Sep 102014
 

ttjd1

Shooting Ephemerisle 2014 with the Sony A7S and a Voigtlander 35mm f1.2

By Judd Weiss – Visit his site HERE

Most places I go lately, I am the best photographer around. But I come to Steve Huff’s site and community specifically because here I am definitely not the best photographer. I’m learning fast, but I’m relatively new to photography, upgrading from a point and shoot to the original Sony NEX 3 only about 4 years ago. Discovering Steve’s site almost 3 years ago was a major turning point in my photography. I started taking it more seriously when I saw what you guys were up to. I’ve been inspired. The daily inspirations that so many of you have contributed has made me rethink what I’m doing with the camera I’m holding. I’ve never taken any photography classes, but that doesn’t mean I haven’t received an education. This community around Steve Huff’s blog is one of the greatest influences on my development as a photographer. So thank you to all who have contributed their vision and creations here. I am very grateful. (Thank you Judd!! Steve)

I’d like to also make a contribution, from my favorite work yet. I shot this entire set of photos with the new amazing Sony Alpha A7S full frame mirrorless camera, with a manual Voigtlander Nokton 35mm f/1.2 lens. That combo allowed me to achieve low light shots never before possible in the history of photography. Ephemerisle was the perfect event to test out what the Sony A7S can handle in extreme low light. And the Sony A7S was the perfect camera to capture the experience of the dark glowy night that made Ephemerisle shine.

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These shots are unapologetically processed, and I admit I went a bit intense with the colors, but I wanted to, to accurately reflect the surreal nature of Ephemerisle. Some of these photos are a little abstract, but believe me when I tell you those are very true to the experience. What a visual experience! Ephemerisle was incredible. I did the best I could to run around and convey what it was like to be there, over stimulated by this new beautiful foreign universe everywhere you looked.

It’s fair to think of Ephemerisle like Burning Man on the water. Imagine a bunch of RVs at Burning Man connected together, but floating. With dance stage platforms between them.

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I think Ephemerisle was the most exciting and fun time I have had, that didn’t involve a girl, since maybe my college days. I loved running around in that crazy dream world meeting the cast of characters you’ll see in the photos below.

I’m not saying Ephemerisle is better than Burning Man. There’s no way an event of a couple hundred people can in any way rival the scope and all the amazingness of the 50,000+ strong Burning Man festival. But I will say that I enjoyed Ephemerisle more. I loved Burning Man, but the desert is a harsh place. No doubt the sea can be unforgiving as well, but I was very happy to trade an over abundance of dust for an over abundance of water.

No way I would bring my beloved new Sony A7S and Voigtlander lens to get ruined by the intense barrage of fine dust on the Burning Man playa.

 Shot at 12,800 ISO

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Burning Man is incredible as it lights up the middle of the desert nowhere into an epic glorious city; being out in the middle of the water nowhere, lit up only by the most amazing glowy party you’ve ever seen, Ephemerisle too is a bright beacon of a testament to our evolutionary progress, while floating over the type of early ocean microbes of life that began it all. How far we’ve come, to create such a stunning atmosphere. A cool blend of excitement and serenity. Like Burning Man, being at Ephemerisle confronts you to face both our fragility and our promise that can only be truly seen in an intentional community that has left many of the comfortable constraints of modern society.

Stylistically people often compare Ephemerisle with Water World, and you can see where that’s coming from, only this wasn’t dystopian. Whatever was rough around the edges wasn’t post-apocalyptic, it was prototype. This is from the future, clearly. These are experiences our grandchildren will inherit when they are our age. But it’s a beautiful future. When the sun goes down, we light up even brighter. Humans evolved from a state of continual starvation in a struggle to survive among brutal nature, and now we master the harshest environments to throw parties of abundance like this for recreation. Humans have no shortage of serious problems, but it’s things like Ephemerisle that compel me to acknowledge our bright future of possibilities ahead.

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You might think I’m hyperbolizing a little much. And if I hadn’t been there, that’s totally what I would think while reading this. But there’s a reason for these reflections of anthropological grandeur. Ephemerisle is comprised of exactly the group of intellectuals, business leaders, and artists who are focused daily on the topic of our evolutionary potential as a species. These ARE the people consciously working to design a more beautiful future for all of us. What a treat it is to see one of their early prototypes. And I have to say, I’m in love with this particular prototype they call Ephemerisle.

I’ve got to thank everyone involved for coming together to create Ephemerisle. They made these photos. I just captured what I saw as well as I could. Their vision created this reality. Congratulations to all of their beautiful minds. These photos are my humble tribute.

Ok guys, get ready to watch the colors move…………

The full album and original post can be found on my blog here: http://hustlebear.com/2014/09/04/photos-ephemerisle-july-2014/

You can follow me on Instagram at http://instagram.com/juddweiss

I’m on Facebook at https://www.facebook.com/juddweiss

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Note: The widely acclaimed Canon 5D MIII could not have achieved many of these shots. For example: The below shot, while not the cleanest photo in history, was shot at 51,200 ISO (!!) at 1/125 second, handheld from a bobbing moving boat in the dark. It was challenging to stand, and hard to see clearly, let alone to take a clean photo. Try to get anything remotely usable in those conditions with another camera setup.

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Again, the below shot is not perfectly clean and crisp, but it was shot at 32,000 ISO from a moving bobbing boat.

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I love how the camera rendered the daytime shots as well.

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Jul 082014
 

The Sony A7r and project “Speak Soccer”

By Alex Kroke

Living in New York City my inspiration comes from all around, it was no different for Lisa and I with our project Speak Soccer. The premise of our idea began at the start of the Brazil World Cup 2014 while we were having lunch at an outdoor cafe talking about sports and fashion.

Lisa Capezzuoli is a creative graphic designer and art director of EVOL design, she wanted to create some artsy fashion , then we observed that the italian sports “Gazetta dello Sport” paper is pink, and it would be great to make it a dress . We then noticed how other International Newspapers were covering the event and the possibilities for design with the other countries.

Once we nailed down the idea of creating fashion around the way each country covers their national team in the press, the production process flowed easily. In the end we shot, nine models, from our friends circle, in “word” dresses constructed with newspapers from USA, Brazil, Germany, Italy, Spain, Netherlands, Uruguay, UK, and Argentina.

See more HERE.

The shoot was on a Sony A7r and the 55mm 1.8 tethered to a computer. 4 Elinchrom lights. Images below:

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Speak-Soccer_Germany

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Jun 162014
 

TwoPlaid

The New Jersey State Fair with film and digital

By Jim Fisher – His blog is HERE

For the past few years I’ve been visiting and photographing at the New Jersey State Fair, held each August in Sussex County. It ís a true rural affair, complete with 4H and FFA kids showing off the animals they’ve raised, lots of fried food, and carnival rides.

This year was the first that I came armed with a press pass, which made it possible to get some close access to livestock judging and the Queen of the Fair pageant. I concentrated on these events for this trip, skipping over the carnival side of things mainly because my feet were worn out by the time enough darkness fell to make the rides really visually striking.

