015, due to these speakers my system is 100% amazing and complete leaving me wanting for nothing more. The Sopras are backordered by 6-9 months right now, for good reason. Best bang for the buck in high end audio today.
With its amazing 110lbs of serious American Muscle the McIntosh MA8000 is built right here in the good old USA and it is built to last a lifetime. Much like Leica, the McIntosh brand has a reputation for being one of the “best” by many and for some the brand is not authentic HIFI as in the past McIntosh offered a sound that was warm, thick and direct. Today the sound coming from the MA8000 is absolutely amazing. 3D, holographic and plenty of weight while never being warm, mushy or old school. I have had amps in my room from Audio Research, Devialet, Line Magnetic, Cary, Leben and so many high end brands and products. For me, the MA8000 is the best integrated I have ever heard or owned. In 2nd comes the Devialet I used to own.
The McIntosh is a serious piece of Audio gear offering a great built-in DAC, a fantastic phono stage for MC or MM carts and of course those huge blue meters. You can see the full review HERE for details on this 300WPC powerhouse, but this is an all new McIntosh sound that is absolutely gorgeous. Also a perfect match for the Sopra #2 above.
This is an amazing piece of tech my friends. Sure, I know about the DJI Phantom 1 and 2 as well as the Inspire. I know about every drone made available under $4000 and have tried many. The Phantom 3 Professional is the best bang for the buck in the drone world, period. With its familiar form factor and design, the 3 is so simple to use and fly it almost flies itself. Not sure how anyone could crash a Phantom 3 Pro as it truly is phenomenal, and with its included 4K camera the video you can capture is out of this world. Smooth, cinematic and crazy good quality.
With a range of 1.2 miles, the Phantom 3 pro can be flown far away all while you view the real-time video feed coming back to you so you can pilot by line of sight or on your display. The Phantom is rock solid stable in the air due to GPS and if you let go of controls it will just hover wherever it is. You can do a one button press to return to home and land and even if you get out of range or your controller runs out of battery the copter will return home to where it took off from and land.
For me it is about the footage one can capture with the Phantom 3 pro and I already started to implement it into video’s I do/shoot/create and my 1st tests have been wonderful. Well worth the $1200. I had mine out on maybe 12 flights so far and never an issue. One time it did get out of range and lost up in the clouds. I thought it was gone so I turned off my transmitter and within minutes it was back and landing at my feet. Incredible technology from DJI.
You can order a Phantom 3 at B&H Photo or Amazon and they are a BLAST. Below is one of my Paranormal videos I did while testing the DJI and you can spot the drone footage in the beginning.
Yes, I also run and own Huff Paranormal and have also had software developed for what I do. In fact, I have 2X the following in the para world than I do here! You can check me out on YouTube HERE or at my Para Facebook with over 135k followers HERE. I have been featured and interviewed on the nationwide COAST TO COAST AM and several radio shows across the country. I have been featured on TV and been offered TV shows from many cable networks, all of which I refused for ethical reasons (they require staging and faking which I will never do). My software is used by thousands of individuals, teams, and paranormal researchers around the world who are always looking for answers. I just completed a documentary in Key West FL with another team that will be released in 2016. You can see my software that I designed and had developed for me HERE and HERE. Of course, only those with a paranormal fascination will get it :)
This DJI Phantom will be used in future productions and I am happy to have it. For someone looking for a much cheaper drone for around the house, I recommend THIS ONE at $32. Yea, it’s a toy but it works decent and records ok video.
The DJI Osmo is a handheld 4K camera and gimbal that allows you to get smooth and fluid video much like you see in films and Television. It’s quite incredible on the video front but the OSMO has a huge weakness in the audio because the built-in mic is the worst I have ever heard, ever. It was not until I purchased this RODE Video Micro mic that I fell in love with the OSMO. The video is incredible though… and as I do more and more work with it I will be reviewing it here at stevehuffphoto.com. NOt cheap at $650 but it offers a stunning 4k camera, a beautiful gimbal that keeps your video rock steady and gorgeous and a comfy handle as well as an app that allows you to use your iPhone or smart phone as a real-time monitor of what you are shooting. You WILL need a mic, and after trying 6 mics, the best I found was the above mentioned RODE MICRO.
You can find the OSMO at B&H Photo or Amazon. I will be shooting my family Christmas with the OSMO and my footage will look so so cool and so so good. While flawed in the audio area, once a mic is added the OSMO is quite fantastic.
