Now that the second release of the Leica Monochrome is on the shelf I would like to remember the still fantastic first Leica Mono that at its arrival seems to be a strange tools for freaks and rich (more than standard Leica users…) B&W lovers. Many jokes on camera’s price instead of the few dollar to buy a used SLR and many rolls of films, but indeed who has the chance to own or use for a while this tool as me it has remained astonished by the quality of the camera. I was at the time a Leica M9 owner so ready to use a “downgraded” version of my camera , but realistically what I had in my hands for the Rome’ Fashion week of 2013 was an incredible instrument to catch the very real moment of models and workers. In fact at the time I was working on a personal project on the Fashion’s market and in detail on what is hidden in the background (or better in the backstage). So for me was important to have a discrete tool (a large DSLR was too cumbersome) able to manage properly low light. M9 was good enough but Mono was incredible, with 90mm summicron III version I was able to do my job without problem and this is what a photographer want.
I was impressed by this camera that I always regret to share files via web or Facebook because the compressed JPG does not give the right feeling on its file quality. Only print or big monitor can do.
It worth the money? Yes and probably the new Mono also, if its better than the first version as it looks like.
I think today is still a great piece of hardware and probably a good deal for many.
ONA Bags release the Leica themed Berlin bag about a year ago, and it was a very popular bag, selling out in a matter of days. That was a limited edition set but the problem I had with it, and i told ONA at the time about it, is that they should have also released it in Black. Well, now ONA has done just that! The Berlin is now available from Onabags.com for $399 in all black, even has the little Red Dot on the bag. This is a bag designed and made for the Leica M system, and can hold the camera and 2-3 lenses along with some accessories like batteries, chargers, etc.
It’s a handsome bag for sure and if I did not have 10-12 bags here already, I would get one in a nanosecond. At $399 it is priced on the high end but this is a well made bag that will last you many years if not a lifetime. You get what you pay for! If you are a Leica shooter then you know what you spent for your camera system, this bag is an investment that can protect and house your expensive camera and look gorgeous while doing it.
You can check out the Berlin II (which is also in the tan/brown leather) at ONABAGS.COM
New Leica Monochrom Typ 246, 1st Look Video & Samples
NOTE: YOU MUST click on the images here to see them correctly. If you do not, you are seeing resized and resampled softer images. Click them for larger size, and to see the correct sharpness.
It has only been 2-3 days with the new Leica Monochrom but man, I can say with 100% authority that yes, for ME, this is a huge improvement over the last Leica Monochrom (M9) in EVERY way from file quality, to body, to features, to battery, to LCD, to Rangefinder, to the modern features like video and live view (which I will most likely not use). Just as the M 240 did over the M9, the new Monochrom Typ 246 does the same over the old M9 Monochrom.
The new MM 246 with my $30 Jupiter 8 50mm f/2 lens. The MM works well with old, cheap, classic lenses. Click for much better version!
Now..before anyone gets in a HUFF over my words, as I know there are many die-hard fans of the original Monochrom and M9, what I say here is MY opinion, for my uses and needs. To me, and many others, this new MM is a full mature camera, a niche camera of course, but a full mature camera capable of astounding B&W imagery. It is like having an all B&W camera loaded with EVERY B&W film ever made, as your files can be made to resemble many B&W films. Of course digital will never replicate the look of film, but I feel what this camera can do…well, let’s just say I think it can output BETTER than film, without the hassle, costs and time involved. Personally, I would not choose a B&W film over a Monochrom 246 if given the choice. Of course, others will disagree, the film crowd.
A quick test shot after getting the new MM. 75 Summarit, f/2.4 – click it to see it how it is supposed to be seen
I feel the new MM is fantastic. It has the amazing battery life of the 240, the MUCH improved LCD, the MUCH improved menu system, quieter shutter, faster operation and larger buffer, increased DR (yes, it has more DR than the previous MM) and much improved high ISO performance. It is now 24 MP vs 18 MP and while the old MM was a detail MONSTER, I am not so sure yet if this one offers any advatage in resolution. This is something I have not seen, but will have to test.
When it comes to IQ, the differences are that the new MM has files that are more creamy and rich, where the previous MM had files that were more RAW and hard. Just as those who moved to the M 240 from the M9, if moving from the old MM to the new MM, there will be a period of 1-2 weeks of solid use where you will need to get used to the differences.
