Apr 152015

West Coast Monochrom

by Phillipp Wortmann

These are photographs taken along the California West Coast during a trip in march 2015. The route was roughly LA – San Clemente – Joshua Tree – Morro Bay – Big Sur – Santa Cruz – Point Reyes – San Francisco.
As I like to keep it simple I brought only my M6, 35 Summicron IV and a bunch of Kodak TriX film. It doesn’t matter if it’s cameras, lenses or film – if I bring more than one I can never decide what to use so limiting myself in that way actually gives me a lot more peace of mind.

For the past year or so I have been almost exclusively shooting 35mm color film but for this trip I wanted to give the black and white another go. This decision was actually made a couple of weeks prior to the trip when I went through my archive and rediscovered some of my older black and white film photos. You can check my little user report on that HERE.








Another reason for going with black and white was that I had already been to do southwestern US the year before where I shot all Kodak Portra 160. So to avoid ending up with very similar photos from two different trips using Kodak TriX 400 made sense. If you like you can see the color shots from last year here: https://www.flickr.com/photos/derphilipppp/sets/72157648794789646/

So overall the trip was a blast and although I didn’t shoot as much as I had hoped/planned/anticipated I’m really happy with some of the shots I got. I will probably need to find a darkroom to do some prints soon.

The entire album can be viewed here: https://www.flickr.com/photos/derphilipppp/sets/72157651692347201/

You can also see more of my photos here: lifeon35.tumblr.com and instagram.com/derphilipppp/

Best regards and thanks for the opportunity to showcase my work!


Mar 242015

Quick Crazy Comparison! Leica M-P 240 with 35 Cron vs Sony A7II with 35 Zeiss Loxia!

JUST FOR FUN!! I have a Leica M-P 240 here with a Leica 35 Summicron ASPH. I also have my A7II with Zeiss 35 Loxia so I decided to run out back to take a couple of TEST shots, just for fun. I was curious about BOKEH of each lens and for my tastes, the Leica 35 Summicron won the Bokeh test for me. The Loxia is a tad busy in comparison. In either case, both of these cameras and lenses can do wonderful things but there are small differences in IQ and HUGE differences in using the cameras.

I have become so used to my A7II and Manual Lenses I adore the EVF and accurate focusing. With the M I adore the experience of shooting a rangefinder in a mature digital body. I also love the battery life of the M. Below are a couple of shots all wide open at f/2 to see the character of each lens. Nothing more, nothing less.

All were RAW and colors were not tweaked. What you see is what came out of the RAW conversion except for test shot #2 where I converted each to B&W to see if there was a difference. I used Alien Skin for the B&W conversion. Click images for larger versions.

You can read my A7II review HERE or my Leica M Review HERE. 







Mar 182015

New black chrome Leica 35 Summicron and 1959 50 Summilux ASPH!

Two legendary lenses, the Leica 35 Summicron f/2 ASPH and the Leica 50 Summilux 50 1.4 ASPH are getting a facelift from Leica in the form of all new black chrome versions. The 50 Lux ASPH is GORGEOUS in the new finish as they designed it much like the older classic 50 Lux lenses, in fact, from the 1959 Leica 50 Summilux! I WANT IT just for the beauty of it, and of course being a LEGENDARY lens.

The black chrome 50 Summilux ASPH 1.4


While these are the same tried and true lenses from Leica, we do get the striking black chrome finish with red accents. I feel the above 50 Lux is so much more beautiful than the standard version.

Here is what Leica says about the new lenses:

“Leica Camera now offers the Leica Summicron-M 35 mm f/2 ASPH. and Leica Summilux-M 50 mm f/1.4 ASPH. lenses in an alternative black chrome version. The matte black surfaces lend both reportage lenses a unique look and the extra benefits of a particularly robust and resilient finish.

Up to now available only in black anodised and silver chrome versions, the new black chrome lenses also offer new design features. For example, the Summilux-M 50 mm f/1.4 ASPH. revisits the classic design of its predecessor from 1959. Typical features of this are the scalloped focusing ring with knurled segments and the finely knurled aperture ring. In addition, the focusing scale in feet is picked out in red on the black chrome lenses. The new version also includes a round lens hood and a lens cap – both made from metal.

The Summilux-M 50 mm f/1.4 ASPH. is the standard lens for the rendition of subjects in their natural proportions. Its high speed makes it ideal for available-light photography, the use of selective sharpness and art photography and also makes it a first choice when building a basic stock of Leica M-System equipment.


