Sep 222014
 

Convert a Leica M3 to Digital with Sony A7 Sensor! Kickstarter


How cool would it be if you could take a Leica M3 and plop in a Sony A7 full frame sensor, and use that M3 as a full digital camera with the possibility to swap sensors in the future? I remember talking about this 8-9 years ago with a few people and today, it could be a reality if this kickstarter takes off! Well, for the guy making it anyway.

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There is not much for ME to say so I will link you to the Kickstarter itself which you can see HERE. All that is needed to fund this one is 3,000 british pounds. That is it. He is up to 640 now, so should not be a problem getting it going.

He also has a website HERE with more explanation on his FIRST project, the Frankencamera I which was a Konica S3 turned into a digital. Check it out as this could be uber cool if it actually happens.

A Leica M3 rangefinder converted to digital with a full frame Sony sensor could be something to behold!

 

Sep 212014
 

A Quick Look (with samples) at the new Voigtlander 15 4.5 II VM Lens by Foto Ingo

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From the Specs Sheet : Super Wide Heliar 15mm F4,5 VM II aspherical Here we proudly present a completely new ultra wide-angle lens.

Current high-resolution digital cameras are demanding and so they often need a new lens construction to satisfy those megapixels in regard to sharpness, detail, colour and so on. A lot less colour-shift in the corners even (when combined with really high resolution) and better contrast, especially when using the widest aperture, are the main differences between the current and the NEW Heliar 15mm.

The NEW 15mm Heliar consists of 11 elements in nine groups.

Hello Everyone!

I’m a long term reader of Steve’s Site and it wasn’t until “The Criuse” 2012 that I was to meet him, his beautiful fiancée Debby and some other interesting people… It was an awesome trip for sure. So many friendships were born back then. But back to the present (or future??).

Right now I use a Sony A7 and an A6000 with various manual lenses (and some Sony lenses) and I’m  kind of happy with everything… Except for the fact that there was no small “rangefinder like” wide angle available for the A7/A7r series. Today I visited Photokina in Cologne (1 hour drive from where I live) and had the chance to check out the new Voigtlander 15mm for M-Mount II !! I was really happy that I had my A7 and my Leica M to NEX with me when I heard that I could use it on my own camera and take pictures with it!  (Delivery should start in February 2015!!!)

So, I thought I would give my findings to Steve and all lovers of the A7 series.

Summary: I could see no or maybe a REALLY small amount of color cast in the corners ! (maybe it was only a tiny bit of vignette?) I could see no or maybe a REALLY tiny bit of vignette ! The sharpness is nice and NOT much mush in the corners ! I sold my 15mm M39 only 1 week before so I can tell you, that the differences are HUGE ! I will preorder it for my A7 the day it becomes available ! (depending on the price of course) No word on the price so far, but I ́m really looking forward to February 2015 and not only because I have my birthday there… ;-) Thx everyone and good night.

Ingo Schäder www.Fotoingo.com

Quick Samples below:

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Sep 192014
 

New Reviews on the Way! Leica X, Zeiss Touit 50 2.8, IBELUX 40mm f/0.85, more!

 

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Next week I should have a few new items in my hands for review. First up, the Leica X with the new 23 1.7 Summiulux ASPH lens. The X many of us have been asking for (though without the integrated EVF that we BEG for) with the faster glass and stunning Leica looks. How will it hold up? From early reports and images I think the image quality will be just as it always has been, pure Leica. Even the X1 and X2 have the Leica signature, so this one will have even more of it I think due to the lens. I will so a 1st look report as soon as it arrives to me.

Also coming in next week is the Zeiss Touit 50 2.8 for the E mount system as well as the Ibelux 40mm f/0.85 for the APS-C E-Mount system. Two lenses I am happy to test on my Sony A6000 as they are APS-C lenses.

The Ibelux 40mm f/0.85 for APS-C Sony E-Mount. What a killer lens for the Sony A6000! Click here to see more at B&H Photo on this lens. 

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Finally, the Lytro Illum is coming and that should be VERY interesting indeed. I reviewed the original LYTRO long ago HERE and was not a fan. I am hearing the new Illum is pretty good, but IMO, will still be very limited. Nice to see them pushing the technology though. Will report with a 1st look next week.

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I want to wish everyone here a happy weekend and be safe, be happy and get out there and shoot!

Sep 182014
 

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Re-Visiting the Canon Dream Lens, 50 f/0.95

When we choose and buy our cameras some of us fail to realize that the heart of our camera is not our sensor or the camera body itself, it is the lens. The lens is what makes the camera “see”..it is what delivers the image to the sensor..it is the eyeball of your camera. The better the lens, the sharper your image, the more correct and richer the color saturation and you will also have the least amount of distortions. Choosing the right lens for your camera is the same thing as a painter choosing the right brush for whatever job they are doing.

For example, if I want a nice portrait lens when I am shooting a Leica M, it is hard to go wrong with a 90 Summicron APO. if I want wide angle, there is the Voigtlander 15 or Leica WATE. When I want subject isolation , a 50mm Summilux or Noctiliux fits the bill. Each lens delivers a different look, this is a fact. Some lenses are soft, have distortions and issues, yet they can still create a nice image. Some lenses create sloppy or horrible bokeh and others will give you creamy bokeh that just melts. Again, choose the lens for what you are trying to achieve.

Lenses ARE the heart of your camera system yet so many of us skimp on the lens. I wonder why? Why am I babbling on about this? Well, it is a longish story but one that I am happy to tell because the lens I am talking about today is a special one, and even a controversial one at times, but it is a beautiful lens to me regardless. One of those lenses you pull out when you want THAT look that only it can give.

Over a year ago, in June of 2013, I wrote a review on a unique lens that had gained a cult following of sorts. A lens that was known for having a crazy “dream like” rendering when shot wide open at its uber fast aperture of f/0.95. Up there with lenses like the original Noctilux or the Canon 85 1.2L. The Canon was a lens that I never saw in the flesh but was wowed by in photos (sometimes) that were taken by others using the lens. It was a quality that I never saw in ANY other lens, cheap to crazy exotic. While a lens like the Leica Noctilux is technically superior to this “Dream Lens”, it can not do what this lens does and vice versa.

The Canon 50 0.95 “Dream Lens” was originally made for the Canon 7 Rangefinder film system of the 1960’s and 1970’s. The 50 f/0.95 was the super fast aperture solution when shooting the Canon 7, and when you look on E-Bay or classifieds for this lens today you will mainly see it in the Canon 7 Rangefinder mount which is unusable for Leica M shooters unless it is modified for M mount use.

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There have been a few of these 50 0.95’s sent in for a Leica M conversion and some have been done horribly bad, some have been done pretty nicely, and some have been done superbly, as in, they could not have done it better. Some have even added a 6 bit code to the lens so the digital Leica M will recognize it as a Noctilux and apply corrections. Pretty slick.

To those who own this lens in M mount, they usually adore it and most say they would never sell it. Because of this,  you do not see too many out there in great shape with a proper M mount conversion because if you do sell your mint M mount copy, chances are it will be very hard to find another just as good, ever. I should know, that is exactly what happened to me. After writing my review over a year ago I had a flood of e-mails offering me crazy money to buy my lens. I loved it and did not want to sell but I usually love money more than gear and get it when I can (money), especially if it ended up where I actually made a few bucks. So I sold my last version over a year ago which was an 8/9 out of 10 for condition, focus and IQ. It was so so good!

Of course, after I sold the lens I missed it within 2 days, even with $3500 in my bank account from the sale. I regretted that sale more than almost any other sale I have made in my photographic life. WHY? Not because this lens was such a technological marvel, or super sharp or up there with the likes of the Noctilux. Nope. I missed it because when I was shooting a 50 Lux the day after I realized I would never again have that special look that this lens gave me. In reality, this lens is a special effects lens when shot wide open and when shot from f/2 on it is like a normal fast lens but very sharp and with a very creamy draw. But it is the wide open use is what gave this jewel its nickname of Dream Lens. It renders the background into a dream like blur. A watercolor effect almost. It is pretty amazing IMO. As I said, nothing like it out there and to be able to use it on a Leica M or Sony A7, in full frame, as it was meant to be shot but with modern ISO capabilities..wow. Take a look at the Flickr page for the Dream Lens, which has been up for years and funny enough, was started by Ashwin Rao! LOADS of samples there that will show you what this lens does.

So yea, I missed it after I sold it. Damn! Even though my last copy sold for $3500, and I had a few who wanted it at that price, and even one offer at $4000 that came after I sold it, I still regretted the sale.

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So I started my search for another MINT copy

Since the last sale I kept an eye on e-bay and some classified sites searching for the perfect copy of this lens. I was picky. I was waiting patiently for the “one”, hopefully a 9/9.5 out of 10 and I wanted a hood, cap and 6-Bit coding. I was ready to pay up to $3k for one and did see some on E-bay from China that were selling for $2800-$3000 but was hard to trust those sellers as you never know just how the lens will be. Will the focus be spot on for the RF? Will it be clean without scratches or haze or fungus? It was a chance and shipping from China to the USA was a little risky, though it could have and most likely would have worked out fine. Still, I waited until I came across one that was either local or close to it.

Then I found one…

Then, as I was ready to lose patience and jump to buy a “92 out of 100″ rated dream lens on e-bay from a vendor in China I saw a a Facebook notification, as it was a sign.. it was a a post with images of a MINT M Mount Canon 50 0.95 with 6 bit coding. Hmmm. I even knew the guy, Jeff Warren, as he was at my last workshop in Nevada! He even lived in Los Angeles, a 5-6 hour drive from me. Jeff hinted that he MAY be selling in that Facebook post so I messaged him and we chatted, I thought for a bit and I bought it. He even sent it Fed Ex overnight, the same day, for no extra charge. I received the lens in less than 24 hours from the moment that I sent him the money via Paypal, 19 hours to be exact.

My main concern was that it would be off with the Rangefinder of the Leica because at 0.95 there is a VERY thin DOF. Any misfocus would be a nightmare as I have experienced first hand with a few fast lenses over the years.

Luckily it arrived and it looked amazing, a solid 9/10. The glass was/is perfect. No issues. I mounted it to the MM (no need for an adapter as this is M mount with 6 Bit) and fired away some shots. Perfecto! I mounted it to the A7s with a Voigtlander M to E adapter and even more WOW. Was so awesome shooting it on the A7s. Easy to focus with the large EVF and it felt really good on the A7s body. NOW THIS is a low light combo to dream for.