New Acoustic Guitar Amp Tech
The Fender Acoustic SFX Acoustic Guitar Amp – More about it HERE
Wow, this guy is not only beautiful and well made, it is getting attention from many as the best Acoustic guitar amp ever created. With its 3D sound, 4 speakers that surround the amp, left, right, center and back you get a crystal clear sound that is sweet and rich with stereo effects like delays, chorus and vibrato. This looks furniture grade quality and sounds so good, better than any Acoustic amp I have ever heard, I had to buy one for my acoustic/electric. If you play acoustic/electric and am looking for an amp, look no further. This is the best I have ever heard or used. I now own one. You can order or see more about the Fender Acoustic SFX HERE.
In 2015 what I feel to be the best Headphone ever created was released. The HiFiMan HE-1000 was released and not only was the design crazy cool, the sound, with the right amp was UNREAL! If you are into HeadFi and want the best try the HE1000 and an ALO Audio Studio 6 Amp. Delicious. At $3000 they better be amazing, and they are. Amazon sells them via prime ;) My review is HERE but one needs “Golden Ears” to appreciate these and an amp is mandatory.
Also, for travelers and those needed noise cancelling headphones I found the latest version of the Bose Noise Canceling tech to be the best yet. The newer QC25 are my #1 choice for air, subway, train or any travel where you need to cut the noise as they block out the noise better than any NC headphone I have used, and now we can use them without battery or using the noise reduction. Comfy, long battery life and looks that work when traveling :) If bose can do one thing very well, it is noise canceling headphones.
There are so many more gizmos I have tried out in 2016 but the above are my faves and the ones that stick out in my mind. These days I get so many things sent to me to review and test, and it’s always loads of fun.
VIDEO: The Olympus E-M5II, 8mm Fisheye Pro and Voigtlander 10.5 f/0.95!
By Steve Huff
Hey guys! It’s FRIDAY! That means the weekend is here, and what a better way to spend it than with a new camera, and two new lenses for me to test out. WooHoo!
No, I never ever tire of getting these new jewels in the mail. In the case of the 8mm fisheye, I rented it as Olympus has a wait list for reviewers so I wanted to check to out NOW, so I went to lens rentals.com (site sponsor) and rented it for a week. The Voigtlander 10.5 f/0.95 was sent to me for review by Stephen Gandy at CameraQuest.com, who happens to be the USA distributor for Voigtlander, so his site is the place to go for new Voigtlander lenses.
With that out of the way, the new Titanium E-M5II is stunning in appearance. Very Classy. Best color option IMO. To those wondering, “is it really titanium”? NO, it’s titanium in color, not material ;) Even so, it is beautiful and gives the camera and extra bit of pizazz and as I said, class. No cheap looking paint jobs here, in fact, this should be a standard color for all future Olympus bodies. Reminds me somewhat of the old “Steel Grey” of the Leica M9 days. You can order it at B&H Photo HERE, it is IN STOCK NOW!
My video on the E-M5II Titanium, the 8Mm Fisheye Pro and Voigtlander 10.5 f/0.95
After owning and using the crap out of the E-M1, I am finding the E-M5II to give me things I never realized I missed. The swivel out LCD, I use it ALL the time. The new 5 Axis is amazing, especially for video. Eliminates the need for big stabilization rigs. Really. The small size and gorgeous lenses. Even though this is not a full frame camera, and I have been shooting my full frame Sony A LOT, I still adore the Olympus and use it often for personal shooting. The size, speed, response and lenses all put it up in my “top two” status these days.
With the limited edition Titanium set, of which there are 7000 made, we get a leather wallet with limited edition numbered card telling us what number we have, we get a custom made leather strap that matches the camera and we get the limited edition color, Titanium. This camera comes in at $300 more over the black or silver versions, and all we are getting are those three things. For me, it is worth it just to have this color. The strap and wallet are nice, but the color is what I love about it and when I was in a meeting with Olympus month ago they told me about this edition, and I said :I WANT ONE”. I knew it then and when I saw B&H Photo had them IN STOCK I ordered my own to replace my E-M1, of which I have been shooting since it was launched.
If you missed my big E-M5 II review you can see it HERE. This is the same camera, just with a new paint job so it will not be reviewed, just showing it here in the video so all of you can see what it looks like.