Caption: Kodak Portra 800, Canon EOS ELAN 7NE, Sigma 50mm F1.4 EX DG HSM

Chicken

The Gear

I took a few cameras with me this year, a mix of film and digital. I was carrying the full-frame digital Canon EOS 6D along with Sigma 50mm F1.4 EX DG HSM and Sigma 120-300mm F2.8 EX DG IF HSM APO lenses, and a Canon EOS ELAN 7NE 35mm film body. The 120-300mm is a huge beast of a lens, but delivers a solid telephoto zoom range and is absurdly sharp. I also brought my trust Nikon F3 along with Nikkor 28mm f/2.8 AI-s and 50mm f/1.4 AI lenses, and a pair of compact digital cameras: The Ricoh GR and Sony Cyber-shot DSC-RX100 II.

Caption: A young girl answers questions about her chicken during judging. Ricoh GR.

Judge

Chickens and Sheep

My first stop was to the pavilion that houses the chickens, rabbits, and other small animals. Cages line the walls and center of the building, each a temporary home to the animal awaiting judgement. I stumbled in just in time to come across some of the judging of chickens.

Caption: Sheep judging. Kodak Portra 400, Canon EOS ELAN 7NE, Sigma 120-300mm F2.8 EX DG IF HSM APO.

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A middle-aged man called the 4H and FFA kids who had raised the birds up one by one, asking them questions about each, and taking down some notes that will determine the best in show. I moved outside and to one of the larger judging rings. There was a really bizarre sheep event going on. The sheep themselves were normal, but the handlers pair of humans ranging in age from teenagers through adults were all wearing matching plaid shirts. An older gentleman with a cowboy hat and a huge, huge belt buckle oversaw the judging and chose a winner.

Caption: Twin sheep handlers. Kodak Portra 400, Canon EOS ELAN 7NE, Sigma 120-300mm F2.8 EX DG IF HSM APO.

TwoPlaid

Queen of the Fair

Each year a Queen of the Fair is crowned: a local teenage girl who is paraded around the grounds in a tiara and serves as an honorary representative at various events throughout Sussex County over the next year. Iíd not yet seen the pageant that crowns the winner, but my wife (who was familiar with the event from her time as a reporter for the local paper) assured me that it was long and boring.

 Caption: Looking in at the Queen of the Fair pageant. Canon EOS 6D, Sigma 50mm F1.4 EX DG HSM.

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But I still wanted to attend, just for the sake of curiosity. To me, pageants are just weird. Parading women around, choosing one above all the others, and crowning them just seems like something that’s out of step with today’s society. On the other hand, the winner gets some money for college, so there’s that.

 Caption: Miss Lafayette (T). Canon EOS 6D, Sigma 120-300mm F2.8 EX DG IF HSM APO.

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I tried to shoot the pageant as darkly as possible, with grainy black and white film (Ilford HP5 400 pushed rated at ISO 800), and a grainy conversion to monochrome for any digital images. Basically, I was going for the antithesis of how typical coverage would be done, and when I saw that the pageant was being held in a dimly lit tent and that all the girls had armbands identifying them by letter (odd if you ask me), I knew that I wanted at least a few shots that isolated that visual.

 Caption: At the mic. Ilford HP5, Canon EOS ELAN 7NE, Sigma 120-300mm F2.8 EX DG IF HSM APO.

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I used the Sigma 120-300mm and 50mm prime, with a mix of film and digital. A monopod was employed to steady the telephoto lens; the 120-300mm is too heavy to use practically without one, and it helped me get a steady enough shot at the shutter speeds I was limited to at ISO 800 and f/2.8. I’m glad I had it, because my wife was not exaggerating about the length of the pageant. I shot the first portion, which involved each of the two dozen contestants walking slowly to the stage and giving a prepared speech, and I called it a night.

 Caption: The Queenís Carriage. Sony Cyber-shot DSC-RX100 II.

Carriage

And that was it for another year at the fair. I skipped the carnival portion this year and some of the other usual goings-on. But since it took me so long to put this post together, the 2014 fair isn’t too far off.

You can look at my 2011 and 2012 reports for images from those years. For more images from 2013, check out my Smugmug Gallery.

Jim Fisher is the Senior Digital Camera Analyst at PCMag.com. He also posts photos, an occasionally finds time to write, at his personal blog, daguerreotyping.com.

Jun 122014
 

View More: http://joshnewton.pass.us/aprilandmichael

A Wildfire Wedding – Story and Images by Josh Newton

See Josh’s website HERE and his blog HERE

Many of you have no doubt seen the very cool Wedding photo shot by Wedding Photographer Josh Newton. They have been aired on TV everywhere as well as gone viral online. If you have NOT seen them I would be surprised! It was an interesting day for Josh, and below he recounts the short but sweet story of how the day went for him, and his clients. One thing is for sure, he ended up getting some very memorable moments for the bride and groom. It is not every day you get married near a raging wildfire that is closing in your wedding celebration. Take a look at the images and story below, which is from Josh Newton’s blog and have been reposted with his permission. You can see many more of his photos at his website!

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April and Michael’s Wildfire Wedding in Bend, OR

By Josh Newton

With the news picking up the wildfire wedding photos, the last week has been a little more exciting than life usually is. On Saturday, April and Michael’s wedding day started off like any other wedding as the two of them anxiously prepared for the ceremony, while friends and family put the finishing touches in place.

View More: http://joshnewton.pass.us/aprilandmichael

View More: http://joshnewton.pass.us/aprilandmichael

View More: http://joshnewton.pass.us/aprilandmichael

 

Around 11am, a brush fire nearby turned into the Twin Bulls wildfire, but we had no idea that, later on, we were in for wildfire wedding photos.

View More: http://joshnewton.pass.us/aprilandmichael

But unlike other weddings, just as April and her dad were preparing to walk down the aisle, firefighters tending to the Two Bulls wildfire came up with sirens blaring and told them we’d need to evacuate. Seeing that the ceremony was underway, the firefighters changed their minds… as long as we promised to cut it short for the safety of everyone. April was able to walk down the aisle to Michael. After a whirlwind ceremony, the two were happily pronounced man and wife!

View More: http://joshnewton.pass.us/aprilandmichael

View More: http://joshnewton.pass.us/aprilandmichael

After the ceremony, while guests scrambled to relocate the reception to Drake Park in Bend, Oregon, I took Michael and April (who were just happy to be married) off to do some photos of the two of them. The results were more incredible than I could have imagined, and I’d never have guessed the quick photo I snapped with my iPhone (see below) would go viral.

View More: http://joshnewton.pass.us/aprilandmichael

We caught some incredible moments that afternoon, and I love the way April and Michael grinned at each other, just happy to be married.

View More: http://joshnewton.pass.us/aprilandmichael

View More: http://joshnewton.pass.us/aprilandmichael

The news, of course, is all about the wildfire wedding photos, but after 10 years of being a travel wedding photographer, I know the story is in April and Michael’s commitment to each other, and to their unflinching celebration of the life they have ahead.

View More: http://joshnewton.pass.us/aprilandmichael

 Congrats April and Michael!

See Josh’s website HERE and his blog HERE

Apr 252014
 

Leica buys Steve Huff Photo!?!?! Whaaaat?

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Hahahaha, got ya didn’t I? No, Leica has not bought this site even though a very few of you are leaving idiotic comments in my latest T review (see it here) implying that they did just because I loved the new T. I mean, really guys?