ULTRA THIN DOF at 0.95 – Sony A7s.  Some vignetting when used on the A7s at 0.95, that is the only issue. Look how TINY the in focus area is on the block wall. The rest is not lens softness, it is BOKEH, all out of focus due to the extremely small depth of field. 

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Regrets?

So after a couple of hours being happy as a newborn baby with a mouthful of milk I asked myself…”so, do you regret buying this for so much money“? My answer to myself was NO!! I was HAPPY, I was THRILLED, I was ECSTATIC. I told myself that I would not sell this one. But I have been here before, with many lenses that I swore I would never sell. None of them have tugged at me like this one though. Sure, I have owned them all – the Noctilux f/1 and 0.95, the SLR Magic 50 T 0.95 Hyperprime, the Mitakon Speedmaster and of course the Summicrons and Summilux lenses, which are all gorgeous and technically amazing. But this lens just does something special and while it is not an every day lens, it could be if you stopped it down to f/2 or f/2.8.

I am going to start using this lens with the A7s, MM and M in various locations and clubs shooting local live bands, which on many occasions shoot in near darkness to small crowds, ver small crowds. This is a lens that will do great things in these scenarios I think. I am also going to bring it out for certain portrait sessions, to add that extra flair and uniqueness that you do not see in many photos these days. I am not talking about just doing the whole shallow DOF Bokeh thing, but using it artistically and effectively.

I missed focus on this one with the A7s somehow, but I still like it :) A B&W filter was applied in processing.

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The fact is that this lens brings us a “draw” that no other lens does. Period. This lens is also pretty rare set up in an M mount with 6 Bit coding. It is even rarer to find this in a 9/10 condition. I am vowing to hang on to this lens!! Hehehe. We will see.

When I wrote about this lens in my 1st review I mainly used it with the M 240, which also rocks with this lens. Since I did that review with the M, I wanted to focus on using it with the A7s and Monochrom this time around, so this is what this article will be about.

The Canon 50 0.95 on the Sony A7s. I also have my JB grip on the camera as well as a ARTISAN OBSCURA sticky soft release.

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First up, the Sony A7s and the 50 0.95

With the new Sony A7 series, particularly the A7s (my fave of the three) this lens takes on a whole new world of possibilities. For one, this classic fast lens can now be used on a full frame mirrorless camera with integrated EVF and up to insane ISO’s. Much like the Mitakon I reviewed a while back, this lens will make the A7s a true king of the night. At f0.95 and ISO capability up to 100k usable, there will be no light that you can not shoot in, period. Add to that the moody possibilities and artistic weirdness that the Dream Lens puts out and you can create images that not many others can even get close to in style and flash. Of course, you have to know your stuff..know what you are doing, otherwise the images will look bad, even VERY bad.

But use your skill to its fullest and you can create some interesting images that are worthy of framing. Images that people will see and say “wow, how did you do that”.

When this lens is on the A7s using the Voigtlander close focus adapter you can focus in VERY close. MUCH closer than you can when using it on the M or MM. This is invaluable and will even make the dream lens MORE dreamy. It is true, when this lens was given the name “Dream Lens” it was for a reason. Just take a look at my original review to see some dreaminess with the M 240.

When I used this lens with my well used A7s, I think it was the best ever match for this lens, and the good news for A7 shooters is that you do not need to find the rare M mount version to use this on the A7. you can now buy a standard Canon 7 version of this lens, of which they are plentiful on e-bay, and use a canon 50 0.95 to E mount adapter. This can save you about $1,000 when buying the lens if you only want to use it on a Sony A7 body.

After realizing this, I started to really realize how special the Sony A7 series is. I mean, I knew it was already but there is no other full frame system out there that can do what the A7 series does, especially the A7s. This is the 1st ever camera, full frame, that will allow you to use this Dream Lens and even use it with close focusing, AND nail focus due to the critical focus you can achieve with the EVF and magnification.

I love this on my MM and M but for the ultimate Dream Lens experience I think it should be shot on an A7s. End of story. After using it with the A7s I wanted to carve my name in the side to assure I never am tempted to sell it for some quick cash. :) I did not do this of course but I have to say, I love this lens. Below are some images with it on the Sony A7s.

All images below are from the Sony A7s and Canon 50 0.95, WIDE OPEN. You must click on the images  to see them larger and in the correct way. If you do not, you will not see  them the way they were meant to be seen.

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As you can see this lens can perform well on the Sony A7s, in daylight or in darkness. In fact, I prefer it to the original Leica Noctilux f/1. It is sharper at the focus point and has a nicer draw for my tastes. It is also easier to hold and balance on the camera. The more I use this lens on the A7s and Leica cameras, the more I realize just how special of a lens it is. At the average cost of $3-$3500, it is a great lens to add to your collection if the look and capabilities it can offer are to your liking.

Using this lens on the MonochromSAMSUNG CSC

On the Leica MM this lens is a wonderful match as is any classic lens. I feel the Mono is at its best with classic glass over modern analytical glass and this Dream lens helps to round it all out. The IQ is stunning and while not like a Noctilux 0.95 in perfection it has its own Mojo going on that can not be denied.

Before I keep on going on about my love for this lens, I will say that not everyone will like this lens. Some will HATE it. Many like what I call “The Summicron Look”, which is clean, crisp, sharp and even. Many who love that look HATE the look of the Canon Dream Lens. They will say the Bokeh is awful and busy and the lens is soft (it is not soft though). So before you even think about this lens,make sure you LOVE what it does because if you do not then you will tire of it.

With that out of the way, using it on the MM is quite lovely. You lose the closer focusing of the A7s but you are shooting in pure B&W and this lens loves B&W. It has a nice micro contrast  that is gentle and allows your subject to pop while the edges and background just melt away into a fantasy land. Wide open it is quite crazy. Stopped down it is nice and smooth.

The main issue with users of the Leica M or MM is you want to make sure the M mount Dream Lens you find/buy is good with your cameras RF. Many old lenses are off, and if your lens or your camera is off just a hair, the lens will be a challenge to focus. If possible, test the lens before buying, which in 99% of cases is impossible I know.

The B&W from the MM and this lens is richer than the A7s with B&W. It’s a whole different style of shooting as well, much different. RF shooting is something that will be rewarding when you get out there and get those shots using manual focus and manual controls.

Below are a few shots with this lens on the Monochrom.

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Getting the most from the Dream Lens requires a few things..

If you choose to buy or use this lens or even if you have one and are thinking, “My shots do not look that good, mine are low in contrast and softer and do not pop like these”, then read on as I will tell you how to get this look from this lens. The Canon 50 0.95 lens is a lens with lower contrast than most modern lenses so when you process the photos you must do a couple of things to bring out the goodness in the files :)

First, PLEASE shoot RAW. This is not an OOC JPEG type of lens. For you to get the best from it you need to bump the contrast and add some sharpening as well. I shoot RAW and when processing the RAW file I bump the contrast slider up until it looks good without going overboard. I also mess with the shadow slider to bring out shadows that were covered by the contrast slider. I may also tweak the highlight slider if needed. Add some sharpening and convert that file to a JPEG. That is all you have to do, but when you do it take s an OK image and makes it into one that will be much nicer looking. To those who complain about this lens saying it is soft, low contrast, or has issues..well, you either have a bad copy or are not using it correctly. I recently saw a comment on a popular forum that was a reply to someone asking about this lens..the reply? ” that lens sucks. A coke bottle would give you better images at f/0.95. It was mostly a bragging rights lens by Canon that was made especially for the bling-bling gold Rolex watch, silicon boobs, Lamborghini owners. My thing is bigger than your thing kind of thing……..” 

It is safe to say that this person had no clue as to what they were talking about. :) The lens is beautiful and sharp even wide open. In fact, I find it sharper wide open than the original Leica Noctilux F/1.

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My Original video on the Canon Dream Lens

I did a video over a year ago on this lens with my thoughts on it back then. If you missed it, take a look below:

Final Word on the Dream Lens

I will tell you what I told you over a year ago HERE in my original review…

If you lust after this lens, BUY ONE if you can find one in great shape. Prices have went up and will continue to go up. Mark my words. In two to three years this lens will be hovering around $5k for an M mount, mint, with cap and hood, 6 Bit coded, maybe more than that in 3-5 years. It offers just as much fun as the Noctilux 0.95 with more uniqueness for 1/3 the cost, 2/3 the size and 1/2 the weight. For me it even beats the old Noctilux f/1, which Leica created due to this very lens.

If you shoot a Sony A7 series camera it is so good on these bodies, a truly drool and lust worthy piece. If you shoot an M you can use live view for critical focus and on the MM it is a beauty. But do not expect perfection, not at all. This lens is not about being perfect. It has some vignetting, it can be soft looking if you mis focus and  the contrast can be slightly low if you do not tweak it. What makes this lens so sought after is the Bokeh, which is unlike any other lens ever made. You can really make some images that are very painterly with this guy.

At the current price of around $3200 for a mint M mount copy they will not be heading down or getting cheaper. If you like the look of the images here, in my original review, or on the Flickr group then this  is the only lens that will give it to you. Happy Hunting and if you own this lens, leave a comment letting us know how you like it, how you shoot it and what you shoot it on! Thanks everyone!

Steve

PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Sep 162014
 

New Voigtlander lenses for M mount and Micro 4/3!

Pre Order Links – $100 deposit at Cameraquest:

The new 35 1.7 in Black - and in Chrome

The 40 2.8

The 15 4.5 III

and the 10.5 0.95 for M 4/3

 

Photokina is the gift that just keeps on giving. Today Voigtlander announced the new 35 1.7 Ultron lens in VM mount (Leica). This is yet ANOTHER fast 35mm option for Leica M or Sony A7 users. HOW SWEET IT IS! The cool thing is that the Voigtlander lenses are just as well made as the Zeiss lenses and offer image quality that may not equal Zeiss or Leica but is still VERY nice. Take a look at the new 35 1.7 Ultron VM, which looks similar to the amazing 50 1.5 that I reviewed a while back.

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There is also a new version of the 15mm Heliar that I love so much, the new VM Heliar 15 II. No pic yet but will have one soon. Finally, another new Leica M mount lens from Voigtlander will be the 40mm 2.8 Heliar pancake lens, a slim and gorgeous retro design. So three new Leica mount lenses from Voigtlander! Woohoo!

