May 202014

Art of the Grind

By Huss Hardan

Grind: Definition: A skateboard trick where the skateboarder slides on the trucks.

Skateboarding is part of the scene in my home town of Venice, California. Most days when I’m not at work I’m down at the beach on a long board, with my dogs and a camera in tow.
There is a big skate park just off the board walk, which attracts dare devils as well as on lookers.

I took these shots using Leitz 18 and 28mm lenses on a Leica M-E. I found the manual focus rangefinder perfect for this work, as I would pre-focus on a spot, while the optical viewfinder allowed me to keep both eyes open so I could time the release as the rider came into view. This enabled a lag free experience.

I concentrated on the shadows created as I was going for a different look than the usual action shots. This also allowed me to shoot down removing distractions from the frame. I set the camera to add an extra 1 2/3 stops as the extremely harsh reflections from the concrete bowl would normally cause drastic under exposure.

Peace out

Art of the Grind 1

Art of the Grind 2

Art of the Grind 3

Art of the Grind 4

May 192014


The Voigtlander 75 1.8 VM Heliar Classic Lens Quick Review

By Steve Huff

Lens is available to purchase HERE

Hello to all! Today is Saturday, May 17th 2014 (the day I am writing this, not posting it) and I am sitting down at my desk for the 1st time in 10 days to write something new. For the past 10 days I have been away in Southern Illinois visiting family and spending time with my Mother for Mother’s day and the site has been running on auto pilot all week with scheduled posts..not how I like to roll but hey, I need some vacation time too! After that I went to New Orleans with Olympus to test out the new Tough TG-3 (Which was SO cool) and shoot more with the E-M10 (which I reviewed HERE)

While my trip to Illinois was a pleasure, there was also a ton of business/work happening but the good thing is that I find photography and testing new gear to be exciting and a fun experience so while I was working during my vacation I was having a good time with it as I always do. Life is good, so we should enjoy it and I try my best to do just that each and every day.

So today as I sit here I am going to write a short, quick and mostly photo based review of the Voigtlander 75 1.8 Leica mount Heliar Classic. A fast 75mm lens for your Leica M mount camera for under $700. Yes, under $700! Thanks to Stephen Gandy at Cameraquest for sending me this lens to check out for a couple of weeks. He sells the entire Voigtlander line and has the best prices and even free overnight shipping on certain lenses, this one included. You can see it on his site HERE.

Before I get started be sure to check out the recent guest post review of this lens HERE by Johnny Ciotti. Johnny tested this lens on the full frame Sony A7. ;) My test is 100% on the Leica M 240 which after 14 months is still my #1 and all around fave camera today (which is followed by the E-M1, then RX-1)

Using the 75 1.8 was easy as pie, even wide open. On the M 240 it works very well with great color pop and the classic Voigtlander look. This one is of my Nephew shot wide open at 1.8.


Testing the 75 1.8 in a real world way

For some reason I never did use this 75mm lens on my M and while it has been out for a while I never was really into the 75mm focal length so it kind of slipped under my radar until a reader submitted a guest post review of this lens on a Sony A7. Then I remembered! OH! The 75 1.8 from Voigtlander!!


At that time I knew I would have to try it on the M 240 as it is a Leica mount and I do know that the 240 loves all glass, even Voigtlander and old classic lenses. In the past I have tested the Leica 75 Summarit, which is their “Budget” lens and the performance is stellar. It is crisp, contrasty and very sharp. With a minimum aperture of f/2.5 the Leica is a little slower than this Voigtlander but I will state right now that the Leica has a much more “modern” look than this Heliar Classic. I think the word “classic” was used for a reason as the images have a softer more rounded look to them over other more modern lenses like the Leica Summarit or Summicron.

I decided to snap on the 75 to my M 240 and use it as my only lens for a week while visiting my Mother. I also had the Leica C and Sony A6000 with me but I was determined to use this 75  to see exactly what it was all about.

Again, wide open the lens is sharp but has a rounded rendering. The Bokeh is nice but not perfect. Still much better than what you see on some $1500 lenses. 


So away I went, M in hand with the 75 attached for almost the entire week I was on my trip. Being called a “classic” lens I imagined that the 75 would be a little soft, a little cloudy, some duller colors and without the bite and snap of the Leica 75 Summarit.I mean, let’s face it…most classic lenses are just that. Some are amazing, some are average but none are like the modern lenses of today. The cool thing is that sometimes a lens that renders in a classic way is sometimes preferred over a super sharp clinical modern lens to help keep those imperfections away during portrait sessions.

During my 1st tests with the 75mm lens in real world photo conditions I found the color to be vibrant and with tons of pop. In fact, I was surprised at what came out when I shot my Mother on a swing. The greens were very vibrant and her pink shirt popped as much as it could possibly pop.  I found the sharpness wide open to be a little bit soft, especially in the corners. I found it to have classical but pleasant bokeh. In fact, it performed just as I thought it would but the color pop exceeded my expectations. At $700 with free shipping, this lens already started to seem like a bargain. I mean, the Leica 75 Summarit 2.5 is not built better than this lens, is a little slower in Aperture at f/2.5, a SLIGHTLY farther minimum focus distance (The Voigtlander focuses to .9 meters)  and is more expensive..ALMOST triple the price at $1900. Go to the 75 cron and you are looking at nearly $4000. Remember, this lens is $699.

My Mom on the swing in the park. Shot at f/1.8. 



I was walking around town when this kid just kept staring at my camera. He seemed to be intrigued so I said “Want me to take your picture”? He immediately smiled and posed with his football. Was shot at 1.8. This one is pretty sharp so when I say the lens is a little soft at 1.8, I do not mean it is “SOFT”, just softer than the Leica 75mm lenses.


The lens was a snap to focus on the M using the rangefinder and was just sharp enough wide open to make me happy. Again, as I walked around and shot with the lens I was happy with the super smooth focus barrel, the solid clicking aperture ring and the build and heft of the all metal lens. At $700 shipped, I kept saying “THIS IS A STEAL”!!


But I am still not a 75mm guy. I prefer my 28, 35, 50 and sometimes, on rare occasion the 90mm focal length.  With that said, if I were in the market for a 75mm this would be the lens I would buy just due to the massive bang for the buck involved. There is nothing currently made for Leica mount at this cost that will get you this quality.

Just an old mailbox I cam across while doing a 7 mile walk with my Mom and Son. Shot at 1.8. 



Nice color pop, great Bokeh effect. At mid distances this lens shines for 3D pop.



The Auctioneer, 20 years later. Voigtlander 75 1.8 at f/2. Here you can see the barrel distortion that is evident in the corners. While this is a crop, the top of the frame shows the distortion. 


The Build of the lens is solid. Typical Voigtlander. Anyone who has shot with a Voigtlander lens knows what I am talking about. All metal construction, smooth focusing and aperture and an overall feeling of quality. The build is different than Leica but not far off in feel and use. The images have the smoother Voigtlander look and not the snappier Leica look that would come from something like the Summarit or Summicron.  The cool thing is that this lens can also be used on the Sony A7, A6000 or just about any mirror less camera with an adapter.

Trees of green. Click for larger. Shot at f/2.8 I believe.



ISO 1250 at f/2


After one full week of daily use I realized that while not perfect, the Voigtlander would be the perfect lens for those who are looking for a lens that will give them that rich 3D pop and nice color in a portrait focal length. While I think the Leica 75 Summarit is a little bit better, it is almost $1900 and going from $700 to $1900 is a HUGE step! The Voigtlander will be a little less contrasty, have a little less pop and have a little barrel distortion. The Leica will be more perfect and crisp and will not have the barrel distortion. The Voigtlander does indeed come with a metal hood while the Leica does not. Bokeh wise, they are both about equal with the Voigtlander having the more creamy Bokeh. So in my eyes, looking at the pros and cons like this leads me to realize that this Voigtlander is a huge winner and a deal for the cost of $700 with free overnight ship, which is what cameraquest is selling it for now.

My Mother on her Graduation day in May 2014.



My Nephew in the park



Overall this lens gets a high recommendation for those looking for a great 75mm lens for the Leica mount for a great price while offering fantastic, if not “classic” performance. When I review a lens I do not bother with charts, graphs and numbers as I feel that has NOTHING to do with photography, at all. What matters is how the lens performs when using it to take photos…what it was designed for! Yes, what a concept! Using a lens  to go out ad take real photos to see how it does in real life. I do not care what numbers say, I care about what the results say and to me, this is a fantastic lens with many more positives than negatives. In fact, the only negative I found was the slight barrel distortion which is only evident in some shots with straight lines at the top and bottom edges. It may give you some CA in certain situations but I have not found a Leica lens yet that does not do this (besides for the 50 APO cron at $7400).

So if you have been looking for a nice 75mm lens, take a long look at the Voigtlander 75 1.8. If you like the quality of the shots here, this is what you can expect when using it with a Leica M 240. Just know that is will be a little soft in the corners wide open up until about f/2.8 when it sharpens up quite a bit. If you want the ultimate in performance in the 75mm focal length, check out the Leica 75 Summicron. It is much sharper, more modern in rendering and much more expensive.

As always, thank you for reading this quick review! If you want to see my Leica 75 Summicron review (an oldie) , click HERE.






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Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

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May 182014

Leica M 240 Art di Mano M Cases in stock.

Just a heads up to some of you who were looking for the Art di Mano cases for the M 240. has TWO in stock now! These are the standard cases to fit the M without a grip. After my review of the grip model they sold out quickly it seemed! They have one in all black and one in black with white stitch. Expensive but hands down the best case you can buy for your M in fit, finish, craftsmanship.  Just click the images to go direct to the page for the case in stock:




May 132014

Site Update: I’m traveling but new reviews are on the way!

Hello to all! Just want to update everyone on what is happening here at For the past eight days I have been on a vacation spending time with my Mother and Sister in Illinois. While I did do work while on the trip (testing the Sony A6000, Leica C and Voigtlander 75 1.8) I had a blast doing so and did not update the site all week. While it DID get updated, it was all on auto pilot and those posts were all scheduled before I left.


So coming up in the next 7-10 days I will have reviews for the above mentioned cameras and lens. Stay tuned!

I am home today and leave again tomorrow for a 3 day New Orleans trip with Olympus USA to shoot the E-M10 (my review HERE) in style and to test it out in the swamps and in the city so I will also have a new report on the new Olympus stuff and my experience using it in all kinds of cool situations in New Orleans.

Some quick tidbits:

The Sony A6000 is absolutely the best APS-C NEX style camera from Sony yet. NO longer called NEX, the Alpha 6000 is sleek, attractive, quick, feels great in the hand and has superb IQ. Built in EVF and pretty solid for under $800 with lens. I have been shooting it with the kit zoom and the Mitakon 50 0.95.

A6000 OOC JPEG with Kit Zoom


The Leica C surprised me. While it has a teeny tiny soft EVF, the camera is well made, has a killer design and look and using the B&W mode of the camera gave me some pretty cool B&W images. Easy to use, tiny, EVF, fast and good quality. If I wanted a P&S with style, this would be my choice. Of course the C is the Panasonic LF1 in a new shell but Leica offers software and a better warranty with the super cool style (double the price). B&H Photo has the C in stock.

OOC JPEG from the Leica C in Dynamic B&W


The Voigtlander 75 1.8 is a Leica mount lens and it works well on the M 240 providing a classic look with big time color pop. Under $700, a no brainer if you want a fast 75mm for your Leica on the cheap. Superb build, feel, easy to focus and while a little soft wide open this is a good thing for portraits! Cameraquest sells the 75 1.8 with free next day shipping for $700!

The Leica M 240 and Voigtlander 75 1.8



May 072014

The Sony A7r & 55 1.8 along with the M9 & Noctiluxf1

By Julien Ducenne

Hi Steve and Brandon,

My Name is Julien Ducenne, I am a filmmaker living in London and working on images for about 12 years now.

Since long time my dream was to have a Leica M and couple years ago I bought the M9 with a CV 35f1.2, I was amazed by the quality of both and quickly bought a Noctilux f1 to continue my personal learning and exploration on images. I really love shallow depth of field, and the bokeh was great…
Until the day when the Sony A7r was available, I bought it with the FE55mm 1.8 and with a bokeh result really close to the Noctilux ( at equal aperture), I had more details and Sharpness on my pictures. I did not regret the Noctilux at all and I will continue to Buy M mount lenses but I will use both…

…At the end gear is only gear and the result only matter…

Have a great day.

Julien Ducenne

My Flicker :


not alone




May 052014


An engaging Leica M3

by Dave Lewis

Hi Steve,

I’ve been a long time reader of your site, but I’ve not as yet taken the opportunity to contribute. My name is Dave Lewis, I’m 27 years old and I’m a keen photography obsessive with a growing pile of gear (GAS attack) and an even larger mountain of unedited images! Work for my company (I’m a miniatures designer, sculptor and photographer for tabletop games) has taken up most of my time for the last 5 years.
However, this week my life took a major (awesome!) turn and I thought you might be interested in a different sort of story for your blog. To cut a long story short, a little while ago I hatched this crazy plan to propose to my girlfriend of 7 years by hiding the ring inside the film chamber of a Leica M3.

Leica M3, 50mm Summicron collapsible at f2, 1/15th, Fuji Acros 100


Why an M3 you might ask? Well, I’ve been fortunate enough to own and use a ridiculous number of cameras in the 9 years I’ve been what you might call a ‘serious’ photographer. The laundry list is a bit disgraceful really, but here it goes: Canon 400D, 40D, 5DMkII, Zeiss Contax IIIa, Super Ikonta C, Super Ikonta IV, Contarex Bullseye, Contax-T, Leica 1A, iiif, iiib, M3, M4-2, M9-P, Kiev IV, FED-1, Zorki 4k, Minolta SRT-101b, Minox B, Rolleiflex Old Standard (two of these), Rolleiflex 2.8E, Fuji G690BL, Ensign Selfix 820, Sinar F and a home-made 4×5. Worryingly, this isn’t the full list and I won’t even get into lenses!
Having used all these cameras and more, I have to say that in my opinion, nothing can really hold a torch to the mighty M3 for the purpose I had in mind. The M3 is wonderfully simple, eternal in both life and design and somehow ‘zen’ in a way that few cameras can match. Out of all those tools I’ve been lucky enough to own, it’s always the M3 that makes me smile most. I think it will never be beaten as a film camera for what it’s good at (obviously it’s a bit of a non-starter for action and wildlife). The viewfinder is wonderfully large and utterly clean, the build quality easily surpassing even today’s MP (whatever Leica will try to tell you), the smoothness of operation and connection with the user is something every photographer should experience. An all-time classic which the world will not see the like of again, modern economics being what they are.
Digital was instantly ignored in my selection process. I love my M9-P (having put over 35,000 frames through it), but it will almost certainly not last the next 5 years, let alone a lifetime. It’s a wonderful workhorse and has more soul than any other digital camera I’ve used. However, digital rot kills anything with a screen and even today a 60-year-old M3 can be serviced and used like it has just left the showroom. I intended this camera to be an eternal companion for the love of my life in the same way that a diamond ring is, going with us whenever we get some time to escape work and experience the world.
So, having decided on the M3, what would I do next? My first thought is that I didn’t want this to be just any M3. It had to be her M3 and unique, with more than just my choice of object shaping it. I’d always been interested in doing a custom job on a camera and this seemed the perfect moment to try it. I build and design intricate miniatures for a living and I’ve been obsessed with making things my entire life, so this seemed do-able to me. My plan was to re-cover the camera with purple kid leather. Bex (that’s her, by the way) has always been a fan of purple (it was even her nickname at one stage), so it was the obvious choice.
My first port of call was Camera Leather. It’s a site I’d been aware of for years, although online reports were mixed. I thought I’d try them out on one of my own cameras first to test the waters. A red Kiev-4 seemed like it would be fun, and my Leica iiib needs a new covering anyway, so I ordered both. After almost 100 days and numerous emails I’m still waiting for them, so needless to say I abandoned this route. I gather that the guy who runs the site is somewhat overwhelmed – just don’t order from them if you’re in a hurry!
In the end (and with purple being such an unusual colour) I realised I’d need to do the job myself. No matter, I’d enjoy it and it would be much more romantic this way! I did a lot of reading online about leather types; a perilous quest since it’s very easy to buy the wrong thing. It needs to be full-grain (not composite) leather, top-grain and properly treated to ensure longevity. It also needs to be pared down to a maximum of 0.8mm thick for a Leica – any thicker and it would protrude, disrupting mechanisms such as the self-timer and catching on things. Sourcing the right shade of purple goat skin was a real nightmare and in the end I bought an entire hide from J Hewit and Sons – we can use the rest for other projects in future.