The Leica Summicron-M 35 mm f/2 ASPH. is distinguished by its excellent sharpness, high contrast and exemplary resolution at all aperture and distance settings. Despite its high speed and exceptional imaging performance, it remains an astoundingly compact lens. Equipped with this 35 mm lens, every Leica M-Camera immediately becomes an extremely compact, versatile and elegant photographic tool.


In terms of its technical specifications, the lenses are identical to the serial production versions. The lenses will be available through authorized dealers at the end of April 2015.


KEN HANSENEmail him at [email protected]



THE PRO SHOP for photographers! 

Dec 222014


Sixty Weddings with a Leica M 240

by Joeri van der Kloet

Hello to all of you! Thanks Steve for giving me the opportunity to share my thoughts with your readers again. I’ve posted a couple of times on shooting weddings with a rangefinder, but I thought it would be nice to give you an update.

I’m quite sure I’m a lucky person. 2014 was a crazy year and it’s not over yet. I just kept getting emails from people who were getting married and asking about availability. It was a very busy, yet immensely rewarding year. With an ever-increasing competition among (wedding) photographers this is something I don’t take for granted. I have found that staying true to the way I work does pay off. I don’t stage anything besides the group portraits and I shoot real moments only. Just snapshots of beautiful moments. Nothing more, nothing less. Sometimes my clients tell me it felt like I was just one of the guests, who happened to be there with a funny little camera. The M helps in this approach with its modest proportions, but behavior is just as important. I wear a suit if that’s the dress code, I mingle with the other guests and even my camera bag fits in. It may seem like just common sense, but you’ll be surprised how often this is forgotten.
Besides my documentary wedding work, the number of customers for my workshops are growing. Lots of rangefinder users are interested in the way I use my camera and they’re especially interested in my focussing training techniques. I really love this work, because I can help people to get more fun with their cameras.

In the last two years I’ve shot 60 weddings with my Leica M240 and although I already reviewed this camera here before, let me give you an update after many hours of shooting.
After having shot around seventy weddings with my M9s, a few years ago, I had gotten used to this camera. While I was on a four months journey around the world, I heard about the new M and I was quite excited, but also in doubt. A CMOS sensor? Liveview? Video? Seriously? Like most of you, the first pictures we saw that were taken with the new flagship were somewhat disappointing. Soon after that, the CCD vs CMOS discussion took off. And we’re still having this discussion today. Of course I also read about red skin tones, the lack of ‘crisp’, ‘pop’ and ‘3D’. However I also read that the M240 featured 2 extra stops in ISO sensitivity, a more silent shutter and a better responsiveness in general. For me, the increase in ISO sensitivity was enough to spend the 6300 Euros and start working with it.

The number one reason for me to work with the M240 instead of the M9 is ISO. I’ve really needed those two extra stops for low light circumstances. Even with a fast 35/1.2 I have used the highest ISO setting quite a few times. Of course the wedding receptions are the hardest moments to capture. As a rule of thumb I can freeze people who are dancing at 1/90th and at 1/60th, even though it will start to get slightly fuzzy, the look is very moody. People that are dancing slowly can be shot at 1/15th and still be sharp enough. By the way, sharpness is never my main concern. Emotion has top priority, then composition and only then sharpness. Flash is no option as far as I’m concerned, since I try to be as unobtrusive as possible. So for ISO only, I’d choose the M240.
Next is overall responsiveness. The M9 has a somewhat gritty shutter button, while the M240 has a clear two-step shutter button. The shutter itself is more silent and lacks the whining noise of the M9. Button wise, the M240 is more responsive, although I have heard people complaining about the start-up time. With my M, I have no problems with that and whenever I use my M9, it feels slower to respond on the buttons. Handling wise, I prefer the M9, simply because it significantly lighter. Don’t underestimate these 100 grams. You will notice the difference.

Much has been said about the M9 screen. Yes, it’s a joke, but it never troubled me. It was good enough to browse through the menu, check my histogram and check composition. If you’d want to check for sharpness, forget it. Though the M240 is not very good for checking for sharpness either (just compare it to the 5D3: now that works!) it’s a lot better than the M9.
But then the menus: I prefer the M9, simply because it’s more intuitive and easier to work with than the M240. Also, setting the ISO on the M9 triggers a clever menu: by clicking down you’ll increase one stop and by clicking to the right you increase your ISO with ⅓ of a stop.

