Jun 182015
 

Voigtlander 10.5 f/0.95 Micro 4/3 lens is now shipping!

The new Voigtlander 10.5MM Micro 4/3 Lens is now in stock in VERY limited quantities at Cameraquest. So limited, I could not get one for review just yet! But Stephen Gandy is now shipping, and his shop is superb. This will be like having an uber fast 21mm for your Micro 4/3 camera. It is up there with the 17 0.95, 25 0.95, and 42.5 0.95. In other words, it will be pretty special, they all are.

You can order the lens HERE at CameraQuest. Free next day USA ship, and free B+W filter!

Close focus .17m, weight 586 grams, clicked or clickless aperture, 72mm filter size. Equivalent field of view of a 21mm lens on full frame 35m. Detachable Lens Hood. Length 82.4mm, maximum diameter 77mm.

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May 042015
 

Voigtlander 40 1.4 Review on the Sony A7r

By David Farina

Hi everyone, I am David.

I am checking out this site since some time and thought that I would finally write something up myself. First of all, I want to thank Steve for this great site. For enthusiasts and professionals it is really the best way to evaluate new cameras, lenses or even bags and accessories, as everything here is real world testing!

Little Introduction: I am 22 years old and live in Zürich, Switzerland. My INTEREST in photography was always there, but it came over me when I went to Hong Kong, Thailand and China in 2012. I simply was not satisfied with what I got with my old Nikon (mostly because I had no clue). I got myself a Canon 650D, then a 6D, and with the Full Frame my LOVE for photography was born. Gear lust was always a big factor in my development of learning and making pictures as I really enjoy trying out new things and new lenses etc. As I was a bit tired of taking the 6D with 5 lenses with me around the globe, I got myself an A7R and fell in love again. Converting more and more from the Canon lineup to a Mirrorless lineup has a lot of advantages, but that is something I will not cover here. Since moving to Sony I built my setup containing of an A7R, A7S with the Sony FE 16-35mm f/4 and the Voigtländer Nokton 40mm f/1.4 MC. This makes a great travel kit, as well as a very light weight option without too much compromises.

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What I’m going to do here is giving you an idea of how well an adapted M-Mount lens can do on a Sony A7 body. So let’s take a look at the physics of the Voigtländer 40mm 1.4:

This lens is extremely small and light. It weights only 6.2 oz (175 g) and is built nicely with an all metal barrel. Unbelievable for an f/1.4 lens! I find it to be the perfect size for a walkaround lens on my A7’s, and that’s why it is!

But what’s it all about with the unusual 40mm focal length? In my Canon days I was a die hard 50mm fan and the Canon 50L was glued to my 6D when I was traveling. But when I got the Fuji x100s I found 35mm (which is the equivalent of its 23mm lens on full frame) quite handy, as you don’t have to back up that much when space is limited. The 40mm fits in between those two more conventional focal lengths, making it really versatile.

The lens itself features a grippy aperture ring on the front of it, and a focus ring which has a tab to place the finger on it for focusing. The operation of those rings is very smooth and feels well made. The focus turns from close focus to infinity in a bit more than 90 degrees, which is nice because you can focus fast as the travel is short. The aperture ring clicks in half stops.

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Many people asked me how I manage to use a manual lens as my everyday shooting and walkaround lens. The answer is, I don’t! Really, with the Sony A7’s focus peaking help and magnifier feature it feels very easy to nail the shots, even on moving subjects. And this is not coming from someone who’s been shooting manual glass 20 years ago, this is my first manual lens, and I really have fun with that. Off course I missed the one or the other shot, but for each I missed, I gained 3 others because if I still would use my 6D + 50L, I would not have taken it anywhere with me as I do with the A7R/S and this tiny lens. And manual focussing is somehow like when I first used a prime lens – it makes you think what you do! You can’t just snap away a few pics like some do with smartphones, and this influences the quality of the photographs taken. When I would have to measure the amount of images I’ve taken until I felt really confident with manual focusing this lens, I’d say I’ve shot maybe 100 shots until I fully got the hang of it. It really takes not a lot of patience and fiddling, so if you’re having problems deciding whether you need AF or want to benefit from a small and light wide-aperture lens, just take the plunge. I’ve had the same doubt and am now glad I did.

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But I guess what you are all wondering is if this lens is capable to deliver sharp results, right? I was sceptical at first, because of the size and the wide aperture. Since looking out for lenses I learned that quality glass is never cheap, and only very seldom it is small and light. Man, were I wrong! This lens is top notch. It is very sharp in the center, maybe even outresolves the A7R in the center of the frame at wide open aperture. The edges don’t look smeared, but are not very crisp at all. But hey, does it really matter on a lens like this? Obviously you’re not going to shoot landscapes with it, and for uses as a street photography, dreamy portrait or candid lens the center is the most important part of the frame, I’d say. However, stopping down improves the sides greatly. At f/8 we are able to get an overall crisp look. I don’t pixel peep (anymore, lol) and of course the sides and edges won’t be as sharp as the center, but overall the sharpness is highly convincing. Now we have a lens which is small, light, has an all metal body built to high standards, has no operational flaws on the aperture and focus rings and is amazingly sharp! The only trade off is autofocus, but I can live with that!

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So far so well, the lens is great built and sharpness is satisfying. But what about the colors? What about rendering of out-of-focus areas? What about the dimensionality?

Okey, lets start with the colors. On the A7R the lens has very natural, almost uber-natural colors. It renders colors appealing and has a bit of a warm touch. On the A7S I feel like it is not as saturated or clean like on the A7R, but still has a wonderful tone. Don’t get me wrong, I’m talking about minor differences. But where this lens shines on the A7S is when you raise the ISO beyond 6400. This makes it a perfect companion for the A7S in lowlight, and the colors are kept great all up to ISO 51200. Beyond that, it gets really noisy, but what do you expect at that high ISOs.

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When I did research prior to getting this lens, a lot of reviews claimed that this lens had a tad of a nervous bokeh. I see what they meant, but to me this is in no way bad. The background melts away nicely while keeping sharp details on your subject. This lens is able to open up the aperture to f/1.4, which makes the 40mm lens also suitable for portraits. I expected this lens to have a lot less bokeh (quantity) due to the fact that it is actually a wide angle lens. But I find the amount of background softness not that different to my 50L at f/1.2. Highlights in the background can end up a bit nervous, showing some onion-ring bokeh, but only in certain occasions. After using this lens extensively the last 3 months I must admit that I had occasions where the bokeh was not as smooth as with the 50L, but 99% of the time it renders nice, big and round out-of-focus balls.

But what I like the most on that lens, is not how it melts away the background. It’s about how this lens has a certain pop! It is hard to describe, and for that purpose I have selectively chosen a lot of images which demonstrate that pop. What I’m talking about is how the separation from subject and background makes the subject stand out. It has a 3D look to the pictures if you want so. I think this comes down to the fact that this is a wide-angle lens with a wide aperture, but is still resolving incredible sharpness and details on subjects. This is, in my opinion, the most valuable feature of this lens. How often do I look at a nice picture I’ve shot, but think that something’s missing or that it looks rather flat. This lens is the opposite, as it is able to make even uninteresting subjects pop out of the picture, giving you a nice overall look and feel of the image.

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I will not dive down deeper on topics like flare and abberations. But I can tell you that this lens is not bad in both aspects. I have the multicoated version, but flaring occurs from time to time. But it is really not that “ahh that flare looks ugly and lowers the contrast tremendously”. More of a “hey theres a flare, maybe I can use it for artistic purpose?” :)
I did not notice any abberations, but like I already said, I’m not anymore a pixel-peeper (excuse the 200% crop on the trumpeter, but I couldn’t resist as this really shows how amazing sharp this lens can be!).

