Apr 222014
 

New 55 Film on Kickstarter. Check it out! 

Check out the video below on NEW 55 film, a new 4X5 film that is on Kickstarter. It needs your help to get funded so watch the video and check out the kickstarter page HERE to see what it is all about. So far they have $187k of $400k needed to fund with 13 days to go. If you love film, and have a passion for 4X5 then be sure to check it out.

New 55 is a new instant film that produces a positive print and an amazing negative. How cool is that?

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Apr 212014
 

Learning to See Again With the Leica M8

by Craig Litten

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I started shooting with a pseudo-rangefinder camera, the Fuji X-Pro1, in 2013, and shed the weight and bulk of my DSLR’s forever. I love and still use the X-Pro1, but I’ve wanted a Leica M6 rangefinder for over 20 years. The problem is, the M6 uses film. Film is wonderful, but it’s no longer convenient, nor is it cheap. True, you can buy a lot of film for the price of a digital Leica M, but don’t forget about the inconvenience of film. Pro photo labs have disappeared for the most part, prints are no longer done in the darkroom–and if they are, you must pay an extraordinary premium. I say “extraordinary” because it used to be fairly cheap to get a high-quality, fiber based B&W wet print (made in a real darkroom), but not any longer. There is also no lab to process the film. For years I processed my own B&W film, but I no longer own the tanks and reels, nor do I really have the time.

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So a few months ago, I purchased a used Leica M8 (M8.2 to be exact) from a friend who has since upgraded to the Leica M (Type 240)–Leica’s latest. Now I have a true rangefinder, and I’m enjoying the total rangefinder experience: manual focusing, manual exposure, a real shutter speed dial, a real, mechanical aperture ring, and a real rangefinder window. And believe it or not, once you learn how to use it, you can do things like exposure and focus faster and more accurately than with all-electronic cameras. I’m not quite there yet, but it gets easier every time I use the M8. With the Leica, I can always see what shutter speed and aperture I have set (even when it’s off), and the camera is always ready. It’s small, built like a M4 Sherman tank, and it’s incredibly discrete for street photography. So far, the only people who have noticed me while out shooting are people who know what a Leica is, and then they strike up a conversation. Otherwise, I’ve never been so ignored in all my years of street photography. Being ignored while doing street photography is a good thing.

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This brings me around to the main point of this article: learning to see again. As you can clearly see, not one photo above has people in it. Ninety-five percent of what I normally shoot, whether for work or personal use, has people in it. I’m a people shooter; yes, I shoot people. But since I got the M8, it has changed the way I feel when photographing, and the way I am seeing the world around me. Everything around me has become art. Rangefinder cameras by nature force you to slow down and think. You cannot focus as close as with a DSLR or mirrorless camera, and you no longer look through the lens, so there is a thing called parallax error at certain distances (in other words, your subject doesn’t always line up exactly where you framed it). I call this serendipity and I love it. I feel like I have too much control over my frame anyway, which comes from years of photojournalism training and thousands of assignments, so less accurate framing of my subject is fine with me. The camera is also much slower to write images to the card, which is also perfectly acceptable because I shoot far fewer shots with it. Sometimes I only shoot one frame of a given scene, whereas before, I usually shoot several.

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Surprisingly, for a camera as old as the M8, the image quality is astonishing. Leica lenses, which are second to none, might have something to do with that of course. Color can be a bit tricky, but when you nail it, it’s stunning and very Kodak Kodachrome looking–the best color film ever made. And the black & white produced from the M8′s sensor is very film-like. Grain starts to show up at ISO 320, which is great because I love grain. High ISO is basically non-existent, but so what, some of the world’s best photographers survived their entire careers shooting Tri-X, which is ISO 400 film.

Give one a try! The Leica Store Miami has a test drive program that is very reasonable. Ask for Peter; he’ll be glad to help you. If you’ve never shot with a rangefinder such as a Leica M, be prepared for a learning curve, but it gets easier, and it’s a lot of fun. Finally, when out shooting on the streets, don’t forget to “see” what else is around you. Don’t be so focused on looking like Winogrand and miss the Sam Abell moments all around you.

Please come join me for a street photography workshop this year. Go to http://www.street-photography-workshops.com for more info.

Apr 182014
 

Hello Brandon & Steve,

These three photographs were taken over the past couple months. Still continuing my trend with my trusty K1000/Super-Takumar 50mm f/1.4. Since you last heard from me, my Photograph A Week mailing list has changed to my new project entitled “Aural Photography”. If you’re curious, please go to my new website:

http://www.khunyalamatpan.com/aural-photography/

You can also follow me on Flickr:

http://www.flickr.com/photos/khunya/

Yours friendly,

-Khunya

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Boat

Fuck Unoriginality

Apr 172014
 

The Real Digital FM3? Nikon Manual Lenses on the X-T1

by David Nash

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Hi Steve and readers.

Not being as young as many of you I still have a soft spot for small metal cameras with lots of dials (even if I don’t actually turn them) – and a bundle of Nikon lenses including one or 2 old bought cheaply at our local camera shop (yes we still have one in a city of 500,000!). So like many I was desperate to get my hands on the Nikon Df – and I did. But I was a bit underwhelmed and when it had to be returned because of an AF fault I took a refund rather than a replacement.

With the money I got back I’m now the delighted owner of a Nikon 24mm 1.4 and, arriving yesterday, a Fuji X-T1. And it’s definitely not going back…. But being a bit slow on the uptake I hadn’t up till now thought about using Nikon manual lenses on Fuji X cameras (I had an X-E1) and immediately ordered a Nikon fit adapter that arrived this morning. So I spent a couple of hours this afternoon shivering my way round the streets of Edinburgh with my brand new X-T1 and a 135mm f.3.5 Nikon that I picked up for less than £100. As you’ll see in the photo it’s really quite small for a 200mm equivalent focal length – but very solid and well made and quite sharp (though not in the same league as the 90mm Elmarit which I will be trying out next).