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In addition, there is a new Voigtlander 10.5mm f/0.95 for Micro 4/3 which will give you a 20mm 0.95 equivalent (and yes this is a 0.95 lens and has 0.95 light gathering ability, period). This kind of puts a dent in the new SLR Magic 10mm T 2.1 by upping the ante to f/0.95.

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You can pre-order these lenses at my Voigtlander recommended dealers, CAMERAQUEST.COM. They should have them listed today. I will be reviewing these new VM lenses for sure! Not sure of pricing just yet, but Voigtlander is always reasonable.

You can also buy Voigtlander at B&H Photo HERE.

Sep 162014
 

A closer look at the new Olympus 40-150 F/2.8 Pro Zoom (Video)

or..everything you wanted to know about the new Olympus 40-150 2.8 Pro Zoom but did not know who to ask :) Check out the video below to see all you could want to know on the new Olympus 40-150 Zoom lens. Olympus glass/fast primes are so so good, up there with Leica IMO. This lens will KILL on an OMD body.

You can pre-order it at Amazon HERE. B&H Photo has it as well HERE.  PopFlash.com also sells this lens HERE.

Sep 162014
 

My top 3 Lusted after Leica items from Photokina 2014

So for me it is the morning after. It is 8Am here in Sunny Phx, AZ and I was up late last night checking out all of the new Leica releases. In fact, Leica has released more than 40 new items and while many are accessories such as cases and bags, many of these were serious releases! Leica has been hard at work creating a range of cameras to fit almost everyone’s tastes and yes, even budget. The stars of the newly announced Leica lineup for me are the new X Typ 113, the M-A, the D-Lux and the new Summarit lenses, which I think will be pretty sweet.

My #1 Lusted after Item announced for Leica?

The new Zeiss 35 1.4 Distagon Zm lens – More details HERE

Of course, my #1 most lusted after item that was announced FOR Leica M is the new Ziess 35 1.4 ZM lens. Zeiss is sort of hyping this guy as the best 35mm for the M system and at $2250, it is less than half the cost of the 35 Summilux FLE. I have always had a soft spot for the Zeiss ZM line and while they are not made in Germany, they are made in Japan and the quality of these lenses are of superb quality when it comes to IQ. In fact, I prefer the little 50 Zeiss ZM Planar to the classic 50 Summicron in image rendering, color, pop, bokeh and overall look/feel. The build of the Leica is better but at less than half the price, the Zeiss Zm 50 is so so so good. Many Zeiss ZM lenses are the “goto” for Leica shooters and this new 35 1.4 looks AMAZING. I will be buying one without question for use on my A7s and Leica camera bodies.

So yes, for me, this is the item I most want for my own personal use. You can pre-order the Zeiss Distagon 35 1.4 at B&H Photo in BLACK or SILVER

 

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My #2 most Lusted after item announced FROM Leica?

The new X Typ 113 with 23 1.7 Summilux

I have to admit, I am not a film guy anymore due to costs, time, and all of that stuff we associate with film shooting. Today, for me, digital is just too convenient and too good. So while I LOVE the new M-A film release, and would own one in a heartbeat if it were 1979 or if it were $1500, for me it is just not feasible. It is a beauty for sure but just would not fit for my personal use. I am happy with my M, MM and A7s.

I am also extremely pleased that Leica released the M 60 Years edition. No LCD, and a cool Audi design. This is what Leica is all about. Simplicity, beauty, passion. Gone will be the chimping, the stress, the wondering “did I get the focus right”. Nope, you will not know until you see your shots. God forbid your RF goes out, then you are screwed. In fact, without any EVF or LCD, this would be my #1 concern of the this new limited edition Leica. I have had quite a few RF’s go out of whack over the years and without a way to check them while shooting, I am not sure I would want to do an important job with this one. Still, I LOVE THE CONCEPT and IDEA and would love to own one. At $18,500 it is out of my league but I hope to be able to see one someday :) It’s a beauty and I am sure will be sitting on the shelves of quite a few collectors. B&H has it listed here for $18,500 but you do get the stainless steel 35 Summilux lens, which is a collector in itself and will only go up in value. If one bought this set and kept it for 10 years it could probably be sold for $25k and up.

But even so, neither the MA or the M 60 are in my #2 spot. 

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Instead it is the new X Type 113. With the new Summilux f 1.7 lens, this is finally the X that should have been from day one. While Leica is keeping the X2 (disguised as the new XE) the X 113 is where it is at. It is small, beautiful, and now with a fast 35mm equivalent lens it will bring you that Leica IQ and lens quality all in a sweet small gorgeous package. At $2295 it is not cheap but hey, it is a real Leica. Not a rebadged Panasonic. I can imagine my camera set as the Leica M-P, Leica MM, Sony A7s and the X 113. I would use them all on different days and occasions. Overkill? Sure, but it is my passion and for me you can never have too many cameras! The one drawback of the new X? NO EVF! It seems Leica will NEVER learn that putting a nice viewfinder in their smaller cameras is very beneficial. DROP this externals and go internal Leica. Even without the EVF, the camera is beautiful but the lens makes it for me.

You can pre-order the X Typ 113 in BLACK or  SILVER

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My #3 most lusted after item announced from Leica?

Easy. The new line of Summarit lenses. These little guys look so gorgeous, especially in silver! They remind me of some of the classics in design and look and Leica also states that the lenses have been improved and rehauled giving nicer image quality and a SLIGHTLY faster aperture that creeps into Summicron territory. I mean, look how gorgeous and tiny the 50 Summarit looks!

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I have always been a fan of the Summarit line and in fact, the 35 Summarit is one of Leicas best 35’s IMO! It has the most pleasing Bokeh and has a mix of classic and modern in its rendering. I hope the new version is just as good but it should be better. I may have to pick up the 50 and 90 in this line as the price is right (for Leica) and the size is small, and they just feel “right”. As I get older I am starting to appreciate lenses like this more and more. I am moving away from the ultimate speed (except for the Zeiss 35 1.4 which will be amazing) and also enjoy lenses like this these days. I appreciate small size above all, as long as the quality is there. These lenses fit the bill and they come in at 35, 50, 75 and 90 so it covers quite a large range.

I am sure I will pick up one or two of these in Silver as I think they will do quite well on my silver Monochrom :)

You can pre-order at B&H photo HERE.

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While many have written off Leica over the years, even as early as a few months ago, they appear to be going on full steam ahead. Strong, with a plan and on a mission to provide many options for those who want to get into the brand. Just a few years ago it was just the M8 or M9 with the Panasonic made D-Lux series. Then came the X1 when Leica wanted to expand out to a larger audience, and it worked. Then came the S2, then the floodgates opened and out poured the X2, X Vario, M 240, Monochrom. Now we have all kinds of offerings from Leica. The M, The MM, the D-Lux series, the V-Lux series, the X series and even the T series. Of course the special editions and the film offering as well.

Leica is growing and showing all of those who wrote them off years ago that they are here to stay for the long haul. They have been here for over 100 years and plan on being here for another 100.

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My #4 most lusted after Leica item is the new D-Lux. It is actually the same cameras as the Panasonic LX100 that I have already written about but the Leica version looks bad ass. Of course we get the Leica styling, the red dot, the Lightroom software and the longer warranty with the Leica, which comes in at $300 more than the Panasonic version. For me, well worth it for the better styling, the name/resale value, the software and the warranty. Actually, $300 more for the Leica is not bad at all and a no brainer for any enthusiast or hobbyist. It is not a made in Germany Leica but you do get the extras that make it worth it. It is the same camera, same lens and made in the same factory as the LX100 but it is the Leica version, so we all know how that goes as it has been going on for years and years now, ever since the original Digilux 1. and Digilux 2.

At $1195 this will make for a high end super quality P&S. Housing a 4/3 sensor it will provide images that are not possible with the smaller 1″ sensor cameras.

You can order the new D-Lux HERE. 

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LEICA DEALERS I RECOMMEND:

Ken Hansen (E-Mail him at [email protected])

PopFlash.com

The Pro Shop

B&H Photo

Sep 162014
 

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Photokina Leica Announcements. The Mother load.

Many new products from Leica announced. Wow!

Well today Leica has announced TONS of new products at Photokina. This is the largest release announcement of the show with new lenses, new cameras and all kinds of accessories. I am not going to list every single item as many of them are just cases or simple accessories but I will talk about the meat and potatoes of the announcements and some of them have been rumored for months, others not so much. For me, Leica has really come through with some cool pieces here, even the newly revamped Summarit line of lenses. I am looking forward to reviewing the new X, the new D-Lux and even the new S. I will also be taking a look at the new Summarit line as well as the new Zeiss ZM 35 1.4 if that is indeed a reality.

NEW LEICA CAMERAS

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Leica has brought us new cameras for this Photokina. How about a Leica M 60 Edition (for 60 years of the M) that does not include a rear LCD. Nope, no chimping allowed here! It is basically an M 240 without the LCD on the back. $18,500 with a 35 Summilux  stainless steel lens. Ouch. LIMITED TO 600 SETS WORLDWIDE!

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Leica also released quite the selection from the V-Lux to the D-Lux to the new X type, TWO S cameras, the S and S-E, and the new film M-A camera. The new X will be like the X1/X2 but it also gets a speed increase with a 23mm f/1.7 Summilux lens! Gone is the f/2.8 lens of the X1 and X2, Leica did what they needed to do with this one and brought along a Summilux with some speed to the new X. A VERY WELCOME addition!. Leica means business at Photokina time and this year is no exception. They are obviously pushing full steam ahead and bringing more and more options in all kinds of price ranges. The new V-Lux will appeal to a certain crowd and the D-Lux will be just like the Panasonic LX100, but with a pretty Leica shell, warranty and software :) I feel the LX100 and Leica D-Lux will be a pretty special camera, a future classic if you will.

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I will do separate posts once more details are provided on each major release so keep an eye out here all week for news on the new stuff!

ALL links below go to more info on each item, photos and pre-order options at B&H PHOTO!

The Leica M  – 60 Year Edition – M 240 with no LCD on the back! – $18,500 LLIMITED EDITION SET WITH 35 SUMMILUX FLE IN STAINLESS STEEL!

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The Leica M-A in Black  –  The Leica M-A in Silver

The Leica X Typ 113 IN BLACK  –  The Leica X Type 113 in Silver 

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The Leica V-Lux Typ 114

The Leica D-Lux Typ 109 – Panasonic LX100 Leica version, $1195.