Then there is the live view. First I thought I’d never use it on the M240. When I started using it, I discovered some benefits of this system. It always works, no matter how dark it is, whereas the EVF might get so dark that it’s almost too hard to focus. Live view also provides a way for very precise focussing. The drawback is that live view is very laggy. For me, during action it’s unusable, but for more static subjects it’s great. It’s also great for checking if your rangefinder is still calibrated properly. I do not use it a lot, but I wouldn’t want to miss it in a next M.

Battery life of the M240 is very good. With my two M9s I used to carry six batteries to a wedding. Now two is enough. So that compensates for the increase in weight of the camera itself. Sort of.

Issues then. The M9 has had quite a few and one more recent issue can be added to the camera: corrosion of the sensor. While the M240 has had its share of bad luck, it seems to be problem free at this moment.

The most important feature of a camera however, is its output and that’s what most people are talking about. It’s the CCD versus the CMOS. Yes, the files are different and everyone had to get used to these new files, myself included. Technically, the M240 files are superior: they have more dynamic range, less noise and they’re just more flexible. The issue with the skin tones has been fixed, though it never bothered me much. The M240 needs a little more punch than the M9 files: increasing the contrast a little is usually a good thing. For me, I’m really happy with the output the M240 delivers. Of course, you’ll have to shoot in raw, just like with the M9. Where the M9 really shines is base ISO. Those images, where light is good and focus is spot on are almost unbeatable. But as a pro I don’t shoot on base ISO that much. I don’t get to choose the light on a wedding and often it is dim, or very contrasty. So what do I want? Low noise high ISO and flexible files with a good dynamic range. And that’s what the M240 delivers. If you’re shooting in other circumstances and you don’t need to make any money with your camera, I can perfectly understand why you’d prefer the M9 over the M240. In fact, I still have my M9-P which I will keep as long as possible.

Maybe you don’t even need to make a choice between the M9 and M240. When I switched to the M-system, the M9 was the only full frame compact camera body in the world. Lots has changed. Sony has made the full frame compact system camera accessible for a much bigger group of people with the A7 series. I have seen many great reports about the A7 and A7s. Steve here rated his A7s as his number one camera! On the other hand: DSLRs have acquired features that make them more interesting for the documentary approach as well. The Canon 5D3 for instance, is just as silent as the M240 in its silent mode. Also, its AF-system is a lot better than the 5D2, which makes the 5D3 a pretty good smallish, silent camera for the documentary wedding pro. For me, I just like the way the M-system works with its simple lay out and its intuitive controls. I wouldn’t want to change that. Also, my M is my best marketing tool ever. Whether I like it or not, it sells.

So, in conclusion, can we finally say which camera is better? No, we can’t, because image quality should be one of the most important factors in deciding which camera to buy and this image quality can’t be described in numbers and sometimes not even in words. I just wanted to explain why I still prefer the M240 over the M9 after having read the renewed CCD vs CMOS discussion. Whatever camera you buy, get the one you can afford and just shoot with it. That’s what they’re meant for.

My wedding website: www.luta.nl
My workshop website: www.joerivanderkloet.com

and now, the photos!

1 Magical moment. The couple started dancing on our tiny boat on the Amsterdam canals. The sun came through and I just knew I had the best job in the world. With 28 Elmarit.


2 The dance. They just kept dancing on this wedding and everybody had such a good time. Very low light, but I think I nailed it on 3200 ISO on 1.2 at 1/125th with the terrific CV35/1.2.


3 Bride getting ready. I love to use whatever there is available for natural framing. With the small but very good 35 cron.


4 The car. This bride just loved the classic Porsche 911 the groom arranged for their wedding. And it even worked with the dress. Shot with the CV35/1.2.


5 Intimate moment during one of the speeches. I’m constantly looking for these moments. With the 50 cron, my workhorse.


6 Waiting for the groom. While the bride was peeking through the window, this dog jumped on a chair and started peeking as well. I couldn’t have been happier of course. CV35/1.2.


7 The vows. This was an intimate outdoor wedding and the couple had ordered birds made out of paper from Japan as a styling detail. I decided to shoot the vows through this curtain of birds. With the tiny 28 Elmarit.


8 Father and child having fun. Shot at 6400 ISO at 1.2 at 1/60th. Is it sharp? No, but it conveys the message. CV 35/1.2.


