Jun 142014
 

Amazingly bad but hilarious Album Cover Photos

Since today is Saturday I figured “Why not have some fun today” Maybe call Saturday “fun day” for SteveHuffPhoto.com. Last year I remember stumbling onto some horrendously bad Album Cover photos and they made me thing..”who designed or came up with these themes”. I mean, was it the photographer or the artist or someone else? Whoever it was, some of these photos/album covers below are hilarious, some are disturbing and some are outright bad. I wonder if some of the photographers who shot the covers have them hanging in their house? Lol. In any case, if you have seen some of these before (they are all over the internet) then it will be nothing new, but if you have not seen them, sit back and enjoy a laugh or two. It seems that back in the 70′s it was much easier to get a serious photo gig ;)

Good old Millie Jackson. “Back  to the Shit” is an album that was getting her back  to her style and sass as a comedian but I feel she went overboard for the album cover. Gave a whole new meaning  to the album..as in..the music must literally be shit. Her music career started as a dare from a friend and she soon became known for her onstage antics and foul mouth. Today she runs her own record label. As for the Album Cover..bad  taste..but classic. You can hear some of it HERE.

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Wow. This one is special. The Handsome Beasts album titled “Beastiality” speaks for itself. Want to hear them? Check out a track from THIS album on YouTube! If there ever was an album cover photo to make you look away, this may be it.

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Horrible title. What were they thinking? You can actually buy this album on Amazon today. 

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No words can describe this pose, this shot or the name of the album. Here we see Gary striking a pose that would make Madonna jealous and we are to believe he is truly getting down to business as we see him in front of a phone booth that is randomly placed near a loading dock. What kind of business is he getting down to exactly? 

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Just when you thought you have seen it all…you can hear this track on YouTube here. With her sly little smile, her obvious nude body in bed and bottle of Champign she is obviously ready for you to give her something. Lol. This one is pretty bad. If I shot this cover I would never admit it.

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Now, I could understand if the album was called “Jesus Love Me” or “Jesus Save Me” but “Jesus Use Me”? The Faith Tones…classic album cover.

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Remember when this style of photo was all the rage at photo studios in the mall? I do, and I have always hated it but Ken decided that it would make for a great cover for his album “By Request Only” I am so glad we have moved on from the 70′s. 

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No words can describe this one..

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No, not a one man band, a one man stand..and that is exactly what Pat Kelly is doing here. But what is he standing in? Some kind of black frame? 

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This guy is triple puffing..one is bad enough but three? I do know this song as i have heard it a few times in life and even own a bluegrass version of it but the album cover takes me back to the days when smoking was considered cool and so cool in fact that smoking three at a time was even cooler.

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RAT ON! Oh man, if I found this in an old used record store it would so be mine…I have ALWAYS wished I could ride a rat and to look as amazing as this guy does doing it, well, it would be a dream come true. WHO shot this cover? Wish I knew!

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Again..no words to describe this masterpiece..

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and many more amazingly bad but hilarious album covers that I had to share. 

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Jun 132014
 

Best shots of the year..from an iPhone

Thanks to the iPhone Photography awards we get to see some of the hottest shots of the year that were all taken on an iPhone or iPad. Yep, these shots and many more were all shot with a simple device that many of us have with us at all times. The perfect travel camera. The iPhone. Take a look at some of this years winners below, and click on over to the IPPAWARDS website HERE To see ALL of them. Pretty incredible and inspiring if you ask me, especially since the rules state that no processing was allowed in any way on a desktop computer but apps were allowed. This contest was organized by Apple and it goes to show it is always the photographer and their eye more than anything else. But as I said before, those who buy cameras and upgrade do so not for the better photos but for the fun and hobby of owning different cameras. 

The way we take pictures today is so much different from the way we took them many years ago. Today EVERYONE has a camera in their pocket in some way, shape or form and thousands of images are snapped every second around the world. There is hardly a moment anywhere that does not get recorded. The iPhone and other smart phones is the main reason for the huge decline in sales of point and shoot cameras and the photos below show a good reason why that is the case. Enjoy!

Third place in Children: Melisa Barili’s shot.

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This amazing shot using light and shadow was taken by JOSE LUIS BARCIA FERNANDEZ from Madrid Spain. 

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One of my faves by  Mihai Coliban Bucharest, Romania

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Aaron Pike took 1st place in the Tree category.

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1st place for people, Lauren Smith from Pensacola, FL

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Michael ONeal from San Fransisco took 1st place for Animals. 

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Athena Tan took 2nd place in People.

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Cocu Liu from Chicago with his image. LOVE this one as well.

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Reportage with an iPhone? Why not? Gerard Collett uses his phone to capture scenes such as this one

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See ALL of the winners HERE

Jun 112014
 

News Feed and E-Mail Posts have been changed. Here is why..

My news feed and e-mail posts have been changed. In fact, about two weeks ago I changed them from sending out the full post to just sending the 1st paragraph or two. I have had about 40 e-mails since then asking me why I did this. Some were very polite and kind and others were rude, mean and hateful, which is odd. Why would someone send me a rude e-mail demanding I change the feed back to full when this is a 100% FREE site? I work 60-70 hours per week on this site and I make the rules here and by me providing FULL feeds and E-Mail updates over the past 2-3 years, while great for many of you, was awful for me. Why? Well, look at it from my perspective. As I said, I run this site which has thousands of articles that have been written and placed over the last five years, right here for anyone to see. There is a ton of useful information here, and to keep this site running fast, smooth and to keep it from attackers and hackers it does cost me a pretty penny every month. The site, as it is receives anywhere from 75k to 110k visits each day, depending on what is posted that day of course. To keep it running 99.9% of the time and running reliably I have a VERY fast dedicated server. I have two backup solutions so if something did crash it would be back up within minutes. I have security measures in place to stop DOS attacks and other malicious things. So yes, it costs me money, quite a bit every month just to keep it going.

Since it is a free site, I rely on my advertisers and affiliate sales. Without traffic coming to the site, no ad revenue. I have noticed over the past 8-12 months that thousands of readers were no longer clicking over to the site because they were reading the full articles in their newsreader, which bypasses all of the ways I am able to make money to keep this site “going and growing”. I decided to make the feeds show just the beginning of the article and those of you who get the feeds, this means all you have to do is take the one second to click over if it is something you want to read ;) The content is and always will be 100% free! All I ask is for a click over to the site from your news reader or email. Easy squeezy. As soon as I changed it I noticed MANY more hits coming in over what was currently there, so I thank those of you who are clicking over.

So to those who have been asking me why I changed it over, this is why. Hopefully you understand, even you meanies who emails and DEMANDED I change it back, lol. FYI, Most sites these days do NOT include full feeds as that is bad business.

Hope everyone is having a GREAT day! I am gearing up for my Vacation trip soon so getting excited about it. Will be many cool photo opps and nothing is cooler than going on a trip to see different scenery to get your creative justices flowing. More to come today!

Steve

Jun 112014
 

Take or Make

by David Lykes Keenan

Are you a taker or a maker? 

25_150_Parade, New York City, 2011

I had the pleasure of meeting photographer Robert Herman recently in my new home of NYC. We were meeting to compare notes about self-published vs. artist-funded photography books. These are probably the best two (the only two?) ways for artists not-already-famous to publish books of their work these days.

Robert, by the way, has self-published his book The New Yorkers to much success and acclaim. It’s been a ton of work for him but he’s now into a second printing which is almost unheard of for a self-published photography book.

During our talk, Robert suggested I find a book that has long been out-of-print. “You can probably find it on Amazon,” he said. He was right. My copy was either legally or illegally lifted from the University of South Carolina Museum of Art library and sold to me for $1. Only the library pull card was missing. The book is Mirrors and Windows: American Photography Since 1960 with an introductory essay by John Szarkowski, an untouchable if there ever was one, in the world of photography.

I usually just look at the pictures in a photo book, I call this the National Geographic Effect, but in this case, I read every word. My first impression was how timely to 2014 it felt even though it was written in 1978.

The first part of the Szarkowski essay focused on the impact that Robert Frank (and The Americans) and Minor White (and Aperture magazine) had on American photography after the 1950s.

The point of the essay (and the theme of the book) was to demonstrate how photography could be divided into two camps that Szarkowski referred to as “straight” (Frank) and “synthetic” (White). He was very careful not to draw to firm of a dividing line, leaving that open to artistic interpretation, but went onto discuss the new generation of photographers who emerged in the 1960s and how they were influenced by Frank and/or White to find themselves representatives of either straight or synthetic photography.

The photographs in the book are divided into two sections with many examples of each form. The names associated with this collection of photographs, we now recognize as a Who’s Who of iconic photographers. Erwitt, Winogrand, Friedlander, and Meyerowitz on the straight side; Capanigro, Uelsmann, Warhol, and Hass on the synthetic side. Among many others.

By the time I was nearing the end of the essay, the title of the book had completely slipped from my mind. In the closing paragraph, Szarkowski tapped his seemingly endless knowledge of the history of photography when he looked even further back than the 1950s and suggested that the father of straight school to have been Eugene Atget, and the synthetic to have been Alfred Stieglitz.

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Then everything about the book, about mirrors and windows, came completely into focus (pun intended) with the final sentence of the essay. “The distance between them (Atget and Stieglitz) is to be measured not in terms of the relative force or originality of their work, but in terms of their conceptions of what a photograph is: is it a mirror, reflecting a portrait of the artist who made it, or a window, through which one might better know the world?”

As I wrote earlier, change some of the names, add about 30 years to the dates, and Szarkowski could have been writing about photography of the 21st century, the essay would have a very contemporary feel. These two camps of photography haven’t gone anywhere.

I certainly have experienced this is my own photography and I strongly identify with my camp. I think this is why I found the Mirrors and Windows essay compelling enough to not give it the NatGeo treatment. I just never thought about it using the terminology adopted by Szarkowski, that is “straight” and “synthetic”, which does have a rather dated feeling in 2014.

I’ve always thought of this photographic divide to be between photographers who “take” pictures and those who “make” pictures.

As a street photographer, I definitely take pictures. Landscape photographers take pictures. A fashion photographer or a commercial photographer make pictures.

Of course, as Szarkowski was careful to point out, overlap is allowed. That, pardon my editorializing, ridiculous $7 million photograph of the Rhine River by Andreas Gursky was a made landscape.

Try as I might, any personal attempt at crossing over in the make camp has, well, not been pretty. My mind and/or photographic eye just doesn’t work that way. It’s not a good thing or a bad thing, I remind myself, it just is.

So, do you take photographs or do you make photographs? Are your photographs windows or mirrors?

David has been photographing seriously since 2006 when he left his software company in capable hands and has not set down his camera since. Presently he is managing a Kickstarter campaign to publish his book of street photography entitled FAIR WITNESS. You are encouraged to check the campaign and make an investment to assist in bringing FAIR WITNESS to the bookshelves.