In any case, no..the site is not and has not been for sale and I will keep on and continue doing what I love to do here each and every day. That means that yes, more passionate reviews will be here over the years when something comes along that tugs at my heart and soul. Cameras that have done this in the past? Olympus E-M1 (where I was accused of being paid off by Olympus)..the Sony RX1 and RX1r (where I was accused of being in Sony’s back pocket)…the Leica M (where I was accused of just being a “fanboy”) or even the Nikon Df (where I was accused of now being a Nikon fanboy and paid by Nikon). Again, these are just comments from a very few, a teeny percentage of those who comment but it is absolutely ridiculous to even have one comment like this.

It is so funny to me that when I write a review with a lot of negatives or issues then people seem to get happy. Why is that? Are people just so negative and bitter that they love it when negative things are written? One reason I made the choice to NOT review cameras I do not like is because of this fact! See, I am ANTI negativity in life and ever since adopting this 5 years ago my life has changed for the better in every way, shape and form. A total transformation in my stress level (I have ZERO), happiness (I could not be more happier), and joy of life. It does not come from money (I am far far far from rich, live in a small cheap house in a not so great neighborhood) it comes from just being happy and knowing that we have one life to live here on this earth. Why ruin it by being bitter, nasty and negative all of the time? If you do not like something then so be it but to attack the messenger, that is nonsense.

Negativity come from jealousy, hate and an overall lack of happiness in life. It can be turned around if you really want it to.

To come to this site and leave idiotic comments such as “Leica must have paid Steve” or “Steve should change the name to stevehuffleica.com” or “Sony paid off Steve” or “Olympus owns Steve“..well, those are just comments that spawn from hatred, jealousy and people who are just not so happy in life…or people who own camera brand A when I praise camera brand B, something that fanboys do to attack me when I am not so nice to their chosen brand.

Many people in life (and I come across many of them) love to put others down because in some odd way it makes the feel better for a moment or two. They feel like they know it all, when they know absolutely NOTHING about what they are commenting about! I always laugh when people leave expert opinions on cameras they have never seen, touched or used. It really makes me laugh out loud sometimes. My written reviews are from experience using the cameras, and I use ALL cameras even though I do not write about all of them. So my opinions are based on actual use. Does not mean you have to agree with me, as we are all different in what we like, but what you read is always my honest opinion. Period.

To those saying I have always been paid off by Leica, let me fill you in on a history lesson because yes, you need to learn as you know nothing about my situation with Leica.

Back when I started version 1 of this website I started it by reviewing Leica gear. The Leica M8 to be exact. I started this very website (over at the now defunct stevehuffphotos.com, with an “s” at the end) 6 years ago only because I loved the M8 so much that I wanted to share my love for it with anyone who would be willing to read it. I did NOT want to start a review site at that time, I just wanted to write down my real thoughts from the heart on that camera that was getting some bad press from those who never even touched one (users, not reviewers). Again, the know it alls who knew nothing about the camera! I was taking the best photos of my life with that camera and those little M lenses and I thought it was an amazing thing, even if it had IR problems and high ISO noise after 640.

So yes it had issues, (which I wrote about in that review) but for its time, there was nothing quite like it in IQ or Usability/Feel. For me, it was a revelation and made me want to go out and use it every day, and I did just that. To me, that is #1 in a camera before ANYTHING else and is why I despise bug DSLR’s for daily use. Sure DSLRs have great quality and IQ but when they are so huge and heavy with a decent lens attached it makes me want to NOT use them! So I fell for the M8 hard because at the time, it was the only thing around that was high quality and inspired me.

After writing the M8 review on the old iWeb blog I started something very strange happened. After just a few days I started getting e-mails from those who found and read the review telling me how much they enjoyed it. Many said they went on to order the M8 for themselves. “Wow” I said to myself. That is so cool. I was able to convey my emotions and love for this “electronic memory maker” so much that a few readers bought one! It ranked up on the 1st page of google after a few days somehow and people were seeing it and some people were buying the M8 due to what I wrote.

Then more time goes by and each week is a repeat of the last with even more emails. I’d say each week I would get double the e-mail about that Leica M8 review. It was crazy. Then something really cool happened. I received an e-mail from the music artist Seal telling me he really enjoyed my review. Then he said “we should chat sometime about it”. Now here I was, living in Indiana in a VERY small town in a VERY inexpensive house with literally NO income (was taking a year off after selling a small Ice Cream shop) and all I did was share my thoughts on a Leica M8 camera and I was getting e-mail after e-mail thanking me and now and e-mail from a guy whose music I used to jam in my car and home. How cool is that? I ended up shooting his Chicago show a couple of months later and it was an amazing experience for me, as that was one of my goals in life..to shoot a concert like that with no restrictions. One of my images made his next tour program from that night.

As time went on Seal and I became great friends. He then introduced me to a Leica dealer named Ken Hansen who I immediately called to place a Leica order for the then new 28 Elmarit ASPH lens. I owned the M8 and then went for the 28 as my next lens to see how I would like it. Ken asked how I heard of him and I told him I was told all about him by Seal so he sent out the lens without getting payment up front. “Send me a check when you get it” he said. Wow. Amazing.

In any case I soon came up with an idea that would help benefit me and Ken but I had no idea if Ken would go for it as my site was so new with such little traffic. At the time there was no lens rental shop where I could rent Leica equipment so I asked Ken if I could rent lenses from him, review them and then send them back. I would pay him $50 or so for a week or two and in exchange he would get a link mention telling everyone that he supplied me with the lens. He was game for it and sent me a few lenses to try out. He told me he would send me used lenses if he had them and if he sent me a new lens he would sell it as used at a discount but he was up for seeing how it would go.

So I started reviewing Leica lenses on the M8 early on and each review got better and better and I really started to enjoy doing  them. No one online at the time was doing “real world” reviews. They were wall old school DP review tech style that were long and boring, to me anyway. None of them were done by anyone with real passion for photography. It was all about the money and business.  So I was indeed a bit different and was the very 1st real world review site that included all real world use photos, intense passion and even some personal posts that let everyone know just who I was and am. I even coined that real world term and because I reviewed in the style that I always wanted to see, and I was passionate at doing it it started to grow and grow. Much like the rock band KISS and how they started (now celebrating their 40th anniversary).

They started KISS because they wanted to be the band that they always wanted to see. At the time, most bands went up on stage in T-shirts and jeans and sang while standing still. KISS came out in makeup, outfits, and used fire and bombs while prancing around like maniacs. It worked because they brought excitement to the stage and with their passion and excitement at full force it brought the excitement level of the audience to the top. It was a great formula and one I used when creating this site.

I wanted to see a camera review site that I liked yet no one was doing it, so I decided after a few reviews to do just that and I dedicated myself to working on it every single day, and I did.

After the new reviews the site traffic was growing steadily and Ken Hansen decided I did not need to pay him a penny for the rentals. (as I was helping him by spreading the word about his services so he was getting a few orders). Ken has always been an amazing dealer and today I consider him the ONE guy that really made it possible for me to do this website, a true friend. Without his “rentals” early on this site would not exist today. Leica was no help at all back then and refused to even answer an email from me when I requested gear for review. That is, until traffic started to really grow and they started seeing the reviews and comments. Then they started to send me lenses by request and I no longer needs the Ken rentals ;)

As the new Noctilux came out, Leica sent me one to try for a few days. I always only had a few days, usually 2-4 days with a Leica product before they wanted it back. But I was just happy to get review samples. They then sent me a WATE for review.

