Sep 162014
 

New Voigtlander lenses for M mount and Micro 4/3!

Pre Order Links – $100 deposit at Cameraquest:

The new 35 1.7 in Black - and in Chrome

The 40 2.8

The 15 4.5 III

and the 10.5 0.95 for M 4/3

 

Photokina is the gift that just keeps on giving. Today Voigtlander announced the new 35 1.7 Ultron lens in VM mount (Leica). This is yet ANOTHER fast 35mm option for Leica M or Sony A7 users. HOW SWEET IT IS! The cool thing is that the Voigtlander lenses are just as well made as the Zeiss lenses and offer image quality that may not equal Zeiss or Leica but is still VERY nice. Take a look at the new 35 1.7 Ultron VM, which looks similar to the amazing 50 1.5 that I reviewed a while back.

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There is also a new version of the 15mm Heliar that I love so much, the new VM Heliar 15 II. No pic yet but will have one soon. Finally, another new Leica M mount lens from Voigtlander will be the 40mm 2.8 Heliar pancake lens, a slim and gorgeous retro design. So three new Leica mount lenses from Voigtlander! Woohoo!

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In addition, there is a new Voigtlander 10.5mm f/0.95 for Micro 4/3 which will give you a 20mm 0.95 equivalent (and yes this is a 0.95 lens and has 0.95 light gathering ability, period). This kind of puts a dent in the new SLR Magic 10mm T 2.1 by upping the ante to f/0.95.

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You can pre-order these lenses at my Voigtlander recommended dealers, CAMERAQUEST.COM. They should have them listed today. I will be reviewing these new VM lenses for sure! Not sure of pricing just yet, but Voigtlander is always reasonable.

You can also buy Voigtlander at B&H Photo HERE.

Sep 162014
 

A closer look at the new Olympus 40-150 F/2.8 Pro Zoom (Video)

or..everything you wanted to know about the new Olympus 40-150 2.8 Pro Zoom but did not know who to ask :) Check out the video below to see all you could want to know on the new Olympus 40-150 Zoom lens. Olympus glass/fast primes are so so good, up there with Leica IMO. This lens will KILL on an OMD body.

You can pre-order it at Amazon HERE. B&H Photo has it as well HERE.  PopFlash.com also sells this lens HERE.

Sep 162014
 

My top 3 Lusted after Leica items from Photokina 2014

So for me it is the morning after. It is 8Am here in Sunny Phx, AZ and I was up late last night checking out all of the new Leica releases. In fact, Leica has released more than 40 new items and while many are accessories such as cases and bags, many of these were serious releases! Leica has been hard at work creating a range of cameras to fit almost everyone’s tastes and yes, even budget. The stars of the newly announced Leica lineup for me are the new X Typ 113, the M-A, the D-Lux and the new Summarit lenses, which I think will be pretty sweet.

My #1 Lusted after Item announced for Leica?

The new Zeiss 35 1.4 Distagon Zm lens – More details HERE

Of course, my #1 most lusted after item that was announced FOR Leica M is the new Ziess 35 1.4 ZM lens. Zeiss is sort of hyping this guy as the best 35mm for the M system and at $2250, it is less than half the cost of the 35 Summilux FLE. I have always had a soft spot for the Zeiss ZM line and while they are not made in Germany, they are made in Japan and the quality of these lenses are of superb quality when it comes to IQ. In fact, I prefer the little 50 Zeiss ZM Planar to the classic 50 Summicron in image rendering, color, pop, bokeh and overall look/feel. The build of the Leica is better but at less than half the price, the Zeiss Zm 50 is so so so good. Many Zeiss ZM lenses are the “goto” for Leica shooters and this new 35 1.4 looks AMAZING. I will be buying one without question for use on my A7s and Leica camera bodies.

So yes, for me, this is the item I most want for my own personal use. You can pre-order the Zeiss Distagon 35 1.4 at B&H Photo in BLACK or SILVER

 

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My #2 most Lusted after item announced FROM Leica?

The new X Typ 113 with 23 1.7 Summilux

I have to admit, I am not a film guy anymore due to costs, time, and all of that stuff we associate with film shooting. Today, for me, digital is just too convenient and too good. So while I LOVE the new M-A film release, and would own one in a heartbeat if it were 1979 or if it were $1500, for me it is just not feasible. It is a beauty for sure but just would not fit for my personal use. I am happy with my M, MM and A7s.

I am also extremely pleased that Leica released the M 60 Years edition. No LCD, and a cool Audi design. This is what Leica is all about. Simplicity, beauty, passion. Gone will be the chimping, the stress, the wondering “did I get the focus right”. Nope, you will not know until you see your shots. God forbid your RF goes out, then you are screwed. In fact, without any EVF or LCD, this would be my #1 concern of the this new limited edition Leica. I have had quite a few RF’s go out of whack over the years and without a way to check them while shooting, I am not sure I would want to do an important job with this one. Still, I LOVE THE CONCEPT and IDEA and would love to own one. At $18,500 it is out of my league but I hope to be able to see one someday :) It’s a beauty and I am sure will be sitting on the shelves of quite a few collectors. B&H has it listed here for $18,500 but you do get the stainless steel 35 Summilux lens, which is a collector in itself and will only go up in value. If one bought this set and kept it for 10 years it could probably be sold for $25k and up.

But even so, neither the MA or the M 60 are in my #2 spot. 

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Instead it is the new X Type 113. With the new Summilux f 1.7 lens, this is finally the X that should have been from day one. While Leica is keeping the X2 (disguised as the new XE) the X 113 is where it is at. It is small, beautiful, and now with a fast 35mm equivalent lens it will bring you that Leica IQ and lens quality all in a sweet small gorgeous package. At $2295 it is not cheap but hey, it is a real Leica. Not a rebadged Panasonic. I can imagine my camera set as the Leica M-P, Leica MM, Sony A7s and the X 113. I would use them all on different days and occasions. Overkill? Sure, but it is my passion and for me you can never have too many cameras! The one drawback of the new X? NO EVF! It seems Leica will NEVER learn that putting a nice viewfinder in their smaller cameras is very beneficial. DROP this externals and go internal Leica. Even without the EVF, the camera is beautiful but the lens makes it for me.

You can pre-order the X Typ 113 in BLACK or  SILVER

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My #3 most lusted after item announced from Leica?

Easy. The new line of Summarit lenses. These little guys look so gorgeous, especially in silver! They remind me of some of the classics in design and look and Leica also states that the lenses have been improved and rehauled giving nicer image quality and a SLIGHTLY faster aperture that creeps into Summicron territory. I mean, look how gorgeous and tiny the 50 Summarit looks!

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I have always been a fan of the Summarit line and in fact, the 35 Summarit is one of Leicas best 35’s IMO! It has the most pleasing Bokeh and has a mix of classic and modern in its rendering. I hope the new version is just as good but it should be better. I may have to pick up the 50 and 90 in this line as the price is right (for Leica) and the size is small, and they just feel “right”. As I get older I am starting to appreciate lenses like this more and more. I am moving away from the ultimate speed (except for the Zeiss 35 1.4 which will be amazing) and also enjoy lenses like this these days. I appreciate small size above all, as long as the quality is there. These lenses fit the bill and they come in at 35, 50, 75 and 90 so it covers quite a large range.

I am sure I will pick up one or two of these in Silver as I think they will do quite well on my silver Monochrom :)

You can pre-order at B&H photo HERE.

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While many have written off Leica over the years, even as early as a few months ago, they appear to be going on full steam ahead. Strong, with a plan and on a mission to provide many options for those who want to get into the brand. Just a few years ago it was just the M8 or M9 with the Panasonic made D-Lux series. Then came the X1 when Leica wanted to expand out to a larger audience, and it worked. Then came the S2, then the floodgates opened and out poured the X2, X Vario, M 240, Monochrom. Now we have all kinds of offerings from Leica. The M, The MM, the D-Lux series, the V-Lux series, the X series and even the T series. Of course the special editions and the film offering as well.

Leica is growing and showing all of those who wrote them off years ago that they are here to stay for the long haul. They have been here for over 100 years and plan on being here for another 100.

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My #4 most lusted after Leica item is the new D-Lux. It is actually the same cameras as the Panasonic LX100 that I have already written about but the Leica version looks bad ass. Of course we get the Leica styling, the red dot, the Lightroom software and the longer warranty with the Leica, which comes in at $300 more than the Panasonic version. For me, well worth it for the better styling, the name/resale value, the software and the warranty. Actually, $300 more for the Leica is not bad at all and a no brainer for any enthusiast or hobbyist. It is not a made in Germany Leica but you do get the extras that make it worth it. It is the same camera, same lens and made in the same factory as the LX100 but it is the Leica version, so we all know how that goes as it has been going on for years and years now, ever since the original Digilux 1. and Digilux 2.

At $1195 this will make for a high end super quality P&S. Housing a 4/3 sensor it will provide images that are not possible with the smaller 1″ sensor cameras.

You can order the new D-Lux HERE. 

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LEICA DEALERS I RECOMMEND:

Ken Hansen (E-Mail him at [email protected])

PopFlash.com

The Pro Shop

B&H Photo

Sep 162014
 

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Photokina Leica Announcements. The Mother load.

Many new products from Leica announced. Wow!

