The Lightroom 4.3 Update is now available with full support for the Sony RX1! You can go check out the update HERE!
The Lightroom 4.3 Update is now available with full support for the Sony RX1! You can go check out the update HERE!
Crazy Comparison – Leica M, Sony RX1 and Fuji X100s You all asked for this so here you go. I have three sets of images here, all full size direct from RAW from each camera […]
The new Sony RX1R and RX100 II! The R stands for “Resolution” Wow, now this is a superb release! We all knew it was coming but now it is official. The new Sony RX1R and […]
The Sony RX1 Camera Review Part 2. The amazing full frame compact and my pick for Camera of the year 2012! Now shipping! Order the RX1 at Amazon HERE or B&H Photo HERE See part […]
Comments are closed.
STEVEHUFFPHOTO 2018
Do Lightroom 4 support omd-em5 thank you
Basically it’s a preset profile and all I need to do is simply turning up lens corrections and sync across all the DNG files (yes you can import as DNGs, it’s a viable option for Lightroom import). It doesn’t show any figures like percentages/amount of distortion correction.
However from what I see barrel distortion is quite strong by comparing before and after images with profile correction. They say it’s the defects of the lens itself.
Steve himself doesn’t do any lab tests and I don’t have any tripod nor equipment to give you the exact figures. However, so long as you keep auto jpeg correction on (through in-camera settings), it’s not a problem for me. It’s either leave the B&W jpegs files, or use the DNG files (for mostly colors or dodging and burning B&W).
Hope that answers your problem.
It also supports the Retina MacBook Pro display/HiDPI, finally.
Any word on Fuji X-E1 in LR?
Could you please let us know how much correction lightroom applies? I’m really curious to know what % distortion exists before correction
Hi Steve. I’ve just updated to 4.3 LR. Tried some raw files from RX1. Now we get to correct for distortion in software. Checked against jpeg files with in-camera corrections, LR seems to have the same algorithm as the in-camera software, as the output result looks the same. Great job, Adobe.