As time went on Ken always helped me when he could and Seal helped me tremendously by inviting me on a couple of his tours and things just clicked. As I was on the Seal tour I met a ton of people who were fans of mine as well! It was so odd when walking in the airport one day with Seal and his band and someone ran up and said “are you…STEVE HUFF“! Lol. It was amusing to say the least. But that was not a regular occurrence. It happened sparingly but was still very cool to meet those who enjoyed my reviews and talk cameras for a bit.

So the more I shot with Leica the more I became attached to the cameras and lenses. I shot the entire Seal tours with a Leica M9, Noctilux and 35 cron. Many said I was nuts to trust it but I never had an issue that wasn’t fixable (until my noctilux fell apart during a show). I even managed to get an album cover using the M9 and Noctilux. So to me, Leica has always been my camera of choice due to MANY reasons, not just image quality. It has given me some of my best memories and usability also goes a long way with me. I remember  one night Seal handed me a Canon 1d MKIV or something like that and told me to try it out for a show. It was nice, it was HUGE, it was a beast and weighed as much as my Mini cooper. I did not like the experience of using it. I missed my M9 and manually focusing as it was a challenge. Snapping away with blazing AF and a zoom was NOT a challenge for me. It was boring and dull to me so I ditched that 1d and went back to the M9. Ahhh, heaven.

As time went on and the site grew and grew and more users were leaving comments, anytime I reviewed a Leica product I was called a “fanboy” by a few in the comments section. The Leica “haters” who hated Leica for one reason or another but probably because they could not afford it or because they see Leica as an “elite” brand who offer no value for the money, which is 100% not true BTW.  For the record, I was one who could never afford Leica but because I skimped on everything else in life I managed to get by with the M8, then M9 and a lens or two. I was not rich, not even close to it..not even well off but I knew that if I could own one thing it would be a Leica M. It gave me enjoyment in life.

As for the silly Leica hating commenters, for whatever reason they were always there, the minority of course, but they would come to my FREE site and bitch that I wrote nice things about a product that did amazing things for me. Made no sense. Over time I learned to laugh at these individuals as they were clearly so bitter in life that they felt better by attacking me. I would just reply with “I am a Leica fanboy 100%! I love their cameras as to me there is nothing like them and if that makes me a fanboy then so be it”!

As time went on I continued to review Leica and other camera brands that ticked my buttons. As Micro 4/3 was taking off with the E-P1 and GX7 one time Leica told me via email “stop reviewing that Micro 4/3 so much and write more about Leica”. This is from someone who is no longer with the Leica company but I responded with a chuckle like “yea, right”. I thought that was odd. But the more I wrote about other cameras the more I was ignored by Leica. Did not really matter to me at all but I thought it was a bit rude. I always had Ken to get my back if I need a product for review so all was good with me. Time marched on, Leica announced the X2 and Monochrom. I was invited to Berlin, surprisingly, to see the launch of the New revolutionary MM. I flew from AZ to Berlin (courtesy of Leica which surprised me) to witness the launch and I thought I would be able to test the camera so I could write a 1st look report and inform all of the readers here about the capabilities of the MM!

That was not the case.

When I arrived I saw familiar faces like Thorsten Overgaard, Eric Kim, Jono Slack, Sean Reid and many others who were also flown in for the event (though I think Thorsten drove). We all had dinner, had fun and attended the big shindig that night. What I saw was mostly over the top people with bow ties and suites, and from what I gathered, very rich people who were also acting the part. Nothing at all like me or my personality. I said to myself “So is this the real Leica? Not many here are anything like me..maybe they do want these cameras for the red dot and the prestige”. It was clear many there did only want that but there were also a handful there who were just like me, passionate about their cameras and photography. All was not lost.

I walked the room and was stopped every few feet by someone who recognized me from my reviews. I chatted with those people and had a great time. Then the camera was launched and then it was over. What? I do not even get to touch an MM? I flew across the USA to Berlin for a 3 hour event without even getting to touch a Leica MM? I was surprised by this for a few reasons but one of them was because a few of the guys I know who also write reviews.who were here..well, they all had an MM (besides me and Thorsten) in hand, with them. But when I asked my contacts at Leica they gave me a quick “let me see what I can do” and then ignored me and dodged me most of the night. Even my then buddy Seal called one of the top Leica guys and said “you really should get a camera into Steve’s hands so he can review it. It would be beneficial”. But no luck. I did not expect to take home an MM for review, just to hold one, fire off a few shots. I mean, they had them there but for some reason was not allowing me to see one. So why fly me there? Just thought it was odd.

At the end of the night I went to my room and wrote a report on the event and mentioned there were no cameras to be found for me to try. Maybe they were not happy that I was covering the launch with my Olympus E-M5 :)

The next morning it was magically arranged for me to test an MM camera. It was presented to me in one way but the reality of it was that it was set up by Leica through a third party to allow me ONE HOUR of use of the camera, with a chaperone. :)

That was good enough for me as I spent that hour walking the street of rainy berlin and was able to report on the camera so all of the readers here could see some info and my input on it. It was perfect and worked out great.

I was told I would get a review sample soon. But that was drug out and I was one of the last to get one for review. It was fine with me though as I did not care, I just wanted to review it. Besides, Ken Hansen would have helped me out if Leica didn’t so it did not mater to me. In fact, I preferred to go through Ken at this point and did purchase one from him.

Fast forward to the M. By now Leica was not sending me review samples anymore. In fact, my one contact there was gone and no one wold reply to my emails. I remember even Thorsten Overgaard trying to figure out what was happening and he called Dr. Kauffman on my behalf to tell him that they should really set me up with a contact in the USA for review samples. Still, no go though I was invited (but not flown out) for the M launch after Thorstens phone call. But I could not make it as it was the same time as my Photo Cruise! No M 240 review sample for me…

…So Ken hooked me up with the M 240 as I was put on his pre-order list as soon as I knew it was in the works. In other words, I was at the top of his pre-order list because I put myself there before anyone. I may have been 2nd or 3rd but I was able to by one from Ken. So I did a huge review of the M 240 (here) praising it as the best thing ever, and to me it was and still is (I still own it)! I love this camera. During that review there was so much hatred from Leica bashers and I was called the same things by those same few people and a few new ones who could not fathom the value of an M…”fanboy”, “Leica paid off Steve”, etc. Little did they know that Leica was not even communicating with me at this time and they did not even send me a review unit yet I was hearing things like “Steve gets free cameras from Leica, that is why he is positive to them“. But I let it bounce off of me as always and did not care as I still loved the Leica M 240 and knew it was the camera for me and I would never change my stance when it is all based on honesty, as all of my reviews are. If there was any bitterness between me and Leica that did not mean I would hate their camera, not at all. If it is good it is good. Expensive yes, but for me worth it.

Then came the X-Vario where I tore it apart and exposed the weaknesses and praised the positives. I was hard on it because it has a few issues that bothered me in real world use, though IQ was not one of them. After that review I had emails from some saying that I pissed off Leica! How could I piss them off if I was just being honest? Being honest about a camera is how it should be so the companies can FIX the issues in a later version or with firmware. Same thing I did with Fuji. I was hard on them because they had issues, real issues that other cameras did not have, at least in my eyes. They fixed just about all of those now in the X-T1. That is how companies get feedback. But a few of these camera companies are something else. Write bad things and they ignore you (as Fuji does with me to this day) but write positive things and they love you. Them moral of the Story is that I am always honest in what I write, it comes from the heart. Any excitement you see or read is legitimate and is how I truly feel. I could care less if that means a camera company stops sending me review samples because today I can just buy or rent them if I want to review them.