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All in all, this lens is my perfect walkaround lens. Due to its rather unusual focal length it is pretty versatile, has a nice 3D look and melts backgrounds away nicely wide open, but still resolves great when stopping down, all in a very light, very small package. Paired with a Sony A7 body this is in my opinion one of the best combinations for travel, street and everyday photography.

I hope you enjoyed my review and pictures of the A7R/S with the Voigtländer Nokton 40mm 1.4, and wish you good shooting!

You can buy the 40 1.4 at Cameraquest or B&H Photo. 

Apr 242015
 

Pre-Baby shoot with a Sony A7II

By Aditya Agarwal

Hi Steve, Hi Brandon

Thanks for having this wonderful site and the wonderful reviews. It has immensely helped my passion for photography. I recently shifted from my Canon 5DMKIII kit to a brand new Sony A7II and A7S with a Leica Noctilux and the amazing new Sony Zeiss 35mm f1.4. As of writing I have just opened the box for the 35mm and I am eager to try this wonderful new lens tomorrow.

I don’t shoot professionally and I own a successful reseller business for Apple Inc., in India. What keeps me calm and rocking is my love for photography. Though I am a Apple fanboy and tech geek myself.

Recently my family friend asked my to shoot some photos for him. His wife is expecting a child very soon and they wanted some pre-baby photos. This is the first time I am shooting for someone. Since they are our very close freinds, I obliged.

I used my Sony A7II with the Leica Noctilux 50mm mounted with a Voigtlander Close focus adapter. I got this kit after failing to resist, reading all your wonderful reviews :-D

Here are 3 pictures. I have begun to realise that NO OTHER LENS renders anything like the Noctilux. None. Period. I have fallen in love with it so much that I don’t mind the weight and size at all.

All pictures were taken wide open at f0.95 except the portrait of the couple which was at F2.0. I put in one pic of my wife, a very candid shot which I like very much. I shot them all at ISO 100 on Manual. I controlled the exposure with the shutter speed as needed.

The Noctilux is everything a lens should be. Dreamy at f0.95 and razor sharp f1.4 onwards. I will keep this lens forever and never sell it.

Hope you like the pics.

Many Thanks

Aditya Agarwal

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Apr 072015
 

Lots of new stuff arriving!! Bags, Cases, Goodies..

Hey to all! Hope you are having a wonderful start to the week! It has been busy here for me with work, family time, hobbies and non stop LIFE happening. Time sure does fly when you are having fun, that is not a lie! In any case, just an update on some new things coming in, upcoming reviews and maybe a rumor or two…

The beautiful new Summarit 35..review VERY soon along with the 50, 75 and 90.

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LEICA

Leica seems to have been slipping a but lately but I am confident that they will bounce back with something new, special and WOW. I mean, they HAVE To. They have a new CEO yet again and maybe they are going to change strategies? If they got me into a meeting I would tell them to release THIS:

A REAL Mini M rangefinder. M mount. Basic, no video, no-nonsense. Just the camera, the exposure dial, the power button and the shutter. Make it mini-fied, not as solid as the M 240, but a compromise between a real M and something like an X. A mini rangefinder M camera WITH built in RF/EVF hybrid. A real RF though, not a fake on like Fuji uses. Price: $3500-$3700 MAX. THIS would be a hit. This and the new Summarits would rock the world. Will it happen? Probably not but one can dream, and it would boost Leica’s sales in a huge way.

Speaking of the Summarits, Ken Hansen (email: [email protected]) was kind enough to ship me ALL four new Summarits  so I can review them! (when I send them back he will be selling  them as Demo’s at a great price, so be on the lookout). I hear nothing but GREAT things about the new Summarit line and being Leica’s most affordable lenses, I am anxious to give them a try. My Safari M is waiting :) HOPEFULLY I do not fall for the 50, 75 or 90 as I will want to buy them. Being a reviewer has it’s pros and cons you know. Lol. I always review stuff that I want to keep.

So look out for the Summarit reviews in 2-3 weeks. 

Also for my Safari set I have a VERY cool bag and case on the way from Angelo Pelle. He is sending me his Henri bag in Camo as well as a Half case in Camo, perfect for the Safari. Angelo does amazing work, each case is hand stitched and takes a few days to make. He is working on mine as I type this. The bag will hold the Safari with lens and one other lens inside a lens pouch. Take a look at the bag, and the Camo case on a Sony A7II. Pretty sweet! When it arrives I will be doing a full video review of the bag, the case and my Angelo Pelle case for my A7II. Lovely hand made items for two amazing cameras.

See more at his website HERE. 

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Speaking of the Leica Safari M-P set, check with PopFlash.com and Ken Hansen if you want one while there are a few left. To me, it is the best deal ever for a Leica special edition as it comes in CHEAPER than if you bought the standard pieces separate! You save about $1000 and get a limited edition set with a gorgeous silver 35 cron. The cron is YUMMY. It’s a gorgeous set which I will also have a video on this week. But yea, the cron on the M is beautiful..

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All 35 Summicron, at f/2 – the color, the detail the “organicness” is all there..at least I see it! I chose to make them VIVID with color pop! All test shots to see if my RF was focusing correct and it was.

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So Leica will be getting some attention here on these pages REAL soon. The Safari set, the new Summarit line and maybe even more surprises. To get you Leica fix, as mentioned, check with Ken Hansen, PopFlash.com, The Pro Shop for Photographers or LeicaStoreMiami.com 

MORE BAGS!

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Check out  this beauty above. It is the HoldFastGear.com Roamographer Mini. I own the full size Roamographer and for me it is the highest quality bag I own, even surpassing the amazing and great Wotancraft bags for construction and quality. When the full size Roamograoher arrived I requested they make a MINI version, and they told me they were working on one, and here it is.

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I love my full size Roamographer BUT for me it is a tad too large. I have a Mini on the way and will be reviewing it as soon as it arrives. For me it looks like it can hold a Sony A7 system with a couple of lenses or a Leica M system with a few lenses or an Olympus system with a few lenses. It is small enough to remain compact yet not so small as to cause a problem. I use my Wotancraft Ryker EVERY single day. I love my Wotancraft THOR..will the new Roamographer Mini be my new fave? Check back soon for a full review. If you want to check out the Roamographer in more detail, see my review of the original full size bag HERE or see the website at HoldFastGear.com for more.  Yes, some of you will cry MAN PURSE but hey, these are amazing quality bags from build to style, and I am confident as can be in my masculinity, so I like Man Purses. They do the job when I have to carry goods around with me. :)

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SONY

I still have to finish my Sony 35 1.4 Zeiss lens review (1st hand on look is HERE). This lens is a BEAUTIFUL beast. Large, in charge and outputs some serious IQ, in line with the Leica 35 1.4 Summilux. Only neg is that it is LARGE. I also hope to try the wide angle converters for the new 28mm lens (my review here) and the new 90 Macro should be arriving SOON. Sony is always releasing new goodies and I have a hard time reviewing them all, so I stick with what I know will be FANTASTIC.

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VOIGTLANDER

The new 15 f/4.5 Heliar is GORGEOUS. It fixes all past issues when used on digital full frame bodies. It works perfect on the Leica M or the Sony A7 series. No more colored edges or soft corners. THIS is a true 15mm wide angle with no distortion and yes, is the BEST choice IMO for a 15mm view on your Leica or Sony full frame. Price is $750 but it is about equal to other lenses in the $2-$5k range as far as I am concerned. A true deal if you enjoy wide angle from time to time. You can buy it at CameraQuest.com with free shipping and free BW filter. HIGHLY recommended.

1st three is the new 15 VIII on the A7II

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2nd set, all on the Leica M

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Other than that I know there is new stuff coming from Olympus, Sony and others. As always I will review the best of the lot and what I think you guys would enjoy. New bags, new cases, new lenses, new cameras…all on the way. Stay tuned right here as always! Also, keep on the lookout for my new one on one Sedona photo adventure..details soon.