So, I now needed to get the camera! I wanted the camera to be as clean and unblemished as possible. This presents a major difficulty with the M3, as in its time it was NOT the shelf queen that many modern Leicas (sadly) are. It was a peerless professional workhorse of a camera that practically defined photojournalism for 10 years. This means that of all post-war (non-collector) Leicas, the M3 is the hardest to find in good condition, despite it being their most popular ever M series model. I’d been watching the stock lists of local dealers for months (London is privileged to have many good ones). I eventually found what I was looking for at Red Dot Cameras. I’ve bought things from them before and they’ve never let me down. The shop is the most extensive Leica treasure trove I know of in the UK – well worth a visit for fans of the brand!
I left the shop with a clean 1959 single-stroke M3 and a 50mm Summicron collapsible lens. I have one of these myself and I think it’s the perfect companion to the M3. It matches the camera in build quality and finish and can be collapsed when not in use. This is important for a camera that’s supposed to be compact – it will fit into many more cases and bags with a collapsible lens! While not the sharpest optic in the world for digital, it’s superb on film and wide open lends an appealing glow and excellent bokeh – great for portraits!
I got the camera back to the workshop and got started. The first stage in the job was to remove the original vulcanite covering. This M3 had a few covering chips already, which made me feel slightly better about what I was about to do (I don’t think I could have done it with a pristine example!) A lot of information can be found online about how to do this. Some paint strippers will help with careful application, although here in the UK it’s hard to get the strong stuff needed, and perhaps it’s best avoided anyway. I opted for the painstaking, slow but sure-fire method of chipping it away with a scalpel. Once all the vulcanite had been removed, I scraped off most of the residue under the covering, leaving a smooth surface for the new one to adhere to.


The next stage was to make a pattern (guide) for the cutting for the new cover. The best way to do this is with paper and a certain amount of measured guesswork. It may take a few attempts, but the aim in the end is to achieve a perfect fit with paper before moving to the leather.


Once I’d done this, it was time to attack the hide. The best leather is to be found either side of the spine at the back, so that’s where I cut the parts from. It also leaves a large unblemished area to use for other projects at another time. Although Hewit’s did their best, I needed to pare (thin) down the leather a little more to get it to the desired thickness. Emery cloth and more elbow grease did the business here.
Once done, I used the paper guide and a VERY sharp scalpel to cut the panels. The M3 needs one for the rear door and two for the sides. You could do the sides as a single piece, but it’s much easier to do it with two and small join under the lens. Getting the exact fit with the leather required a lot of trial and adjustment. I needed to re-cut a whole panel at one stage as I didn’t take into account the radius of the curved side (since the leather is thicker than the paper it will lose a mm or so as it curves round – best cut it too large and work down!). The last part was to use a black permanent marker to darken the edges of the suede – they were a light blue here and didn’t look good where they showed a bit.


Once I’d got the fit right it was time to glue on the panels. Contact glue works well for this (Evo Stik Timebond is good in the UK). I took my time and was exceedingly careful – you can’t afford to make a mistake with contact glue! Once adhered, I worked on the edges with super glue (generally to be avoided but seals frayed edges well when used VERY sparingly). After a total of over 10 hours work, the M3 was done!



Lastly, I needed to give some thought to accessories. A Billingham Airline Stowaway bag in black, a small mountain of film (Acros 100, Ektar 100, Tri-X 400 and Portra 400) and custom-made box fitted the bill. I also managed to trace a matching purple strap from Artisan and Artist. This was a special edition and I could only find one in Spain and Miami. I ordered it from Spain and it dispatched promptly although the Spanish postal service let me down (it arrived today, a little too late). No matter, hardly the most crucial thing! Lastly, I gave the camera a full clean and got the lens serviced so it would focus like new.


I won’t go into the other details (like the ring, obviously – a whole different minefield!), this is a photography website so I’ll confine myself to camera stuff. Suffice to say I got a beautiful diamond solitaire ring from Hatton Garden (THE place to go in London) and placed it in a leather pouch in the film chamber of the M3 before sealing the box. I cooked Bex the best meal I could manage and presented her with my gift. I’d been utterly top-secret through this whole escapade and she had absolutely no idea! In short, she found the ring, I proposed and she said YES!
Next week, we’re off the US for our first holiday as fiancé and fiancée and the purple M3, my own M3 and M9-P will be coming with us. I’m a very happy man indeed, and lucky to have such a wonderful soul mate who will (no small thing!) put up with my photography obsessions!

Leica M3, 50mm Summicron collapsible at f2, 1/1000th, Fuji Acros 100


Thanks for reading, and good luck in love and life to you all.

- Dave Lewis (a very happy man from England!)

If you’d like to see any of my commercial work, it can be found on my company website (all the imagery is my work – both the designs and the photography)

If you’d like to see any of my personal work, it can be found on my photography website (most images here are a few years old – I’ve been too busy to update it recently but there’s lots on there!)


May 022014

The Leica T Software Correction Conspiracy!


It appears that long running camera review mega-site DP review has found out that the Leica T applies software correction to the 18-56 zoom lens in JPEG output as well as when using ACR for processing the RAW. By reading some of the comments in that article it appears that the Leica haters are out yet again and acting surprised or shocked at the it was some kind of conspiracy and Leica was trying to hide the fact that they apply corrections. But I am here to tell  you that there is No conspiracy!

But the truth is, this is not a big deal AT is the norm. Why? Well, because just about every camera today provides software corrections to fix barrel distortion or vignetting in lenses. It is a fact of life in digital camera world today.

So what are just a teeny sampling of amazing cameras that apply corrections?

The Sony RX1 and RX1r for starters. When you turn off the correction in these cameras you will see massive barrel distortion. This does not take away from just how special and good the RX1 is. In fact, it is still, IMO, the best 35mm IQ you can get today and yes, at $2800, the RX1 applies software correction to their 35mm f/2 Zeiss lens. They have to as the lens is so close to the sensor. It takes nothing away from the IQ or experience or value. In fact, it helps to make it what it is.

The Leica M9 and M 240. The Leica M’s apply correction to the M lenses to fix vignetting and corner color shifts. Again, it is a sensor/digital thing. Even the $11,000 Noctilux needs some correction in camera.

Various Sony, Fuji, Nikon, Canon, Panasonic, Olympus and DSLR’s. They all apply some sort of in camera correction to many of the lenses. It is just how it is with digital and one reason why results today are better than they were many years ago when this digital thing was still new. This is no longer the old film days, we are high-tech in 2014.

So it should come as no surprise at all that the Leica T, just like the M and X-Vario and other brands of cameras apply software correction so the image quality comes out as we expect it to. To keep sizes small, and quality high software correction is needed, and they all use it. Yet by some of the reader comments over at DPreview you would think that Leica broke some law or rule by doing what all other cameras already do. Strange. Again, nothing new here at all.

When I viewed the camera and lens in NYC with Leica (before getting a review sample in a private meeting, just me and them) and questioned the high price of the zoom I was told “but these are real Leica lenses, superb performers”. Leica never said to me that they did not apply software correction with the T, but they never said they did either. Then again, I did not ask! Why? Because it is to be expected as EVERYONE does it, even Leica with the other (much more expensive M and X) cameras. It is nothing new, or shocking or earth shattering. If the T did not use corrections it would be an incredible feat, even beating out what the M and the latest Sony tech can do.

Did they tell DP review that there were no software corrections? I do not know, I wasn’t there. If they did, that was silly of them to say.

To me it is a non issue. All that matters is the final output and if that final output is superb and up there with the best, it is indeed a non issue. Now just how bad are the files without corrections? I am not sure… but again, not really an issue as I have not witnessed any distortion or problems with the shots I took for the review. Why? Because they were corrected automatically as they should be  :)

I remember my 1st day reviewing the Sony RX1. I looked at the JPEGS and they were awful with barrel distortion that I did not expect. I approached Sony and asked what was going on. They said “Oh, you have to enable corrections”. I asked “why are they not enabled out of the box”? Of course they had no answer but once I enabled the corrections there we no issues and I was rewarded with the best IQ I have ever seen from a 35mm camera. Again, a non issue! No one made an issue of that one yet the Leica haters are already starting the nonsense like silly children bickering on the playground. It is quite amusing.

Leica does not have a secret magical method to avoid what no one else can as it is a digital/sensor thing. What matters at the end of the day is the output and if the user is happy with it. if it takes corrections in camera or in RAW to do this then so be it! I’d rather have this then a lens 2X the size and 2X the cost.

Do I think the zoom is overpriced? Yes of course I do. Just as I said in my review I feel it is overpriced by $600 or so. Nothing has changed :) Even so, many will buy it and many will love it to death as it delivers superb results, and that my friends is all that matters from any lens. It is the best 18-55 style lens I have had the pleasure of using when it comes to IQ and build but it should be for the cost. So again, no surprises. 

My T will be here at the end of the month and I am excited to test it with the 23 f/2 as that seems to be the jewel of the two for the look most Leica users are searching for.

For those that did not feel the need to read what I wrote and skimmed down to the bottom? MORAL of the story…

ALL cameras these days use software correction. Leica M, Leica M9, Sony RX1, A7, Leica X Vario, Fuji, Olympus, Panasonic, Nikon, Canon, etc etc. It is the reason why IQ is so good today and why cameras concentrate on the processing engine and software. It is one reason we enjoy such amazing quality from all cameras. Even the Canon 24-70 is corrected by some Canon bodies. That is a $2200 lens. Leica never said TO ME that they do not use software correction, they said the lenses are real Leica lenses and of high optical quality, which they are. Corrections on the 18-56 mean nothing just as it means nothing when the Sony RX1 is massively corrected or the Noctilux is corrected on the M. ALL that matters is the final output, period. With the T the final output is superb.

If Leica made the T zoom in Germany and it was optically corrected to the level of a Zeiss Otus and lets say they made it f/2.8..well, it would be HUGE, HEAVY and about $5,000 and people would be up in arms attacking them for it. Look at the cost of the WATE M lens that gives you 16-18-21mm. People just have crazy expectations and somehow think Leica would release Zeiss Otus quality glass for $1000. Leica will never be low priced, ever. If it is not for you it is not for you.

Anyway, Have a great weekend everyone! I will be traveling next week so will be on the road shooting the M, the Sony A6000, and a couple of other things ;)

The site will still be updated as always!

May 022014


Arte di Mano review, My favorite half case for the Leica M!

By Steve Huff

You can buy  these lovely cases over at LeicaStoreMiami HERE.

Hey guys! It’s Steve here, your favorite Leica, Sony, Olympus, Panasonic, Nikon and overall “any good” camera fanboy with yet another cool accessory review. This time I am reviewing something very special, very beautiful, very functional and very expensive. For the Leica M 240 there are many kinds of half cases available. They run the gamut from $50 to $500 and the one I am reviewing today is up there with the most expensive of the lot, of not THE most expensive of the lot. No, it is not a Luigi case but  speaking of Luigi, his cases have now been copied up and down and left and right. Luigi used to be the one and only original..the only case for the Leica M that you would buy if you wanted the real deal premium. Hand crafted, hand stitched, big beefy leather and quality. Not anymore. In fact, many tell me that Luigi has been slipping in quality lately, and if that is the case I feel it is because he is so busy and also trying to stay competitive with the new competition.

My video review of the Arte di Mano case is below, check it out :)

The only Luigi case I have ever owned was a let down for me. The cutouts were way off and borderline crooked on the back. It did not fit my M9 well at all. I mean, it fit, but it was not a “fit like a glove” style of fit. It was a more of a loose goose style of fit. I never used it due to the bad fit and awkward feel. Luigi has many fans and I can say he has huge passion for his craft. In fact, I have seen others who own his cases and they look gorgeous and over time they develop a rich patina. I have seen many with superb fit and finish so I may have just gotten a bad apple with mine. Then again, lately many have told me they had issues, so I ruled out Luigi for my M 240 case quest.

With me, since I run a review site I am always exposed to the newest products for cameras. I get companies constantly wanting me to review their products from cases, straps, iPhone cases, iPad cases, bags, and all kinds of accessories. 75% of the time I decline the offer (if it doesn’t really make me say “wow”, that is cool I will not review it) and other times I get the product and am let down by it, so no review.


Cases for the M 240 that I have reviewed so far:

Gariz – (My review here)

I have had my share of M cases and have reviewed a couple of them on these pages. The very 1st was the Gariz M 240 case which I really think looks amazingly sharp on the camera. It is basic, does not wrap around the top and fits like it should. A glove. It is attractive, it feels nice (but not luxurious) and comes in at around $220. You can see my review for it HERE. .

Classic Cases – (My review here)

The classic cases M 240 case is pure old school and quality craftsmanship. In fact, when it arrived I replaced my Gariz with it so I could review it. After a while I appreciated it for its thick and sturdy quality. The classic cases M case is one you would like if you want thick sturdy leather that will age over time into a softer richer look and feel. When it is new though it is stiff. Also, my copy was not cut perfect. Since my review I was told they are now cut perfectly to avoid any issues.

FYI: I have also tried cases from Leica and Artisan and Artist that were not very good at all. The fit was loose and sloppy and the feel of the cases were not up there with the better cases. I found them to be not worth the money.


and now…The Creme of the Crop

When the M came out I remember seeing a line of cases appear that everyone was raving about. Arte di Mano. These cases were handcrafted masterpieces with a snug fit that made it appear that the M was made for case instead of the other way around.

This is a case I immediately wanted but when I saw the price I refused to pay that much for a case. I mean, $390 for a half case? Nonsense. Well, that was my 1st thought. But as time went on, I really wanted one. I saw a couple of others who had them and wow, they felt so nice and had zero fit issues. I started to think..the camera is $7000. What is $390 for a case to protect it and give it a better grip? Nahhh, I ended up not being able to go to $390 so I ordered the Gariz for $200. But then I received the classic cases model. After a while, and seeing a friends Arte di Mano case I reminded myself of a rule I made to myself recently. BUY ONCE and be done with it. Meaning, do not buy the things you really do not up for the ones you want. This will keep you from losing money in the long run.

Here is a video showing the process of making a case for the Leica X1. All by hand with attention to detail. Each case is also unique as each one is made by hand. No mass production.

So I decided to save up a little stash of cash every month until I could buy the Arte di Mano (I do not use or own even one credit card, by choice. I am all cash or nothing) case and possibly a new strap to match and soon the time came. I logged on to Lecia Store Miami where they sell the entire line and saw something new from Arte di Mano for the M 240. A few new cases actually. Uh oh, I had not planned on cases and new (more expensive) prices.

They now have the standard case with grip built into the case or the cases that can be used on the M OVER the Leica M grip ($300 accessory) or even the M grip with GPS. The new cases looked amazingly cool. So I said “screw it” and placed an order for the M case that is for use with the M grip (which I also ordered). I ordered the extra long classic strap and then the leather pouch to hold my Leica EVF when I am not using it (snaps on to the strap). I told myself I was nuts but spent the cash anyway. The very next day my boxes arrived. Once I took them from the boxes and put the camera in the case I knew I made the right choice. “Ahhhhh..perfect” is what i said as the camera slid down into the supple soft leather case. After a couple of days shooting the camera with the case and using the strap I do not think I will ever buy any other brand of case for the M ever again. Really. I may review other brands but it will be very tough for anything to approach this level of fit and quality IMO.

