Oct 292014
 

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SONY DIGITAL IMAGING ANNOUNCES “PRO SUPPORT” SERVICE PROGRAM FOR PHOTOGRAPHERS

SAN DIEGO, CA (Oct. 29, 2014) – Sony, a worldwide leader in digital imaging, has announced the formal launch of their “PRO Support” service program, offering premium service, repair, support, equipment loans and more to working professional photographers.

“I’m very pleased to launch our PRO Support program here in the US” said Neal Manowitz, director of the interchangeable lens camera business at Sony. “We’ve seen such a strong response to Sony cameras from working pros, and are proud to offer this versatile program to cater to their demands. It’s a premium support experience that will ensure our pros are constantly ready for business and remain up-to-date with all of our leading innovations.”

Brian Smith, Sony Artisan of Imagery, added “As a professional photographer, my Sony cameras take a beating while they hold up to the rigors of the road. Yet it’s great to know that Sony PRO Support has my back – so I can finish the job even when shooting in the harshest conditions.”

The program, already in beta, will launch on October 30th at (www.sony.com/PROServices). A formal overview of its membership benefits and requirements is below:
PRO Support Program Benefits:

• Welcome Kit
• Dedicated phone support
• Expedited turnaround time for repair service
• Repair facilitation loans
• Access to loan equipment for evaluation purposes
• Free camera maintenance services
• No out-of-pocket shipping expenses
• Discounts on out-of-warranty repairs
Membership Eligibility requirements:
• Owner of two (2) Sony Alpha Full Frame Interchangeable Lens Cameras and three (3) Sony ZEISS™ and/or G-Series Lenses
• Apply through host URL (www.sony.com/PROServices) + receive official invitation from Sony
• $100 annual membership fee
• Active professional photographer (self-employed or member of professional imaging business)

For more information on Sony’s PRO Support Service program or to formally apply, please visit (www.sony.com/PROServices).

Oct 242014
 

The Zeiss 50 f/2.8 Macro Touit Lens Review. A cracking good lens for any occasion!

You can buy the Zeiss Touit 50 f/2.8 in Sony or Fuji mount HERE. 

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A few weeks ago B&H Photo asked me if I wanted to test out the Zeiss 50 2.8 Touit Macro lens for Sony E-Mount, and since I am always excited about any lens with the ZEISS name on it, I of course said “SEND IT MY WAY ASAP”! When it arrived I was so busy with other gear reviews that the lens sat in the box for a week or so before I even opened it up.

When I did open the box to check out the lens I saw that it was small, light and fit nicely onto my Sony A6000 and A7s. While this lens is an APS-C lens it will work on the full frame Sony’s using a crop mode. Overall the lens was a great size, not far off from something like a Leica 75 Summicron, but lighter and with auto focus. Coming in at under a grand, or to be more exact, $999., the Zeiss Touit 50 f/2.8 Macro lens is a lens that will bust a wallet but not break the bank, if you know what I mean.

When I started to use the lens I realized that I am not that big into macro shooting, at all. I will occasionally use a Macro lens but the last time I reviewed one was quite a while ago when I wrote about the fantastic Olympus 60mm Macro lens and while I loved that lens I never did buy it because I am just not a Macro shooter. With this Zeiss lens, it appears and looks like any normal lens so I wondered if it would be good for double duty and would be good for shooting any scene, not just macro.

So away I went, shooting it in many different lighting situations to judge the AF speed and sharpness. I was also curious if it would exhibit the famous Zeiss look (rich color, 3D pop, etc) and hold up to the other two Zeiss Touit lenses I reviewed, the 12mm 2.8 and 35 1.8.

So away I went with the Sony A6000 (which is a FANTASTIC camera, read my review HERE) and Zeiss 50mm f/2.8 Touit and shot whatever I cam across that looked interesting to me. When I go out to test a lens or camera I am not out looking to create works of art with the camera but instead I am looking for scenes that will test the lens or camera – maybe something to test low light, bokeh, color or other aspects of the lens or camera. With that said, I do try to at least bring interesting sample shots to the table ;)

The image below was shot at the AZ State Fair and this guy was the person in control of the “CreepShow” ride, a haunted house that was not scary in any way and lasted under 1 minute as a ride through. The funny thing is that I shot this same guy a year ago at the fair, operating the same ride. The Zeiss was set to f/2.8, wide open and it focused perfectly at this distance. The lens is a 50mm lens but on an APS-C it will give you more of an 75mm equivalent, so it has some reach. Even at f/2.8, which I consider to be on the slow side, the lens had no issues on the A6000.

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Zeiss lenses and color..two things that go together just as well as peanut butter and jelly. 

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Click for larger. I was testing to see how the lens would Auto Focus on the moving swing that was quite far from me. Being a Macro lens you would think the lens would be slower than normal to AF…and it is when comparing it to a normal 50mm lens. With that said, it was still pretty snappy on the A6000 and gave me the sharpness and color I was looking for. Click the image for larger view. 

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Still at the State Fair. I saw this guy doing a performance and lifted the camera and snapped. The lens nailed the focus and I was happy with the result. 

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This is a Macro Lens Steve! 

Lol, yes I know. So far I have shown a few images but none are using the lens as it was made to be used! Yes, this is a Macro lens but what I found is that it also made for a VERY nice 75mm equivalent lens as well! I did do some macro testing but I am horrible with Macro and have maybe shot 75 Macro images in my entire life so while I will talk about this later on, I feel this lens is a jackal and hyde, a lens that is very usable at any distance from you subject. Even for street style photos.

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One thing I found that was nice was the Zeiss color. I love Zeiss color. I see it in all of the Zeiss ZM lenses that they make with a Leica mount. Luscious and rich colors that would always POP from my screen, more so than when I used Leica lenses which render in a more cool way. I see Zeiss as rich, warm, and lush. I see Leica as cool, calm, collected. Both have their place and some feel Zeiss is too warm and rich. Others love and adore this look. Thinking about all of this reminds me from a time about 15 years ago when so many would swear there were no differences between lenses. The big photo forum at that time had people arguing almost daily about the Canon lenses and how the L glass was no different from the cheap lenses when it came to image quality. Today it is well-known and accepted that YES, the lens is what gives the character and look to the images and some lenses are spectacular and some are less that wonderful.

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For example, some lenses I have tested recently have had dull off-color and some have amazing color. Some are sharp, some are soft. Some have funky Bokeh and others have beautiful Bokeh blur. So lenses are the most important part of your kit when it comes to being a photographer. You are basically painting with light when taking a photo, and the lenses are pretty much your “brushes” and each one will give you a different result..or stroke if you will. Some will render with amazing character, some will be sterile and clean and others will be sloppy. So where does this Zeiss Touit fit in? Well, pretty much just where you think it would. It is clean, sharp across the frame and has the Zeiss punchy color. Nothing unique or magical, just a nice clean lens that will deliver a “correct” image whether you are shooting up close or far away.

Many will say “why isn’t this an f/2 lens”? Well, usually macro lenses are not built for speed. Instead they are built for performance up close and up close, you will want to stop down to f/8 to get some depth of field otherwise it will be tricky to nail the shot.

Zeiss Greens..

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below is a 100% crop of the image above..

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Lately I have been more about the PHOTOS than pumping out 10,000 words in a review. Usually my lens reviews average 2,500-3,500 words but sometimes they are super short and sweet at only 1,000 words. When a lens is so good at what it is built for there is really little to say and very little to knock down about it. Such is the case with this Zeiss Touit 50 2.8. It never failed me, never had an AF miss, and delivered sharp photos full of color and sharpness. Even B&W conversion look fantastic with this combo of A6000 and Zeiss lens. I even pit it against the Leica Monochrom recently in a just for fun poll. 

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The image below will give you an idea of the Bokeh at f/2.8…

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Finally..up close performance. As I said, I am no macro shooter but the lens will focus to about 6″ and give you a 1:1 ratio. Shooting six inches from your subject is pretty insane and this is when you need to take lighting into consideration as being so close will cause shadows, which is why many Macro shooters use ring lights and various lighting sources to brighten up the subject, extract more detail and avoid shadows. I shot enough up close to realize this lens really has no big weakness. If I had to complain about something it would be that the Auto Focus is a tad slow when shooting up close, but all macro lenses are like this so it is not a fault at all. Just how it works. :)

click images below for larger view and you can see the 100% crop in the 2nd image below. 

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My final thoughts on the Zeiss Touit 50 f/2.8 Macro Lens

So after carrying around this lens on my Sony A6000 for a couple of weeks I have to say that I really like this lens. If I was a macro shooter, it would be mine. If anyone out there is looking for a fantastic Macro lens for their Sony E-Mount camera, look no further than this guy right here. At $999 you get the Zeiss name, Zeiss performance and a small, light and well made lens. I tested it on my Sony A7s as well and it was just as fantastic as it was on the A6000 but with even richer color. It had to shoot in crop mode though because this is not a full frame lens. Even so, for APS-C Sony NEX or A series owners, this is a solid lens and I can not imagine anyone being disappointed in it.

Highly recommended if Macro is your thing, or if you want a nice 50mm f/2.8 for general use AND macro.

You can buy the lens in Sony E Mount or Fuji Mount at B&H Photo by clicking HERE.

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How YOU can help this site to continue on for years to come..

PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 6 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Oct 202014
 

Which is Which? Leica Monochrome vs Sony A6000

UPDATE: #1 is the A6000 and #2 is the Monochrome! You guys got it right, (most of you)!

Have not done one of these in a while and I always get asked to do these crazy comparisons so here we go. Which is which?

ONE image was taken with a Sony A6000 and one with a Leica Monochrome. Not going to say what lenses were used with each but let’s do a fun poll to see who can guess it right.

So seeing that the Leica is an $8000 camera vs the Sony at $648 pick which one you feel is from the Leica. EXIF has been stripped. 

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IMAGE 2

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If you are unsure which is from which camera, then just take your best guess. :)

UPDATE: Sony is #1 and Leica is #2!

Oct 162014
 

LESSONS

Three lessons I have learned from shooting the streets.

By Steve Huff

Street Photography has enjoyed a huge resergance in recent years. With the many blogs writing about it, workshops showing others how to do it, and the constant barrage of street shooter hobbyists sharing their photos, street shooting has seemed to meld into all sorts of things, much of the time having nothing to do with the old school style of which most everyone was inspired. My favorite street photographs of all time were shot by none other than Vivian Maier. Not only are her photographs very special, they bring back memories of a time before I was even born. The cool part for me is that her amazing street photos were all shot in my hometown of Chicago, giving me a glimpse of the people of the past. If you are not familiar with her story, I urge you to watch the documentary “Finding Vivian Maier”.