The Leica S Typ 007

The Leica S-E Typ 006

The Leica X-E – Basically this is an X2 in a new color/shell

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NEW LEICA M LENSES

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Leica has announced some new surprises, like the all Silver Noctilux (I have seen one and it is gorgeous) and the silver 35 Summilux. The question is, will they be HEAVY like the old silver versions or will the be lighter, or the same? If the Noct is heavier it will be a problem :) Still, it is cool for Leica to offer these options. The new Summarit line also arrives with a refresh and a tad faster speed going from f/2.5 to f/2.4. The entire Summarit range has gotten the boost from the 35 to the 90.

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ALL links below go to more info on each item, photos and pre-order options at B&H PHOTO!

The Noctilux 50 f/0.95 in SILVER

The 35 Summilux FLE in SILVER

The new Leica Summarit 35 f/2.4 in BLACK, or in SILVER

The new Leica Summarit 50 f/2.4 in BLACK or in SILVER

The new Leica Summarit 75 f/2.4 in BLACK or SILVER

The new Leica Summarit 90 f/2.4 in BLACK or SILVER

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NEW LEICA T LENSES

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The Leica T is a camera I thoroughly enjoyed. It has the Leica vibe going on but in a modern kind of apple way. Many trashed it but I saw through the hubbub and discovered that it really was a true Leica at heart. It stands for simplicity, IQ, small size and amazing quality of build, feel and pictures. The two new lenses below are kind of stinky. Slow zooms yet again, so not sure where Leica is headed with the T but many that I know use it with their M lenses, so maybe that is why Leica is just releasing more zooms. I do know a fast prime is coming later :)

Super-Vario-Elmar-T 11-23 f/3.5-4.5 ASPH

APO-Vario-ELmar-T 55-135 f/3.5-4.5 ASPH

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NEW ZEISS ZM LENS FOR LEICA M

The Zeiss 35 1.4 ZM lens, WOW!! This one will come in at $2250 but that is less than half of the Leica 35 Summilux FLE. I am sure this will have the typical Zeiss pop, color, warmth and rendering. I will call it ALL MINE! I love almost all of the Zeiss ZM glass preferring some of it to the Leica counterparts. This lens will be gorgeous, and also the most pricey of the ZM standard lenses.

New Voigtlander lenses for M mount 

Pre Order Links – $100 deposit at Cameraquest:

The new 35 1.7 in Black - and in Chrome

The 40 2.8

The 15 4.5 III

and the 10.5 0.95 for M 4/3

 

Photokina is the gift that just keeps on giving. Today Voigtlander announced the new 35 1.7 Ultron lens in VM mount (Leica). This is yet ANOTHER fast 35mm option for Leica M or Sony A7 users. HOW SWEET IT IS! The cool thing is that the Voigtlander lenses are just as well made as the Zeiss lenses and offer image quality that may not equal Zeiss or Leica but is still VERY nice. Take a look at the new 35 1.7 Ultron VM, which looks similar to the amazing 50 1.5 that I reviewed a while back.

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There is also a new version of the 15mm Heliar that I love so much, the new VM Heliar 15 II. No pic yet but will have one soon. Finally, another new Leica M mount lens from Voigtlander will be the 40mm 2.8 Heliar pancake lens, a slim and gorgeous retro design. So three new Leica mount lenses from Voigtlander! Woohoo!

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You can pre-order these lenses at my Voigtlander recommended dealers, CAMERAQUEST.COM. I will be reviewing these new VM lenses for sure! Not sure of pricing just yet, but Voigtlander is always reasonable.

You can also buy Voigtlander at B&H Photo HERE.

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LEICA DEALERS I RECOMMEND:

Ken Hansen (E-Mail him at [email protected])

PopFlash.com

The Pro Shop

B&H Photo

CameraQuest.com for Voigtlander

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

Outside of the USA? Use my worldwide Amazon links HERE!

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

Sep 152014
 

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Black & White with the Sony A7s, Leica Monochrom and Cheap lenses!

There is a beauty to B&W that is oftentimes not seen in color. Sure, there is place for color photography as our own vision is in color, this is how we see but there is something classic about B&W that just pulls at the heartstrings for many of us. When I was growing up the big thing was Polaroid cameras and instant film. Even 110 cameras and those silly disc cameras with disc film were in. There was NOTHING quite like what we have today and photography, while well-loved by so many back then, was not practiced nearly as much as it is today.

The Sony A7s with the Voigtlander 15 f/4.5. For ANY Leica Monochrome or Sony A7s shooter, his lens is a MUST own. It does well on color on the A7s as well. One of my faves. At $599 shipped, you can not go wrong for those times when you want wide-angle on your full frame. 

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With so many color filled images on Facebook and in all of the social circles I have become quite fond of pure, simple B&W photography.

Yesterday I went out to shoot some portraits of my (soon to be) stepdaughter Katie. I brought along my Monochrom, a Sony A7s and even a Mamiya 645 with Leaf Credo 40 back (have it for testing now) and the HoldFast Money Maker and Roamographer bag I just reviewed. I have to say, this Sony A7s just keeps on impressing the hell out of me. Seriously. It seems there is NOTHING it can  not do. From ultra low light to super bright light. From rich color to pleasing B&W. From using Sony FE lenses to using Leica mount lenses. It just seems to do it all, very well. I won’t even get into the video aspect, which is its main feature.

Even the 85mm f/2 Jupiter 9 that I paid $80 for is a fun lens. This is another Russian Leica screw mount lens and while it is a bit soft wide open it is well worth the cost for when you want a soft look. Sony A7s.

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For me, so far, the Sony A7s has been the best camera release of the year. Even with all of the new stuff at Photokina, so far, nothing has gotten me more than the A7s in 2014. I was shooting it yesterday with a $30 Jupiter 8 lens I picked up locally, which is a Russian Leica Screw mount 50 f/2. Yes, $30. How can ANY $30 lens be any good? Well, it may not be anything like a Leica or Zeiss 50 but it has its charms for sure.

Below is an image I shot with the A7s and Jupiter 8 lens, wide open at f/2. For $30 it can render a beautiful soft image. This was shot on the Sony A7s.

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As I mentioned earlier, I also brought along the Leica Monochrom, which for me is an instant classic. I feel Leica will release a new Monochrome in a year or two based on the M240 or whatever the next M will be. If they do, it will not be like the current monochrome due to the CCD sensor. Again, as with the M9 vs M 240, there will be fans of each model. The Monochrom has something about it that makes you just want to use it, shoot it and LOVE it. Is it worth $8,000? No. But it is a wonderful camera to own and use and it has results that can be superb, depending on the lenses you use with it.

The Leica Monochrom with Voigtlander 15 (cropped)

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The MM is simple in its design, it is an M after all. It has simple menus, basic settings, and is small yet very sturdy and solid. Many scoff at buying a camera that can only do B&W but if you love pure and true B&W imaging and have a true passion for it, there is no other alternative. For me it is like having a Leica film camera loaded with every B&W film type on the market and then some. You can dial in any look you want from Tri-X to Neopan to Delta.

The Leica MM with the Voigtlander 15 – cropped

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So how much difference is there between a file from the Sony A7s and Leica Monochrom when both are done in B&W? Well, the Monochrom will have much more fine detail for super large prints and a more subtle shift of grey tones throughout but the A7s is also very nice with B&W imaging. For the images here I used VSCO filters for ALL of the images so they will all have a similar signature and look. Without those filters the differences are more pronounced with the Monochrom giving a deeper range of grey tones to the image. But I have to hand it to the A7s. It rocks with color or B&W. Daytime or night use. But I still love my Leica MM! Also, use it with some great lenses and it will really strut its stuff.

You must click on these images to see them correctly and larger/better quality. This one is a full wide image from the MM and 15.

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For this shoot I used not only the Voigtlander and the Russian glass, I also use the Sony/Zeiss 55 1.8 which is a fantastic lens. Contrasty, sharp even when wide open and has Auto Focus so you do not have to be critical with your eyeball :) Both images below were with the A7s and 55 1.8 lens.

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So while B&W may not be everyone’s cup of tea, I love it. For me it pays homage to Photography’s past while also allowing a purity to come through. No white balance to worry about, no color shifts, no problems. Just pure. simple. photography. I would like to thanks my model, Katie Casey for her time and patience with me while I tried to manually focus those old lenses in the 100 degree heat :)

You will notice I did not include any images from the Leaf Credo/Mamiya system. I shot about 20 images with that setup yesterday and it was a BEAST. Heavy, cumbersome, large and loud.

 With that said, here is one from the Leaf setup though the shadow of my head ruined the shot:

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and again, the similar shot with the A7s and $30 Jupiter lens which shows the soft Jupiter signature:

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You can read my full Sony A7s review HERE or buy one HERE at Amazon or at B&H Photo HERE.

You can read my full four-part Leica MM review HERE, see my gallery HERE or buy one at Ken Hansen ([email protected]), PopFlash.com, Leica Store Miami or Pro Shop. Also at B&H Photo or Amazon.

Sep 152014
 

Photokina! New mirrorless releases from Canon, Panasonic, Olympus, and more!

Photokina is upon us and today there were loads of cameras and lenses announced today from many of the usual suspects. It seems that Canon and Panasonic are jumping on the Sony RX100 bandwagon but Panasonic did it right by making an RX100 style camera but with a full on 4/3 sensor inside which means this guy will deliver the best quality in a compact camera! So far it is my favorite Photokina release (but that silver E-M1 is gorgeous, making it my #2 fave) but there is more to come. Let’s take a look at the cool stuff being announced today!

PANASONIC

The LX100 Compact powerhouse!

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The LX100 that has been rumored forever is now official. The 1st of the so called RX100 clones (even keeping the 100 name) this one is quite nice and will present a challenge to the Sony pocket cam. Basically this little guy has a Leica/Panasonic 24-70 equivalent f 1.7-2.8 lens, 4K video, solid build, great looks, a built-in EVF and wonderful ergonomics and control. It is easy to see that this one will be popular without question.

Coming in at $899 you can pre-order it at B&H Photo HERE.  

I see this as a direct hit to the RX100III but with a larger sensor and LARGER body as well of course.  Wi-Fi, NFC and manual control rings round off this polished looking offering from Panasonic.

Amazon is also taking pre-orders for the LX100.