Here are few photos of bits of some of our local buildings. What I really enjoyed about using the X-T1 with the manual lens was how well the focus peaking worked (in most circumstances) and how easy it is to magnify the focus area with the focus assist button. You need to focus at max aperture to get the best result but it’s no hassle to stop the lens down a few clicks if you need some depth of field. But what I particularly like about using the X-T1 with a longer lens like is that if I turn the ISO dial to auto (yes I do actually use the dials a little) and the shutter speed to 180th of a second the camera will automatically change the ISO as I (manually) change the shutter. That way I can keep a high enough shutter speed and have complete control over the aperture. Smart! Oh, and I think you all know anyway that the Fuji sensor is rather good at high ISOs. And I did I remember to say the viewfinder is brilliant??

So – as many others seem to be saying – is this not what the Df should have been?
Thanks
David
www.davidnashphotos.co.uk

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Apr 172014
 

Bags, Bags and a Strap! New from ONA Bags

ONA bags, the company that brings us the very cool ONA Bowery and brought Leica users the Limited Edition “Berlin” that sold out within a day now brings us a few new bags to choose from in our constant quest for the perfect travel and protection companion. These were announced this week and while I have not seen them up close and in person, I have received the press release so take a look at the new offerings from ONA and to read all about them click on over to ONABAGS.COM to see pricing, colors, and all of the other good stuff they have available. ONA is a top quality manufacturer of camera bags and they make some of my all time favorites. Below are a couple of new bags, even one that may fancy the ladies ;)

The Astoria:

Astoria Sell Sheet

The Astoria camera and laptop messenger bag is designed to accommodate a 13″ laptop, 1-2 full-frame DSLR cameras, 3-5 lenses and small personal items. Handcrafted with water-resistant waxed canvas and detailed with full-grain leather, the Astoria features four exterior pockets and a front zippered compartment for memory cards, batteries and everyday essentials. A discreet luggage sleeve on the back of the Astoria can be opened to slip through the handle of a rolling suitcase or closed to act as a slim pocket for a magazine or tablet. The completely customizable interior is padded with closed-cell foam.

 

Click HERE To see more at ONABAGS

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The Capri Tote

Astoria Sell Sheet

The Capri is a chic, understated camera tote bag designed to protect a camera,
up to three lenses and small personal items. Handcrafted with dark tan waxed canvas and
trimmed with luxe leather, the Capri has a personal items compartment that can fit an iPad or 11-inch MacBook Air, two interior pockets for personal items, and a zipped back pocket. The soft leather handles allow you to wear the bag comfortably over your shoulder and a zip closure keeps items safe and secure.

 

See more at ONABAGS

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The Leather Presidio Strap

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The Presidio camera strap is handcrafted with an Italian-tanned leather neckline that is
padded with soft neoprene. Two sets of chrome buckles allow for adjusting the length, while custom rivets provide an extra style point. The Presidio camera strap is most comfortably worn crossbody and is designed for use with camera kits weighing up to 6 pounds.

Drop Length: Adjustable from 19.5” to 23.5”
Total Length: 63”

 

See more at ONABAGS!

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Leather_Presidio_Dark Truffle

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Apr 172014
 

Hi Brandon and Steve,

I’m a long-time reader of your site and enjoy the daily inspiration contributions of your readers.

I live in New York City and mostly shoot with my Leica M. There are endless opportunities for photography in the city, but one of my favorite subjects is mannequins. The city in general, and my neighborhood in particular (Chelsea), is filled with creative and interesting window displays. (In fact, there’s even a display mannequin maker, Rootstein, on my street.) Mannequins make particularly good subjects for the deliberate manual focus of Leica shooting (they don’t move or change their expressions!).

Over time I’ve collected quite a few shots, and I thought I’d share a few here.

Thanks, and keep up the good work.

Jack Johnson

Instagram: jacksquared

Flickr: jacksquared

G+: plus.google.com/+JackJohnsonNY

Leica M, 50mm Noctilux, 1/60 at f/5.6

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Leica M, Zeiss Biogon 35mm, 1/30 @ f/2.8

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Leica M, 50mm Summilux, 1/500 @ f/1.4

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Apr 162014
 

The Sony RX1r meets the Olympus E-M1 in Iceland

By Chris Bakker

My website - http://www.chrisbakkerphoto.com

Hi Steve and readers of SteveHuffPhoto.com!

My name is Chris Bakker, a free time photographer from the Netherlands. I began to do photography around Christmas of 2012. I started off with a Sony RX100 by taking photos from all kinds of subjects what surrounded me and It didn’t took me long to really get caught by the beauty of photography . Right from the start I tried to read as many (e)books on photography as I could, follow on a daily basis the online forums and practice the acquired knowledge in the field. I am also a frequent reader of this site and let me tell you this site has giving me so much that I thought it would be time to give a little bit of my contribution in return.

Because I was so into photography I decided in the summer of 2013 to trade in my trusty RX100 for his bigger brother the RX1r. This indeed is a magical powerhouse and capable of delivering some stunning photo’s. This camera has got me even more into photography. Later that year, in November the Olympus OMD E-M1 came out and because I wanted to do different things in photography which needed faster auto focus and different focal length than 35mm, I decided to buy the E-M1 alongside my beloved RX1r and step into the world of micro 4/3.  I can say I have no regrets at all. This camera is so well designed and thought out, it works so well, it just makes you want to go out and shoot.

I often attend workshops and like to learn from the pros. So when the opportunity came by to go to Iceland for 11 days with a pro landscape photographer from the Netherlands, to learn in the field, I decided to go. So on February the 22 I went off to Iceland to return 11 days later home with an overwhelming experience by the beauty of Iceland. Not only did I came home with a lot of photos but also with a lot of acquired knowledge and practical experience.

So l’ll stop the twaddle, let’s get to the photo’s!

E-M1 pana 35-100 f2.8

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E-M1 pana 35-100 f2.8

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Kirkjufellsfoss – E-M1 Oly 12mm f2.0

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Going to Iceland in the winter takes some planning in advance. Although the temperature is about 30 degrees Fahrenheit, which isn’t too cold the wind can be really extreme. And the combination of those two makes it cold. Proper clothing, like multi layers, warm hand cloves and a fur cap is not a luxury. A good windbreaker can be a rain suit. Because of the hard wind, I can advise to take a big and sturdy tripod with you. I have come to situations where I definitely had to hold on to my MEFOTO Globetrotter tripod preventing it from falling over. A tripod can allow you to shoot at times of day when the light is unlike any other. If you want to shoot at sunrise or sunset, and you want to keep the ISO down, you need that long exposure. when you want to work with HDR you need a tripod for sure. Light is everything, don’t miss some of the best light of the day because you didn’t want to carry a tripod. What also comes in handy is to wear knee-pads. The ground is often stony and wet.