From Steve: Please DO check out David’s Kickstarter and if you like what you see feel free to help get him to his goal. These things are tough and I applaud and respect those who go out there and make efforts to get it done. You can see his video below, great and passionate guy:

Jun 102014
 

Tibet with my M9

By John Kurniawan

Hi Steve/Brandon,

I am a frequent visitor of you side after I got my first M9+cron 35asph. I have not using rangefinder type of camera for 20+ years since my FM2 rest inside the drawer as I am busy building up my business.

Around 10 years ago when I got a second daughter I start to get D300 and shot occasionally not seriously yet till last Jun we are on a vacation trip where I have to carry bag pack, a DSLR+zoom lens and for sure shopping bags…..

Leica M9 has been my dreams since it launch but back and forth hesitate to get one as have the mind-set difficult to focus, everything else must be manually set, so last August I took the plunge and get a pre-owned M9 from a friend. The first 2 weeks quite frustrating to get use to it, but I determined must get over it and since then every where I travel only one cam and one lens to off some of the load.

Herewith I attached some shots of my recent trip to Tibet, hope all of you enjoy the colorful Tibet.

Cheers

Gangway

Prayers

MonksDebate

Nannie

Jun 092014
 

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The Phoenix Comicon. Portraits with the Leica M, 50 APO and Alien Skin Exposure 6.

Hey guys, I know it is only a few days after I posted Part 1 of the Leica 50 Summciron APO review but I just wanted to sit down and write-up a quick photo article as I just got in from shooting the M 240 and 50 APO at the Phoenix Comicon and once again, the lens continues to impress me when used on the M 240. Take this as a companion to part one of the review. Part 2 is still to come! 

Make sure you click on each image to see it larger. A few of these have a filter applied (where noted) using the new Alien Skin Exposure 6 film filter set. I have used Alien Skin Exposure since Version 1 and love it. You can download a free trial of the new Version 6 HERE.

Shooting the 50 APO on the M is a dream. The focus is easy and I used the Rangefinder 100% of the time. Take a look at the image below which was shot wide open, all natural light. A quick grab shot and it has that medium format look. This was shot in the sun at 2PM in Phx, AZ so you know it is harsh light. This combo did excellent. 1st a B&W conversion, and 2nd, direct color out of the M 240.

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Again, the color is superb. Add to that the sharpness without being harsh or analytical and you have a winning combo. I used the Alien Skin Exposure 6 Astia preset for this one. 

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Click the images to see them larger, PLEASE! They look much better ;) The detail in the full size shot of this one is amazing. To see that full size, click the image below (open in new window for best view)

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The Bokeh of the 50 APO is ethereal with some similarities to the Noctilux (when the Noct is at f/2 or so). For this one I used an Alien Skin filter but can not remember which one. There are so many to choose from and it is fun just experimenting with them all. 

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1st…Here is an OOC JPEG, cropped. The 2nd is using a film filter from VSCO. Not Alien Skin but VSCO, which is a bit different as it applies the filter to the RAW file itself.

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Had some shade for this one..again a B&W conversion using the new Alien Skin Exposure 6 (I have used Alien Skin since Version 1, and love it). Below it the color version. 

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Again, the harsh sun..no problem even with the high contrast of the 50 APO.

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Beautiful detail, tones and color once again in less than perfect light. I do not use flashes, ever. 

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Every one of the images here were shot at f/2, wide open where this lens is designed to be shot. In fact. I am not seeing more sharpness at f/4. You just lose the oh so slight vignette that is there at f/2.

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Two girls having fun taking a selfie with a dude wondering why I am taking their picture ;) He looks confused. 

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As hundreds were in line shuffling in I was snapping images from anyone who looked my way. Alien Skin B&W filter without the noise added.

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A Mother and Son who were exited for the event. I wish they had these events when I was young, my Mom would have so taken me in costume!

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This guy asked ME to take his image..

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There were tens of thousands of people at the event. I believe there was an estimated 70,000 there on Saturday. Next year I am going for all three days and hanging out for a few hours a day. Not only did I get to see some cool costumes and take photos, I met a couple of other photographers as well! This couple went all out…

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The color, Bokeh (see the reflection in the BG), the sharpness from edge to edge..nice. 

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I meant to take a picture of the Minecraft head guy, but noticed the other kid smiling at the camera, so focused on him instead. 

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In the harshest most brutal mid day Phx AZ sun…I did not use an ND filter. Used an Alien Skin Neopan filter minus the grain. 

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and inside just ONE of the many sections/buildings – it was a MADHOUSE!

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Inside this guy looked a little spooked when he saw me pointing the camera at him..

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So there are just a few photos from my hour or two at the Phoenix Comicon. I was not prepared for the mass amounts of people so did not enjoy it inside so much but it was a blast outside. Next year I am going all three days just to hang outside. If any local Phx area shooters want to go with, let me know! Will be a blast. The M 240 and 50 APO is as one would expect, a rock solid pairing. The lens is also literally made for the Monochrom. But I will state again as I did in part one of my review for the lens…you do not need a lens of this caliber to get good photos. The old Summicron is also lovely as is the 50 Summilux. The old cron can be had for about 1/4 the price so it is up to you to decide if the perfection and qualities of the 50 APO are worth it to you in money and in the long wait required to get one.

Happy Monday!

Steve

Jun 062014
 

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The Leica 50 Summicron f/2 APO Review, Part 1

by Steve Huff

Technically, the best 50mm lens I have ever shot with. Period. End of Story. Done Deal. No contest. Really!

This is part one of a 2-3 part long term review of this lens. When all is said and done I will have shot this lens on the M 240 extensively, I will have shown you comparisons with the standard cron and other 50mm lenses, I will have shot it on the Sony A6000 and A7s and will do a complete video breakdown on this lens and what and why it is. For now, enjoy part 1 which is basically the introduction to this special lens for the Leica M system. Enjoy!

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The perfect 50mm lens..does it even really exist? Many say that this exact lens that I am about to write about is the best 50mm ever made, without question or doubt but I will tell you that what is determined as “the best” for you comes down to personal preference. To some, the best 50mm lens may be a 50 f/2 Rigid Summicron or for others it may be the 50 Summilux pre-asph, for others the classic 50mm Summarit or Summitar.

If someone were to want the 50mm lens with the most perfect specs, this Leica 50 Summicron APO f/2 would be the ticket though, without question. It would also be the one that will melt your credit card because at the price of $7,350.00, this is not a lens to consider lightly, nor is it a lens that is really “needed’ by 99% of us.

Yes my friends, perfection does not come cheap and this is a wallet buster for sure, even if you are well off or have cash in the bank. For quite a while I was upset that Leica priced this lens the way they did and I remember early on after the announcement I was ready to give up my Leica for good as they were pricing so many out of the M system. I mean, $7,350 for a 50mm f/2 prime when the still current non APO sum micron is $2300?

Well, time has passed since then and it was not until after I really understood what it was, and how hard it was to make and the that Leica is reportedly losing money on this lens that I decided to really take a look at it. When I actually had one in my possession for a while, which just happened recently, I realized how special the lens is. Even with that said, no 50mm lens is really “worth” $7,350 to 99% of people but I do understand why it is priced at this level and I do understand why so many of us Leica M shooters lust after this particular piece of glass.

Sure, I enjoy using a $600 50 Summarit just as much as I love using this APO cron but one thing is certain, I can not fault this lens in any way. From packaging, to construction, to quality, to the hood, to the size, to the pride of ownership that comes with it. It is a thing of beauty and just holding it you can feel the quality and care that went into making it.

It is beautifully made, beautiful in size and technically the best 50mm lens I have ever used. No distortion, amazing contrast, super detailed and sharpness, sweet color and smooth as you can get bokeh in an M mount 50 next to the $11,000 Noctilux. But just because this lens has all of those qualities does not mean that other 50′s now have to be dumped. In fact. Leica, Zeiss and Voigtlander make some fantastic 50mm lenses for the M mount and they come in at a fraction of the cost. One could buy a Zeiss 50 Planar f/2 for $800 and take the $6500 saved and go on a massive photo trip :) One could buy the original summcrion for $2300 and save $5000 to use for whatever else they desire. Just because this lens is as good as it gets in a 50mm for 35mm does not mean it is needed to create good photos. I have taken many bad photos with this lens, I should know :)

The Leica M 240 and 50mm APO Summicron makes for one hell of a combo, but at $14,000+, it is pricey combo.

One thing I love about the M system is that I can capture moments just when I want to. Here I was prefocused and waited…looking through the viewfinder until the one moment that I wanted to capture happened. Ahhh, to be young.

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At the cost of this lens and how long it takes to get a hold of one (9-24 month wait after ordering) I do not expect many to actually buy or own this lens. Only the camera crazy G.A.S. stricken few will dare take the plunge into this kind of investment for a single lens, especially when it is a common focal length, 50mm, and common aperture of f/2. But yes! There is a long line for it and that line extends at some dealers for what would equal a good 2 year wait.

But me, I bought one as I have spoken with a few of you who have bought one and swear up and down about this lens. I also never did get a chance to do a full review of this lens so as a service to all of my Leica readers here, I felt I owed it to all of you to write about this lens, lol. Well, that is my way to justify buying it. That and I remembered just how good it was when I had it for a few days over a year ago.

But it is even better now because the latest version of this lens that is shipping has now been fixed of the “flare” issue that was reported on this very lens and the earlier batches. It seems if you bought one early on then your lens may have a flare issue, which was a big no no as this lens was supposed to be perfect. Well, Leica admitted the problem and fixed it. If anyone has an older version of this lens and it fares you can send it to Leica and they will send it back to you flare free. My version would not and could not flare so I know mine is the latest and greatest

Shot at f/2. this one has detail and pop. 

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50mm = the new crack

In reality, I am a 50mm junkie. I think I have tried just about every 50mm lens ever made for the Leica M system. I have loved many of them, even the old 1940′s lenses. Lenses like the Canon 50 0.95 were very cool and fun to use and the old summitar was beautiful and cheap.

I have used the 50mm Summilux ASPH for years, and feel that it is a legendary lens. A lens that is still expensive but more realistic in price at $4,000 (though still high compared to other 50mm lenses). The 50 Summilux offers a faster aperture at $3300+ less than the 50 APO, so for most, THAT is the ultimate Leica 50mm lens. I have captured many precious memories with a 50 Summilux ASPH on the M6, M7, M8, M9 and M 240. It has stood the test of time and still today is probably the most sought after Leica 50mm lens. With the Summilux being so good, why would one spend $3300 more on a slower aperture lens?