From the fit, that could not be any better to the soft and supple luxurious leather it already feels like a nicely worn in leather case. The quality of the case is beautiful and is really for those of us who appreciate beautiful things such as this. If you own and love your Leica M then you would adore this case. That is IF you like half cases. Many of us M shooters prefer to shoot the camera naked ;) If you enjoy using a half case and enjoy a nice strap, this set is about as good as it gets but as Chris Kringle says in Santa Clause is Coming to Town “Be prepared to pay!”


I have seen hundreds of M half cases in use from meeting so many of you out there over the years. I am telling you now..if you are not 100% thrilled with your half case fit, or are in the market for a half case then take a serious look at the Arte Di Mano line. I know of what I speak.

Leica Store Miami (Dale Photo) sells the entire line from cases to straps to EVF pouches. As for the EVF pouch it is so soft and well made. Again, luxury. Previous brand have always used the very hard stuff leather. This is like a fine leather glove. The way I like it.

So the Arte Di Mano line gets my 100% highest recommendation if it is quality you want. For pricing, they are in the stratosphere but I am afraid you do have to pay if you want this level of quality for your M. There are many choices in a case for your M but not many up to this level. Damn, am I now a Arte Di Mano fanboy? 100%!

A few of the styles of M case that are available from the Arte di Mano line starting with the version I have:

blackwgrip brownstandardbuiltin blackfortu blkopen



Direct links to what I bought:

The case I bought for my M

All of the Arte di Mano cases

The strap I bought

ALL straps

The EVF Pouch I bought

and the Leica grip I purchased.

Arte di Mano also makes cases for the Leica M9, M-E, Monochrom, X-Vario and X1 and X2. I expect there to be a T case as well coming soon so if you own a different Leica you can still own a taste of case perfection.



Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

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Apr 302014

Big and small: in the field with a D800/55mm Otus and an A7r/35mm Summilux

Andrew Paquette

My background is as a visual artist, not a photographer. I started out as an editorial artist in New York, then became a comic book artist, a 3D artist in the video game industry, a special effects artist in the feature film business, and then an art director in video games. Throughout my career I have made extensive use of cameras, but only in a utilitarian way. For an illustration I did for Travel & Leisure, I took reference photos with a Polaroid. For an issue of the comic Nightbreed, I used my Nikon 2020 to shoot some friends in my loft, again as reference. For the movie Spider-Man, I used photos taken by one of my colleagues to build part of the 3d New York City set. For my paintings, though I preferred to paint subjects “live”, I sometimes took photos with my D70 for reference. On one painting in particular I had the nagging feeling that if only I’d had a better camera I could have skipped painting it. It turned into a fairly popular poster, but even today I think that a photo of the same scene would have done just as well or even better. Now that I have that better camera, I am fairly sure that is true.

I have read in many places that it doesn’t matter what kind of camera you have if you have a good eye for a picture. I would say that if you don’t have a decent eye for what makes a good picture, it won’t matter as much what kind of equipment you use, but it will still make a difference. If you do have some experience making pictures, the equipment can make a huge difference.

At the moment, my two favorite camera/lens combinations are almost exact opposites. One is huge, the other is tiny. On the big end of the spectrum, I love my D800 when paired with the Zeiss 55mm Otus lens. On the small side of things, I am equally pleased with my Leica 35mm Summilux ASPH when mounted on an A7r. The difference between how these two kits handle cannot be understated. The D800 + Otus is so ponderously heavy that I literally injured my hand using it (and even had to go to the doctor as a result). The A7r + Summilux is so tiny that I can carry it in a hip pouch and forget it is there. At face value, one might think that the small setup is the way to go but I have found the images I get out of the D800 + Otus so compelling that I take it out for a walk just as often as I go out with the A7r. I have not put the Otus on the A7r as others have done because for me, the purpose of the A7r is to have something lightweight and discreet. If I’m going to use the Otus, it won’t be discreet no matter what it’s mounted on, so I may as well have the higher frame rate offered by the D800.

When I bought the A7r, I was planning on switching to an all Sony/Leica system so that I could travel more easily with my photography gear. At first, I thought that was how it would work out, but then the Otus was released and I got curious about it. The next thing I knew, I had the Otus and found that it was capable of a wonderful medium format look. The A7r/Summilux would have been a perfect combination to shoot the subject I painted that was mentioned earlier, but the D800 + Otus would have been better for another painting I made shortly thereafter. Despite the extra weight, I found that I wanted to keep the D800 (and all my Zeiss lenses) and the A7r. Now, I use the A7r whenever I travel by plane, have to stay in a hotel, or if my arm is not feeling up to walking around with the Otus. Otherwise, I almost always use the Otus. For special occasions, other lenses will get a ride on the D800, but these days I almost always use the Otus.

I should also give a plug for Zacuto viewfinders here. After using the Sony’s vastly superior electronic viewfinder on the A7r, I was too spoiled to be satisfied with the optical viewfinder or live view on the D800. I use the Zacuto Z-finder pro 3x on both cameras now, and hardly ever misfocus as a result. As an added bonus, my exposure is much improved thanks to the Zacuto’s ability to isolate the LCD from exterior light. For the D800, I leave the mounting plate attached to the camera body, then snap on the viewfinder when I need it. For the A7r, I do not attach the mounting plate, but wear the Zacuto on a lanyard around my neck instead, then hold it up to the live view panel when needed.

With all that preamble out-of-the-way, here are some photos. Most were taken in Amsterdam, but several were taken on a recent trip to Geneva with the A7r. See the captions for more detailed information.


1 The A7r+35mm Leica Summilux ASPH

Carnival ride, Amsterdam. There was a carnival in Dam square a couple weeks ago when I shot this image. The ride was moving so fast that I was amazed I could get any shots at all with the manual focus Summilux, but got several regardless. The real problem was that the seats on this ride spun from the arm they were attached to, meaning that I only occasionally had riders facing the camera.


Breakdancing at Museumplein, Amsterdam. There is a troupe of breakdancers that I have now photographed three times at Museumplein. The first time I shot them on an overcast day with a Zeiss 15mm Distagon, then with a 55mm Zeiss Otus, and here with the 35mm Summilux. Like the carnival ride, I was worried about shooting fast action because of the A7r’s comparatively slow shots per second, but it worked out fine. I didn’t get as many shots as the D800 would have provided, but it was enough to get the exact shots I wanted.


Indian magic trick at Leidseplein, Amsterdam. Although I avoid doing so with my other lenses, I love shooting backlit subjects with the A7r/Summilux combo. It isn’t that I never get decent shots of this type with other lenses, but this combination yields terrific contrast in these situations.


Horse-drawn coach, Amsterdam  I’ve tried several times to get a decent shot of this horse, and finally got it with the A7r. One thing I love about the 35mm Summilux is its ability to provide context to a subject, as in this case by showing the environment around the horse.


Particle beam casing and magnets, CERN, Geneva. My friend, Dr. Richard Breedon, has been associated with one of the experiments at CERN for as long as I’ve known him. Recently he offered me an opportunity to come to Geneva and take some photos. I think he gave me something like two days’ notice, but I’d wanted to do it for quite a while, so I got the plane tickets right away and flew down. Taking pictures at CERN was made difficult by the poor lighting and the bizarre colors almost all the machinery was painted.


Scientist calibrating panel at CERN, Geneva. This was one of a small number of shots I took at CERN that has a human subject in the frame to give a sense of the scale of the beam magnets. This scientist is standing at the base of one of these things, which are about 30 meters in diameter. Like most of the shots taken in this area, I converted it to black and white to get rid of all the brilliant green, red, and yellow painted objects.


Skier at Chamonix. Richard and I drove down to Chamonix the day after photographing CERN, to have a look at the slopes near Mont Blanc. This shot was taken in an ice cave at the top of a perilous cable car ride. From here, it was all downhill. Most of the shots I took in Chamonix were taken with ISO 50, f 16, and 1/4000 shutter speed. This was one of maybe three shots that had more normal settings. I would post some of the others because I like them, but anyone who has ever been to this location will have very similar shots because there are only a few places to take pictures from unless you want to risk life and limb.


Geneva auto show, Geneva. This shot looks pretty bright, but it was an indoor space lit with artificial lights, so it wasn’t that bright. This is where having a 1.4 aperture option comes in extremely handy. At ISO 400 I was able to shoot this at 1/400th of a second. One thing I should mention here is that I avoid shooting the A7r at less than 1/200th of a second to avoid shutter vibration, even if it means a higher ISO than I would normally use. In the 1/60-1/125 range, shutter vibration is noticeable, so I just don’t use those settings at all.


Swan on Lake Geneva. I took about 20 shots of these swans, all in attempt to get one shot of water dripping off their beaks. After thinking I’d missed the shot every time, I found that the first shot got exactly what I wanted.


Pedestrian, Geneva. This was taken after sunset. Streetlights were just coming on and it was starting to get difficult to see. Despite the lack of light, the Summilux delivered a very nice tonal range.


Missing the pocket, Amsterdam. When I spotted this couple walking down the street, I had to get a shot of them. I turned around and snapped about five or six shots before they disappeared into a crowd. I particularly like shooting with the Summilux slightly after sundown because of the rich blue violet shades that permeate images made at that time of night. The same evening I took some other nice shots of boats and lights reflected in the canals. Absolutely gorgeous light.


Roman Road golf course, Wales. I took this on the last day of a conference I attended in Wales. Until that morning, the region had been buried in deep fog that made it almost impossible to shot anything. I was grateful when the sky opened up a little to allow this image to be taken.


2 The D800+55mm Zeiss Otus

Parked cars, Bergen op Zoom. In the Netherlands, it is very common to see trees trimmed like the ones in this image. Coming from the U.S., I think this looks a bit strange, but interesting. In this shot, I like how the shallow depth of field blends all the twigs together in the background, creating a kind of smoky bramble above the cars.


Looking and not looking, Amsterdam. To get this shot, I parked myself in front of the violet lamp-post, focused on it, then waited for people to walk by. When I got home, I was fascinated by how sharp the lamp post is. I’m still not used to this quality the Otus has. The Summilux has terrific color and contrast, but the neutral color and outstanding sharpness of the Otus are mesmerizing to look at.


Artist, Spui, Amsterdam. This shot looks about as cold as Siberia, but it wasn’t very cold at all, nor has it been all winter. We didn’t even have snow this year. Normally I don’t like to take pictures of paintings unless they are mine, but in this case I liked the large amount of white space interrupted by these couple of spots of intense color.


Couple, Museumplein, Amsterdam. This shot, like many other shots taken with the Otus, looks like medium format photography to me. It also reminds me of the colors one finds in color photography from the 1950’s. The people in the Netherlands tend to be tall, and I like how this man looks like a giant in a tiny seat as he eyeballs my camera.


Girl with braid, Amsterdam. The primary reason I shot this is because of the colors in this little girl’s clothing. While I think of the Summilux as being particularly good at dealing with blues and yellows, the Otus seems to like pinks and greens more. This may just be my imagination, but it has led me to shooting specific colors with this lens because I think they look better with it.


Hands with tiny camera, Amsterdam. Unlike the monster I shot this with, the camera in these hands is barely visible. I had wanted to get a picture of this man because of the complex pattern on his jacket, but he ducked into an alcove, took a picture of a building across the street, then went back the way he’d come. I took this in anticipation of him coming out of the alcove in a moment, but he didn’t do it.


Green and red, Haagse Beemden, Netherlands. I may be the only person in the world that likes this photograph of practically nothing, but I really do like it because of the colors. It is just a garbage can and a big red cylindrical building on the edge of a manmade lake, but I like the combination of red and green.


Organ, Amsterdam. I have taken a lot of photos of cathedrals, but not as many of the organs, which are usually so high above the ground that it isn’t worth the trouble to shoot them with less than a 100mm lens. This one was lower than most and had great color.


Breakdancer, Amsterdam. A problem had with the Zacuto is that the D800 live view screen will go black after the shutter is pressed until the image is finished saving. This meant that as I tried to follow the breakdancers with the camera, I could only frame the first shot by eye, and then the rest (if shot in continuous mode) I had to guess. For this reason, I have decided to use the Zacuto for initial focus when shooting action, but will remove it after it is focused so that I can track the action. For this type of shot, I thought the A7r was easier to use because I didn’t have to deal with the Zacuto getting in the way of the EVF.


Skater, Amsterdam. To me, this skater looks almost like a superhero in this shot. I have at least a hundred shots of skaters in this park, but this is easily the most elegant of the group.


Intersection, Amsterdam. It almost seems criminal sometimes to turn some of these images to black and white, but in this case I felt it was worth it to enhance the effect of the light falling between buildings on the opposite side of the street, silhouetting the man on the near traffic island.


Bubbles, Carnaval celebration. This is another one of those shots that demonstrates how brilliant the Otus typically is. It’s pictures like this that have me wanting to think up some decent staged shots, find some models, then do some deliberate shoots to get a specific composition instead of hoping to find something interesting while walking around town.


3 Conclusion

I have a hard time saying that I think either of these kits is better than the other because they are both clearly very capable systems. A funny thing about the handling of them is that while I wish the Otus didn’t weigh so much and was less bulky, using it is in some ways more comfortable than using the A7r. The A7r is easier to carry and less obtrusive, but I feel less in control of making the image than when I am using the Otus. I think this is because of the long throw on the Otus, which allows more fine focusing. With the A7r, I always worry that I’ve tapped the little focusing knuckle ring a little too far or not enough when taking a photo. Since I can tell whether it is in focus or not by using the EVF or Zacuto viewfinder, it is a silly concern to have, but it doesn’t stop me from feeling more confident when shooting the Otus. Having said all that, when selecting images for this article, I initially had almost twice as many Summilux shots as Otus shots as candidates. Is this because I unconsciously favor the Summilux? I wouldn’t know.


Apr 292014

The Voigtlander 75mm f1.8 Heliar Classic Lens Review

by Johnny Ciotti

(from Steve: I will be reviewing this lens on the M 240 in the next 2 weeks. For now, here is a review from Johnny on the Sony A7! Thanks Johnny!)

With so many individuals moving on to the growing trend of the more sensible mirror less interchangeable lens camera bodies more than a few are finding a lacking in the tele range. Well, at least without destroying the smaller form factor by using larger SLR adapters and lenses or breaking the bank.

Voigtlander 75mm 1.8 Heliar Classic mounted on Sony a7 via Voigtlander VM-E close focus adapter

Voigtlander 75mm 1.8 Heliar Classic mounted on Sony a7 via Voigtlander VM-E close focus adapter

Enter the Voigtlander 75mm 1.8 Heliar Classic. Before getting into my thoughts I’d like to share with you a few tid bits of information in hopes of giving this some credibility and not just a “this guy bought the lens and rambled on about it” type of post. Being a photographer can mean many things to many people. A hobbyist, a professional, a collector, we all have different reasons for our purchases. So take what you will from this review but I’ve written it for the most decirning digital photographer who might enjoy premium quality at an affordable price. Myself being one of those that doesn’t care to own more than a few pieces of glass in the effort of simplifying the way he shoots. My clients shouldn’t have to pay for my gear acquisition syndrome when I can get the job done with a lot less.

As with most modern Voigtlander lenses, this 75mm is beautiful in a classic sense and refined to meet todays standards. No frills, no extras, just a clean black metal barrel and bright beautiful glass. Lens caps front and rear do as they should with my favored center pinch on the business end. Screw in metal hood feels wonderful and still allows for the front cap to be positioned properly when stored. All that needs to be visible is crisp and easy to read. No sloppy or unneeded branding to tarnish the over all aesthetic of this short tele focal lens.