Paid off by anyone I am not.

So with the X-Vario I predicted a sales flop and it was/is. I predicted the X2 would not even come close to the X1 sales, it did not. I predicted the X1 would sell in droves..it did. I predicted the M9 and M 240 would do very well, they did and are. So my track record is good when predicting Leica sales.

With the new T I predict a winner for Leica. They WILL sell a ton of these just as they did the original X1. I say that not because I am paid off by Leica, but because I truly feel that after using the new camera for just a a week. It is a good product and as I said in my review, to those who like to own nice things, including a camera, then the T will be appealing to them. There is nothing wrong with the T, it is a highly capable camera and produces beautiful files from the camera. I could also care less if the sensor is older..even if it was 10 years old I would not care as long as it performed, and it does. Plain and simple. Is it the perfect dream camera? NO! Not even close but it is the 1s Leica to break ground and be original, and yes, it is original in its build, feel, in use and quality.

When I made the Sony RX1 my camera of the year for 2102 I was labeled a Sony fanboy .When I made the Olympus E-M1 the camera of the year  for 2013 over the Leica M, I was labeled an Olympus fanboy and many wondered why I did not make the M 240 my pick. When I tore apart the Fuji X-Pro 1, I was labeled a Fuji hater who only loved Leica and Sony. When I praised the Nikon Df I was instantly a “Nikon fanboy” which made me laugh out loud. I mean, to those saying these things..are you really that miserable in life that you have to sit around on web sites like mine just to make bitter and mean comments that have zero truth to them? Does it really make you feel better about yourself? If so, then you may need help. :)

I mean, ridiculous statements and comments that are not only rude but disrespectful to me..the one who works day in and day out to provide FREE information while getting very little back in the way of monetary compensation. I do this as it is my a passion of mine. Something I love to do. I live a simple life in a small cheap house, a small car and not much in life besides my cameras and HiFi because I love it. I would not have it any other way as it is a part of me. If you do not like what I say then there is an easy solution! DO NOT READ what I write! Go on, I dare you! The funniest thing is that those who complain always come back for more. They can not get away from the site and read all reviews I write. I guess that is why this site now enjoys the success that it does. The haters are even regulars :)

No matter what company makes a camera..if it is good and gets me excited to shoot it then I am in and will state my honest feelings about it.

As for me and Leica, well yes they did supply me with the T for review but in all reality, they had no choice. Look at the review. It has now had over 150,000 views and well over 400 comments in about 28 hours. That is a HUGE amount of exposure for them and the new camera. If it was a bad camera I would have said so. It is what it is! I am happy to work with any and all camera companies to test and do real world reviews of their products but beware, I will be honest. Like I said, it is a passion of mine and I will never go through the motions and rush a review. When I really like something, wether that is from Leica, Sony, Olympus, Nikon, etc then you will indeed know it.

So there you go. To all of you who have been coming here over the years I thank you all for your support, friendship, kindness and help in keeping this baby of mine going. To those who come here to bitch and moan, I do not feel you should come here but I appreciate you as well as yo do indeed add to my hit count at the end of the day! To those who will be offended at what I said here then I am guessing you will leave a nasty comment (never fails) in reply yet again. Well, it will be deleted if you do or not approved. Not dealing with it and it has no place here (one guy who felt offended and said I aimed my post at him dared me to approve his comment..seriously?). Don’t like it, move on back over to the other sites that welcome such nonsense and hate.

I hope you all have a great weekend and see you back here on Monday! BUT there is more to come today so check back later :) I will be out this weekend with the Mitakon 50 0.95 for E mount with the A7 and new A6000 (which is pretty sweet BTW).

1st test shot with the A6000 and Mitakon 50 0.95 at 0.95! This lens will focus as close as .5 meters. 

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Jan 032014
 
Three weeks, four weddings and one dementia sufferer, with the help of the new Nikon Df       
By Mark Seymour
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As a wedding photographer who primarily specialises in Jewish weddings, using a predominately reportage and journalistic style, I use the Nikon flagship camera the D4, with a selection of prime lenses.

But recently I was provided with the Nikon Df and it was great privilege to have the opportunity of trialling this beautiful retro styled camera from Nikon, in real life situations, where the pressure was on for me to deliver.

I initially played with the camera for a week adding some poignant black and white images to my personal project covering my fathers’ decline due to dementia. Once I felt confident with the controls and features I was excited to try out the Df for capturing my professional wedding images. I must admit I did revert to my D4 at the point where the high tempo dancing takes place at both Jewish and Greek weddings had begun because I wanted to feel totally comfortable, as you have less time to think and I needed the higher focus speed of the D4. That’s not to say the Df is a slouch, with the focus system borrowed from the D610.

Overall Impression

It’s a beauty, with overtones harking back to the classic days of film and the great Nikon cameras like the F3 and the Fm3. Nikon have done to this camera what we have seen happen to the beloved design of the mini, in taking the look of a camera with nostalgic memories and installing it with their flagship digital camera’s sensor, to enable photographers to have the best picture making experience.

This is Nikon’s lightest full frame camera at just 710g with beautiful retro dials on the top plate and a 16Mp sensor inside, but also includes a small LCD that gives battery info, shutter speed, aperture selected and number of frames left along with a great LCD and shutter lag to a professional standard. The shutter is also the quietest, which is often a bug bear with the D4 during wedding ceremonies.

ISO is sometimes difficult to know on the dial without confirming what it is in the viewfinder, especially in low light.

Image Quality and Buffer

I’m blown away by the qualities of this sensor, the dynamic range is superb and you can shoot anywhere up to 204,ooo ISO with the buffer not to the standards of the D4 so if you are a photographer who shoots in high bursts, at times you will hit the buffer limit

Below is a selection of images taken with the Retro Nikon Df in real life situations as well as a link to my website.

http://markseymourphotography.co.uk

 Nikon Df , 10,000 ISO, f1.8, 800 sec

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Nikon Df, 10000 ISO, F4, 80 Sec

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Nikon Df, ISO 6400, 200 sec , F4

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Nikon Df, ISO 6400, 200 sec , F4

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Nikon Df, ISO 4000, 500sec , F2.8

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Nikon Df, ISO 4000, 100 sec , F4

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Nikon Df, ISO 4000, 125 sec , F4.5

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Nikon Df, ISO 2000, 400 sec , F1.4 85 mm lens

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Nikon Df, ISO 3200, 200 sec , F4. 85mm Lens

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Nikon Df, 3200 ISO, F3.2, 500 Sec

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Nikon Df, 2500 ISO, F5, 25 Sec

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Nikon Df, 4000 ISO, F3.5, 60 Sec

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Nikon Df, 5000 ISO, F4, 60 Sec

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Nikon Df, 5000 ISO, F4, 125 Sec

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Nikon Df, 1600 ISO, F2.8, 200 Sec 35mm 1.4

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Nikon Df, 1600 ISO, F1.8, 200 Sec. Nikon 50mm 1.4

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Nikon Df, 1600 ISO, F2.5, 320 Sec.. 50mm f1.4

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Nikon Df, 1000 ISO, F2, 100 Sec. Nikkon 85 mm 1.4

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Dec 172013
 

The Valley of Fire Workshop! February 21st-24th 2014

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We are now SOLD OUT and this is with extending the group to 14! That means I sleep on the couch! 