That is what I wondered myself but again, the 50mm Summicron APO is for those who want perfection and those who want the best technical 50mm lens ever made. For Leica, this lens is a statement lens. A lens that shows that you do not need a big fat housing to have a perfect 50mm lens ;) Proof that you can have no distortion, nearly no CA and perfect across the frame sharpness even at f/2, when the lens is wide open. The Bokeh of the 50 APO is much nicer than that of the older 50 Summicron, which has been known to have “busy” bokeh. The ONLY fault of this lens is slight vigneting when wide open, but it is slight and adds to the photo IMO. This lens uses very high-end exotic glass, the  best Leica can source.

ISO 3200, Leica M 240, 50 APO at f/2. Click it for larger and see just how nice this looks at 3200!

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or in color. Even at ISO 3200 in a dim restaurant the M creates acceptable color and smooth bokeh with minimal non offensive noise. 

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A True Masterpiece

The 50 APO is tiny. Smaller than a 50 Summilux. It is also gorgeous and has the coolest and smoothest twist out built-in hood ever. It is like a fine jewel in feel, use and in quality. The lens even ships in a large deluxe box that houses a fancy presentation case much like the Noctilux box does. The lens comes with two lens caps, one old school brass (black paint) and one plastic. I keep the black paint one in the box so I do not lose it and just use the standard plastic one. When on the camera it feels like I am shooting the normal standard summicron but when I look back at the pics the level of color fidelity and contrast and pop is on another level.

In use the lens is a joy, It has a focus tab so is easy to focus but I do have one quibble. The aperture ring is a little too loose. I keep the lens at f/2 as it is PERFECT for my tastes at this aperture. I find that sometimes it has slid to f/2.8 and I do not realize it until after the images has been taken. It needs to be a little stiffer to avoid shifting on accident. Other than that, I can find no negatives with this lens at all.

I know that when I grab my Leica M and head out the door for a day of shooting and this lens is attached..well, I know that when I return home and load up my photos to my large 27″ screen that I will be in awe of the colors, the details and the beauty of the files. Being who I am though, I know that I will also be telling myself constantly “You spent HOW MUCH on this lens…you could have used that money for something much more responsible”. So with my guilt of spending so much money on a small tiny lens, when this 2-3 part review is all done, it MAY go up for sale but then again, seeing that this lens makes such an amazing one lens kit with the M, that would be very hard for me to do. :)

Here are a few more of my 1st photos from the 50 Cron…

Bokeh is about as good as it gets in a 50mm Leica M lens (besides the ultra creamy and smooth Noctilux, but that is a whole new look all in itself) f/2

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Mid Day in Prescott, AZ – This little guy was looking at me, probably thinking “Damn, that is a sweet camera”! Click image for larger and more detailed version. f/2

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Debby enjoying the day. This is right out of camera at f/2.

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The color pops with this lens and the M 240

Many who shoot the M 240 notice that some of their favorite lenses performed quite differently than they did on the older M9. Color was different, the POP was a bit different, the sharpness was even different. In the case of the 50 Summilux ASPH I noticed a big difference in rendering from the M9 to the M 240, though I enjoyed both cameras way of presenting the files. Even so, the color was the trickiest part of the M. With this 50 APO, the color coming out looks rich, deep and much like a nice slide film. As close as you can get in digital anyway. For color on the M, there is nothing like the 50 APO. From pop, punch, depth, and tone…this lens rocks color on the M.

Kids playing at a mall in Scottsdale AZ. Click the image for larger size to see the detail and color depth. Shot at f/2, which is where this lens SHINES.

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The 50 APO is a lens that brings a little bit of medium format to the Leica M. Not fully, but a hint of that look from file richness to detail to perfect sharpness and no distortion.

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Smooth..

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This lens, in my opinion, is meant to be shot at f/2. Wide open BABY!

With most lenses and camera systems such as DSLR’s we have been trained to know that stopping a lens down from its wide open aperture will always deliver better performance. In the case of the Leica 50 APO Summicron, I do not feel this is the case. While you will lose the slight vignette that is there at f/2 when stopping down to f/2.8, you will also start to lose some of the signature of the wide open look that this lens creates. When shot at f/2, this lens creates a look that is part classic, part modern but never in an analytical way (which is what I thought it was going to be when I first tested this lens over a year ago). It has a beautiful smooth presentation and at f/2 you get all of this character. Stopping the lens down, say to f/4..well, this is when you will start to lose some of the reason you paid so much for the lens as there are quite a few 50mm lenses out that there perform just about perfect by f/4.

So if you test this lens, buy this lens or borrow this lens make sure you are NOT afraid to shoot it wide open, which is where it has been optimized to be shot.

More images shot wide open at f/2 and  feel free to click them for larger versions! EXIF is embedded in each image. 

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Full Size files:

The files coming from the M 240 when this lens is used, to put it mildly, is the best I have ever seen the M 240 files. The complete lack of distortion, fitness or soft corners is amazing. There can be teeny amounts of CA but it is the best I have seen.

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This is a TORTURE test for CA. The 50 Summilux and 50 Noctilux would be full of CA in this shot. The 50 APO is amazing. 

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The 1st photo in this article, but this time full size…right click to open in a new window for best viewing

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One more full size…

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Wrapping up part 1 of this lens review

Again, this is only part 1 of a 2 or 3 part review. I have lots of shooting and comparing to do with the Leica 50 APO Summicron lens but so far, so good. It is a beautiful lens with amazing build and contrast and sharpness across the entire frame, even wide open at f/2. After my 1st couple of weeks with it I feel that I could be just as happy with a 50 Summilux or maybe even a 50 Zeiss Planar (well, almost as happy). While this lens surpasses those other lenses for all out performance, as I said early on, performance of a lens will not instantly make you a magical photographer. I feel that this lens is for those who crave, desire and lust after the “perfect” lens. I am on of those nerds myself, so I love it but I do have hesitations about spending so much money on this little guy, especially when that money could have been used elsewhere that is, in reality, more important. Still, I am having a blast shooting the lens and over the next few weeks I will be taking this lens to the always photo rich Comicon, to the California desert and Lazy Meadows Airstream park/hotel, Joshua Tree Park, San Francisco and all of the photo opps it has to offer, Long Beach, CA, the Queen Mary, and a few cool spots as I go on a 7-10 day road trip in about 2 weeks from today with the love of my life, Debby.

I will be posting part 2 when I return, so in about 3 weeks. I will also be doing comparisons with the original 50 Summicron and Zeiss 50 Planar, two other 50mm f/2 options. ;) So stay tuned and check back soon for all of the good stuff. I will leave you with a few more early shots with this lens and the Leica M. BTW, my 50 APO came from Ken Hansen ([email protected]) but no one has this lens in stock, there is a wait but you can put your name on that list. Or you can pick up a standard 50 cron or 50 lux or 50 summarit :)

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

 

Jun 022014
 

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Nikon V3 and AW1 and Floating Lanterns

By Joe Marquez - www.thesmokingcamera.com 

I took a Nikon V3 and 32mm f1.2 lens and Nikon AW1 to the Lantern Floating Hawaii Ceremony at Ala Moana Beach Park in Honolulu. This event has become a Memorial Day fixture in Hawaii and is attended by nearly 50,000 people.

The ceremony is quite beautiful and culminates at sunset with the placing of approximately 6,000 candlelit floating lanterns in the calm water along the beach. Each lantern contains a handwritten personal message to deceased loved ones from family and friends. This is a very emotional event – and a beautiful one to photograph.

Photographically, the ceremony presents several challenges. First of all, some of the best photo ops are in the water so one has to be quite careful with expensive camera equipment. Secondly, the wind direction determines whether lanterns congregate near shore or float away toward the ocean – so some years longer reach is quite useful. One year I used a Nikon 200mm f2 lens as the wind whisked the lanterns away. Finally, over the years more and more serious photographers attend the event – and along with the improved low light capability of all cameras and even cell phones, many more casual photographers and attendees are in the water jostling for position to get the very best angles. For this last reason I stopped attending years ago.

However, this year at the very last moment I decided to photograph the event. Unfortunately, the forecast was 50% chance of rain and I didn’t want to risk a DLSR (D4, Df, D800), so I thought this might be an opportunity to test my newly acquired Nikon AW1 and 11-27.5mm lens. Unfortunately, the waterproof 11-27.5 (30-74mm equivalent full frame FOV) is only f3.5 wide open so I wanted something faster and longer. I decided to take my V3 and 32 f1.2 (85mm equivalent full frame FOV) as well.

In my Think Tank Mirrorless Mover 20 bag – which is absolutely superb – I carried the V3/32 combo and extra batteries in waterproof pouches and the AW1. Fortunately the V3 and AW1 use the same battery. How did that happen Nikon? My plan was if it rained I would only shoot with the AW1, if it didn’t rain I would carry the V3 around my neck and the AW1 with a wrist strap.

I arrived quite late, just as it began raining so out came the AW1. The menu is quirky and the ergonomics are poor, but it was wet and this is why I bought the camera. I struggled with the menu but eventually found the right settings. Took a few photos then the rain stopped. Turns out no more rain the rest of the evening. I took out the V3/32 combo and snapped away. This combo is blazing fast and at the beginning of the ceremony there was plenty of light.

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I worked my way through the crowd, into the main staging area where people were writing words, drawing pictures and decorating their lanterns and eventually arrived at the shore. Conditions changed quickly as bright sun turned to dark cloud cover.

As quickly as light conditions changed so did the mood of the crowd. When I arrived, most people were enjoying Memorial Day cooking, eating, swimming, playing sports, listening to music and talking story. However, as the sun went down and the ceremony began, the mood changed to quiet somber reflection and lots of flowing tears.

At sunset, the lanterns are placed in the water in one of two ways: by individuals at the shore or by volunteers on a fleet of outrigger canoes which each carry hundreds of lanterns. Each lantern has a personal hand written message – all of which are quite heartfelt. My wife cried when she read some of the messages in my photos. Very powerful, very emotional.

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Throughout the fast-moving ceremony I continued taking photographs at the shore, pretty much using the AW1 for wide and the V3/32 for reach. With my Nikon DSLRs I would shoot manual knowing I had lots of leeway in post processing if my settings were off. However, I know the V3 and AW1 do not have anywhere near the same leeway as a full frame DSLR so I was hoping the camera would properly expose as I was shooting in all directions under rapidly changing light. I set both cameras to aperture priority and auto iso. This turned out be a mistake because quite often the camera would drop shutter speed too low instead of increasing iso. Furthermore I had max iso at 800 instead of 3200 for much too long. Consequently, I ended up with lots of blurry images. My bad.

The lanterns floated out to sea fairly quickly so there was only a brief opportunity to get some angles I wanted. I was forced to wade out belly-button deep in order to get the shots. I tightened the camera bag close to my neck, held the V3 high in my left hand secured by a neck strap and the AW1 in my right hand secured by a wrist strap. I alternated between the EVF and tilting LCD of the V3 and dipped the AW1 in the ocean as needed. I don’t think I would be so audacious with my D4.