Even though the LX100 is priced at $899, which may be a little bit high, it is priced appropriately to the RX100III due to the larger sensor. As you can see in the image below of the camera, it is larger than a Sony RX100 but it is still rather compact. This will deliver 4/3 quality in a solid, modern, stylish and usable lens range camera. It has it most of what everyone needs and I see it as a perfect take anywhere, vacation, kids and everyday life camera. With 4K video there is not much this guy can not do (besides long telephoto of course).  An instant winner here IMO and even has ISO up to 25k!

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The Panasonic GM5

Panasonic also released the GM5, a super compact micro 4/3 camera much like the old GM1. From B&H Photo: It features a similar magnesium-alloy body as the GM1, but replaces the pop-up flash with a 1,166k-dot electronic viewfinder, as well as a hot-shoe mount, creating a more full-featured camera system. The GM5 also features a 16-megapixel Digital Live MOS sensor and Venus Engine image processor to produce detailed still images and a heighted sensitivity up to ISO 25600. It is also capable of recording Full HD video at 60 fps.

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The GM5 is a TINY, attractive and useful powerhouse as it is pocketable but also will take any micro 4/3 lens available. If you want SMALL and a TRUE “Micro” 4/3 then be on the lookout for the GM5.

You can pre-order it at B&H Photo for $899 with a 12-32 (24-68) kit lens.

This guy with the 20 1.7 II would make for a great compact camera that would provide beautiful IQ and video.

Amazon also is taking pre-orders for the GM5.

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CANON

The 7D MARK II AND G7X has arrived.

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Canon has released a new 7D Mark II which for me is a YAWN. The 7D is fantastic but as you guys know I am not a DSLR guy. I could fake it and act like I am just to make affiliate sales but hey, I have to be honest. After using cameras such as all of the mirrorless option these days, DSLR’s have become un-necessary. I have done pro work with my Leica’s, with my Sony A7s and with my E-M1 and never did I wish for a DSLR. So yes, Canon released the 7DII but I am going to talk about the G7X which is yet ANOTHER camera from Canon that is 3 years behind the times. It seems that Canon just can not be innovative in the small pocket cam or mirrorless area. They want to keep their DSLR sales strong so they are afraid to release anything revolutionary (like Sony is doing many times per year). Instead they copy others and release little flops like the EOS M. This time it is an RX100 copy in the form of a G7X.

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The G7X comes in at $699 but has a 1″ sensor like the Sony RX100 and Nikon 1 series cameras. Already the Panasonic above beats the Canon for sensor size. The lens has more reach at 24-100 but does not have the “Leica” name attached to it. No 4K video but it does have 1080 video on board. No EVF. BASICALLY IT IS a Sony RX100 in disguise as a Canon. Not really, but for me, nothing exciting. I would pay the $200 more and buy the Panasonic in a NANO second over the Canon.

You can pre-order the Canon G7X here at B&H Photo if you just love Canon :) 

Amazon is also taking pre-orders for the G7X HERE.

OLYMPUS

The new Silver E-M1

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Olympus did not create a new E-M2 powerhouse (and frankly, I am glad they didn’t as the E-M1 is still a massive powerhouse of a camera that is capable of APS-C quality) but they did upgrade the E-M1 firmware with new features as well as release a pimped out version in Silver and black. Many have been asking why they did not originally create the E-M1 in silver like they did with the E-M5 and now Olympus has created it! I have to say, it looks mighty sharp in silver! I am a huge fan of the E-m1 and if for some reason you missed my old review of it you can see it here. 

The new firmware is pre-loaded onto the Silver E-M1 so right out of the box you get all of the new benefits and features. For those who already own an E-M1 there will be a firmware download so you too can benefit from the new features. So what are the new features?

“Features for improved performance include improved EVF display time lag. The display time lag has been reduced to 16 msec when the frame rate has been set to high-speed. New Photo Story themes “Zoom In/Out” and “Layout” have been added. The addition of a hold function has also made it possible to temporarily save a photo story while shooting, and complete it, later. Live Guide makes it possible to layer on multiple effects simultaneously*. Remote shooting features in the OI.Share™ App have been further advanced, with the addition of a self-timer sequential and interval shooting, allowing for rich variations in movement and expression. A new Scene Mode “Panning” allows you to set the optimal shutter speed automatically to match the movements of an object. “Shade” Art Effect inserts bands of shading on the left and right side of the image (or top and bottom) for a sense of wideness. A new Movie Effect “Old Film” turns your videos into flickering images with noise, scratches and dust, for the vintage look of old movies shot on film.”

em1silver2Firmware Upgrade Availability
Firmware Version 2.0 is pre-installed on the Olympus OM-D E-M1 silver model. Existing OM-D E-M1 camera owners can also enjoy the features of this new firmware by upgrading their camera using Olympus Viewer software.

U.S. Pricing and Availability
The OM-D E-M1 in Silver will be available in September 2014.
Estimated Street Price: $1,399.99

You can pre-order the Silver E-M1 at B&H Photo HERE

Also at Amazon HERE. This one ships THIS month! PopFlash.com also will have the new silver E-M1! 

The new 40-150 Pro f/2.8 Lens

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Olympus has also finally released the new 40-150 Pro Zoom! This long-awaited zoom lens has been in the works for a long time now and will round out the systems pro zoom category which also includes the new 7-14 f/2.8. The 12-40 is already known to be an amazing zoom lens and now the 40-150 will give you some reach, at the expense of size and $$$. IT IS NOT CHEAP AT $1,499.00 but those who know the quality of Olympus pro glass will know that this is well worth it. For those telephoto shooters out there who own a Micro 4/3 camera, it will not get any better than this. YES this is a 40-150 f/2.8 zoom, bringing you a 80-300 equivalent! NOW THIS is an amazing lens!

You can pre-order the 40-150 f/2.8 pro zoom lens at B&H Photo HERE 

PopFlash.com is also an Olympus dealer, and a site sponsor!

SONY

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Sony has announced today the new wide angle FE mount (full frame E mount) 16-35 f/4 OSS lens, something many have been waiting for. This one will fill your wide angle needs for the A7 system and comes in at $1349.

You can pre-order it at B&H Photo HERE.

Amazon is also taking pre-orders HERE!

Wide-range zoom lens designed for full-frame FE-mount cameras

Constant f/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions

Features a circular that, through the use of curved blades, keeps the aperture almost perfectly circular from its wide-open setting to when it is closed for smoother, more natural defocusing highlights

Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting

Five aspherical elements, including one AA (advanced aspherical) element, and three ED elements helps to reduce chromatic aberrations throughout the zoom range while also maintaining a compact form-factor

Carl Zeiss T* anti-reflective coating enhances contrast, clarity, and color reproduction by countering the effects of lens flare and ghosting

Only the middle groups of the optical system move to achieve focus, so the overall length of the lens does not change when focusing. Also, the filter thread at the front of the lens does not rotate, which is convenient when using a polarizing filter

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So there are my fave releases today. For me Canon was the biggest disappointment. They have the funds and ability to create something extraordinary but they never ever seem to do it. They are happy sticking to their DSLR model. Same with Nikon. Nothing exciting at all from them besides the D750 DSLR. No real innovation from the two “Big Guns”. Sony has been constantly releasing new exciting products, Olympus has been keeping the momentum going with amazing lenses and Leica, well, they have yet to make their full announcements but I think we will hear from them by tomorrow.

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SAMSUNG

oops, I almost forgot the NX1

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Samsung has announced the NX1, their flagship mirrorless coming in at A WHOPPING $2799 with kit lens but that one leaves me scratching my head. The price is out there IMO. I will say that the ‘kit” lens seems more like a pro lens with a 16-50 range and a variable aperture starting out at f/2 and going to f/2.8. Still, $2799 for the set is a bit much I think. It looks like a DSLR, the lens is huge and for the money I would take the fantastic Canon 6D with a 24-105 for the full frame performance. I reviewed the 6D and loved the IQ and usability, just hated the weight with those big L lenses, but the quality is stunning. I am finding it hard to see how Samsung can sell this for $2799 with lens. Seems overpriced to me. It may be a stellar camera but not sure how many will plunk down that kind of cash to SWITCH systems. I think only some the current Samsung base will go for it.

Amazon is also taking pre-orders HERE.

Sep 152014
 

holdfast

HoldFast Gear: The Roamographer Bag and Money Maker strap

To see all of these goodies in more detail, check out HOLDFASTGEAR.COM!

A couple of weeks back I received a message from Matthew Swaggart, the owner of HoldFast Gear. He asked if I would like to review their Roamographer bag, small lens pouch and Money Maker strap system. I knew of HoldFast and knew that they sold only uber high quality and functional gear that also looked fantastic. All leather, all quality hardware and based right here in the USA.

I told Matthew to send me whatever he wanted me to  take a look at and a few days later I received a package containing the new Roamographer bag in Great American Bison Leather, a Navy lens pouch bag and the Money Maker strap in Water Buffalo Tan. When I took everything out of the box I was in awe of the quality. The last time I was this pleased with the quality of an accessory was when I wrote about the Wotancraft bags recently. Like the Wotancraft bag, the HoldFast Roamographer just oozes quality and workmanship.

BUT beware! It is a LARGE bag. This is not a tiny mirrorless system bag, not at all. This is a full-fledged large carry all bag, or what I like to call a “travel bag” as it is one I would personally use for traveling or large jobs, just like the one I did yesterday. It even has a super nice hang tag called the “luggage tag wallet” that can hold your phone, cards, ID, etc that can be added to it (or it can be used alone). When I say it oozes quality, I really mean it. This is up there with the best I have seen, even equaling bags I in the $1200 range. So if you are someone who loves function and style and quality craftsmanship, I am telling you now that you MUST take a look over at the HoldFast site because they offers some of the most unique accessories for photographers that I have ever seen. Gear for pros such as wedding shooters, sports shooters, portrait shooters and even things for enthusiasts who just want the best quality they can get a hold of, all while being very fashionable.

In other words, the HoldFast Gear products all have a certain kind of SWAGGER so it is no surprise that the owners last name is “Swaggart”, lol. Just yesterday Debby told me “I am stealing this bag for our trips”! I told her, “sure thing, just take out the camera insert and you can use it as a normal travel bag”. It’s very versatile.