Thanks to you all!

Steve

Apr 062015
 

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A Change Of Perspective – The Voigtlander 15mm f/4.5 III

By Alan Schaller – My Flickr linkhttps://www.flickr.com/photos/alanschaller/

Buy the 15 lens HERE at CameraQuest or HERE at B&H Photo

Hello everyone. First off, a big thank you to Steve for giving me the opportunity to write again on his great site.

I heard very good things about the first and second versions of the Voigtlander 15mm f/4.5, namely their low price, compact size and classy rendering. They were however known to colour shift on the M9, M240 and the A7 series, meaning many digital users used the lens as a black and white tool. From what I can tell from my pictures colour shifting has been completely sorted in this third version of the lens, which of course is a great thing. Also worth mentioning is the incredible lack of distortion.

I happened to have a holiday booked to the South of France a few days after I received my lens, and thought it would be the perfect place to let this super wide-angle flex its muscles! The region I went to (The Côte d’Azur) features crazily photogenic villages, street scenes, the sea and mountainous areas, so I had a lot fun shooting in a variety of environments with the 15mm on my Sony A7s and Leica Monochrom. The shots in this review were all taken on that trip.

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I had not extensively used a lens wider than a 35mm before getting this 15mm prime. My main reason for buying a super wide angle lens was to shake up my shooting style. I can confirm that it has, and recommend trying one if you haven’t already! I enjoy the 50mm focal length most of all, and being so used to looking for photo opportunities through the ‘eye’ of a 50, what I was seeing through the 15mm viewfinder initially seemed almost comical. The first day I had the lens, I walked around London with it on the Monochrom, initially marvelling like a child at how I could get whole buildings in frame whilst standing a few meters away from them.

I eventually calmed down and started thinking about how I could get the most out of my new lens. It seemed immediately obvious that it would be useful for shooting landscapes or epic sky scenes, but being primarily a street photographer, I wanted to try and use it on the streets too. Initial test shots proved this to be tricky! A lot of the time you have to get extremely close to the subject to make an interesting shot. The silent shutter on the A7s made me feel more confident to do so. It’s something I am going to enjoy experimenting with.

The thing I have found most interesting and creatively rewarding about using this super wide angle lens is the way it presents an image with such an unfamiliar perspective to the human eye. A 50mm lens is great as it is so familiar to our field of view, but I am really interested by the way this lens is so unfamiliar. Certain scenes that would be very mundane with a standard focal length can become surprisingly interesting when you use a super wide angle. This one was taken on the plane going to France:

Leica Monochrom – ISO 320 – f/4.5 – 1/30 sec

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The Monochrom gets on very nicely with this lens! Images are detailed and have great contrast. If you stop down to f/8 the depth of field is impressive. Also, as the DOF is so deep on a lens this wide, at f8 the lens is focusing from its closest point of 0.5 meters all the way to infinity, so there is zero need to adjust focus! This is a welcome attribute as it takes more consideration to get a shot perfect with a 15mm due to the extra surrounding context inevitably being in frame, and not having to worry about nailing focus helps speed up the whole process.

I have found sharpening to be totally unnecessary when using this lens on the Mono. This lens and camera combo feels great to use, and is perfect in terms of size and weight. They feel seriously solid together in the hand, and look great too! Same goes when it is used on the A7s. It feels well-balanced.

I expected the lens to work fantastically on the Monochrom (as the previous version did too), but I have been super impressed with the results on my Sony A7s. The colour is to die for!

Sony A7s – ISO 100 – f/8 – 1/200 sec

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Sony A7s – ISO 100 – f/8 – 1/250 sec

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As many people know the A7s is a low light monster, which meant I could shoot at any time of night despite the fact that this is a pretty slow lens. Simply crank the ISO to 8 or 10 thousand and snap away handheld, knowing the images will retain great detail and colour. Simple! As I mentioned before, the edges retain their colour well, even under pixel peeping scrutiny, so hats off to Voigtlander for taking the time and putting in the R&D to revise this lens so well for digital sensors. Chromatic aberration seems very well controlled, but can still be spotted if you pixel peep. I am sure Voigtlander will sell many of these, as the price, although an increase from the previous generations of the f/4.5 15, is still way way below the outlay for similar offerings from Leica or Zeiss. Despite being relatively cheap, the lens is built excellently, has a metal hood and body, and takes sensible 58mm filters. Most importantly, from what I can tell, the image quality is right up there with those more pricey offerings from Leica and Zeiss.

Leica Monchrom – ISO 320 – f/5.7 – 1/125 sec

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I can already tell that this lens is a keeper, which means more of my shots taken with this lens will be going up on my Flickr page for the foreseeable future! So if you are interested in seeing more shots, feel free to have a look!

https://www.flickr.com/photos/alanschaller/

Mar 302015
 

The Voigtlander 15 f/4.5 III – Great on the Leica M 240 and Sony A7 series! 

Old version on the left, new on the right!

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I have been testing the brand spanking new Voigtlander 15 f/4.5 Version III lens on the Sony A7II and the Leica M 240 and have only good things to report back. The new V3 can now be used on a Leica M without ANY color issues whatsoever. It is a small, sharp, versatile wide-angle for your M that will not set you back $3k+. The new 15 f/4.5 III is $750 with free next day shipping at CameraQuest.com and below are just a few test shots on the Leica M 240 and Sony A7II. I will eventually write a full review of this lens but for now, I have too much on my plate as it is (New Sony 28 f/2, Sony 35 1.4, two cases, new bags, Leica M-P 240 Safari Edition and more). Just wanted to let everyone know this lens is finally good on digital full frame!

Take it from me, the new 15 4.5 III is a winner on the A7 series AND Leica M series. No issues and a true ultra wide 15mm ;)

You can buy it HERE at Cameraquest, or B&H Photo HERE.

Below are samples from the new Voigtlander 15 f/4.5 III on the Leica M 240 and the Sony A7II

1st up, the Leica M test shots. Notice no color edges or problems. Click ’em for larger!

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And a few on the A7II with the Voigtlander Close Focus M to E adapter (Get it HERE)

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Mar 212015
 

HANDS ON: The New Voigtlander 15 f/4.5 V3 VM lens – Quick 1st test vs the V2

Lens now available and in stock at CAMERAQUEST.COM

Just arrived! The all new Voigtlander 15 f/4.5 Version 3 Lens, in VM mount (Leica M Mount) and so far so good! As we all know, Version 1 and 2 had issues when used on a Leica M camera or the Sony A7 series as we would get colored magenta edges or massive vignetting. Voigtlander HAS indeed seemed to fix this issue in the new version of the 15 f/4.5 Lens. While the lens is a little larger, and a little more expensive at $750, it seems to perform MUCH better on the Sony A7II vs the old version of this lens.

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It actually JUST arrived to my house 20 minutes ago. First thing I did was take it out and do a quick side by side test. One shot with the new V3 lens and one shot with the older V2 lens. The new version has no colored edges or issues which means we finally have a usable 15mm wide-angle prime for our A7 and M cameras that will not break the bank!

Next week I will post real samples from this lens on the A7II, A7s and Leica M 240.

SIZE: New V3 on the right vs the older V2 on the left

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For now, one quick sample – full size images shot on the A7II. This is a TEST shot, not a “photograph” that has any meaning.

The original seems to do OK on the A7II but with dark corners and edges. The new version clears that up. Looks good, so I can not wait to test this lens thoroughly on the A7II and Leica M 240. 

Right click each image and open in a new window for full size file

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Two shots to show no issues at the edges on the A7II, AT ALL! 2nd shot is ISO 4000 with Zero NR – click for larger

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Dec 242014
 

My Favorite Camera Shops & Dealers. Ever.