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Other than my auto iso mistake how did the cameras do? Well, I’ve included images for you to examine and here are some thoughts.

The AW1 was surprisingly effective. I was able to shoot in the rain at the beginning and dip the camera into the ocean to get some unique low angle shots. If it had rained at the event I may have been one of the few photographers (other than those with GoPros) capable of taking decent photos. The menu and ergonomics are quirky and frustrating but ultimately the AW1 was able to get the job done. Overall it kind of reminds me of the V1 in that you set up the camera and trust it to get the shot.

I’m a big fan of Nikon’s 32 lens and love shooting wide open at 1.2. The lens is small, fast, sharp and renders well. It will never replace my Nikon 85 f1.4 but it can certainly produce gorgeous images with surprisingly shallow DOF on Nikon’s tiny CX sensors. It did not let me down at the ceremony.

Obviously this is not a V3 review. However, I’ve been using the V3 for over a month and for me it is a worthy upgrade to the V1 (never owned the V2). More pixels, tiltable rear LCD, assignable function buttons are improvements I wanted and got. There are things I don’t like such as the switch to microSD and the limitation of 40 shots when shooting at high fps. Nevertheless, I’m pleased with the V3 because of its speed, accuracy and reach in a small, lightweight, silent package (can’t wait for surf season on the northshore). The V3, just like the V1 (and V2, I presume) is simply the best mirrorless camera I’ve ever used to capture a fleeting moment. This may be true in good light, but what about bad light?

This ceremony turned out to be an opportunity to test the V3/32 combo and AW1 in poor light. As darkness fell, both were able to focus well enough, however the V3 produced images much noisier than I expected and noisier than the AW1. Could it be the denser pixel count of the V3 18MP sensor or the result of Lightroom 5’s current lack of support for the V3? As of today LR5 uses a beta profile for the V3. I really don’t have an answer. I know these cameras with their tiny sensors are weakest in poor light, but sometimes out of necessity capabilities are pushed to and beyond the limit.

In summary, the image quality of the V3/32 combo and AW1 will never match that of a DSLR or mirrorless camera with a larger sensor – particularly in poor light. But how important is image quality and what is good enough? I tried to capture the mood and feel of the ceremony along with a few special moments. I certainly did not have the ideal setup and I made some mistakes. I leave it to viewers of my images to decide if I succeeded or not.

Beyond the technical aspects of the shoot what I remember most was the ceremony concluding and the sky having that last glimmer of light. As I stood waist deep in water, I looked out at thousands of beautiful lanterns in the ocean, took in a deep breath – and simply savored the moment.

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May 302014
 

By popular demand..you can now donate to the site!

Over the past five years I have had hundreds of e-mails asking me how one can donate to the site. I never was really into asking for money but this site does indeed cost me a ton to maintain, in time AND money! I am not going to sit here and beg you for money or tell you I will be homeless if you do not as that is not the case! But the reality is that this site has been around for 5 years providing 100% free information from reviews to instruction to all kinds of things photographic.

If you have ever benefited from one of my reviews and found it useful and feel the needs to make a small donation, you can now do so using the paypal link below or in the sidebar at the right. The funds that come in from it will all go to pay for this website and keep it growing. I am not charging for access and never will but if you enjoy what you read here, and feel the need to help out, then you can now help out!

So I thank all of you here who come here every day and appreciate everyone! Thank you, and there is MUCH more to come. If you have some spare time be sure to take a look at the site index which has a lil to EVERY post ever made here. It’s HUGE!

Have a GREAT weekend!




May 292014
 

Hi Brandon and Steve!

I’ve collected some photos taken by me over the years and made an android wallpaper app using my photos.

Here are 8 out of 101 photo wallpapers with comments. Hope you like them!

A photo of a statue found in a shop manufacturing statues in Da Nang, Vietnam. Nikon V1 with standard lens

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A failed?! close up of a vietnamese girl. Low light and focus problems. Nikon V1 with standard lens

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Sweden – Stockholm subway in the summer. high contrast. Two people going up into the light. I think I used Sony NEX-5n with Voigtlander 35mm f1.2 version II

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Sweden – Malmö train station. I think this photo was taken with Sony RX1.

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Sweden – A rocket going to Mars?! No, actually I’ve turned the photo of a airplane 90 degrees. Lots of contrast. Probably Sony RX1.

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Sweden – Hässleholm railway. A long exposure of a train in the winter. Taken with a Yashica Mat 124G. Probably Fuji Velvia iso 100

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Sweden – Hässleholm railway. Hässleholm is a “railway knot” in Sweden. The photo was taken in the dark. Pinhole camera effect was added. I used Sony NEX-5n, and the lens was probable Voigtlander 35mm f1.2 version II

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Sweden – Hässleholm train station. Long exposure picture of moving escalators. I think I was using Canon 550d with a Canon 17-40 lens. Great lens.

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Right now I like black and white photos which “goes or travels into the light”. Like many of the pictures above. I’ve switched cameras a few times the last years. First I had Canon 550d, switched to Sony NEX 5n and then Sony RX1, and now I use Nikon V1. I miss both RX1 and Sony Nex. I also like to use older cameras with analog film. I tend to take a lot of junk pictures with a digital camera, but when I use an analog camera more thought goes into each picture, which I like.

Thanks for a great site,
Lars Lidgren

Link to the free android app:
https://play.google.com/store/apps/details?id=larlid.darkwallpapers.app

Some more photos from the app:
https://sites.google.com/site/larslidgrenphotography/home/photo

Med Vänlig Hälsning Lars Lidgren

May 272014
 

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The Sony A6000 Digital Camera Review by Steve Huff

Sony is back once again with a camera that may appear to be just like the previous NEX-6 but takes it to the next level with new branding (No more NEX name or Menu, this is the ALPHA 6000), a new more robust and square body, and a very good price. The new Alpha line came about when Sony released the A7 and A7r and renamed them from NEX to Alpha. With the NEX camera line, Sony always had loads of complaints that the menu..well..sucked. It sort of did. I even complained about it on a few occasions and said “why do they not just use the Alpha menu system”!?!? Well, now they do and it is so much nicer than the old NEX menu system. Much quicker, easier, and laid out better in every way. The last NEX, the NEX-6 was and is a great camera. Nice size, built-in EVF, good speed and finally, some great lenses for the system. The new A6000 kicks it up a notch and the result is Sony’s best APS-C NEX style body to date. This one is a screamer and a sleeper that many will pass up.

Before I get into the review and the images, let me state that I have had this body for 3 weeks, thanks to Sony sending me the review sample. So thank you Sony! If they did not send it I myself may have passed on reviewing it as I originally thought it was just another re-hash of the NEX cameras. While it is a rehash to some extent it is so much better than any NEX camera that if I were to offer an Editors Choice” or “Steve’s Pick”, this would be one of them. In the past I have reviewed all of the NEX cameras (almost) and you can see those reviews HERE at Mirrorless Central in the Sony section, the place where I archive all of my mirrorless reviews. BTW, This review will be of the shorter variety so I AM NOT re-hashing my reviews.

Most of what I felt of the NEX-5, NEX-7 and NEX-6 is the same with the A6000 because at its core and heart, it is still a NEX camera in design, in feel and in use. Basically we are getting the new menus, faster speed and the best IQ in a NEX type of camera to date. We also get the WiFi and camera apps but WiFi is in almost every camera today so it is a must for most companies to throw it in, and it works great here in the A6000. The apps are cool but I never use them as it slows me down too much. Some love them though. For me, the A6000 is a REAL camera that can offer someone wanting to step up from a P&S to professional quality images (with the right lens). It can also offer owners of the NEX cameras the new interface and the super fast speeds.

My biggest bang for the buck system of the year – The A600 and Zeiss Touit 32 1.8 – Under $1400 for the set. This one was shot at f/2.2 and is a JPEG from the camera. Click it to see it MUCH better. This impressed me, especially being a JPEG. 

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The A6000. What are the specs?

The best of the  A6000 specs are below:

24.3MP Exmor APS HD CMOS Sensor and BIONZ X Image Processor – The latest processing power and the latest Sony APS-C sensor. Sony always leads the way in Sensor design IMO.

Fast Hybrid AF System - The Fast Hybrid AF system utilizes both a 179-point phase-detection system and 25-point contrast-detection system to achieve precise focus in as little as 0.06 sec. This system also provides AF tracking when shooting up to 11 fps in continuous high mode and functions seamlessly when recording full HD movies. In real world use, this camera is FAST. One of the most responsive cameras I have ever used. No slowness here. I remember the very 1st NEX-3 and NEX-5. They were so slow when compared to this new A6000. How things have improved.

There is also Eye AF! A detail-oriented focusing function that can prioritize a subject’s pupil and dedicate focusing performance on that for sharply rendered portraits; Lock-on AF is a dedicated focusing method for use with moving subjects and adjusts the target frame size as the subject moves throughout the image frame; AF area settings allow you to prioritize specific regions within the frame for increased accuracy; and AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), and Manual Focus modes can also be chosen.

Full HD Video Recording - Full HD 1080i/p video recording is supported at both 60 and 24 fps frame rates to produce high-resolution movies with a smooth, cinematic look. Full HD videos are recorded using the high-quality AVCHD codec, while 1440 x 1080 and 640 x 480 formats are also supported in the Internet-friendly MP4 format.

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Body Design - The Tru-Finder 0.39″ 1,440k-dot OLED EVF features a refined optical system that integrates four double-sided aspherical elements to provide 100% frame coverage and a wide 33° viewing angle for clear edge-to-edge viewing. The electronic viewfinder’s design offers a true live view image, which is able to simulate the appearance of the finalized image prior to shooting and also avails focusing aids, such as MF Assist and the Peaking function. The 3.0″ 921k-dot rear Xtra Fine monitor is a larger alternative, suitable for making accurate compositions, reviewing imagery, and navigating the menu system. It features a tilting design that can tilt upward approximately 90° or downward 45° to benefit working from high and low angles. Additionally, WhiteMagic technology works to increase the overall brightness of the screen to better support use in bright or sunlit conditions.

Built-In Wi-Fi Connectivity

Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera’s features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.
Sony 16-50mm f/3.5-5.6 OSS Retractable Zoom Lens.

The Zeiss 32 1.8 on the A6000 is fantastic though the front bokeh can be a bit odd at times. Still, one of the best lenses i have used on a Sony camera. I was not a HUGE fan of the Touit 32 1.8 on the Fuji system but love it on the Sony. 