I consider Vivian’s work to be more than “street photography” as many know and practice it today. I see her work as something special, something magical and more along the lines of “street portraits” much of the time. She loved shooting people and she had a talent for it that many of us (including myself) do not. As I browse through the book of her work “Out of the Shadows” (which I HIGHLY recommend, amazon link HERE) I am over-run with emotion as I am taken back to the past, to slices of life that we will never see again. Because Vivian captured this fraction of a second on to film, a memory was made. A time capsule if you will. I have said many times that we already have a time machine here on earth, and it is called a camera. While we can not physically go back in time, looking at old photos will take us there in our hearts and minds. A camera is a powerful tool when used in the right way.

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When I started shooting street images I was horrible at it (and still consider myself a street hobbyist with so much to learn). I was fearful to let anyone know or see that I was taking an image of them. I was afraid to lift it up and make eye contact with the subject, and I usually came away from a day of shooting with nothing to show for it. Eventually I told myself “you must never fear taking a photograph”! Fearing the actual act of taking a photo was killing my passion for photography and that was not good. If I wanted to get out on the street and snap those special moments, those slices of life, the people I meet and those time capsule memories…then I needed to just do it and NOT think about it.

*The 1st lesson I learned is to never fear shooting in public. Just do it, and act as if it is as natural as looking at someone and giving a smile. But also you must use your instincts as to WHEN and when NOT to shoot.*

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After a while I realized  there was absolutely nothing to fear when out shooting people out in public. 99% of the time I get a smile back, a nod or a grumpy face but never have I been attacked and I think that comes from my instinct. What I mean by this is that after a while you start to get an idea of whom to approach, who to raise your camera to and who NOT to do this with. I can sense if someone will have an issue with me taking their photo, and in these cases, I skip it. Many will say “take it anyway” but I believe in respect when shooting on the street in public. I also believe in some sort of acknowledgement if you want a “street portrait”. Not setting up the scene but making sure the person is OK with you taking their portrait.

Rio Brazil: Saw this happy smiling man sitting on the street and sat down to chat with him for a while. He did not speak English but he wanted me to take his portrait after he saw my camera, so I did. For me, making a connection to strangers is one of the appeals of taking street portraits. 

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Las Vegas NV: I noticed a rowdy bunch of guys on the street selling nightclub tickets so I walked up and asked if I could grab a shot of them. When I approached I was calm, cool and confident as confidence usually gets your subject to feel comfortable. Below you can see the shot and below that shot is an image of me taking the shot :) Shot using the Leica Monochrom.

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Walked by this Security guy who was directing traffic and people on the strip in Vegas. I passed him up then decided to walk back over to him. I made eye contact, nodded my head and snapped. It all happened so fast he said “you did not give me time to smile” 

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Many times I will sit down and chat with whoever I want to take a snap of. If they are OK with me shooting them after this, I will. If not, I thank them and wish them a great day.

*So the 2nd lesson I have learned for my style of street shooting is “be respectful to all and use your instincts”. Usually when you do this, you will also be respected back instead of someone getting angry and wanting to tear your camera away and smash it.*

Not all street scenes are portraits of course..all depends on the scene. Many like to catch human interactions and be invisible to the subject. I have seen some astounding images shot in this fashion from others and it is also a style that is nice to take on, but it requires patience. Many street shooters I know who shoot in this fashion will stay in one spot for hours..waiting for the one moment where they will get a nice shot. While I prefer human interaction, I do not always have a chance to chat first, and when this happens I just shoot.

When shooting street it can take years to be able to develop your senses or how to “see” things worthy of a photo. I am no expert on this, not even close but I have learned over the years that you should always keep your eyes peeled as many things happen in a split second while other situations need to be observed for a while.

*The Third thing I have learned is learning how to “see” and “observe” as things usually move quick on the streets*

Rio, Brazil: Seeing this elderly man sit down on the bench I observed his actions for a while. He was just sitting there like a statue for 10-15 minutes, moving very little in this time. What I saw is a man, sitting like a statue next to a real statue. The three younger ladies behind him were enjoying the Ocean view in Rio while this man may have been looking back on his life while listening to the water. 

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St. Petersburg Russia at Midnight (yes midnight) – Saw this couple ready to kiss with the midnight sun behind them and the boat chugging along..raised my Leica M9 and shot. For me this captures the romance of this city perfectly.

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Recife Brazil: This woman was not the friendliest looking person but who knows, she may have been sweet as pie. The look on her face tells me she may punch me if I snap, but then again, maybe not. I wanted to get a profile but as I snapped she looked behind her. This is not a technically great photo but it is edgy. I was recently asked if I like “Beauty” or “Truth” and I always say “TRUTH” as that is reality. Beauty and fake beauty is everywhere but truth trumps all. 

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Seattle: Saw this girl having a great time on the beach. The sun was setting and the weather was amazing. Wanted to catch her laugh to show that in this one moment in time, this person was having a great time in their life. Happy and full of life. 

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Inside of a truck stop somewhere in middle America: Was eating lunch when I saw a kid outside the window begging his grandmother for money so he could buy a toy he saw inside the shop. She refused at first, telling him NO NO NO! She then relaxed, pulled out a smoke and gave him her coin purse. Seems the cigarette gave her some peace :) I was watching the interaction take place for a while before deciding to snap a shot.

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Berlin Germany: While in Berlin I saw this couple cuddling and holding hands so I followed them down the street for one minute. At a street crossing I saw her embrace him and right after I shot this she smiled at me as she knew I captured some love right there :) 

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New York City: Hanging around NYC was a blast and it is a street shooters dream. I love this one that I caught of a man coming out Penn Station

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Rio Brazil: A woman massaging her man’s neck and back as she whispered sweet nothings to him. They acted like they were all alone and oblivious to the surroundings. I squatted down, snapped the shot and afterwards the guy looked and gave me a  thumbs up. I was alone on this walk in Brazil with my Leica and never hesitated to shoot.

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Scottsdale AZ: At a bar just before Christmas I was greeted by a dog at the bar. He was shaking everyone’s hand who came in and was just like an old bartender, but friendlier. I had to snap this hand shaking dog so I could always remember the laughs we had that night. 

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Berlin: Shooting people on a bus can be interesting. This woman looked deep in thought and I wondered what she was thinking about..of course I will never know that, or her, but I like the photo. 

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Somewhere in Brazil…another Bus shot. 

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Rio: I was eating lunch at an outdoor cafe near the beach when I saw these two guys. I raised my camera, gave them a nod and they gave me a pose :) 

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Seattle: A street performer who has been here for a long time singing to all of the tourists…

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Berlin: I saw this man riding a bike with some pretty nifty socks.Had to get a shot.

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While walking down the street I saw  these two parking attendants arguing. Usually one would stay out-of-the-way of  two guys getting into an argument but I snapped without them knowing until AFTER I snapped the shot. They were cool with it and ended up laughing at themselves in the end. 

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Seattle: Seeing this little boy skipping, dancing and enjoying an apple at the Gum Wall. I snapped when he looked over at me as he was taking a bite out of his apple

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So basically the moral of MY story is when I dropped the fear of taking images of strangers, and when I learned to use my instincts of when and when not to shoot and when I learned how to “see” better it all added up to improve my street photography to a higher level than when I first started. While I have lots to learn, and I do not do too much street shooting these days, I always have fun with it, which to me is the most important! If you do not have fun with photography then it will get old..fast. So always shoot what YOU enjoy shooting, even if it is flowers, leaves or trees. Whatever makes YOU happy is all that matters!

OF COURSE there is much more to it than those three things but that is a good starting point. Also being comfortable with your camera and lens will help you along the way. ;)

Recife Brazil: Two girls on the beach. This was late night and I was out with my M9 and Noctilux. When they saw my camera they said “TAKE OUR PHOTO”!! To me, this is what it is all about..interaction with others, having a great time and nailing a nice photo to take you back to that moment.

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SMILE! This one was taken somewhere in Seattle and she loved having the attention and her photo taken :) 

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Talin Estonia: Shot this girl on the street during an early morning walk

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To those who want to get better at shooting images on the street can start with losing the fear of shooting strangers, learn to develop their eye and how to observe and also to be respectful to those we approach and want to photograph. Most of all, have fun.  While I will never be a master of the street. I have loads of fun doing it :)

Steve

Oct 112014
 

The IBELUX 40mm f/0.85 Lens. World’s Shortest Review

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The new Ibelux lens has arrived to me for a quick review and I have shot a few frames with it since the video below was made and have to say I do not find it worth the $2300 asking price, and I know this just from my 1st couple of uses. I have found the lens to be much too large, much too heavy and a bit soft when wide open, which means I would not use it wide open. I feel it was made for the f/0.85 aperture so it can be presented as one of the worlds fastest lenses over anything else BUT it lacks sharpness as well as character.

Being an APS-C lens (not full frame) it just seems a bit too “much” in everything from weight, size and price.

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Also, was shooting with it and went to twist out the Leica copy slide out hood and it just fell off, during my 1st use with the lens (it is not supposed to come off). This does not inspire confidence in build IMO. The shots I have taken also lack any kind of special character IMO. By f/1.4-f/2 its sharpens up but at this price there are MUCH better lenses to be had. For example, a Zeiss 50 Planar at $800 or a Zeiss ZM 50 1.5 Sonnar for $1100 or even better a real Leica 50 Summicron f/2 which will be sharper at f/2 than this lens at about 1/7th the size. The Zeiss Touit 50 f/2.8 is STUNNING in sharpness, colors, 3D pop and comes in at $999 and is MUCH smaller and lighter. Sure it is not an f/0.85 lens but my professional opinion is that this lens was made  to be 0.85 for marketing reasons, not performance reasons.

This lens also has an issue on the Sony A6000 as there is banding when using it at any ISO. I have shot with MANY if not ALL uber fast lenses and this one has left me the most disappointed.

Below is the lens on the A6000 at f/1 – click to see 100% crop and banding. 

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Long story short, I will not be doing a full review of this lens because it is something I would never recommend due to the cost, size, the fact that it is APS-C only, the heavy weight and underwhelming performance when shot wide open, which is what the main draw to the lens is. Also the fact that on the A6000 Sony it has a banding issue as well as construction concerns. I would recommend a Zeiss ZM lens any day over this for less money and better performance. Usually I would not write anything, I would have just passed on it but many have asked me to start to write about the things I use and DO NOT like as well, so here you go :)

It seems like they concentrated on packaging and making the lens look like a uber large Leica lens, with Leica style case and all to give the appearance of high quality. They also made a point to say “Designed in Germany” yet the lens is made in China.