I will have full reviews of the 10.5 f/0.95 and 8mm Pro Fisheye SOON. But for now, here is a blurb and image or two or three from each:
The Olympus Pro Fisheye 8mm:
I have always loved fisheye lenses. In the past you may have seen my write ups on the Panasonic 8mm Fisheye for Micro 4/3. Believe it or not, that was one of my fave lenses for the system. I love ultra wide fisheyes as I can do so much with it. Unique images, cool video, and they are just fun. At $550 the Panasonic was pricey, especially with options from Rokinon and the like at a fraction of the cost. With the new Olympus they have taken it a step further and produced the worlds 1st f/1.8 8mm fisheye. Usually these lenses are f/3.5-f/4. This Olympus is f/1.8!
I find this to be amazing as while we do not need a fast aperture with a fisheye, IT HELPS for low light, especially with Micro 4/3 who lacks at high ISO compared to full frame offerings many of us are used to.
This lens focuses to 1″, yes ONE INCH, and when you do this you can actually get some BOKEH, crazy but true. With it’s pro build, weather sealing, fast aperture and auto focus it is the premier Fisheye lens for ANY system, and it beats my old Panasonic in sharpness, color and pop. So far so good.
Another lens that just hit the streets is the Voigtlander 10.5mm f/0.95 for Micro 4/3. This lens goes with the line of f/0.95 lenses that Voigtlander developed for Micro 4/3. ALL of them are beasts. Heavy, large and FAST aperture. All are manual focus only. This lens is something. It is built to a high standard, and if you have tried the other lenses in this line, the 17.5, 25 and 42.5 then you know what I am talking about.
With this lens on the E-M5 II (see it in the video above) you have a pretty cool setup allowing you a 21mm equivalent focal length while giving you close focus performance. While not crazy sharp wide open, it does produce the same flavor and character as the others in the line. It’s a gorgeous lens, and so far the only negative I have found is the purple fringing that is prevalent on all of these lenses when shot at 0.95 (to be fair, fast Leica glass does the same).
Just did a fun video showing 12 lenses I have on hand for the Sony FE system! With the incredible Sony A7RII coming VERY soon, many will want a quick overview of these lenses, so here you go! Mostly all of these have had reviews done by me on this very site (see links below), but this is just a quick look at all of them at once! I will be doing more YouTube video work this year and next year, getting some new equipment in to up the quality level SOON, so stay tuned.
For now, take a look at the 12 lenses in about 8 minutes ;)
Road Trip – A video from 8000 stills and the Sony RX1
by Ofer Rozenman
I’m a frequent reader of your blog and really like the content you post. Last year you shared a video of mine and recently I’ve finished working on a new stop motion road trip video which I thought you might also like:
On September `14 my wife and I traveled with our friends to eastern Europe. As designated shooter I’ve tried capturing the road trip with this stop motion video made of 200GB and 8000 stills. Enjoy! Sony RX1 for the stills!
Olympus OM-D E-M5 Mark II! Hands On 1st look & Video!
Man, doing camera reviews is a TOUGH job. Here I am in beautiful Bermuda with other colleagues testing out the new Olympus OM-D E-M5 Mark II. The follow up to the HUGELY successful E-M5 (My review of the original E-M5 is HERE). For the past couple of years I wondered how Olympus could top themselves after the E-M1. I mean, what else can they do? The E-M5 and E-M1 (E-M1 review is HERE) are superb cameras for the Micro 4/3 format, and IMO, the best there is for this system. When I was asked to come do a test of the camera for two solid days in Bermuda, I could not pass it up. ;)
I also learned about the new PRO 8MM F/1.8 Fisheye they are coming out with this year as well as the “Olympus Air” and the new 14-150 “kit” zoom that is now weather sealed. Also, Firmware 3.0 for the E-M1 which should be out in the next 2-3 weeks. Good stuff!
All images in this 1st look report are OOC JPEGs with either the 12-40 Pro or 40-150 Pro Zoom Lenses. Click them for larger.
“CENTER VALLEY, Pa., February 5, 2015 — Olympus introduces an exceptional high-resolution still and advanced motion picture hybrid with the new OM-D E-M5 Mark II®. This advanced interchangeable-lens camera features a compact dustproof, splashproof body, with a familiar, premium design. Packed with 5-axis image stabilization, a 40-megapixel high-resolution shot mode, sophisticated, stunning HD video, integrated Wi-Fi® and a variable-angle 3-inch touchscreen, the OM-D E-M5 Mark II makes it easy to get the shot you need, every time. The easy-to-use 2.36 million dot, super-large, high-definition electronic viewfinder has a field of view of 100%, and a viewfinder magnification of 1.48x. The camera is equipped with Adaptive Brightness Technology, which automatically adjusts the backlight brightness in accordance with environmental lighting. The new LV Boost II*1 is convenient for shooting stars, and Creative Control provides complete freedom of control over color, tone, focus, and aspect ratio.”