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My First thought on the A6000 after it arrived

When the A6000 box arrived I was thinking “Great, a variation of the old NEX-6..not exciting”.  Then I took it out of the box and thought..“Damn! This is the best feeling and looking NEX style body ever”. Sony sent me the silver version and it looked pretty sharp. All I had was a kit zoom so I knew I had to try something better but even so, the kit zoom was doing great. I love the fact that the new 16-50 is so small and sleek when compared to the old long and fat 18-55. Yes, these Sony’s are getting better and better with each release. The best part about the A6000 kit is the price. Coming in at $798 for the camera body AND kit zoom, it makes me feel dirty to recommend other APS-C cameras that cost more because the A6000 is so good in so many ways. It is a little on the lightweight side but feels just as good in build, if not a little better, than the Fuji offerings. So again, good bang for the buck.

I looked the body over and remembered I also had that Mitakon 50 0.95 and it was a native E mount lens! Why not slap it on and give it a try? I did just that and the snapshots I snapped with it are below (all were at f/0.95), as well as a look at the A6000 with the lens attached:

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The combo of A6000 and the Mitakon ROCKED! Not as good as it was with the A7 but it was nice to have that shallow DOF and a super fast WELL MADE lens on the camera. It felt solid, it inspired confidence and for me, was easy to focus just using the EVF. While not a perfect lens (it has some odd Bokeh qualities) at $799 it gives you a taste of those super shallow DOF lenses like the Leica Noctilux that comes in at $11,000. While I feel the Sony 55 1.8 or Zeiss 32 1.8 are overall better choices if you are only going to have one lens, the Mitakon is great if you want to add some artistic flair to your photos. The thing is a beast of a lens and well worth the $799.

With more use of the A6000 I started to realize that this camera was actually pretty special. For under $800 I was seeing the fastest response of any camera in recent memory (mirror less). The response, the AF and even the shutter were fast and gave me an actual sense of speed while using it. Like AIM, FIRE, FIRE – BAM! Done! As I said I have reviewed nearly all Sony NEX cameras and while the A6000 is VERY similar to all of them in many ways, it is the most responsive in all areas without question.

Oops, they did it again! But no biggie. 

After looking through the box more I realized that Oops, Sony did it again. No external dedicated battery charger. This time I will forgive them though as for $798 (yes I keep relating the price because it is such a value) they could not have given it all. If this camera were $1200 I would have been upset at the fact that all we get is a USB cable to charge while the battery sits in the camera. At $798, it is fine. You can buy an external charger for Sony batteries at Amazon for cheap, so no big deal. Look at this crazy deal. For $19.99, and using Amazon prime, you can get a dedicated charger and extra battery. Yes, a battery and charger for under $20. SNAG IT if you have an A6000 or A7 as they use the same battery.

The Kit Zoom is pretty nice. 

Usually I am not too fond of the kit zoom’s that are included with camera kits. They are usually slow, soft and cheap in build. The A6000 includes the better Sony Kit Zoom, which is the 16-50 OSS lens that normally sells for $350 on its own.  Some people are not a fan of it but I happen to think it does great on the A6000. If you have light and need the versatility that a zoom offers, it is a great lens and gets the job done. I used it while walking around rural areas in Southern Illinois with my Mother over Mothers Day and it did great.

These are all OOC JPEGS using the kit zoom and A6000. Click them for larger! 1st two shot by Brandon. 

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So while I am still not a fan of zoom lenses (I prefer primes) the kit zoom is actually a nice and small little lens. Not perfect, not high end, not anything giving a WOW factor but when it is included in a camera of this price it is very nice indeed. The color is very nice right from the camera as well, which is not the case with many of the cameras that are even priced into the thousands.

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The need for MORE speed!

The Sony A6000 is a monster in the speed department. It can shoot 11 frames per second and due to its crazy focus points covering 92% of the sensor, it is uber fast. It has contrast and phase detect AF, which in laymen’s terms means IT IS FAST. When I was shooting with the bundled kit lens the camera was lightning fast. I shot the camera in all kinds of light and never once had an issue with Auto Focus. As i mentioned earlier, I do not remember any other camera being this fast. It is faster than my old fave, the Nikon V1..faster than ANY other Sony to date (much quicker than the A7 flagship) and faster than any Fuji. I think it even edged out my Olympus E-M1 which has been my benchmark for speed and response. While the Sony system does not offer the lenses that Micro 4/3 does, nor does the A6000 offer the build and features of the E-M1…it is up there and maybe faster in the speed department.

Sony also excels here with focus tracking. If you want to shoot sports or action, this is probably the best mirror less to date to do just that. In fact, I know it is. So I will say it clearly: In May of 2014, the A6000 is the best mirror less camera for tracking moving subjects as well as overall speed. 

An APS-C sensor that is super fast, responsive and has amazing AF? Yep, that has finally become a reality in the Sony A6000. Every year cameras get faster and add more features. Sometimes they are not really worth the upgrade and sometimes they are. If you value speed and an APS-C sensor, you MUST try the A6000.

All three images below were shot as JPEG using the Zeiss 32 1.8 Touit lens. The 1st one was converted to B&W using Alien Skin. STILL my fave filters!

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Overall Image Quality

I knew from the get go that the A6000 would have excellent IQ. I mean, would Sony release this camera with anything but at least as good of IQ as the older NEX-6? No. In fact, I feel it surpasses any NEX to date for IQ and I am just talking about JPEGS! The JPEG quality from the A6000 is fantastic. I shot this camera as a JPEG shooter to make it more challenging and to see what kind of color and quality would come out. I was surprised as every JPEG I looked at was sharp (though would be better and cleaner with RAW), clear and with pleasing color. The A6000 has the same color modes as previous NEX cameras so you have the usual Standard, Vivid, Nutral, Clear, Light, etc. While I feel they should drop 75% of those and just concentrate on the core color modes, the Sony’s always offer all  kinds of gimmicks and things to try. Still here is the Sweep Panorama mode, the Intelligent Auto and the Picture Effects, none of which I ever use. For me, just give me Aperture Priority and a good Auto ISO and I am off to the races.

As for JPEG shooting, below are a couple of direct from camera JPEGS. You can right-click on them to open them in a new window and see the full size file. Both were shot with the A6000 and Zeiss Touit 32 1.8. 

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High ISO and low light. Is it any better than previous models?

High ISO on the A600 is excellent as one would expect. Today we should not have to worry about ISO capabilities of modern-day cameras as they give us so much more in this area than film ever did. EVER. We can shoot clean with many cameras right up to ISO 3200, some even 6400. With the new Sony A7s coming soon we can go to levels we would have ever thought possible in our lifetime just a few years ago. So shooting the A6000 in low light with higher ISO is as good as one would expect but below is some ISO crops from 1600 and up.

The A6000 has very good high ISO performance all the way up to 6400 ISO, which is all anyone would really ever need. I mean, how many of you shoot past ISO 1600 on a regular basis? The test image below was shot in my office with natural light coming in through slightly open blinds. Noise Reduction was turned off 100% in camera and what you see below is all OOC JPEG.

Bottom line, the ISO capability rocks on the A6000 but then again, Sony has always been good at this. You can see the detail at 6400 and it gets lost at 12,800 so 6400 is as high as I would want to go.

The Test Image

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The Crops

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A Crazy JPEG Comparison! The A6000 and Zeiss 32 1.8 Touit vs the Leica M and 50 Summicron APO

Ok, here we go. I was not going to do this but I had to! I mean, I have in my possession the A600 and Zeiss Touuit 32 1,8 which gives us a 50mm full frame equivalent. The Zeiss Touit lens and A600 come in at under $1400 TOTAL, FOR BOTH! I also have the Leica M 240 and Leica 50 Summicron APO. This kit comes in at OVER $14,000! 10X the cost of the Sony combo. YES, you read that right. $14,000! So how do they do against each other in pure IMAGE QUALITY results only? Judge for yourself. But before I show you I want to state that shooting these cameras is 100% different as is the build and camera construction quality. As you would expect the Leica is in another stratosphere when it comes to build, feel and quality of the camera itself. It is also a rangefinder. The ONLY digital rangefinder available today. It is a unique experience and it is a Leica. With that said, when looking at Image Quality ONLY, the little Sony A6000 is quite good. ;) Take a look. IMO, IQ alone does not warrant 10X the cost here. Not even close, and I love and adore my Leica system. Yes the Leica is better but $13k better? Nope.

THIS IS AN OOC JPEG COMPARISON! What it shows is that the JPEG out of the Sony is fantastic. It is average out of the Leica. 

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Things I did not like about the A6000?

There are only a couple of things I did not like about the A6000, and they were not major dealbrakers in any way. For the under $800 cost (with lens) of the A6000, I really have ZERO complaints. It is a mature system camera and when you attach a great lens it will reward you with good color, great IQ and detail and uber fast operation. I would have liked it to be a little more solid in feel..maybe even a pro version with waterproofing and a more robust feel. I would have loved to have a better EVF like the one Sony offers externally for the RX1 camera. The problem is that my wishes would have propelled the cost of the camera to $1300 and up. The beauty of the A6000 is the fact that it allows us to get into a mature system camera that has it all. Speed, nice build and design, great lenses, built-in flash and EVF, swivel LCD, good battery life, innovative features such as Eye Af and great face recognition AF. It has the best tracking of any mirrorless to date as well. All for under $800 with a nice (normally $350) kit zoom. I mean, for those looking for a new camera under $1000 the Sony A6000 MUST be looked at! Small size is the key for me.

So at the end of the day I really can not fault the A6000 because for the cost of admission it offers way more than it should.

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Pros and Cons of the Sony A6000

Pros

  1. The price! Under $800 for camera and lens – MASSIVE Bang for the Buck.
  2. The sensor is fantastic with awesome color and detail.
  3. JPEGS are very good. Better than most camera.
  4. Fast AF and Response. Fastest in the mirror less world right now.
  5. Nice design and look to the camera.
  6. Built in EVF is always nice to have, and the A600 has one
  7. Tilt LCD
  8. Great high ISO performance
  9. Kit Lens is quite nice
  10. Small size and light weight
  11. Built in flash for those who like that sort of thing
  12. All new Alpha menu!
  13. Retains the gimmicky modes
  14. Nice control and customization
  15. Can use many lenses via adapters
  16. Good at AF tracking
  17. High ISO Noise Reduction can be turned off 100%! (which is good)

Cons

  1. No weather sealing
  2. No in body Image Stabilization
  3. EVF could be better

So there thou go. For me, 16 pros and 3 cons. This is after 3 weeks of use, which was not daily use but 3-4 times per week.

The OOC color can be gorgeous! Rich, beautiful color and tones. Zeiss 32 1.8 Touit. 

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and B&W is also nice! Once again, the awesome Touit 32 1.8

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My Bottom Line conclusion of the A6000 

To be honest I was not incredibly excited to review this camera. Why? Well, when I review a camera I do not just go through the motions nor do I have any kind of template that I use. Some reviews I do are more detailed, some are more exciting and some are short and sweet. ALL are based in real world use with the camera and never do I get technical or talk nerd talk. I simply use the camera and if it excited me you will know by the way I write (see an example of that here) and if I do not like it, you will know (an example here). Sometimes though I am surprised by what I think will be average or mediocre when it turns out to be much better than I expected. The Sony A6000 is an example of just that. I thought it would just be an average NEX-6 update with new Alpha menus. But as is the case on many occasions, I was once again wrong!