One more thing..the lens is VERY long as you can see in the image at the top of the screen.

If the lens was $899 it would be a different story but at $2079.00, for me, it is a no go.

Below is my 1st look video before I even shot with the lens..when I was more optimistic about it.

You can read more on this lens at B&H Photo HERE.

If you do not mind a large size and weight then you may actually dig this lens, but be warned..it’s HEAVY!

Oct 082014
 

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The Lomography Petzval Art Lens Review

You can buy the Petzval Art Lens at Cameraquest using the direct link HERE

A long time ago in a land far far away there was a special and important portrait lens invented. The 1st usable portrait lens ever created, and it was designed by  Joseph Petzval in 1840. It was made of brass and it was very large, intended for cameras of the time. The unique look of the images from this lens was normal at the time, as it was the only useful portrait lens around. Even so it was a lens designed to cut down on exposure time from 30 minutes to mere seconds.

More on Joseph Petzval from Wikipedia:

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“Petzval’s greatest achievements lie in his work with geometric optics. In 1839, Louis Daguerre presented the Daguerreotype, the first commercially successful photographic process. Fox Talbot’s calotype was discovered earlier but did not enjoy commercial success. Petzval learned of the invention from his friend, Viennese professor Andreas von Ettingshausen. The daguerreotype was problematic in that it required exposure times as long as 30 minutes to create a portrait. With Ettingshausen’s urging, Petzval set up a workshop and laboratory at Kahlenberg in Vienna and, after six months of complex computations, produced designs for improved objective lenses for both portraiture and landscape photography. Because the artillery was one of the few occupations that used advanced mathematical computations at the time, Archduke Ludwig lent eight artillery cannoners and three corporals to the computational efforts. The calculations these men carried out in tandem with each other have been regarded as an early (albeit human) example of a parallel computer.

Petzval’s portrait objective lens (Petzval Porträtobjektiv) was an almost distortionless Anachromatischer vierlinser (double achromatic objective lens, with four lenses in three groups). The luminous intensity of this flat “portrait lens” was substantially higher than the daguerre standard of 1839, the Wollaston Chevalier lens (f/16). The screen f/3.6 with a focal length of 160 mm made crucially shorter exposure times possible — using exposures of only about 15 to 30 seconds compared to the 10 minutes previously. Thus, snapshots became possible for the first time.”

So Mr. Petzval is an important guy in history as he was responsible for creating the first usable portrait lens. Photos from that time all have a unique classic yet surreal look due to the photo process AND the lens being used.

Enter Today’s Re-Creation of the famous Petzval Lens

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As time went on of course lens design became more of an advanced art and therefore lenses became sharper, well corrected, and with more sharpness across the frame. Today most lenses are perfected for optimum performance as we can do things today that could not be done in 1840.

Personally, I would say that many of the expensive lenses made today are almost too corrected! Sure, there are many more uses for a perfect lens than a not so perfect one but sometimes I get bored with that “perfect” look as it is the same look everyone has in their images today. Many of us are constantly seeking perfection it seems when it comes to our cameras and lenses, so I say it is a good thing when we take a slight curve or u-turn into a surreal dreamy world ever now and again :)

When something unique comes along TODAY that goes against the normal then I am always interested to take a look, so this new Petzval lens made by Lomo attracted my attention from the get go. Over a year ago now in August of 2013 Lomography put up a kickstarter for an exciting new portrait lens. This lens was the NEW Petzval, recreated in a smaller for full frame Nikon and Canon mounts. While much smaller than the Petzval of the old days, this one retained the same shape, design and brass construction. It also kept the insane swirly bokeh, soft edges and classic out of this world fantasy land look. The new Petzval inspired lens was announced as an 85mm f/2.2 design and promised a classic look just like the old version put out.

As you can see, an original Petzval lens is on the left..the new version (which was a prototype) is on the right. Much more manageable in size :)

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As soon as I saw the Kickstarter I WANTED THIS LENS but for some reason my funds were low so I was going to wait to contribute enough to get one of the first lenses. Then, I forgot about it and before I knew it the Kickstarter raised 1.4 Million (they had a $100,000 goal). It was insane! Almost one and a half million was raised which really showed not only the power of Kickstarter but also showed there was a true demand for this amazing new recreation/re-imagining of the first classic portrait lens. So while the signature of the bokeh and rendering is not for everyone, plenty of backers contributed and gave money for this project so they would be assured of a lens for themselves.

 Even though this is an f/2.2 lens and not an f/0.95 design, the Bokeh effect is insane. Some will HATE it, some will LOVE it. Me, I adore it and feel it is a great “every now and then when the time is right” kind of lens. To be honest, the lens is so beautiful to see and hold, I wanted one just to have it on my shelf! Even if I use it only a few times each year it will be worth it just to have this tool in my arsenal. I shoot it on my Sony A7s which is IMO, the best camera available today for using all kinds of cool lens via adapters. Can’t beat a small full frame with intense low light capabilities.

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So yes, I wanted to try one…

A year or so went by and I forgot about the lens until a site sponsor, Cameraquest.com informed me that they were now a Lomo Art Lens dealer and they had the lens IN STOCK! $599 with free shipping.

I was asked if I wanted to review it so of course I could not pass it up. Soon, Stephen Gandy shipped me the lens and when it arrived I was literally blown away by the gorgeous packaging that went into the lens. A gorgeous quality box, a full book about the lens and the history of it with many sample photos, the aperture system and a few other things. For $599, to me, this seemed like a steal. When I pulled the shiny brass lens out of the bag it was in I was very impressed. The look, design, weight and quality was so nice down to the engraving of the name on the lens barrel.

The lens is made in Russia, and it looks and feels TOP NOTCH. The only issue I have found is that the lens cap, which is also brass, always falls off. It is not tight enough so I always find it at the bottom of my bag. Lomo may want to adjust this in future production runs.

Below is the video I made when the lens arrived. You can see the packaging and hear my very 1st thoughts on it:

Love at 1st Sight

After I had the lens for 3-4 days I knew I wanted to commit and buy it. I contacted Stephen at Cameraquest and told him I was going to make the purchase. I also needed the adapter as I was using a Nikon mount version on a Sony A7s, so I needed a Nikon to Sony E-Mount adapter, which Stephen also sells and sent out to me for my testing and eventual purchase as well.

A lens I recently re-reviewed here on these pages was the Canon Dream lens. A lens I had bought not once, but twice in Leica M mount and when I bought my 2nd copy for $3100 I vowed to NEVER sell it… until I received an offer impossible to pass up for it via email. Then I did indeed sell it as I knew I would be a fool to pass up that offer. Even though I sold that lens for much more than I paid, I missed it as soon as it went out the door and started searching for something unique again..something that could give me a similar vibe..and when the Petzval arrived, THERE IT WAS! Just what I was looking for.

With this Petzval lens coming in at only $599 I can get a taste of that Canon dream lens..a bit of that flavor for MUCH MUCH less. While this lens is not the same as the Dream Lens I owned (IMO) I do feel it is a bit similar in rendering with a different signature at the edges and slightly in the Bokeh. I like the dream lens better but for the money, now that my 2nd dream lens was gone, buying the Petzval for my special effect lens was a no brainer.

Color or B&W..does not matter. What you will get is the same Petzval rendering and look. 

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Using the Petzval Lens…

As stated, my Petzval was purchased in Nikon mount which makes it easy to convert for use on the Sony A7s or Leica M 240. The lens is slightly long and manual focus only. The Aperture system is the old waterhouse system meaning there are aperture plates you put into the cameras aperture slit. Me, I use this lens at f/2.2 or f/2.8. By f/4 it sharpens up so much it almost renders like a normal lens, making the Petzval a Jeckyl and Hyde kind of lens. I feel the unique selling point of the lens is the swirly Bokeh effect and soft edges. So I basically always leave the f/2.2 aperture plate in. If you remove the plate you get a TEENY bit more speed according to Lomography and possible flare issues but when I tested this I saw no real difference in Bokeh or Exposure or flare. For those hoping to see more craziness without a plate, there really is none. Many would ask “Why use any plate at all”? Well, without an aperture plate inserted you are allowing dust to float down into the lens, and this is never a good thing :)

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The way you focus the lens is also unique. There is a dial on the left of the lens and this is what you rotate to focus. It is VERY simple and works well. In fact, I wish more lenses worked like this! It seems much more precise. It was so easy to focus on the Sony A7s with the nice big clear EVF that I never had a focus issue. It’s brilliant!

More in COLOR – All wide open at f/2.2

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On the Sony A7s I just plopped on the Nikon to E Mount adapter and then the lens. That was it, ready to rock and swirly roll. Using the lens was a piece of cake. I feel an EVF based mirrorless makes it easier to use this lens because with a Nikon DSLR you are looking through an optical viewfinder and it makes it very very hard to nail focus using the Petzval. I prefer the what you see is what you get type of thing.

It’s NOT an Everyday Lens!

If you are looking for ONE lens and one lens only, this would not be it. While fun, interesting and unique, the look can be overdone so I would reserve it for certain situations or scenarios. I have seen GORGEOUS portraits with this lens and I have seen AWFUL portraits and mis-use of this lens. Using it takes some practice as not everything will look good with it. Some subjects may look really awful using this lens and it probably takes a month or two to really get to know it inside and out. Me, I have been shooting with it for only two weeks so I still have some learning to do before I create my own Petzval “Masterpiece”.

I bought the lens for those few times a year I get the itch for an “artistic” lens. Lenses like the Noctilux, the Canon Dream Lens, Canon 85L and this lens are what I call “Art Lenses” because they create images that can sometimes appear as paintings. They specialize in the surreal and I LOVE these kind of lenses.

Take a look at a few more samples using this very crazy lens – click them for larger versions that look better, especially if you are using a large display (I use a 27″)

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What to expect from the Petzval

If you buy this lens one thing to keep in mind is that when shot wide open you will get images just like you see here. Swirly Bokeh, soft edges and corners, sharp in the dead center of the frame and lower contrast (which is easily fixing in post). All of these ingredients add up to create the signature look of this lens. I can already make a prediction: Many comments here will say “The Bokeh makes me dizzy or sick”, “Those shots are awful”, “I could never use this lens”…then others will say “Wow, that is a cool lens” or “I own one and love it” or “I want one”!