There are so many camera shops, store, internet sites and dealers out there ready to take our cash and send us a new fresh box of happiness. If you are like me, receiving a new package from the Fed Ex or UPS man brings  not only a smile, but a rush of energy, happiness and joy.

I love my cameras and over the last 20 years I have learned WHERE To buy from to get the most hassle free and enjoyable experience, as well as the best deals sometimes.

I always get e-mails asking me “where should I buy XXX camera”? Well, here you go. These shops are also site sponsors because I accepted them as sponsors (I turn down many every year). 

Over the years I have recommended the same dealers here. Those that I have worked with and bought from on many occasions. I have shopped from a few other sources but sometimes have had a negative experience so this is why I only recommend those who I trust and those who have really went above and beyond. I only allow advertisers and sponsors whom I trust and support back and know would never rip anyone off.

Look what the USPS man drug in..direct from Ken Hansen. The Leica Monochrom in silver chrome and the new M-P in black. 

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Below is a list of whom I buy from, who I have had great experiences with and all of those that I trust and put my name behind when it comes to camera dealers and shops!

1. Ken Hansen – This guy is everything LEICA. He has been a Leica dealer forever and used to own a store in NY. He now works from his home as he is semi-retired but his Leica business is still going strong with many Leica shooters praising his name every day. Ken has become a legend..legendary. I have never in my life experienced anything like Ken from ANY shop, dealer or store, ever. He goes above and beyond and the funny thing is he does not even have a web site, a Facebook or twitter ;) He runs it all from his home via phone or e-mail. He has been with me since day one and you may have seen his ad in the sidebar before. It will be there for the life of the site because if it not for Ken (and a couple of other friends) this site may not have made it!

Ken has new Leica and often times has used items and unique items as well. Just call him at 212-879-3263 or send him an e-mail at [email protected] and let him know what you want, need or are looking for. Most likely, he will have it. Plus, mention my name and you may get a bit of a deal..maybe. I stand 100% behind Ken Hansen.

2. B&H PhotoThese guys are the king of Retail and Online sales. They do MASSIVE volume. I mean MASSIVE. I have been to the store and it is a sight to see. Hundreds of customers at any given time, long lines to check out (but they go fast) and conveyer belts that travel through the store to deliver your goods when you exit. Amazing. They have the best online experience I have encountered. First, if an item is in stock and ready to ship, it says so clearly. If it is not, it clearly states this. No guessing games. They ship same day as well if you order before a certain cut off time. So technically you could order a lens on a Monday morning and have it arrive Tuesday. They also are top notch on their returns, undo nay to Amazon. It is an online automated process, never needing to email someone or call someone for an RA number. B&H Is the king of camera retailers. You can see their site here and they sell all kinds of goodies, not just photo related. They are sort of a giant electronics megastore. I give them a 100%!

3. Amazon Who does not shop from Amazon? Myself and everyone I know shop at Amazon and they are doing amazing things..amazing. Amazon is the future of internet shopping, food shopping and everything in between. I believe in 10 years Amazon will have the most amazing services. You can get anything and everything from Amazon. I have certain household items get delivered every month using their subscribe and save feature and I also buy tons of music (LP’s) and camera accessories such as Gariz cases, caps, batteries, lights, etc. They have anything and everything. Click here for a link to Amazon and see for yourself. Never an issue with them, ever! The return policy and process is painless and simple. You even get a label to print for easy return. My score = 100%!

4. PopFlash.com PopFlash has been around for a long long time and Tony Rose is the man who owns and runs it. He is well-known among Leica shooters but he also sells Fuji, Olympus, Zeiss and many other brands at his online shop. I have purchased Leica lenses, cameras and Artisan and Artist bags and cases from PopFlash and Tony always comes through. They have some superb prices as well and when you see the “used/mint” pricing on some Leica items you may be super tempted to go for it. Check out the site at PopFlash.com! 100%

5. The Pro Shop These guys are great and know their stuff. They have years of experience and sell Leica, Nikon, and even the Hasselblad Stellar and Lunar line. They have so much to choose from so here is where I would go for not only the best camera brands but for some of the best advice and experience. 100% for these guys as well! You can call them for info at 561-253-2606 or see their website HERE.

6. CAMERAQUEST – Run by Stephen Gandy this long time Voigtlander dealer has just about anything you could ever want from the brand. There are a few Voigtlander lenses that stick out to me and some I like better than Leica glass! The 35 1.2 II, the 15 4.5, the 50 1.5 Nokton, all superb and all a fraction of the cost of a Leica lens. If you want a great buy and fast shipping on Voigtlander lenses then you must check out CAMERAQUEST! 100%! Check out the shopping site HERE!

7. Leica Store Miami – These guys are in actuality Dale Photo in Florida, but this site is much improved and all about LEICA. This shop has it all from cameras, lenses, cases, accessories and even used Leica cameras and lenses. I bought my fancy Leica case from them and my shipment arrived in one day. You must check them out! I give them an easy 100%. Never an issue. Never a problem. You can see their site HERE. 

As you can see, all six shops/dealers get a full 100% from me because I would not recommend anyone who I did not shop with, buy from or feel 100% about. If I was 90% I would not recommend them! If you buy from ANY of the above dealers you will not be disappointed. With Amazon, if you have an issue the return policy is so good you can just return it. No questions asked. Just be sure to buy from Amazon and not a third-party (or prime). Same with B&H and some of the others. For me it should be about customer satisfaction and all of these do it very well.

So there you go, my fave dealers and vendors. When you want to buy a camera or lens or accessory or ANYTHING, check them out! They are what help to keep this site running!

Dec 222014
 

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Sixty Weddings with a Leica M 240

by Joeri van der Kloet

Hello to all of you! Thanks Steve for giving me the opportunity to share my thoughts with your readers again. I’ve posted a couple of times on shooting weddings with a rangefinder, but I thought it would be nice to give you an update.

I’m quite sure I’m a lucky person. 2014 was a crazy year and it’s not over yet. I just kept getting emails from people who were getting married and asking about availability. It was a very busy, yet immensely rewarding year. With an ever-increasing competition among (wedding) photographers this is something I don’t take for granted. I have found that staying true to the way I work does pay off. I don’t stage anything besides the group portraits and I shoot real moments only. Just snapshots of beautiful moments. Nothing more, nothing less. Sometimes my clients tell me it felt like I was just one of the guests, who happened to be there with a funny little camera. The M helps in this approach with its modest proportions, but behavior is just as important. I wear a suit if that’s the dress code, I mingle with the other guests and even my camera bag fits in. It may seem like just common sense, but you’ll be surprised how often this is forgotten.
Besides my documentary wedding work, the number of customers for my workshops are growing. Lots of rangefinder users are interested in the way I use my camera and they’re especially interested in my focussing training techniques. I really love this work, because I can help people to get more fun with their cameras.

In the last two years I’ve shot 60 weddings with my Leica M240 and although I already reviewed this camera here before, let me give you an update after many hours of shooting.
After having shot around seventy weddings with my M9s, a few years ago, I had gotten used to this camera. While I was on a four months journey around the world, I heard about the new M and I was quite excited, but also in doubt. A CMOS sensor? Liveview? Video? Seriously? Like most of you, the first pictures we saw that were taken with the new flagship were somewhat disappointing. Soon after that, the CCD vs CMOS discussion took off. And we’re still having this discussion today. Of course I also read about red skin tones, the lack of ‘crisp’, ‘pop’ and ‘3D’. However I also read that the M240 featured 2 extra stops in ISO sensitivity, a more silent shutter and a better responsiveness in general. For me, the increase in ISO sensitivity was enough to spend the 6300 Euros and start working with it.