Today was day one with the camera. That is it. ONE day. I had the 12-40 f/2.8 Pro Zoom and the 40-150 Pro Zoom to shoot with it and of course I only shot JPEG as there is no software to process RAW files as of yet. So remember, all images here are 1st look images, all JPEG and out of camera.
My 1st Look Video on the Olympus E-M5 II with my thoughts and some quick video samples (nothing fancy here)
With that said, here is the real lowdown, the real scoop..the real deal after only one day with the E-M5.
Well, IT IS GORGEOUS and an AMAZING update to the old E-M5, and here is why:
40 MP High Res Shot
Olympus said that with this mode you will meet or exceed full frame detail. Yes, you can get a 40MP file from the 16MP sensor using this new exclusive mode on the E-M5 II. You will need a tripod and a good lens to take advantage of it but from what I understand the detail is stunning in this mode and I have sen samples. I will be testing this mode TOMORROW but once again it is Olympus pushing tech and INNOVATING as they have done for years. Remember, they were 1st with 5 Axis..they were 1st with a Swivel LCD (E-330 back in the day) and they were 1st with a mirror less weather proof, freeze proof, shock proof body in the E-M1. They are also the ONLY camera today with the exclusive LIVE TIME and LIVE COMPOSITE MODES, which are FANTASTIC.
Here is what Olympus says about 40 MP High Res Shot:
“The Olympus OM-D E-M5 Mark II takes high-resolution imaging to a whole new level. In addition to the exceptional 16-megapixel stills you’ve come to expect from OM-D, the E-M5 Mark II captures 40-megapixel images*2 using an innovative pixel-shift technique that is facilitated by the voice-coil motor IS unit. The 40-Megapixel High-Res Shot mode captures eight sequential images, moving the sensor by 0.5-pixel steps between each shot. Then, the E-M5 Mark II compiles those images to produce a super-high resolution shot that rivals those captured with a 40-megapixel full-frame camera.
A tripod and a high-resolution M.ZUIKO® DIGITAL PRO or M.ZUIKO Premium lens are recommended to use the 40-Megapixel High-Res Shot mode, which captures eight shots over a period of one second. Another two seconds are required to compile the final image. Images can be captured at up to f/8 with a shutter speed of up to eight seconds and a sensitivity of up to ISO 1600. When shooting in RAW+JPEG mode, the camera will save a 40M JPEG file, a 64M RAW (ORF) file and a 16M RAW (ORI) file. 64M RAW images may be processed using Photoshop CS4 and later with a required plug-in.”
The new improved 5-Axis IS.
This is new and upgraded and works SO AMAZINGLY WELL. It beats the 5 Axis in the Sony A7II, E-P5, E-M5 Mark I and the E-M1. Olympus briefed us and told us it is their best Image Stabilization system to date. This new improved 5 Axis is so amazing with video and photos. One guy here took a handheld shot at 1.2 seconds and it looked damn good on his LCD! Crazy. Olympus claims 5 Stops of performance. I was seeing unreal performance with this E-M5II 5 Axis..can not wait to test it more.
1st image was using “Live Time” where you can see your exposure happening in real-time, perfect for night exposures. The image below was shot at ISO 1600 at night, and I let LiveTime go until the exposure was right where I wanted it.
…and “Live Composite” which is quite special and unique to Olympus. Basically the camera takes TWO shots. The 1st one determines the exposure for the shot..the 2nd shot just leaves the shutter open for up to SIX HOURS looking for NEW light. When it sees the new light it adds it to the images, without affecting your original exposure. This would be amazing for night-time shooting but you do need a tripod of course.
Here is the Lowdown from Olympus on the 5 Axis in the E-M5 II:
“The Olympus OM-D E-M5 Mark II’s in-body 5-axis VCM image stabilization system offers unprecedented performance. The camera’s 16-megapixel sensor shifts horizontally, vertically and on the X (pitch), Y (yaw) and Z (roll) axes in order to provide 5.0 EV steps of compensation performance. The OM-D E-M5 Mark II can capture sharp images at shutter speeds as low as 1/4-second without the use of a tripod. Sensor shift on the X and Y axes can also assist when photographing close-up subjects. Image stabilization extends to the 3-inch, 1.04M-dot rear vari-angle touchscreen and the 2.36M-dot electronic viewfinder (1.48x magnification), providing a full image stabilization preview when the shutter button is pressed halfway.”