Another with the little Jupiter lens at f/2.8 – click for better view
I can say that the files from the new MM are much easier to process. With the old version, there was a learning curve. The new version seems much easier to get where you want to go when “developing” those RAW files.
This is NOT MY REVIEW, I repeat, this is NOT my review. This is simply my very 1st thoughts after having the camera for 2-3 days. My review will be up after I get to use the hell out of it with carious lenses. I’d say 2-3 weeks.
Just arrived! My new Leica Monochrom Typ 246! Above it was after I shot 10 frames on it. Attached my JB Grip, a 50 Summarit lens and it’s a stunner. A beauty. A unique Niche camera that many do not understand, and I admit, even I do not understand it fully but for those who crave, live, eat and sleep B&W, this my friends is state of the art in B&W photography when it comes to digital.
After an hour of checking it out, I have already noticed an extended DR over the previous MM, a richer file, no blown highlights (as the old MM had a tendency to do) and high ISO is on another level, even y 25K iso shots, that are pushed, look very very good. ISO 12,500 is pretty clean.
The files from the new MM 246 are creamier, richer, deeper, and to my eye, nicer. Not as harsh or crisp. But many will prefer the older rendering of the previous M9 based MM. To me, this MM 246 is MUCH improved as the body is the incredibly good M 240 body which has a much better feel, battery life, LCD, etc over the old M9 style.
I will have a 1st look video and photos on Monday, and will start with my long-term review as I use the new MM 246 for the next few weeks. Oh, and yes, this one is mine, not a loaner. It came from Ken Hansen, who is a legend when it comes to Leica dealers. E-mail him if you need anything Leica related. [email protected]
Two quick test shots right after unboxing. The 1st with the 75 Summarit at 2.4, 2nd with an old 1930’s Elmar at ISO 12,500. CLICK for larger and to see 100% crop!
I recently picked up one copy and tried to shoot some street action in the city of Hamburg where every year peaceful demonstrations and riots take place as a tradition on May 1st. Mounted on a Leica M6 loaded with TriX 400 and TMAX 400, I made my way through the “urban guerrilla”…
Shooting from the hip while walking and pre-setting the focus distance seem to work OK with a bit of luck (although the agents seem to smile at me, I don’t think they realized that I took a photo of them shooting from the hip):
But the lens is wide! It seems you are never close enough… In the following 2 pictures I pre-set the focus distance, walked as close as I could and used the viewfinder to (guess-)frame.
In the picture “you are never close enough” it is interesting to see that the 2 subjects did not notice me despite I was at less than 1 meter from them, while the young guy and the woman behind were probably asking themselves what I was doing so close…
Unfortunately most of the copies of this lens bring up the 35 mm frame lines on the M6, M9 and Zeiss Ikon ZM. This is a bit distracting for me. The 28 mm frame lines would be a better choice (but not perfect, this lens is substantially wider!) if the external viewfinder is not available, but, at the time the lens came to the market, it targeted the M8 where the correct frame lines (35 mm equivalent) is triggered.
It is known that the lens can focus down to 0.5 m but the rangefinder disengages at 0.7 m. So if you want to use it from 0.7 and 0.5 m, you’ll have to guess the distance. I would also like to mention that, despite some websites state that the Zeiss Ikon ZM can use the rangefinder to focus down to 0.5m, this is not true. I have a Zeiss Ikon ZM and the rangefinder disengages at 0.7 m like the Leica M6 and M9.
Being the angle of view so wide, the Biogon 25 is an ideal companion for landscapes and cityscapes
Or to give a “wide angle effect” to your shots:
Or to capture a lot of things in one frame:
Yes, the lens is sharp. In the picture above you can actually read the street sign next to the last flag on the right:
Three more attempts to get closer to the subject:
These pictures are digitalized by photographing the Kodak negatives with a Sony A7 mounted on a copy stand and equipped with bellow and macro lens Apo Rodagon-D 1x 75 mm. Negatives are inverted with negfix8 and post-processed (mainly tone curve adjustment only).
Between Leica Monochrom & iPhone for street photography
By Brigitte Hauser
I like looking at street photos and street portraits. That’s why I started to try myself. I did these streets with following cams.