People are usually split on these kinds of swirly lenses. This is one thing that makes the world so great and interesting, no two individuals are alike :) 

Many classic lenses render in a similar way though not so extreme. When shooting this lens remember it is manual focus, manual aperture and will work perfect with the camera set to aperture priority mode. Focusing via a nice EVF is, for me, a breeze. Also, this lens was made for full frame sensors and to get the most out of it this is how I would recommend using it. When taking a full frame lens and using an APS-C or smaller sensor you lose part of the lens signature which is why I never use Leica M glass in Micro 4/3. This lens would be fantastic on the A7s (all images here with the Sony) or even the Leica M 240. All you need is the adapter for each and you are in business. Of course, you can also use it on any Nikon DSLR or if you buy the Canon mount, any Canon DLSR.

This lens is indeed an “Art” lens and I would love to see a 35 or 50mm made just like it as sometimes I find this focal length of 85mm a little long. Lomo should create wider versions with the same design..a trio if you will.

Man I just love the swirl in this shot. Surreal, dreamy, with just the right amount of softness for the portrait. I shot this to show the background rendering of foliage as well as the swirl.

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When shooting this lens expect the Bokeh performance of a faster lens. For some reason it blows out the background like an f/1 lens. It’s crazy but for me, it is beautiful (on most occasions).

My Bottom Line Conclusion on the Petzval Lens

When this lens was announced I WANTED ONE in a bad way. Then I was busy and forgot about it. When it was finally released and I saw samples, the early samples, I was not so impressed. As time went on I studied some of the amazing samples available online and knew I would eventually own one. When Stephen Gandy offered the lens up for review I could not pass it up. I would be able to test it and if I liked it, I could purchase it. Once I saw the attention to detail in the packaging and design as well as the build of the lens and accessories, I was hooked. After shooting off 10 frames or so I was sold.

The lens is not an everyday lens but it is one that will be used from time to time when I want that special dreamy effect. Much like the Canon Dream Lens I recently re-visited, this lens has some craziness to the rendering, but I am a crazy guy so I love it. But…I would tire of it if I used it daily, really quick.

Depending on the background of your subject you could end up with a nasty busy mess or a beautiful ethereal image that looks like a painting. It takes reality and distorts it a little, giving us a taste of what it is like to be an artist. Those photographers with the eye and vision for the unique will get it. Others will not. 100% personal preference. But it does take practice to determine the best distance from subject to lens and subject to background. Get these just right and the images deliver the look you want. It’s a hell of a lens! While shooting it in Las Vegas I had so many ask me about the lens. When eating a waitress saw it and had to ask all about it telling me she wanted one for her son. It will get attention, but it was all good attention. People were genuinely curious about it due to the design and looks.

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I am happy I decided to make the purchase as it can be used on my Sony A7s or on a Leica M-P. It also sharpens up more at f/2.8 and by f/4 will give you pretty nice consistent results without the swirl. Using the old-fashioned aperture system is quite nice actually. I haven’t lost one yet and I love the process of pulling one out and using the next, though I admit, I feel this lens is made for wide open use so I RARELY change it.

If this type of image rendering suits you, I highly recommend this lens. I feel in 10 years it will be desirable and one day even collectible if they stop production of it. Look at the Canon Dream lens. A few years ago you could buy one for $900, now expect to pay $4500-$5000 and up for a clean M mount version. (what I sold my last one for).

At $599, it is priced more than right IMO. You get a great experience from opening of the box, to holding the lens, to using it. There is only ONE complaint from me and that is the lens cap. It always falls off, so I usually leave mine off unless it is sitting on the shelf. Other than that it is just what I expected and I am really surprised that this lens was not priced a little higher due to the superb packaging, build quality, brass design and novelty of it.

Thanks Lomography!

You can buy this lens from Stephen Gandy at the link HERE. He ships FAST and is a great guy to deal with.

You can buy the Nikon to E-Mount adapter from him as well, using the direct link HERE.

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Oct 072014
 

The Classic Leica 5cm Elmar f/3.5 Collapsable Lens on the Monochrom

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Hello to all! Happy Tuesday! It is 9 AM, I am sitting down at my desk to write this article with my morning coffee and a cookie. Life is good. Today I want to share my experience with an old classic lens. The gorgeous and TINY collapsible Leica Elmar 5cm f/3.5 Lens (50mm f/3.5). Yes, it is old, it is slow in aperture, but it is a beauty for shooting in decent light, especially with the Monochrom, which I absolutely adore. So why do I adore the Monochrom when it is just a black and white sensor camera? I mean, any camera can shoot in B&W, right?

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Yes. You can also convert using the pricey software solutions. Even so, I find there is nothing quite like using the Monochrom, or the quality I get from it when it comes to tonality, detail and overall look of the files. I also love using a rangefinder and since this one is based on the M9 body with a CCD sensor, it has a different look than most CMOS sensors made today. I especially like the fact that it is so simple. When using it you know what you are going to get. No color issues, no color casts, any lens can be used without issues and you do not have to fiddle with White balance or worry so much about high ISO as this guy shoots up to 10k with ease.

But today I want to talk briefly about a VERY classic lens. The Leitz 5CM f/3.5 Elmar. It is chrome and looks stunning on the Monochrom. It is tiny and weighs next to nothing. It is built and made to Leica standards and my copy that I found locally for $200 looks like it just rolled off the assembly line.

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My lens was made somewhere around the 1940’s but this lens was made through 1961. Even though my lens is more than 60 years old, it appears and functions as brand new. I bought it mainly just to have it, and seeing that it was so affordable I could not pass it up. I never thought it would get much use but I took it to Las Vegas with me last weekend when meeting up with some great guys from Germany at CosySpeed testing out some cool products.

I decided to take a 30 minute stroll around the strip to see who and what I could photograph. I found many people staring at the camera, some asking me if it was a film camera and others just saying “cool camera”! While most were shooting with iPhones, iPads and even quite a few Sony NEX cameras, no one was shooting with a Chrome Leica Monochrom with this classic lens attached :)

The lens will render in a classic way as it should for being a 60+ year old lens. 

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Being limited to f/3.5 Aperture scared me as I am used to shooting wide open at f/1.4 or f/2 most of the time. I realized that I may have a large DOF but hey, the old masters shot with lenses like this if not this exact lens for a while. I am nowhere NEAR as good as those guys..I am not even a pimple on their chin..but to use a lens that some of them used felt good and I knew the limitations and I accepted them. After I thought more about it I realized there were no real limitations and in fact, it should be easier to shoot with a lens like this as focusing would be made easier with a larger depth of field!

So away I went, walking, smiling, interacting, laughing and observing…

When you walk in Vegas be prepared for many who are only out to have a GREAT time..for many this is a break from stress, work, and their hectic lives so most are friendly and will be happy to let you snap their image..

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It was easy to use and shoot with this classic lens and I am pretty quick with a rangefinder and manual focus. I usually prefer to do more “street portraits” than “street shooting”. I find most street shots that people post online are usually quick sneaky grabs of people and many of them are not so good. I prefer some form of interaction with these people, some form of eye contact. A few words, or even a nod and smile. If they are receptive then I take a shot. Sometimes they are not and I still grab a shot but its all part of the experience of being immersed in the action…

This is one of the guys who pass out the cards for female strippers and escorts who come to your room..they usually hate their photo being taken, but this guy just gave me an odd look when I nodded and asked for a photo. He was probably wondering what I was using to snap the shot. 

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While this Elmar will not be a favorite of mine, it will be pulled out from time to time when I want to feel nostalgic and classic :) It’s a beautiful lens and if you find a mint copy for a good price SNAG IT! I find it worth it to have it in my collection for  the price I paid of $200.

A few more images below using this lens, at wide open at 3.5:

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

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One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Oct 062014
 

ttlexrev

The Leica X Typ 113  Review in under 3500 words. Gorgeous IQ, but with a flaw.

by Steve Huff

When I found out that Leica created a new “X” camera with a Summilux lens and a faster aperture of F/1.7 I was VERY happy. FINALLY! Leica created the X many of us have wanted…or did they? With all new stylish looks, a larger size using the X-Vario body, and a very GORGEOUS brown and silver color along with the stealthy black Leica has left out the built in EVF that 90% of us have been begging for. Why oh why? If an EVF was put in this camera it would have flown off the shelves!

Since the X was announced I have had no less than 100 e-mails telling me something like this:

“Steve! If the new X had an integrated EVF I would have pre-ordered instantly”!!

This also happened with the X2 to some extent but not like this. See, the X2 did not sell as well as the X1 due to the fact that it was so much like the X1. Same body, same lens, same everything besides a new sensor that at the time helped with high ISO. The X1 sold VERY well, it flew off of the shelves because it was the 1st of its kind, at the time. The X2 did not do as well as the X1 sales wise and Leica assumed it was because it did not have a zoom lens, so they made the X-Vario with a slow slow aperture zoom. The Vario sold even less than the X2. Ugg.

So this time, here in 2014, Leica decided to give us Leica fans (almost) what they wanted! An X camera with a FAST fixed Summilux lens. Usually a Summilux is an f/1.4 design but on the X it is (supposedly) an f/1.7 design. But before I get into the lens, let us get back to the missing EVF, that so many cameras today have.

I think I know why Leica did NOT include it (intreated EVF) in the new X, and in my opinion it is for a couple of reasons. Mainly, I think and would guess that they used the X Vario shells that did not sell to make the new X. The X-Vario did not have a built-in EVF so this one could not as well. It also seems they do not have the know how to do it as none of their German-made non Panasonic cameras have an EVF built-in. It could also be that they just want to milk us for more money so we buy the external $600 EVF that kills the beauty of the X camera (IN MY OPINION).

Who knows the true story but I was willing to overlook the EVF issue and just enjoy the camera, because it is one hell of a beautiful looking camera.

But is that beauty only skin deep?

The X look is here in full effect! I shot this at night as I was flying high in the sky in Las Vegas. I love the crisp look and vibrant colors. ISO 1,000, and this one was shot wide open as the subject was very far away, allowing the f /1.7 aperture to be used.

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With the excitement of the new faster Summilux lens I was ready to try it out and take some close up portraits just to see how nice the Bokeh would be when shot at f/1.7. Finally, we can get shallow DOF with an X! YES!

With a 23mm lens giving a 35mm equivalent this camera will still not be capable of extreme Bokeh effects because with the wide-angle lens (23mm) it is tough to get a very shallow DOF unless you shoot up close to your subject. No biggie right? I mean, how much shallow DOF do you need? Shooting this lens/camera up close at 1.7 would and should provide plenty of shallow DOF if that is what you are looking for. Better yet, it will open up to allow more light in for when you are in low light. Well, this is what I thought anyway.