The Roamograoher is a gorgeous bag my friends but be prepared to pay the fee for that beauty, quality and usefulness. The Roamograoher comes in at $535, but in all reality, it is worth it because this is one of those bags that stay with you for life, and can even be passed down for generations. It will age well and develop a natural patina and softness over the years. This is a bag I have already been complimented on SIX times while out and about with it, people asking me “where did you buy that bag”??

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We have all seen those old classic leather bags from 20-30-4-50 years ago. They usually have a uniqueness to them, a very cool vibe that tells a story. THIS will be one of those bags in 20-30 years. Of all of the bags I have tried, tested, reviewed and used, this is up there with my other favorite, the Wotancraft Ryker.  The Ryker is my go to mirrorless bag that is already breaking in so so well. The Roamographer will be my #1 goto for travel, big treks, jobs and times when I need to carry more such as my macbook air, chargers, lenses, and 2 or 3 bodies. It is perfect for those with a DSLR system as well. Walk into the job with this bag and the money maker strap system and you will look the part and feel it.

Below is a video overview of the bag I did while on location shooting in the Domes of Casa Grande, AZ. It was 106 degrees, I was hot and Brandon was shooting (sorry for the audio dropout part of the video). As you can see it is a gorgeous bag:

One thing I love just as much if not more than the bag though is the Money Maker Strap system. I have known about this for a long while now but never thought I would need it. HOW WRONG WAS I! Man, after getting it all figured out, which took me all of 3 minutes, I started to appreciate the usefulness and versatility of this amazing strap system. The Money Maker is just that, a strap that pros will be able to take serious advantage of. They will gain speed, comfort and will have access to 1, 2, or 3 cameras instantly without fuddling around for a bag, or adjusting a shoulder strap. It is quite the amazing design.

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The MM strap fits around your body comfortably as it is 100% adjustable to your body size. A camera can sit to your left, waist level, to your right and in front of you. It is absolutely comfortable. Many wedding pros use this strap and swear by it. They would not use anything else. If I shot weddings, concerts, or anything where I used more than one camera, this would be my #1 go to accessory. It really is that amazing.

I am wearing the strap below with all options ON, set up for three cameras. Image below shot with the A7s and 15mm Voigtlander.

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The quality is so so good and my strap is the Water Buffalo version. The feel, the coloring and the wrinkles in the leather all make it appear to be a really high quality and fashionable product. It looks awesome on and feels just as good as it looks.

You guys who follow me know that when I REALLY love something I REALLY like to let that be known. This is one of those occasions.

 Below is a video from Matthew Swaggart explaining his Money Maker Strap system. 1, 2, or 3 cameras!

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You can read MUCH more about the Money Maker Strap system here and see it in all of the available leather colors by clicking HERE. Prices start at $200 and for me, this is very fairly prices at $200. Really. I have seen straps for $175 that were just plain old little leather straps for one camera. THIS is a SYSTEM for carrying your cameras that allow you to carry up to THREE of them without the cameras even being close to each other. They stay in place at your side and when you need one of them you slide it up to your eye in a natural movement. For pros with multiple cameras, this is a must own IMO! I wish I had this when I shot those Seal tours as it would have come in handy and stopped me from banging up my Leica’s at the time.

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I also was sent a cool little lens pouch that will strap on to the Money Maker Strap system so if you are shooting with 1-2 cameras you could use this pouch to hold a couple of lenses or even a mirrorless camera. It is gorgeous and the one I was sent is made of blue canvas with a sheep skin interior. It has the softest most protective interior I have ever seen in a camera bag, period. This little guy is called the Explorer Lens Pouch.

You can read more about the pouch here. For me it helps to complete this as a system. You can carry cameras, lenses and some accessories without even realizing you are doing it.

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Bravo to HoldFast Gear. These are some super cool products for enthusiasts and pros and I was so thrilled with the quality and versatility that I asked Matthew if he would like to be a site sponsor and he took me up on that. When I see quality gear that is made with passion and superb workmanship I really want people to know about it. Hopefully some of you can go checkout the site at HoldFastGear.com and browse what he has to offer. Thank you Matthew for letting me experience what you are all about, love your products!

Sep 132014
 

PRESS RELEASE: THE SLR Magic APO-HyperPrime CINE 50mm T2.1

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Hong Kong, China (September 12, 2014) – SLR Magic will present a new CINE lens to the public from the APO-HyperPrime lens family in the upcoming Photokina 2014 fair in Cologne at the SLR Magic booth (Hall 5.1, L-011). The SLR Magic APO-HyperPrime CINE 50mm T2.1 is the first lens of the family. It achieves outstanding images under challenging lighting conditions. When taking pictures with many image-dominant, open light sources, it is common for correction defects to show up. Because the SLR Magic APO-HyperPrime CINE 50mm T2.1 is an apochromatic (APO) lens, longitudinal chromatic aberrations are corrected by its unique optical design and special selection of optical elements. The color defects are therefore significantly lower than the defined limits. Bright/dark transitions in the image, and especially highlights, are rendered with no colorful artifacts.

Thanks to the low level of longitudinal chromatic aberration, there are no visible aberrations. So an illuminated portrait scene by night with many light sources in front of and behind the actual focal plane appears close to reality, without displaying complementary, color contrast edges. The excellent performance delivered by the SLR Magic APO-HyperPrime CINE 50mm T2.1 is consistent for all shooting distances. Its high performance with an open aperture also makes this lens a good choice for close-ups or portraits. The SLR Magic APO-HyperPrime CINE 50mm T2.1 takes full advantage of modern high-resolution 4K camera sensors as support for 6K sensor size, resulting in impressive resolution in the images, even for the finest detail.

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The lens has a completely new optical and mechanical design, which was developed taking into account the special and increasing requirements of high-resolution cameras. The APO-HyperPrime CINE lens series comes standard in PL mount and can be easily adapted to numerous camera systems with the optional PL-mFT adapter, PL-E adapter, and EF mount conversion adapter. The lenses feature standard focus rotation angle of 300 degrees and uniform measurements. This combination makes the lenses ideally suited for every demand on the film set. All APO-HyperPrime CINE lenses have an attachment of any standard follow-focus system.

As a continued dedication to anamorphic lenses, some of the lenses in the APO-HyperPrime CINE lens family would be compatible with the SLR Magic Anamorphot adapter.

SLR Magic plans to exhibit the first lens of its PL cinema series at the Photokina 2014 fair. The SLR Magic stand would be in (Hall 5.1, No. L-011) during the fair, which is to be held in Cologne from 16th to 21st of September 2014.

SLR Magic will start shipping the APO-HyperPrime CINE 50mm T2.1 in 2015.

You can visit the SLR Magic web site HERE, or you can check out their E-Bay shop HERE

Technical Data

Lens Mount: PL-mount
Focal Length: 50 mm
Aperture: T2.1 to 22
Close Focus: 2’
Image Circle: 44 mm (full-frame)
Lens Gears: Focus: 0.8 pitch, 122 tooth
Iris: 0.8 pitch, 103 tooth
Total Length: 94mm
Front Lens Diameter: 95mm (For Matte Box)
Filter Thread: 62mm
Weight: 1.1 kg

Optional Accessories

SLR Magic Anamorphot 1,33x – 50
SLR Magic PL-mFT adapter
SLR Magic PL-E adapter
SLR Magic EF mount (requires professional installation)

Sep 112014
 

The most Interesting Pre-Photokina Releases so far…to me.

With only a few days to go until Photokina kicks off we have already had some pre announcements from Fuji, Sony, Olympus and others. Nothing MAJOR and nothing WOW but I feel these big announcements will come VERY soon ;) They better! So far we have the below announcements that are somewhat interesting, but nothing ground breaking.

FUJI

As I reported the other day, Fuji has announced the X100T, the new 56 1.2, new X-T1 color/finish and even the X30. The X100T is an ongoing evolution of the X100 series camera and for me, the best Fuji has announced yet (more to come i am sure). Me, call me nuts but I prefer the original X100 even today over the X100s. After using both side by side I feel the sensor in the original is a bit more organic and dare I say..more Leica like? The X100T uses the same sensor as the X100s, which is also a fabulous camera that many swear by (my review is here). The X100 series for me is where it is at for Fuji. While I like the X-T1 a lot, the simplicity and classic lines of the X100 is what gets my blood pumping to shoot. For me, it is about simplicity. Period. Simple, clean, easy to use and shoot, fixed 35 f.2. What more can you ask for besides a full frame sensor? (See Sony RX1 for that). The X100T is available for $1299. Priced right for a super camera system.

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The new X30 is also an evolution of the X10, X20 and appears to be a super little camera as well. New EVF, new told LCD, new Classic Chrome simulation and new Large capacity battery that will give you a powerhouse 470 shots makes it sound like the little X30 may be the bang for the buck in the Fuji lineup. It looks sweet as well, the best X10 type camera to date in the design department I think. The cost is also right at $599. 

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You can pre-order all of the new Fuji from my list of recommended Fuji dealers: B&H Photo, PopFlash.com, or Amazon.

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OLYMPUS

Olympus has some new goodies on the way as well…a few that I can not mention just yet but so far they have announced a minor release or two. For example, one is the all black 12mm f/2. The 12 f/2 has long been one of my fave Olympus lenses but to date they have only released it in Silver and a black limited edition that had some extras but also was extra in the $$ department. Olympus has now released the black for normal production so you can get one for $799. This lens is so good on a Olympus body and has given me some fantastic shots. But the lens is nothing exciting if you are looking for something new and fresh. Let’s wait and see what the official Olympus releases will be as compared to the rumor sites :)

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SONY

Sony has announced a new QX camera, the QX1 which is actually an E-Mount in the size and shape of a lens. Basically it helps to turn your iPhone into a high-end APS-C camera. You can use it as is or with your phone. Me, I was never a fan of these oddball cameras. Many love them but for me, if I am going to have something like this, I think I would just use my phone as it is. I love what Sony is doing with the A and RX series but am not sold on the QX yet. Maybe once I give it a try I will enjoy it :) Coming it at $398 you will also need to add an E-Mount lens to this QX1. It is rumored that Sony will be saving its big WOW announcements for 2-4 months AFTER Photokina. Is there truth to this? NO idea but if so it seems odd as they would miss the Christmas season with those big releases. The last two years were huge for the Sony A7 and RX1 with huge holiday sales at launch. I am anxious to see the rumored new RX2 ;)

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ZEISS

As I posted about last week, Zeiss has announced two new full frame manual lenses for the Sony E-Mount system. The Loxia 35 and 50 f/2 will be superb I think and give Sony A7 users more choices when it comes to a high quality fast prime lens, and Zeiss is a name that means quality. I use Zeiss ZM with my Leica’s and love them. Zeiss also announced the 85mm OTUS which has already been tested by DXO and they claim it is the best portrait lens ever made. Coming in at $4,490 IT IS NOT cheap! But damn, it will venice. The Nikon mount can be converted to use on Leica or Sony cameras.  Zeiss rocks for sure but be prepared to pay for the Otus if you want the best!