The number one reason for me to work with the M240 instead of the M9 is ISO. I’ve really needed those two extra stops for low light circumstances. Even with a fast 35/1.2 I have used the highest ISO setting quite a few times. Of course the wedding receptions are the hardest moments to capture. As a rule of thumb I can freeze people who are dancing at 1/90th and at 1/60th, even though it will start to get slightly fuzzy, the look is very moody. People that are dancing slowly can be shot at 1/15th and still be sharp enough. By the way, sharpness is never my main concern. Emotion has top priority, then composition and only then sharpness. Flash is no option as far as I’m concerned, since I try to be as unobtrusive as possible. So for ISO only, I’d choose the M240.
Next is overall responsiveness. The M9 has a somewhat gritty shutter button, while the M240 has a clear two-step shutter button. The shutter itself is more silent and lacks the whining noise of the M9. Button wise, the M240 is more responsive, although I have heard people complaining about the start-up time. With my M, I have no problems with that and whenever I use my M9, it feels slower to respond on the buttons. Handling wise, I prefer the M9, simply because it significantly lighter. Don’t underestimate these 100 grams. You will notice the difference.

Much has been said about the M9 screen. Yes, it’s a joke, but it never troubled me. It was good enough to browse through the menu, check my histogram and check composition. If you’d want to check for sharpness, forget it. Though the M240 is not very good for checking for sharpness either (just compare it to the 5D3: now that works!) it’s a lot better than the M9.
But then the menus: I prefer the M9, simply because it’s more intuitive and easier to work with than the M240. Also, setting the ISO on the M9 triggers a clever menu: by clicking down you’ll increase one stop and by clicking to the right you increase your ISO with ⅓ of a stop.

Then there is the live view. First I thought I’d never use it on the M240. When I started using it, I discovered some benefits of this system. It always works, no matter how dark it is, whereas the EVF might get so dark that it’s almost too hard to focus. Live view also provides a way for very precise focussing. The drawback is that live view is very laggy. For me, during action it’s unusable, but for more static subjects it’s great. It’s also great for checking if your rangefinder is still calibrated properly. I do not use it a lot, but I wouldn’t want to miss it in a next M.

Battery life of the M240 is very good. With my two M9s I used to carry six batteries to a wedding. Now two is enough. So that compensates for the increase in weight of the camera itself. Sort of.

Issues then. The M9 has had quite a few and one more recent issue can be added to the camera: corrosion of the sensor. While the M240 has had its share of bad luck, it seems to be problem free at this moment.

The most important feature of a camera however, is its output and that’s what most people are talking about. It’s the CCD versus the CMOS. Yes, the files are different and everyone had to get used to these new files, myself included. Technically, the M240 files are superior: they have more dynamic range, less noise and they’re just more flexible. The issue with the skin tones has been fixed, though it never bothered me much. The M240 needs a little more punch than the M9 files: increasing the contrast a little is usually a good thing. For me, I’m really happy with the output the M240 delivers. Of course, you’ll have to shoot in raw, just like with the M9. Where the M9 really shines is base ISO. Those images, where light is good and focus is spot on are almost unbeatable. But as a pro I don’t shoot on base ISO that much. I don’t get to choose the light on a wedding and often it is dim, or very contrasty. So what do I want? Low noise high ISO and flexible files with a good dynamic range. And that’s what the M240 delivers. If you’re shooting in other circumstances and you don’t need to make any money with your camera, I can perfectly understand why you’d prefer the M9 over the M240. In fact, I still have my M9-P which I will keep as long as possible.

Maybe you don’t even need to make a choice between the M9 and M240. When I switched to the M-system, the M9 was the only full frame compact camera body in the world. Lots has changed. Sony has made the full frame compact system camera accessible for a much bigger group of people with the A7 series. I have seen many great reports about the A7 and A7s. Steve here rated his A7s as his number one camera! On the other hand: DSLRs have acquired features that make them more interesting for the documentary approach as well. The Canon 5D3 for instance, is just as silent as the M240 in its silent mode. Also, its AF-system is a lot better than the 5D2, which makes the 5D3 a pretty good smallish, silent camera for the documentary wedding pro. For me, I just like the way the M-system works with its simple lay out and its intuitive controls. I wouldn’t want to change that. Also, my M is my best marketing tool ever. Whether I like it or not, it sells.

So, in conclusion, can we finally say which camera is better? No, we can’t, because image quality should be one of the most important factors in deciding which camera to buy and this image quality can’t be described in numbers and sometimes not even in words. I just wanted to explain why I still prefer the M240 over the M9 after having read the renewed CCD vs CMOS discussion. Whatever camera you buy, get the one you can afford and just shoot with it. That’s what they’re meant for.

My wedding website: www.luta.nl
My workshop website: www.joerivanderkloet.com

and now, the photos!

1 Magical moment. The couple started dancing on our tiny boat on the Amsterdam canals. The sun came through and I just knew I had the best job in the world. With 28 Elmarit.

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2 The dance. They just kept dancing on this wedding and everybody had such a good time. Very low light, but I think I nailed it on 3200 ISO on 1.2 at 1/125th with the terrific CV35/1.2.

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3 Bride getting ready. I love to use whatever there is available for natural framing. With the small but very good 35 cron.

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4 The car. This bride just loved the classic Porsche 911 the groom arranged for their wedding. And it even worked with the dress. Shot with the CV35/1.2.

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5 Intimate moment during one of the speeches. I’m constantly looking for these moments. With the 50 cron, my workhorse.

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6 Waiting for the groom. While the bride was peeking through the window, this dog jumped on a chair and started peeking as well. I couldn’t have been happier of course. CV35/1.2.

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7 The vows. This was an intimate outdoor wedding and the couple had ordered birds made out of paper from Japan as a styling detail. I decided to shoot the vows through this curtain of birds. With the tiny 28 Elmarit.

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8 Father and child having fun. Shot at 6400 ISO at 1.2 at 1/60th. Is it sharp? No, but it conveys the message. CV 35/1.2.

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9 Bride and groom and umbrellas. It was a rainy day and the couple moved from the wedding venue to the next venue. I liked this scene and shot it quickly. With the 35 cron.

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10 I noticed this little moment just after the ceremony between the bride and her daughter. Shot with the 50 cron.

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11 The moment after the kiss. Couples relax after all the offical things are done and you can tell by just looking at their faces. WIth the 28 Elmarit.

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12 Soap and sunshine. During the ceremony it was dark and rainy, but when the couple got out the weather had changed completely. They were hugging each other and I liked this scene with its warm colours and all the reflections on the bubbles. With the 28 Elmarit.

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13 The laugh. While returning from a group shot, the groom (probably) told a joke and the bride laughed out loud. I like the flare and the soft light as well. With the 50 cron.

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14 The cake. This lovely couple just had a terrific day and I love the little moment with this interaction between the newly weds. With the 50 cron.

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15 The look. The groom was listening very carefully while the bride was secretly looking at her husband-to-be. I love, love this light and the way the 50 cron renders the scene.

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16 Magic light. When the couple walked towards their car after the ceremony they literally stepped into a ray of light. Smooth, warm, just beautiful. And the 50 cron has no trouble in rendering this scene.

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17 Boy and car. When the groom went for a cup of coffee, the kid sneeked in the car, an Audi R8, and pretended to drive the car. I could hear him imitating engine sounds. With the 35 cron.

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18 Smooth. The CV 35/1.2 is not just a low light lens. It’s also suitable for getting this smooth look. I’m not sure who the bride was looking at, but I just like this shot.

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19 Friends. Well, this one doesn’t need any explanation. Best friends captured with the 50 cron.

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20 Getting ready. I like the expression of the bride and the soft light from the window. Shot with the 35 cron.

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21 The kiss. An intimate wedding with only twenty guests. Being able to mingle with guests is even more important than at big weddings. With the 35 cron.