Electronic Silent Shutter capable of 1/16,000 S
The new silent shutter is superb and capable of 1/16,000 of a second shutter speeds and 11 FPS continuous shooting. If you prefer to use the physical shutter you are limited to 1/8000s and 10 FPS shooting, which exceeds the E-M1 and past E-M5 regardless. The silent shutter is just that..silent.
OM-D Movie – They now are getting much better with video
“The OM-D E-M5 Mark II’s advanced video features enable photographers to capture cinema-quality movies from the palm of their hand. The camera’s 5-axis image stabilization compensates for even the slightest movement, allowing the camera to capture stable footage without the use of a sophisticated and expensive stabilization rig, or even a tripod, letting users shoot in environments where adding heavy equipment may not be practical. The mechanical IS unit can also work in concert with Electronic Stabilization if desired.
The OM-D E-M5 Mark II captures 1080p video at up to a 60p frame rate with up to 77 Mbps high bit-rate recording possible at the 30p setting. Additionally, the OM-D E-M5 Mark II supports 50p, 30p (29.97p), 25p and 24p (23.98p) frame rates, making it easy to blend footage captured using other camera systems. An integrated microphone jack supports external audio input, while a headphone jack positioned in the HLD-8G External Grip enables real-time audio monitoring. Focus Peaking with four color choices (red, yellow, black and white) as well as three selectable intensities for optimal manual focus results. Settings can be adjusted while recording using the 3-inch touchscreen, including AF-point selection, exposure, electronic zoom and Movie Tele-converter, microphone sensitivity, headphone volume and art effects. Additionally, OM-D Movie supports time code settings and connection to an external HDMI® monitor during recording. You can also add an Olympus PCM recorder for high-quality audio capture.
Photographers can take advantage of the OM-D’s popular Art Filters while in Movie Capture mode. Users can select from Pop Art, Soft Focus, Pale and Light Color, Light Tone, Grainy Film, Pin Hole, Diorama, Cross Process, Gentle Sepia, Dramatic Tone, Key Line and Watercolor while capturing video. A Movie Tele-converter lets users touch an area on the screen to enlarge it without losing image quality, while the Clips tool enables short clip capture, allowing users to combine footage and effects directly on the camera for instant sharing.”
I am only one day in with this new camera and I am really enjoying it. From the quick and fast AF (faster than the E-M5 and E-M1 from what I can tell) , the new side swivel LCD which is FANTASTIC in use and the improved 5 Axis IS and Video. I will be testing the new 40MP High Res Shot tomorrow but I can see the possibilities with it for sure. The E-M % Mark II will not ship with a lens as it will be body only for $1099. It will come with a very cool new flash that not only rotates side to side but up and down as well. I was able to handle this little dynamo and it was very cool, not your typical bundled flash (though it is small).
I love Olympus..always have ever since the good old film days, and then again with the original 4/3 E-1. They always have something special and unique about their cameras and they ALWAYS innovate and bring us new features, including superb firmware updates for the E-M1.
So far so good and I have only been shooting OOC JPEG in NEUTRAL color mode…for ONE day.
This camera easily outclasses the older E-M1 Mark I and IMO even outshines the E-M1 for less money. Next to the E-M1 the E-M5 II is smaller but feels just as good, is a bit faster, can shoot faster FPS, has better 5 Axis IS and video, and so on.
My full review will be up by the end of Feb 2015, so be sure to check back as I am sure I will be posting updates over the next few days and weeks, including a test of the new 40MP High Res Mode. We have a full day of shooting tomorrow as well so I am excited to see what I can squeeze out of the camera.
So far, so good! GO GO GO Olympus!
PRE ORDER THE E-M5 II
You can PRE ORDER the E-M5 Mark II at B&H Photo using the link below. The camera will be shipping by the end of this month, Feb 2015.