Well today Leica has announced TONS of new products at Photokina. This is the largest release announcement of the show with new lenses, new cameras and all kinds of accessories. I am not going to list every single item as many of them are just cases or simple accessories but I will talk about the meat and potatoes of the announcements and some of them have been rumored for months, others not so much. For me, Leica has really come through with some cool pieces here, even the newly revamped Summarit line of lenses. I am looking forward to reviewing the new X, the new D-Lux and even the new S. I will also be taking a look at the new Summarit line as well as the new Zeiss ZM 35 1.4 if that is indeed a reality.

NEW LEICA CAMERAS

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Leica has brought us new cameras for this Photokina. How about a Leica M 60 Edition (for 60 years of the M) that does not include a rear LCD. Nope, no chimping allowed here! It is basically an M 240 without the LCD on the back. $18,500 with a 35 Summilux  stainless steel lens. Ouch. LIMITED TO 600 SETS WORLDWIDE!

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Leica also released quite the selection from the V-Lux to the D-Lux to the new X type, TWO S cameras, the S and S-E, and the new film M-A camera. The new X will be like the X1/X2 but it also gets a speed increase with a 23mm f/1.7 Summilux lens! Gone is the f/2.8 lens of the X1 and X2, Leica did what they needed to do with this one and brought along a Summilux with some speed to the new X. A VERY WELCOME addition!. Leica means business at Photokina time and this year is no exception. They are obviously pushing full steam ahead and bringing more and more options in all kinds of price ranges. The new V-Lux will appeal to a certain crowd and the D-Lux will be just like the Panasonic LX100, but with a pretty Leica shell, warranty and software :) I feel the LX100 and Leica D-Lux will be a pretty special camera, a future classic if you will.

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I will do separate posts once more details are provided on each major release so keep an eye out here all week for news on the new stuff!

ALL links below go to more info on each item, photos and pre-order options at B&H PHOTO!

The Leica M  – 60 Year Edition – M 240 with no LCD on the back! – $18,500 LLIMITED EDITION SET WITH 35 SUMMILUX FLE IN STAINLESS STEEL!

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The Leica M-A in Black  –  The Leica M-A in Silver

The Leica X Typ 113 IN BLACK  –  The Leica X Type 113 in Silver 

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The Leica V-Lux Typ 114

The Leica D-Lux Typ 109 – Panasonic LX100 Leica version, $1195.

The Leica S Typ 007

The Leica S-E Typ 006

The Leica X-E – Basically this is an X2 in a new color/shell

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NEW LEICA M LENSES

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Leica has announced some new surprises, like the all Silver Noctilux (I have seen one and it is gorgeous) and the silver 35 Summilux. The question is, will they be HEAVY like the old silver versions or will the be lighter, or the same? If the Noct is heavier it will be a problem :) Still, it is cool for Leica to offer these options. The new Summarit line also arrives with a refresh and a tad faster speed going from f/2.5 to f/2.4. The entire Summarit range has gotten the boost from the 35 to the 90.

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ALL links below go to more info on each item, photos and pre-order options at B&H PHOTO!

The Noctilux 50 f/0.95 in SILVER

The 35 Summilux FLE in SILVER

The new Leica Summarit 35 f/2.4 in BLACK, or in SILVER

The new Leica Summarit 50 f/2.4 in BLACK or in SILVER

The new Leica Summarit 75 f/2.4 in BLACK or SILVER

The new Leica Summarit 90 f/2.4 in BLACK or SILVER

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NEW LEICA T LENSES

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The Leica T is a camera I thoroughly enjoyed. It has the Leica vibe going on but in a modern kind of apple way. Many trashed it but I saw through the hubbub and discovered that it really was a true Leica at heart. It stands for simplicity, IQ, small size and amazing quality of build, feel and pictures. The two new lenses below are kind of stinky. Slow zooms yet again, so not sure where Leica is headed with the T but many that I know use it with their M lenses, so maybe that is why Leica is just releasing more zooms. I do know a fast prime is coming later :)

Super-Vario-Elmar-T 11-23 f/3.5-4.5 ASPH

APO-Vario-ELmar-T 55-135 f/3.5-4.5 ASPH

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NEW ZEISS ZM LENS FOR LEICA M

The Zeiss 35 1.4 ZM lens, WOW!! This one will come in at $2250 but that is less than half of the Leica 35 Summilux FLE. I am sure this will have the typical Zeiss pop, color, warmth and rendering. I will call it ALL MINE! I love almost all of the Zeiss ZM glass preferring some of it to the Leica counterparts. This lens will be gorgeous, and also the most pricey of the ZM standard lenses.

New Voigtlander lenses for M mount 

Pre Order Links – $100 deposit at Cameraquest:

The new 35 1.7 in Black - and in Chrome

The 40 2.8

The 15 4.5 III

and the 10.5 0.95 for M 4/3

 

Photokina is the gift that just keeps on giving. Today Voigtlander announced the new 35 1.7 Ultron lens in VM mount (Leica). This is yet ANOTHER fast 35mm option for Leica M or Sony A7 users. HOW SWEET IT IS! The cool thing is that the Voigtlander lenses are just as well made as the Zeiss lenses and offer image quality that may not equal Zeiss or Leica but is still VERY nice. Take a look at the new 35 1.7 Ultron VM, which looks similar to the amazing 50 1.5 that I reviewed a while back.

voigtlander

There is also a new version of the 15mm Heliar that I love so much, the new VM Heliar 15 II. No pic yet but will have one soon. Finally, another new Leica M mount lens from Voigtlander will be the 40mm 2.8 Heliar pancake lens, a slim and gorgeous retro design. So three new Leica mount lenses from Voigtlander! Woohoo!

New-Voigtländer-VM-lenses-for-Leica-M-mount-announced-at-Photokina-2014

You can pre-order these lenses at my Voigtlander recommended dealers, CAMERAQUEST.COM. I will be reviewing these new VM lenses for sure! Not sure of pricing just yet, but Voigtlander is always reasonable.

You can also buy Voigtlander at B&H Photo HERE.

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LEICA DEALERS I RECOMMEND:

Ken Hansen (E-Mail him at [email protected])

PopFlash.com

The Pro Shop

B&H Photo

CameraQuest.com for Voigtlander

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Sep 152014
 

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Black & White with the Sony A7s, Leica Monochrom and Cheap lenses!

There is a beauty to B&W that is oftentimes not seen in color. Sure, there is place for color photography as our own vision is in color, this is how we see but there is something classic about B&W that just pulls at the heartstrings for many of us. When I was growing up the big thing was Polaroid cameras and instant film. Even 110 cameras and those silly disc cameras with disc film were in. There was NOTHING quite like what we have today and photography, while well-loved by so many back then, was not practiced nearly as much as it is today.

The Sony A7s with the Voigtlander 15 f/4.5. For ANY Leica Monochrome or Sony A7s shooter, his lens is a MUST own. It does well on color on the A7s as well. One of my faves. At $599 shipped, you can not go wrong for those times when you want wide-angle on your full frame. 

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With so many color filled images on Facebook and in all of the social circles I have become quite fond of pure, simple B&W photography.

Yesterday I went out to shoot some portraits of my (soon to be) stepdaughter Katie. I brought along my Monochrom, a Sony A7s and even a Mamiya 645 with Leaf Credo 40 back (have it for testing now) and the HoldFast Money Maker and Roamographer bag I just reviewed. I have to say, this Sony A7s just keeps on impressing the hell out of me. Seriously. It seems there is NOTHING it can  not do. From ultra low light to super bright light. From rich color to pleasing B&W. From using Sony FE lenses to using Leica mount lenses. It just seems to do it all, very well. I won’t even get into the video aspect, which is its main feature.

Even the 85mm f/2 Jupiter 9 that I paid $80 for is a fun lens. This is another Russian Leica screw mount lens and while it is a bit soft wide open it is well worth the cost for when you want a soft look. Sony A7s.

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For me, so far, the Sony A7s has been the best camera release of the year. Even with all of the new stuff at Photokina, so far, nothing has gotten me more than the A7s in 2014. I was shooting it yesterday with a $30 Jupiter 8 lens I picked up locally, which is a Russian Leica Screw mount 50 f/2. Yes, $30. How can ANY $30 lens be any good? Well, it may not be anything like a Leica or Zeiss 50 but it has its charms for sure.

Below is an image I shot with the A7s and Jupiter 8 lens, wide open at f/2. For $30 it can render a beautiful soft image. This was shot on the Sony A7s.

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As I mentioned earlier, I also brought along the Leica Monochrom, which for me is an instant classic. I feel Leica will release a new Monochrome in a year or two based on the M240 or whatever the next M will be. If they do, it will not be like the current monochrome due to the CCD sensor. Again, as with the M9 vs M 240, there will be fans of each model. The Monochrom has something about it that makes you just want to use it, shoot it and LOVE it. Is it worth $8,000? No. But it is a wonderful camera to own and use and it has results that can be superb, depending on the lenses you use with it.

The Leica Monochrom with Voigtlander 15 (cropped)

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The MM is simple in its design, it is an M after all. It has simple menus, basic settings, and is small yet very sturdy and solid. Many scoff at buying a camera that can only do B&W but if you love pure and true B&W imaging and have a true passion for it, there is no other alternative. For me it is like having a Leica film camera loaded with every B&W film type on the market and then some. You can dial in any look you want from Tri-X to Neopan to Delta.

The Leica MM with the Voigtlander 15 – cropped

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So how much difference is there between a file from the Sony A7s and Leica Monochrom when both are done in B&W? Well, the Monochrom will have much more fine detail for super large prints and a more subtle shift of grey tones throughout but the A7s is also very nice with B&W imaging. For the images here I used VSCO filters for ALL of the images so they will all have a similar signature and look. Without those filters the differences are more pronounced with the Monochrom giving a deeper range of grey tones to the image. But I have to hand it to the A7s. It rocks with color or B&W. Daytime or night use. But I still love my Leica MM! Also, use it with some great lenses and it will really strut its stuff.