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22 Almost ready. After many years of shooting I’m still surprised that my clients give me the opportunity to capture all these delicate moments. Here the bride, probably quite nervous and so beautiful in the last moments before she’ll meet her groom. With the CV 35/1.2

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23 Light from above. This couple lived on a boat with windows in the ceiling. When the groom stepped on board, the bride heard him and looked up, trying to get a glimpse of him through the window. Shot with the 35 cron.

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24 The quote. While we were heading out for a boat trip we came across this quote and I quickly focussed on it. The groom turned his head to read it and I took the shot. CV 35/1.2.

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25 Kiss me honey. The bride reaching for a kiss in a train somewhere in Rotterdam. With 28 Elmarit.

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26 The first look. It was very narrow and I didn’t have much space to shoot the couple during the first look. Luckily, there was a mirror. CV 35/1.2.

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27 Father and bride. Long after the wedding, this bride told me that this picture made her father cry. I’m still honoured she took the effort to tell me that. Shot with 50 cron.

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28 Kiss and dance. Working with a rangefinder in low light conditions can be hard, but also very rewarding. The couple loved this shot and so do I. CV 35/1.2.

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Dec 172014
 

Quick User Report: Using the Voigtlander 40 1.4 on the Sony A7s

by Devin Jameson

Just wanted to post a few images recently made with the Sony a7s and Nokton 40mm 1.4 SC.

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Pros:

Sharp at the focus point, even wide open—IF you nail the focus

Sharpness picks up quickly when stopped down if you prefer a clinical look or are shooting landscapes (also vignetting goes away by f/2.8 or so)

Very compact size, even with the Voigtlander Close-Focus adapter

Character is very “interesting”

Great build quality with smooth focusing ring and aperture clicks

Randomness factor–you never know what you might get when shooting wide open!

0.7 meter minimum focus distance—closer to 0.3 meter with VM-E adapter

 

Cons:

It’s not a Leica 50 Lux

Rather heavy vignetting

Bokeh is somewhat nervous (I’ve learned to love this)

Flare (I like the randomness of flare, so this isn’t a con for me)

I expect to see a 50mm focal length, so the transition to 40mm is a little tough, but should be fine in time

All in all, it’s a fun lens that lives on my a7s. Check out the sample images below—most were shot wide open.

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Dec 052014
 

1STLOOK

The Sony A7II – First Look and Video!

Order the A7II at Amazon – Amazon says they start shipping on the 11th of December

Order the A7II at B&H Photo – B&H says shipping starts December 9th

Steve

The Sony A7II has arrived and is in my hands and I am much more impressed than I expected to be. I assumed it would be an A7 with 5-Axis IS but it is quite a bit more than that. At the price of $1698, this is THE full frame camera to have for any enthusiast, hobbyist or anyone who has the passion of photography and wants extraordinary results with their camera gear.

1st off, take a look at my video below where I talk about my 1st impressions of the Sony A7 II…

 

The camera feels awesome in the hand, so much better than the old A7, A7r or even A7s. The new button placements are just about perfect and the larger grip (that I thought I would hate) feels JUST right. The camera also looks nicer, and feels much better built  – more solid. Feels like a pro camera in my hand and the 5-Axis worked wonders during some test video footage I took today. Made it appear like I was using a steady cam. The AF is indeed faster than the old A7 and the IQ, just as Sony has claimed, has been improved. I now see the better color, AWB and punch of the A7s but with more detail..amazing detail..even when shooting plain old JPEG.

Three 1st snaps with the A7II in my house, which was dimly lit BTW – One with the Zeiss 35 2.8 and two with the Voigtlander 40 2.8 – you MUST click them for larger and true 100% crop. These are JPEG! AWB did well for all three with no odd color casts.

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Click the image below to see just how rich, deep, colorful and detailed an OOC JPEG is from the A7II using the 35 2.8

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and one in B&W at ISO 2500 – NR turned off – 35 2.8

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So my enthusiasm went sky-high after taking the A7II out of the package and putting it in my hand. My A7s can not be replaced by the A7II as the II can not do low light like the A7s but it will be the PERFECT companion to the A7s (which will be moved to low light status) as  the A7II now has stellar color and IQ.

Sony is kicking ass and I have yet to use a camera this year that feels as good, looks as nice and performs like this one. No Fuji, no Olympus, No Leica, No Nikon has done it. The A7II makes the Nikon Df feel like a toy in the hand, that is how much better it feels over the A7 Mark I. I love the Nikon Df, it is the only DSLR I would own (and did for a while) but the A7II has shown that Sony still means business and they are not backing down.

An OOC JPEG from the A7II and Voigtlander 15 (The A7s is on the table)

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and another shot of the A7II

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As you can tell, I am excited about this one..more so than the LX100 and X100T I have here to review as well (though I prefer the LX100 to the X100T).

I will be posting a full review of the A7 Mark II within 2-3 weeks. I need to make sure I get some quality time with it and snap all kinds of images in all kinds of situations to see just how well it behaves when pushed. 1st impressions are all positive so far!

Just some quick notes: This does NOT have a touch screen, it does not have the silent shutter and it will not perform as well as the A7s with Leica M ultra wide angle lenses. When using manual lenses the 5 Axis works well – you can assign what focal length you are using and the camera does the rest. Easy as pie. Buttons are all customizable..Sony has come a long way since the NEX series! The A&II also has a sturdier/beefier lens mount than the previous A7!

You can order your A7II at the links below, starts shipping December 9th! My order is in ;) 

Order at Amazon – Amazon says they start shipping on the 11th of December

Order at B&H Photo – B&H says shipping starts December 9th

Steve

front

PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 6 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Oct 282014
 

Quick 1st Look: Voigtlander 40/2.8 Aspherical Heliar for Sony E-Mount!

My Sony A7s with the brand new Artisan & Artist ACAM-310 Red Silk Strap

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Yesterday another new lens arrived via the wonderful mailwoman who delivers so much gear here she had to ask me what it is I do for a living :) The new Voigtlander 40mm F/2.8 Heliar Aspherical lens is a beauty, especially on the A7 series of cameras. It is small, collapsible, solid and made to a high standard. But this lens is unique as it is a Leica M mount lens (Voigtlander VM) but can not be used on a Leica M as there would be no way to focus it. Instead it is designed to be used with Sony E Mount using the Voigtlander VM to E close focus adapter. Yep, just mount this lens to the adapter and then on to your A7 or A6000 or any E mount camera, full frame or crop sensor, and you will have a gorgeous small lens that will deliver sharp yet beautiful results.

Image below is from cameraquest.com where I received the lens from… you can see the cap, hood, etc. 

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When I mounted it to my A7s it gave the camera a solid heft that I loved and in use it was very easy to focus. The color is rich, the sharpness is there without being analytical or overdone and while there is slight vignetting wide open at f/2.8, it adds to the character of the lens.

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The lens comes with a cap, a hood and is collapsible on the A7 series of cameras. When collapsed it makes for a very nice compact lens. Even when extended it is compact. After only testing this lens for a brief moment yesterday after it arrived I was very impressed with the handling, build and image quality. I only snapped three shots with it so far but will be getting out this week and weekend with the lens so a full review will be on the way soon..and damn, looks like yet another lens I will want to purchase. At $400 it is a very good buy and if you have the VM to E adapter already, a no brainer. NOTE: This lens is only designed to work with the Voigtlander close focus M to E adapter but I think any adapter that is similar (close focus) will work (HAWK). Still I recommend the Voigtlander 100% for adapting M lenses to E mount. 

So if you own this adapter, which IMO is the best adapter made for converting Leica M lenses to Sony E mount, then this gorgeous lens is a MUST BUY! It gives that old school feeling, look and the rendering is quite nice.

The lens is IN STOCK now at Cameraquest at the direct link HERE. 