Voigtlander 75mm Heliar Classic without lens hood attached

Voigtlander 75mm Heliar Classic without lens hood attached

The feel is better than what would be expected from such a bargain. The aperture ring clicks smoothly and precise with little effort. As effortless as it is to hop up or down a stop I’ve had no issue bumping into the wrong setting even with “rough” use. The same characteristics are followed by the easy to use manual focusing ring, clean and well dampened are the best way to describe this short throw. People often toss around the term “cheap” when they mean inexpensive, this lens is not “cheap” even though it is beyond affordable with a meager asking of sub $700 new.

The barrel extends slightly when focusing adding some length to this long piece of glass.

Barrel fully retracted

Barrel fully retracted

Barrel fully extended

Barrel fully extended

With having hit the ball out of the park in the presentation and tactile sensation department, I’d like to focus on the look the lens provides to the user while peering through it and not at it. Because this is what is important, right? You know, the images we make and not how awesome we look while making them. Voigtlander is not new to the lens manufacturing game. The company as a whole has been around since 1756, that’s not exactly a short stint. The new lenses have been manufactured by Cosina since 1999, another reputable name in optics. I hate to think of any piece of glass with such heritage as second-rate.

The lens provides a wonderful rendering of depth, sharpness, and contrast in appropriate proportions for such a piece of kit. The colors are as accurate as you are at insuring the proper white balance is selected. Vignetting is mild at most for a lens like this.


From left to right f1.8, f2, f2.8, f4


From left to right f5.6, f8, f11, f16


Clarity being one of the stronger aspects, taking a back seat only to the fantastic out of focus qualities and subject separation. The lens is more than sharp enough at f.18 for anything that needs to be shot at f1.8. Stopping down quickly takes these 3 groups of 6 conventional spherical elements from above adequate to what would be considered ridiculously sharp.


From left to right f1.8, f2, f2.8, f4


From left to right f5.6, f8, f11, f16


The multi coated process allows for deep contrasting that compliments the in and out of focus portions of any well thought composition. The straight 10-bladed aperture creates a lovely organic display of bokeh that is typically only found in much pricier prime optics at this focal length.

Iris opened to f1.8

Iris opened to f1.8

Having used this lens in many situations I have noticed flaring occasionally in the studio environment where a flag might have not been used with other more modern designs. This isn’t necessarily crippling for a rather flawless lens as it is easily correctable in most situations. Outdoors I haven’t noticed any flaring as long as the lens hood is implemented.

When possible I highly recommend shooting with a lens hood/shade, especially when it is this good, as it increases contrast by not allowing stray light to bounce around in your nifty chunk of glass. Often times sharpness is confused with lack of contrast and can plague the reputation of lenses from the miss informing improper user. The lens hood should be considered a part of the lens design for delivering optimal image quality. Why skimp when you’ve paid for the tools to be made available to you?

Raquelle Lawrence was gracious enough to model for this lens review.

High contrast outdoor location for recent head shots. Voigtlander 75mm f1.8 Heliar Classic & Sony a7 stopped down to f9

High contrast outdoor location for recent head shots. Voigtlander 75mm f1.8 Heliar Classic & Sony a7 stopped down to f9

The compatibility of legacy glass has been often questioned with digital sensors and their performance together. I find in this particular combination between the Sony A7 and the Voigtlander 75mm f1.8 Heliar Classic that the two work together most desirably. User skill level and purpose for creating the image should be questioned as often as image quality. How sharp do you need the bottom right pixels to be if it’s a faded off-white stucco wall?



100% corner crop also showing minor color fringing.


This lens really wouldn’t be my first choice for something demanding critical corner to corner image quality. Use a tilt shift and/or stitch multiple frames if that is the case. Picking the proper technique and tool for the job will make things work much easier. Now what this lens does do well is allows for a no fuss operation in creating wonderful stories with heaps of character. This is really important for me as I’m a dedicated wedding and headshot photographer. My equipment needs to allow me to make connections with my subject in a natural way.

Are we really looking at corner sharpness?

Are we really looking at corner sharpness_

The biggest draw back of this lens is it having such a long minimum focusing distance. Common with rangefinder lenses, this can be problematic if you work in cramped conditions often. A false sense of breathing room can be created with the coupling of the Voigtlander VM-E Close Focus Adapter. The two increase the usability of the lens and open up a new world of creative options while giving the ability to increase subject separation in close foreground objects.

VM-E Close Focus Adapter

VM-E Close Focus Adapter

Now while I seem to praise this lens in high regard for its technical merits I cannot stress enough that the joy of using the lens as an artists tool can often help produce more meaningful images for yourself or clients. The way it feels and operates is ever as important as how many coatings the elements have. From day one it felt like an extension of my eye, something that if it cost even more could not be afforded.

You can buy this lens and the adapter from CameraQuest by clicking HERE. 

Apr 292014


An Englishman in New York.

By Paul Bartholomew

After following this site for a number of years and being intrigued by how a rangefinder camera experience might work out for me, I finally pushed the boat out and bought a pretty pristine used M9. My first lens was a Carl Zeiss f/1.5C Sonnar – I felt it would match the sort of portrait and model work I normally do with my 5D MKIII.

As a low depth-of-field junkie, I had this lens calibrated to focus at f/1.5 (it focus shifts and is set at f/2.8 by default but can be adjusted). Although I love the lens (and I still have and use it), it was the wrong first lens for me. Once I had the Leica, I was eager to get out of the studio and on to the street. Once there, I found the field of view of the 50mm was too restrictive for street work – I knew I would need another lens at some point.

Then, a few months ago I needed to go to a book-writing symposium in Michigan – both my wife and I were co-authors and we decided to spend a couple of days in New York en route. I knew that I would need that new lens
if I wanted to get some nice street images while I was there. After much deliberation looking at reviews of 35mm and 28mm lenses at this site (thanks Steve!) and others, I ended up buying the Carl Zeiss ZM 28mm f/2.8 Biogon. I’d already worked out that I was going to be shooting with a zone focusing technique at around about f/5.6 and so I felt that the Zeiss 28mm f/2.0 lens would just cost me more and be larger without giving me much more bang for my buck (or pound!). Of course I did look at Leica and Voigtlander options too, but the Carl Zeiss offerings just seemed to hit that sweet spot of image quality, build quality and price!

So, how did the lens choice work out? Below I offer a set of images configured as a bit of a photo-essay. All images were shot with the little 28mm lens, all have been square cropped and all were taken within walking distance of our midtown hotel. It was tempting to try to just shoot the edgy and the eclectic, but instead I wanted to acknowledge my identity as a tourist – an Englishman in New York, and to produce images that captured that context.

Below then, I first offer an index image to the photo-essay series and then the individual photos in a sequence. After the images, I finish this report with a few words by way of reviewing this great little lens and offer my thoughts on my adoption of the Leica M system. But first…

9 Blocks: An Englishman in New York

Image 1: Lure of the Empire

Lure of the Empire

Image 2: Lady on the Corner

The Woman on the Corner
Image 3: A populated space

A Populated Space
Image 4: Argument

Image 5: Nonstop

Image 6: Lunchtime

Image 7: Skate

Image 8: View


Image 9: Don’t Walk


Why a Leica M?

Prior to buying my M9 I had hankered for a way of shooting that was more involving than the technically focussed SLR experience. I’d had a Olympus E410, a Canon 5DII and then my current Canon 5DIII. All capable tools – the 5DIII especially, but the experience of shooting DSLRs is, to my mind, rather like flying-by-wire – you control the electronics of the camera and the camera takes the shot. It’s all a bit sterile. My initial foray into trying to pull myself more into the shooting experience was to buy a Lensbaby Composer for my Canon – it forced me to focus manually, take my time and choose my moment. All good training for the Leica M to come!

When I invested in the Leica I was rewarded with exactly the sense of engagement I had hoped for – only it was much harder to shoot than I had anticipated! Using my 50mm f/1.5 at f/1.5 on the street was laughable - everybody moved too quick, I couldn’t keep up. Stepping the aperture down and zone focusing gave better results but the 50mm frame size was way too small for me to get decent results. I knew I needed a wider lens and (as you know) the 28mm f/2.8 was my choice.

So how does the lens perform? Well, on the streets of New York (and elsewhere since) it has been a fine choice. It feels really nicely made, the lens hood I bought for my 50mm seems to work just as well on the 28mm (I like to use a hood to protect the front element) and the quality of the images I have been getting – in terms of sharpness, contrast is exemplary.

Couple the image quality with a compact form factor and ladies and gentlemen we have a winner! Although I have little experience of other lenses on the M system, I still recommend this lens highly. I do have a bunch of Canon L
lenses and I would say the little Zeiss 28mm is my second favourite of all the lenses I own – second only to the rather special Canon 85mm f/1.2L II.

I know my M experience is limited, so perhaps I’ll splash out on a Leica lens for my M9 at some point – just to compare, but in the meantime the price and quality point of the Zeiss lens line up remains tempting and furthermore I’d contend that the ZM 28mm f/2.8 Biogon is right up there at the zenith of the quality/price curve.

Thanks for reading.


Nine Blocks

Apr 252014

Leica buys Steve Huff Photo!?!?! Whaaaat?


Hahahaha, got ya didn’t I? No, Leica has not bought this site even though a very few of you are leaving idiotic comments in my latest T review (see it here) implying that they did just because I loved the new T. I mean, really guys?

In any case, no..the site is not and has not been for sale and I will keep on and continue doing what I love to do here each and every day. That means that yes, more passionate reviews will be here over the years when something comes along that tugs at my heart and soul. Cameras that have done this in the past? Olympus E-M1 (where I was accused of being paid off by Olympus)..the Sony RX1 and RX1r (where I was accused of being in Sony’s back pocket)…the Leica M (where I was accused of just being a “fanboy”) or even the Nikon Df (where I was accused of now being a Nikon fanboy and paid by Nikon). Again, these are just comments from a very few, a teeny percentage of those who comment but it is absolutely ridiculous to even have one comment like this.

It is so funny to me that when I write a review with a lot of negatives or issues then people seem to get happy. Why is that? Are people just so negative and bitter that they love it when negative things are written? One reason I made the choice to NOT review cameras I do not like is because of this fact! See, I am ANTI negativity in life and ever since adopting this 5 years ago my life has changed for the better in every way, shape and form. A total transformation in my stress level (I have ZERO), happiness (I could not be more happier), and joy of life. It does not come from money (I am far far far from rich, live in a small cheap house in a not so great neighborhood) it comes from just being happy and knowing that we have one life to live here on this earth. Why ruin it by being bitter, nasty and negative all of the time? If you do not like something then so be it but to attack the messenger, that is nonsense.

Negativity come from jealousy, hate and an overall lack of happiness in life. It can be turned around if you really want it to.

To come to this site and leave idiotic comments such as “Leica must have paid Steve” or “Steve should change the name to” or “Sony paid off Steve” or “Olympus owns Steve“..well, those are just comments that spawn from hatred, jealousy and people who are just not so happy in life…or people who own camera brand A when I praise camera brand B, something that fanboys do to attack me when I am not so nice to their chosen brand.

Many people in life (and I come across many of them) love to put others down because in some odd way it makes the feel better for a moment or two. They feel like they know it all, when they know absolutely NOTHING about what they are commenting about! I always laugh when people leave expert opinions on cameras they have never seen, touched or used. It really makes me laugh out loud sometimes. My written reviews are from experience using the cameras, and I use ALL cameras even though I do not write about all of them. So my opinions are based on actual use. Does not mean you have to agree with me, as we are all different in what we like, but what you read is always my honest opinion. Period.

To those saying I have always been paid off by Leica, let me fill you in on a history lesson because yes, you need to learn as you know nothing about my situation with Leica.

Back when I started version 1 of this website I started it by reviewing Leica gear. The Leica M8 to be exact. I started this very website (over at the now defunct, with an “s” at the end) 6 years ago only because I loved the M8 so much that I wanted to share my love for it with anyone who would be willing to read it. I did NOT want to start a review site at that time, I just wanted to write down my real thoughts from the heart on that camera that was getting some bad press from those who never even touched one (users, not reviewers). Again, the know it alls who knew nothing about the camera! I was taking the best photos of my life with that camera and those little M lenses and I thought it was an amazing thing, even if it had IR problems and high ISO noise after 640.

So yes it had issues, (which I wrote about in that review) but for its time, there was nothing quite like it in IQ or Usability/Feel. For me, it was a revelation and made me want to go out and use it every day, and I did just that. To me, that is #1 in a camera before ANYTHING else and is why I despise bug DSLR’s for daily use. Sure DSLRs have great quality and IQ but when they are so huge and heavy with a decent lens attached it makes me want to NOT use them! So I fell for the M8 hard because at the time, it was the only thing around that was high quality and inspired me.

After writing the M8 review on the old iWeb blog I started something very strange happened. After just a few days I started getting e-mails from those who found and read the review telling me how much they enjoyed it. Many said they went on to order the M8 for themselves. “Wow” I said to myself. That is so cool. I was able to convey my emotions and love for this “electronic memory maker” so much that a few readers bought one! It ranked up on the 1st page of google after a few days somehow and people were seeing it and some people were buying the M8 due to what I wrote.

Then more time goes by and each week is a repeat of the last with even more emails. I’d say each week I would get double the e-mail about that Leica M8 review. It was crazy. Then something really cool happened. I received an e-mail from the music artist Seal telling me he really enjoyed my review. Then he said “we should chat sometime about it”. Now here I was, living in Indiana in a VERY small town in a VERY inexpensive house with literally NO income (was taking a year off after selling a small Ice Cream shop) and all I did was share my thoughts on a Leica M8 camera and I was getting e-mail after e-mail thanking me and now and e-mail from a guy whose music I used to jam in my car and home. How cool is that? I ended up shooting his Chicago show a couple of months later and it was an amazing experience for me, as that was one of my goals in shoot a concert like that with no restrictions. One of my images made his next tour program from that night.

As time went on Seal and I became great friends. He then introduced me to a Leica dealer named Ken Hansen who I immediately called to place a Leica order for the then new 28 Elmarit ASPH lens. I owned the M8 and then went for the 28 as my next lens to see how I would like it. Ken asked how I heard of him and I told him I was told all about him by Seal so he sent out the lens without getting payment up front. “Send me a check when you get it” he said. Wow. Amazing.

In any case I soon came up with an idea that would help benefit me and Ken but I had no idea if Ken would go for it as my site was so new with such little traffic. At the time there was no lens rental shop where I could rent Leica equipment so I asked Ken if I could rent lenses from him, review them and then send them back. I would pay him $50 or so for a week or two and in exchange he would get a link mention telling everyone that he supplied me with the lens. He was game for it and sent me a few lenses to try out. He told me he would send me used lenses if he had them and if he sent me a new lens he would sell it as used at a discount but he was up for seeing how it would go.

So I started reviewing Leica lenses on the M8 early on and each review got better and better and I really started to enjoy doing  them. No one online at the time was doing “real world” reviews. They were wall old school DP review tech style that were long and boring, to me anyway. None of them were done by anyone with real passion for photography. It was all about the money and business.  So I was indeed a bit different and was the very 1st real world review site that included all real world use photos, intense passion and even some personal posts that let everyone know just who I was and am. I even coined that real world term and because I reviewed in the style that I always wanted to see, and I was passionate at doing it it started to grow and grow. Much like the rock band KISS and how they started (now celebrating their 40th anniversary).

They started KISS because they wanted to be the band that they always wanted to see. At the time, most bands went up on stage in T-shirts and jeans and sang while standing still. KISS came out in makeup, outfits, and used fire and bombs while prancing around like maniacs. It worked because they brought excitement to the stage and with their passion and excitement at full force it brought the excitement level of the audience to the top. It was a great formula and one I used when creating this site.

I wanted to see a camera review site that I liked yet no one was doing it, so I decided after a few reviews to do just that and I dedicated myself to working on it every single day, and I did.