While I am not raving about how it is the best thing since sliced bread, I am very happy with the camera and feel it is indeed the best APS-C NEX type of camera to date and one of the best if not the best APS-C cameras available. I prefer it to most Fuji’s (besides the X-T1, slightly) and prefer it to any other APS-C Sony and almost every other APS-C camera. I have to keep reminding myself that this camera is only $798 with a lens as when you use it seems to perform and feel like a $1200 and up camera.

Sony did good with the A6000. Those who never shot a Sony and those who own something like  NEX-5, NEX-6 or even NEX-7 would be thrilled with the A6000. If I spent even more time with it I may have even fallen harder for it and ordered one. It truly does give outstanding performance and speed all in one small nice looking package. I review and use so many cameras each and every year it is easy to get a little burn out with cameras and new products but the A6000 is one of those cameras that makes os much sense on many levels and is fun to shoot, so it made me want to head out with it every time I took it out.

This is an important price point and Sony knows it, so it will appeal to a much wider audience than the over $1000 enthusiast cameras. I think if the A6000 was shown to a group of 50 people who were in the market for an under $1000 camera system, and they were able to use it for an hour, I feel that 40 would buy it on the spot (if they were in the market and ready to buy).

The only faults are with the smaller EVF, no touchscreen, no in body IS and no weather sealing. But add those and it will add to the price so in reality, when judging the A6000 at the current price point it has no flaws at all.

The Sony A6000 is one small step for camera fan and one giant leap for the masses who really do not follow the camera world or care about sensors and tech. By that I mean that ANYONE who takes pictures would be thrilled with this mid range offering from Sony. It does what it does extremely well and all you have to worry about is what lens you want to attach.

Speaking of lenses, I really enjoyed the Zeiss Touit for its rich color and nice overall rendering. At under $800 it is a fabulous lens that will give you the 50mm focal length equivalent and some nice shallow depth of field effects. If I owned the A6000 I would also own the Zeiss. The Mitakon 50 0.95 is also unique and built like a classic Leica lens in feel and the solidness of it. The Mitakon is manual focus only though so beware of that. At $799 it offers a more artistic approach in use and results. You can read about the Mitakon HERE.  Sony now has many lenses available for the E-Mount. From zooms to primes to expensive to cheap. Take your pic.

Bottom Line? If I offered an “Editor’s Choice” the A6000 would  take that title easily. Highly Recommended for those looking for a quality camera with DSLR quality and speed without the size. Also good to note is that during the review period I never had a mis focused shot or any issues at all with the camera. When I snapped I knew what would come out of the camera would be fantastic.

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Where to Buy?

You can buy the Sony A6000 at my recommended and preferred dealers below. Just click the link to go direct to the A6000 page to check stock status, price and to order if you so desire!

Amazon - Sony A6000 in BLACK or SILVER with Kit Zoom.

Amazon - Sony A600 in BLACK or SIlVER without Kit Zoom.

B&H PhotoAll variations of the A6000 are HERE!

Zeiss Touit 32 1.8 Lens for Sony E-Mount at Amazon or B&H Photo

SMILE!

eric

PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

You can also follow me on Facebook, TwitterGoogle + or YouTube. ;)

One other way to help is by donation. If you want to donate to this site, any amount you choose, even $5, you can do so using the paypal link HERE and enter in your donation amount. All donations help to keep this site going and growing! I do not charge any member fees so your donations go a long way to keeping this site loaded with useful content. Thank you!

A few more images from the A6000! Enjoy and THANK YOU for reading!

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May 262014
 

POLL: Do you guys want more News posts?

Hey guys! Happy memorial day to you all! hope some of you are out having a great relaxing day off! Just a quick poll question:

Do you guys want to see more industry news updates during the week? Like new camera announcements, new software, and all around general news updates? Usually I leave the news updates to the general photo sites and concentrate on reviews and readers experiences with photography and cameras. Not sure if more of you wanted news updates or to just keep things how they have been with user reports, guest reviews and my reviews. If you can, answer the poll below and we will see how it goes! I disabled comments for this post as comments are not needed, just a quick yes or no in the poll!

BTW, My Sony A6000 review is coming THIS WEEK! Been shooting it with the Zeiss Touit 32 1.8 and kit zoom and having a great time with it.

Thanks!

Steve

May 192014
 

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The Voigtlander 75 1.8 VM Heliar Classic Lens Quick Review

By Steve Huff

Lens is available to purchase HERE

Hello to all! Today is Saturday, May 17th 2014 (the day I am writing this, not posting it) and I am sitting down at my desk for the 1st time in 10 days to write something new. For the past 10 days I have been away in Southern Illinois visiting family and spending time with my Mother for Mother’s day and the site has been running on auto pilot all week with scheduled posts..not how I like to roll but hey, I need some vacation time too! After that I went to New Orleans with Olympus to test out the new Tough TG-3 (Which was SO cool) and shoot more with the E-M10 (which I reviewed HERE)

While my trip to Illinois was a pleasure, there was also a ton of business/work happening but the good thing is that I find photography and testing new gear to be exciting and a fun experience so while I was working during my vacation I was having a good time with it as I always do. Life is good, so we should enjoy it and I try my best to do just that each and every day.

So today as I sit here I am going to write a short, quick and mostly photo based review of the Voigtlander 75 1.8 Leica mount Heliar Classic. A fast 75mm lens for your Leica M mount camera for under $700. Yes, under $700! Thanks to Stephen Gandy at Cameraquest for sending me this lens to check out for a couple of weeks. He sells the entire Voigtlander line and has the best prices and even free overnight shipping on certain lenses, this one included. You can see it on his site HERE.

Before I get started be sure to check out the recent guest post review of this lens HERE by Johnny Ciotti. Johnny tested this lens on the full frame Sony A7. ;) My test is 100% on the Leica M 240 which after 14 months is still my #1 and all around fave camera today (which is followed by the E-M1, then RX-1)

Using the 75 1.8 was easy as pie, even wide open. On the M 240 it works very well with great color pop and the classic Voigtlander look. This one is of my Nephew shot wide open at 1.8.

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Testing the 75 1.8 in a real world way

For some reason I never did use this 75mm lens on my M and while it has been out for a while I never was really into the 75mm focal length so it kind of slipped under my radar until a reader submitted a guest post review of this lens on a Sony A7. Then I remembered! OH! The 75 1.8 from Voigtlander!!

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At that time I knew I would have to try it on the M 240 as it is a Leica mount and I do know that the 240 loves all glass, even Voigtlander and old classic lenses. In the past I have tested the Leica 75 Summarit, which is their “Budget” lens and the performance is stellar. It is crisp, contrasty and very sharp. With a minimum aperture of f/2.5 the Leica is a little slower than this Voigtlander but I will state right now that the Leica has a much more “modern” look than this Heliar Classic. I think the word “classic” was used for a reason as the images have a softer more rounded look to them over other more modern lenses like the Leica Summarit or Summicron.

I decided to snap on the 75 to my M 240 and use it as my only lens for a week while visiting my Mother. I also had the Leica C and Sony A6000 with me but I was determined to use this 75  to see exactly what it was all about.

Again, wide open the lens is sharp but has a rounded rendering. The Bokeh is nice but not perfect. Still much better than what you see on some $1500 lenses. 

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So away I went, M in hand with the 75 attached for almost the entire week I was on my trip. Being called a “classic” lens I imagined that the 75 would be a little soft, a little cloudy, some duller colors and without the bite and snap of the Leica 75 Summarit.I mean, let’s face it…most classic lenses are just that. Some are amazing, some are average but none are like the modern lenses of today. The cool thing is that sometimes a lens that renders in a classic way is sometimes preferred over a super sharp clinical modern lens to help keep those imperfections away during portrait sessions.

During my 1st tests with the 75mm lens in real world photo conditions I found the color to be vibrant and with tons of pop. In fact, I was surprised at what came out when I shot my Mother on a swing. The greens were very vibrant and her pink shirt popped as much as it could possibly pop.  I found the sharpness wide open to be a little bit soft, especially in the corners. I found it to have classical but pleasant bokeh. In fact, it performed just as I thought it would but the color pop exceeded my expectations. At $700 with free shipping, this lens already started to seem like a bargain. I mean, the Leica 75 Summarit 2.5 is not built better than this lens, is a little slower in Aperture at f/2.5, a SLIGHTLY farther minimum focus distance (The Voigtlander focuses to .9 meters)  and is more expensive..ALMOST triple the price at $1900. Go to the 75 cron and you are looking at nearly $4000. Remember, this lens is $699.

My Mom on the swing in the park. Shot at f/1.8. 

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I was walking around town when this kid just kept staring at my camera. He seemed to be intrigued so I said “Want me to take your picture”? He immediately smiled and posed with his football. Was shot at 1.8. This one is pretty sharp so when I say the lens is a little soft at 1.8, I do not mean it is “SOFT”, just softer than the Leica 75mm lenses.

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The lens was a snap to focus on the M using the rangefinder and was just sharp enough wide open to make me happy. Again, as I walked around and shot with the lens I was happy with the super smooth focus barrel, the solid clicking aperture ring and the build and heft of the all metal lens. At $700 shipped, I kept saying “THIS IS A STEAL”!!

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But I am still not a 75mm guy. I prefer my 28, 35, 50 and sometimes, on rare occasion the 90mm focal length.  With that said, if I were in the market for a 75mm this would be the lens I would buy just due to the massive bang for the buck involved. There is nothing currently made for Leica mount at this cost that will get you this quality.

Just an old mailbox I cam across while doing a 7 mile walk with my Mom and Son. Shot at 1.8. 

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Nice color pop, great Bokeh effect. At mid distances this lens shines for 3D pop.

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The Auctioneer, 20 years later. Voigtlander 75 1.8 at f/2. Here you can see the barrel distortion that is evident in the corners. While this is a crop, the top of the frame shows the distortion. 

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The Build of the lens is solid. Typical Voigtlander. Anyone who has shot with a Voigtlander lens knows what I am talking about. All metal construction, smooth focusing and aperture and an overall feeling of quality. The build is different than Leica but not far off in feel and use. The images have the smoother Voigtlander look and not the snappier Leica look that would come from something like the Summarit or Summicron.  The cool thing is that this lens can also be used on the Sony A7, A6000 or just about any mirror less camera with an adapter.

Trees of green. Click for larger. Shot at f/2.8 I believe.