My full review of this lens will be up in about 10-14 days!

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Sep 162014
 

New Voigtlander lenses for M mount and Micro 4/3!

Pre Order Links – $100 deposit at Cameraquest:

The new 35 1.7 in Black – and in Chrome

The 40 2.8

The 15 4.5 III

and the 10.5 0.95 for M 4/3

 

Photokina is the gift that just keeps on giving. Today Voigtlander announced the new 35 1.7 Ultron lens in VM mount (Leica). This is yet ANOTHER fast 35mm option for Leica M or Sony A7 users. HOW SWEET IT IS! The cool thing is that the Voigtlander lenses are just as well made as the Zeiss lenses and offer image quality that may not equal Zeiss or Leica but is still VERY nice. Take a look at the new 35 1.7 Ultron VM, which looks similar to the amazing 50 1.5 that I reviewed a while back.

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There is also a new version of the 15mm Heliar that I love so much, the new VM Heliar 15 II. No pic yet but will have one soon. Finally, another new Leica M mount lens from Voigtlander will be the 40mm 2.8 Heliar pancake lens, a slim and gorgeous retro design. So three new Leica mount lenses from Voigtlander! Woohoo!

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In addition, there is a new Voigtlander 10.5mm f/0.95 for Micro 4/3 which will give you a 20mm 0.95 equivalent (and yes this is a 0.95 lens and has 0.95 light gathering ability, period). This kind of puts a dent in the new SLR Magic 10mm T 2.1 by upping the ante to f/0.95.

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You can pre-order these lenses at my Voigtlander recommended dealers, CAMERAQUEST.COM. They should have them listed today. I will be reviewing these new VM lenses for sure! Not sure of pricing just yet, but Voigtlander is always reasonable.

You can also buy Voigtlander at B&H Photo HERE.

Sep 102014
 

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Shooting Ephemerisle 2014 with the Sony A7S and a Voigtlander 35mm f1.2

By Judd Weiss – Visit his site HERE

Most places I go lately, I am the best photographer around. But I come to Steve Huff’s site and community specifically because here I am definitely not the best photographer. I’m learning fast, but I’m relatively new to photography, upgrading from a point and shoot to the original Sony NEX 3 only about 4 years ago. Discovering Steve’s site almost 3 years ago was a major turning point in my photography. I started taking it more seriously when I saw what you guys were up to. I’ve been inspired. The daily inspirations that so many of you have contributed has made me rethink what I’m doing with the camera I’m holding. I’ve never taken any photography classes, but that doesn’t mean I haven’t received an education. This community around Steve Huff’s blog is one of the greatest influences on my development as a photographer. So thank you to all who have contributed their vision and creations here. I am very grateful. (Thank you Judd!! Steve)

I’d like to also make a contribution, from my favorite work yet. I shot this entire set of photos with the new amazing Sony Alpha A7S full frame mirrorless camera, with a manual Voigtlander Nokton 35mm f/1.2 lens. That combo allowed me to achieve low light shots never before possible in the history of photography. Ephemerisle was the perfect event to test out what the Sony A7S can handle in extreme low light. And the Sony A7S was the perfect camera to capture the experience of the dark glowy night that made Ephemerisle shine.

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These shots are unapologetically processed, and I admit I went a bit intense with the colors, but I wanted to, to accurately reflect the surreal nature of Ephemerisle. Some of these photos are a little abstract, but believe me when I tell you those are very true to the experience. What a visual experience! Ephemerisle was incredible. I did the best I could to run around and convey what it was like to be there, over stimulated by this new beautiful foreign universe everywhere you looked.

It’s fair to think of Ephemerisle like Burning Man on the water. Imagine a bunch of RVs at Burning Man connected together, but floating. With dance stage platforms between them.

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I think Ephemerisle was the most exciting and fun time I have had, that didn’t involve a girl, since maybe my college days. I loved running around in that crazy dream world meeting the cast of characters you’ll see in the photos below.

I’m not saying Ephemerisle is better than Burning Man. There’s no way an event of a couple hundred people can in any way rival the scope and all the amazingness of the 50,000+ strong Burning Man festival. But I will say that I enjoyed Ephemerisle more. I loved Burning Man, but the desert is a harsh place. No doubt the sea can be unforgiving as well, but I was very happy to trade an over abundance of dust for an over abundance of water.

No way I would bring my beloved new Sony A7S and Voigtlander lens to get ruined by the intense barrage of fine dust on the Burning Man playa.

 Shot at 12,800 ISO

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Burning Man is incredible as it lights up the middle of the desert nowhere into an epic glorious city; being out in the middle of the water nowhere, lit up only by the most amazing glowy party you’ve ever seen, Ephemerisle too is a bright beacon of a testament to our evolutionary progress, while floating over the type of early ocean microbes of life that began it all. How far we’ve come, to create such a stunning atmosphere. A cool blend of excitement and serenity. Like Burning Man, being at Ephemerisle confronts you to face both our fragility and our promise that can only be truly seen in an intentional community that has left many of the comfortable constraints of modern society.

Stylistically people often compare Ephemerisle with Water World, and you can see where that’s coming from, only this wasn’t dystopian. Whatever was rough around the edges wasn’t post-apocalyptic, it was prototype. This is from the future, clearly. These are experiences our grandchildren will inherit when they are our age. But it’s a beautiful future. When the sun goes down, we light up even brighter. Humans evolved from a state of continual starvation in a struggle to survive among brutal nature, and now we master the harshest environments to throw parties of abundance like this for recreation. Humans have no shortage of serious problems, but it’s things like Ephemerisle that compel me to acknowledge our bright future of possibilities ahead.

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You might think I’m hyperbolizing a little much. And if I hadn’t been there, that’s totally what I would think while reading this. But there’s a reason for these reflections of anthropological grandeur. Ephemerisle is comprised of exactly the group of intellectuals, business leaders, and artists who are focused daily on the topic of our evolutionary potential as a species. These ARE the people consciously working to design a more beautiful future for all of us. What a treat it is to see one of their early prototypes. And I have to say, I’m in love with this particular prototype they call Ephemerisle.

I’ve got to thank everyone involved for coming together to create Ephemerisle. They made these photos. I just captured what I saw as well as I could. Their vision created this reality. Congratulations to all of their beautiful minds. These photos are my humble tribute.

Ok guys, get ready to watch the colors move…………

The full album and original post can be found on my blog here: http://hustlebear.com/2014/09/04/photos-ephemerisle-july-2014/

You can follow me on Instagram at http://instagram.com/juddweiss

I’m on Facebook at https://www.facebook.com/juddweiss

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Note: The widely acclaimed Canon 5D MIII could not have achieved many of these shots. For example: The below shot, while not the cleanest photo in history, was shot at 51,200 ISO (!!) at 1/125 second, handheld from a bobbing moving boat in the dark. It was challenging to stand, and hard to see clearly, let alone to take a clean photo. Try to get anything remotely usable in those conditions with another camera setup.

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Again, the below shot is not perfectly clean and crisp, but it was shot at 32,000 ISO from a moving bobbing boat.

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I love how the camera rendered the daytime shots as well.

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May 192014
 

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The Voigtlander 75 1.8 VM Heliar Classic Lens Quick Review

By Steve Huff

Lens is available to purchase HERE

Hello to all! Today is Saturday, May 17th 2014 (the day I am writing this, not posting it) and I am sitting down at my desk for the 1st time in 10 days to write something new. For the past 10 days I have been away in Southern Illinois visiting family and spending time with my Mother for Mother’s day and the site has been running on auto pilot all week with scheduled posts..not how I like to roll but hey, I need some vacation time too! After that I went to New Orleans with Olympus to test out the new Tough TG-3 (Which was SO cool) and shoot more with the E-M10 (which I reviewed HERE)

While my trip to Illinois was a pleasure, there was also a ton of business/work happening but the good thing is that I find photography and testing new gear to be exciting and a fun experience so while I was working during my vacation I was having a good time with it as I always do. Life is good, so we should enjoy it and I try my best to do just that each and every day.