After the new reviews the site traffic was growing steadily and Ken Hansen decided I did not need to pay him a penny for the rentals. (as I was helping him by spreading the word about his services so he was getting a few orders). Ken has always been an amazing dealer and today I consider him the ONE guy that really made it possible for me to do this website, a true friend. Without his “rentals” early on this site would not exist today. Leica was no help at all back then and refused to even answer an email from me when I requested gear for review. That is, until traffic started to really grow and they started seeing the reviews and comments. Then they started to send me lenses by request and I no longer needs the Ken rentals ;)

As the new Noctilux came out, Leica sent me one to try for a few days. I always only had a few days, usually 2-4 days with a Leica product before they wanted it back. But I was just happy to get review samples. They then sent me a WATE for review.

As time went on Ken always helped me when he could and Seal helped me tremendously by inviting me on a couple of his tours and things just clicked. As I was on the Seal tour I met a ton of people who were fans of mine as well! It was so odd when walking in the airport one day with Seal and his band and someone ran up and said “are you…STEVE HUFF“! Lol. It was amusing to say the least. But that was not a regular occurrence. It happened sparingly but was still very cool to meet those who enjoyed my reviews and talk cameras for a bit.

So the more I shot with Leica the more I became attached to the cameras and lenses. I shot the entire Seal tours with a Leica M9, Noctilux and 35 cron. Many said I was nuts to trust it but I never had an issue that wasn’t fixable (until my noctilux fell apart during a show). I even managed to get an album cover using the M9 and Noctilux. So to me, Leica has always been my camera of choice due to MANY reasons, not just image quality. It has given me some of my best memories and usability also goes a long way with me. I remember  one night Seal handed me a Canon 1d MKIV or something like that and told me to try it out for a show. It was nice, it was HUGE, it was a beast and weighed as much as my Mini cooper. I did not like the experience of using it. I missed my M9 and manually focusing as it was a challenge. Snapping away with blazing AF and a zoom was NOT a challenge for me. It was boring and dull to me so I ditched that 1d and went back to the M9. Ahhh, heaven.

As time went on and the site grew and grew and more users were leaving comments, anytime I reviewed a Leica product I was called a “fanboy” by a few in the comments section. The Leica “haters” who hated Leica for one reason or another but probably because they could not afford it or because they see Leica as an “elite” brand who offer no value for the money, which is 100% not true BTW.  For the record, I was one who could never afford Leica but because I skimped on everything else in life I managed to get by with the M8, then M9 and a lens or two. I was not rich, not even close to it..not even well off but I knew that if I could own one thing it would be a Leica M. It gave me enjoyment in life.

As for the silly Leica hating commenters, for whatever reason they were always there, the minority of course, but they would come to my FREE site and bitch that I wrote nice things about a product that did amazing things for me. Made no sense. Over time I learned to laugh at these individuals as they were clearly so bitter in life that they felt better by attacking me. I would just reply with “I am a Leica fanboy 100%! I love their cameras as to me there is nothing like them and if that makes me a fanboy then so be it”!

As time went on I continued to review Leica and other camera brands that ticked my buttons. As Micro 4/3 was taking off with the E-P1 and GX7 one time Leica told me via email “stop reviewing that Micro 4/3 so much and write more about Leica”. This is from someone who is no longer with the Leica company but I responded with a chuckle like “yea, right”. I thought that was odd. But the more I wrote about other cameras the more I was ignored by Leica. Did not really matter to me at all but I thought it was a bit rude. I always had Ken to get my back if I need a product for review so all was good with me. Time marched on, Leica announced the X2 and Monochrom. I was invited to Berlin, surprisingly, to see the launch of the New revolutionary MM. I flew from AZ to Berlin (courtesy of Leica which surprised me) to witness the launch and I thought I would be able to test the camera so I could write a 1st look report and inform all of the readers here about the capabilities of the MM!

That was not the case.

When I arrived I saw familiar faces like Thorsten Overgaard, Eric Kim, Jono Slack, Sean Reid and many others who were also flown in for the event (though I think Thorsten drove). We all had dinner, had fun and attended the big shindig that night. What I saw was mostly over the top people with bow ties and suites, and from what I gathered, very rich people who were also acting the part. Nothing at all like me or my personality. I said to myself “So is this the real Leica? Not many here are anything like me..maybe they do want these cameras for the red dot and the prestige”. It was clear many there did only want that but there were also a handful there who were just like me, passionate about their cameras and photography. All was not lost.

I walked the room and was stopped every few feet by someone who recognized me from my reviews. I chatted with those people and had a great time. Then the camera was launched and then it was over. What? I do not even get to touch an MM? I flew across the USA to Berlin for a 3 hour event without even getting to touch a Leica MM? I was surprised by this for a few reasons but one of them was because a few of the guys I know who also write reviews.who were here..well, they all had an MM (besides me and Thorsten) in hand, with them. But when I asked my contacts at Leica they gave me a quick “let me see what I can do” and then ignored me and dodged me most of the night. Even my then buddy Seal called one of the top Leica guys and said “you really should get a camera into Steve’s hands so he can review it. It would be beneficial”. But no luck. I did not expect to take home an MM for review, just to hold one, fire off a few shots. I mean, they had them there but for some reason was not allowing me to see one. So why fly me there? Just thought it was odd.

At the end of the night I went to my room and wrote a report on the event and mentioned there were no cameras to be found for me to try. Maybe they were not happy that I was covering the launch with my Olympus E-M5 :)

The next morning it was magically arranged for me to test an MM camera. It was presented to me in one way but the reality of it was that it was set up by Leica through a third party to allow me ONE HOUR of use of the camera, with a chaperone. :)

That was good enough for me as I spent that hour walking the street of rainy berlin and was able to report on the camera so all of the readers here could see some info and my input on it. It was perfect and worked out great.

I was told I would get a review sample soon. But that was drug out and I was one of the last to get one for review. It was fine with me though as I did not care, I just wanted to review it. Besides, Ken Hansen would have helped me out if Leica didn’t so it did not mater to me. In fact, I preferred to go through Ken at this point and did purchase one from him.

Fast forward to the M. By now Leica was not sending me review samples anymore. In fact, my one contact there was gone and no one wold reply to my emails. I remember even Thorsten Overgaard trying to figure out what was happening and he called Dr. Kauffman on my behalf to tell him that they should really set me up with a contact in the USA for review samples. Still, no go though I was invited (but not flown out) for the M launch after Thorstens phone call. But I could not make it as it was the same time as my Photo Cruise! No M 240 review sample for me…

…So Ken hooked me up with the M 240 as I was put on his pre-order list as soon as I knew it was in the works. In other words, I was at the top of his pre-order list because I put myself there before anyone. I may have been 2nd or 3rd but I was able to by one from Ken. So I did a huge review of the M 240 (here) praising it as the best thing ever, and to me it was and still is (I still own it)! I love this camera. During that review there was so much hatred from Leica bashers and I was called the same things by those same few people and a few new ones who could not fathom the value of an M…”fanboy”, “Leica paid off Steve”, etc. Little did they know that Leica was not even communicating with me at this time and they did not even send me a review unit yet I was hearing things like “Steve gets free cameras from Leica, that is why he is positive to them“. But I let it bounce off of me as always and did not care as I still loved the Leica M 240 and knew it was the camera for me and I would never change my stance when it is all based on honesty, as all of my reviews are. If there was any bitterness between me and Leica that did not mean I would hate their camera, not at all. If it is good it is good. Expensive yes, but for me worth it.

Then came the X-Vario where I tore it apart and exposed the weaknesses and praised the positives. I was hard on it because it has a few issues that bothered me in real world use, though IQ was not one of them. After that review I had emails from some saying that I pissed off Leica! How could I piss them off if I was just being honest? Being honest about a camera is how it should be so the companies can FIX the issues in a later version or with firmware. Same thing I did with Fuji. I was hard on them because they had issues, real issues that other cameras did not have, at least in my eyes. They fixed just about all of those now in the X-T1. That is how companies get feedback. But a few of these camera companies are something else. Write bad things and they ignore you (as Fuji does with me to this day) but write positive things and they love you. Them moral of the Story is that I am always honest in what I write, it comes from the heart. Any excitement you see or read is legitimate and is how I truly feel. I could care less if that means a camera company stops sending me review samples because today I can just buy or rent them if I want to review them.

Paid off by anyone I am not.

So with the X-Vario I predicted a sales flop and it was/is. I predicted the X2 would not even come close to the X1 sales, it did not. I predicted the X1 would sell in did. I predicted the M9 and M 240 would do very well, they did and are. So my track record is good when predicting Leica sales.

With the new T I predict a winner for Leica. They WILL sell a ton of these just as they did the original X1. I say that not because I am paid off by Leica, but because I truly feel that after using the new camera for just a a week. It is a good product and as I said in my review, to those who like to own nice things, including a camera, then the T will be appealing to them. There is nothing wrong with the T, it is a highly capable camera and produces beautiful files from the camera. I could also care less if the sensor is older..even if it was 10 years old I would not care as long as it performed, and it does. Plain and simple. Is it the perfect dream camera? NO! Not even close but it is the 1s Leica to break ground and be original, and yes, it is original in its build, feel, in use and quality.

When I made the Sony RX1 my camera of the year for 2102 I was labeled a Sony fanboy .When I made the Olympus E-M1 the camera of the year  for 2013 over the Leica M, I was labeled an Olympus fanboy and many wondered why I did not make the M 240 my pick. When I tore apart the Fuji X-Pro 1, I was labeled a Fuji hater who only loved Leica and Sony. When I praised the Nikon Df I was instantly a “Nikon fanboy” which made me laugh out loud. I mean, to those saying these things..are you really that miserable in life that you have to sit around on web sites like mine just to make bitter and mean comments that have zero truth to them? Does it really make you feel better about yourself? If so, then you may need help. :)

I mean, ridiculous statements and comments that are not only rude but disrespectful to me..the one who works day in and day out to provide FREE information while getting very little back in the way of monetary compensation. I do this as it is my a passion of mine. Something I love to do. I live a simple life in a small cheap house, a small car and not much in life besides my cameras and HiFi because I love it. I would not have it any other way as it is a part of me. If you do not like what I say then there is an easy solution! DO NOT READ what I write! Go on, I dare you! The funniest thing is that those who complain always come back for more. They can not get away from the site and read all reviews I write. I guess that is why this site now enjoys the success that it does. The haters are even regulars :)

No matter what company makes a camera..if it is good and gets me excited to shoot it then I am in and will state my honest feelings about it.

As for me and Leica, well yes they did supply me with the T for review but in all reality, they had no choice. Look at the review. It has now had over 150,000 views and well over 400 comments in about 28 hours. That is a HUGE amount of exposure for them and the new camera. If it was a bad camera I would have said so. It is what it is! I am happy to work with any and all camera companies to test and do real world reviews of their products but beware, I will be honest. Like I said, it is a passion of mine and I will never go through the motions and rush a review. When I really like something, wether that is from Leica, Sony, Olympus, Nikon, etc then you will indeed know it.

So there you go. To all of you who have been coming here over the years I thank you all for your support, friendship, kindness and help in keeping this baby of mine going. To those who come here to bitch and moan, I do not feel you should come here but I appreciate you as well as yo do indeed add to my hit count at the end of the day! To those who will be offended at what I said here then I am guessing you will leave a nasty comment (never fails) in reply yet again. Well, it will be deleted if you do or not approved. Not dealing with it and it has no place here (one guy who felt offended and said I aimed my post at him dared me to approve his comment..seriously?). Don’t like it, move on back over to the other sites that welcome such nonsense and hate.

I hope you all have a great weekend and see you back here on Monday! BUT there is more to come today so check back later :) I will be out this weekend with the Mitakon 50 0.95 for E mount with the A7 and new A6000 (which is pretty sweet BTW).

1st test shot with the A6000 and Mitakon 50 0.95 at 0.95! This lens will focus as close as .5 meters. 



Apr 242014

Leica T Pre-Order links and more reviews!


With the Leica T review going live this morning at 6AM, or 12 hours ago it has enjoyed 98,000 views and almost 300 comments. Wow! As expected, the comments are mixed as it always is with any Leica product review or announcement. One one side you have the Leica haters and on the other you have the Leica fans. Then you have those who just appreciate nice things. Doesn’t matter, we have loads of choices these days and it is always best to buy a camera that MOVES YOU, no matter what it is.

Now that the T review is done and the camera has been shipped back to Leica I am hard at work on a new review for the Mitakon 50 f/0.95 lens I spoke about yesterday. I will be reviewing the new Sony A6000 (in hand) with the lens as well as the A7 so we can see how the lens does on an APS-C and full frame. I was told by Sony yesterday that I should be getting an A7s soon for review..well, not sure HOW soon, but soon-ish. Should be fun.

More T Reviews!

As for  the Leica T, let’s continue on with T day! I found all of the other reviews online besides mine and will link to the ones I really enjoyed. The more you know about it the better!

The one I enjoyed the most is from a guy I have huge respect for. I feel he is an amazing photographer and he also had the T for about 8 days. He was able to test it with BOTH lenses and came away with some gorgeous shots and interesting thoughts on the camera. Check out the review of the T from Kristian Dowling HERE. 

Next up is the review from Jono Slack, who always has a cheerful review of the latest Leica. Check out his thoughts on the T HERE. Be sure to click through to his sample images HERE.

Sean Reid who runs a pay review site published his review on the T this morning as well. You can see it here if you are a paid member.

So check those out if you like. There are 1-2 more online that can be found through google but all seem to say the same thing about the T ;)

Pre-Order Links

You can pre-order the T and all accessories or lenses at the direct links below:

B&H Photo has it listed HERE

Ken Hansen is taking pre-orders. Just e-mail him at [email protected] and tell him you want to pre-order your T! is taking orders as well!

The Pro Shop for photographers is all ready to take your pre-order.

Leica Store Miami is also taking pre-orders HERE.

Amazon has yet to put up the T for pre-order..not sure why they are so late to the game.

The T will ship in about a month from today give or take a few days. 



Apr 242014


The Leica T (Type 701) Unibody Digital Camera Review

If Apple made a digital camera, this would be it!

Se my Leica M 240 review HERE, or my Leica X-Vario Review HERE

by Steve Huff

The Leica T Video Overview 

The Leica T Becomes A Reality

Note: This review was done using a pre-production camera with firmware that is not yet final!

Thursday April 24th 2014, 6 AM: A few weeks back I published a story about a rumored Leica camera that I thought for sure was a fake camera photoshop job.  You can see the post here but I was not so nice with my words about the rumored camera as the images, which I thought were faked. It looked so much like a Sony NEX copy that I though Leica would never release such a thing. But as it appears, those images were indeed real and let me just state right now..IMAGES CAN BE DECEIVING and were in the case of the new Leica T.

The Leica T, some window light, an M adapter and 50 Cron. F/2


The Leica T is now a reality and yes, I have had the pleasure to shoot with one for the past 8 or 9 days and I will go on record to state that this is in no way like a Sony NEX, no way like a Fuji X and no way like a Micro 4/3 Olympus or Panasonic. It is indeed a REAL Leica digital, inside and out but a NEW Leica experience. So yes my friends, those images you saw were the real deal but until you really see what the new T is all about, AND hold one AND shoot with one, you will have no idea how super cool and fantastic it really is. No, it is not an M or anything like an M but it is something unique all in itself. Of course the Leica haters will never agree or get it or understand it, but that is OK as there are cameras made today for everyone’s tastes. If you have interest in this all new Leica system then read on my friends as I am about to tell you in 11,000 words and one 32 minute video more than you may want to know about the new T ;) 


Steve, do you want to try out the new Leica T?

When Leica contacted me and asked if I would like to be one of the very few to use and review the new Leica T camera system before the official launch I said “YES YES YES”! Besides, I was intrigued by the new T, mainly because I wanted to see what the real story was..the real deal if  you will.

If they were going to show me a $3500 plastic camera that was a bad copy of a NEX-7 I was going to tell them that they were screwed. In fact, if they were going to show me a run of the mill all metal $3500 camera I was more than ready to say “Leica, you are screwed”! So I wanted to see what it was all about to clear the air.