The Sony RX 1 is my good friend
I take it for travelling. The smoking guy is taken on the Azores island San Miguel and the blond lady in the Fernand Léger museum in France. The rx 1 is small, has a silent shutter and an outstanding image quality. It’s an astonishing versatile cam. I like also its macro mode and the high contrast b/w filter. If I had to choose only one cam, I think I would take the RX1.
I have a lot of fun. I take it with me almost everywhere, working, shopping, walking with the dog. The coffee shop in the rain and the young man reading Richard Dawkins are taken in Zurich, my home town. The GR is so small, so nice to touch and so easy to use. It’s a joy. You don’t attract a lot of attention if you shoot in the streets with it. Focal length of 28 mm is perhaps a little bit wide for me. But you can set it on 35 mm.
About a year ago I had the opportunity to buy a Leica Monochrom with a 50 mm summicron lens
I call it my soul and bitch cam. The IQ is great very sharp and it seems to me photos have a kind of an artistic old-fashioned look. For street photography I’m often not fast enough to compose properly or I miss the focus. But I adore this diva of cam.
The opposite of Leica MM is probably my iPhone 5
The good thing for street photography with the mobile is: it’s always in the bag and you can really go close. People are not aware that you are taking a photo of them. But I just don’t like the experience to take photos with a phone. It’s also not a very courageous way to take street photos.
Almost a year ago my wife and I made a trip out to Oregon to visit our twin sons who have moved out there to find work in their field (3d animation). Knowing that the landscapes out there are really something compared to the East Coast I was really in a conundrum as to what to bring for gear. I am a newspaper photojournalist and carry Canon pro stuff all day every day and there was no way I was going to travel with all that heavy gear. I kept looking at my M9 wondering if it were really possible to travel with just that and my Canon G15. I know people travel light with the Leica gear all the time but they usually use it for street shooting and the usual tourist stuff. So I finally decided to go for broke and break away from my comfort zone and went with the M9 and the 35 f2 Summicron, 50 f 1.4 Summilux and the old bear 90 f2.8 Tele-Elmarit from the late sixties.
I had no idea what I was in for when we got off the plane in Portland. It being June made me think that the weather was going to be ok but it is Oregon and rain is part of the equation, but really, all the time! So on the first day out we drove to the usual places involving beautiful waterfalls and tricky driving along the old road above the Columbia River Gorge mostly in the rain. The sun would peak out of the rain clouds from time to time giving me fantastic opportunities for images involving landscapes and clouds.
I found myself using the 35mm and 50mm all the time for these scenics with clouds. I just put the lens at infinity, no focusing involved (old school auto focus). These two lenses did the bulk of the work and they were a joy to use. The 90mm was almost as much and the images were spectacular. I only wanted my 21mm a few times but all in all the travelling light thing was great, the Leica excelled at landscape shooting. Now I do have to say that I was not very well prepared for shooting waterfalls as I did not bring a tripod and cable release. I was able to get around it using the Canon G15 or shooting at around 1/30s some even at 1/90s to slow down the larger water falls.
The Canon G15 made it out a few times but mostly on a hike of Silver Falls State Park which has ten waterfalls along a hiking route. What a great camera to hike with! Two of the shots I have included were taken with that camera – two of my favorites. The waterfall shot made with this camera was done holding it down on a post at 1/6s so it is a bit soft which adds to it’s other worldly look. The macro leaf shot was made with the G15 as well.
Very quickly I noticed that this was going to be a mostly B&W conversion right from the start. The colors were muted with the gray skies and rain so I converted some right way after loading them into my iPad. The result was wow! The clouds just popped. So I knew when I got home that post processing in Silver Efex Pro would be warranted. Boy was I right the results were fabulous.
Needless to say my small kit was a big success. I have upgraded my M9 to the M-P 240 and plan on bringing that along for this years trip. We will be going to the coast so I will be including my 21mm Super Elmar as I know I’ll need it. This time the G15 will be staying home as my Sony Nex-7 will be tagging along to use with my Leica glass.
Hello all! Some might recognize my name and you may attribute it to my extreme loyalty to the Pentax K1000 and the Super-Takumar line of lenses. While I still LOVE the hell out of those, I finally made a big purchase on my dream camera and bought a nearly mint Leica M6 TTL body with a Voigtlander Nokton 50mm f/1.5 lens. I chose the M6 due to its pure mechanical nature, with the exception of the light meter. Much like the K1000 actually! I like having the option of using a light meter, but if it fails or the battery dies, I can at least keep on shooting without any hiccups.