You must click on these images to see them correctly and larger/better quality. This one is a full wide image from the MM and 15.

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For this shoot I used not only the Voigtlander and the Russian glass, I also use the Sony/Zeiss 55 1.8 which is a fantastic lens. Contrasty, sharp even when wide open and has Auto Focus so you do not have to be critical with your eyeball :) Both images below were with the A7s and 55 1.8 lens.

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So while B&W may not be everyone’s cup of tea, I love it. For me it pays homage to Photography’s past while also allowing a purity to come through. No white balance to worry about, no color shifts, no problems. Just pure. simple. photography. I would like to thanks my model, Katie Casey for her time and patience with me while I tried to manually focus those old lenses in the 100 degree heat :)

You will notice I did not include any images from the Leaf Credo/Mamiya system. I shot about 20 images with that setup yesterday and it was a BEAST. Heavy, cumbersome, large and loud.

 With that said, here is one from the Leaf setup though the shadow of my head ruined the shot:

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and again, the similar shot with the A7s and $30 Jupiter lens which shows the soft Jupiter signature:

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You can read my full Sony A7s review HERE or buy one HERE at Amazon or at B&H Photo HERE.

You can read my full four-part Leica MM review HERE, see my gallery HERE or buy one at Ken Hansen ([email protected]), PopFlash.com, Leica Store Miami or Pro Shop. Also at B&H Photo or Amazon.

Sep 152014
 

Photokina! New mirrorless releases from Canon, Panasonic, Olympus, and more!

Photokina is upon us and today there were loads of cameras and lenses announced today from many of the usual suspects. It seems that Canon and Panasonic are jumping on the Sony RX100 bandwagon but Panasonic did it right by making an RX100 style camera but with a full on 4/3 sensor inside which means this guy will deliver the best quality in a compact camera! So far it is my favorite Photokina release (but that silver E-M1 is gorgeous, making it my #2 fave) but there is more to come. Let’s take a look at the cool stuff being announced today!

PANASONIC

The LX100 Compact powerhouse!

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The LX100 that has been rumored forever is now official. The 1st of the so called RX100 clones (even keeping the 100 name) this one is quite nice and will present a challenge to the Sony pocket cam. Basically this little guy has a Leica/Panasonic 24-70 equivalent f 1.7-2.8 lens, 4K video, solid build, great looks, a built-in EVF and wonderful ergonomics and control. It is easy to see that this one will be popular without question.

Coming in at $899 you can pre-order it at B&H Photo HERE.  

I see this as a direct hit to the RX100III but with a larger sensor and LARGER body as well of course.  Wi-Fi, NFC and manual control rings round off this polished looking offering from Panasonic.

Amazon is also taking pre-orders for the LX100.

Even though the LX100 is priced at $899, which may be a little bit high, it is priced appropriately to the RX100III due to the larger sensor. As you can see in the image below of the camera, it is larger than a Sony RX100 but it is still rather compact. This will deliver 4/3 quality in a solid, modern, stylish and usable lens range camera. It has it most of what everyone needs and I see it as a perfect take anywhere, vacation, kids and everyday life camera. With 4K video there is not much this guy can not do (besides long telephoto of course).  An instant winner here IMO and even has ISO up to 25k!

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The Panasonic GM5

Panasonic also released the GM5, a super compact micro 4/3 camera much like the old GM1. From B&H Photo: It features a similar magnesium-alloy body as the GM1, but replaces the pop-up flash with a 1,166k-dot electronic viewfinder, as well as a hot-shoe mount, creating a more full-featured camera system. The GM5 also features a 16-megapixel Digital Live MOS sensor and Venus Engine image processor to produce detailed still images and a heighted sensitivity up to ISO 25600. It is also capable of recording Full HD video at 60 fps.

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The GM5 is a TINY, attractive and useful powerhouse as it is pocketable but also will take any micro 4/3 lens available. If you want SMALL and a TRUE “Micro” 4/3 then be on the lookout for the GM5.

You can pre-order it at B&H Photo for $899 with a 12-32 (24-68) kit lens.

This guy with the 20 1.7 II would make for a great compact camera that would provide beautiful IQ and video.

Amazon also is taking pre-orders for the GM5.

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CANON

The 7D MARK II AND G7X has arrived.

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Canon has released a new 7D Mark II which for me is a YAWN. The 7D is fantastic but as you guys know I am not a DSLR guy. I could fake it and act like I am just to make affiliate sales but hey, I have to be honest. After using cameras such as all of the mirrorless option these days, DSLR’s have become un-necessary. I have done pro work with my Leica’s, with my Sony A7s and with my E-M1 and never did I wish for a DSLR. So yes, Canon released the 7DII but I am going to talk about the G7X which is yet ANOTHER camera from Canon that is 3 years behind the times. It seems that Canon just can not be innovative in the small pocket cam or mirrorless area. They want to keep their DSLR sales strong so they are afraid to release anything revolutionary (like Sony is doing many times per year). Instead they copy others and release little flops like the EOS M. This time it is an RX100 copy in the form of a G7X.

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The G7X comes in at $699 but has a 1″ sensor like the Sony RX100 and Nikon 1 series cameras. Already the Panasonic above beats the Canon for sensor size. The lens has more reach at 24-100 but does not have the “Leica” name attached to it. No 4K video but it does have 1080 video on board. No EVF. BASICALLY IT IS a Sony RX100 in disguise as a Canon. Not really, but for me, nothing exciting. I would pay the $200 more and buy the Panasonic in a NANO second over the Canon.

You can pre-order the Canon G7X here at B&H Photo if you just love Canon :) 

Amazon is also taking pre-orders for the G7X HERE.

OLYMPUS

The new Silver E-M1

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Olympus did not create a new E-M2 powerhouse (and frankly, I am glad they didn’t as the E-M1 is still a massive powerhouse of a camera that is capable of APS-C quality) but they did upgrade the E-M1 firmware with new features as well as release a pimped out version in Silver and black. Many have been asking why they did not originally create the E-M1 in silver like they did with the E-M5 and now Olympus has created it! I have to say, it looks mighty sharp in silver! I am a huge fan of the E-m1 and if for some reason you missed my old review of it you can see it here. 

The new firmware is pre-loaded onto the Silver E-M1 so right out of the box you get all of the new benefits and features. For those who already own an E-M1 there will be a firmware download so you too can benefit from the new features. So what are the new features?

“Features for improved performance include improved EVF display time lag. The display time lag has been reduced to 16 msec when the frame rate has been set to high-speed. New Photo Story themes “Zoom In/Out” and “Layout” have been added. The addition of a hold function has also made it possible to temporarily save a photo story while shooting, and complete it, later. Live Guide makes it possible to layer on multiple effects simultaneously*. Remote shooting features in the OI.Share™ App have been further advanced, with the addition of a self-timer sequential and interval shooting, allowing for rich variations in movement and expression. A new Scene Mode “Panning” allows you to set the optimal shutter speed automatically to match the movements of an object. “Shade” Art Effect inserts bands of shading on the left and right side of the image (or top and bottom) for a sense of wideness. A new Movie Effect “Old Film” turns your videos into flickering images with noise, scratches and dust, for the vintage look of old movies shot on film.”

em1silver2Firmware Upgrade Availability
Firmware Version 2.0 is pre-installed on the Olympus OM-D E-M1 silver model. Existing OM-D E-M1 camera owners can also enjoy the features of this new firmware by upgrading their camera using Olympus Viewer software.

U.S. Pricing and Availability
The OM-D E-M1 in Silver will be available in September 2014.
Estimated Street Price: $1,399.99

You can pre-order the Silver E-M1 at B&H Photo HERE

Also at Amazon HERE. This one ships THIS month! PopFlash.com also will have the new silver E-M1! 

The new 40-150 Pro f/2.8 Lens

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Olympus has also finally released the new 40-150 Pro Zoom! This long-awaited zoom lens has been in the works for a long time now and will round out the systems pro zoom category which also includes the new 7-14 f/2.8. The 12-40 is already known to be an amazing zoom lens and now the 40-150 will give you some reach, at the expense of size and $$$. IT IS NOT CHEAP AT $1,499.00 but those who know the quality of Olympus pro glass will know that this is well worth it. For those telephoto shooters out there who own a Micro 4/3 camera, it will not get any better than this. YES this is a 40-150 f/2.8 zoom, bringing you a 80-300 equivalent! NOW THIS is an amazing lens!

You can pre-order the 40-150 f/2.8 pro zoom lens at B&H Photo HERE 

PopFlash.com is also an Olympus dealer, and a site sponsor!

SONY

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Sony has announced today the new wide angle FE mount (full frame E mount) 16-35 f/4 OSS lens, something many have been waiting for. This one will fill your wide angle needs for the A7 system and comes in at $1349.

You can pre-order it at B&H Photo HERE.

Amazon is also taking pre-orders HERE!

