Edge of darkness and light
Hello Brandon, Steve, Everyone
On the edge of darkness and light occurs our internal alchemy. There is no separate dark side from light side. They are part of our Crossroad.
Another photographer’s 365 project.
By Hilmar Buch
I can hear you guys sighing… but please keeping reading.
As many other photographers I decided to do a 365 project which for me meant to take a photo every single day throughout the entire year of 2013. Yes, we are talking 2013. It’s only a few days ago that I eventually finished off this project. Of course, I took all the photos in 2013 but editing and processing my images took until this time of year (February 2015).
Apart from some wedding jobs I love to do as the primary shooter for friends and colleagues I am not a professional photographer. Thus, carrying out a 365 days photo project forced me to cope with the normal workload in my regular job as well as to convince myself to look for photo opportunities regardless of whether I felt tired or unmotivated. And I can tell you that this happened rather often.
For example, my girlfriend and I did some extensive traveling in 2013 to Namibia (see my earlier report on Steve’s website HERE. Also Portugal HERE. As easy as it is to go with the flow on your vacation and feel inspired by the people you meet and the landscapes you see, the difficult it is to withstand the creative gap after being back home. If you have a look at the photos I took the days right after returning home, you can clearly see how bad these photos are because I did not feel inspired at all.
Or imagine your regular work day that sometimes can be really challenging. Feeling extremely exhausted when leaving the office in the cold dark winter night makes it hard to feel motivated to find a great photo opportunity, in particular if you only want to get home as fast as possible or have other personal obligations to meet. Taking a decent photo under these circumstances is not easy and a few times I felt like stopping my photo project from one day to another.
These are the bad feeling that naturally arose but I do not want to complain at all as I enjoyed doing what I did! I did not give up.
I did the project just for myself in order to progress and to work with continuity on my photography skills. It definitely paid off I find. Although I do not know whether I got any better in the course of 2013 I can say that going out and just doing it yielded some photos I would never have gotten if I had not taken the effort to try. Without carrying out the project I would have taken far less photos and I would not have carried the camera with me almost all the time (I rather wore the camera than just took it with me…).
And often when I had no desire to shoot and when I was sure I would not enjoy it I was rewarded big time. My mood changed while I was taking photos and sometimes I met interesting people or found interesting places I would never have seen if I had stayed at home. So this was something I learned. By hindsight this experience means more to me than improving my photography skills although the latter were the primary reason for getting me started.
When I have a look at my photos these days, I am of course not content with every photo I took. Most of the photos are not special and just depict everyday life. But that is absolutely alright with me. I must not forget that for an entire year I got off my backside every single day and tried to capture something. The project is not about the single image but about my feelings, my challenge for power of endurance and me trying to do the best under the specific conditions.
As I cannot show off all the photos I took in 2013, I chose one picture per month. If you want to have a look at the entire project, please follow the link to my website which can be found here:
The Panasonic LX7. A $349 Backup to my Leica M
by John Kurniawan
Hi Steve and Brandon…Wish you both a Great 2015!
Bought a Panasonic LX7 as a back up to my M system.
I choose LX7 as a camera for my daughter as well a back up cam when I am traveling. Why LX7 ? Just love its size and features which suit my need like macro, zoom and manual mode. The manual mode comes handy when in low light condition so I can mimic the RF experience.
Almost a year with LX7, both my girl and me are happy with it, here are some the photo produce by this funtastic cam. Ones can produce good photo no matter what the camera is, most important is how ones capture lights correctly.
Thank you and hope to see more good post by talented photographer at your site
Me and my Fuji X100 (original)
by Jonas Luis
I have followed your website for several years, now. I always look forward to new entries especially new reviews and daily inspirations submitted by photographers all over the world.