First off, The X has the same 16.2 MP APS-C sensor as the X2 and X-Vario. Nothing new. It is basically an X-Vario with a new faster Summilux prime. Period. Basically the same AF performance, same IQ, same color signature, etc. So there is no need for me to re-hash the IQ performance. You can see that in my X2 and X-Vario reviews.

So off I go to start shooting the new X and I immediately see the same beautiful image quality that I was able to squeeze out of the X2 and Vario but one  thing was frustrating me…

This camera will NOT let you shoot at f/1.7 much of the time, unless your subject is far away! Well, FOUR FEET away.

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Frustration was kicking in as I was manually setting the aperture to f/1.7 using the MANUAL dials yet when I went to shoot an image the camera would change the aperture electronically to 2.5 or 2.8, even when the dial said 1.7! I thought it was a glitch, a firmware issue… but nope, I soon found out that this was done purposely by Leica!

What has been said is that this lens is not so good at close focus wide open when it does to image quality..meaning, the IQ suffers when shooting close wide open. So if you try to shoot wide open, for a head and shoulders portrait for example, you will not be able to. You lose that extra shallow DOF ability and what you get is VERY similar to what you would get from an X2. In fact, for 90% of my use the camera always went to f/2.5 or f/2.8. Why would I want to shoot a landscape at f/1.7? Close to mid focus distance will get you f/2.2 to f/2.8. Leica should have said this was a “Variable Aperture” lens as this is what it acts like I am sad to say.

Out of 100 images during my testing the camera shot around 4 or 5 at f/1.7  – the rest were between f/2.2 to f2.8. For me this negates the whole reason for the faster lens!! I mean, I may as well have been shooting with an X2! It is smaller, has no lens quirks and offers the same good looks and can be found for less money.

For me, if a lens is advertised as an f/1.7 lens it should shoot at f/1.7 when you want it to, not when IT wants to. No Leica should override your manual settings, period.

You need to be at around 4 feet from your subject to use f/1.7. Before that it works like a sliding scale from 1.7 at four feet down to 2.8 at its minimum focus distance. It will give you f/2, f/2.2 and f/2.5 depending on how close you are. 

Leica X – set for f/1.7 and camera shot it a 2.2 – self-reflection

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That X Image Quality..so beautiful!

As always with the X series, what struck me was the image quality. I love it. The crispness, the colors, the sharpness across the frame. Same as the X2 and Vario 100%. It is nice, I will give it that. The camera looks fantastic around you or when pulling it out of your bag and  it delivers gorgeous image quality in good light and good IQ in semi low light. It starts to fall apart in real low light and the focus starts to hunt some. Speed wise, it is pretty good considering this is a Leica :) With each release Leica seems to improve the AF ever so slightly.

Take a look at my X2 review HERE and my Vario review HERE to see the similarities in IQ. 

This is the DOF you can expect at f/2.8

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Basically though, this camera is pretty much an X2 in a Vario body and/or a Vario with a 23mm fixed prime lens. I have written extensively about those two cameras and to just write more of the same would be silly. This new X has the Vario body with an X2 and Vario sensor. Leica have done away with the small X1 and X2 size bodies and from now on will produce the X in this larger size, which is more like an M4 when it comes to size.

Truth be told, without a built-in EVF, it is not very inspiring to shoot. I had my A7s, Leica MM and this X with me for a Las Vegas weekend and using the X was odd compared to the other two cameras. I was constantly holding it out looking like an amateur or tourist and for me, this goes against the whole Leica philosophy!

Leica cameras have always had a viewfinder (in the past, the golden years) and these days, even with thousands asking for an X with a Summilux lens and built-in EVF they cripple it without an EVF and even cripple the lens by not allowing us to use it wide open in most scenarios! As I said, a bit odd but Leica has always been a bit odd, a bit quirky and a bit “we do it how we want, deal with it”.

While it retains the beautiful design, build and gorgeous IQ, it is less versatile than something like the Sony RX1. The RX1 is smaller, is full frame, will focus closer and has a magical Zeiss 35 f/2 lens built-in. The Sony also left out the EVF but I have a feeling that if and when an RX2 arrives it just night have an EVF. I sure hope so. The RX1 delivers more in low light with as much shallow DOF as you could want and while it does not have the brilliant color and crispness of the X files, it has its own unique full frame quality and look that is very desirable.

Many have asked me this question and NO, the new X typ 113 is in no way a Sony RX1 killer. Not at all. The X is a camera for those who want a beautiful camera to look at and use during decent light without expecting too much in the way of shallow DOF or high ISO abilities. At ISO 3200 it starts to get noisy and the AF lacks in these low light scenarios as well. This is not a low light camera even with the new lens. When I say low light I mean night-time indoors, or even evening indoors. This will not be a camera for those low light moody shots in a bar, for musicians on a lowly lit stage or even  on the street once the light goes down. Instead, the X excels in decent light where it can show off the amazing color and snap it has to the files that no other camera has.

It’s a strange thing really…

I love the camera for its design and image quality in most situations but I dislike that it has been crippled with the aperture as well as having to buy an expensive add on EVF that kills the looks and design (as well as making it harder to put into a bag). So for me, I will not be purchasing an X but I can understand how some will want to. Many of you may not have interest in shallow DOF or low light high ISO work. For you, this camera is a treat. It is smaller than the Vario due to the smaller lens and it feels really nice in the hand (unlike the vario which was odd with the long lens) and as I have said many times already, the IQ is fantastic with that Leica feel and look.

Click the image below to see them larger and see what I mean about the crisp Look.

The 1st one was shot at 1.7 but the camera gave me f/2.5, ISO 500

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 A reflection shot  – this one was shot at f/9

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Below at f/11. Good light, stopped down..nice looking files. Look at the red color how rich and distinct it looks. 

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So who will want this camera? X or T?

If you have been wanting a German-made Leica that has the beautiful looks of an M with the image quality of the X and you do not mind the aperture issue when shooting closer subjects OR the fact that the high ISO in low light is not as good as other competing cameras then I suspect you could be extremely happy with the X.

FULL SIZE SAMPLES:

Below are two full size samples from the new X. The first one is full light at f/2.8, ISO 100 and the second in actually quite good light, indoors with dull open doors and windows allowing light to flood in, yet the camera needed ISO 1600 at f/2.8. Click them for full size.

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FOCUS:

The AF is decent, and I had no issues with focus, at all. Engaging manual focus is easy, just twist the lens out of AF mode and away you go. There is even a distance scale on the lens for manual focus use that seemed to work well. Also, The LCD will show you the expanded magnified view so you can easily nail it, but for me, this method of focusing is slow. AF works just fine.

Nothing else gives the unique IQ of the X Series of cameras, but the T does since it shares the same sensor. I love the Leica T and the fact that M lenses can be used on it. It provides the X IQ but with a choice of lenses and in a more modern styled unibody. You can read my full T review HERE. The T will set you back more than the X because it is $1900 for the body only, and lenses are NOT cheap. The EVF for the X or the T will set you back $600. Yes, $600 for a wart that sits on top of the camera, IMO, destroying the looks of the X but with the T it seems to fit. The X is classic looking Leica, the T is modern-day Leica.

Again, set to f/1.7 but camera decided to shoot it at f/2.5. B&W High Contrast out of camera JPEG

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ISO 3200. If you click it you can see the camera starts to lose some DR at higher ISO, as well as color changes but still looks very nice and is 100% usable.

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Set for f/1.7 but camera gave me f/2.8 – ISO 1000  – put of camera B&W JPEG

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My final word on the Leica X with 23 f/1.7 Lens

I have been seeing a sort of backlash against Leica from new early owners of the X camera who are a bit upset at the fact that this camera will not let you shoot with the aperture set to f/1.7, as advertised, in many and most situations. If you want to shoot a head and shoulders portrait at 1.7, you can’t. If you want to shoot up close for a Bokeh effect at 1.7, forget it. Many have e-mailed ME complaining about it as if I were Leica and as soon as those emails started coming in I knew there would be more to come.

Leica probably could fix the issue with firmware but I am not sure they will as they chose to cripple the lens for a reason, supposedly that reason is due to the fact that the lens close focus wide open performance is below the quality levels they want to see. They do not want images online showing softness when wide open so to fix this they set the camera to automatically change the aperture if shooting up close wide open. Yet they advertise it as the new X with a Summilux f/1.7 lens even though you need to be around four feet from your subject or more to use the lens at f/1.7. Leica does not advertise this in their marketing blurbs, they just advertise it as an f/1.7 lens:

“The extremely fast initial aperture of its Leica-Summilux 35 mm f/1.7 ASPH. lens creates an exceptionally beautiful bokeh, as a result, the exploration of the creative possibilities of selective focus is fascinating and particularly rewarding with the Leica X. The lens is almost completely insensitive to flare and ghosting affects. And all this is possible without an extra lens hood. It delivers bright, clear, and incredibly sharp photos – from infinity to a close-focus distance of only 0.2 metres. As well the CMOS sensor of the Leica X fulfills what its APS-C format promises: outstanding photos with exceptional colour fidelity and the finest rendition of details – even in unfavorable light.”

Odd.

With that said, if you are up close, just like with the X2, you can shoot at f/2.8 and still get a shallow DOF, but you have to be CLOSE. The bag was my subject.

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For some this will not be a deal breaker, for others it will. Add to this the fact that they once again ignored the option of an integrated EVF and we have more who will not buy this camera. Then we have the same old sensor from the X2 and Vario, with no real enhancements to low light performance. Some are saying this is an old sensor in a snazzy new body.

The fact is that the new X CAN AND DOES deliver in image quality, giving that unique X look that other cameras do not give you. Even at f/2.8 you can still get some shallow DOF when shooting up close (as shown above) but still not as much as we expected to get at f/1.7. It is a gorgeous camera made to Leica standards and is like owning an X Vario body with a faster fixed prime lens. If the X-Vario was something you lusted after but with a smaller and faster prime, here you go. Just be aware that in many situations you will not be able to shoot wide open. Also keep in mind that this is still not a night-time or very low light camera. It is still at its best with good light.

The Leica X comes in at $2295, not as much as I thought considering the X2 came in at $1995 with the slower lens and smaller more compact body. At this price point there are many options out there from Sony, Fuji, and others. For example, the new X100T looks fantastic and comes in at $1295. It also has an APS-C sensor, and an f/2 35mm equivalent lens with a classic RF styled body including an integrated and super nice hybrid EVF/VF. It is a proven design that many adore. The Leica X has easy to navigate menus and is simple to set up and operate. That is one thing Leica excels at..simplicity…but are they trying to be too many things at one time?