Before sending me the camera for review Leica invited me to New York City to preview it for an hour or so and to explain exactly what it was and why it was. I can say that what I saw/held and fired off shots with really surprised me as in build, in feel, in operation, fun factor and quality it was superb. It was indeed a Leica through and through. Though this time Leica has gone in a different direction than they normally do..a move to the future and a move to be different from the competition. Not only different from their previous cameras but different from what any other camera company has been doing. Not a huge departure from a typical APS-C mirrorless but enough of a difference to make it interesting.

Finally… Leica decided to deliver a German-made HIGH QUALITY interchangeable lens body camera that is a bit different and more unique from anything else out there with a very high level of “pride of ownership”. The Leica T is created from a solid block of Aluminum..a “Unibody” … much like the sweet Apple designs (macbook pro) that are currently on the market. But not only is the build and design up there with the best (if not the best) of APS-C cameras, the Leica T has a few tricks up its sleeve that will set it apart from other APS-C cameras out there today. There was a surprise that the rumor sites were not allowed to leak early on and it all had to do with the BACK of the camera (which ended up leaking 24 hours before launch anyway)

Oh, for those wondering..this is NOT an M mount camera but it CAN mount and use M mount lenses (with the new Leica M adapter that is an optional accessory) and it works very well in this way. More on this later.

My 1st Look at the T in NYC

Each and every T is made from a block JUST like the one you see below. Pretty cool.


I eventually flew to NYC for less than 20 hours just to take a quick sneak peek at the new T and as soon as I sat down in the meeting room Stefan Daniel from Leica handed me a solid brick of Aluminum and said “This is our new camera”. I chuckled..ha ha ha.. He said “No, THIS IS our new camera”! He then cued up a video showing how this camera body is made from a solid chunk of aluminum and just how labor intensive it is to make each and every T body. In fact, one of the video clips they cued up on the big screen was 45 minutes in length showing the hand polishing process that is painstakingly done by one gloved hand man for each and every T body made. It was actually 45 minutes of a close up of two hands and a T body being painstakingly polished. The exact way each and every body is polished, which tells me that these cameras are not a mass-produced piece of plastic..far from it.

Each T body is made with great care and attention to detail and each body takes a long time to create and assemble from the block chopping for each camera body to the polishing to the electronics to the assembly, inspection and testing. They just do not make them like this anywhere else.

Oh boy, this may be expensive” I said to myself.

FYI: The Leica T is a 16.5MP CMOS APS-C sensor camera using the same exact sensor as the Leica X-Vario (which is an amazingly good sensor for IQ though not the greatest for super high ISO) with an all new processor.

The new touchscreen system is an absolute JOY to use. Simple, smooth, fast and very intuitive. I have not seen anything like it in ANY other camera. This is a forward move for Leica, and IMO, a good one for this camera. The surprise is that there are NO buttons or dials on the back. It is 100% touch for the settings and menu. BTW, this is nothing like those Samsung Android cameras…


After an hour or so of asking questions, shooting with it and checking out the new M adapter made specifically for the T (with electronics to tell the T what lens is attached) I was intrigued. The new touch screen on the back takes up the ENTIRE back of the camera. It is a super clean design. No buttons, no mess. All touch screen and I can say that it works beautifully. Smooth, silky and everything takes one touch to change. It was much faster using this intuitive touchscreen than any button based menu system I have used. Impressive. For playback just swipe up anytime and your images pop up on the screen. Swipe to scroll through them, pinch to expand, etc. Very “iPad” like. (example of this is in my video at the top of this article)

Leica asked me if I would like to do a full review of the T before launch so I could have a review ready for launch day. I of course told them that I would be thrilled to review it and give it a full real world workout and then post my initial review on launch day.

While not perfect and not a “Dream Leica”  (would need an integrated EVF for this), I like this T system much better than the X-Vario for many reasons, one of them being that it will accept Leica M lenses, and it will perform exceptionally well with them. In fact, as already mentioned, Leica has even designed an all new ($395) adapter with electronics to take advantage of this feature.

Being an interchangeable lens camera, the T will have all new lenses made for it which most of them will be made in Japan (though they will not be made by Panasonic..this was confirmed with Stefan Daniel himself while I was in NYC. Could they be made in the same factory? Possibly, I do not know). The two launch lenses look and feel fantastic though not up to the build of the legendary M lenses (to be fair though, they are much less expensive than the M lenses and are not M lenses as they have AF)  and the performance appeared to be stunning from what I saw from them in NYC on the LCD. While the lenses do not come cheap, they are true Leica lenses through and through, only made in Japan to save you on the purchase price. Full Auto Focus of course while keeping the design and lenses SMALL, which is something that Sony has a hard time doing for some reason.

The 18-56 Zoom is as sharp as can be. This was taken in HARSH mid day 98 degree sun. These two guys were betting on horses… and losing. Still they were enjoying themselves and chatting away.


The Leica T is an all NEW system camera

The Leica T will start shipping at the end of May 2014 and there will not be a kit lens option, it will be sold as a body only. The camera will ship alongside two launch lenses, a very nice 18-56 f/3.5-f/5.6 zoom (giving a 28-85 equivalent) and a 23mm f/2 (35 summicron f/2 equivalent). Both lenses coming in at just under $1700 and $1900 respectively, which yes, is on the pricey side, especially for the zoom. But when I told them I thought the zoom was priced too high (and people will complain) Leica was quick to tell me that the performance of both of these new lenses is what makes them so special.

Still, to pricey for a system that is supposed to be more affordable imo.

I was told they are indeed REAL Leica lenses and in optical quality they are up there with the best of them. (though it does appear the camera does corrections on the zoom. Almost every mirrorless camera does this today from Fuji to Sony to Olympus, but since Leica was quick to tell me of the amazing optics of the new lenses it is sort of odd that they would need correction)

The zoom is incredibly sharp from corner to corner with no distortion or issues that I could find (besides the slow aperture speed) in JPEGS or RAW’s processed by ACR. This lens is similar to the one built-in to the Leica X-Vario which is an IQ monster but because it had a bad launch and is lacking in some areas (like no interchangeable lenses) it was not the hottest seller in the Leica lineup. In fact, the lens is the same quality as the X-Vario lens while being a little faster and smaller. The lens uses German made Leica  glass but is made in Japan.  Again, the lens offers the same exact quality as the X-Vario lens. No better, no less.

With the T, Leica is hoping to change this.

The Leica T with the 18-56 zoom – RICH colors seem to be a specialty of the T (click image for better version) 


Why Leica designed the Leica T System, and how they will compete.

Leica users are a very unique breed. Some buy Leica for the red dot but not me. As a Leica M user I am one who use their cameras not for the name, but for the craftmaship, the quality, the simple operation, the pride of owning a real hand-made and solid camera as well as the results. I am very passionate about my cameras and the act of recording memories, slices of life. I have always enjoyed using Leica cameras to do just that. I also own other cameras but I always get the most joy from a Leica when they are done correctly.

The image quality is always fantastic but the lenses and user experience is usually high off the charts. I am talking about REAL Leica cameras NOT the rebadged Panasonic models. The M system has been a dream of many photographers for years and years and usually those who dive in and go all in with an M system usually love it to death, and miss it dearly when it is gone.

The only problem with the M system is the very high COST of acquiring a full set up with just 2-3 lenses. It is quite ridiculous actually.

Leica is a small company and they make small batches of amazingly well made cameras and lenses but in no way do they push nearly as much product out of those factory doors as a Nikon, Canon or even Sony and Olympus. The reason is because the market is quite a bit smaller for Leica due to the cost involved in acquiring a full-fledged system (meaning, not as many people buy Leica as Canon/Nikon/Sony). Let’s face it, spending $10k for an M with one lens is NOT something that many of us would take lightly, no matter how good it is.

For many years now Leica users and wannabe Leica users have been asking for a more affordable alternative to the M, one with the ability to use those delicious M lenses. The T answers this. Users also want new more affordable lenses. The T answers this as well, sort of. Previously Leica has tried to fill this gap with the X cameras but they always fell a but short as they could NOT take M lenses or any lens besides the built-in lens that came with the camera!

The T with the legendary 50 Summicron at f/2 using the Leica M adapter


In 2014 Leica now has a new much larger and more efficient factory and with the new capabilities in manufacturing they have decided to produce the new more affordable German-made Leica T system and go forward with the Leica philosophy without losing sight of what that is.

The fact is that the Leica T is now the “affordable” Leica system that will give you the “NEW” Leica experience while keeping many of the charms and features intact that we all love about Leica. Mainly, SIMPLICITY, QUALITY and FUN FACTOR. 

The Zoom lens really is fantastic. 


Those words above are very important for me when I choose and use a camera. It has to be simple. It has to have superb quality. It has to be fun and inspiring to use. For me, the Leica X-Vario failed in a couple of these areas and the X2 also came up a bit short while being crippled by the fixed lens, and I said so in my review of that camera. So will the new T be able to win me over? That is the question I wanted the answer to, and thankfully, I was about to find out.

After I was shown the new Leica T camera in NYC I was asked “How much do you think this will cost, body only” answer was “$3499″.

I thought for sure it would range in between $3000 and $3500 as this is LEICA we are talking about and Leica is NEVER cheap or affordable AND this guy is made from a solid brick of Aluminum and hand polished. After showing me the insanely labor intensive process for making just one single T body, I figured it could have been even more than $3500! But after my guess of $3499, I was told the answer of how much a T will set you back.


Yes, the Leica T will sell for $1850, body only. You choose what launch lens you want and buy it separately. The Zoom or the Summicron or even maybe (depending on the thickness of your wallet) an M Lens or two using the new adapter. I have NOT tested the new Summicron, only the zoom and a 21 Super Elmar M lens along with a 50 Summicron M lens. Both did well but I preferred the Zoom to the 21 Super Elmar. 

Again, using the M adapter with the 50 Summicron at f/2  - Get the true Leica look using M lenses.RICH IQ and color/depth from the sensor. Beautiful. Click image for larger view!


Now before anyone gets in an uproar for me calling this the “affordable” Leica keep in mind that this is a REAL Leica, made in Germany and that adds value no matter what your thoughts on Leica are.

For a real made in Germany Leica, $1900 is very reasonable when going by the history over the past 10-15 years. Look at the cost of an M7 or MP or M-E or M240. Even the X2 is $2000. The D-Lux and C models are made by Panasonic, not Leica and this is why they are more affordable.

As for the new T, it has an amazing build, heft and feel. The build surpasses just about any other APS-C mirrorless camera I have used. When I say this I am referring to the feel of the dials, the solidness of the body, the smooth sound of the shutter and the little details like the battery system that is just like a mini Leica S battery system. It has a pop up flash that is as smooth as butter and the main thing is that it is incredibly simple to use, even without reading a word of the manual.  It’s all in the details my friends. If you want quality, it is right here. No muss, no fuss.

The Leica T, from a build and construction standpoint is amazing. A real Leica that will last many years. When you add to that the new touchscreen navigation (no buttons on the back at all) that works amazingly well and smooth, the fact that the IQ is equal to and can even surpass the cumbersome X-Vario and the fact that you can use Leica M lenses or the new Line of lenses then you have a home run for Leica fans and for those who were never able to get into a Leica M due to financial reasons.

Will this give you the IQ or feel of an M? Not really, though it can get very close when using M lenses. With the new system lenses you will get X-Vario IQ and beyond because now you will not be stuck with one slow zoom, it will only be one of your options ;) Yes! You now have OPTIONS, which is GOOD.

The T is a serious IQ machine. With the 50 cron. 


The IQ is technically the best I have seen from any APS-C format sensor camera BUT more enjoyable to use than the X-Vario (IMO) and other APS-C cameras (for me). The speed of the AF is the best I have seen from a Leica and while not blinding and blazingly fast it is actually pretty snappy and quick when using the zoom (though it can hunt a little in low light with said zoom lens). The new lenses announced are just as sharp and beautiful in IQ as the M lenses with a bit of lower quality construction to save you money.

$1900 for the body is fair, especially for M shooters wanting a backup. But beware! The T system CAN and DOES get expensive when you start to add-on the accessories like the Visoflex EVF, the Adapter, and the two new lenses. In fact, a fully pimped out T system will set you back close to $7k with EVF, both Leica lenses, Adpapter for the M lenses and the slick leather camera case and cool leather bag. Yep, around $7 grand for the whole kit and caboodle, which is the cost of one M body by itself without a lens (which will not give you that much more in the IQ department, but it is an M) or the cost of a Fuji X-T1 with several lenses.

Bu of course one does not need to buy it all, that $7k estimate is if you wanted EVERYTHING with the new T to start off.


This T is a mini-fied M type futuristic body with a grip, takes lenses, has a dedicated M mount adapter so the M lenses can communicate with the camera and a unique swivel external all new EVF (Visoflex) with built-in GPS. The touch screen (which does NOT swivel) is a move forward for Leica and I would not doubt that this new touchscreen navigation and control system, if successful and liked, will make its way to the next M camera in a couple of years…my crystal ball says 2016. Leica is moving ahead to the future and while almost any camera today can give you superb results, a camera is so much more than IQ and results. Everything with the T oozes quality, even the way the strap system works.

I have said a million times that a camera MUST inspire and MUST do everything else right to be able to bond with it, and when you bond with a camera it is then that you can LEARN and GROW. Joy of use goes a long way today and many cameras fall short of this. So how does the new Leica T do in this area?

Easter Eggs – The 50 Summicron wide open at f/2


OK, let’s get this Leica party started..

The Leica T arrives to my house

After I arrived back home from previewing the Leica T in NYC it was only a matter of 3-4 days before a pre-production model was delivered by Fed Ex to my house. I was told by Leica that I had it for 7 days (they previously told me two days, which would have been almost impossible).  I was a bit worried that I would not be able to do a full and complete review in only 7 days (usually takes me 2 weeks) but I knew if I worked my ass off I could, and with a new Leica in hand of course I was ready to do just that. Besides, I do not consider this stuff work at all as I love it of course! How lucky am I? (very)

Inside the shipping box was the silver camera body, the 18-56 f/3.5-f/5.6 zoom lens, a battery charger and Leica M adapter. No manual, no specs, no instructions, no info..nada. I was hoping for a box but nope, just bare bones. In a way this was a good thing because it gave me a chance to see just how simple this camera is to use. With two control dials, a shutter and movie button, there was not much to figure out besides the new touchscreen navigation/menu/setting system.

After 2 minutes I had the touch menu down and was easily changing settings, setting up profiles and all was good in the world. Even using the M adapter and some M lenses proved to be effortless. Everything was simple and logical. No confusion. No special settings. No oddball menu configuration needed to set up the adapter. It just worked.

The Leica T houses the same sensor as the X-Vario, which is a good thing and a bad thing. For one, the sensor does have a very nice quality to it as you can see in my X-Vario Review HERE. Great color, sharpness, and that Leica IQ bite to the images. The one weak spot with this sensor is that it is not quite up to the levels of the newest cameras for high ISO. ISO 3200 is about as high as I would use even though I did go up to 6400 for one of the shots in this review (which you can see below)

ISO 6400 in a dark mining tunnel. In reality we could see nothing but the man in the back. Using the slow zoom the camera chose ISO 6400 in Auto Mode and the view in the EVF was grainy, so I assumed the image was going to be awful. But what I saw on my screen surprised me. ISO 6400 shot in the dark was actually usable with good color.


BELOW: ISO 1250, converted to B&W using Alien Skin. Notice how detail is kept and the grain does not look offensive in the slightest? Yep, just how I like it. I can not stand it when a camera adds smearing NR to the files. 


Speed Demon?