OK! With all of these new cameras released and now in the hands of all of YOU what better than to join me on a cool weekend workshop in a gorgeous area of the country where we will hike, shoot, chat, learn, eat and stay in super deluxe accommodations. YES, I am excited about this one and can not wait to go back out and shoot with some of you as it is always a great time.

Along with myself we will have Jay Bartlett doing instruction as well as being our guide. Jay joined me on one of my LA Workshops and gave instruction on shooting models to everyone in attendance, and it was great. Todd Hatakeyama will join in as well (the Cruisemaster from the 1st ever Steve Huff Photo cruise) for the fun and adventure and to set up the details to make sure it all runs smoothly.

There will be a lot of hiking, photography, arches, caves, and amazing colors. We’ll see as much of the park as we can in 2-3 days. Possible locations include: Elephant Rock, White Domes, Arch Rock, Fire Wave, Crazy Hill, Pretzel Arch, El Portal Arch, Piano Rock, and more.

There will be a fair amount of hiking, so be prepared for at least 8 miles each day through trails and some semi-rough terrain. Don’t worry too much if you’re not in the best shape. We’ll break into groups according to hiking ability. We will provide 2-way radios, bottled water, snacks and a suggested list of gear. For all of you who have seen images from these locations online for years and years and have always wanted to BE THERE..well, now is your chance, and of course, we will be doing it all in style.

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Tentative Schedule (to be finalized in the next two weeks) and some details:

As always with my workshops, we make sure we have a “TON O FUN” and this one will be no exception :)

This time we will be staying in a mansion with plenty of space to roam :) 

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- 10 bedroom mansion – 12 guests max (once we sell 12, that is it)!

- single rooms are limited

- we’ll have a caravan of 3 suv’s or vans 

What’s included:

- 3 nights at the mansion

- light breakfast and picnic lunches are included on Sat and Sun

- guided tour of the Valley of fire for 2 full days

- bottled water, snacks

- possibly pickup and drop off from airport (if our schedule permits)

all other meals are not included

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Friday – arrive late afternoon – meet at the house, we may be able to pick people up from the airport (would fly into Las Vegas airport)

(those coming from Southern California can meet up to carpool Friday morning)

Friday evening – Dinner

Saturday and Sunday, shooting from early morning until sunset. Light breakfast snacks and picnic lunch.

Sunday night – people can fly out after 8pm, or stay the night and leave Monday morning

(for Southern California people, we’ll head out mid morning)

How much does it cost and how do I get in? (we are 100% SOLD OUT)

if you want to join the fun and come away with some amazing photographs, some new skills and some new friends and great memories then make sure to get in quick before this sells out. History shows that every single workshop I have done has sold out and usually we have more wanting in AFTER they sell out. I do not do too many of these and this time I am teaming jump with Jay and Todd to make sure this one is run smoothly and provides all of the cool stuff you would expect.

If you want in, the cost for a single private room with everything above included is $1000 for the three-day event. If you do not mind to share a room with someone the cost is $700, but private rooms usually go fast so if you are interested, and want a private room, email me quick! 

Payment will be done via paypal or if you do not use paypal we can do other payment methods. Paypal is preferred.

If you want in, e-mail me HERE and I will instruct you on how to pay. Once you are paid up you are locked in and all set! This will be a great time and I am looking forward to it. I may be able to even bring some goodies along for all to try (which I will confirm here when I know for sure).

Hoping to meet and see some of you there in February!

 

Nov 252013
 

Prints for the Philippines

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Hey hey! It is Monday and I figured I would start the day with a good cause that can help so many in need. Neil Buchan-Grant, who has contributed to  this site on many occasions has started up a website called “Prints for the Philippines”  in where photographers can offer their prints for sale with 100% of the proceeds going to help the victims of the typhoon. Here is what the site says

“A collaboration of concerned photographers selling photographic prints to help the Typhoon stricken people of the Philippines. All sales go to the DEC Typhoon Appeal. New photographers being added daily. To see the current photographers, their unique offers and our team’s progress, click on “contributors” below”

So go check it out HERE and see if there is any way you could help out! They need people who want to buy prints or submit work to sell to raise money!

Thanks, and more to come today so check back!

 

Nov 132013
 

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Burning Man Portrait Report

by Jordan Blackman – His website is HERE

I was riding shotgun in a pickup truck for twelve hours, biting my nails as we lumbered across the American West. Between the bed of the truck and the U-Haul trailer hitched up to it, there was easily a two bedroom apartment’s worth of stuff with us. But we weren’t headed to an apartment. We were going deep into the dust of Nevada’s Black Rock Desert.

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Now, you’ve probably heard about Burning Man, and maybe you’ve even been. But I never had, and I was anxious about going. I’d heard stories about dangerous dust storms, outrageous orgies, deviant witchcraft and more. Obviously, I’d need to bring a camera and the biggest memory card I could get my hands on.

Unfortunately, my OM-D EM5 had just been stolen. I had shot with that little Olympus for over a year, and paired with the Panny 20mm it really knocked my socks off. I love that camera. But still, I decided I’d try something different. After an obscene amount of internet “research” I picked up a Sony NEX-6. I liked the video quality and price, and I felt that it would be fun and educational to work a new sensor size. Burning Man was going to be my first chance to really use the Sony and I really wasn’t sure what to expect… from the event or from the camera.

Now, one of the big differences between the two cameras is the weather sealing. OMD has it, NEX doesn’t. Burning Man is famously dusty, and so I rigged a plastic bag to keep out those tiny sensor demons. It worked really well, especially with the EFV exposed, as you can see from the pic. The downside was that I was committed to a single lens for the entire week. I chose the Sony SEL35f18.

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Upon arrival at Black Rock City, the name of the temporary town erected in the desert each year for Burning man, I was completely overwhelmed. The expanse of light and art, the creativity on display, the diversity of color and costume… it was more than I could take in. Burning Man defeats one’s power’s of perception, let alone observation. I quickly decided to focus on portraiture for the following reasons:

1. It would keep me focused, preventing overwhelm.

2. It seemed a reasonable task for the 50mm equivalent lens I had.

3. Portraits could be gifts, and gifts are an important part of Burning Man culture.

4. Everyone else would be shooting the giant art installations anyway, and who needs another picture of the man burning?

And so, every day I walked across the dust and invited strangers to have their portraits taken. Here are some of those photos. Below the pictures, I’ll share some thoughts about the NEX-6, some 2000 captures later.

So, what did I think about the NEX-6 compared to the OM-D? They are both great cameras, and I recommend them both. With the NEX-6, when you nail the shot, you get an amazing RAW file, better than the OMD’s. But, it’s harder to nail the shot and then it takes more adjustments to get the image you want from the RAW. With the OMD I had more keepers and less work to do in Lightroom. I think the keepers come from the stabilization and the better focus system. The NEX-6 forces me to slow down and think more both during exposure and development phases. I consider this a good thing for my growth as a photographer. And when you take the time you get some remarkable results.