9 Bride and groom and umbrellas. It was a rainy day and the couple moved from the wedding venue to the next venue. I liked this scene and shot it quickly. With the 35 cron.


10 I noticed this little moment just after the ceremony between the bride and her daughter. Shot with the 50 cron.


11 The moment after the kiss. Couples relax after all the offical things are done and you can tell by just looking at their faces. WIth the 28 Elmarit.


12 Soap and sunshine. During the ceremony it was dark and rainy, but when the couple got out the weather had changed completely. They were hugging each other and I liked this scene with its warm colours and all the reflections on the bubbles. With the 28 Elmarit.


13 The laugh. While returning from a group shot, the groom (probably) told a joke and the bride laughed out loud. I like the flare and the soft light as well. With the 50 cron.


14 The cake. This lovely couple just had a terrific day and I love the little moment with this interaction between the newly weds. With the 50 cron.


15 The look. The groom was listening very carefully while the bride was secretly looking at her husband-to-be. I love, love this light and the way the 50 cron renders the scene.


16 Magic light. When the couple walked towards their car after the ceremony they literally stepped into a ray of light. Smooth, warm, just beautiful. And the 50 cron has no trouble in rendering this scene.


17 Boy and car. When the groom went for a cup of coffee, the kid sneeked in the car, an Audi R8, and pretended to drive the car. I could hear him imitating engine sounds. With the 35 cron.


18 Smooth. The CV 35/1.2 is not just a low light lens. It’s also suitable for getting this smooth look. I’m not sure who the bride was looking at, but I just like this shot.


19 Friends. Well, this one doesn’t need any explanation. Best friends captured with the 50 cron.


20 Getting ready. I like the expression of the bride and the soft light from the window. Shot with the 35 cron.


21 The kiss. An intimate wedding with only twenty guests. Being able to mingle with guests is even more important than at big weddings. With the 35 cron.


22 Almost ready. After many years of shooting I’m still surprised that my clients give me the opportunity to capture all these delicate moments. Here the bride, probably quite nervous and so beautiful in the last moments before she’ll meet her groom. With the CV 35/1.2


23 Light from above. This couple lived on a boat with windows in the ceiling. When the groom stepped on board, the bride heard him and looked up, trying to get a glimpse of him through the window. Shot with the 35 cron.


24 The quote. While we were heading out for a boat trip we came across this quote and I quickly focussed on it. The groom turned his head to read it and I took the shot. CV 35/1.2.


25 Kiss me honey. The bride reaching for a kiss in a train somewhere in Rotterdam. With 28 Elmarit.


26 The first look. It was very narrow and I didn’t have much space to shoot the couple during the first look. Luckily, there was a mirror. CV 35/1.2.


27 Father and bride. Long after the wedding, this bride told me that this picture made her father cry. I’m still honoured she took the effort to tell me that. Shot with 50 cron.


28 Kiss and dance. Working with a rangefinder in low light conditions can be hard, but also very rewarding. The couple loved this shot and so do I. CV 35/1.2.


Sep 262014

Pahoa Lava Flow

By Tom Niblick

Every year my wife and I close our studio for a week or two and go to the Big Island (Hawaii) to house-sit a friends cabin while he visits friends and family on the mainland. Our friend’s home is about halfway up the slope of Kilauea, the world’s most active volcano. The cabin had just survived Hurricane Iselle last month with only one casualty, an albizia tree. He was lucky. A few miles away Iselle cut a swath through the forest downing countless thousands of trees, power lines and closing roads, leaving the Puna district (southeast) without power and water for several weeks.

A second natural disaster is slowly creeping down the volcano and in less than two weeks will sweep across the main highway and isolate thousands of homes and farms. The Puu Oo lava flow, which started on June 27th, has moved towards the sea at a rate of 250 – 400 yards every day. We could not see the hot lava while we were visiting Puna because the lava was moving through inaccessible forest land and near access was blocked to all but local traffic. All we could see was smoke in the distance. All of this has changed two days later, as the lava has enter the Kaohe Homesteads subdivision, putting countless homes in danger.

Around September 24th as the lava will cross highway 130 and, unless the flow changes direction, will probably destroy the town of Pahoa. This has happened before when a similar lava flow closed the highway at Kalapana, burning homes and isolating hundreds of residents. The current flow promises to be even more dramatic.