More from Olympus on the new and exciting E-M5 Mark II
The Olympus OM-D E-M5 Mark II pairs a redesigned16-megapixel Live-MOS Micro Four Thirds® sensor with the Olympus TruePic™ VII processor, enabling brilliant image quality in bright and low-light conditions alike. The 1/8000 mechanical shutter allows photographers to shoot using a large aperture for maximum bokeh, even in bright, daylight conditions. Users can capture RAW images at up to 10 fps with S-AF, or 5 fps with C-AF tracking enabled. An Anti-shock mode utilizes electronic first-curtain shutter to reduce shutter shock during sequential shooting, and a new Silent mode enables a full-time 1/16000 second electronic shutter, eliminating the mechanical shutter noise entirely for absolutely silent shooting. The 81-point Fast AF provides an expanded focus area, with unparalleled speed, while Small Target AF allows users to focus on small areas across the entire frame.
The OM-D E-M5 Mark II includes integrated Wi-Fi, enabling remote shooting, geotagging and easy image sharing using the Olympus Image Share app on an Android® or iOS® smartphone or tablet. Photographers can use the Olympus Image Share app to apply Art Filters. Users can also start and stop movie recording using a wirelessly connected smartphone, or with the RM-UC1 Remote Cable Release. Studio photographers can take advantage of Olympus Capture support, enabling complete control of the OM-D E-M5 Mark II from a connected Mac® or PC.
Portability and Build
The OM-D E-M5 Mark II features a dustproof, splashproof body, that, when properly sealed and paired with select M.ZUIKO DIGITAL lenses, can even be used in the rain. Olympus’ renowned Supersonic Wave Filter technology uses super high speed frequency movement to “shake” any dust or debris off the sensor, eliminating dust marks that irreparably spoil images. Two body colors are available: a luxurious black with texture casting, and a bright, gorgeous silver. The camera includes machined metal dials, an extended grip and a lowered center of gravity that makes the OM-D E-M5 Mark II comfortable to hold in a variety of positions. The camera (body only) weighs just 417 grams, or 14.7 ounces, making it one of the lightest models in its class.
The OM-D E-M5 Mark II includes a dustproof and splashproof bundled flash, the FL-LM3, with Guide Number 9 (at ISO 100) and tilt and swivel positioning, enabling users to light subjects directly or by bouncing the flash off of a ceiling or wall.
The HLD-8 is a dustproof and splashproof power battery holder for exclusive use with the OM-D E-M5 Mark II, which enhances both the camera grip and power supply. The HLD-8G Non-powered Grip pairs a substantial camera grip with a headphone jack for monitoring audio during video capture, and an HLD-6P Power Grip, which can attach directly to the camera or to the HLD-8G, provides additional battery power for extended shoots. Because the grip (HLD-8G) and battery holder (HLD-6P) can be separated, the grip can be used alone when necessary. The HLD-6P battery holder is the same as the HLD-6 which was previously designed for the OM-D E-M5. The ECG-2 Metal External Grip can be attached to and removed from a tripod easily, and includes a battery pass-through for changing batteries without removing the grip.
An EE-1 External Dot Sight, which is compatible with any camera with a hot shoe, makes it easier to frame subjects during super-telephoto shooting An EP-16 Large Eyecup is also available, which blocks sunlight, making the electronic viewfinder easier to use. A redesigned version of the OM-D E-M5’s popular full-cover case, which includes a body cover and removable front cover, is also available as the CS-46 FBC Leather Cover and Body Jacket. The PT-EP13 Dedicated Underwater Case can be used at depths of up to 45 meters, and is designed specifically for the OM-D E-M5 Mark II. The case is equipped with a pick-up viewfinder and can be used with the cameras bundled FL-LM3 flash, along with a variety of lenses.
U.S. Pricing and Availability
The Olympus OM-D E-M5 Mark II will be available in February 2015.
Estimated Street Price
$1,099.99 Body only in Black or Silver
The Sony A7II has arrived and is in my hands and I am much more impressed than I expected to be. I assumed it would be an A7 with 5-Axis IS but it is quite a bit more than that. At the price of $1698, this is THE full frame camera to have for any enthusiast, hobbyist or anyone who has the passion of photography and wants extraordinary results with their camera gear.
1st off, take a look at my video below where I talk about my 1st impressions of the Sony A7 II…
The camera feels awesome in the hand, so much better than the old A7, A7r or even A7s. The new button placements are just about perfect and the larger grip (that I thought I would hate) feels JUST right. The camera also looks nicer, and feels much better built – more solid. Feels like a pro camera in my hand and the 5-Axis worked wonders during some test video footage I took today. Made it appear like I was using a steady cam. The AF is indeed faster than the old A7 and the IQ, just as Sony has claimed, has been improved. I now see the better color, AWB and punch of the A7s but with more detail..amazing detail..even when shooting plain old JPEG.