Not long after I bought the new setup, the annual festival in Austin, TX known as Eeyore’s Birthday Party took place. For anyone not familiar, the festival is a celebration of the character Eeyore created by A.A. Milne. Most everyone probably knows him from Winnie-the-Pooh. The festival has live music, egg toss, yoga, drum circles, food/beer, a real donkey, etc. It’s an all day event held in a beautiful park, and while it can get quite intense, the best thing to do is to find a nice shady patch on the hill within the trees and set up camp to watch all the interesting people walk by.
The M6 performed flawlessly. Like any Leica, it didn’t attract attention to itself in a horde of people. And while nearly everyone at the festival had a DSLR with them, I still felt relatively discreet. For the intensity of the festival, I felt the M6 was the perfect tool. I never felt like I had to worry about it, it just always works and feels smooth and precise. Even changing film on it in a crowd of people was easy, and I was expecting the worst since many people seem to hate the M6’s loading system. It was a very hot and sunny day, so I chose Ilford Pan F+ 50 and Efke KB 25 film. Efke is not longer in production, but I have stockpiled a lot of it in my freezer for special occasions like this. My style has always been to shoot more wide-open, so these two films are perfect for me, especially since I reside in sunny Texas. I developed them using Rodinal and Ilford Stop/Fix baths, and scanned myself using the Plustek Opticfilm 8200i 35mm film scanner.
The New Leica 90 Summarit f/2.4 Lens Quick Review on the M 240
By Steve Huff
I recently posted my very positive experience with the new set of Summarit lenses from Leica. Mainly, the 35, 50 and 75. I have now finally had a chance to shoot some frames with the 90 f.2.4 and as before with the old Summarit, I love it. It continues along the same lines as the previous version but adds a closer minimum focus, an f/2.4 aperture vs 2.5 and now comes with a full Leica leather case and metal hood at no extra charge. The rendering of the lens is very nice, and leaves you wondering if you really do need that larger, heavier, more expensive Summicron!
This is not so much a full “review”, but it is sort of an “addition” to THIS 90 Summarit review (which sums up this lens just as well) and THIS recent post. Read those 1st, then come back here to read this short but sweet article.
The video I did a few weeks ago showing the Summarit lenses and the new Leica M-P Safari set.
Also, before I get started let me thank Leica Legendary Dealer Ken Hansen for sending me these lenses for review. I could not even get them from Leica, so Ken sent them my way to borrow so I can test them to see what I thought. I just packed up all of them for their way back to Ken. SO THANK YOU KEN! If you need ANYTHING Leica, be sure to EMAIL him at [email protected] and ask him for it, he deals in NEW and USED and has it all in stock. All of it.
The New Summarit. Is it so different from the previous line?
This little and very light 90mm F/2.4 Summarit is a beautiful lens, and I admit, I am not a 90mm or telephoto guy. If I owned a 90 for my Leica it would probably be used twice a year. I prefer to shoot 21, 35 and 50 as I like to get up close and converse with my subjects. Even so, the 90 is fantastic when you want to shoot a portrait as you get NO distortion, and nice separation of your subject from the background..or as some like to call it “3D Pop”.
But what about the last 90 Summarit f/2.5? Is this lens better in image quality? No, not really..in fact, it seems about the same to me as the last 90. The new f/2.4 vs f/2.5, well, let’s just say there is really no measurable difference in that speed. Many say the old Summarit was really f/2.4 but Leica marked them as 2.5 as to not cannibalize the Summicron sales.
Where this 90 F/2.4 excels over the old 90 F/2.5 is that it is a new design, comes standard with a Leica leather case and metal hood where the previous version came with a felt baggie and the hood was a separate purchase. It is nice to see Leica upgrade these things as even though the Summarit lines is the cheapest new production lenses in the Leica lineup, they are NOT cheap! The 90 here comes in at a hefty $2350. YES, IT IS STILL A LEICA ;)
I am not a 90 guy..but I did enjoy this lens.
I know many who love and adore the 90mm Focal length though and some who call it their favorite focal length while others never touch it, especially with a Leica.