Wide-range zoom lens designed for full-frame FE-mount cameras

Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions

Features a circular that, through the use of curved blades, keeps the aperture almost perfectly circular from its wide-open setting to when it is closed for smoother, more natural defocusing highlights

Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting

Five aspherical elements, including one AA (advanced aspherical) element, and three ED elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor

Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change when focusing. Also, the filter thread at the front of the lens does not rotate, which is convenient when using a polarizing filter

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So there are my fave releases today. For me Canon was the biggest disappointment. They have the funds and ability to create something extraordinary but they never ever seem to do it. They are happy sticking to their DSLR model. Same with Nikon. Nothing exciting at all from them besides the D750 DSLR. No real innovation from the two “Big Guns”. Sony has been constantly releasing new exciting products, Olympus has been keeping the momentum going with amazing lenses and Leica, well, they have yet to make their full announcements but I think we will hear from them by tomorrow.

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SAMSUNG

oops, I almost forgot the NX1

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Samsung has announced the NX1, their flagship mirrorless coming in at A WHOPPING $2799 with kit lens but that one leaves me scratching my head. The price is out there IMO. I will say that the ‘kit” lens seems more like a pro lens with a 16-50 range and a variable aperture starting out at f/2 and going to f/2.8. Still, $2799 for the set is a bit much I think. It looks like a DSLR, the lens is huge and for the money I would take the fantastic Canon 6D with a 24-105 for the full frame performance. I reviewed the 6D and loved the IQ and usability, just hated the weight with those big L lenses, but the quality is stunning. I am finding it hard to see how Samsung can sell this for $2799 with lens. Seems overpriced to me. It may be a stellar camera but not sure how many will plunk down that kind of cash to SWITCH systems. I think only some the current Samsung base will go for it.

Amazon is also taking pre-orders HERE.

Sep 152014
 

holdfast

HoldFast Gear: The Roamographer Bag and Money Maker strap

To see all of these goodies in more detail, check out HOLDFASTGEAR.COM!

A couple of weeks back I received a message from Matthew Swaggart, the owner of HoldFast Gear. He asked if I would like to review their Roamographer bag, small lens pouch and Money Maker strap system. I knew of HoldFast and knew that they sold only uber high quality and functional gear that also looked fantastic. All leather, all quality hardware and based right here in the USA.

I told Matthew to send me whatever he wanted me to  take a look at and a few days later I received a package containing the new Roamographer bag in Great American Bison Leather, a Navy lens pouch bag and the Money Maker strap in Water Buffalo Tan. When I took everything out of the box I was in awe of the quality. The last time I was this pleased with the quality of an accessory was when I wrote about the Wotancraft bags recently. Like the Wotancraft bag, the HoldFast Roamographer just oozes quality and workmanship.

BUT beware! It is a LARGE bag. This is not a tiny mirrorless system bag, not at all. This is a full-fledged large carry all bag, or what I like to call a “travel bag” as it is one I would personally use for traveling or large jobs, just like the one I did yesterday. It even has a super nice hang tag called the “luggage tag wallet” that can hold your phone, cards, ID, etc that can be added to it (or it can be used alone). When I say it oozes quality, I really mean it. This is up there with the best I have seen, even equaling bags I in the $1200 range. So if you are someone who loves function and style and quality craftsmanship, I am telling you now that you MUST take a look over at the HoldFast site because they offers some of the most unique accessories for photographers that I have ever seen. Gear for pros such as wedding shooters, sports shooters, portrait shooters and even things for enthusiasts who just want the best quality they can get a hold of, all while being very fashionable.

In other words, the HoldFast Gear products all have a certain kind of SWAGGER so it is no surprise that the owners last name is “Swaggart”, lol. Just yesterday Debby told me “I am stealing this bag for our trips”! I told her, “sure thing, just take out the camera insert and you can use it as a normal travel bag”. It’s very versatile.

The Roamograoher is a gorgeous bag my friends but be prepared to pay the fee for that beauty, quality and usefulness. The Roamograoher comes in at $535, but in all reality, it is worth it because this is one of those bags that stay with you for life, and can even be passed down for generations. It will age well and develop a natural patina and softness over the years. This is a bag I have already been complimented on SIX times while out and about with it, people asking me “where did you buy that bag”??

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We have all seen those old classic leather bags from 20-30-4-50 years ago. They usually have a uniqueness to them, a very cool vibe that tells a story. THIS will be one of those bags in 20-30 years. Of all of the bags I have tried, tested, reviewed and used, this is up there with my other favorite, the Wotancraft Ryker.  The Ryker is my go to mirrorless bag that is already breaking in so so well. The Roamographer will be my #1 goto for travel, big treks, jobs and times when I need to carry more such as my macbook air, chargers, lenses, and 2 or 3 bodies. It is perfect for those with a DSLR system as well. Walk into the job with this bag and the money maker strap system and you will look the part and feel it.

Below is a video overview of the bag I did while on location shooting in the Domes of Casa Grande, AZ. It was 106 degrees, I was hot and Brandon was shooting (sorry for the audio dropout part of the video). As you can see it is a gorgeous bag:

One thing I love just as much if not more than the bag though is the Money Maker Strap system. I have known about this for a long while now but never thought I would need it. HOW WRONG WAS I! Man, after getting it all figured out, which took me all of 3 minutes, I started to appreciate the usefulness and versatility of this amazing strap system. The Money Maker is just that, a strap that pros will be able to take serious advantage of. They will gain speed, comfort and will have access to 1, 2, or 3 cameras instantly without fuddling around for a bag, or adjusting a shoulder strap. It is quite the amazing design.

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The MM strap fits around your body comfortably as it is 100% adjustable to your body size. A camera can sit to your left, waist level, to your right and in front of you. It is absolutely comfortable. Many wedding pros use this strap and swear by it. They would not use anything else. If I shot weddings, concerts, or anything where I used more than one camera, this would be my #1 go to accessory. It really is that amazing.

I am wearing the strap below with all options ON, set up for three cameras. Image below shot with the A7s and 15mm Voigtlander.

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The quality is so so good and my strap is the Water Buffalo version. The feel, the coloring and the wrinkles in the leather all make it appear to be a really high quality and fashionable product. It looks awesome on and feels just as good as it looks.

You guys who follow me know that when I REALLY love something I REALLY like to let that be known. This is one of those occasions.

 Below is a video from Matthew Swaggart explaining his Money Maker Strap system. 1, 2, or 3 cameras!

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You can read MUCH more about the Money Maker Strap system here and see it in all of the available leather colors by clicking HERE. Prices start at $200 and for me, this is very fairly prices at $200. Really. I have seen straps for $175 that were just plain old little leather straps for one camera. THIS is a SYSTEM for carrying your cameras that allow you to carry up to THREE of them without the cameras even being close to each other. They stay in place at your side and when you need one of them you slide it up to your eye in a natural movement. For pros with multiple cameras, this is a must own IMO! I wish I had this when I shot those Seal tours as it would have come in handy and stopped me from banging up my Leica’s at the time.

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I also was sent a cool little lens pouch that will strap on to the Money Maker Strap system so if you are shooting with 1-2 cameras you could use this pouch to hold a couple of lenses or even a mirrorless camera. It is gorgeous and the one I was sent is made of blue canvas with a sheep skin interior. It has the softest most protective interior I have ever seen in a camera bag, period. This little guy is called the Explorer Lens Pouch.

You can read more about the pouch here. For me it helps to complete this as a system. You can carry cameras, lenses and some accessories without even realizing you are doing it.

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Bravo to HoldFast Gear. These are some super cool products for enthusiasts and pros and I was so thrilled with the quality and versatility that I asked Matthew if he would like to be a site sponsor and he took me up on that. When I see quality gear that is made with passion and superb workmanship I really want people to know about it. Hopefully some of you can go checkout the site at HoldFastGear.com and browse what he has to offer. Thank you Matthew for letting me experience what you are all about, love your products!

Sep 132014
 

PRESS RELEASE: THE SLR Magic APO-HyperPrime CINE 50mm T2.1

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Hong Kong, China (September 12, 2014) – SLR Magic will present a new CINE lens to the public from the APO-HyperPrime lens family in the upcoming Photokina 2014 fair in Cologne at the SLR Magic booth (Hall 5.1, L-011). The SLR Magic APO-HyperPrime CINE 50mm T2.1 is the first lens of the family. It achieves outstanding images under challenging lighting conditions. When taking pictures with many image-dominant, open light sources, it is common for correction defects to show up. Because the SLR Magic APO-HyperPrime CINE 50mm T2.1 is an apochromatic (APO) lens, longitudinal chromatic aberrations are corrected by its unique optical design and special selection of optical elements. The color defects are therefore significantly lower than the defined limits. Bright/dark transitions in the image, and especially highlights, are rendered with no colorful artifacts.

Thanks to the low level of longitudinal chromatic aberration, there are no visible aberrations. So an illuminated portrait scene by night with many light sources in front of and behind the actual focal plane appears close to reality, without displaying complementary, color contrast edges. The excellent performance delivered by the SLR Magic APO-HyperPrime CINE 50mm T2.1 is consistent for all shooting distances. Its high performance with an open aperture also makes this lens a good choice for close-ups or portraits. The SLR Magic APO-HyperPrime CINE 50mm T2.1 takes full advantage of modern high-resolution 4K camera sensors as support for 6K sensor size, resulting in impressive resolution in the images, even for the finest detail.

SLRM5021APOHYPERPRIMECINE_REAR

The lens has a completely new optical and mechanical design, which was developed taking into account the special and increasing requirements of high-resolution cameras. The APO-HyperPrime CINE lens series comes standard in PL mount and can be easily adapted to numerous camera systems with the optional PL-mFT adapter, PL-E adapter, and EF mount conversion adapter. The lenses feature standard focus rotation angle of 300 degrees and uniform measurements. This combination makes the lenses ideally suited for every demand on the film set. All APO-HyperPrime CINE lenses have an attachment of any standard follow-focus system.