I feel Leica should stop trying to be so many things for so many people. I believe they should offer just the M and T series but make another T with a built in EVF. Then we have an APS-C modern Leica and the classic full frame M series (both the MM and M versions). Both interchangeable lens cameras, and systems they could focus on 100%. I personally feel they should just drop the rest along with the Panasonic clones. Of course this will not happen but it seems that Leica may be losing sight of who they once were and what they need to offer to those who love Leica and what they stand for. With a C, X, M, T, D-Lux and V-Lux it just seems to be to much IMO.

Do you want the new X? The questions to ask yourself is: “Do I want a real German made Leica”? “Would I mind the negatives of this camera”?

$2295 is not cheap. It is a lot of money. For me, I was  bit let down due to the fact that when shooting I had to hold out the camera like a  tourist and in most cases, unless focusing close, the images lacked pop (for example, street shots). No internal EVF takes the excitement of the X down for me, as does the lens issue but at the end of the day I will always love that X IQ. It’s a tough call but one thing that can not be discounted is the IQ. It is superb. It is pure Leica X, and for that, for many, will be enough.

Steve

Below is my 1st look video on the Leica X before I discovered the Aperture issue:

WHERE TO BUY?

You can buy the Leica X from the 100% trusted and recommended dealers below:

Ken Hansen – email him at [email protected] (tell him I sent you!)

PopFlash.com

The Pro Shop

Amazon

B&H Photo

Leica Store Miami

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Oct 032014
 

Testing the Zeiss Loxia, ZM 35 1.4 and Otus lenses on the A7r

(some quick shots from Photokina)

by Dirk De Paepe

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Recapitulation of a Problem

Perhaps you look upon the Sony A7x series as the first full frame alternative to the Leica M: a compact, high quality full frame camera, that’s about perfect for manual shooting – although not without issues, but then, I’ve yet to see the first perfect camera. :-)

Today the A7s gets a lot of applause, not only for its high ISO capability, but also because it “fixed” some of the issues of the A7r: the shutter sound is one, but IMO the questionable compatibility with quite some M-mount wide-angle lenses is an even more important item.

For many photographers, the possibility of using the compact M-mount lenses on the A7x, via adapter, is one of the attractive features of those cameras. But particularly the corner problems that primarily the A7r poses, when used with (quite some) wide-angle M-mount lenses, are mentioned frequently as a set back, reducing the A7r owner’s choice regarding compact wide-angle glass. Not all M-mount wide angles pose this problem though: some of the Voigtländers work flawlessly. But most Leica M en Zeiss ZM wide angles render this purple/magenta color shift and smearing in the corners, which we really don’t want.

I own the Zeiss Biogon 28 ZM and have experienced it too. Although with certain apertures it’s possible to avoid almost all of the smearing and the color shift can most of the time easily be neutralized in Photoshop, still it limits the possibilities and ease of work. So I mainly use the Voigtländer Nokton 35/1.4 (very compact M-mount) and some wider Canon FDs as WAs for now. For now, indeed, because I was pretty confident that a “solution” would be in the make. As a matter of fact, I hoped for some time that Sony would somehow fix this problem. But is it really Sony’s problem to fix? Well, recently I changed my mind about it…

The solution has a name: Loxia.

When Zeiss announced its new Loxia series for Sony’s FE mount and when I saw that those were based on the compact ZM series, I immediately wondered: what about the corners when shooting a Biogon wide-angle on the A7r? The so far published images (that I’ve seen) didn’t mention which A7-type was used (there was no Exif data available), or they were taken with the A7s, on which the WA M-mount glass poses no problems. So I was stuck with the question: how will the new Loxia Biogon 2/35 perform on my A7r?

The Loxia Biogon 2/35 on the A7r

Living at less than 2 hours from Cologne, I decided to make the trip to Photokina, to get the answer. I was there on Saturday, when the fairground was pretty crowded, with lots of people thronging at the Zeiss technicians counter, wanting to get answers to their questions and trying all kinds of Zeiss lenses on all kinds of cameras.

So I had to take my shots pretty fast and I had to take them all from the same spot: my position at the technicians counter. Sorry for that. But my goal was not to shoot nice pictures, my goal was to get answers. Does the Biogon perform well on the A7r?

Short answer: YES it does! Absolutely!

I first checked if there was any color shift at the corners, putting the aperture wide open – the most sensible setting. With a booth made from white/greyish panels, it was easy to check. It’s very clear: the Biogon produces no color shift what so ever! It was immediately absolutely clear, from the first shot, but I can add to that: in none of my shots, at whatever aperture, there was even the faintest glimpse of color shift to be noticed.

Pic 1. Loxia 3/35, f/2, &/500s, ISO200. No color shift whatsoever. I focused in the left upper corner, to check the corner detail at f/2. IMO a bit ridiculous to absolutely want perfect corners when shooting wide open, but since some people come up with this issue, I wanted to check it. Next picture gives a 100% view of that corner

01. Loxia2-35 f2 corner focus

And what about the smearing? Well, again when shooting wide open the image remained pretty clear and detailed in the corners, with only some loss of detail in the farthest reaches and (IMO) no smearing. Considering how deep in the corners I’m talking about, I’d say only a slight loss of detail in the corners. But let’s be honest, when you really want every spot of your picture to be clear, you don’t shoot wide open, do you… In general I was absolutely astonished with the level of detail this Biogon renders at f/2. Without ever getting razor-sharp, the amount of detail is pretty amazing, even when looking at 100% and shooting with a 36MP sensor. And also the vignetting is at a very low-level, IMO negligible.

Pic 2. 100% crop. In the farthest reaches of the corners, there is some loss of detail. Not too much, I’d say, because I can even read numbers there. I certainly wouldn’t talk of smearing. There is some difference in detail to be noticed, due to some items being positioned slightly out of focus, like in the text on the left box. Don’t be mistaken there. Anyway, I find the detail that this Biogon renders wide open to be really astonishing. 

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Pic 3. Loxia 2/35, f/2, 1/60s, ISO250. Also the vignetting is negligible, even wide open. Focusing in the center.

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Pic 4. 100% crop (click to see full size).. Without being razor-sharp, all the detail is there. No added sharpness.

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Pic 5. Loxia 2/35, f/2, 1/60s, ISO250. No 2/35mm renders a spectacular bokeh. Still this one is pretty smooth and for sure renders a nice 3D separation.

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Pic 6. Loxia 2/35, f/4, 1/60s, ISO400. DOF is a bit larger, still with beautiful bokeh, also in front.

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Pic 7. 100% crop (click to see full size).. Even at f/4 focusing needs to be done with care on the A7r. I missed the focus on the watch here and placed it on the guy’s shirt, revealing all the shirt’s detail…

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At the more narrow apertures, those that are used when pursuing a wide dof, the detail is excellent all over. Is it absolutely perfect? Well, no. This is no Otus, but a three times less expensive Loxia. Still, IMO, the IQ is excellent, with clear detail all over, although still slightly soft when looking at 100%, but not at all to the extend that one can call this a weakness.

Pic 8. Loxia 2/35, f/11, 1/40s, ISO400. Only cropped horizontally.

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Pic 9. Loxia 2/35, f/14, 1/10s, ISO400. Only cropped horizontally.

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Pic 10. 100% crop (click to see full size)..

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This is absolutely not a lens test, so I won’t go into all lens characteristics. I couldn’t take enough different pictures, nor perform tests to do that. I’m sure there will be enough articles in the near future from professional photography journalist that will come up with all the details.

Still, what I also noticed is some fringing (diminishing with narrower apertures of course), which I always could correct with great ease in Photoshop. I didn’t check the distortion, but personally I don’t mind that too much, since this is also easily correctable. BTW, I understand that Zeiss also gave extra care in that department, so again, I have no worries here. Overall, I liked very much what I saw, also regarding the OOC color balance, dynamic range etc. – so I’m very confident that I won’t be disappointed in this Biogon and that it’ll render a typical Zeiss IQ – I expect it to be even slightly better than my ZMs.

Improved optics

When I told the technician that I was pleasantly surprised, after being worried when I noticed the great similarity between the Loxia and ZM Biogons, and that I wondered how Zeiss has solved the corner problems without considerably lengthening the distance between back lens and sensor, he told me that the two Loxia lenses are admittedly built after classic Zeiss concepts, but that the whole calculation has been redone, resulting in differences in the thickness of the glasses and the space between them, whereby the light approaches the sensor in different angles, thus avoiding the known problems of the older ZM lenses (lenses that were conceived for film cameras and Leica digital cameras, not for mirrorless sensors). Even the Planar, that in ZM version doesn’t pose any problem at all on the A7r (and is BTW my personal favorite lens) has been reworked and optimized with enhanced performance. Regarding the Biogon, even after a few shots, I can without a doubt state, that they did a great job. I leave it to the professional reviewers to determine exactly how great. But I’m impressed. And excited. There simply is not a shred of color shift in the corners and wide open there’s only a slight decrease of detail in the farthest corners, which I wouldn’t call smearing at (far from what we know from the ZM Biogons, when used on the A7r). What I also noticed was that this lens renders about the same detail wide open as it does stopped down (with the exception of the farthest corners, as I said), which was a véry pleasant surprise. There is some vignetting wide open (but really not much) and some fringing as well (always very easily removable in Photoshop). What did you expect. This is no Otus, it’s not perfect. It’s three to four times cheaper than Otus and still is an excellent lens. I’m sure future tests will confirm this.

General Loxia advantages for Sony’s A7x

So the Biogon is absolutely “good to go” on the A7r IMO, or in other words, it’s a great option to buy, if you’re into manual prime glass. You won’t be surprised that I placed my order for both Loxias. Also the Planar, which maybe will surprise you, since I own the ZM Planar that really is without issues on the A7r. But Loxia offers a lot more than ZM. First there is the better optical performance (reworked for E-mount), then there is the shorter minimal focal distance (30cm for the Biogon and 45cm for the Planar versus 70cm for both ZMs), further there is the transmission of full Exif info, which I applaud because after a series of shots with different lenses I tend to forget what lens I used for which shot, let alone what aperture. Often I can “see the lens in the shot”, but really not always with absolute certainty. And I find it very interesting to know the exact aperture afterwards. And finally, the last big advantage of Loxia over ZM is the activation (which is to be programmed on your A7x) of the automatic enlargement in the VF, by the slightest movement of the focus ring, which completes all means for performing “modern manual focusing” on the A7x. IMHO, all the focusing functionalities of the A7x/Loxia strongly outperform any optical viewfinder. OK, a range finder is something special, but personally, I don’t wanna do without the modern EVF functionality anymore. No way. They abundantly outweigh the range finder’s advantages (all IMO of course).