I started photography 8 years ago and was primarily a Nikon user. Then, came the Fujifilm X100. I just fell in love with the design of that camera. It reminded me of my Dad’s Kodak Retinette. So, I pre-ordered it and read all the online previews and rumors. I kept on waiting, even after production halted in the Fujifilm factory in Sendai, Japan due to the devastating earthquake and tsunami. After almost a year of waiting, I finally received my order. I wanted to use the X100 as my travel camera, not just as my primary travel camera, but my only travel camera. Of course, I had to contend with the built-in lens. I thought having a single lens would be liberating (if you have a DSLR with multiple lenses, you know the mental anguish of choosing which lenses to bring, packing, etc.) I sold all my other Nikon DSLRs but one, and traveled with my little X100. I also put-up a group pool in Flickr called X100rumors for users of the X100 camera and its future variants. Yes, coming from DSLRs, the X100 was frustrating initially: back-focusing issues, useless manual focus, camera freezing up, etc. (all of which were vastly improved and solved by firmware updates). Still, instead of traveling with an entire system, I now travel with “a camera”. In the beginning, the limitation of having a single lens bothered me. Soon after, it became a personal challenge to obtain the best image I can with that single focal length.
Before I took photography as a hobby, I usually buy souvenirs from my travels. Now, traveling with a camera, I am more inspired to bring home photographs of a place – photographs that I could truly call my own. Before traveling to a particular place for the first time, I would Google images of that specific place – trying to see note-worthy attractions, what tourists usually photograph. Then, I would choose which attractions to photograph, and imagine how I would shoot it in a way that probably nobody has ever done before (or at least not shown in Google images, Flickr or 500px). I usually take note of the predicted sunrise, sunset and weather on each day during my travel. As you all know, aside from the Golden Hour, a lot of exquisite images can also be taken in the rain. The following images were taken by my little X100 throughout the years. They were all re-sized for this website in Lightroom.
This first image was taken when I first saw the Golden Gate Bridge in San Francisco. I noticed that the other tourists had their cameras with zoom lenses and camera phones aimed only at the bridge. I soon spotted these array of coin-operated binoculars just in a corner, seemingly neglected – seating there while time and technology just whizzed by. They were probably fascinating and a novelty during their time, but now, just a relic. Yes, I was more enchanted by these shiny binoculars than the enormous man-made achievement that everybody flocked here for. I took a photograph of the binoculars, edited the image with Fujifilm’s free SilkyPix software and a free open-source software, Gimp. I ended up calling this piece, “The Old Robot”.
Image number two: my girlfriend and I traveled to Chicago. I wanted to have a souvenir photograph of the “Cloud Gate” like everyone else who has been there. If you Google it, you would know that this piece of art has been photographed a million times. So, I decided to have our souvenirs by putting my X100 in a Tamrac Zip-shot tripod, attached an infrared filter and with a couple of Cokin neutral-density filters to the lens. I then set the camera on long-exposure. My girlfriend and I took turns photographing each other. The shots were very long exposures, so we would take a comfortable pose while the one photographing would continually wave his or her hand like a conductor in an orchestra – letting the other know that the shutter is still open and for not to move. The image was converted to black and white and edited in Lightroom.
The third image is a photograph of the Smithsonian garden in Washington, DC using the same tripod and infrared filter. I was carefully composing my shot one afternoon, when a gentleman just sat down on the bench at middle of my frame and unmindfuly read the day’s newspaper. Irritation turned to inspiration when I started seeing the results on my X100’s LCD screen. To me, the resulting image just exuded leisure and relaxation. My office and I ended up gifting a framed print of it to a co-worker who recently retired.
This photograph of the beach, was taken in Cancun, Mexico. I was initially drawn by the red color of the floaters. Up close, I was amused to see a beer bottle under the lifeguards’ tall chair. Looks like they had a little “refreshment” while at work. To me, the image says, “Chill out! You’re on vacation! You are not in the USA!”. This was edited in Lightroom.
The fourth image was taken in Richmond, Virginia. While gazing up the monuments and buildings, it reminded me of the architecture in the Eastern Bloc during the cold-war era. So, I edited this image to have a utopian look in Lightroom.
My foray into street photography is pretty limited. Unlike other photographers, it is hard for me to find something to photograph on the street, that to me, seems worth-while. Maybe, I don’t have an eye for real street photography, or maybe, because of my little experience with a film camera as a child, that I try not to waste a photograph unless I see a potential story in the picture. In my mind, I keep on judging a potential photograph as just a regular snapshot, or a potential story that is worth telling. In this case, my girlfriend and I were crossing the street in Chicago, after a late dinner. I saw this cyclist coming towards us. It was close to midnight, it was cold, it was raining and I thought, “Why is this guy out here on such a miserable night? Is he going home? Going to see his lady, perhaps?” Granted, he could just be a regular commuter but I can’t sometimes help making up crazy stories like these. So, without thinking, I just stopped in the middle of the street and took a photograph while the cyclist and all the cars are rushing towards me. All the while, my girlfriend is shouting at me to cross the street. Until this day, whenever I look at this image, I still wonder where this night cyclist was heading to. This image was edited in Gimp.