As a continued dedication to anamorphic lenses, some of the lenses in the APO-HyperPrime CINE lens family would be compatible with the SLR Magic Anamorphot adapter.

SLR Magic plans to exhibit the first lens of its PL cinema series at the Photokina 2014 fair. The SLR Magic stand would be in (Hall 5.1, No. L-011) during the fair, which is to be held in Cologne from 16th to 21st of September 2014.

SLR Magic will start shipping the APO-HyperPrime CINE 50mm T2.1 in 2015.

You can visit the SLR Magic web site HERE, or you can check out their E-Bay shop HERE

Technical Data

Lens Mount: PL-mount
Focal Length: 50 mm
Aperture: T2.1 to 22
Close Focus: 2’
Image Circle: 44 mm (full-frame)
Lens Gears: Focus: 0.8 pitch, 122 tooth
Iris: 0.8 pitch, 103 tooth
Total Length: 94mm
Front Lens Diameter: 95mm (For Matte Box)
Filter Thread: 62mm
Weight: 1.1 kg

Optional Accessories

SLR Magic Anamorphot 1,33x – 50
SLR Magic PL-mFT adapter
SLR Magic PL-E adapter
SLR Magic EF mount (requires professional installation)

Sep 112014
 

The most Interesting Pre-Photokina Releases so far…to me.

With only a few days to go until Photokina kicks off we have already had some pre announcements from Fuji, Sony, Olympus and others. Nothing MAJOR and nothing WOW but I feel these big announcements will come VERY soon ;) They better! So far we have the below announcements that are somewhat interesting, but nothing ground breaking.

FUJI

As I reported the other day, Fuji has announced the X100T, the new 56 1.2, new X-T1 color/finish and even the X30. The X100T is an ongoing evolution of the X100 series camera and for me, the best Fuji has announced yet (more to come i am sure). Me, call me nuts but I prefer the original X100 even today over the X100s. After using both side by side I feel the sensor in the original is a bit more organic and dare I say..more Leica like? The X100T uses the same sensor as the X100s, which is also a fabulous camera that many swear by (my review is here). The X100 series for me is where it is at for Fuji. While I like the X-T1 a lot, the simplicity and classic lines of the X100 is what gets my blood pumping to shoot. For me, it is about simplicity. Period. Simple, clean, easy to use and shoot, fixed 35 f.2. What more can you ask for besides a full frame sensor? (See Sony RX1 for that). The X100T is available for $1299. Priced right for a super camera system.

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The new X30 is also an evolution of the X10, X20 and appears to be a super little camera as well. New EVF, new told LCD, new Classic Chrome simulation and new Large capacity battery that will give you a powerhouse 470 shots makes it sound like the little X30 may be the bang for the buck in the Fuji lineup. It looks sweet as well, the best X10 type camera to date in the design department I think. The cost is also right at $599. 

fujix30black

You can pre-order all of the new Fuji from my list of recommended Fuji dealers: B&H Photo, PopFlash.com, or Amazon.

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OLYMPUS

Olympus has some new goodies on the way as well…a few that I can not mention just yet but so far they have announced a minor release or two. For example, one is the all black 12mm f/2. The 12 f/2 has long been one of my fave Olympus lenses but to date they have only released it in Silver and a black limited edition that had some extras but also was extra in the $$ department. Olympus has now released the black for normal production so you can get one for $799. This lens is so good on a Olympus body and has given me some fantastic shots. But the lens is nothing exciting if you are looking for something new and fresh. Let’s wait and see what the official Olympus releases will be as compared to the rumor sites :)

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SONY

Sony has announced a new QX camera, the QX1 which is actually an E-Mount in the size and shape of a lens. Basically it helps to turn your iPhone into a high-end APS-C camera. You can use it as is or with your phone. Me, I was never a fan of these oddball cameras. Many love them but for me, if I am going to have something like this, I think I would just use my phone as it is. I love what Sony is doing with the A and RX series but am not sold on the QX yet. Maybe once I give it a try I will enjoy it :) Coming it at $398 you will also need to add an E-Mount lens to this QX1. It is rumored that Sony will be saving its big WOW announcements for 2-4 months AFTER Photokina. Is there truth to this? NO idea but if so it seems odd as they would miss the Christmas season with those big releases. The last two years were huge for the Sony A7 and RX1 with huge holiday sales at launch. I am anxious to see the rumored new RX2 ;)

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ZEISS

As I posted about last week, Zeiss has announced two new full frame manual lenses for the Sony E-Mount system. The Loxia 35 and 50 f/2 will be superb I think and give Sony A7 users more choices when it comes to a high quality fast prime lens, and Zeiss is a name that means quality. I use Zeiss ZM with my Leica’s and love them. Zeiss also announced the 85mm OTUS which has already been tested by DXO and they claim it is the best portrait lens ever made. Coming in at $4,490 IT IS NOT cheap! But damn, it will venice. The Nikon mount can be converted to use on Leica or Sony cameras.  Zeiss rocks for sure but be prepared to pay for the Otus if you want the best!

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What is to come?

I feel that this Photokina will not be as ground breaking as previous years. I see Fuji bringing out the X-Pro 2, which is just about due for a full on refresh new EVF, sensor, etc. I also see Sony releasing new FE lenses for the A7 series, as that is what is needed for the A7 cameras! More fast primes IMO! Olympus will be releasing new lenses I am sure..maybe some pro zooms that are expected and possibly a new prime or two. Panasonic I feel will not be doing anything huge this year and Leica, well, I think they will be releasing something really cool, really expensive and really limited edition. I also feel some new T lenses will be shown as well. The new 28 Summilux will also be announced but I expect it to come it at around $7k. Also, MAYBE a new X camera and D-Lux? Maybe. I think Sony has some big guns that will be special on the way but not sure when they will make them official. Pentax, Nikon, Canon, Samsung…I have not heard anything major going in with any of them though Samsung may have something really interesting coming in a few days.

I guess we will find out VERY soon, so I am looking forward to seeing what actually is announced!

Sep 092014
 

The New Fuji X100T, 56 1.2 APD, Graphite X-T1 and 50-140 Zoom.

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The new X100T – The new flagship X100 – $1299, November ship date. Buy Here.

Well, the new Fuji stuff has been announced and so far it is everything I have been told it would be. Cool updates but nothing really “WOW” or groundbreaking..yet.  Today’s announcement brings us a new version of the X100 that will replace the “S” version, yes the X100T is now a reality. Basically it has a better build and improved Hybrid viewfinder. In reality, a rehash of the X100S. Coming in at $1299, this now Flagship version of the X100 will be shipping in November in black or silver.  The X100T has the same sensor and IQ as the X100s and will still work with all X100 accessories such as the wide and tele adapters. 

The X100 is a classic and IMO the best camera in the entire Fuji lineup. I’d take an X100 over any other Fuji camera made today. I expect the T will do well, but since it is a rehash, I doubt it will sell in the same numbers as the X100s or original X100. You are gaining a new Hybrid VF, enhanced controls and faster shutter speeds. Will be available in black or silver.

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Press Info for the X100T

“The X100T comes newly equipped with an advanced Hybrid Viewfinder with an Electronic Rangefinder that now gives users reduced display lag times, automatic brightness controls and a Natural Live View shooting display.

The new FUJIFILM X100T blends award-winning image quality with a renowned design that gives enthusiast and professional photographers the most important controls and functions at their fingertips. The X100T combines the resolution and power of the APS-C X-Trans CMOS II Sensor and EXR Processor II with a bright FUJINON 23mm F2 fixed lens for optical excellence.
And to give photographers a new type of film simulation to work with, the X100T ships with Fujifilm’s new ‘Classic Chrome’ film simulation that delivers muted tones and deep color reproduction for beautifully dramatic images.

Advanced Hybrid Viewfinder with Electronic Rangefinder
The FUJIFILM X100T uses an improved Advanced Hybrid Viewfinder with Electronic Rangefinder that allows focusing as if using a mechanical rangefinder. While in optical viewfinder mode, pushing the OVF / EVF switching lever to the left will switch the viewfinder to electronic rangefinder mode. Additionally, Focus Peak Highlight and Digital Split Image can be selected, and the magnification of the focused area can be changed. Compared to the X100S, the frame coverage in the X100T has been increased from 90% to 92%, and the field of view can now be accurately checked closer to the actual subject. The X100T also uses Real-time parallax correction for more accurate image composition. Reframing after bringing the image into focus is no longer necessary, allowing for a seamless shooting experience.

Photographers also now have access to Shooting Effect Reflection settings within the Hybrid Viewfinder to recreate selected camera effects, including Film Simulations. When turned off, users can see the natural view. The image within the finder is displayed at the maximum frame when shooting under dim light and dark areas such as night scenes, enabling shooting while looking at a smooth image, all while greatly reducing display lag time.

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Range of controls expanded, upgraded body
The FUJIFILM X100T now allows photographers to set the aperture to 1/3 steps using the aperture ring, while the exposure compensation dial has been extended to ±3 stops. Also, the command lever has been changed to a command dial, and through the adoption of a 4-way controller to improve operability. The X100T is also now equipped with 7 customizable Fn buttons for a truly personal shooting experience.

The FUJIFILM X100T has an upgraded body that is die-cast magnesium on the top surface and bottom of the body for a highly durable and functional design. The X100T’s aperture ring, shutter speed dial, and exposure compensation dial now have a groove shaped pattern for an improved feel and grip. The X100Talso features a high-definition 1.04M-dot 3” LCD has for extraordinary visibility.