Pic 11. Left half: Loxia Planar 2/50, f/16, 1/40s, ISO1600. Right half: ZM Planar 2/50, f/16, 1/40s, ISO1600. Both picture were shot at minimal focal distance – Loxia at 45cm, ZM at 70cm and they were only horizontally cropped. Impressive difference. A big advantage of the Loxia. (The ZM picture was shot back home.)

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Personally, I’m really thrilled about Zeiss developing the Loxia line. There has been lots of reactions on it, with many complaining about the first two lenses being 50 and 35mm again. Why not chosing other focal lenghts that people miss right now? The answer is really simple. Loxia is for a totally different type of photographer, namely the typical manual shooter, like I am. As much as I admire the image quality of the AF Zeiss lenses, I’ll never buy them because I don’t feel good when the camera decides for me. The only “automation” that I use is aperture priority and still, I’ll determine the exposure with the compensation dial or by holding the release button halfway while reframing.

The core of any optical system is, no doubt, the lens. I think we can say that Zeiss plays in the same league as Leica. Both have passionate proponents. I guess it’s probably the kind of photography one practices, that make one belong to either camp. Personally, I’d mix both brands, if the Leica prices were at Zeiss level. But they aren’t. So I don’t buy Leica… a personal matter.
The core of the body is, without any doubt, the sensor. Sony, a leader amongst sensor manufacturers has an excellent position in this department. The rest of the body is functionality, in other words advanced electronic applications, and build quality. It needs no saying that Sony is an electronics giant and in many branches, and in general the Sony quality is legendary. I’m not saying there are never issues with Sony products, everybody makes “mistakes”, but this a giant and I believe that this giant is determined to succeed in photography. So the Sony/Zeiss combination has for sure a lot of things in its favor. Now, with Loxia, the glass is perfectly maching the body, adapter free, with transmitted Exif data, automated magnification in the EVF and a design and feel that perfectly matches the body.

I told you that I already placed my order, even for the Planar, while I’m owning an Otus 55 ànd ZM Planar 2/50. But the Planar is my all time favorite lens. Its compact size, ease of use and always reliable IQ grants it this status. This is the lens that I always carry on my camera, making it possible to carry a high-res/high-IQ camera with me whenever I want, wherever I go to, without ever being bothered by it. Now, with the Loxia Planar, my carry-all-time lens will match my body for 100% and add some functionality that I welcome very much.

Loxia is made for sensors of mirrorless cameras, Zeiss ZM (and Leica M) is made for film. In its digital M bodies, Leica corrects its lenses with software. The Zeiss Loxia doesn’t need to be corrected, because it’s optically designed for sensor. BTW, I wonder if Zeiss doesn’t think of making Loxias in M-mount, or at least come up with a new generation ZMs, that would have the Loxia optics. Makes sense IMO.

The Otus 85 on the A7r

With so many Otus lenses on their Photokina booth, ready to try out, of course I asked for the new 1.4/85. You probably already knew from a former article that I own the Otus 55 and believe that Otus is a great combination with the A7r. This top-level Zeiss line is developed for the latest (and future) generations of hi-res sensors, and Sony plays a leading role in this, with the A7r still leading the pack. So I pulled out my Novoflex adapter and mounted the Otus 85 on the body. The bystanders payed extra attention, when I then pulled a vertical grip out of my bag and mounted it with some swift moves on the A7r body.
My goal was in no way to test the lens on itself. Knowing the 55 and reading from all thrustful sources that the 85 is even a todd better (is it really possible?), I have not the slightest doubt that this lens will perform to its expectations. What I was curious about was how it felt in the hand, when mounted on the A7r, and I also wanted to get the “focus experience” at f/1.4, because already with the 55, focusing at 1.4 needs to be done with great care.
I immediately felt that the 85 is an even heavier and thicker beast than the 55. It’s a muscle trainer for sure. I don’t know how long I would be able to shoot continuously with it, I can only say that I felt it considerably more than when holding the 55. But I can’t tell if it’s only because the physical geometry is different and that it’s gonna be a matter of getting used to it, or if it really would tire me out faster. But what I can tell you for sure is, that, with the same way of holding it as I described in my Otus 55 article, this lens/body combination lies incredibly stable and well-balanced in the hand. I already said that the shots were to be made fast at the Zeiss technicians booth, so I took a fast picture of the gentle technician that was helping me. He was standing pretty close, at the other side of the counter. I focused on his eyelashes and took the shot at 1/25sec, which is in fact insanely slow for an OOH shot with a 85mm lens. But the total absence of motion blur proves the perfect balance of this lens/body combination, again indicating that the A7r is a body worth considering for use with the Otus 85, as it is with the Otus 55. That’s exactly what I wanted to know with my trial shots.

Pic 12. Otus 1.4/85, f/1.4, 1/25s, ISO100. Shooting at this shutter speed with an 85mm lens is only possible when the lens/body combination is in perfect balanse, which IMO is the case with the A7r + vertical grip. At the crowded Zeiss booth, this shot of a (very busy) Zeiss technician needed to be taken in seconds.

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Pic 13. 100% crop (click to see full size). What stroke me is the extremely shallow dof. I don’t know how this can be possible (maybe somebody can explain), but I have the impression that the Otus 85 produces an even more shallow dof than the Canon FD85 at f/1.2, that I also own. And if not, it must be véry close. But for sure, I’d swear it’s the Otus that wins this trophy. While the eyelashes are in focus, the eyeball is already out of focus. The eyebrow is only partly in focus. At this distance, I normally wouldn’t take this shot at f/1.4, because I’d surely want a somewhat larger dof. Still it’s nice to have the potential at hand and for greater distances it will surely do a great job.

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Focusing at f/1.4, for use at full size images with a 36MP sensor (or more in the near future), must be done with the greatest care. This was no surprise to me, with my experience with the Otus 55, it was just a confirmation. It’s odd that I have the impression that focusing the Otus 85 at f/1.4 requires even more precision than with my Canon FD85 at F/1.2. I even think to notice an even shallower dof with the Otus. It’s just an impression, a feeling. But a strong one. Maybe it’s because of the incredible detail Otus renders, combined with 36 megapixels. Again, I didn’t perform test procedures with this in mind, it’s just a feeling. BTW, I love the FD85/1.4.
Last thing about the Otus 85: I absolutely love the super creamy bokeh!

Pic 14. Otus 1.4/85, f/1.4, 1/20s, ISO100. Only horizontally cropped. Is this a creamy bokeh or what?…

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The ZM Distagon 1.4/35

By then, after shooting the Otus 85, the guys behind me were increasingly insisting to get a place at the counter. But still I managed to get the new ZM Distagon 1.4/35 for a few super fast shots. I simply wondered whether Zeiss, knowing of the problems that some of the ZMs have with modern hi-res sensors, would take this into account when developing new wide-angle ZMs. I quickly took two shots with the new ZM Distagon. In the first I just shot the grey-ish white wall, to check for color shift. The picture is absolutely dull, of course, but it was conclusive: no color shift.

In the second (and last) super fast taken shot, I focused on a guy in the upper left corner, to check for smearing. No smearing (although the picture isn’t perfect, with a tiny bit of motion blur, but no smearing). What I did notice in those shots was that, wide open, the vignetting and fringing was more prominent than with the Loxia Biogon. But then, this is a f/1.4 vs. the f/2 Loxia. So this is normal. And nothing that I couldn’t correct in Photoshop.

So I guess that future Zeiss ZM lenses will work perfectly on film bodies, Leica M bodies ànd fullframe mirrorless bodies – from Sony and other brands to follow.
And I’m very much looking forward for future new products in their new lines, Otus and surely Loxia. I’ve been having a soft spot for Zeiss for about 50 years now. I think this spot is only going to further grow in the years to come… :-)

Pic 15. ZM 1.4/35, f/1.4, 1/25, ISO100. A clearly more explicit bokeh than with the Loxia 2/35, but also more fringing (as well as vignetting, which this pic doesn’t show clearly) – though nothing that can’t be corrected, I guess.

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Pic 16. Defringed crop. I thought, since the shot was not really OK, it wouldn’t be fair to show the fringing. So I corrected it in Photoshop for this crop.

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Epilogue

IMO, the Loxia line, once it’s to be completed as yet, will definitely turn the A7x series into today’s superior compact system for manual shooting, offering a more modern concept than Leica. I can truly say that I don’t dream of Leica anymore. This Sony/Zeiss FE-system really is more desirable to me than the Leica M-system – outperforming it (again IMO) and… reasonably priced! My personal dream of today: owning both the A7r (for resolution) and A7s (for ISO) with a complete set of Loxias. But what I expect (of course I can’t be absolutely sure about it) is a future Sony sensor that will combine resolution and high ISO. I’m sure it will happen, maybe in some years time, but probably earlier than I expect. And it will be mounted in an FE-mount Alpha body! Thàt will be my next camera…

Dirk De Paepe

B&H Photo sells the Loxia lenses HERE, the OTUS is HERE and the new Zeiss 35 1.4 ZM is HERE

Sep 262014
 

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A quick 1st look video on the Petzval Art Lens!

Received this gem yesterday from Cameraquest.com and upon opening the package I was surprised at the quality of the packaging, and then the gorgeous hefty all brass lens inside. For me, at $600, this lens is priced JUST RIGHT as you are getting not only a unique lens for those times when you want that classic look and wild bokeh, but you are also getting a piece of art in the lens itself, which is a huge conversation starter. Go out shooting with it and you will be stopped throughout the day asking what you are shooting with.

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Besides being an 85mm f.2.2 lens, it is a classic formula and will give you a classic look. The original Petzval lens was created by Joseph Petzval and this one is sort of a replica though not quite the same of course. Even so, this lens will give you some crazy unique portraits with bokeh that is out of this world. My full review will be up within 2-3 weeks but for now, check out my 1st look video below! I will state that it is easy to focus using focus peaking on my Sony A7s, no issues at all, and quite easy to nail/hit focus.

You can order this unique lens at CameraQuest.com HERE. 