Snaefellsjoekull – RX1r

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E-M1 Oly 12mm f2.0

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Brúarfoss – E-M1 Oly 12mm f2.0

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Shining stones in river – E-M1 pana 35-100 f2.8

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While I was out making photos in the field I did quite often use my filters. There are many people that think in digital photography you don’t need filters anymore. Many think that this is also possible in post processing. When you need a slower shutter speed to blur motion, like with waterfalls, or polarizing light to reduce glare, do it with filters. Filters still enable an aesthetic that’s not possible through simple post-production, and in some cases not possible at all, even in Photoshop. Everybody has his own way of working but we people often work in sequence. We start off with 1 go to 2 than react to 3 to get to 4 or so. While this is a quite similar process as in post-production, like Lightroom, it is also a good process at point of capture. When experimenting with filters in the field you see the result immediately and that gives you the change to react to it. So it can definitely be a good thing for creativity. I used mostly a 3 stop ND filter from Singh-Ray and a Big stopper from Hoya the NX400. In a few occasions I used graduated and reverse grad filters, mostly at sunrise or sunset. For Polarizer’s, Singh-Ray Color Combo and the Gold ‘n Blue.

Skógafoss – RX1r

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Northern Lights near Vik – RX1r

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Vik Beach – E-M1 pana 35-100f2.8

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Skaftafell Icecave Vatnajökull – RX1r

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Skaftafell Icecave Vatnajökull – E-M1 Oly 12mm f2.0

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Sunset JÖKULSÁRLÓN Beach – E-M1 Oly 12mm f2.0

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Sunrise JÖKULSÁRLÓN Beach – RX1r

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What really fascinates me is that you can learn infinitely, it’s an ongoing process. Photography has become an essential part of my life. It’s so much fun, it’s a way of living. I hope you enjoy watching these photos as much as I did making them.

Chris Bakker

A few more…

Sunrise JÖKULSÁRLÓN Beach – RX1r

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Jökulsárlón Lake – E-M1 pana 35-100 f2.8

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Jökulsárlón Lake – E-M1 pana 35-100 f2.8

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Vik Beach – RX1r

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Old Turf Farm House – RX1r

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Icelandic Horse – E-M1 pana 35-100 f2.8

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Apr 152014
 

A Panasonic GX7 and 20 1.7 II Update..still a great combo!

By Steve Huff

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Just a quick update for all of you Micro 4/3 shooters out there. As some of you know, I have been shooting with Olympus cameras for the past couple of years and LOVING them, specifically the wonderful E-M1. I also enjoyed the Panasonic GX7 when I reviewed it but for me it did not stick around because I was loving the Olympus E-M1 so much. Recently I came across a used Panasonic GX7 in black along with a 20 1.7 II lens and I have been shooting it here and there for the past two weeks. Nothing major, just enjoying it and having fun with it! The only way to be!

Snapped a quick shot of this couple on a chilly day in Sedona. The guy saw me and hammed it up but his girlfriend and dog did not :) The GX7 and 20 1.7 II combo provides very sharp results. Click the images for larger and sharper view.

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After these two weeks I have grown to really enjoy the GX7 more and more. While it is quite a but different from the E-M1 in many ways, the image quality is just as good it seems, just a bit different. The Panasonic cameras always have a different color signature and many love Olympus for the colors and many love Panasonic for the higher contrast look of the files. I find the Panasonic files seem to have more drama..more edge.

ISO 3200 with the 20 1.7 II at 1.7. I used the in camera HC B&W for this one. 

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With the 20 1.7 II, the GX7 is a perfect walk around camera. Giving you a 40mm focal length magnification it is in between the popular 35mm and 50mm that many of us get stuck choosing between. With the 20, no need to choose, just go for the 40mm!

Around 6PM in Sedona AZ – deep colors here due to the fact that I dialed in some negative exposure compensation to richen up the red rocks and blue sky. 

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The GX7 in all black is pretty slick-looking. It looks more discreet than the silver and black version and is nice and light. I have also REALLY enjoyed the swivel EVF even though I am not a huge fan of the EVF quality or size. When compared to the new Fuji X-T1 EVF the GX7 looks tiny with off colors. But it does get the job done because as I have said, it really does not matter these days as ALL cameras can take a fantastic image.

Scorpion Hunting in my backyard at 8pm. These nasty little buggers come out when it gets dark and they hide in the crevices of the block fence. At night, with a backlight in hand it is easy to see them as they start to emerge for the backyard takeover. I’d guess there are probably 20-30 out there every night and one will make it into my house ever couple of weeks. I even had one under my blankets on my side of the bed last year. The sting of the Bark Scorpion is NASTY, they are the most venomous scorpion in the USA and the only one capable of causing DEATH. So much fun huh?

The GX7 and 20 1.7 II up close and personal…ISO 12,800, YES! 12,800 – f/2.8

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Today in 2014 there are so many awesome camera choices that ANYONE can get out there and enjoy photography, even with a lower budget, while getting super high quality images. Big money is not needed for truly spectacular image quality. Even though in todays fast paced tech world, the GX7 is already outdated to many, it is still a fantastic option for those wanting a simple, small, fast and high quality solution for their imaging needs. This camera and one lens would make a great family camera for all situations. Low light, good light, video, etc.

Add on the upcoming 15 1.7 and the delicious 42.5 Nocticron and you have a killer system that can do all kinds of neat tricks :) But the 20mm 1.7 II is a gem. While not the fastest to focus it continues on with the legendary status that version one brought with it in a new shiny metal package. Overall, the GX7 is the first Panasonic I have really enjoyed since the amazing (for its time) GF1.