New “Classic Chrome” film simulation
Fujifilm’s unprecedented image quality has been cultivated through the development of photographic films over the past 80 years and helps to reproduce warm skin tones, bright blue skies and rich green trees, just as photographers remember the scene. The X100T ships with the new ‘Classic Chrome’ film simulation mode, which delivers muted tones and deep color reproduction.”

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The Fuji X-T1 Graphite Edition – $1499, shipping in November 2014. BUY HERE.

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Fuji has also announced and are releasing a new flashy version of the X-T1 in a graphite finish and other enhancements over the original X-T1. I think it looks nice but you can check out the press info below:

“The new special edition FUJIFILM X-T1 Graphite Silver, a weather-resistant premium interchangeable lens camera with a large OLED electronic viewfinder (EVF) that delivers an instant image preview. The X-T1 Graphite Silver also includes the latest generation 16.3 Megapixel APS-C X-Trans CMOS II sensor and the segment’s fastest autofocus of 0.08 seconds*1 for professional photographers and enthusiasts who want the ultimate in image quality in all weather conditions.

Triple layer coating for a remarkable Graphite Silver finish
The new FUJIFILM X-T1 Graphite Silver edition uses a triple layer coating to give it a unique and durable fit and finish. Following an antioxidant treatment on the magnesium body, a matte black undercoat (primer) is applied to the X-T1 as a first coat. The black undercoat tightens the colors of the shadowed areas and makes the highlighted areas stand out. Then, the X-T1 body is rotated at a high speed while thin coats of ultra-fine paint particles are layered using a computer controlled “Thin-film Multilayer Coating Technology” for a smooth and luxurious Graphite Silver finish. Finally, the X-T1 is given a clear coat for extra durability and a deep gloss finish that subtly changes its appearance depending on how it is struck by the light.

Natural Live View and increased shutter speed
The FUJIFILM X-T1 Graphite Silver edition has been upgraded with a new Natural Live View in the EVF that displays images just as the naked eye sees them. With the X-T1 Graphite Silver edition, users can disable the Preview Picture effects from viewfinder image while shooting to display a truly natural image composition just as they would see with an optical viewfinder.

The FUJIFILM X-T1 Graphite Silver edition is now equipped with a high-speed electronic shutter that has a maximum speed of 1/32000 second that can be set in 1/3 steps when using the FUJINON XF23mmF1.4 R, XF35mmF1.4 R, or the XF56mmF1.2 R lenses. Additionally, the mechanical shutter will not operate when any speed for the electronic shutter is selected for a completely silent shooting experience.

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New “Classic Chrome” film simulation
Fujifilm’s renowned image quality has been cultivated through the development of photographic films over the past 80 years and helps to reproduce warm skin tones, bright blue skies and rich green trees, just as photographers remember the scene. The FUJIFILM X-T1 Graphite Silver edition ships with the new ‘Classic Chrome’ film simulation mode, which delivers muted tones and deep color reproduction.

Exciting firmware update coming December 2014 (X-T1 Graphite Silver and X-T1 Black)
Fujifilm will release a free, comprehensive firmware update in December 2014 specifically for the new FUJIFILM X-T1 Graphite Silver and the original X-T1 Black that will give users exciting new features and controls to dramatically enhance their X-T1 shooting experience, including:

AF Area direct selection – Users can select the focus area with the 4-way controller, without pressing the Fn Key.
Function replacement for the AE-L/AF-L buttons – The currently locked AE-L/AF-L button function will now be interchangeable, depending on the user’s preference.
Focus Area size variability during MF – Users will be able to change the focus area in Manual mode during One Push AF with the AF-L button.
Macro Mode direct selection – Users will be able to directly turn ON or OFF the Macro function in Auto Focus mode to expand the distance measurement range to the short-distance range. This will be possible without accessing the pop-up menu screen.
Q Menu customization – The update will render the items and layout of the Q Menu, used for quick access of frequently-used items, changeable to the user’s preference.
Video frame rate selection – In addition to the existing 60fps and 30fps selections, 50fps and 25fps, as well as a 24fps selection will become available to users. 50fps and 25fps allow video editing in the PAL region, such as Europe and elsewhere, without converting the frame rate. The 24fps will offer movie-like video capture and play back.

Video manual shooting – Users will be able to select ISO sensitivity prior to shooting videos, as well as adjusting the aperture and shutter speed during video shooting.
Phase Detection AF support for One Push AF – With One Push AF, operated by pressing the AF-L button during manual focusing, the update will enable Phase Detection AF with quicker focusing speeds.
Metering area focus area interlocking – The update will enable users to interlock the AF area position with the metering area when spot metering is selected.
Expansion of the Program Shift setting area – The update will enable the current Program Shift, in which the low-speed side is 1/4 second, to be shifted to a maximum of 4 seconds.

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The new Fuji 56 1.2 ADP – $1499, ships in December. BUY HERE!

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Then we have another Fuji rehash! A new version of the 56 1.2 that will have better 3D pop and smoother Bokeh because of the “Apodizing Filter”. When the Nocticron beat out the original Fuji 56 1.2 Fuji must have decided that they needed to update the lens, which is not even old, leaving original 56 1.2 owners out in the cold. For $1499 you can now have the 56 1.2 APD version, with a better/smoother and more blurred Bokeh.  Press info is below:

“The new FUJINON XF56mmF1.2 R APD (Apodization) is a fast and nearly silent lens for FUJIFILM X-Series CSC’s that has a maximum aperture of F1.2 to make it the world’s brightest autofocus lens for digital cameras with an APS-C sensor. In addition, the new apodizing filter makes it the ideal choice for portrait photography where every detail is crystal clear, with images set on a gorgeous bokeh with smooth outlines for pictures with a three-dimensional feel.

The XF56mm F1.2 R APD is constructed of 11 glass elements in eight groups, including one aspherical glass molded lens element and two extra low dispersion lens elements. Spherical aberrations are corrected by the aspherical glass element to deliver high resolution at the maximum aperture setting. Additionally, thanks to the combination of two extra-low dispersion lens elements and three cemented lens elements, chromatic aberrations are greatly reduced.

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The 50-140 F/2.8 Zoom – $1599, ships in December. BUY HERE!

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Finally, a new Zoom has been announced from Fuji, the 50-140 f/2.8 with a price tag of $1599. This will be like a 76-213 f/2.8 lens, so one for the tele zoom guys who love their 2.8 aperture. Press info is below:

The new FUJINON XF50-140mmF2.8 R LM OIS WR has a focal length equivalent to 76-213mm, and a constant F2.8 aperture throughout the zoom range. The length of the lens barrel remains constant throughout the entire zoom range, and features a weather resistant and dust-resistant finish that can also work in temperatures as low as 14°F. Thanks to a high-performance gyro sensor, a unique image stabilization algorithm and the bright F2.8 aperture, hand-held photography is possible in a wider range of shooting conditions. The XF50-140mmF2.8 R LM OIS WR also now uses the world’s first Triple Linear Motor for fast and quiet autofocusing and shooting.

The FUJINON XF50-140mmF2.8 R LM OIS WR has a lens construction of 23 glass elements in 16 groups, which features five ED lens elements, and one Super ED lens element with low dispersion to substantially reduce chromatic aberrations. The XF50-140mmF2.8 R LM OIS WR also uses a new Nano-GI (Gradient Index) coating technology that ensures this high-performance lens delivers the outstanding imaging results that photographers have come to expect from the award-wining X-Series.

So there ya have it, new stuff from Fuji just announced and super scorching off the press!

You can pre-order the new Fuji items at B&H Photo.

Sep 092014
 

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Shooting with Film: My Rolleiflex Hy6 Mod 2 Experience

By Steve Huff

I will admit it right up front. I never ever shoot film anymore. As more time goes on, digital technology for imaging is getting better and better. Companies like Sony, Olympus and yes, EVEN LEICA are pushing the envelope in many ways from the groundbreaking Sony A7 series to the Olympus OMD series to the Leica Monochrom (A camera no other company dared to even attempt). Digital is starting to mature and we can do things today with digital technology that was not even imaginable back in the glory days of film. For example, can I shoot film at ISO 102,000 ISO and get a results I can use in a pinch? No way. Can a camera such as the Hy6, when shooting film,  give me the convenience of digital? NO WAY, never.

So then, why on earth would I even use this camera and shoot film? I call it romance, beauty, soul, and most of the things that digital usually does not get right. Analog is a different beast than digital in almost every way. The colors, the true B&W, the grain, the contrast and depth and when talking about Medium Format we are talking about a format that also has some magic associated with it.

My fave film of all time, Kodak Portra 160 – click for larger

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Even so, the Rolleiflex Hy6, with a lens and film back and finder will set you back close to $10k. Yes, $10,000. With that in mind, remember than a Leica Monochrom camera with a decent lens will also set you back about $10k and it will only shoot B&W digital in the 35mm format. The Rollei can do B&W film, color film, and even digital if you splurge for a nice digital back. Add to that the size of the film. You will get much more “soul” with the MF rig over any 35mm rig. So price wise, it is up there with the other Niche products in the imaging world. Leica S at $30k, the Leica M at $8k, the Leica MM at $8k, all without lenses. So taking that into consideration, the price of the Rolleiflex Hy6 is about right. Especially considering that it is probably the most versatile Medium Format film/Digital camera made to date. It’s a true beauty in use and with its auto focus capabilities it was shooting faster than the Sigma DP Quattro I had on hand at the same time.