The town of Pahoa is a charming place with several nice restaurants, coffee houses and markets. Inhabited by young and old hippies, it is a tropical paradise where nature’s children go to escape civilization and live a simpler life. Land was (and still is) inexpensive and living off the grid is common. However, there is a reason why one can buy land in paradise for less than $10,000 per acre – lava. Black lava is only a few inches beneath the surface with a sprinkling of moss and decayed forest litter for covering. The subsurface lava is also why so many trees went down in the hurricane, the tree roots were close to the surface and with no dirt to hold them down, tipped over in the wind.

Nothing is being done to divert the flow as native Hawaiians consider this disrespectful to Pele, the volcano goddess. In fact they are all busy cleaning their homes and cutting their lawns in preparation for “a very important guest.” Doing these simple tasks often spares houses and property. We took a day and did the same. Our friend’s house is now clean, cut and ready for Madam Pele, should she decide to shift her flow.

Should anyone want to see this once-in-a-generation event, they should get to Hawaii soon. Once the lava closes the highway, only local traffic will be permitted on the dirt road by-pass now being plowed. Even this emergency road lies between the lava and the sea. Disaster is inevitable. It may be many years before the flow stops and this corner of the island becomes accessible. Rooms and lodging will be scarce in Hilo which is about an hour’s drive from Pahoa. Arnotts is an affordable combo hostel, camp and lodge. A real treat would be to stay at the Volcano House inside the National Park. Bring a tripod if you want to shoot the lava at night and good shoes!

We would have loved to stay to witness this once-in-a-generation event but had a backlog of studio work and our own house sitter had other engagements. Ten days was all we could spare.

Of yes, I used my ever-present Leica M9 with 21 SEM, 35 type IV Summicron and 50 Summicron (Tiger Claw) lenses while Debbie, my wife, used her favorite camera, an Olympus OMD E-M1 with 12-40 and 60 macro Olympus lenses. She loves her little camera!

1) Debbie shooting what is left of a bromeliad garden after host tree was uprooted in hurricane. Leica M9 with 35 Summicron.

1 Debbie
2) Bromeliad. Olympus OMD E-M1 with 60 Macro.

3) Roads are closed except for local access. Leica M9 with 35 Summicron.

3 Road Closed
4) Lava is burning the forest about 1 mile from road. Leica M9 with 35 Summicron.

4 Lavainforest
5) Pele’s Kitchen in Pahoa. It is considered bad luck to name a business after Pele. Leica M9 with 35 Summicron.

5 Pahoa
6) Kaleo’s Restaurant in Pahoa. Leica M9 with 35 Summicron.

6 Pahoa
7) Kalapana Lava Flow. There was a road here once upon a time. Olympus OMD E-M1 with 12-40 zoom.

8) Kilauea Iki Trail. This 4.5 mile hike takes you across a hardened lava lake which is still steaming from the 1959 eruption. Leica M9 with 21 SEM.

8 Kilauea Iki Trail
9) Kilauea Iki Crater. Ohia tree and ferns dot the crater. Leica M9 with 21 SEM.

9 Kilauea Iki Crater
10) Land for sale… cheap! Leica M9 with 35 Summicron.

10 Land4sale

Jun 102014

Tibet with my M9

By John Kurniawan

Hi Steve/Brandon,

I am a frequent visitor of you side after I got my first M9+cron 35asph. I have not using rangefinder type of camera for 20+ years since my FM2 rest inside the drawer as I am busy building up my business.

Around 10 years ago when I got a second daughter I start to get D300 and shot occasionally not seriously yet till last Jun we are on a vacation trip where I have to carry bag pack, a DSLR+zoom lens and for sure shopping bags…..

Leica M9 has been my dreams since it launch but back and forth hesitate to get one as have the mind-set difficult to focus, everything else must be manually set, so last August I took the plunge and get a pre-owned M9 from a friend. The first 2 weeks quite frustrating to get use to it, but I determined must get over it and since then every where I travel only one cam and one lens to off some of the load.

Herewith I attached some shots of my recent trip to Tibet, hope all of you enjoy the colorful Tibet.






May 152014

Thailand with my Leica M9

By Thomas Cassagne

My name is Thomas, and I am a French amateur – but passionate – photographer.

I began shooting with a Leica M7 a few years ago, mostly black and white. But processing the films took me too long and I could not spend enough time on the streets, which made switch – with some reluctancy – to a Leica M9, about two years ago. I also switched to color, mostly because I do not like the rendering of digital black and white, but also because I wanted to try something new.