See the 20 1.7 II Review HERE

The black GX7 can be found at Amazon HERE

The 20 1.7 II can be found at Amazon HERE

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK - Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

Apr 152014
 

PentaxK32

Oh Pentax… I tried, I really did.

The Pentax K3 and the Crazy-Acting Mirror Sickness

by Amy Medina

What a frustrating few months it has been. I am going to preface this article by stating this: Pentax really did bend over backwards to try to make me happy, and in the end they did do the right thing for me individually, even if it doesn’t solve the issue (yet) for the many others who may come across it

So it all began back in July. Yes, July. I started having issues with my original K5 and took it to a local retailer for service, being under the silly impression they might be able to fix it there. Their salesman did not tell me otherwise, despite the fact I told him I needed the camera back in a week. Well, Mr. Salesman gave it to Mr. Repairman, not relaying my urgent need for the camera back, and off it went to Pentax without my knowledge.

To keep this long story as short as I can, I’ll spare you all the phone calls and back and forth trying to figure out what was going on with my camera and how much it was going to cost to fix, and who messed up by sending it in the first place (because I could have done that myself)… etc. etc. and fast forward to OCTOBER when I finally got the camera back, not fixed. It was then they finally agreed to fix it for free after all my trouble, and the local Pentax Rep got involved and gave me a K5-II loaner to use. My K5 went back to Pentax.

Then the K3 came out, so I decided to jump in. I was getting a lot more professional work and, though I was frustrated with my recent experience, gave Pentax and my local retailer another chance. The retailer knocked some money off the price of the camera for all my trouble, so I set out to shoot lots of timelapse for my client with my new K3 and my loaner K5-II.

And little did I know, the drama had barely begun.

Almost right away I started having issues with the K3 locking up. In Pentax-Land, we call this “runaway mirror syndrome” or as I like to call it, “Crazy-Acting (or Crazy-Ass) Mirror Sickness” (CAMS). What happens is this: You’re going about your business taking photos or shooting timelapse or whatever, and suddenly, without warning, the mirror goes nuts, starting to slap away rapidly, like a machine gun. The camera goes completely unresponsive when this happens and all you can typically do is pop out the battery to get it to stop. It takes no photos while it’s going nuts either, so whatever shot you were trying to take, well that moment is lost forever. Whatever timelapse you were trying to capture is now lost and interrupted until you stop the camera and get it set back up again to start reshooting.

At first, I obviously thought it was a fluke. Or then maybe it was caused by the weather (it was very cold here). But as time went on, with almost every timelapse shoot I went to, the camera would lock up and go mirror-crazy. I’ve been doing anywhere from one to three of these timelapse shoots per week, so me and the crazy flapping mirror became good friends. And there have been other “silent” lockups too, where the camera just stops shooting and responding.

Having had the contact with the Pentax Rep and Pentax Repair directly now (because of those original K5 problems), I used those contacts to report this problem. And for a long while, I was happy to do testing for them (and for me) to see if we could narrow the problem down. Here’s what I found out.

Crazy-Acting Mirror Sickness (CAMS) of the K3 – A Summary

  • It happens in any temperature, from 10º (F) to 50º (F). So it’s not just in cold weather.
  • It happens in humid (even drippy foggy) weather, as well as dry. Not likely static.
  • It happens indoors and outdoors. So that eliminates most environmental causes.
  • It happens with a multitude of SD cards… different brands and sizes.
  • It happens with a multitude of batteries, from old original K5 batteries to brand spanking new K3 batteries.
  • Pentax even sent me a shiny new NEW battery to try, and it happened with that too.
  • All batteries I’ve used and tried are genuine Pentax ones.
  • I’ve never used third-party batteries, but I’ve heard of others with the issue who have.
  • It happens whether the battery is fully charged, or much more depleted. Doesn’t matter.
  • It happens with all my lenses, not just one.
  • It happens whether you use live-view or not.
  • It happens with one SD card in the camera, or with two.
  • It happens with Shake Reduction on, or with it off.
  • It happens in M (Manual) mode, Av (Aperture Priority Mode) and User Mode.
  • It happened to me shooting timelapse, but reports indicate it happens in all drive modes, including single-shot and continuous shooting.

Another Pentaxian I met online set out to recreate the issue himself, and it happened to him the first day he tried to recreate it. He had the issue crop up with the battery grip. I have never used the battery grip. So it happens with and without.

One user had it happen with the AC Adaptor.

It has happened with all firmware versions, including the latest 1.03.

First part of the video shows a silent lockup. Second half shows the CAMS issue…

 

And worst of all… it happened to me across two K3 bodies.

After all this testing and writing to Pentax Repair about it, they finally told me to exchange the body for a new one. That happened in February. I went to my retailer and he gave me a new K3. That was a Saturday. The following Monday I went to a time-lapse shoot, got half way through the day without a problem (and was feeling optimistic)… and then, just after lunch, this out-of-the-box, new K3 body fell into Crazy-Ass Mirror Sickness.

You can imagine, I wasn’t happy.

Where does that leave me now? Well, very frustrated and disappointed.

Through all of this I’d been communicating with Pentax Repair, who liked to tell me they couldn’t reproduce the issue, which honestly, leaves me asking if they are trying hard enough. It happens to me at nearly every shoot. I know the tech is trying to be helpful when he asks me a lot of questions, but when they are the same questions over and over I get a little irritated. When I send him video of the problem and he tells me “it doesn’t show me anything but your settings” until I tell him to turn up his volume, well you can imagine more than frustration.

And now, my time with the K3 is over. It has been returned in favor of two K5-IIs bodies. So far, with 25,000 shutter actuations on one and 15,000 on the other, I haven’t had any issues. I’ve also bought the Fuji XT1, and since that is time lapse capable, I’ll be testing that out while researching and exploring other options out there as well.

And I will repeat, I am disappointed. Mostly, because I liked the K3 in every other way!

  • Image quality: Outstanding
  • Performance (other than CAMS and random silent lockups): Great
  • High ISO performance: Excellent
  • Autofocus: Much better (more accurate) than original K5
  • Feature-Set: Impressive
  • Size & Weight: Perfect for DSLR
  • Battery Life: Nothing short of amazing
  • Value vs. price: Excellent

but…

  • Service: Very slow.

and…

  • Reliability: Very poor.