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What is to come?

I feel that this Photokina will not be as ground breaking as previous years. I see Fuji bringing out the X-Pro 2, which is just about due for a full on refresh new EVF, sensor, etc. I also see Sony releasing new FE lenses for the A7 series, as that is what is needed for the A7 cameras! More fast primes IMO! Olympus will be releasing new lenses I am sure..maybe some pro zooms that are expected and possibly a new prime or two. Panasonic I feel will not be doing anything huge this year and Leica, well, I think they will be releasing something really cool, really expensive and really limited edition. I also feel some new T lenses will be shown as well. The new 28 Summilux will also be announced but I expect it to come it at around $7k. Also, MAYBE a new X camera and D-Lux? Maybe. I think Sony has some big guns that will be special on the way but not sure when they will make them official. Pentax, Nikon, Canon, Samsung…I have not heard anything major going in with any of them though Samsung may have something really interesting coming in a few days.

I guess we will find out VERY soon, so I am looking forward to seeing what actually is announced!

Sep 092014
 

The New Fuji X100T, 56 1.2 APD, Graphite X-T1 and 50-140 Zoom.

x100t_front_16p

The new X100T – The new flagship X100 – $1299, November ship date. Buy Here.

Well, the new Fuji stuff has been announced and so far it is everything I have been told it would be. Cool updates but nothing really “WOW” or groundbreaking..yet.  Today’s announcement brings us a new version of the X100 that will replace the “S” version, yes the X100T is now a reality. Basically it has a better build and improved Hybrid viewfinder. In reality, a rehash of the X100S. Coming in at $1299, this now Flagship version of the X100 will be shipping in November in black or silver.  The X100T has the same sensor and IQ as the X100s and will still work with all X100 accessories such as the wide and tele adapters. 

The X100 is a classic and IMO the best camera in the entire Fuji lineup. I’d take an X100 over any other Fuji camera made today. I expect the T will do well, but since it is a rehash, I doubt it will sell in the same numbers as the X100s or original X100. You are gaining a new Hybrid VF, enhanced controls and faster shutter speeds. Will be available in black or silver.

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Press Info for the X100T

“The X100T comes newly equipped with an advanced Hybrid Viewfinder with an Electronic Rangefinder that now gives users reduced display lag times, automatic brightness controls and a Natural Live View shooting display.

The new FUJIFILM X100T blends award-winning image quality with a renowned design that gives enthusiast and professional photographers the most important controls and functions at their fingertips. The X100T combines the resolution and power of the APS-C X-Trans CMOS II Sensor and EXR Processor II with a bright FUJINON 23mm F2 fixed lens for optical excellence.
And to give photographers a new type of film simulation to work with, the X100T ships with Fujifilm’s new ‘Classic Chrome’ film simulation that delivers muted tones and deep color reproduction for beautifully dramatic images.

Advanced Hybrid Viewfinder with Electronic Rangefinder
The FUJIFILM X100T uses an improved Advanced Hybrid Viewfinder with Electronic Rangefinder that allows focusing as if using a mechanical rangefinder. While in optical viewfinder mode, pushing the OVF / EVF switching lever to the left will switch the viewfinder to electronic rangefinder mode. Additionally, Focus Peak Highlight and Digital Split Image can be selected, and the magnification of the focused area can be changed. Compared to the X100S, the frame coverage in the X100T has been increased from 90% to 92%, and the field of view can now be accurately checked closer to the actual subject. The X100T also uses Real-time parallax correction for more accurate image composition. Reframing after bringing the image into focus is no longer necessary, allowing for a seamless shooting experience.

Photographers also now have access to Shooting Effect Reflection settings within the Hybrid Viewfinder to recreate selected camera effects, including Film Simulations. When turned off, users can see the natural view. The image within the finder is displayed at the maximum frame when shooting under dim light and dark areas such as night scenes, enabling shooting while looking at a smooth image, all while greatly reducing display lag time.

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Range of controls expanded, upgraded body
The FUJIFILM X100T now allows photographers to set the aperture to 1/3 steps using the aperture ring, while the exposure compensation dial has been extended to ±3 stops. Also, the command lever has been changed to a command dial, and through the adoption of a 4-way controller to improve operability. The X100T is also now equipped with 7 customizable Fn buttons for a truly personal shooting experience.

The FUJIFILM X100T has an upgraded body that is die-cast magnesium on the top surface and bottom of the body for a highly durable and functional design. The X100T’s aperture ring, shutter speed dial, and exposure compensation dial now have a groove shaped pattern for an improved feel and grip. The X100Talso features a high-definition 1.04M-dot 3” LCD has for extraordinary visibility.

New “Classic Chrome” film simulation
Fujifilm’s unprecedented image quality has been cultivated through the development of photographic films over the past 80 years and helps to reproduce warm skin tones, bright blue skies and rich green trees, just as photographers remember the scene. The X100T ships with the new ‘Classic Chrome’ film simulation mode, which delivers muted tones and deep color reproduction.”

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The Fuji X-T1 Graphite Edition – $1499, shipping in November 2014. BUY HERE.

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Fuji has also announced and are releasing a new flashy version of the X-T1 in a graphite finish and other enhancements over the original X-T1. I think it looks nice but you can check out the press info below:

“The new special edition FUJIFILM X-T1 Graphite Silver, a weather-resistant premium interchangeable lens camera with a large OLED electronic viewfinder (EVF) that delivers an instant image preview. The X-T1 Graphite Silver also includes the latest generation 16.3 Megapixel APS-C X-Trans CMOS II sensor and the segment’s fastest autofocus of 0.08 seconds*1 for professional photographers and enthusiasts who want the ultimate in image quality in all weather conditions.

Triple layer coating for a remarkable Graphite Silver finish
The new FUJIFILM X-T1 Graphite Silver edition uses a triple layer coating to give it a unique and durable fit and finish. Following an antioxidant treatment on the magnesium body, a matte black undercoat (primer) is applied to the X-T1 as a first coat. The black undercoat tightens the colors of the shadowed areas and makes the highlighted areas stand out. Then, the X-T1 body is rotated at a high speed while thin coats of ultra-fine paint particles are layered using a computer controlled “Thin-film Multilayer Coating Technology” for a smooth and luxurious Graphite Silver finish. Finally, the X-T1 is given a clear coat for extra durability and a deep gloss finish that subtly changes its appearance depending on how it is struck by the light.

Natural Live View and increased shutter speed
The FUJIFILM X-T1 Graphite Silver edition has been upgraded with a new Natural Live View in the EVF that displays images just as the naked eye sees them. With the X-T1 Graphite Silver edition, users can disable the Preview Picture effects from viewfinder image while shooting to display a truly natural image composition just as they would see with an optical viewfinder.

The FUJIFILM X-T1 Graphite Silver edition is now equipped with a high-speed electronic shutter that has a maximum speed of 1/32000 second that can be set in 1/3 steps when using the FUJINON XF23mmF1.4 R, XF35mmF1.4 R, or the XF56mmF1.2 R lenses. Additionally, the mechanical shutter will not operate when any speed for the electronic shutter is selected for a completely silent shooting experience.

X-T1GSE_front_hand X-T1GSE_top

New “Classic Chrome” film simulation
Fujifilm’s renowned image quality has been cultivated through the development of photographic films over the past 80 years and helps to reproduce warm skin tones, bright blue skies and rich green trees, just as photographers remember the scene. The FUJIFILM X-T1 Graphite Silver edition ships with the new ‘Classic Chrome’ film simulation mode, which delivers muted tones and deep color reproduction.

Exciting firmware update coming December 2014 (X-T1 Graphite Silver and X-T1 Black)
Fujifilm will release a free, comprehensive firmware update in December 2014 specifically for the new FUJIFILM X-T1 Graphite Silver and the original X-T1 Black that will give users exciting new features and controls to dramatically enhance their X-T1 shooting experience, including:

AF Area direct selection – Users can select the focus area with the 4-way controller, without pressing the Fn Key.
Function replacement for the AE-L/AF-L buttons – The currently locked AE-L/AF-L button function will now be interchangeable, depending on the user’s preference.
Focus Area size variability during MF – Users will be able to change the focus area in Manual mode during One Push AF with the AF-L button.
Macro Mode direct selection – Users will be able to directly turn ON or OFF the Macro function in Auto Focus mode to expand the distance measurement range to the short-distance range. This will be possible without accessing the pop-up menu screen.
Q Menu customization – The update will render the items and layout of the Q Menu, used for quick access of frequently-used items, changeable to the user’s preference.
Video frame rate selection – In addition to the existing 60fps and 30fps selections, 50fps and 25fps, as well as a 24fps selection will become available to users. 50fps and 25fps allow video editing in the PAL region, such as Europe and elsewhere, without converting the frame rate. The 24fps will offer movie-like video capture and play back.

Video manual shooting – Users will be able to select ISO sensitivity prior to shooting videos, as well as adjusting the aperture and shutter speed during video shooting.
Phase Detection AF support for One Push AF – With One Push AF, operated by pressing the AF-L button during manual focusing, the update will enable Phase Detection AF with quicker focusing speeds.
Metering area focus area interlocking – The update will enable users to interlock the AF area position with the metering area when spot metering is selected.
Expansion of the Program Shift setting area – The update will enable the current Program Shift, in which the low-speed side is 1/4 second, to be shifted to a maximum of 4 seconds.

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The new Fuji 56 1.2 ADP – $1499, ships in December. BUY HERE!