There are many shooters who love them some reach. Some do not feel comfortable getting in close to their subjects and a longer lens helps them do this without being noticed. Others use them as they would any other lens, as I do, pulling it out for that portrait or when it is needed. It will deliver the depth and pop of a good 90 though the Bokeh of this Summarit, well, I much prefer the Bokeh from the 90 Summicron. But hey, the 90 Cron is $3995, close to be double the cost of the Summarit, so you will pay for that 90 Cron creaminess if you indeed want or need it.
Even so, the 90 Summarit is fantastic.
Click images here for much better versions and to see them correctly
The 90mm focal length has long been considered the goto for portraits, and that is for many reasons. No distortion that most wider lenses will give you, nice subject pop and a good 90 will give you nice bokeh, nice detail and be just about perfect for head and shoulders type of shots or just headshots. Now the 90mm focal length is not only for portraits of course, but most of those who I know who uses a 90mm uses them for people. Others use them simply to get more reach. One thing is for sure though, Leica does not make a bad lens. Buy a summart, summicron or summilux and ALL of them will deliver what you want although they will all have a different character.
With Leica it is all about the “character” of the lens and how it renders and this is what makes them special, as there are not many lenses out there that refer quite like a good Leica lens.
As with all posts here on this website, clicking the images below will open up a much nicer and larger version, how they were meant to be seen. All images below with the Leica M-P 240 and 90 Summarit.
The entire Summarit line, for me, renders in a way that is a mix of classic, modern and everything in between. It has the sharp crisp details that Leica is known for (modern) and also gives you a bit of that classic feel without being soft or too “vintage”. I’d say 80% modern, 20% classic. My time with the 90 was short as I rarely use a 90 but if I were a guy who loved this focal length, it would be a choice between this and the Summicron. I have owned and loved the cron, and have to say I do prefer the rendering of the APO Summicron but it is MUCH heavier, larger and expensive. This Summarit is just as good if not better than the previous summarit, and again, my review of THAT lens is HERE. It is also just as good as the old and very much loved 90 2.8 Elmarit, which is now discontinued.
Not much to say here but this 90 will give you some CA (purple fringing) as you can see below in Wyatt Earp’s hat. Even the $11,000 Noctilux has CA, as do the Summilux line. For me it doesn’t bother me but I do not shoot critical work where it needs to be printed at 60 inches wide for public display, so for me this is just part of the digital course. Many say CA is a sensor issue, others say it is the lens. But it is common in good fast lenses when shooting digital… Always has been and unless the camera itself corrects for this, it will be in your photos. It is also easily taken care of with your favorite photo editor.
The bottom line is that this version of the Summarit excels over the old version with a closer focusing distance of 0.9m, included metal hood and leather case and in use, the lens is buttery smooth to focus. I had no issues with the lens, focusing or anything.
This is a solid performer and while I did not use it a ton (again, I am not a 90 guy) I did see it’s potential. It would be very tough to choose the 90 Summicron APO over this at $4000 vs $2350. But that is all personal preference. I know what I like, and for me, I prefer the 90 Sunmicron rendering but I prefer the price of the Summarit.
MY OVERALL FEELINGS ON THE SUMMARIT LINE as a WHOLE?
These lenses are beautiful, gorgeous, and the performance is what yo would expect from a Leica lens. Just because they are considered the “starter” or “budget” line does not mean they are sub-par. The 50 is my favorite summarit followed by the 35 and then 75. The 90 is my least favorite simply because I am not a 90mm shooter. The lenses are ALL fantastic, and one could never go wrong with any of the Summarit lenses. You will save some cash, and have some of the most beautiful and compact lenses ever made.
5 STARS for all of these because for the price, for the name, you are getting great performance at a much better price than normal.
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Although I am a proud owner of a Leica M240, I opted for a small and easy camera for my recent trip to Siem Reap, Cambodia. It was a vacation and I did not want to bother with the whole “thinking process” involved when shooting with a rangefinder. Above all, the thought of lugging multiple lenses and a metal camera body in the heat of above 90°F just terrified me.
Knowing that the Leica D-Lux is virtually the same camera as the Panasonic LX100, I still bit the bullet and spent more dough on the “red dot” so that I could travel in style. To my pleasant surprise, the handling of the camera was foolproof, with all commonly used features within easy access. Since I prefer to shoot in the aperture priority mode, the exterior aperture ring is particular invaluable. On that note, the add bonuses are the built-in EVF viewfinder and the quasi-four-third sensor.