… and the end bit, well that’s actually most important when you’re shooting stuff for a paying client.

 

In the end, Pentax is taking care of me. They have let me exchange the K3 out for something else. They fixed that original K5 for me for free because of the retailer’s debacle. They have tried to make me happy. They’ve heard my complaints for months (and to my own credit, have had the benefit of my patient testing for all that time too).

But it makes me sad they haven’t come to a conclusion as to what causes this problem on their flagship DSLR. If they don’t figure it out, it’s possible future bodies will suffer the same problem. If they won’t take the time to reproduce it so they can see what’s happening, it won’t be solved for the other people who run into the issue. I know my shooting is somewhat unique… and because of the weekly timelapse shoots, I run into the issue more regularly, by sheer law of averages. But I’ve heard stories from other Pentaxians who are just shooting regular, typical photography and run into the issue as well. Not good. Not good at all.

Matter of fact, I started a thread at the PentaxForums for people to report the issue, and in a month’s time, it’s accumulated 74 reports of this same issue. And most of those people weren’t shooting timelapse at all.

Other K3 Users Reporting the Issue

I’m not a kid having a tantrum here. My only hope is that Pentax sees this as the serious issue it truly is and decides it’s important enough to track down, address and fix. I’ve actually recommended Pentax cameras directly and indirectly (through reviews) over the years, and have converted several photographers into Pentaxians, amateurs and professionals alike. I want Pentax to be my go-to work camera. And they want me on their side… especially when I’m one of the few who actually likes the K-01. LOL

A great number of you may never run into this issue… and for that I’m glad.

If you don’t shoot time-lapse or weddings/events professionally, journalism or even birds/animals/nature, it’s probably not an issue to worry too much about… at least in the sense that it will cause you wide-spread problems. If you have to depend on it to get specific shots that you cannot “do over”, and if the camera is getting heavy use, then I’d rethink relying on the K3 until this issue is fixed.

The silver lining in all of this is that as much testing as I’ve done to the K3, I’ve also done to the K5-II… and the K5-II has been rock solid. Not a second of trouble in all the same conditions at all the same shoots. No lockups, no mirror gone cray-cray, no corrupt SD cards or files… not one issue at all. The K5-IIs bodies are proving just as reliable so far. At least we know it’s possible for Pentax/Ricoh to produce a dependable, well performing camera. What is frustrating is that their newest model, with all it’s wonderful new features appears not to be that camera.

I didn’t WANT to give up the K3. In every other way I was truly impressed by the camera and the K5-IIs/K5-II is a step backwards. They have tried to help me, but the exchange isn’t a solution to the problem, only a solution to my predicament at the moment. If it is never fixed, does that mean we’ll all have to worry about the same issue coming up again in their next model? At this point, I’d say that is likely, and that is quite unfortunate.

Below I will share some of the photos I’ve taken for my own enjoyment in the time I’ve owned the K3, and timelapse videos for you to see. I hope you enjoy them. If you’re a Pentax user who has experienced CAMS, please report it to Pentax, even if it only happened to you once. Don’t be silent. If you haven’t had the issue, I hope you never do… and truly, just go forth and enjoy your Pentax K3. But for this issue, there’s a lot to enjoy there.

Follow me on Facebook: www.facebook.com/DangRabbitPhotography

Twitter: @DangRabbit

Google+: www.gplus.to/DangRabbit

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Apr 112014
 

The legend : A Leica story

By Yves Oliver

I am an enthusiast 47 years old photographer. I live in Belgium, so forgive me for my possible bad english. But first, before the pictures, a true Leica story….or how I finally bought an M8.

Back to…1944 !

My father was a 12 years old boy and passionate about…photography. In 1944, that meant a foldable 6×9 Zeiss Nikon and, of course, black and white film. Living in a village in South Belgium, he was by far the only guy aware of photography. It was the end of the Second World War in Europe and the Germans were going back home. A German troop stopped in the village and an officer spent the night in my father’s house. He had a Leica (probably Leica III). It was the brand new top camera at the time coming from Germany : shiny, tiny and easy to use with 35mm film. My father had his eyes wide open. The next morning, the soldier left to join his troop and….forgot his camera on the kitchen table. My father was dying to keep it without a doubt ! These were dangerous time, the Germans were nervous because they were losing the war and the family could have been accused to have stolen the camera. You could be shot for nothing. “Too dangerous” said my grandmother who forced his son to run after the officer and give him the Leica back. You have to imagine the fear of the young boy among enemy soldiers, and his disappointment for holding a dream camera for a few seconds before giving it back.

10 years later, he had become an engineer and with his very first pay, he bought a Rolleicord 6×6. At the time, if you shot sport or actualities you used Leica, if you shot landscape you used Rollei. Simple. That was before Japanese cameras. He travelled, so he chose Rollei, but in his heart, he never forgot the Leica he once dreamed about during the war. He continued with Rollei, then Exacta, later with Olympus but never with Leica.

15 years later, he had a boy (me) and give him the photography virus. I learned with him, spent time in the darkroom with black and white prints, and with the years, I owned different cameras from Minolta to digital Nikon. When he died, I gave most of his old gear to a famous photography museum (except the Rolleicord I still use !). A part of my life had gone with him but I knew something was missing to close the circle . He had told me the story many times and, as a child, I also dreamed about the “legendary Leica from the war”. In memoriam to him, for my pleasure, and for the father and son dream could finally come true, I bought a used silver M8 with a Summicron 35 for my 45th anniversary. A real gem, he would have been happy for me.

I now have a 5 years old daughter who began shooting with a cheap Coolpix. I wander if the name of Leica will still mean something for her in twenty years…

Yves Oliver

Pictures on Flickr : www.flickr.com/photos/51484580@N07

General website : www.yvesoliver.com

Book : www.blurb.fr/user/yvesoliver

Now, some of my pictures (Leica M8 + Summicron 35 mm, all processed with Silver Fx Pro)

Blankenberg L 25

Phil & Nils L 14

Krka 1

 

Apr 102014
 

Tokyo, Tokyo, home of Moriyama and Nakahiri, deep blacks and stark whites, grainy, blurred, shocking contrasts over a quirky but sensual rhythm .