(Speed, handling and response)

The Leica T is NOT a speed demon if you compare it to something like an Olympus E-M1… as you may expect. Then again, no camera I have used matches the E-M1 for speed and response besides the E-M10! Not even the Canon 6D or Fuji X-T1 beat the E-M1 for me in speed. So comparing the T to the E-M1 showed me that the T is slower than the E-M1 in AF speed. Of course..I knew that before I tested. I can tell you that the T just about matches other mirrorless cameras for AF speed and beats the older Fuji’s by a mile (all before X100s and X-T1). This is a good accomplishment coming from Leica, the king of the manual focus lenses. AF speed is good, no question.

The fact is, Leica has never been about making cameras for sports or fast action shooting. Nope, Leica, for me at least, has always been about shooting LIFE. Always have been, and I think always will be. With Leica you can strap the camera up, take it out to the streets or anywhere you go and you can capture life as it happens. This is how I have always used my Leica cameras as they somehow inspire me to go out there and capture things that I do not normally capture as well with other cameras. It is a strange thing and could be mental but if it is  mental then I am happy that there is a camera that does this for me ;)

As for the build, feel and presentation, it is superb. As I said earlier, do not let the images of the body fool you. The camera is actually gorgeous in design and build. It is as solid as it can possibly be with a nice feel if not a teeny bit on the small side. If you have larger hands you may want to add a case for extra grip. But yes, this camera is small, but it is VERY sexy in the flesh. When you hold it you will realize right then and there that this is indeed a REAL Leica and not one of those Panasonic re-badged cameras.

The battery of the Leica T works like it does on the megabuck S system camera.



The battery is pretty cool as well and works just like it does with the S System. It clicks in and out and the battery cover is attached to the battery. It keeps the camera sleek. With minimal dials and buttons the camera looks a tad futuristic. Funny coming from a company who has always clung to their classic history and design. For example, the Leica X2 looks like a teeny M in design. The X-Vario also looks like an M in design. The T is going off in an all new area for Leica and while it may appear to look like a Sony NEX, it is quite a bit different but cut from the same cloth as a few other mirror less designs. The difference is apparent though when shooting with and actually using the T as the whole user experience is all Leica.

As for getting back to the speed, the T is more responsive and faster to auto focus than the Leica X1, X2 and X-Vario. It is the fastest German-made Leica to date, and for me it is about the equivalent of Sony NEX or E-M5, a little bit faster than the Sony A7. So while not up there with an E-M1 it is very close to everything else when using the 18-56 Zoom (the only native lens I had to try).

No problem catching this racing horse with the T and the 18-56 zoom. Click for larger!



As always, Debby is ready with a smile to help me along in my reviews! Once again, the kit zoom. EXIF is embedded.


Think of the Leica T as a souped up X-Vario with interchangeable lenses in an easier to hold form factor with a bigger “cool” factor and more fun to use.

From the strap system that is much like what you see on a few fancy limited edition Leicas (which is proprietary) to the battery (which is also proprietary) to the oddball shaped external EVF (which is a Leica made EVF this time from what I can tell), the Leica T is a very cool camera system that surprised me by just how well made and unique that it is in its design and usability. It is something “special” that we do not get from other cameras in this category and you know this when you use it and especially after spending some quality time with it.

With the zoom lens the camera has a biting sharpness and great micro contrast that makes images POP with color and depth. This is a direct from RAW file, just resized.



My time shooting with the T

When the T arrived I immediately charged the battery and attached it over my body for the next 7 days. I took it with me when I left the house or went anywhere. I took it to Turf Paradise, the horse track in Phoenix. I brought it with me in the 98 degree sun when I drove four hours to visit Oatman, AZ to see the burrows that roam the town freely. I had it with me around town and around the house. In use it always was 100% solid and never gave me one issue. I did not miss shots from any oddball problem and it never froze up, never mis focused and never ran out of battery.

I was expecting issues as this was not a production camera or final firmware but the T kept on trucking and gave me no issues. I shot some video just to test it and while this is no pro video shooting machine, the footage looked nice enough.

Using M lenses was a joy for me, very easy to shoot and focus.

The cool thing about the T is the fact that it is very fun to use due to the massive touchscreen LCD on the back. It all makes sense and you will not need any manual with this when you crack it open and power it on. It is all right there. You can customize the camera menu with your favorite settings just by dragging an icon to the camera graphic. You can delete a photo by dragging it to the trash. Change ISO with the thumb dial up top or a touch box on the back. Many will not enjoy the touchscreen though as you do need it to change exposure compensation. One weakness of the TS that I found.

Auto ISO is a breeze as you can set up your max ISO and min shutter speed. Everything you need to be able to take fantastic photos is there and nothing more. As I said, the key thing about a real Leica cameras is SIMPLICITY. The T is SIMPLE to use.


The $1700 18-56 Zoom Lens

When Leica sent me the T for review they did not include the ONE LENS I wanted to really shoot with, the new 23 mm f/2 Summicron (which gives us a 35mm equivalent). Instead they sent me the slow ass zoom which reminds me very much of the zoom on the X-Vario. It’s sharp, it’s crisp, it has amazing color rendering, corner to corner sharpness even wide open..sounds perfect right? Well, NO it is not perfect because it is damn slow in the aperture dept!

With an aperture of f/3.5 to f/5.6 it is yet another slow zoom lens from Leica.

But with that said, if you do not need the speed then this lens is the best little zoom I have shot with. It offers a 28-85 equivalent in a very small and well made package. This zoom is smaller than Fujis 18-55 zoom and smaller than the Sony Zooms and performs better. It is a nice size and part of that reason is because it is a slower aperture zoom. For daylight and mid-light use, this zoom rocks. It does indeed come with a lens hood, which I never did end up using at all and I had no issues with flare.

Here is the Leica 18-56 Zoom next to the 50 Summicron f/2. The cron is a SMALL lens so you can see that the zoom is not much larger. 


With the IQ so good coming from this lens it is up to you to decide if you want it. I dismissed it at first but the more I shot with it the more I realized just how versatile it is. This one has something about the way it renders the images that I really enjoy. That Leica crispness and color is just there in every shot.

It does not do well in low light though (due to the slow aperture) but if you had the zoom and the 23 f/2 Summicron you would be set. I think Leica did not make the lens an f/2.8 zoom because they wanted to keep the size small and not look ridiculous on the camera. An f/2.8 version would be quite a bit larger while keeping the same quality. But Leica, where is the 50mm equivalent?

In any case, the lens is not some optical tour de force. It is in fact a lens that needs software corrections which are all done in camera and by ACR or Lightroom when processing RAW. Almost all lenses and mirrorless cameras todays provide corrections to lenses, even the mighty Sony RX1, without the corrections these lenses would have barrel distortions and vignetting. So software correction is necessary.

The Leica M 240 provides corrections as does the Fuji’s, Sony’s, Olympus and Panasonics of the world. No big deal but at the price of $1700+, the lens really should not need it.

The 18-56 zoomed out to 56mm – click for larger and better version to see the perfection in this lens It is quite special. Leica knows glass.


The cost of the zoom lens is also very expensive at $1700. I feel (or wish) it should be around $999-$1200 but then again, that would not be very Leica like would it? IN MY OPINION, after using everything out there it offers superb performance that beats the Fuji, Sony, Oly lenses in this zoom range when shooting in daylight but suffers in low light due to the slow aperture, and some of those other zooms are faster at f/2.8 and thus, better for lower light. This Leica zoom has the same X-Vario weakness, aperture speed. The cool thing is that this time we can take this lens off when the lights get dim and put a faster lens on unlike the X-Vario experience.

The Visoflex Electronic Viewfinder


The new external EVF from Leica is quite unique. It looks like one of those submarine periscopes when mounted on the camera. It is an oddball design but I like it, which some of you may not. But I always like oddball things.

Here is the I write this review the camera or anything associated with it has NOT been announced yet. It will when this review goes live on April 24th at 6AM (and by the time you are reading it you will know all about this camera and accessories as Leica will have spilled the official beans on it). But right now, for me, I have no idea on the specs of the EVF!  All I know is that it has GPS built into it and will sell for $600 or so. I do not know the resolution or specs, when I do (which will be the same time you do) I will update this section. (2.3 million dots)

In use it is a joy to use and while I would MUCH rather have it built-in to the camera (When will you get this one right Leica?) the new Visoflex offered a nice experience. It is sharp enough to manually focus M glass without using magnification, at least for me. You can choose 3X or 6X magnification when manually focusing an M lens though.

In low light the EVF gets a little muddy like mostly all other EVF’s on the market but still works great and is easy to frame with. It is not as huge as the new EVF in the Fuji X-T1 or Olympus E-M1 but it is not small either. I’d say it is maybe the 3rd or 4th best EVF I have shot with ;) For $600 I was hoping it would be up there with the best in size but it is not. Still, this is Leica and it is a bit better than the last EVF offering that was an Olympus EVF-2 in disguise (or so it seems).

BTW, this EVF is IMPOSSIBLE to ever be used on the M 240 as it will l NOT fit. Impossible. So the rumors saying that this was a new EVF that could also be used on the M 240, that is wrong and false 100%. I tried it, does not fit, at all. Not possible. Besides, if Leica releases a new EVF for the M 240 I expect it would be better than this one. Then again, I imagine the next M will have a built in hybrid style EVF/RF.

Using a Leica M 21 and 50mm with the T


Just look how bad ass the T looks above with the 50 Summicron and EVF attached! Remember that the body as you see it in NO WAY feels cheap. It is SOLID and you can feel it when you hold it. You feel METAL. Polished metal. The Unibody design is a treat for the eyes and the hands. As for using M lenses on the T..

THIS is where I found the T to be pretty special. With the new fancy and expensive $395 adapter from Leica I was able to mount M lenses to the camera and use them without any issues. The adapter will read the 6-bit code from the lens and communicate this information with the camera. This way, the T will know what lens is on the mount, which is very cool.


On hand I had a Leica 21 Super Elmar and a 50 Summicron and both performed flawlessly without any issues whatsoever. The 21 performed great without any colored edges or softness or issues. Yes, this is an APS-C sensor so it is not as demanding as full frame but many of you will remember that even on Sony NEX APS-C cameras there are issues with many wide angle Leica lenses. On the Leica T the 21 did great and the 50 gave me results that looked just like I would expect with the full 50 Summicron character shining through. Crisp, bright, 3 Dimensional, sharp and with superb color or B&W conversion. Take a look at the images below for some quick samples. The 1st image is with the 21 wide open and the following two were with the 50 wide open. Click them for larger!




Things that could have been better with the T?

Many will say “Why didn’t they make the T with an M mount! This would have been a TRUE Mini M”! Well, yes it would have but then we would have been stuck with only VERY expensive lenses and no new more affordable versatile zooms and primes. Leica wanted to create a body that was under $2000 with a new mount for which they could provide a new line of lenses for. AUTO FOCUS lenses that are made in Japan but using Leica glass and design. Again, the lenses are not made by Panasonic (according to Stefan Daniel) and are supposedly true Leica lenses but made for the new T mount in a more affordable manner. This way many more can get into a Leica system and later on they can add M lenses if they desire. But still, an M mount T would have been cool for many of us who own a ton of Leica glass.

So do I wish this T was an M mount? Nope. Due to the fact that it has a new mount it opens up possibilities, like the new Zoom for example. Auto Focus, etc. Besides, M lenses can be easily added via an adapter and the adapter seems to be a perfect match for the camera and M glass, so in a way, for the cost of the adapter you get a T mount and M mount camera. Leica made the right choice which means we get more choice.

Which leads me to the M adapter.  It is $395 and does have electronics that will read the 6-bit code of the M lens (provided it is 6-bit coded) and tell the T which lens is attached. Is this for corrections? Maybe, Leica did not say but the two M lenses I shot on the T worked fantastic.

High ISO. This could have been better on the T because at 3200 and 6400 we do get some grit and noise but it is not much worse than current cameras and slightly bests my E-M1 so for me not a huge deal as I have had zero limitations shooting an E-M1 in any light. Up to ISO 3200 is good but I’d stay up to ISO 1600 to be safe if you are allergic to noise. The good thing about Leica is that they do not apply that nasty noise reduction like most cameras so the results stay sharp with noise. Just how I prefer it. Still, the high ISO should have been better. No real excuse for this one.

Weather Sealing? They could have added some weather sealing for peace of mind. The T is not sealed but a Leica at $1900..I would not expect it to be sealed. Remember, this is Leica.

EVF Visoflex cost. This could have been a couple hundred less. As it is it is 1/3 the cost of the camera body itself. It does have a built in GPS but for $600 I would expect the worlds best EVF experience, and this is around the 3rd or 4th best. For Leica to make this a true drool worthy camera they should have put in a built-in EVF. How many times does this need to be said?

No image stabilization? Should have been in the camera, period. 

Slight lag after taking a photo in single shot mode. When you shoot a frame the LCD displays the image which seems to make the camera lag for a brief moment. If you want to shoot one shot after another, choose continuous mode because in single shot mode you will have a very brief moment between shots due to the display pulling up the image. This could also be a quirk of the pre-production model and not so final firmware. Nothing major and did not affect me shooting but just wanted to mention it. Also, C mode worked great when shooting at the horse track. I was surprised at how speedy a Leica could be ;)

More lenses at launch. As it is we have TWO lenses at launch (more to come). The 18-56 f/3.5-f/5.6 for $1700 and the 23 f/2 Summicron at nearly $2000. So we have the slow zoom, which suffers from the X Vario syndrome (need good light for good results) and we have the 35 Summicron equivalent, which is good but where is the 50 f1.4 equiv or even a 50 Summicron equiv? I asked about future lenses and they said there were more coming but I have no idea of when. Lenses make a system, so it is a good thing that we can adapt the M lenses to the T and Leica knows this. One cool thing is that many old vintage lenses can also be adapted and they can be found cheap in some cases.

Other than that the T is a pretty polished and solid product. If it had a built-in EVF it would have taken a superb camera and made it even better, almost perfect for a Leica IC camera. As it is, I still enjoy it and the EVF experience as it is, well, it is very nice and is all we get.




Accessories for the T

The T will be shipping with some accessories that will be available at launch (or should be). Below is a quick list of the ones I have seen in person:

  • A system camera bag. Leather and even fits an iPad mini. I saw this in NYC and really liked it. Would fit a T, two lenses, a charger and an iPad mini.
  • The M Adapter. Electronic contacts to recognize what M lens is attached to the T. A premium adapter that works well. A must for M users.
  • The Visoflex Electronic Viewfinder. Has built-in GPS and looks like a periscope and at $600 it is not cheap.
  • Leather half case. I saw this as well. It is grey and fit the camera very well.
  • Various rubber and colored straps
  • Colored camera “shells” to protect the body while looking cool in colors such as orange, yellow, etc.

So the accessories above are the ones I know of and I think they should all be available when the camera ships at the end of May 2014.

The T in NYC with the leather half case, 35 Lux and the EVF


Miscellaneous things about the T

The T is a unique camera. With the build, the feel, the unique experience of the touch screen and the “apple like” design and cool factor the T is a very nice camera.

The Leica T App to connect via WiFi is now available at the App store


  • BUILT IN 16GB MEMORY – Other things about the T include the fact that it has 16 GB of built-in memory. If you forget or run out of SD card space no worries, just use the built-in memory. 16GB is quite a bit and this was cool of Leica to add this. All camera should have this feature!
  • Built in WIFI – Leica has an app that you can use to control the camera with the WiFi feature. I have not tested this yet but will soon!
  • HD video – The T has 720 or 1080P video. While not the best camera for shooting video it is the best video on a Leica to date.
  • It comes with a real plug-in charger not just a USB cable.
  • It comes with a very different kind of strap. It is made of rubber. It grips your shoulder. It attaches in a unique way. ;)
  • No AA filter so this is one reason why the images are so crisp.
  • As I said earlier..if Apple made a digital camera, this would be it.

This little burro was standing away from all of the others just baking in the sun. 18-56 Zoom. Click for larger to see the sharpness and color.


Leica Promo Video for the T

Leica has produced some interesting promo videos for the T which you can view below.