Using Ilford HP5 film with the Rolleiflex – click for larger 

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In Use

This write-up is meant to be a short article about my time with the camera, not in any way a tech review. I find most of those boring anyway so instead I just want to chat about how I felt using the camera, the costs involved with it and the experience of shooting film again. The Hy6 Mod 2 is a large camera, especially when coming from 35mm cameras such as the Sony’s, the Leica’s and the Olympus’s of the world. The Hy6 is not a camera you will casually just carry around. It has a purpose, a meaning, a job to do. A camera such as this with the 80mm lens is really a portrait shooters dream camera. Auto Focus which is pretty fast and accurate (for MF) and a great ergonomic layout with a nice grip. The meter inside the eye level finder worked great as well. When I went out with the Hy6 I felt like I was a serious shooter and I got looks thrown at me like “what the hell is that guy shooting with”. It’s an impressive beast for sure but also a very functional beast.

The last time I shot medium format was when I reviewed the Fuji 670, and I adored that camera. It was slim, large and a true rangefinder. But for some reason, it was a totally different experience that shooting the Rolleiflex. It was lighter, and slower in use. It did not feel nearly as substantial in the build nor was it as bulletproof. The Hy6 is such a camera. It is built to a high standard, has all controls easily accessible and is a true photographers camera. It’s just large and a bit heavy, though nothing like the old school MF cameras of the 80’s which were like metal back-breaking bricks.

1st shot with HP5

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and this one was in near darkness with Delta 3200 film – I LOVE Delta 3200 and always have

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One thing that I thought would limit me when using this camera was LIGHT. With film, you have to use the film you have loaded and when I had Portra 160 loaded, any low light scenario was ruled out. With digital, you can go into any light and adjust your ISO settings in the camera. Easy. With film, you have to change your film when you want different sensitivity. Lucky for me, just as I finished up my roll of HP5, which is an ISO 400 film, I loaded in my Delta 3200 (which is an ISO 3200 film) and was able to shoot the image able in near darkness, even with the 2.8 aperture of the 80mm lens attached to the Hy6. The room was an old solitary confinement prison room from the old historic Yuma Territorial Prison. It smelled of urine, was creepy as hell and Debby was not too cozy inside. I asked her to kneel down and give me her serious face for a dark, moody but nice image. I thought the shot would be blurred or exposed wrong but when the scans came back from the lab I was very happy with the results from 95% of the images I shot.

Overall, when using the Hy6 I LOVED it and had a great time with it. It fit in one of my Wotancraft bags by itself and came out when I wanted a shot that I knew would be nice.

Again with Portra 160 out in Sedona (BTW, we have 2 seats left for the southwest workshop HERE and we will be in Sedona for this trip)

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The Downsides to a camera like the Hy6

There are downsides to the Hy6 but image quality is not one of them. For me, I thoroughly enjoyed my time with the camera. I was able to shoot with it for two weeks and within that time frame I shot 5 rolls of medium format film, 12 exposures each. Out of those images only two had issues that were my fault. The rests were perfect, spot on with metering and the lens performed as it should. But with medium format film one has to consider the costs involved of using it. For me, 5 rolls of film (purchased from Amazon), processing at my local lab as well as scans from my local lab (low res) cost me around $106. So basically, for 60 images it cost me over $100. Sure, many will say “I process my own film” and others will say “I scan my own film”. Even so, processing color film is not something many people do these days. Even if you do your own, you still have to buy the film and buy the chemicals and materials needed to process your own. Then you need to buy a nice scanner. Then you need the hours upon hours it takes to scan and do your own tweaks. It’s expensive and time-consuming.

So for anyone considering film these days, think about the costs involved is using a lab, or the time involved if doing it yourself. As for me, I have NO spare time these days to do any processing or scanning so a lab was my only choice. Shooting 60 images on my digital would cost me nothing so when really looking at it in this light, digital is a bargain :) You still will not get that Analog tangible quality..the old school richness and feel, the reach out and touch it tonality and oh so delicious color. You will get close, and in many case you will get sharper and more details with digital but nothing can replicate the look of Medium Format film.

I see the Hy6 as a camera I would use a few times per year, for special occasions or when I wanted the 6X6 square format MF look. If this camera was $15k with a digital back, I would be all over it and would give up a Leica set to get it. But adding a digital back to this bad big will set you back around $30k and up. This is in addition to the camera cost itself!

So while there are loads of upsides to a camera like this, there are also downsides, depending on what you want to do with it and how much you would want to shoot. There is also no instant gratification with film. It took my lab a week to process and scan.

HP5 ISO 400 film

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ISO 160 Portra

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Wrapping it up

I sent back the Hy6 to Rolleiflex last week and wish I had it for one more week as I am going to shoot some Senior portraits next week. Would have been cool to do some creative shots with some nice film but I did not fink of it at the time. That right there is one of the occasions I would have loved to use this kind of camera for. They are few and far between for me but after browsing my images with this camera, on film, I have to say there is something special about them, even with silly subjects such as broken glass or an old abandoned building. I am a sucker for the square format and when I use it on digital as my aspect ratio it is never the same as a frame of Medium Format 6X6 film.

I really enjoyed the Rolleiflex and if it came inat $3500 I would buy one. At $10k, for me, it is a no go as I would not use it enough but for many this may be just what the doctor ordered. If you want medium format quality in a very versatile camera body that can do film or digital, that can shoot with autofocus and act like any modern-day camera and you do not mind shooting film with its costs and time involved, then the Hy6 may be just what you are looking for. For me, I would buy this over something like a Leica S camera because it is more versatile and I like the design better. With the Hy6 I can do film or digital and with a name like Rolleiflex, I would be shooting with a legend. The Hy6 also acts like any modern-day camera in regards to controls, settings, etc. It is all there on the side of the camera. Super easy to pick up and shoot. I did not even need the manual> i just loaded it, shot it, and it was all super easy without any confusion whatsoever. No long digital menus to drag through, just set it, forget it! Awesome.

You can buy the camera without a lens for $7900 at B&H Photo. They also have the accessories and digital backs for the camera. 

I have shot with only four medium format cameras in my life but this is my hands down favorite to date. If I was buying a MF camera today, this would be it.

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

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Sep 092014
 

New Lens Tuesday! SLR Magic 10mm T 2.1 in the house!

Just arrived, the new SLR Magic Hyperprime 10mm T 2.1 for Micro 4/3! The lens feels much nicer than I thought it would and it came with a serious looking variable ND filter in the 77mm filter size. I will have a review up soon for this guy using an Olympus E-M10. While superb for video as shown in other videos online, I will be looking at it from a photographers standpoint. I am guessing the review will be up within 2 weeks.

You can read more about the SLR Magic 10mm T 2.1 HERE. The price of this lens is $799 and is part of the premium Hyperprime line. In the hand it feels like a $1500 lens, in use not sure yet but my review will tell the tale.

It will be available for pre-order SOON at B&H Photo. 

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Sep 042014
 

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The Sony A7s Experience: Ongoing thoughts on a Fascinating Camera

By Ashwin Rao - Follow Ashwin on Facebook HERE

Hi everyone, here’s an update with my thoughts on the Sony A7s. This is a camera that seems to be gaining interest, particularly for those individuals who enjoy low light photography or who have a set of rangefinder lenses in place and are looking for another body. I posted these thoughts at one of my favorite forums, and wanted to share them with you, along with a few new photos, just in case you were considering buying the camera in light of the 2014 Photokina announcements.

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In summary, I LOVE my Sony A7s. It’s given me a burst of creativity and joy in shooting that I haven’t experienced since my early days with the Leica M Monochrom (and M9 before). Here are my rolling thoughts. In general, it’s the best non Leica full frame digital solution for M mounts to date, though there are compromises (for some).

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Here are some thoughts, in no particular order:

1. The camera does well with Leica M lenses. Only the 28 Summicron ASPH lens has performed “poorly” on the camera, and even it is usable for non-critical work where sharpness at the edges may not be as important. Everything else that I have thrown at it works well or is easily fixed in post processing using the lens vignetting correction tool in LR5.

2. RAW colors are solid. The camera exhibits different palette than Leica’s M9 and M240 (I prefer the look from the M9, personally, but it’s a matter of taste), and the palette seems tweaked compared to the A7R and A7 cameras, though that may just be my own eyes fooling me. Skin tones tend toward orange, but it’s quite easy to fix (unlike the M240, which I struggled to get right for peoples’ skin tones). I find that it’s quite easy to get the look that you want from A7s files with a bit of post processing

3. Dynamic range: To me, solid, better than my M bodies (no banding through most of the ISO range), but maybe not quite as good as the A7R or A7 in recovering shadows and highlights…this seems borne out by DXO testing

4. The silent shutter option is amazing: Absolutely awesome feature, that I believe re-defines this camera for those who employ it. I am surprised that Sony doesn’t allow a programmable custom button to quickly access this feature. A firmware upgrade here would be perfect. I use the silent shutter feature for nearly all of my shooting, as it eliminates any shutter shake effect (the size and design of the bodies does not allow the present A7 bodies to be very well dampened to vibraation), and the silence makes photographed subjects not know when you are shooting, which can be helpful on the street. The silent shutter does not work well in low light scenes where fluorescent lights are at play, due to interference/banding effects due to the frequency of light interacting with the frequency of the electronic shutter.