Image seven is a photograph of the outdoor public market in my hometown in the Philippines. During some days of the week, there is a public outdoor market, and vendors are there as early as two in morning, preparing their wares and produce. I took this photograph around sunrise. Now, I don’t know any of these people. I was only walking around taking photographs. I like this particular photograph because when I took it, I was in the middle of the crowd. But as you can see, I was nothing but invisible to everybody. Everyone had their own stance, their own gaze – as if actors on a stage and only I, could notice the play unfolding. Almost like a Renaissance painting. Edited in Lightroom.
This colorful image of lights was taken at Disney World. I took this hand-held with the X100. I was surprised when I opened this image on my computer because it already looked perfect, straight out of the camera. The X100 has a great low-light capability. I converted it in-camera from RAW to Velvia. I only increased contrast a very tiny bit in Gimp. But you are hard-pressed to tell the difference between the edited from the original.
This next image of a crashing wave is when my X100 nearly got nearly got killed. I was in Pebble Beach in California. I was trying to take photographs of incoming waves with a small tripod. Because the X100 doesn’t have a zoom lens, you really have to keep the camera a little close to the water, the tripod was set low and and I was almost seating on the rocks. Anyway, while composing my shot, I noticed a rather large wave coming in. I was quickly debating if I should go back and save my camera, or hold my ground and maybe, will have a helluva of a shot. I decided to hold my ground. So, as soon as the wave came crashing in, I took a single frame then immediately, raised my camera with the tripod over my head. My shorts got wet, but that little gamble paid off. Image edited in SilkyPix.
The last image was taken in Baltimore, Maryland during one summer. There were a bunch of kids playing and running around the fountain. Like in a playground, all these kids were all chasing each other and playing despite being practically strangers to each other, all but these two boys. I saw that they were in their own little world, brothers – probably twins. Somehow, it reminded me of my brother and I, during my own childhood. So, I edited this image in Lightroom in a way that invokes a sense of nostalgia.
All these images were taken by my beloved Fujifilm X100. It was only more than a year ago, that I upgraded my computer that I was able to embrace Lightroom and Photoshop. For more than five years, I was using a free program called Gimp and also the SilkyPix software that came with my X100. To me, having the X100, limitation became inspiration. Could I have made these shots with a DSLR, given the chance? Most definitely. But I selected a particular tool and made full use of it. Even my choice of editing software is of no importance. Coming home from a travel, I usually personally judge my photographs if they are worth the ink and paper they will be printed on, if not, I usually not bother sharing them. Years ago, I would spend more on gadgets and lenses. Now, I’d rather spend on printing and framing and decorating the house.
Finally, I continually strive for the elusive “6-second photograph”. If a stranger is able to look at a photograph for six seconds or more the first time, then I would consider that as a very successful photograph. Have I tested that silly theory? No. But it’s a lifelong goal that keeps me on clicking.
I hope I can inspire all of you, especially to those who are just starting photography, that regardless of the camera that you have, regardless of the latest editing software, the most important thing is your own vision and the stories you can tell. Only after extensive use of your camera that you will develop your own style and personal inspiration in photography. Even in music, the student plays somebody else’s music in the beginning. Only when they feel comfortable and proficient with their own instrument, when they usually feel inspired making their own tunes. Gadgets, extra lenses and accessories are fun, but most of the time, they just distract you from your own imagination.
Now, with my X100, would I be upgrading? Maybe not anytime, soon. Now unless… Fuji comes up with a X100T in graphite silver? :)
Keep on clicking!