If you shoot video, the NEX-6 can produce absolutely stunning footage, albeit without the OMD’s excellent stabilization. I consider 60fps a must for video since the conformed footage looks so great at 24fps. If the community is interested I am happy to write up a long comparison with the pros of each as there is much more to be said on this. The short version is, I’m planning to stick shooting with the NEX-6 until a camera arrives with 5-axis stabilization and the video features I want.

As for Burning Man, I’m no longer nervous. I’ll be heading back whenever I have the chance. My overwhelmed feeling has turned to gratefulness. My anxiety into anticipation. I hope to continue my portrait project for many years to come.

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Oct 242013
 

Some images from Photo Plus in NYC today. Sony, Zeiss, Leica…

What a day! Whew…

Yesterday I flew out of Sunny AZ at 6am headed to NYC for the Photo Plus show going on this week. When I arrived in NY I did a big “UH OH” because I realized I only brought a light jacket with me, and here I was in NYC in 48 degree weather! The good thing is that it was not THAT cold so I survived a short walk to dinner with some friends and had a great evening. As always, I had a camera with me so for the chilly walk back I snapped a shot or two..

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This morning I woke up later than I expected, around 8:30AM. Had a business phone call at 9 through 9:30 and by the time I headed out to the show it was 10:30.

On my way I had to take a picture of myself in front of B&H Photo, the “Candy Land” for photo and tech geeks!

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I only had a 15 minute walk to the convention center from my hotel, and was cool that B&H is one block from my hotel. Makes it too easy to spend money though!

As I walked I snapped a few shots with a fisheye that I have been playing around with…

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When I arrived to Photo Plus I saw a few familiar faces and made my way to pick up my press pass.

I ended up walking around and it seemed every few steps someone who knew me would walk up to me to chat! Was so cool to meet so many readers of this site today, all were super nice and wonderful people.

I eventually found my way to the most crowded section of the show (from what I saw) and it was the Sony Booth. They had the A7 and A7r on display, as well as the new RX10 (which is  looking better and better to me the more I mess with it). I even had a chance to borrow a Zeiss 50 1.5 Sonnar from a woman who was testing some old lenses on the A7. She was kind enough to let me take a shot or two with her lens mounted on the A7.

I snapped a shot of a guy who was chatting with me (a reader here) at 1.5, wide open. Sony would NOT let me put an SD card in the camera (they are saying the camera is still not FINAL in FW, so pre-production) but when I saw the playback it had the full on Zeiss character and was beautiful. I am telling you this..the camera was a breeze to manually focus with this Zeiss ZM lens. No focus shift because you are using Live View, so what you see is what you get.

The OOF transitions were creamy, the color was nice for being indoors with horrible light and I can tell that this camera is going to deliver on IQ, no doubt in my mind at all. After more hands on time with the A7 and A7r I can tell you that yes, the A7r does have metal dials on top where the A7 has plastic. They both feel great and I noticed no difference in feel or build when in my hand. I have a feeling that the a7r is going to be the Godzilla of resolution. A beast.

Shot with the 50 Zeiss Zm Sonnar at 1.5

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So after messing around and chatting with a few folks a woman walks up from Zeiss to show me the new Otus lens. This lens is a statement piece from Zeiss and coming in at $4000. The 55 1.4 design is gorgeous but man, this lens is HUGE (though light).

She wanted me to try it on the A7r and I used the Metabones Adapter to do so. When I looked at the results on the screen..WOWOWOWOWOW. This lens is something the perfectionist will want. Those who want ultimate IQ..this lens will do the trick and seeing that it is a pro manual focus lens (NO AF), it feels REALLY good in use. It is just large.

I HEARD MUMBLINGS…Sony was telling Zeiss..MAKE THIS FOR FE MOUNT! So we shall see. Below is the lens with hood attached and Metabones EF to E mount adapter. I may get to shoot with this lens on the A7r NEXT WEEK and this time, with an SD card in the camera :)

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So as I left Sony I headed toward Nikon, Canon, Fuji and Panasonic. Not much new there. Saw the GX7 but I already reviewed it here. I saw the All weather Nikon 1 which was larger and much more solid than I expected and I saw a few other things around the convention center that were more interesting than what Nikon was offering..

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I stopped by the Olympus booth and they were busy with everyone checking out the E-M1 and even E-P5. I saw quite a few walking around today with OM-D E-M5’s and E-P5’s. The woman above was doing an act for Olympus demoing their wifi smartphone/ipad remote feature. Before I shot this I cracked a joke which was probably not good because she could have lost her concentration :) But she didn’t. Behind here you can see every Olympus Micro 4/3 and 4/3 lens ever made.

The Leica booth had a few gawkers but they were not showing anything new besides their “Glossy Black” D-Lux 6. Yet another refresh of the same old D-Lux 6 which appeared to be slapped together just for the show..I mean, they had to have SOMETHING new right?

They did have this on display…

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I stopped by Fuji as well and took a look at the new X-E2. Looks and feels like an X-E1. Same build. AF seemed faster but not a dramatic difference. The new 23 1.4 was fantastic though.  This is a lens I would buy if I owned a Fuji. Smaller than you think as well.

So after the show I walked back to my room, stopped off at B&H Photo once again and am now laying in my hotel bed writing this update. What I learned today from Photo Plus is that there is MASS interest in the Sony A7 and A7r as well as  the new RX10. Olympus is hot with the E-M1 and Nikon and Canon are still Nikon and Canon with their usual DSLR updates. (yawwwn)

Leica is holding steady with M sales doing very well for them and Panasonic had quite the crowd as well.

So without a doubt, the biggest thing here this year is the Sony A7 and A7r. Sales are STRONG, results are looking AMAZING and the camera is well made, solid and has very fast AF. When something this good comes along, it gets noticed and the people I spoke with today who were giving it a spin all said the same thing..”I pre ordered one already”. They were all happy with the fact that they did.

Remember, starting on the 28th I will have loads of samples and news and videos on the new A7 and A7r and RX10, so bookmark and come back because you will NOT want to miss it.

For those wondering, all photos posted here were shot with an Olympus E-P5.

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I will beheading back to the show tomorrow morning to throw a Voigtlander 12mm on the Sony A7 and A7r and to see what I see on the LCD. Of course, what I see you will see here right after :)

 

Oct 212013
 

Congrats to Neil Buchan-Grant for winning the AOP “Best in Show”

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A while ago Neil posted an article about his love for Micro 4/3 and the OM-D camera. He posted a photo (above) that got quite the response and as soon as I saw it I knew it was special. Neil showed that yes, the little OM-D E-M5 could indeed take photos that not only excelled in quality but were able to be pushed and used by someone who really knew how to work a camera. His photo has now officially won the Best in Show AOP open award for 2013!

So let us give a big Congrats to Neil!

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Over the years I have defended Micro 4/3 (ever since the GF1 and E-P1) while many bashed it and predicted its doom because it had a smaller sensor than APS-C or Full Frame. Today less and less are trash talking Micro 4/3 and I even know of quite a few who dumped their slower APS-C cameras for an E-M5 and they never looked back. With the E-M1 it goes up another notch and I will state right here and now that Micro 4/3 is going nowhere anytime soon because it offers the perfect mix of IQ, performance, speed, build, and lenses. The lens Neil used for this image was the Panasonic/Leica 25 1.4. One of the best overall lenses for this system.