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ISO 1250 at f/2

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After one full week of daily use I realized that while not perfect, the Voigtlander would be the perfect lens for those who are looking for a lens that will give them that rich 3D pop and nice color in a portrait focal length. While I think the Leica 75 Summarit is a little bit better, it is almost $1900 and going from $700 to $1900 is a HUGE step! The Voigtlander will be a little less contrasty, have a little less pop and have a little barrel distortion. The Leica will be more perfect and crisp and will not have the barrel distortion. The Voigtlander does indeed come with a metal hood while the Leica does not. Bokeh wise, they are both about equal with the Voigtlander having the more creamy Bokeh. So in my eyes, looking at the pros and cons like this leads me to realize that this Voigtlander is a huge winner and a deal for the cost of $700 with free overnight ship, which is what cameraquest is selling it for now.

My Mother on her Graduation day in May 2014.

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My Nephew in the park

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Overall this lens gets a high recommendation for those looking for a great 75mm lens for the Leica mount for a great price while offering fantastic, if not “classic” performance. When I review a lens I do not bother with charts, graphs and numbers as I feel that has NOTHING to do with photography, at all. What matters is how the lens performs when using it to take photos…what it was designed for! Yes, what a concept! Using a lens  to go out ad take real photos to see how it does in real life. I do not care what numbers say, I care about what the results say and to me, this is a fantastic lens with many more positives than negatives. In fact, the only negative I found was the slight barrel distortion which is only evident in some shots with straight lines at the top and bottom edges. It may give you some CA in certain situations but I have not found a Leica lens yet that does not do this (besides for the 50 APO cron at $7400).

So if you have been looking for a nice 75mm lens, take a long look at the Voigtlander 75 1.8. If you like the quality of the shots here, this is what you can expect when using it with a Leica M 240. Just know that is will be a little soft in the corners wide open up until about f/2.8 when it sharpens up quite a bit. If you want the ultimate in performance in the 75mm focal length, check out the Leica 75 Summicron. It is much sharper, more modern in rendering and much more expensive.

As always, thank you for reading this quick review! If you want to see my Leica 75 Summicron review (an oldie) , click HERE.

Steve

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PLEASE! I NEED YOUR HELP TO KEEP THIS WEBSITE RUNNING, IT IS SO EASY AND FREEE for you to HELP OUT!

Hello to all! For the past 5 years I have been running this website and it has grown to beyond my wildest dreams. Some days this very website has over 200,000 visitors and because of this I need and use superfast web servers to host the site. Running this site costs quite a bit of cash every single month and on top of that, I work full-time 60+ hours a week on it each and every single day of the week (I received 200-300 emails a DAY). Because of this, I need YOUR help to cover my costs for this free information that is provided on a daily basis.

To help out it is simple. 

If you ever decide to make a purchase from B&H Photo or Amazon, for ANYTHING, even diapers..you can help me without spending a penny to do so. If you use my links to make your purchase (when you click a link here and it takes you to B&H or Amazon, that is using my links as once there you can buy anything and I will get a teeny small credit) you will in turn be helping this site to keep on going and keep on growing.

Not only do I spend money on fast hosting but I also spend it on cameras to buy to review, lenses to review, bags to review, gas and travel, and a slew of other things. You would be amazed at what it costs me just to maintain this website. Many times I give away these items in contests to help give back you all of YOU.

So all I ask is that if you find the free info on this website useful AND you ever need to make a purchase at B&H Photo or Amazon, just use the links below. You can even bookmark the Amazon link and use it anytime you buy something. It costs you nothing extra but will provide me and this site with a dollar or two to keep on trucking along.

AMAZON LINK (you can bookmark this one)

B&H PHOTO LINK – (not bookmark able) Can also use my search bar on the right side or links within reviews, anytime.

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May 182014
 

The new Sony RX100III may be the hit of the year!

The new Sony RX100III was announced a couple of days ago and it looks like the best of the series to date, by far. The original RX100 was a killer camera that offered best in class IQ and speed and performance for a great price. The RX100 was a special camera, unlike any other at the time. The only issue with it was that there was not an EVF or viewfinder. The RX100II changed this by allowing the use of the Sony external EVF. They also added a backlit sensor for increased performance. Overall though, it was more of a refresh (which I am not a fan of) than a full-blown new camera.

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So now the RX100III is announced and it appears to be a stunner. What is super cool about this one is that Sony has added a POP UP EVF! Press a button and have an instant EVF of you want it. If you do not want it, keep it embedded in the body and used the LCD. Genius. They also kept the built-in flash that also hides in the camera when not in use. They also added a type of 3 Axis IS.

The camera looks the same, is still tiny and pocketable and has a Zeiss lens that will give you an f/1.8-2.8 aperture (a true 1.8 to 2.8 for light gathering) while zooming from 24-70 in 35mm equivalent terms. The sensor is a backlit 20.1 MP 1″ sized monster capable of ISO 12,800. It is said to have much better noise reduction techniques as well over the RX100II and I. The camera also has the Bionz X processor for fast operation and fast AF. The camera also has a built-in ND filter for those times you want to shoot in full sun while keeping the aperture wide open.

IMG_392241 IMG_392242The RX100 was a HUGE hit for Sony. A massive seller. The RX100II was a big hit, but not as huge as the RX100 I. The new RX100III may be the runaway hit of the summer for its small size, fast performance, stellar IQ and cool features. For me, having that pop up EVF nails it. With the RX100 II you needed the $500 external which made the cost of a nice RX100II system well over $1200! The new RX100III is $798 and if it performs as well as the other two will be well worth it. With that said, I have yet to handle one so I hope it does indeed live up to the reputation of the previous two RX100 offerings. But this one is all about take anywhere, front pocket, and quality. I will be reviewing this one, so stay tuned.

You can pre-order the RX100III at B&H Photo HERE or Amazon HERE. Price is $798.

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Details:

20.1MP 1″ Exmor R BSI CMOS Sensor and BIONZ X Image Processor

The large 20.1 megapixel 1″ Exmor R CMOS sensor features backside-illuminated technology to enhance its low-light capabilities to a native ISO 12800 while still retaining vivid clarity. Using Sony’s Column A/D Conversion and area-specified noise reduction, images are rendered with impressive quality and smooth gradations between tones and colors due to the marked, intelligent reduction in apparent noise. Further enhancing imaging quality, detail reproduction technology works to increase the fine detail rendering capabilities for a more three-dimensional, realistic image quality while diffraction-reducing technology helps to enhance the optical qualities of the lens by suppressing diffraction that is common when working at smaller apertures. Additionally, aiding working in difficult lighting conditions, the sensitivity can be extended to an effective ISO 25600 when using Multi-Frame NR, which records and composites sequential images in order to attain high sensitivity with minimal noise.

Also benefitting the image quality, as well as overall camera performance, is the BIONZ X image processor, which provides continuous shooting up to 10 fps in Speed Priority Mode, 2.9 fps shooting with single-shot AF, a shutter lag time of just 0.008 sec., and a start-up time of 1.6 sec.

Zeiss Vario-Sonnar T* Lens

The built-in Zeiss Vario-Sonnar T* lens provides a 35mm-equivalent focal length range of 24-70mm, covering wide-angle to portrait length perspectives to suit working in a wide variety of shooting conditions. An f/1.8-2.8 maximum aperture benefits working in difficult lighting conditions throughout the entire zoom range and also enables greater control over focus placement for shallow depth of field imagery, which is further accentuated by a seven-blade diaphragm to produce a smooth out-of-focus quality. Nine aspherical elements, including two cemented AA (advanced aspherical) elements, are incorporated into the lens design to minimize chromatic aberrations throughout the zoom range to benefit creating sharp, clear imagery. The lens also features a Zeiss T* anti-reflective multi-layered coating to help minimize lens flare and ghosting in order to produce imagery with rich contrast and color neutrality.

Benefitting the 2.9x reach of this lens, as well as supporting working in difficult lighting conditions and with longer shutter speeds, is Optical SteadyShot image stabilization, which helps to offset the effects of camera shake. When recording movies, the image stabilization utilizes an Intelligent Active Mode, which also uses electronic image stabilization to compensate for both camera shake and rolling shutter effects.

Additionally, a neutral density 0.9 filter is incorporated into the camera’s design, which provides a reduction of three stops in exposure to enable working in bright conditions with wider aperture settings and for greater control over how subject movement is rendered.

Camera Design

Within the compact design of the RX100 III is both a high-resolution electronic viewfinder and a large rear LCD monitor. The 0.39″ 1,440k-dot SVGA OLED Tru-Finder EVF provides a bright, clear means for eye-level monitoring, which is well-suited to critical compositions and working in bright conditions. It features 100% frame coverage, a unique pop-up mechanism, and a Zeiss T* coating on the optics to reduce surface reflections and flare for enhanced visibility. Alternatively, a 3.0″ 1,229k-dot Xtra Fine LCD screen is also available and features a tilting design (180° up, 45° down) to benefit working from high, low, and front-facing angles. WhiteMagic technology has been applied to the LCD’s design, too, to increase effective brightness for easier viewing in bright lighting. When working with both viewing means, an integrated eye sensor automatically switches between both the EVF and LCD. Additionally, the camera can be turned on simply by popping the EVF into place.

For intuitive, SLR-like adjustments over a variety of camera settings, a manual control ring surrounds the lens and features a smooth, click-less design for quick and quiet changing of settings. The ring can be assigned to control a variety of features, at different values, such as zoom, aperture, and Picture Effects. A step-zoom feature can be utilized, too, to allow instant switching between commonly used focal lengths.

Full HD Video Recording

Full HD 1920 x 1080 movies can be recorded in the high-quality XAVC S format, which uses a Long GOP (Group of Pictures) structure, MPEG-4 AVC/H.264 video compression, and linear PCM audio compression, and saves within the MP4 container format. These compressed files permit recording times up to 29 minutes while allowing 50 Mbps video recording at 1080/60p, 1080/30p, 1080/24p, and 720/120p frame rates. Full-pixel readout helps to minimize any artifacts in recordings due to the ability to utilize data from the entire image sensor, which ultimately results in smooth, high-resolution recordings. Movies can also be recorded in the AVCHD format, which is ideal for HDTV playback and Blu-ray disc burning, and the MP4 format, which is ideal for uploading online. Additionally, when shooting for two purposes in mind, dual recording is possible in different formats-XAVC S and MP4 or AVCHD and MP4-for the ability to instantly share footage while also having a higher quality version for subsequent editing.

Benefitting advanced video applications, the RX100 III also supports clean HDMI output for recording uncompressed video via an optional external recorder and for real-time viewing on an accessory monitor. Recording frame rates include 24p, 60p, and 60i, and the shooting info display can be turned off during recording for a cleaner view when utilizing an external monitor.