Over the years, my interest in photography narrowed to two categories : family, which I keep to myself, and street photography, that I started publishing on a blog a few months ago. Most of my pictures are taken in my hometown, Paris, or during my travels.

Here is a small series of pictures that I took during a travel to Thailand last summer. It is a beautiful country, and traveling is easy even with kids. I strongly recommend it!

For those interested in gear, let me say that all the pictures below were taken either with an old Summicron 35 mm (version IV), or with a brand new Summilux 50 mm. I processed the images in Lightroom 5 – the best photo software in my opinion. Here we go!

First, a picture of Bangkok. I like this picture because it is representative of what I like in this city : messy, but colorful and strangely beautiful.


Scooters are a very important means of transportation in Thailand, and there is no limitation to the number of passengers : I found that this multi-generational scooter was a beautiful example of this.


Tuk-tuks are also part of the street landscape of the city – and an fun way to discover it.



Street vendors, and especially food vendors, are everywhere on the streets. The food is exceptionally cheap and good.


Waiting for customers can be long, which makes reading the news a very popular activity…


At night, Bangkok’s Chinatown can look somehow like NYC..


Monks are also an important part of the visual landscape, and it is always a pleasure to see their orange gown in the streets or – of course – in the temples.



When traveling around the country, you can meet some incredible characters, such as this boat driver, who was very nice and caring.


Even in touristic areas, such as old temples, there are always opportunities for interesting pictures.



The countryside and its rice fields are very impressive, and a good opportunity to meet different Thai people.


Finally, when you reach the islands of the south of Thailand, expect to be amazed by the beauty of the color of the sea…


I hope you enjoyed those pictures : of course I welcome any comments!




Mar 302013

Using the Olympus OM-D and the Leica M-E by Andre Ritchie

My name is André Ritchie and I’m writing from Macau SAR, China. I’m a regular follower of your site, I like to check what’s new and I really enjoy reading your Real Life Reviews and Daily Inspirations!

I’m writing to share my experience using two cameras: the Olympus OMD and the Leica M-E.

My passion for photography started 20 years ago with my father’s Canon AE-1. Eventually I started buying my own stuff and during the film years I embraced the Canon EOS system. So when digital photography arrived it was a natural decision to buy Canon DSLRs and keep using the same lenses. My last DSLR purchase was a 5D Mk I.

But then something happened in 2010 that completely changed my approach to camera gear: my son was born and dragging around his stuff together with a heavy DSLR + lenses became impractical.

Mirrorless was the way forward and I adopted the M4/3 system because it seemed right: decent IQ and nice body and lens proportions. Large lenses on tiny cameras feel strange to me… I went for Olympus and after a foray into the Pen series, I ended up with the OMD. Picture #1 was shot using the Olympus 75mm/f1.8 at f8. It was shot at the Macau Tower at 300+ meters height. (The Macau Tower is, among others, home to the world’s highest bungee jump…). The picture was converted to B&W using Aperture and enhanced by adding contrast. No cropping was made.

I love my OMD as is such a small and light camera, but it’s solidly built with a professional feel. IQ is very good indeed. My everyday lens is the Panasonic 20mm/f1.7. I have the additional grip attached at all times, but only half of it – never felt the need to use the vertical grip. I think Olympus got it right by creating this modular system. Handling is perfect with the grip.

My other camera is a recently purchased Leica M-E. Initially I used it with two Voigtlander M-mount lenses I previously bought for M4/3 (35mm/f1.4 and 50mm/f1.1), but soon after I bought the clinical Leica 35mm/f2 Summicron. What a perfect lens. I mean, I was happy with the results of the Voigtlanders and I think they have soul: pictures #2 and #3 were shot using the 35mm and 50mm, both wide open at f1.4 and f1.1.

But the Summicron introduced me to a different world. The remaining pictures I’m submitting were shot using the Leica M-E with the 35mm Summicron. I’ll let the pictures do the talking.

Many people criticize Leica – and Leica users – because of the price and lack of features. Not that I agree with their pricing strategy, but I think people who had never owned or shot with a Leica should not criticize because – when the conditions are right – the image quality is outstanding and absolutely jaw dropping.

Pictures coming out of my M-E have this unique look and special ambiance that make them extraordinary. So yes, there really is this thing called the Leica look and I think it’s worth the money.

Thanks for reading and enjoy your photography!