Sep 252014
 

New items in house: Leica X, Petzval Lens, Ibelux 40mm f/0.85, Lytro Illum

Finally! I expected most of these a couple of days ago but it all landed today. The UPS guy thought it was Christmas at the Huff Household with boxes from Leica, B&H Photo and Cameraquest. For me, it felt like “OH MAN! I AM GONNA BE BUSY”!!!

1. The Leica X with 23mm f/1.7 Summilux Lens

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Over the next 2-3 weeks I will be posting reviews for the new Leica X with 23 1.7 Summilux lens (35mm equivalent). The camera looks and feel gorgeous, much like the X2 but with a larger lens. I have the silver and brown and it is a stunning color combo. I shot off 5 shots in my yard just to make sure it powered up and worked OK out of the box and it did. AF seems faster than the X2, maybe the same as the X Vario. Image quality seems similar to the X2 and X-Vario in color, tonality, sharpness, etc. So very nice IQ.

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So look back next week for a possible first look of the X.

2. The HandeVision IBELUX 40mm f/0.85 Lens for APS-C cameras (Sony mount in hand)

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This lens is LARGE and HEAVY. It is an f/0.85 lens of high quality and comes in at over $2000. It is packaged much like a Leica lens and even includes a very Leica like leather lens case. Also, lille the Leica Noctilux it has quite a bit of CA/Purple fringing wide open in high contrast areas. I will be testing it on the Sony A6000 as this is NOT a full frame lens. For me, it may be too large to really enjoy but I am sure the IQ will be superb. I will be shooting some portraits with it this weekend. Available now at B&H Photo.

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The box and Leica like case is above.

3. The Petzval Lens

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Stephen Gandy of cameraquest.com sent me this lens to test and told me I could buy it if I liked it :) I have wanted to give this lens a try for a while now just due to its uniqueness in look, design and build. Of course it is a replica of the old original Petzval lens that was originally made in Vienna in 1840. This is a “artsy” special effect lens IMO and sometimes this kind of lens and effect can make your photos stand out. Cameraquest is a dealer and sells this lens. :) Check it out here.

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I will have some 1st shot samples by the end of the weekend with this lens, so stay tuned! What I like is that this is a full frame lens, so should be great on the A7s :)

4. The Lytro Illum

This ons I am lukewarm on because I tested the old light field camera and thought it was an overpriced toy. Many love the new Illum though and I am happy to give it a whirl. I took it out of the box and it is huge, long and feels odd but I will give it a full rundown over the next 2-3 weeks.

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Sep 252014
 

wotancraft

The New Upgraded Wotancraft Scout and Ranger bags 2014

“With signature elements of rugged authentic leather and distressed hardware,
new City Explorer integrated WotanCraft’s latest developed exclusive “WAL canvas spec.1.6”
a composite waxed fabric material never seen in camera bag creations,
combining 3 crucial features of a protective bag:

WATERPROOF, ABRASION-RESISTANT, LIGHTWEIGHT”

Hey guys! I have a new video review of two new upgraded bags from Wotancraft, the new SCOUT & RANGER bags from their City Explorer line. If you remember my last Wotancraft review it was for the Ryker, which is my #1 fave every day bag ever. I use it every day and it has been with me everywhere, been rained on, been in the swamps and has been sitting in the 110 degree heat in the AZ desert. It is only getting better and better. The only issue with the Ryker is that it is too small for traveling and carrying larger things like camera gear, laptop, chargers, etc.

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The new 2014 Ranger AND Scout have a new material that is 50% lighter, waterproof and abrasion proof. They are attractive, feel great on and look great as well. THEY LOOK RUGGED and feel rugged. They are not as fancy as the Leather Ryker but they are just as beautiful and many will prefer this look over the Ryker for their personal use.

The entire City Explorer line has received the new material treatment, which is pretty fantastic.

Check out my look at these two bags in my video review below:

When the Ranger arrived to me I was VERY impressed. The bag arrived in a nice cloth outer bag to protect it and WOW..the construction is just off the charts. The hardware, the function, the features and the style..love it all. After the Ryker I became a huge Wotancraft fan. After the Ranger and Scout, I am even more of a fan. I also started to check out the other goods they sell and am impressed with what I see on their website as they have some pretty cool and beautiful accessories, even watch straps!

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For traveling the Ranger will be a good bag to choose. For every day, the Ryker or Scout is the one for me. 

You can read much more and see more and order these bags over at Wotancraft by using the direct link HERE

  

Sep 232014
 

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Jupiter 8: A cheap and lovely character lens for your Leica M or Sony A7 camera

The best $30 I have ever spent? This old, beat up, tiny 50mm f/2 Jupiter 8 Russian lens. Yes, I bought this lens on the cheap locally here in Phx AZ along with a Jupiter 9, which is an 85mm f/2 for $70 or so (though the 9 is a tad off with focusing on my M). I never owned a Jupiter though they have been around forever and what has kept me away from them is the fact that many say they are not very good lenses, will not focus correctly or are just plain cheap in construction. Well, taking all of that in to consideration I decided that $30 would be a no brainer way to test out the Jupiter 8 and I am glad I did as this is truly a “no guilt and no buyers remorse” lens. For $30, it could easily be resold if I did not like it, but again, at this kind of money, this lens will always be in my kit for when I want the character of this lens. I am a huge fan of classic Rangefinder lenses and many of them are better to me than modern-day pricey lenses.

Shot wide open at f/2 on the Sony A7s with the only purpose being to show the Bokeh. This was shot up at some trees and defocused

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I have always seen these lenses for sale on E-Bay for pretty cheap prices but samples online that show the softness, low contrast and strange rendering put me off on the Jupiter 8. While I am looking around for a decent Jupiter 3 now, the 8 has actually surprised me with just how sharp it can be, even at f/2. In addition, it has that classic Zeiss Sonnar rendering that I recognize. I will say though that an article on this very website is what really had me really wanting to give these lenses a shot. You can see that article HERE.

At f/2 focusing correctly on the Leica Monochrom. Yes, this lens focuses great on my MM. Click the image to see just how sharp it is, you may be amazed that a cheap lens such as this one can do this!

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…and it works just as well on the A7s, even for B&W :)

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Dreamy, Creamy and Classic

Basically what this lens will deliver is nothing like what a Leica Summicron or Summilux will bring you. I have talked any times about lenses being like the artist’s brush. Choosing a specific lens will help you create the vision you are looking for whether that is in the form of a Leica Noctilux, Canon Dream Lens, or a Zeiss 50 Planar. This Jupiter 8 reminds me most of the Zeiss 50 Sonnar but for 1/30th the price! While not as nice as the Zeiss in build, feel, or IQ, it has something unique about it that I can enjoy from time  to time. IN color on the Sony A7s it is gorgeous (for me) even though the Bokeh is a teeny bit nervous at times. Other times it is silky smooth.

These three test shots were taken to show the rendering and bokeh and color. All on the fantastic A7s. Click them for larger and better viewing experience! 

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Portraits

Some people use this lens for portraits due to its softer look when wide open (when compared to critically sharp lenses like a 50 Summicron or APO or 90 APO) and I tested it and found it to be lovely. The lens does feel cheap in construction but it has lasted this long so I assume to will last me many more years to come. At this price, the Jupiter 8 is a bargain of massive proportions. A fun lens to have around and mess with when you want a classic creamy look.

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So for anyone who wants to try out a new lens but you do not want to put a dent in your wallet, give a Jupiter 8 lens a try. It may surprise you. Many say that when being used on a Leica M that the lens may need shims to get it to focus correctly. My copy did not need this but I guess some do. It is a small, light, oddball lens but it works nicely for some applications. I will be using it again and again, and for Sony A7 shooters, using this lens with the Voigtlander close focus M to E adapter, it is lovely and a breeze to focus.

Highly recommended!

Steve

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To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

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Sep 222014
 

Convert a Leica M3 to Digital with Sony A7 Sensor! Kickstarter


How cool would it be if you could take a Leica M3 and plop in a Sony A7 full frame sensor, and use that M3 as a full digital camera with the possibility to swap sensors in the future? I remember talking about this 8-9 years ago with a few people and today, it could be a reality if this kickstarter takes off! Well, for the guy making it anyway.

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There is not much for ME to say so I will link you to the Kickstarter itself which you can see HERE. All that is needed to fund this one is 3,000 british pounds. That is it. He is up to 640 now, so should not be a problem getting it going.

He also has a website HERE with more explanation on his FIRST project, the Frankencamera I which was a Konica S3 turned into a digital. Check it out as this could be uber cool if it actually happens.

A Leica M3 rangefinder converted to digital with a full frame Sony sensor could be something to behold!

 

Sep 212014
 

A Quick Look (with samples) at the new Voigtlander 15 4.5 II VM Lens by Foto Ingo

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From the Specs Sheet : Super Wide Heliar 15mm F4,5 VM II aspherical Here we proudly present a completely new ultra wide-angle lens.

Current high-resolution digital cameras are demanding and so they often need a new lens construction to satisfy those megapixels in regard to sharpness, detail, colour and so on. A lot less colour-shift in the corners even (when combined with really high resolution) and better contrast, especially when using the widest aperture, are the main differences between the current and the NEW Heliar 15mm.

The NEW 15mm Heliar consists of 11 elements in nine groups.

Hello Everyone!

I’m a long term reader of Steve’s Site and it wasn’t until “The Criuse” 2012 that I was to meet him, his beautiful fiancée Debby and some other interesting people… It was an awesome trip for sure. So many friendships were born back then. But back to the present (or future??).

Right now I use a Sony A7 and an A6000 with various manual lenses (and some Sony lenses) and I’m  kind of happy with everything… Except for the fact that there was no small “rangefinder like” wide angle available for the A7/A7r series. Today I visited Photokina in Cologne (1 hour drive from where I live) and had the chance to check out the new Voigtlander 15mm for M-Mount II !! I was really happy that I had my A7 and my Leica M to NEX with me when I heard that I could use it on my own camera and take pictures with it!  (Delivery should start in February 2015!!!)

So, I thought I would give my findings to Steve and all lovers of the A7 series.

Summary: I could see no or maybe a REALLY small amount of color cast in the corners ! (maybe it was only a tiny bit of vignette?) I could see no or maybe a REALLY tiny bit of vignette ! The sharpness is nice and NOT much mush in the corners ! I sold my 15mm M39 only 1 week before so I can tell you, that the differences are HUGE ! I will preorder it for my A7 the day it becomes available ! (depending on the price of course) No word on the price so far, but I ́m really looking forward to February 2015 and not only because I have my birthday there… ;-) Thx everyone and good night.

Ingo Schäder www.Fotoingo.com

Quick Samples below:

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