By Colin Steel – His web site is HERE

Tokyo has long-held a strange magnetism for me but it has been a long and uncomfortable path to even get to the beginning of understanding this magnificently complex city and its wonderful people. I have been travelling there for over six years and trying to make sense of it photographically for the last two years. It bewilders me, hurts me, loves me but above all enthrals me like no other city I know of. Its incredible complexity and compression of space creates a system of polite mannerism that is at wild contrast with the creativity of many of its artists who, for me, have pushed the boundaries of photography with their beat poem rhythms and blatant disregard of conventional structures. I feel honoured to tread the same streets of Shinjuku and Shibuya as Daido and stop into the tiny bars drinking and searching for the internal buzz that will free me from my rational straightjacket. I like to think that every city I visit has a rhythm and Tokyo is my Bill Evans. It has a perfect, hushed, mellow, modal meandering that is all to infrequently punctuated by strange ventures into the upper registers for that short, sharp thrill and excited recognition of something that we all have and glimpse only so very, very rarely. This is what photography is to me now, the never-ending search for encounters with that fleeting spirituality that combines shapes, light, dark, expressions, movements, glances and beauty into sudden realisation of the perfection that exists in our imperfect world, play on Bill Evans…………………

Colin 01

Colin 02

Colin 03

Colin 04

Colin 05

Colin 06

Colin 07

Colin 08

Colin 09

Colin 10

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Colin 14

Apr 082014
 

LEICAS

Save $5000 on a Leica S (Typ 006) Camera! 

You can take advantage of this deal at any Leica dealer as far as I am aware, including B&H Photo, PopFlash.com, Ken Hansen, The Pro Shop or Leica Store Miami…

From the Leica Store Miami’s Website:

“As part of its centennial celebrations, “100 Years of Leica Photography,” Leica Camera is pleased to offer the S-System Trade Up Program effective April 1, 2014 through June 30, 2014. Through this program, customers can trade in any SLR camera or medium format camera (film or digital) towards the purchase of a new Leica S (Typ 006) digital medium format camera and receive a $5,000 instant credit. Please note that only one instant credit can be applied to each new Leica S (Typ 006) purchase.

To participate in this program, you can send (or bring it by, if you are in the area) any film or digital SLR or medium format camera to Leica Store Miami and receive an instant credit on your purchase for $5,000. The credit will only apply towards the purchase of a brand new Leica S (Typ 006) camera from an authorized Leica USA dealer, store, or boutique. The program begins on April 1, 2014 and ends June 30, 2014.

If you wish to learn more about the program or the Leica S (Typ 006) camera, please do not hesitate to call Leica Store Miami at 305-921-4433 or send us an email with any questions.”

Apr 062014
 

SONY

The new Sony A7s brings amazing high ISO, 4K video and crazy creative possibilities!

So I have been busy all weekend with some travel (so am a couple of hours late with this) but MAN OH MAN did Sony just KILL it with the latest announcement. The new SONY A7s which will be a full frame A7 but with a 12.2 MP BRAND NEW sensor with insane crazy high ISO capabilities up to over 400,000 ISO. Imagine the possibilities…you have a nice fast lens attached, a nice small file size, no noise. Astrophotography anyone? INSANE! Low light interior? INSANE!

This new sensor will, according to Sony, offer the best dynamic range and noise performance of ANY full frame camera. Period. I love the fact that this has a 12.2 MP sensor! SMALL file sizes with RICH gorgeous tonality. I have said for years that 10MP is enough for any use, and 16 is maximum that is needed. 12.2 is sweet and should bring up the performance of this sensor. Wow. Sony did it again. I had no clue about this one, they did not even tell the press about it.

Sony is one of the most forward thinking companies out there and they have just proved it again with the new Sony A7s. Pricing and Availability is yet to be determined. I guess $1800 for the body, but it is just a guess. The A7s seems like it will be the perfect body for those who want HQ video AND images in one. Of course we will have to wait and see but I will keep you all informed as it progresses. I already told Sony I MUST have one for review when they are ready!

B&H Photo already has it listed HERE!

sony2

ISO 50-409600

Amazingly high dynamic range

4K recording 

The “S” means “sensivity

Take a look at the official Sony video showing an example often ISO possibilities.

And the video possibilities:

and the official press release:

Sony’s α7S Full-Frame Camera Realizes a New World of Imaging Expression

Features newly developed, wide dynamic range sensor with awe-inspiring sensitivity

SAN DIEGO, April 6, 2014 – Joining the acclaimed α7 and α7R family of the world’s smallest full-frame interchangeable lens cameras1, Sony’s new α7S model puts extraordinary sensitivity, low noise and spectacular 4K video quality into the hands of professional photographers and videographers.

The innovative α7S camera features a newly developed, 12.2 effective megapixel 35mm Exmor® CMOS sensor paired with a powerful BIONZ X image processor, allowing it to shoot at a sensitivity range of ISO 50 – 4096002 with unprecedented dynamic range and low noise.

The new model is also the world’s first camera to utilize the entire width of a full-frame image sensor in 4K video acquisition, and does this without cropping or line skipping as it can read and process data from every one of the sensor’s pixels. This allows 4K video shooters to utilize all of the artistic and creative benefits provided by the unique sensor.

“The α7S gives Sony the most complete, versatile lineup of full-frame cameras in market today,” said Neal Manowitz, director of the interchangeable lens camera business at Sony Electronics. “Between the α99, VG900, RX1, α7, α7R and now α7S models, we have completely revolutionized what it means to be a ‘full-frame’ camera, bringing a new level of quality and portability to enthusiast photographers and videographers.”

Wide ISO Sensitivity (ISO 50 – 409,6002) and Impressive Dynamic Range

Sony, the world’s largest manufacturer of image sensors, has developed a unique 12.2 MP sensor with extraordinary sensitivity that allows the α7S camera to collect dramatically more light than traditional cameras and to produce beautifully detailed, low-noise images in even the darkest environments.