André Ritchie







Jun 212011

Vilnius Lithuania – My walk through this photogenic town

By Steve Huff

So here I am today..another day of serious photo opportnities! I am in Vilnius Lithuania for the next stop on the Seal European summer tour and yesterday I walked around quite a bit snapping shots of this lovely charming town. Had my Fuji X100 (new firmware rumored to be coming within the week) and Leica M9 with me and both gave me wonderful results, can’t complain about either of these lovely cameras.

I started the day early morning as the weather was brisk, cool, and sunny. In other words, PERFECT! Back home in Phoenix it is 110 and sunny so I am really enjoying this weather while I can get it! As I looked out of my hotel window I thought “Perfect Photo Weather”!

BTW, I am also staying at a beautiful hotel here in town and had to snap a couple as I left my room. Love the old world charm of this place.

Next three shots, M9 and 35 Summicron ASPH – THE 35 Cron Character shines through here…

As I made my way down the stairs and outside of the hotel I started snapping the little X100 quite a bit as I started to become addicted to its ease of use and lovely EVF. Also, after shooting it so much, I have really learned its strengths and its weaknesses. As I have always stated,  It is in NO WAY like shooting an M9 but  it’s also a joy to use, and the output is astoundingly great at times.

CLICK for larger version – X100 at its sweet spot, f/4

Even f/2 works well on the X100 and can be a sweet spot at the right distance. With a 35, you do have to get up close to your subjects! I thought the dog was gonna eat my X100…

X100 – f/2

X100 – f/4

X100 – f/4

Bring on the M!

I then started to shoot with the M9 to see how the difference in usability and feel would be. Ahhhh, when the M hit my hands I remembered why I love rangefinder shooting so much. Not to knock the Fuji as it is THE camera right now but  the M and me just seem to “jive”.

Click image for 1200 pixel wide version – M9 and 35 at f/2 – colors…WOW!

and I did take the same shot with the Fuji though at 2.8 –

After a while I started to get hungry AND thirsty so I found a street cafe, picked a good seat to people watch and then ordered a beer. Was amazingly nice to just sit there and say to myself , “Wow..I am in Lithuania!”

So there I was, just me and my M9/35 Cron when a guy walks by and does a double take, looking at me. He asked if I was Steve Huff, and after a quick introduction it turned out he is a fan and reader of this web site! HOW COOL IS THAT!

He sat down and chatted for about an hour, had a beer and I enjoyed a pretty tasty pizza. Terry, it was great to meet you and THANK YOU for your company! I always enjoy meeting the readers of the web site and photo fans in general (and I can not wait for the Seattle meet up in July!!)

Terry mentioned that he recently picked up an M8 and 35 Cron, and from what it sounded like, he is enjoying it quite a bit.

Terry at lunch – M9/35 cron


Rain Rain go Away, but bring good light!

While at lunch it started pouring rain horribly so I tried to wait it out a bit but it just kept coming down. I hung around the cafe and tried to find a photo but with everyone scurrying away from the rain, there really was nothing to shoot. I ran back to the hotel as my M9 got soaked, but it survived as did I :) Who needs weather sealing? Haha.

After an hour or two back in the room I heard from Seal via text and we ended up taking a photo stroll through the town, after the rain stopped. I attached the trusty Nocti to my M9 and I have to say…the Noctilux seems to just always provide crazy magic and YES INDEED it can be used as an everyday lens, as that is how I have been using it. This new version is absolutely stunning at any aperture.

Wide open – Seal enjoying some magic light time with his M9 and 90 Summarit, which he is loving.

Lots of dogs in Vilnius – this little yorky was having a good old time while the dude was giving me a thumbs up

Fashion in Vilnius – lots of cool people. This one was shot from the hip wide open at 0.95! Man I am SKILLED! Lucky!

As we walked we met Sylvia and Laura who were hanging outside of a restaurant chatting.

and as we walked further we started getting approached every 20 feet or so. These sisters were very sweet girls.

EVERYONE we met was lovely and happy, which was so cool. Seal signed some autographs and took pictures with fans as we continued our walk..

After a 3 1/2 hour walk and some dinner we headed back to the hotel. That is when I realized I had been shooting the whole day. It flew by though because taking photos is what I love to do most and I feel amazingly blessed to be here and to be able to fulfill my passion every single day. Sharing that same passion with great friends is even better!

Thanks for reading and hope you enjoyed the photos from my day in Vilnius Lithuania!

© 2009-2015 STEVE HUFF PHOTOS All Rights Reserved

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