Built-In Wi-Fi Connectivity with NFC

Built-in Wi-Fi connectivity enables instant transferring of imagery to mobile devices for direct sharing online to social networking, via email, and to cloud storage sites. NFC (Near Field Communication) is also supported, which allows for one-touch connection between the camera and compatible mobile devices, with no complex set-up required. Once connected, the linked mobile device can also display a live view image on its screen and, using Smart Remote Control, remotely control the camera’s shutter release.

Additionally, PlayMemories Camera Apps are also supported via the built-in Wi-Fi connection, and allow you to personalize the camera’s features depending on specific shooting styles. Apps are available to suit creating portraits, detailed close-ups, sports, time lapse, motion shot, and other specific types of imagery.

Other Camera Features

A contrast-detection autofocus system works to acquire precise focus using single-shot or continuous AF modes. When working with moving subjects, Lock-on AF, with wide, center, and flexible spots, adjusts the target frame size as the subject moves throughout the image frame. Face detection and face registration technologies can be used to base focus on recognized faces and Eye AF is also available, which is a detail-oriented focusing function that prioritizes and dedicates focusing performance on a subject’s pupil for sharply-rendered portraits.

For manual focus control, DMF (Direct Manual Focus) and standard manual focus options are available. Benefitting precise manual focus, focus peaking can be used, which highlights edges of contrast within the frame for a more objective means of determining critical sharpness, or MF Assist is available, which enlarges the image for a better view of important details.

A zebra function can be used for easier detection of exposure clipping to prevent overexposure.

A dedicated Custom button permits assigning of one of 42 possible functions for instant, one-touch access to a chosen control.

A digital level gauge detects pitch and roll types of movement and helps to produce even, consistent horizons and plumb verticals.

Smile Shutter technology enables the camera to automatically release the shutter when a subject’s smile is detected

Multi Frame NR records consecutive images at a reduced ISO sensitivity and then composites them into a single image to realize higher effective sensitivity (up to an equivalent ISO 25600) with minimal image noise. Standard image compositing is comprised of four exposures and High image compositing utilizes 12 distinct exposures.

Dynamic Range Optimizer (DRO) works to improve images featuring backlit subjects or scenes with high contrast where details can be lost in the shadows or highlights. This mode can be controlled automatically or fine-tuned using five settings.
Picture Effect modes allow you to apply creative settings and emphasize certain facets of individual images for a richer, more aesthetic picture quality. Posterization (Color/B&W), Pop Color, Retro Photo, Partial Color (R/G/B/Y), High Contrast Monochrome, Toy Camera, Soft High-Key, Soft Focus, HDR Painting, Rich-Tone Monochrome, Miniature, Watercolor, and Illustration modes are available.

Creative Style settings provide control over how the camera processes images based on different predetermined styles: Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia, and Style Box. Within these settings, contrast, saturation, and sharpness can also be adjusted depending on personal preference.

To extend the effective reach of the optical zoom lens, Clear Image digital zoom can be used to intelligently magnify scenes up to 5.8x at full-resolution. This digital zoom technology uses an intelligent interpolation process to minimize the amount of image degradation in order to produce realistic, high-quality images.

In-camera creation of 4K slide shows is possible for rich playback to ultra high definition televisions. An HDMI port is incorporated into the camera’s design, too, to enable direct connection to HDTVs.
TRILUMINOS Color support is supported to produce rich, natural colors when imagery is viewed on a TRILUMINOS Display.

May 172014
 

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New Orleans for Fun, Photos and Ghosts with Olympus TG-3 and E-M10

Wow, finally I am at home relaxing in my Pajamas and with cup of coffee in hand I am feeling blessed in all aspects in my life. From happiness, to love, to living a stress free happy life.  I am wondering how in the hell I managed to end up so happy in life, so at peace, so fulfilled. In any case, it feels good to be back home after traveling for the past 11 days or so. For the past three days I was in beautiful and spooky New Orleans with Olympus camera and a few other bloggers. Why were we there? Well, it was a press trip to allow certain websites to test out the new Tough TG-3 camera as well as the E-M10, the mini E-M5 which is absolutely FANTASTIC! I reviewed it a little while ago HERE but I loved it just as much as I loved the E-M5 and E-M1. For the cost, it is quite amazing in its capabilities and equals the E-M5 and E-M1 in IQ, without question. For under $800 you get the E-M10 and Lens. Great buy. 

So after visiting my Mom for a week over Mothers Day I came home for one night and flew out to New Orleans for this trip that was to be jammed packed from morning until night. Going on a late night Ghost Walk, touring the beautiful Oak Alley Plantation, taking an almost two hour long Swamp tour to staying right in the heart of the French Quarter and hitting some famous pubs, bars and restaurants we sure did get a chance to see as much as we could in those 2 1/2 days. I have always wanted to see New Orleans as it is filled with a rich and sometimes tragic history. It seems like a place we should all see at least once in life.

At the Oak Valley Plantation shot with the E-M10 and the awesome 12-40 2.8 Pro Zoom

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When I arrived to the W Hotel in the French Quarter I was boon away as it was smack dab in the middle of the quarter and with all of the rich history I was looking forward to just hanging out and shooting some images. But within 5 minutes of arriving I had to change and head down to the lobby to meet the group for dinner. As we took the walk to dinner it was a sensory overload with all of the people, the bars, the strip clubs, and all of the debauchery that the French Quarter is known for.

Shot with the E-M10 and 25 1.8 while heading to dinner on night #1

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After some amazing food was into our belly we headed to a walking Ghost Tour that net up a local haunted bar. This was to be a 90 minute walking tour of the French Quarter at night while we were told ghost stories about the history of the area. Was good fun and we made sure to get a beer or two before the walk. The tour was not scary at all but more educational. Wether the stories were real or not I do know but it was fun to walk the city at night.

The Ghost Tour was led by this woman who was full of knowledge about the legends and ghost stories of the French Quarter. E-M10, 25 1.8 using grainy B&W

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Next Up…

We ended up at a Karaoke Bar where we watched some fun to watch but horrible singers as we enjoyed a few drinks. I shot a few with the E-M10 in grainy B&W mode which adds massive grain but allows use of super high ISO without worry as you expect the noise ;) resembles grainy old film in many ways.

E-M10 at the Karaoke Club but I shot the crowd below who was really enjoying the show.

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Mr. Chris Gampat from the Phoblographer was there as well as freelancer Laura Hicks. 25 1.8 in darkness and grainy B&W mode. Not sharp due to motion blur but captures the moment.

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A club nearby had a live band and I grabbed this shot through the street window with the 25 1.8

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Two of the wonderful ladies who are with Olympus. They made sure we all had a great time while using their latest cameras. E-M10 and 25 1.8 in Grainy B&W.

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Lots of music in the French Quarter!

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With night# 1 wrapped up I was back in my room for some much-needed sleep.

Trying out the Tough TG-3 on Day 2 at the Oak Alley Plantation

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At 6AM the alarm woke me and I prepared for the day by getting ready, answering some e-mails and eating a good breakfast. This was the day of more tours and it started out with a bus ride to Oak Alley Plantation which was gorgeous of course. The weather was in the 70′s with some sun and I could not have asked for better. We learned about the history of the plantation and was able to snap some shots. This was the day I also was able to test out the new Olympus Tough TG-3.  I have never tested the TG1 or TG2 because I was never interested in an all-weather point and shoot. After using the new TG3 for two days I went to Amazon to pre-order one. At $349 it is a crazy steal of a deal and will take all kinds of abuse being shockproof, weatherproof and waterproof to 50 feet. It has high def video, slow motion high-speed video and a very cool Microscope mode that is unlike any macro I have ever tried. At $349, this guy is a must own for anyone who needs a good all around TOUGH camera to survive the elements around them. While not the last word in image quality it is very good for what it is, a small sensor P&S built into an indestructible body.

With the Ring Light, which is a must own for this camera! Snaps on and off easily and works GREAT!

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You can pre-order the TG-3 HERE at Amazon. Ships in 3 weeks or so according to Olympus. $349. They also sell a wide-angle converter, a tele converter and the coolest ring light I have ever seen for around $40 that makes the Microscope mode work unbelievable well.

Here are a few shots I snapped with the TG-3 tough while at the plantation and the swamp tour:

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You can see the reflection of the ring light in her eye while in Microscope Mode. I could have gotten closer but did not want to touch her eye!

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On the Swamp Boat Tour…behind me..

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and seeing some gators up close…

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At one point I dubbed the Tough into the swamp as an alligator came for it. A couple of us tried this and I shot some video but the camera was sideways so the video is not very good. Still, the Tough captured HD video while dunked in a nasty swamp!

Below: Microscope mode as  the camera and light were set on top of my ring…

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…and here I literally laid the camera down on my hand – yes, the lens rested on my hand and still focused – Microscope mode. Looks like I need to moisturize! Damn. 

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Overall my 1st impression of the TOUGH TG-3 was amazing. Fantastic! The $349 body is well worth it for those who want a take anywhere all-weather all activity camera. Add in the ring light for under $50 and the Wide angle lens for around $109 and you have a pretty capable little system that will withstand drops, kicks, water, snow, ice and anything you throw at it. Microscope mode takes it over the top and is easily accessible with the dial. Just turn it to the little image of the Microscope.

The Tough is one tough cookie. I even dunked it in a Lilly pond and when I took it out this was the image I snapped:

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After this I dried it off and it was performing just as it was before. No damage to the camera, lens, internals or memory card.

But back to the Plantation and Samp tour. I also shot with the E-M10 and 25 1.8 and 75 1.8 while there and came away with some great quality shots. Keep in mind, all of these shots are OOC JPEGS. No RAW. Olympus can pull of JPEG very well and the E-M10 is no exception.

Here are some shots with the E-M10 and various lenses:

The E-M10 and 12-40 Zoom at 2.8

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The E-M10 and 75 1.8 wide open, natural light. 

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Some behind the scenes antics..

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On the boat I shot the other boat with the 2nd half of our group with the 75 1.8

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The eyeball of my new friend, Mr Alex McClure, an Olympus trailblazer and amazing photographer based in Phoenix AZ. Shot with the E-M10 and Voigtlander 17.5 at 0.95!

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More fun with the E-M10 and 75 1.8…

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The final night..

After the tours we were able to get to the hotel and freshen up before dinner and another night out in the French Quarter. On the way to dinner I took along the E-M10 and my 20 1.7 II and shot a coupe of snaps along the way in Grainy B&W mode..

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I had a blast in New Orleans but the only problem is I did not have any personal time to explore. That means I must go back soon for a few days to see all that it has to offer. Just the little taste I had of the sights, sounds and food all told me it is a special place. I highly recommend the E-M10, as I did in my full review of the camera HERE. The new TG-3 is one hell of a camera as well and priced right. You can order that TG-3 HERE. The ring light is HERE.

So I thank Olympus and all of those who were there along for the ride. Was a great time of fun, friends and shooting!

Steve

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