The camera also features a newly developed on-sensor technology that allows it to optimize the dynamic range throughout the entirety of the ISO50 – 409,600 sensitivity range. This on-sensor technology also broadens the range of tonal gradation in bright environments and minimizes noise in dark scenes, allowing the camera to deliver impressive results in these extreme conditions where other cameras (and image sensors) typically struggle.

World’s First Full-Frame Camera with Full Pixel Read-out3 (without pixel binning) during Movie Shooting

With the new α7S camera, the high-speed read out of the 35mm full-frame image sensor combined with the high-speed processing of the BIONZ X processor enables significant improvements in video quality.

These powerful components allow the camera to process data from all of the sensor’s pixels and output stunning HD and 4K (QFHD 3840 x 2160 pixels) video3 while utilizing the full-width of the sensor. In addition to the benefits for low-light shooting, the read out of all pixels frees the video from aliasing, moiré and false color artifacts (as opposed to pixel binning) to achieve the highest quality video.

Additional Pro-Quality Video Functions

In video mode, the α7S can output 4K video4 at QFHD (3840×2160) to an optional external 3rd party 4K recorder, and can record full HD (1920×1080) at frame rates of 60p, 60i, 30p and 24p directly to a compatible memory card. Video modes can be changed from full-frame to APS-C (super 35mm equivalent) if desired, and in this crop mode, the camera can support high frame rate 120fps shooting at standard HD resolution (1280 x 720p), creating a 5x slow-motion effect.

The α7S camera is also equipped with S-Log2 gamma. Common to Sony’s range of professional video cameras, S-Log2 expands the dynamic range by up to 1300% to minimize clipped highlights and loss of detail in shadows. Additionally, for the first time ever in a Sony α camera, the α7S adopts the workflow-friendly XAVC S recording format in addition to AVCHD and MP4 codecs. XAVC S format allows for full HD recording at a data rate of 50 mbps with lower compression for improved video quality.

Other specialist video functions on the new camera include a picture profile that can adjust settings like gamma, black, level and color adjustment, and can be saved for use in a multi-camera shoot. It also has Full HD and 4K base band HDMI® output, time code/user bit for easier editing, synchronous recording feature with compatible devices, various marker and zebra displays on both the LCD screen and viewfinder and can dual record XAVC S as well as MP4 (1280×720 @30p).

The camera also has a Multi-terminal interface shoe that is compatible with Sony’s XLR Adaptor Microphone Kits (XLR-K1M plus a new model under development), allowing the use of professional microphone systems.

Low-light Shooting Advantages

The high ISO sensitivity range of the α7S camera is extremely effective for still image shooting, especially in low-light conditions, where the camera can shoot at high shutter speeds while keeping noise as low as possible. This is particularly useful for shooting indoor, dimly lit sporting events or other situations where most cameras typically struggle.

The camera is also equipped with the same high-precision Fast Intelligent AF system as the α7R camera, with drastically improved low-light AF sensitivity that can go as low as -4EV.

Expanding α Mount System and New Power Zoom Lens for Movie Shooting

Directly compatible with the growing family of E-mount lenses, the α7S camera can also be used with A-mount and others lens systems with optional adapters. Sony’s complete α lens system now includes 54 total lenses for both A and E mounts, including several premium offerings from Carl Zeiss® and G Series Lenses.

As a whole, Sony’s E-mount lens system is particularly well-suited for video shooting, with a variety of models containing “movie-friendly” features like smooth focusing, powered zoom control, and silent iris/aperture control. Building on this, Sony has announced development of a brand new, full-frame power zoom 28-135mm F4 lens E-mount lens that is an ideal match for the powerful movie capabilities of the α7S model.

Pricing and availability of the α7S full-frame interchangeable lens camera will be announced at a future date. To learn more about the product in the meantime, please visit www.store.sony.com, and follow #SonyAlpha on twitter for the latest α camera news.

Apr 032014
 

Hi Brandon and Steve,

My name is Yudhi Krisnawardhana, I’m from Bandung, Indonesia and I have been following your site everyday for almost 3 years now. Your site has been an inspiration to me about all things photography.

Thanks to your review I recently traded my Nikon D90 and a couple of lenses for a used OMD EM-5. I’m not a professional photographer and I just shoot what is interesting to me so I’m sending you a few photos of my newborn nephew since he has been the center of attention in my family for the past few weeks. I loved how the OMD is so small and flexible that I can shoot it with my old Nikkor lenses and still have the “A ” mode work. I also loved that the sound of the shutter is not too loud so I can get close and not startle my nephew.

The images are all shot with an OMD with either a Nikkor 28mm f2.8 AIS or 50mm f1.4.

I’m glad you have the daily inspiration post so all of your readers even someone half across the globe like me have a chance to reach out to you, share their passion about photography and show you their appreciation of this great site.

Thank you,

Yudhi

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

OLYMPUS DIGITAL CAMERA

Apr 012014
 

The new Olympus SH-1 compact delivers style and performance for under $400

16MP, TRU PIC VII, 11.5 FPS, FAST AF, ISO 6400, 1080P 60FPS, 25-600 ZOOM, TOUCH SCREEN AND 5-AXIS IS! 

OLYSH-1

Available for Pre-Order in SILVER from B&H Photo

Available for Pre-Order in BLACK from B&H Photo

MAN, OLYMPUS IS ON A ROLL! This new SH-1 looks phenomenal and PRICED RIGHT. Look at all of the features packed into this compact beauty:

INFO:

The silver Olympus Stylus SH-1 Digital Camera is a sleek, PEN-styled point-and-shoot featuring a 16MP BSI CMOS sensor and TruePic VII image processor to produce high-resolution imagery with notable low-light sensitivity and quality. The combination of these two technologies form Olympus’ iHS technology, which serves to realize fast performance throughout the camera system, including a full-resolution continuous shooting rate of 11.5 fps and the FAST AF system, while also maintaining low image noise with a native sensitivity of ISO 6400. The sensor and processor also support recording full HD 1080p movies at 60 fps as well as HD 720p movies at up to 120 fps.