Three 1st snaps with the A7II in my house, which was dimly lit BTW – One with the Zeiss 35 2.8 and two with the Voigtlander 40 2.8 – you MUST click them for larger and true 100% crop. These are JPEG! AWB did well for all three with no odd color casts.
Click the image below to see just how rich, deep, colorful and detailed an OOC JPEG is from the A7II using the 35 2.8
and one in B&W at ISO 2500 – NR turned off – 35 2.8
So my enthusiasm went sky-high after taking the A7II out of the package and putting it in my hand. My A7s can not be replaced by the A7II as the II can not do low light like the A7s but it will be the PERFECT companion to the A7s (which will be moved to low light status) as the A7II now has stellar color and IQ.
Sony is kicking ass and I have yet to use a camera this year that feels as good, looks as nice and performs like this one. No Fuji, no Olympus, No Leica, No Nikon has done it. The A7II makes the Nikon Df feel like a toy in the hand, that is how much better it feels over the A7 Mark I. I love the Nikon Df, it is the only DSLR I would own (and did for a while) but the A7II has shown that Sony still means business and they are not backing down.
An OOC JPEG from the A7II and Voigtlander 15 (The A7s is on the table)
and another shot of the A7II
As you can tell, I am excited about this one..more so than the LX100 and X100T I have here to review as well (though I prefer the LX100 to the X100T).
I will be posting a full review of the A7 Mark II within 2-3 weeks. I need to make sure I get some quality time with it and snap all kinds of images in all kinds of situations to see just how well it behaves when pushed. 1st impressions are all positive so far!
Just some quick notes: This does NOT have a touch screen, it does not have the silent shutter and it will not perform as well as the A7s with Leica M ultra wide angle lenses. When using manual lenses the 5 Axis works well – you can assign what focal length you are using and the camera does the rest. Easy as pie. Buttons are all customizable..Sony has come a long way since the NEX series! The A&II also has a sturdier/beefier lens mount than the previous A7!
You can order your A7II at the links below, starts shipping December 9th! My order is in ;)
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Hello to all! For the past 6 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.
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Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.
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Many have asked me about doing a video on my thoughts about Street Photography. Why I am FAR from an expert on shooting Street, I do in fact enjoy it and I enjoy the interaction with the subjects as well. Not everyone shoots the same way, and me, I prefer to go about it in a couple of different ways. Sp enjoy the video below as everything is explained there :)
My answer to that is that not everyone will! Some of us NEED Auto Focus and others much prefer a mechanical old school lens with a solid build, gorgeous appearance and the fact that we need to manually focus the lens! When you have an old school (but brand new like this lens is) lens on the Sony A7 series of camera, manually focusing is not only very fun, it is also a way to slow you down, take your time, calculate your shots. It is an alternative to the quick AF snaps we so often do. It will have us looking more and taking our time with the composition.
In other words, I much prefer a solid manual focus lens over an AF lens when using the A7 series. Especially M mount glass, classics and new lenses alike.
The Voigtlander 40 2.8 is TINY but hefty and solid. It has a Nickel finish and looks amazing. The sharpness? Just as sharp as the Sony/Zeiss at half the size and cost. All you miss out on is Auto Focus yet you gain small size, solid build and a much more beautiful lens to look at..as well as a $400 savings.
This is how each lens performed on the camera, and I let the camera choose exposure for each lens to show how each lens will behave on the camera. They are similar for sure..both are sharp yet each lens made the camera expose slightly different. I also see more of a 3D look to the Voigtlander lens. Both of these were shot wide open at f/2.8. Click them for full size.
So which one is for you? That is easy..the one you feel most drawn to! Do you need AF? If so, the Sony is the one! If you prefer manual focus and some old school charm, plus a smaller and better made lens, the Voigtlander is the one to beat. :)
Check out the video below where the Fuji Guys go over the new features of the X100T. I am really digging this EVF in a big way. This is something that Leica should be doing with their next M model in a couple of years!