The D-Lux is by no means the best deal of cameras in that price range, but it accommodates all my needs as a photography hobbyist who seeks the equilibrium of functionality and sleek design in a camera.
Here are some of the pictures I took of the wondrous ancient city. Most pictures were taken with spot focus; some were intentionally underexposed by 1 stop in order to increase their color saturation.
Seems the rumors were all true! The new Leica M 246, or “New Monochrom” has just been announced by Leica and it is basically what we all thought it would be..an M 240 body with an all new 24MP Monochrom CMOS sensor. No more CCD as with the M9 to 240. This new Monochrom appears to be a beauty. Me, I ADORE and LOVE my M 240 body. For me it kills the Leica M9 body in so many ways from feel, shutter sound, LCD, battery life. quality of controls and the way they feel, menu, RF frame lines and so much more. It is for me, the best digital M body ever designed so I am thrilled to see it make its way to the new Monochrom.
The big question many have is “will this give the same amazing B&W as the previous CCD version”? That remains to be seen as I haven’t seen one, tested one or tried one. I should be able to soon. Expected to ship in just a couple of weeks, around mid May the new Monochrom 246 comes in at $7,450 and as before will be a niche camera that users will cherish and adore. Many do not understand the concept of a B&W only camera but it does have its benefits for sure. The previous M Monochrom put out B&W files that no other camera could match for B&W purists. It was truly the digital version of film, but instead of being stuck with one film, you could get the looks of many types of film. Of course, NO DIGITAL will ever replicate real film, but we can get in the ballpark.
Outstanding imaging performance with low noise up to ISO 25,000 Live-View and focus peaking Large buffer memory and Leica Maestro processor High quality full-HD video function Easy to use – reduced to the essentials Body made of high-strength magnesium alloy and solid brass top and base plates finished in black chrome Sapphire crystal glass cover plate and 3” monitor Access to a wide range of M lenses from 16 – 135 mm New filters solely for the Leica M Monochrom widening creative possibilities Compatible with all accessories for the Leica M (Typ 240) Access to R lenses with Leica M-Adapter-R for pictures and video Adobe Lightroom available as a download Made in Germany
I think the new M 246 Monochrom will be amazing, but I love Leica. I love their cameras. I love how they work, how they feel and that they are the most beautiful cameras made today for 35mm full frame.
Expensive, yes. Worth it? Maybe, that depends on you. Oh, it also now shoots video..only in B&W of course :)
You can pre-order the new Monochrom from Legendary Leica Dealer Ken Hansen by e-mailing him at [email protected].
I wil not be able to buy one but I should be able to test one as I have already spoken with Leica, so look for info soon from me with samples. How soon? Probably a couple of weeks.
OFFICIAL PRESS RELEASE:
Leica Unveils Its New M Monochrom Camera, Taking Digital Black-and-White Photography to New Levels
Fresh Features Focus on Unsurpassed Imaging Performance, Rich Details, Peak Low-Light Capabilities, HD Video Capability and Live View Options
April 30, 2015 – Leica Camera introduces the new Leica M Monochrom (Type 246) today, the next step in its hugely successful digital black-and-white photography concept for the Leica M rangefinder camera system. The new Leica M Monochrom, the first and only digital camera to enable a real black and white image – still or moving – without image processing or filtering, will be available May 2015.
“With never-before-seen imaging performance, outstanding low-light capabilities, and richness of detail, the new Leica M Monochrom surpasses the high standards set by its predecessor,” said Roland Wolff, VP of Marketing and Corporate Retail for Leica. “At the same time, it keeps its primary aim sharply in focus: black-and-white images with top quality across the board.” Thanks to its high-capacity 2GB-buffer memory and Leica Maestro processor, the new Leica M Monochrom captures sequences three times faster than its predecessor. The new processor also enables extremely fast display of the captured images in review mode, making the new Monochrom even more versatile. The Leica M Monochrom follows the successful route taken by the Leica M and captures decisive moments with 24-megapixel resolution. The monochrome CMOS sensor produces exceptionally sharp pictures at all sensitivity settings up to ISO 25000. As the M Monochrom has no color filter array over the sensor, it requires no interpolation for the calculation of luminance values. The result is 100% sharper images with brilliance and detail contrast that far exceeds what color photography can do. The new Leica M Monochrom can also capture high-quality full-HD video in black and white. The optional Leica microphone adapter set, comprising an adapter and a stereo microphone, ensures perfect sound. The high-resolution 3″ monitor with 921,600 pixels ensures that photographers have complete control of composition, exposure, focusing and depth of field. Moreover, the camera now offers full visual control with its Live View function, which provides two focusing methods: the up to 10x magnification of Live View Zoom mode, enabling full control of the sharpness of details in the image on the monitor or the closest focusing distance; and Live View Focus Peaking mode, where sharply focused edges in the image are highlighted by colored lines.