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In any case, Neil has shown what this system can do in capable hands. Make sure you see his latest post here as well as his own blog.  I also want to thank him for his continuing contributions here where he shares his love and passion for photography with all of us here.

Thanks Neil!

Sep 262013
 

Head hunting on the Bonneville Salt Flats with the Sony RX100

By Terry Bell

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Hi Steve;

Hoping life is being kind to you. Your site has become my go to photo blog each morning.

A couple of weeks ago, I had the great joy of accompanying a dear friend to the Bonneville Salt Flats in Utah, where,he would attempt to gain membership in the 200 mph club, aboard his BMW motorcycle.

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I decided to take two cameras with me on this adventure… My Fujifilm X Pro1 with 18-55 zoom and 14 mm wide-angle, and as back up , my Sony RX100.

After watching the first few timed runs, ( from a considerable distance ) it became clear that i was not going to come close to capturing the speed and excitement that some of these motorcycles generate, with the equipment I had.

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I decided that rather than focus on the motion, I would instead, turn my attention to the community of racers and staff that show up each year to make this event so special.

My go to camera for this project was my Sony RX100. It’s big advantage beyond it’s ability to render incredibly crisp images, is that it is, by and large, totally un-intimidating. I always like to work close when shooting people and I have found that the more serious the equipment, the greater the anxiety of the subject.

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Here on the Salt Flats, I was shooting total strangers and rarely was afforded more than two or three trips of the shutter. The little Sony performed flawlessly and took any hint of seriousness off my picture-taking.

As you can see by a couple of other pics, it did an equally fine job at capturing the beauty of the some of the machines, as well.

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Hope this proves of interest.

Terry Bell

Halifax, Nova Scotia

Canada

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Sep 232013
 

Birth Story with Leica M-9

Making memories with the Leica M. A Birth Story

by Ivan Makarov – His Website is HERE

Having gone through the birth experience with my other three children, I knew I was about to face another memorable day at the end of August.  I knew I’d remember the birth of my son, Yuri, for the rest of my life. These memories always stay vivid in my mind, but I love refreshing them by going back to my photo archive and looking through the pictures.

Being a new Leica user (I bought the Leica M (Typ 240) only weeks ago), I was facing a dilemma as our baby’s due date was fast approaching. Do I pack the trusted Nikon D800 that I can operate with ease? Or do I bring the Leica with me?

Two things scared me about the Leica - (1) the lack of auto focus, which comes in handy in those precious seconds when the baby is born and I can’t think straight, and (2) the metering system which is not as predictable as on the D800.

In the end, I decided to take the Leica. First, I love how it handles high contrast scenes, and there is plenty of contrast in the delivery and surgery rooms when bright lights are on. Second, I didn’t want to carry a bulky SLR with me, which would probably have a huge lens attached to it. Third, I didn’t want to create too much noise with the shutter clicks. The delivery was a c-section, and it’s a super quiet scene that I did not want to interrupt with my shooting. The last thing I wanted was the surgeons to become distracted by my photography while my wife’s and the baby’s lives were in their hands.

Birth Story with Leica M-1

I only own one lens for the Leica – 50mm f/1.4 Summilux ASPH, and I borrowed 35 f/1.4 Summilux ASPH from my co-worker, Sam, for our hospital stay. For the actual birth, I only used the 50mm lens as I knew I wouldn’t want to be changing lenses and missing shots. I’m more of a “details” and “expressions” kind of shooter so the 50mm fits my style better right now. That was another reason to use the Leica – I knew I’d be shooting at f/1.4 and none of my Nikon lenses can match the Leica in sharpness and contrast at that aperture.

Birth Story with Leica M-2

Birth Story with Leica M-3

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When those crucial 15 minutes came (the duration of a c-section), the focusing didn’t prove to be an issue at all. I’m getting better and better at using a rangefinder, and I find it even faster than auto-focusing, because there is no dreaded focus hunting. The metering worked fine too, and the Leica M had no issues handling changing light. I was very pleased with the whole Leica experience and how it captured this big day for me and my family.

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Birth Story with Leica M-7

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Something else that was an added bonus – no one gave a second look about my use of the camera inside the room, unlike my other kids’ births while using the SLR. The shutter was quiet enough and none of the doctors or nurses noticed me firing one frame after another.

The only downside to having a Leica in the room was that right after the doctors finished “getting the baby out”, and handed him over to me to hold, one of them offered to take a few pictures with me and the baby. I didn’t know how to say no, and, of course, all of the shots were out of focus!

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Regards, Ivan S. Makarov
Sep 182013
 

New Olympus E-M1 video from the Launch event!

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Hey guys! Just saw this video on YouTube from Olympus on the new OM-D E-M1 and it’s pretty cool if I do say so myself :)

This is the event I attended with a few other bloggers and photographers where we witnessed 1st hand the launch of the new OM-D E-M1. I even give my quick impressions in this video while shooting with the E-M1 at night, see if you can spot me (not too hard with my bald head)  :)

The E-M1 is proving to be pretty popular and is pre-selling VERY well. I can not wait for release and I will have more from the camera, much more, in the next two weeks because I will be headed to Dublin, Ireland and Castle Leslie for 2-3 days to attend another event where I will be able to use the camera. Can’t wait and of course I will report here with info as soon as I get images, details, and some real use with the camera. As always, I will let you guys know the real deal.

The OM-D E-M1 is Olympus’s flagship that is the top of the heap in Micro 4/3 as well as a replacement for the normal 4/3 E-5. Micro 4/3 has come a long way and continues to impress.

You can pre-order at B&H Photo, Amazon or PopFlash.com

Sep 122013
 

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Amazing photos with the new Olympus OM-D E-M1! By Edmond Terakopian

A reader, Edmond Terakopian was at an Olympus Event where he was able to REALLY use the camera. He shot photo and video and WOW, the results are spectacular! Check out his video shot with the E-M1 below followed by his photos shot with the camera. These are some gorgeous looking images that not only shows what the new E-M1 can do, but also what Edmond can do! Thanks Edmond!

BTW, I was invited by Olympus to attend a 3 day event at Castle Leslie in Ireland, where Edmond shot these images. Seems they are really going out in a big way to show what this guy can do! My event time is near the end of the month. Looks gorgeous!

You can see all of Edmonds E-M1 photos at his Flickr HERE

His blog is HERE

His site is HERE

Olympus OM-D EM-1 Test Video from Edmond Terakopian on Vimeo.
 

Photos shot with the E-M1 by Edmond – More on his FLICKR page

Portrait of a model and lake. Olympus OM-D EM-1 Test Shot using the new Olympus 12mm-40mm f2.8 lens.  Castle Leslie, Glaslough, Ireland. September 10, 2013. Photo: ©Edmond Terakopian    *jpeg image processed in Aperture*

Olympus OM-D EM-1 Test Shot

Olympus OM-D EM-1 Test Shot

Olympus OM-D EM-1 Test Shot

Olympus OM-D EM-1 Test Shot

Olympus OM-D EM-1 Test Shot

All images copyright Edmond Terakopian

Of course you can nab the E-M1 (ships in about 3 – 3 1/2 weeks) at Amazon, B&H Photo or PopFlash.com

© 2009-2014 STEVE HUFF PHOTOS All Rights Reserved
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