5. Class leading shutter speeds: The other nice feature not spoken about regarding the shutter, is that it’s possible to shoot up through 1/8000 shutter speed, so in bright light, one can use very fast lenses for creating DOF without the need for a neutral density filter.

6. ISO: yup, it’s great. I have had no issues shooting through ISO 12,800 (though some detail and DR is lost at that ISO), and I have gotten usable shots through ISO 40,000+. I don’t typically push past ISO 40,000. I consider the A7s to be an “ISO-less” camera, in that I don’t consider ISO to be a limiting factor any more for my style of shooting. Paired with fast glass such as f/0.95- f/1.4, one can literally turn night scenes into day. Color fidelity appears to be preserved as ISO’s are pushed up, meaning that colors don’t get too muddy as ISO’s jump up into the stratosphere. That being said, the camera is just as good in normal light. What doesn’t get stressed enough is how good the camera is across its ISO range

7. Using the Voigtlander VM-E mount adapter with close focus opens up now possibilities with close focus and macro work with the M…this is MARVELOUS, for those of you who like to do macro. I am re-discovering macro in this manner. The adapter is pricey, costing around $300, but it’s worth it and allows standard and close focus use in a cleverly designed way. I have found that you have to be a tad careful about infinite focus, as the adapter seems to allow telephoto lenses such as the 90 summicron to focus just a smidge past infinite.

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8. Autofocus: The camera focuses much better in low light, but the change is not really revelatory. I have the 55 FE lens, which I enjoy, but don’t use much ,as I can manually focus faster in low light (or really in all light). The 35 FE is supposedly a lot better, but I don’t own it at this time.

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All in all, I have found the A7s to be a revelatory camera. The combination of camera design (flip up LCD, EVF, M mount capacity, silent shutter, ISO performance, close focus with VM-E adapter) allows me to be creative and to shoot discretely in ways that were not possible before. Is it perfect? By no means…here are some things that could get better.

1. EVF: Solid, but there’s room for improvement (higher resolution, faster refresh rate), particularly when using focus magnification and focus peaking in concert. Now that Zeiss is producing Manual Focus E mount lenses, I am hoping that Sony incorporates more design elements into future E mount bodies to maximize the utility of manual focus lenses

2. Megapixels. For me, the 18 megapixel range (m9, M Monochrom) is a sweet spot, balancing quality of pixels and size of files. I would hope that future A8s or whatever they are called will increase MP counts without compromising ISO performance or M Mount lens compatibility.

3. M mount lenses. As mentioned, they work great on this body…really! But put the 28 Summicron on the body, and you’ll see there’s room for improvement. Hopefully Sony will recognize that these bodies could really stand to use smaller lenses, in which optical elements lie closer to the sensor, and design sensors that accomodate smaller lens design (i.e. rangefinder/retrofocus lenses)

4.Camera haptics. Sony cameras don’t quite have the joy of handling as do other manufacturers (i.e. Fuji, Leica), and simple tweaks to camera button layout, grip, viewfinder placement, and menu structure could go a long way to making the cameras joyful to use for more people. I have many friends who love the quality of Sony files, but don’t really like how the cameras operate.

Okay, hopefully that “mini” review of my present thoughts helps some who are considering taking the plunge. I have zero desire to upgrade or change cameras, because the A7s is an outstanding photographic tool as is and does so much.

All the best,
Ashwin

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Sep 022014
 

Two new E Mount Full Frame Lenses from Zeiss! Loxia 35 and 50 f/2!

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PRE-ORDER THE ZEISS LOXIA LENSES AT B&H PHOTO HERE

Zeiss has announced a couple of new lenses for the Sony E mount, specifically the A7 series. The new Loxia 35 and 50mm f/2 lenses are going to be superb I think and I love the fact that they are MANUAL FOCUS lenses.  These lenses feature a declick mode so you can turn the lens into a click less aperture lens or leave it with click stops. Zeiss says the Loxia line has distortion free optics, all manual focus, full metal casing and of course, the lenses are designed for full frame. The 35 and 50mm focal lengths are the two most popular amongst street shooters, Leica shooters and many enthusiasts. There is not much more I like more than a sweet 50mm or 35mm lens, and these two lenses are very welcomed in the Sony A7 world.

Below is what Zeiss says about the new releases:

With the new Loxia 2/35 and Loxia 2/50 lenses, ZEISS combines maximum image quality with classic ease of use for E-mount full-frame cameras

The ZEISS lenses Loxia 2/35 and Loxia 2/50 are the first members of a new family of manual focus lenses for the E-mount full frame. They are optimized for digital sensors and electronic viewfinders and feature a mechanical aperture setting and the mechanical deactivation of the click stop (de-click) for ambitious videography.

“Ever since the Sony Alpha 7/7r/7s helped compact system cameras break through to the full frame, there has been a growing desire for a ‘digital manual focus‘ experience that combines the best of both worlds. The Loxia 2/35 and Loxia 2/50 are the first members of a new family of manual focus lenses for the E-mount full frame. By entering this field, ZEISS not only wants to meet this desire, but exceed it,” said Christophe Casenave, Product Manager with ZEISS Camera Lenses.

The Loxia 2/50 will be available worldwide starting October 2014 and the Loxia 2/35 from the end of the fourth quarter of 2014. The recommended retail price of the Loxia 2/35 will be $1,299.00 and that of the Loxia 2/50 will be $ 949.00.

ZEISS Loxia lenses were specifically designed for Sony α7 cameras. This means that they can make the most of the mirrorless, full frame system, while giving you all the creative possibilities of ‘classic’ photography with manual focus at the same time.

And that’s not all: ZEISS Loxia lenses also provide everything you need to shoot high quality video, such as the unique DeClick feature for smooth adjustment of the aperture, for example.

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As soon as I can get a hold of these lenses I will give them  a review! You can read more about the Loxia 50mm HERE and the 35mm Loxia can be seen HERE. 

PRE-ORDER THE ZEISS LOXIA LENSES AT B&H PHOTO HERE

 

Aug 292014
 

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A night with the Monochrom at ISO 10,000

So yesterday you saw where I wrote about the new Leica M-P and the silver Monochrom. Last night Debby and I decided to take a drive down to a cool hangout here in Phoenix called “The Lost Leaf’. We have been there a few times now and it always offers a great atmosphere, a huge selection of beers and drinks and every single night, live music. The last time I was there I brought along the Sony A7s and tested it in the torturous low light conditions of the Lost Leaf, which at times borders on near darkness. The A7s did well, even when pushed to over 80,000 ISO and seeing that I was going that high in ISO with the A7s, I did not think the Monochrom would be able to handle it, especially with the 50 f/2 lens I had on the camera. But I gave it a shot. I cranked the Monochrom to ISO 10,000, which is the max ISO for this camera, and I snapped a few frames.

Before heading in I set the MM to ISO 6400 and snapped a shot of this mural on the wall across the street. Click on it to see  the tones, graduations and sharpness. It was shot at 50mm and f/2, wide open.

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At ISO 10,000 the Monochrom puts out files that look like Tri-X 400 film.  All images below were shot at ISO 10,000

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People hanging out on the patio waiting for the nights musical act, Copper & Congress. 

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As the band started to play I took a test shot from my table to test the lighting and to see if ISO 10k and f/2 was enough. I managed to get 1/60th second.

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I feel the Monochrom puts out convincing B&W that does remind me of my M6 ad M7 film days..

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I moved in closer to get some shots of the band..

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By far my fave shot of the night, and this one is a JPEG from camera. ISO 10,000, f/2 – click it for much better viewing experience.

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The Sony A7s was also with me…

I also brought the Sony A7s with me along with the 35 2.8 and 55 1.8 Zeiss. It focused so accurate and fast for me using auto focus, even in these dim conditions..it was amazing. With that said, I had to crank the ISO higher on the Sony as I was using an f/2.8 lens so I used ISO 16,000 and 32,000. Only problem was I had the camera (by accident) set to JPEG only, and was shooting in the gimmicky “high contrast B&W mode” which killed the tonality of the image. None of them looked good, but it was my mistake for using the HC B&W option. Here is one example below of what that setting will do when used at high ISO and low light:

The next two shots were taken with the Sony A7s at ISO 16,000 and 32,000 using the 55 1.8 and 35 2.8. Problem is I had the camera set to JPEG only and used the High Contrast B&W mode which destroyed the tones. Lesson learned.

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As you can see, using high contrast B&W on the A7s destroyed the details, the tones and the overall look of the image (IMO). From now on, no more gimmick modes for me! If it were set to standard B&W it would have looked great. I can also see the NR at work from the camera even though it was set to low. Still, the A7s performed like a beast. Fast AF, quick and easy shooting, no issues. If I had it set to RAW and JPEG I could have saved my photos so user error on that one.

At the end of the day though I soooo loved shooting the Monochrom last night. It has been a while since I shot anything like this with a Leica and with the insanely low light here (It’s literally lit up by one red light bulb) I did not think the Leica would cut it, especially with a 50 f/2. While the Noct would have been amazing here, the little Zeiss 50 Planar f/2 did well. For me the Mono images have a teeny something about them that is beautiful and now I know that I can go up to ISO 10k in the dark without issue. It’s all about the exposure and if you nail it then you will have minimal noise.

I will be back to the Lost Leaf soon I am sure because it is great fun to see and shoot these live acts in such a cool inmate environment.

You can check out the Lost Leaf here and if you are ever in Phoenix I highly recommend stopping in. You can check out Copper & Congress at their website HERE. 

© 2009-2014 STEVE HUFF PHOTOS All Rights Reserved
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