Another advantage of the new CMOS sensor is that, in addition to the M-Lens portfolio, almost all lenses of the Leica R series can now be used with an optional adapter on the Leica M Monochrom to expand the creative capabilities of the Leica rangefinder system, as is also the case with the Leica M. Additionally, all equipment and accessories from the Leica M series are compatible with the new Leica M Monochrom.
Other new features include: • Nearly unbreakable sapphire crystal cover glass for the LCD monitor, treated with an anti-reflection protective coating to ensure precise assessment of images in any lighting situation. • A body manufactured from high-strength magnesium alloy, with a top- and baseplate made from solid brass blanks and finished in black chrome. • New yellow, orange and green filters, available in July.
About Leica Camera Passion for creating perfect pictures. Leica represents a union of craftsmanship, design and experience. It is a beautiful collision of art and engineering, and the future of form and functionality. Leica Camera is an internationally operating, premium-segment manufacturer of cameras and sport optics products. The legendary status of the Leica brand is founded on a long tradition of excellence in the supreme quality and performance of cameras and lenses, and the iconic images that artists and photojournalists everywhere captured with them. Leica Camera AG is headquartered in Wetzlar, Germany.
I decided to order his “Henri Bag” which is a small design that will hold your Leica and small lens as well as one more lens to bring along, and that is about it. I asked for BOTH in Camo color (though if I could go back I would get the case in CAMO and the bag in Black) and in less than 2 weeks I had the custom set at my door. I have had my share of half cases for Leica M cameras. Gariz, Arte Di Mano, Luigi, Artisan & Artist, Leica’s own cases and a few cheap options that all fit loose and sloppy. I always have said “you get what you pay for” and this holds true with half cases for the Leica M. Usually.
The best fit cases I have tried until now have been the Arte Di Mano line, but man are they expensive. (then again, so is a Leica M). Luigi cases are gorgeous as well but a tad on the thick side and Leica’s own cases are the worst of the lot with sloppy fits and odd designs.
As for Angelo Pelle, his cases are right up there at the top when it comes to quality, design, fit and finish. When I received my Camo case for the Safari I was stunned at the quality of Leather used as well as the “fit like a glove” design. It offers nearly full protection for the camera, most I have seen for a half case as it come all the way up to the top and even covers pretty much all of the rear bottom, top and sides. There is even a flap to cover the LCD if you want to do that. I have been shooting the M like this, and it is pretty cool to ignore the LCD!
Angelo’s products are top notch, best rating I can give. He is a friendly guy, offers unique options and all products of his are hand made in Italy. They fit perfect and feel fantastic. The Leica case has a built in grip that allows a nice feel, and this really takes it up a notch as well.
His cases are not cheap, but they are not the most expensive either. I find them to be the best I have used, and for quality Leica leather cases, price in the upper middle of the range. Less expensive than Art De Mano and Luigi and well worth the cost IF you are looking for a high quality beautiful case to protect your camera and give it a nicer feel when you are using it.
You can see Angelo’s website HERE. He has quite a it to offer and makes cases for many cameras. My Angelo Pelle Sony A7II case is superb, amazing. It is wearing in nicely as well. The only weaknesses I found with these cases is that once they are on you lose access to the battery and memory card until you take the case off. This is how 99% of cases are though. Me I shoot all day, come home and then take the case off once to get my card and battery. No problem.