Benefitting the imaging capabilities of the SH-1 is an expansive 24x zoom lens, which provides a 35mm-equivalent focal length range of 25-600mm. Counterbalancing this lens’ long reach, as well as aiding this camera’s use in low lighting, is an advanced 5-axis sensor-shift image stabilization system that corrects for angular, rotational, and translational types of camera blur.

For image monitoring and review, a 3.0″ 460k-dot touchscreen LCD is incorporated into the camera’s design. Its touchscreen capabilities avail an intuitive means for navigating the menu system and for utilizing a host of camera features, including touch AF control, a built-in intervalometer, and adjustment of Live Guide settings, as well as for accessing the built-in Wi-Fi connectivity for seamless sharing of imagery to, and remote control from, a linked mobile device.

16MP BSI CMOS Sensor and TruePic VII Image Processor

A 16 megapixel 1/2.3″ backside-illuminated CMOS sensor and TruePic VII image processor work together to enable iHS (Intelligent High Speed) Technology, which benefits both the overall image quality and performance throughout the SH-1. The BSI design of the image sensor realizes notable sensitivity to ISO 6400 along with reduced noise levels to enhance image quality, especially in regard to working in difficult lighting conditions. Complementing the sensor’s duties is an apt image processor, which benefits both the look and feel of imagery as well as enables a top full-resolution continuous shooting rate of 11.5 fps for working with fast-moving subjects. Furthermore, iHS technology also supports the use of the Intelligent Auto shooting mode, with accelerated scene recognition, as well as an enhanced FAST AF system.

24x Optical Zoom Lens and 5-Axis Image Stabilization

Incorporated into the compact body design is far-reaching 24x optical zoom lens, which provides a 35mm-equivalent focal length range of 25-600mm, covering wide-angle to telephoto perspectives. 2x Super Resolution Zoom and 4x digital zoom can also be utilized to effectively increase the zoom magnification for working with even more distant subjects.

Benefitting this lens’ expansive zoom range is 5-axis sensor-shift image stabilization, which minimizes the appearance of yaw, pitch, roll, up and down, and left to right types of camera movement, to realize sharper imagery with slower shutter speeds, longer focal lengths, and during macro shooting. In addition to the 5-axis sensor-shift stabilization, a hybrid 5-axis electronic stabilization system can also be applied for further refinement.

Full HD Movie Recording

Full HD 1920 x 1080p video recording is supported at 60 fps, as well as high-speed 120 fps or 240 fps recording, for slow-motion playback, in the HD 1280 x 720 format or 432 x 324 format, respectively. Beyond straight movie capture, full-resolution photographs can be simultaneously recorded during filming and a dedicated Time-Lapse Movie mode automatically compresses up to 5 hours of interval shooting into a 20 second movie.

Body Design

The SH-1′s PEN-inspired body design incorporates a large 3.0″ 460k-dot touchscreen LCD monitor to allow clear, bright live view monitoring, image playback, and intuitive menu navigation. The touchscreen functionality enables the ability to touch to focus and release the shutter as well as a simple means for navigating controls and settings.

Built-In Wi-Fi Connectivity

Built-in Wi-Fi connectivity enables seamless sharing of photos and movies from the camera to a linked mobile device for instant sharing online. Utilizing the Olympus Image Share app, you can also remotely control the camera from the smartphone or tablet, including the ability to zoom in or out, adjust exposure and focus, and release the shutter. Additionally, utilizing the location data from a mobile device, you can geotag your imagery for plotting to an interactive map.

Other Camera Features

A built-in electronic level gauge helps to ensure level horizons and plumb verticals when shooting.

Interval shooting allows you to choose between 1-99 frames, with 10 second to 1 hour intervals and up to a 60 minute timer, to create time lapse imagery of slowly moving subjects.

The manual exposure mode permits control over the shutter speed, aperture, and ISO settings, with the ability to check the results on the LCD prior to shooting.

The intuitive Live Guide settings allow direct adjustment over brightness, color saturation, and color tone settings using an intuitive slider system facilitated by the touchscreen monitor.

Face Detection AF, AF Tracking, Selective AF area (using the touchscreen interface), and AF Lock focus modes are available to suit working with a wide variety of subject types.

Photo Story is a creative mode allowing you to create a multi-perspective narrative within a single image, with multiple templates available to choose from.

Backlight HDR automatically combines multiple exposures within a single frame to realize an extended range of tones with greater shadow and highlight detail than a single exposure can record.

Hand-Held Starlight mode helps to create sharp, blur-free images of nighttime scenes without the use of a tripod.

A built-in Panorama mode allows you to create in-camera panoramic imagery, up to 360° across, by simply panning the camera about the scene.

11 different Art Filters can be applied to creatively enhance imagery: Pop Art, Soft Focus, Pale & Light Color, Grainy Film, Pin Hole, Diorama, Dramatic Tone, Fish Eye, Sparkle, Reflection, and Fragmented.

Three different Picture Modes can be applied to alter the overall quality of imagery: Vivid, Neutral, and Muted.

In-addition to the standard 2 second and 12 second self-timer delays, a custom self-timer can be set to record 1-10 pictures in a 1-3 second interval with a 1-30 second start timer.

In-camera image editing: Resize, Crop, Audio Clip (record 4 sec. audio clip for an image file), Red Eye Fix, Shadow Adjustment, Rotate Image, and e-Portrait (smoothes skin tone for viewing on an HDTV).

In-camera movie editing: In-Movie Image Capture (captures pictures from a movie file) and Movie Trimming (erase unwanted portions from a movie file).

Language support: English, French, Spanish, Brazilian Portuguese, European Portuguese, German, Italian, Russian, Czech, Dutch, Danish, Polish, Swedish, Norwegian, Finnish, Croatian, Slovenian, Hungarian, Greek, Slovak, Turkish, Latvian, Estonian, Lithuanian, Ukrainian, Serbian, Korean, Simple Chinese, Traditional Chinese, Thai, Arabic, Bulgarian, Romanian, Persian, Indonesian, Hebrew, Malay, Vietnamese, and Japanese.

Available for Pre-Order in SILVER from B&H Photo

Available for Pre-Order in BLACK from B&H Photo

© 2009-2014 STEVE HUFF PHOTOS All Rights Reserved