The Joy of Shooting Photos
By Dennie Mullete
My name is Dennie, I’m from Bandung, Indonesia. And sorry if my English not so good …
When the first time I found this site, I was searching for a pocket camera with good high ISO performance, and I found Steve reviewing the Olympus PEN E-PL1 … I so impress with the result, even Steve said that E-PL1 has a really good jpeg engine that time and I was looking for a camera like this from the start… But I still did not know anything about aperture, bokeh, fastlens etc. I’m blind at that time, know nothing about photography. What I know is high ISO is needed when you want to take pictures without flash in low light, so I bought it …
Fast forward, now I have a Canon 6D that really help me when shot low light, and I keep telling myself I’m not a photographer, I’m just taking pictures :) … but I must say … sometimes … the joy, the fun, the mood, the inspiration is the main control about the picture I wanna take, that really takes effect to the result … coz I have the time when mood is down, no joy when shooting … I have 1 or 2 hundred frames but nothing to be keeping … that was a big hit for my photography experience … and I say … I would pick Olympus pen E-PL5 rather than my 6D … just because the joy … the fun to use … I’m not say about the IQ, I’m just saying about the “fun factor” that really take effect of the result … :)
Enough said. I hope u like my pictures and thank you Steve, you are really my Inspiration … for about 3 years now … and I am waiting for your Sony A7 mk II review. Cheers
It’s taken about 10 PM, really dark, at local restaurant, light source from the light garden, and the back is city of bandung, really nice place, the air a bit freezing, the place called “Balakecrakan”, sundanese language, mean “eat together-nes”, 35mm f2 @f2, ISO 12800, 1/60, develop from RAW
Taken in my friend place, just hang out, and try snapshot with one source light, the hanging light on the middle room, so i tell my friend to dress like a mob … do u think it’s look like a mob ? :) 35mm f2 @f2, ISO 6400, 1/100, develop from RAW
“Bandung Caang”, sundaese, mean “Bandung Bright”, spend time with family, is something I must do, family … all the work I do, all my effort, is for my family, so what do the best beside hang out with family ? :) 85mm f1.8@f2, ISO 3200, 1/160 Straight JPEG
See my facebook https://www.facebook.com/denie.mullete
Character Style and Mood in Photography Part 2 – Hints of Hidden Things
By Peter Maynard
See part 1 of Peters Report HERE.
Thank you all for your positive response to my first essay on character, style and mood in photography. As I edited that article it forced me to think about why I adopt the approach that I do to photography, so apart from anything else it was useful as a means of clarifying my own thinking on the subject. For those who read it you may recall I talked about my belief that we should each search for an approach to image making that reflects our own personality and preferred personal style. I also argued the merits of deliberately using mood and leaving something to the viewers’ imagination so they can interpret the image in their own way.
I had a number of images that I had considered using in the last article but did not in the end use due to considerations of length, so I thought I might as well prepare a part 2. Maybe it will help inspire others to try something different in their own photography. For those of you who have had a look at my Flickr site you may have seen that I have tagged photos “life in shadows”. This stems from my film shooting days when I was largely shooting monochrome. It seemed to me that much of photography was about representing life using shadows and light. Hence – “life in shadows.” I have headed this article “hints of hidden things” as it seems a little more relevant to the theme I have been writing about – the use of mood, the value of the power of suggestion and the idea that leaving some things to the viewers’ imagination can actually help improve an image. For those who have expressed interest in an article on post processing, I have not forgotten. Subject to Steve’s agreement, I will prepare an article for future publication. By the way I realize that by now some of you will have had a peek at my Flickr site so some of the following images may be familiar to you (if so, my apologies).
The first image is a favourite of mine although I am not sure why. However, I do know that what appeals to me has something to do with the presence in the image of the steeple of the old clock tower. Other than this it is nothing more than a jumble of buildings reflected in the window of another building. I suppose it does suggest something about the nature of change and progress or perhaps about the permanence of some aspects of the past. And of course it says something to me about my home town.
Some images appeal to me just because of the patterns that they contain. I have to admit that I love abstract photos. The following two are examples of pure abstracts. The first is an abstract take on a building reflected in the window of another building. What makes it in my view, is the distortion that the reflected image is given by the slight misalignment of the panes of glass and the subtle colors.
The second of these demonstrates why sometimes you just have to be thankful for the opportunities thrown up unexpectedly when you have a camera in your hand. If you look closely this image is nothing more than an office shot through a window. But with a boost to contrast in post processing and a little added glow, it becomes something that reminds me of an abstract painting by a modern artist like a Kandinski or a Miro (all those lines and blocks of colour). To be honest it may not appeal to everyone but I just liked exactly that – the lines and angles together with the colours. I guess the message is always have a camera with you if you are serious about photography. I know I feel naked without one.