A User Review of the Zeiss 35mm Distagon f1.4 ZM on a Leica M 240
By Howard Shooter
I must confess to being a bit of a Leica fan. I love Leica and the purity of the rangefinders’ back to basics approach to photography. Up until three days ago I have veered towards only Leica glass and my thoughts have been mostly positive. I was niggled and irritated by the slight softness of the 50mm Summilux on the M240mm compared to the M9 and the ever so slight lack of contrast, which means I sometimes have to give the files a bit of the proverbial kick in Lightroom. The shift from M9 to M240 was another learning curve in appreciating subtlety and nuance for me and took longer than I expected to really love the new signature of the much debated cmos sensor.
I always loved the 35mm focal length, as it’s such a versatile lens for so many situations from landscape to portrait. I wanted the Leica 35mm summilux but the price is too steep for me to justify the outlay.
Zeiss have always had their avid and similarly loyal followers and the Leica fit Zeiss lenses have generally reviewed well and been passionately spoken for.
Physically the lens is a little heavy for my liking; bulky and substantial, not balanced perfectly with the body. This isn’t a deal breaker for me as the optics far outweighs the extra size but it is a consideration and a minor irritation. The focus ring is a little tighter than I’m used to but the aperture is wonderfully smooth in third stop increments. The lens blocks the viewfinder a little but not enough for me to care. For all of it’s differences it is a beautifully well made lens in the true tradition of Zeiss and feels and looks better than in the Zeiss promotional shots.
Incidentally I am not going to post shots of my camera with the lens as you can see other reviewers do this. I am not a “professional” reviewer so I’d rather share my hopefully interesting opinions and see if this helps you decide on whether this lens might be of interest to you.
I’m in my favorite photographic haunt again of Aldeburgh, Suffolk, a fishing town with a wonderful English appeal and atmosphere.
The following shots were all taken with the Leica M240 with the Zeiss 35mm lens at various apertures. All were processed minimally in Lightroom with a little post processing but the essence of the lens’s signature is preserved. After you’ve looked at the shots I’ll let you know my personal opinion.
I hope you like these shots because in some ways they really surprised me. Now this may seem strange but the lens seems to give more pop and contrast than most Leica lenses I have used on my M240. The signature almost reminds me of the look I used to get with my M9. In other words if you are missing the M9 pop from your M240 and are looking for a 35mm lens I think you can do no better then with the Zeiss.
Just to re-iterate, when used with the M240 this lens gives you the subtlety of the M240 cmos sensor with the pop of the M9… a perfect combination.
This leads me to wonder if the colour and contrast of this lens on an M9 might be a little too saturated and contrasty but I am merely speculating. I love this lens and think that it actually feels very old school Leica rather than modern day Zeiss. It isn’t overly clinical in my opinion but is very sharp, handles flare extremely well, is very adaptable with various subjects and in the right light gives plenty of pop but at a third of the price. The bokeh isn’t distracting but also isn’t class leading either as subjective as this always is. I think reds do come out a little too red and saturated on the M240 which means they need toning down a little but the black and white conversions are wonderfully filmic. The M240 has always been very good for black and white and I think with this lens you get a real sense of depth and dynamic range.
I can strongly recommend this lens. Have you got this lens and do you share my opinions….?
As I was recently interviewed on the Leica Blog, I thought I would submit here as well.
Spending hours a day commuting in my car has made me acutely aware of my surroundings. One day while looking in my rear view mirror I became very interested in the comings and goings of the cars behind me. The scenes unfolded like little vignettes of humanity, people laughing, arguing, crying but mostly just looking bored and trapped within their heads as well as the glass and metal box they confine themselves to in their daily commutes. I wanted to capture what I was witnessing.
After working out the technical aspects, my first attempts lacked the direct, unreserved look I was after as people were recognizing the camera. There is a long history of documenting people without them noticing. Walker Evans shielded his camera within his coat while making his subway series. Ben Shahn, while documenting for the WPA used a right angle mirror attachment on his lens pretending to take pictures of his wife while actually shooting what was off to the side. I solved this problem by buying a small stuffed bird, ripping out the stuffing and cutting a hole for the lens. The bird cam has made it virtually impossible to know that I am photographing and my pictures suddenly became what I had seen on that day I conceived of the idea.
The imaginary line of public verses private space that the windshield seems to represent became my “monitor” for both real and imagined tableaus that raise so many interpersonal and social questions during the moment of exposure. Coming from the whole “social landscape photography” genre, these are the kinds of pictures I have always taken except now I am within the confines of my car taking photographs of my subjects within the confines of theirs.