Hey guys! Just saw this video on YouTube from Olympus on the new OM-D E-M1 and it’s pretty cool if I do say so myself :)
This is the event I attended with a few other bloggers and photographers where we witnessed 1st hand the launch of the new OM-D E-M1. I even give my quick impressions in this video while shooting with the E-M1 at night, see if you can spot me (not too hard with my bald head) :)
The E-M1 is proving to be pretty popular and is pre-selling VERY well. I can not wait for release and I will have more from the camera, much more, in the next two weeks because I will be headed to Dublin, Ireland and Castle Leslie for 2-3 days to attend another event where I will be able to use the camera. Can’t wait and of course I will report here with info as soon as I get images, details, and some real use with the camera. As always, I will let you guys know the real deal.
The OM-D E-M1 is Olympus’s flagship that is the top of the heap in Micro 4/3 as well as a replacement for the normal 4/3 E-5. Micro 4/3 has come a long way and continues to impress.
A great video production done with a Leica M 240 by Edmond Terakopian
See, a Leica M 240 can create good-looking video :) It may not be the best solution but if you own an M 240 and some of the beautiful Leica glass you can create some damn nice looking video with them as we can see below. This one, “Electric Coffee Company” was created by Edmond Terakopian with the 28 cron, 35 lux and 50 Noctilux. The Leica M 240 seems to still be on forever backorder. Many have received their cameras and are enjoying what it offers and others are still waiting and waiting and waiting. :) I am expecting and hoping that this situation will open up soon, by October or November. Maybe in September after the new Sony announcement :) Enjoy the video and thanks to Edward for sending it in! You can see more of his work at the links below:
Hello to all, and happy Wednesday! I have had the new Olympus PEN E-P5 in hand for only one week and am just now starting to use it in my daily routine. I expect a full review soon but for now I have a video showing the new features such as focus peaking and focus assist. I have been getting asked “Which one should I buy between the E-M5 and E-P5” – Well, I answer that question in the video with what I would do if buying new and if I owned the E-M5! But damn, this is a sexy little beast.
Take a look at the video for the E-P5 below!
Many of you know I have a soft spot for the Olympus PEN series and this guy is SOLID and seems to offer almost everything we crave in a mirror less camera.
Great Sensor? CHECK
Fast AF? CHECK
Image Stabilization? CHECK!
Superb Lenses? CHECK!
Great style and design/Usability? CHECK!
Built in EVF? NO! But a great External upgrade!
Touch Screen, WiFi, 1/8000th Shutter? CHECK!
Tiltable HUGE and CLEAR LCD? CHECK!
Shot with the Olympus E-P5 and 17 1.8 at 1.8
The E-P5 uses the same exact 16MP sensor as the OM-D and it is a fantastic sensor. The IQ will be about the same, especially if shooting in RAW. What is different is the look, feel and heft. The E-P5 has a very solid heft to it, more so than any previous PEN camera. The LCD is beautiful, the AF is blazing and the image stabilization is INCREDIBLE just as with the E-M5.
The new VF-4 is HUGE but a pleasure to use, the best Olympus EVF to date which makes the old VF-2 look dated. NOTE: This EVF will NOT work on the Leica M 240, only the VF-2 or the Leica EVF-2 will work.
The shutter sound is NICE and crisp and feels great. I like the shutter sound better than the OM-D E-M5 and this is also shown in the video below. The E-P5 has a shutter capable of 1/8000th second for those that like to shoot their fast lenses wide open in the daytime. The OM-D has a 1/4000th second shutter.
Shot at f/2
The new E-P5 also has WiFi capability but loses the weather sealing.
Overall, the best PEN yet without question but is it worth the cost today with so much competition in APS-C land? Find out in my full review which is coming soon! One thing is for sure though and that is the fact that the OM-D E-M5 was able to hang with the APS-C crowd and was and is highly capable. So many get hung up on sensor size and yes, full frame is GORGEOUS and can do things no smaller sensor can but the sensor in the E-P5 and E-M5 is superb and can provide gorgeous results, especially with the fantastic lenses available for this system from fisheye to extreme tele.
17mm at f/3.5
The best bang for the buck when buying this new E-P5 is to go for the full kit that consists of the fabulous 17 1.8 lens and the VF-4 EVF at $1449. Hard to find in stock but you can find this set at the dealers below:
A quick look at 4 cameras: The Leica M, ME, Sony RX1 and Fuji X100s (Video)
Just a quick look at these 4 camera side by side. More than anything just to see size differences and the EVF on the Leica M. In this video I take a look at the Fuji X100s, Sony RX1, Leica M and Leica ME (which is the M9). Enjoy!