XF56mmAPD

Then we have another Fuji rehash! A new version of the 56 1.2 that will have better 3D pop and smoother Bokeh because of the “Apodizing Filter”. When the Nocticron beat out the original Fuji 56 1.2 Fuji must have decided that they needed to update the lens, which is not even old, leaving original 56 1.2 owners out in the cold. For $1499 you can now have the 56 1.2 APD version, with a better/smoother and more blurred Bokeh.  Press info is below:

“The new FUJINON XF56mmF1.2 R APD (Apodization) is a fast and nearly silent lens for FUJIFILM X-Series CSC’s that has a maximum aperture of F1.2 to make it the world’s brightest autofocus lens for digital cameras with an APS-C sensor. In addition, the new apodizing filter makes it the ideal choice for portrait photography where every detail is crystal clear, with images set on a gorgeous bokeh with smooth outlines for pictures with a three-dimensional feel.

The XF56mm F1.2 R APD is constructed of 11 glass elements in eight groups, including one aspherical glass molded lens element and two extra low dispersion lens elements. Spherical aberrations are corrected by the aspherical glass element to deliver high resolution at the maximum aperture setting. Additionally, thanks to the combination of two extra-low dispersion lens elements and three cemented lens elements, chromatic aberrations are greatly reduced.

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The 50-140 F/2.8 Zoom – $1599, ships in December. BUY HERE!

XF50_140mmWR

Finally, a new Zoom has been announced from Fuji, the 50-140 f/2.8 with a price tag of $1599. This will be like a 76-213 f/2.8 lens, so one for the tele zoom guys who love their 2.8 aperture. Press info is below:

The new FUJINON XF50-140mmF2.8 R LM OIS WR has a focal length equivalent to 76-213mm, and a constant F2.8 aperture throughout the zoom range. The length of the lens barrel remains constant throughout the entire zoom range, and features a weather resistant and dust-resistant finish that can also work in temperatures as low as 14°F. Thanks to a high-performance gyro sensor, a unique image stabilization algorithm and the bright F2.8 aperture, hand-held photography is possible in a wider range of shooting conditions. The XF50-140mmF2.8 R LM OIS WR also now uses the world’s first Triple Linear Motor for fast and quiet autofocusing and shooting.

The FUJINON XF50-140mmF2.8 R LM OIS WR has a lens construction of 23 glass elements in 16 groups, which features five ED lens elements, and one Super ED lens element with low dispersion to substantially reduce chromatic aberrations. The XF50-140mmF2.8 R LM OIS WR also uses a new Nano-GI (Gradient Index) coating technology that ensures this high-performance lens delivers the outstanding imaging results that photographers have come to expect from the award-wining X-Series.

So there ya have it, new stuff from Fuji just announced and super scorching off the press!

You can pre-order the new Fuji items at B&H Photo.

Sep 092014
 

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Shooting with Film: My Rolleiflex Hy6 Mod 2 Experience

By Steve Huff

I will admit it right up front. I never ever shoot film anymore. As more time goes on, digital technology for imaging is getting better and better. Companies like Sony, Olympus and yes, EVEN LEICA are pushing the envelope in many ways from the groundbreaking Sony A7 series to the Olympus OMD series to the Leica Monochrom (A camera no other company dared to even attempt). Digital is starting to mature and we can do things today with digital technology that was not even imaginable back in the glory days of film. For example, can I shoot film at ISO 102,000 ISO and get a results I can use in a pinch? No way. Can a camera such as the Hy6, when shooting film,  give me the convenience of digital? NO WAY, never.

So then, why on earth would I even use this camera and shoot film? I call it romance, beauty, soul, and most of the things that digital usually does not get right. Analog is a different beast than digital in almost every way. The colors, the true B&W, the grain, the contrast and depth and when talking about Medium Format we are talking about a format that also has some magic associated with it.

My fave film of all time, Kodak Portra 160 – click for larger

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Even so, the Rolleiflex Hy6, with a lens and film back and finder will set you back close to $10k. Yes, $10,000. With that in mind, remember than a Leica Monochrom camera with a decent lens will also set you back about $10k and it will only shoot B&W digital in the 35mm format. The Rollei can do B&W film, color film, and even digital if you splurge for a nice digital back. Add to that the size of the film. You will get much more “soul” with the MF rig over any 35mm rig. So price wise, it is up there with the other Niche products in the imaging world. Leica S at $30k, the Leica M at $8k, the Leica MM at $8k, all without lenses. So taking that into consideration, the price of the Rolleiflex Hy6 is about right. Especially considering that it is probably the most versatile Medium Format film/Digital camera made to date. It’s a true beauty in use and with its auto focus capabilities it was shooting faster than the Sigma DP Quattro I had on hand at the same time.

Using Ilford HP5 film with the Rolleiflex – click for larger 

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In Use

This write-up is meant to be a short article about my time with the camera, not in any way a tech review. I find most of those boring anyway so instead I just want to chat about how I felt using the camera, the costs involved with it and the experience of shooting film again. The Hy6 Mod 2 is a large camera, especially when coming from 35mm cameras such as the Sony’s, the Leica’s and the Olympus’s of the world. The Hy6 is not a camera you will casually just carry around. It has a purpose, a meaning, a job to do. A camera such as this with the 80mm lens is really a portrait shooters dream camera. Auto Focus which is pretty fast and accurate (for MF) and a great ergonomic layout with a nice grip. The meter inside the eye level finder worked great as well. When I went out with the Hy6 I felt like I was a serious shooter and I got looks thrown at me like “what the hell is that guy shooting with”. It’s an impressive beast for sure but also a very functional beast.

The last time I shot medium format was when I reviewed the Fuji 670, and I adored that camera. It was slim, large and a true rangefinder. But for some reason, it was a totally different experience that shooting the Rolleiflex. It was lighter, and slower in use. It did not feel nearly as substantial in the build nor was it as bulletproof. The Hy6 is such a camera. It is built to a high standard, has all controls easily accessible and is a true photographers camera. It’s just large and a bit heavy, though nothing like the old school MF cameras of the 80’s which were like metal back-breaking bricks.

1st shot with HP5

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and this one was in near darkness with Delta 3200 film – I LOVE Delta 3200 and always have

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One thing that I thought would limit me when using this camera was LIGHT. With film, you have to use the film you have loaded and when I had Portra 160 loaded, any low light scenario was ruled out. With digital, you can go into any light and adjust your ISO settings in the camera. Easy. With film, you have to change your film when you want different sensitivity. Lucky for me, just as I finished up my roll of HP5, which is an ISO 400 film, I loaded in my Delta 3200 (which is an ISO 3200 film) and was able to shoot the image able in near darkness, even with the 2.8 aperture of the 80mm lens attached to the Hy6. The room was an old solitary confinement prison room from the old historic Yuma Territorial Prison. It smelled of urine, was creepy as hell and Debby was not too cozy inside. I asked her to kneel down and give me her serious face for a dark, moody but nice image. I thought the shot would be blurred or exposed wrong but when the scans came back from the lab I was very happy with the results from 95% of the images I shot.

Overall, when using the Hy6 I LOVED it and had a great time with it. It fit in one of my Wotancraft bags by itself and came out when I wanted a shot that I knew would be nice.

Again with Portra 160 out in Sedona (BTW, we have 2 seats left for the southwest workshop HERE and we will be in Sedona for this trip)

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The Downsides to a camera like the Hy6

There are downsides to the Hy6 but image quality is not one of them. For me, I thoroughly enjoyed my time with the camera. I was able to shoot with it for two weeks and within that time frame I shot 5 rolls of medium format film, 12 exposures each. Out of those images only two had issues that were my fault. The rests were perfect, spot on with metering and the lens performed as it should. But with medium format film one has to consider the costs involved of using it. For me, 5 rolls of film (purchased from Amazon), processing at my local lab as well as scans from my local lab (low res) cost me around $106. So basically, for 60 images it cost me over $100. Sure, many will say “I process my own film” and others will say “I scan my own film”. Even so, processing color film is not something many people do these days. Even if you do your own, you still have to buy the film and buy the chemicals and materials needed to process your own. Then you need to buy a nice scanner. Then you need the hours upon hours it takes to scan and do your own tweaks. It’s expensive and time-consuming.

So for anyone considering film these days, think about the costs involved is using a lab, or the time involved if doing it yourself. As for me, I have NO spare time these days to do any processing or scanning so a lab was my only choice. Shooting 60 images on my digital would cost me nothing so when really looking at it in this light, digital is a bargain :) You still will not get that Analog tangible quality..the old school richness and feel, the reach out and touch it tonality and oh so delicious color. You will get close, and in many case you will get sharper and more details with digital but nothing can replicate the look of Medium Format film.

I see the Hy6 as a camera I would use a few times per year, for special occasions or when I wanted the 6X6 square format MF look. If this camera was $15k with a digital back, I would be all over it and would give up a Leica set to get it. But adding a digital back to this bad big will set you back around $30k and up. This is in addition to the camera cost itself!

So while there are loads of upsides to a camera like this, there are also downsides, depending on what you want to do with it and how much you would want to shoot. There is also no instant gratification with film. It took my lab a week to process and scan.

HP5 ISO 400 film

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ISO 160 Portra

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Wrapping it up

I sent back the Hy6 to Rolleiflex last week and wish I had it for one more week as I am going to shoot some Senior portraits next week. Would have been cool to do some creative shots with some nice film but I did not fink of it at the time. That right there is one of the occasions I would have loved to use this kind of camera for. They are few and far between for me but after browsing my images with this camera, on film, I have to say there is something special about them, even with silly subjects such as broken glass or an old abandoned building. I am a sucker for the square format and when I use it on digital as my aspect ratio it is never the same as a frame of Medium Format 6X6 film.

I really enjoyed the Rolleiflex and if it came inat $3500 I would buy one. At $10k, for me, it is a no go as I would not use it enough but for many this may be just what the doctor ordered. If you want medium format quality in a very versatile camera body that can do film or digital, that can shoot with autofocus and act like any modern-day camera and you do not mind shooting film with its costs and time involved, then the Hy6 may be just what you are looking for. For me, I would buy this over something like a Leica S camera because it is more versatile and I like the design better. With the Hy6 I can do film or digital and with a name like Rolleiflex, I would be shooting with a legend. The Hy6 also acts like any modern-day camera in regards to controls, settings, etc. It is all there on the side of the camera. Super easy to pick up and shoot. I did not even need the manual> i just loaded it, shot it, and it was all super easy without any confusion whatsoever. No long digital menus to drag through, just set it, forget it! Awesome.

You can buy the camera without a lens for $7900 at B&H Photo. They also have the accessories and digital backs for the camera. 

I have shot with only four medium format cameras in my life but this is my hands down favorite to date. If I was buying a MF camera today, this would be it.

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