So today as I sit here I am going to write a short, quick and mostly photo based review of the Voigtlander 75 1.8 Leica mount Heliar Classic. A fast 75mm lens for your Leica M mount camera for under $700. Yes, under $700! Thanks to Stephen Gandy at Cameraquest for sending me this lens to check out for a couple of weeks. He sells the entire Voigtlander line and has the best prices and even free overnight shipping on certain lenses, this one included. You can see it on his site HERE.

Before I get started be sure to check out the recent guest post review of this lens HERE by Johnny Ciotti. Johnny tested this lens on the full frame Sony A7. ;) My test is 100% on the Leica M 240 which after 14 months is still my #1 and all around fave camera today (which is followed by the E-M1, then RX-1)

Using the 75 1.8 was easy as pie, even wide open. On the M 240 it works very well with great color pop and the classic Voigtlander look. This one is of my Nephew shot wide open at 1.8.

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Testing the 75 1.8 in a real world way

For some reason I never did use this 75mm lens on my M and while it has been out for a while I never was really into the 75mm focal length so it kind of slipped under my radar until a reader submitted a guest post review of this lens on a Sony A7. Then I remembered! OH! The 75 1.8 from Voigtlander!!

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At that time I knew I would have to try it on the M 240 as it is a Leica mount and I do know that the 240 loves all glass, even Voigtlander and old classic lenses. In the past I have tested the Leica 75 Summarit, which is their “Budget” lens and the performance is stellar. It is crisp, contrasty and very sharp. With a minimum aperture of f/2.5 the Leica is a little slower than this Voigtlander but I will state right now that the Leica has a much more “modern” look than this Heliar Classic. I think the word “classic” was used for a reason as the images have a softer more rounded look to them over other more modern lenses like the Leica Summarit or Summicron.

I decided to snap on the 75 to my M 240 and use it as my only lens for a week while visiting my Mother. I also had the Leica C and Sony A6000 with me but I was determined to use this 75  to see exactly what it was all about.

Again, wide open the lens is sharp but has a rounded rendering. The Bokeh is nice but not perfect. Still much better than what you see on some $1500 lenses. 

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So away I went, M in hand with the 75 attached for almost the entire week I was on my trip. Being called a “classic” lens I imagined that the 75 would be a little soft, a little cloudy, some duller colors and without the bite and snap of the Leica 75 Summarit.I mean, let’s face it…most classic lenses are just that. Some are amazing, some are average but none are like the modern lenses of today. The cool thing is that sometimes a lens that renders in a classic way is sometimes preferred over a super sharp clinical modern lens to help keep those imperfections away during portrait sessions.

During my 1st tests with the 75mm lens in real world photo conditions I found the color to be vibrant and with tons of pop. In fact, I was surprised at what came out when I shot my Mother on a swing. The greens were very vibrant and her pink shirt popped as much as it could possibly pop.  I found the sharpness wide open to be a little bit soft, especially in the corners. I found it to have classical but pleasant bokeh. In fact, it performed just as I thought it would but the color pop exceeded my expectations. At $700 with free shipping, this lens already started to seem like a bargain. I mean, the Leica 75 Summarit 2.5 is not built better than this lens, is a little slower in Aperture at f/2.5, a SLIGHTLY farther minimum focus distance (The Voigtlander focuses to .9 meters)  and is more expensive..ALMOST triple the price at $1900. Go to the 75 cron and you are looking at nearly $4000. Remember, this lens is $699.

My Mom on the swing in the park. Shot at f/1.8. 

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I was walking around town when this kid just kept staring at my camera. He seemed to be intrigued so I said “Want me to take your picture”? He immediately smiled and posed with his football. Was shot at 1.8. This one is pretty sharp so when I say the lens is a little soft at 1.8, I do not mean it is “SOFT”, just softer than the Leica 75mm lenses.

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The lens was a snap to focus on the M using the rangefinder and was just sharp enough wide open to make me happy. Again, as I walked around and shot with the lens I was happy with the super smooth focus barrel, the solid clicking aperture ring and the build and heft of the all metal lens. At $700 shipped, I kept saying “THIS IS A STEAL”!!

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But I am still not a 75mm guy. I prefer my 28, 35, 50 and sometimes, on rare occasion the 90mm focal length.  With that said, if I were in the market for a 75mm this would be the lens I would buy just due to the massive bang for the buck involved. There is nothing currently made for Leica mount at this cost that will get you this quality.

Just an old mailbox I cam across while doing a 7 mile walk with my Mom and Son. Shot at 1.8. 

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Nice color pop, great Bokeh effect. At mid distances this lens shines for 3D pop.

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The Auctioneer, 20 years later. Voigtlander 75 1.8 at f/2. Here you can see the barrel distortion that is evident in the corners. While this is a crop, the top of the frame shows the distortion. 

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The Build of the lens is solid. Typical Voigtlander. Anyone who has shot with a Voigtlander lens knows what I am talking about. All metal construction, smooth focusing and aperture and an overall feeling of quality. The build is different than Leica but not far off in feel and use. The images have the smoother Voigtlander look and not the snappier Leica look that would come from something like the Summarit or Summicron.  The cool thing is that this lens can also be used on the Sony A7, A6000 or just about any mirror less camera with an adapter.

Trees of green. Click for larger. Shot at f/2.8 I believe.

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ISO 1250 at f/2

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After one full week of daily use I realized that while not perfect, the Voigtlander would be the perfect lens for those who are looking for a lens that will give them that rich 3D pop and nice color in a portrait focal length. While I think the Leica 75 Summarit is a little bit better, it is almost $1900 and going from $700 to $1900 is a HUGE step! The Voigtlander will be a little less contrasty, have a little less pop and have a little barrel distortion. The Leica will be more perfect and crisp and will not have the barrel distortion. The Voigtlander does indeed come with a metal hood while the Leica does not. Bokeh wise, they are both about equal with the Voigtlander having the more creamy Bokeh. So in my eyes, looking at the pros and cons like this leads me to realize that this Voigtlander is a huge winner and a deal for the cost of $700 with free overnight ship, which is what cameraquest is selling it for now.

My Mother on her Graduation day in May 2014.

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My Nephew in the park

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Overall this lens gets a high recommendation for those looking for a great 75mm lens for the Leica mount for a great price while offering fantastic, if not “classic” performance. When I review a lens I do not bother with charts, graphs and numbers as I feel that has NOTHING to do with photography, at all. What matters is how the lens performs when using it to take photos…what it was designed for! Yes, what a concept! Using a lens  to go out ad take real photos to see how it does in real life. I do not care what numbers say, I care about what the results say and to me, this is a fantastic lens with many more positives than negatives. In fact, the only negative I found was the slight barrel distortion which is only evident in some shots with straight lines at the top and bottom edges. It may give you some CA in certain situations but I have not found a Leica lens yet that does not do this (besides for the 50 APO cron at $7400).

So if you have been looking for a nice 75mm lens, take a long look at the Voigtlander 75 1.8. If you like the quality of the shots here, this is what you can expect when using it with a Leica M 240. Just know that is will be a little soft in the corners wide open up until about f/2.8 when it sharpens up quite a bit. If you want the ultimate in performance in the 75mm focal length, check out the Leica 75 Summicron. It is much sharper, more modern in rendering and much more expensive.

As always, thank you for reading this quick review! If you want to see my Leica 75 Summicron review (an oldie) , click HERE.

Steve

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

© 2009-2015 STEVE HUFF PHOTOS All Rights Reserved
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