Below is a simple test shot with ISO crops at 100, 800, 1600, 3200, 6400 and 12,800. What is nice about the T is that Leica does not add detail busting noise reduction, so while you see some noise at 3200 and up it is not offensive and your images retain detail. What you see below are direct OOC JPEG crops.


PROS and CONS of the Leica T


  • Beautiful Design
  • Beautiful Build, best of the mirror less APS-C lot
  • Made in the new Leica factory in Germany by Leica!
  • New line of lenses with AF, more to come
  • Superb Leica IQ – sharpness, detail micro contrast and color
  • Can shoot M lenses with the new Leica adapter!
  • No AA filter!
  • Left thumb dial is easily configurable by touch
  • EVF has GPS inside and is a good EVF for Leica
  • WiFi inside for use with new Leica App
  • New touchscreen interface is super slick and works EXTREMELY WELL
  • LCD is large and gorgeous
  • Best HD movie of any Leica to date (Still doesn’t compete with Sony/Panny)
  • Best AF speed of any German made Leica to date. (Doesn’t compete with Oly E-M1/E-M10)
  • Good JPEG quality out of camera
  • Files have the Leica look in color and look/feel (follows the X IQ tradition)
  • Never had an AF miss, always locked on even if it had to hunt for a bit to do so
  • $1900 for the body is a good price for what you are getting..a REAL Leica
  • 16 GB of built in memory in case you forget or lose your SD card!
  • Cost is high but value and pride of ownership is high
  • Cool pop up flash activated by the power dial
  • Clever accessories to make this a true “system” camera


  • Wish it had a built-in EVF!!
  • NO IS in the camera or lenses!
  • Camera does do software corrections for lenses as all cameras do these days.
  • Fastest shutter speed is 1/4000th not 1/8000th
  • Can not use studio lights and EVF at the same time
  • No swivel LCD
  • ISO 3200 and up could be a little better
  • No real image stabilization
  • Camera is not a fast action shooter!
  • Very Slight lag in single shot mode between shots, could be firmware/pre-prod camera issue
  • AF with Zoom can hunt a little in low light!
  • Lenses are overpriced
  • Some may not like proprietary strap and battery
  • Cost of EVF is $600 and smaller than competing EVF’s from Fuji/Olympus
  • Slower (around one second) startup, LCD does not tilt (but EVF does)

18-56 Zoom!


Full Size files from RAW

Below are three full size 16MP files from RAW. To download them RIGHT click on them and open in a new tab or window. All three were shot with the 18-53 Zoom, and EXIF is embedded. You can see just how share this lens is, in fact, it does not even know what the word “soft” means ;)




Leica T Q&A

Just a few questions and answers for those who are curious. If you have any questions about the T, email me HERE and ask. If I know the answer, I will add it to this section.


Q: Is the Leica T only available in Silver?

A: Leica will release it in black later on, could be a while (I now hear July). BUT I have seen the black and the silver and the silver is the way to go 100% IMO. The black is a bit dull in person, at least the one I saw. Still, some will always want black so it is coming, just not at launch. 


Q: Are the new lenses going to be made in Silver as well?

A: Nope, Leica tried it and they said they did not like them in silver as they looked cheaper and larger. So black only.


Q: Why wouldn’t I just buy a Fuji X-T1 and 3-4 lenses instead?

A: The Fuji X-T1 is nice. Best Fuji X to date (my review) but the Fuji is a different kind of camera. First of all, I much prefer the IQ and rendering of the T’s sensor as I just do not like the X-Trans look, my personal thing. Second, the T is made and built to a much higher standard and feels “right” than any other mirror less APS-C camera.  Third: It all depends on what you like. If you want a Leica then you will get the T. If you want a Fuji, you will get a Fuji. Both are fantastic as are mostly ALL cameras today. Even Stefan Daniel talked with me about this when he saw a Panasonic GX7 around my body. He said “that is a great camera and most of them are today“. When I asked him how Leica would compete with the likes of Fuji, Sony, Olympus he said something along the line of “It is about the experience and the fun factor..the joy of using the camera as well as the image quality..the build and design“. He is correct and is the same thing I always say..maybe he is a regular reader of my blog :) In any case, the T will offer a little bit more of a slower experience but one with amazing IQ possibilities and using M lenses is fantastic on the T.  Strangely enough, The Fuji is more of a “Photographers Camera” though, an area that Leica has always excelled at. Many will prefer the Fuji, plain and simple. At any cost. But if you want the best M lens solution for APS-C, the T is it. 


Q: Should I buy the T or the M 240?

A: Totally different cameras and IMO, they compliment each other. Just as the M Monochrom and a T would. The M is tops for me in joy of use and overall pride of ownership. It inspires me like no other camera. It is just so damn expensive when you start adding lenses to it. The T can get you close to the M IQ for much less cash, and when you have more cash you can add an M lens or two. But one is a rangefinder. Both are a live view camera but the T is the superior live view camera. Both are very unique in their own way and both are 100% simple in operation without anything to be confused about. Both offer stellar IQ. I think many M users will pick up the T as a backup/2nd body. Others will want to save money and buy a T. But the M is a different experience, which is what makes it the most unique digital camera today. The T offers some of that flavor but in a much different way. I enjoy both and the IQ is stellar from both.


Q: Will the T work for indoor low light shooting such as my kids running around?

A: Well, depends on what lens you have on. Using the 18-56 zoom will not do it for you at all. I’d be using a fast M lens, even a Voigtlander 35 1.2 (that you can buy HERE) or 21 1.8 (review here). The camera is not a super fast AF camera when the light gets low. Also, the new 23 mm f/2 summicron looks great. I was able to shoot with it in NYC for a few frames and it seems to AF faster than the zoom and offer real 35 summicron IQ. That would be the best bet for indoor as you will get a wider angle and some speed. But I have yet to test it in the real world. Still, that would be the main lens for me with the T.


Q: Is the JPEG quality usable and are there different color modes?

A: Yes, the JPEG quality is pretty crisp and clean, just as it is with the X2 and X-Vario. When shooting JPEG you can choose between standard, natural, vivid, B&W or High Contrast B&W. Vivid is super saturated with high contrast (too much IMO) where Natural is the opposite with washed out colors and low contrast. Shooting RAW though is always best!


Q: Are you sure that Panasonic does not make the Leica T lenses?

A: All I am sure about when it comes to who makes the T lenses is what Stefan Daniel, one of the head honchos over at Leica has told me. When I asked him face to face, eyeball to eyeball “Does Panasonic make the T lenses”? He said “No, Panasonic DOES NOT make the T lenses”. So that is all I know. I am relaying the info from Leica to me to you. Now if they do make them then that makes Stefan Daniel a liar..a fibber. Not me :) I think they look mighty similar to Panasonic lenses but why would they lie about it? Panasonic makes amazing lenses, and even has a partnership with Leica, so if I were Leica I would choose Panasonic to make the T lenses. So no one knows. All we really know is that no one knows ;) The rumors that you see that say Panasonic or Sigma makes the lenses, that is all no one knows. I go by factual info, which is all I can say is what Leica themselves told me. Who really makes them? No idea but they are indeed quality.


Q: Will the T and the 23 Summicron be better than a Sony RX1 in image quality?

A: No. Not in my opinion. The Sony will give you much much better low light performance, more shallow DOF possibilities, feel just as good in the hand and offer a much lower price. The T and 23 will come in at $4500 with EVF. The Sony, $3300 with EVF. A $1200 difference yet the Sony will offer better overall IQ and the full frame feel. What the Sony can not do is change lenses, so if you are happy with only 35mm the Sony wins in IQ and low light use all day long.  The RX1 is a special camera with very special IQ but not everyone gets along with the 35mm focal length that you are indeed stuck with on the RX1. 


Q: How about your highly regarded E-M1 vs the T?

A: This one is  tough. I love the E-m1, it is my #2 or #3 fave camera of all time. ALL TIME. I have many M 4/3 lenses and have shot with the E-M1 for almost a year. Owned it and loved it. In my business I have to move cameras in and out as I can not afford to keep them all. When new models come the old models have to go so I can afford to review the latest and greatest. My rule is to keep my #1 camera super long term, and that is always my Leica M. (unless someone else releases a killer digital RF..a real RF that is). The #2 and #3 all have to be phased out at some point, usually within 6-12 months. 

But the E-M1 is much more versatile than the T and has so many amazing lenses available you just can not go wrong with an E-M1. Speed, quality, build, features. It is all there. IQ is fantastic with the E-M1 but will not give you the T look just as the T will not give thou the Oly look. 

All depends on what you want. If you want speed, versatility and weatherproof rock solid build, and do NOT mind the smaller sensor go with the E-M1. If you want to use Leica M lenses, have amazing IQ and color along with a very cool design and body go with the T. IQ from the T wins for Micro contrast and color but not by much. I am not pushing aside my E-M1 because I like the T better, I am pushing my E-M1 aside for the T as I HAVE TO. It is my job to use the latest so I can report more on them. The only way to do that is to BUY them. 


My Bottom Line Conclusion

So after only one week of using and shooting the Leica T I have come to the conclusion that while not perfect (no camera is), the Leica T is a fabulous mirrorless solution from Leica. No, there is not a built-in EVF and YES the EVF that is available is not as nice as the latest from Fuji or Olympus and will set you back a cool crisp $600, but at least it is there as an option. I have said it a few times in this review and I will say it again. One thing to ALWAYS remember is that THIS IS LEICA..a real German-made Leica will NEVER EVER be cheap my friends, always know that and do not complain about the price as you know damn well it will never be low-cost. Never. Not today, not in 20 years.

While it will never be cheap, it will also never be garbage or deliver shoddy or bad IQ or have crappy build. Leica will always give top build and design and top quality glass and superb image quality. Period. They may release a product here and there that is a bit odd but when they create something special it is exciting and worthwhile.

In my week-long use I never had any frustrations or moments of anger/swearing at the camera. It never locked up and never gave me an issue, and I was even using what I was told to be a pre-production camera.

The build is as good as it gets in this class of camera and the feel and smoothness of operation was an absolute JOY. The shutter sounds fantastic and is quiet with a solid muted thud. The battery life will get you anywhere between 300-500 shots and the video is the best I have seen on a Leica to date (though I would not use this as a pro video tool).

With new lenses as well as the ability to use Leica M lenses with a Leica made adapter, this camera is one that may be appealing to those looking for a backup to their expensive M. The IQ is not far off from the M, only losing some of that full frame creaminess yet gaining amazing corner to corner sharpness when using the native or M lenses. A give and take.

The T has it all while only letting us down a little bit in AF speed and high ISO performance when compared to other newer cameras. This camera will not AF as fast as an Olympus E-M1 but will be comparable to a Sony A7 or NEX or other mirrorless cameras. The viewfinder is a bit much in the $$ department but does include built-in GPS (yes, in the EVF) and it does indeed have a very cool and unique design, at least in my opinion. One guy who saw the camera while I was out shooting said the EVF was the most interesting thing about the camera and made it look “super cool”. The camera also has WiFi capability and an App to control the camera. (I will report more on that as I test it).

There is 16GB of memory inside the camera in case you lose or forget your SD card! This camera is all about the details and simplicity. Again, Apple like.

Again, the 18-56 Zoom in action in Oatman AZ with the burrows


As for image quality, this camera rocks it. The color is up there with the best I have seen from ANY APS-C or below camera and for me beats the Fuji’s, the Sony’s and even Micro 4/3 for color and richness and crisp details. Detail wise, it is as good as it gets with biting sharpness and micro contrast that helps the images to pop and is second to none. Still, it is a very different look than what you get from a Sony, Fuji or Olympus. One you may or may not be drawn to.

When shooting M glass in manual focus you are one thumb dial move away from focus assist where you can magnify the screen 3X to 6X, and this is all doable while never taking  your eye from the EVF. It is a bit different from other cameras in the way that it works but very effective. The dials are solid and metal. They feel great.

The new touchscreen interface on the back is the “surprise” from Leica as this was kept a secret until the last few days, even on the so-called “leaks” at the rumor sites. I loved it and had ZERO issues using it. In fact, it was so intuitive I started to easily prefer this to any other cameras menu system! No D-Pad, no dials, no buttons to bitch and moan about. Just a very cool Apple like interface that took me 1-2 minutes to learn. Very cool and unlike anything out there and NOTHING at all  like the glitchy android based Samsungs. Leica is actually leading the way in this department which is amazing to say as Leica usually lags behind, lol. Odd huh?

All in all this is a superb camera for those who enjoy Leica or those who always wanted to try Leica. It is unlike any other camera I have shot with in recent years. It is nothing like using a Fuji, Sony or Olympus. It is a Leica and by that I mean it is better for slower pace shooting, as I said, shooting the every day life events. It is superb in its build, in its operation and while it does not have the fastest AF it is perfectly usable and the main thing is that it delivers in the image quality and simplicity department just like a Leica should.

I applaud Leica for  taking this chance and while the T will not be everyone’s cup of tea, for me, it was a hugely satisfying experience, especially when reviewing the images, many of which were taken in very harsh lighting here in Phoenix, AZ which usually causes havoc with some cameras and certain sensors.

It’s not perfect, not even close but it’s very “LeicApple” and for $1900, a good buy for someone who wants a real deal Leica. Others will scoff at the cost and that is OK as that is also a Leica thing to do for many.

The fact is that any camera today will deliver superb IQ and quality but if you want something different, something unique, something fun, something simple and enjoyable that also delivers the best APS-C IQ while allowing you to use the best lenses made today then take a look at the T.

You may just fall in love. So C’mon Leica, get to work on rolling out more fantastic glass for this system and in 3 years release a T2 with a built in EVF!



The Leica T is NOW for sale/pre-order at all Leica dealers. It is scheduled to start shipping the 3rd or 4th week of May 2014. I think this one will be popular, even with the M shooters wanting a backup. If you own an M of any kind from an M8 to M240 then the T may interest you as a camera you can take with you to more places, that is smaller, that is just as beautiful. A Camera that can take your M lenses and shoot very well with them. For the M lens experience you will need to spend more cash of course and break out the dough for the Visoflex and M Adapter, both of which will set you back another $1200 but for those with an extensive M lens collection, $1200 is a small investment to be able to use them on yet another Leica body.

The world of Leica is costly, we all know this. It is what it is. If you want something hand-made, something unique, something different and something that is special then it is the way to go ;) You can buy this camera and all accessories at the recommended dealers listed below who all get my #1 Approval for being world-class Leica dealers! It also helps me out when you use the dealers below as they support this web site each and every day, so I like to give back to them. Without them, I would not be here. 

Ken Hansen – Email him at [email protected] – Ken is a legend in the Leica community and will take care of you with old school service and charm. Amazing guy. This web site would not be here today if it was not for Ken, seriously.  I owe him a ton and he is the best I have ever experienced when it comes to buying gear. - Tony over at PopFlash is another Leica dealer that can hook you up with Leica as well as Fuji, Olympus and more! He is well-known in the Leica world and has been for many years.

The Pro Shop for Photographers - These guys are awesome as well, a Leica dream team. Located in Florida these guys run a Leica shop and also sell just about every other brand you can think of. 561-253-2606

B&H Photo – You can pre-order the Leica T by clicking HERE

Amazon – You can pre-order the Leica T by Clicking HERE

Leica Store MiamiPre-order HERE!

For M mount lenses on the cheap be sure to take a look at CameraQuest for the Voigtlander M lenses. These will also work on the T.


The color that comes from the T is just like the X-Vario and X2. The files are crisp, colorful and have POP. This is with the zoom at 18mm.



Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

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A few more images from the T..ENJOY!











Apr 212014


New Leica announcement on Thursday the 24th.

It is getting closer and it is official! On Thursday April 24th Leica will announce something new…and guess what? If you come here on the 24th you may just see way more than you ever expected to see. ;) So come back Thursday morning for a treat. It has been said there is a surprise to this release as well. Guess what? I know the surprise and you will know as well, in full detail on Thursday.


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