While on the theme of making the best of opportunities that present themselves, the National Gallery of Victoria in Australia has a water wall the front of the building – a wall of glass with water perpetually flowing down it. It’s a gift to photographers like me who love images that give a slight twist to reality. I especially like the following image for the relationship between the people in the photo as well as for the two eye-catching splashes of red. You just can’t plan these things – but you can anticipate them. I knew this would be a good spot for photos and so I hung out on an interior mezzanine floor overlooking the wall for perhaps an hour while snapping the occasional shot as images presented themselves. I knew that sooner or later something would turn up.
And this image made in the same place on the same day seems to work too, although it is very spare in terms of its content. Once more, a splash of red works to heighten interest.
With one exception, the following six shots are all similar to many of those used in the last article – people in one of my favourite settings – enjoying themselves with friends over a coffee or a meal. (Hint, if you are nervous about street photography it is easy to get natural and engaging photographs of people when they are concentrating on their friends or food). To a greater or lesser extent they all demonstrate the ideas I talked about in that article, especially the ideas of deliberately using blur, distortion and shadow to create mood and to encourage viewers to make their own interpretations of the images. All of these have involved some post processing (mainly cropping, tone, colour etc.) to bring them to their final state, but to a large extent what you see is what I saw (i.e. I have not set out to create something new – just enhance what was already there).
The third image in the series is well out of focus. Here is another hint. If something goes wrong, do not be too quick to delete photos that have not turned out (which often happens when shooting candidly in streets). I was using autofocus, which I think focussed on the reflections, not on the main subjects. Kismet! For some reason this worked better than it might have had I focussed correctly. I often find it is possible to come back, perhaps months later, to photos that I initially rejected and find something interesting in them. This was one of those.
I will end this article with one final photo which is an example demonstrating what can be done with a more extreme approach to post processing if you are of a mind to do so. This image was actually taken on an aircraft when flying off to an overseas holiday a few years ago. I thought the photo was quite good, helped by the quirky pose of the subject, but the setting was boring. At a loss to what else to do with it and as an experiment, I tweaked the colour (lowering saturation), the tone (increasing contrast and adding a vignette), the sharpness (adding some blur and glow) and also added a semi-transparent texture overlay for no better reason than I was interested to see what I could make of an image that I thought to be good but which had a background which intruded. Although you would never know it, the halo like glow is light entering through the plane’s window.
I full well realise that some think this amount of post processing is “cheating” in some way, but my view has always been that particularly in this age of digital imaging, image making is about the end result – not how you get there and so as long as you are honest about it that’s OK. Besides in this case it is a way of using a photo that otherwise may not have been a keeper. It is another example of how you can take a more or less boring image and then add elements to invest it with a character that has more interest. I will pick up on this theme in a future article in which I will provide a few suggestions and examples of how to improve basic images by post processing that takes you beyond the usual processing that involves little more than reducing digital noise, sharpening etc.
If you feel so inclined, please visit my Flickr site.
Or you can visit some I have placed on Pinterest for a more succinct overview of some of my images.
My RX1r Experience
by R.A. Krajnyak
Hi Steve and Brandon.
First, let me start off with thanks to you both for the great site and the work you put into it. Your site is an integral part of my daily web surfing routine and your insight, Steve, has been influential in my development as a photographer.
Secondly, let me thank you for turning me on to the I Shot It website. I was honored to be among the first nine runner-ups who receive their $20 entry fee back in the most recent B&W contest and was awarded a Mark of Excellence for the following photograph taken with my Sony RX1r:
Lastly, I wanted to share my RX1r experience with you and your readers along with some images taken with this incredible camera. Anyone who is interested in viewing the images in this post at greater resolution can view them on my website in a gallery specifically set up with just these images. The smaller resolution here just doesn’t do this camera justice. The gallery is located here: http://www.quintaquad.com/Steve-Huff-Blog/n-dwFzN/
A bit of background on me. I’m 60 years old and have been involved with photography off and on for 40 years. My first good cameras were Nikon film SLR’s (Fm & Fe2). However my interest waned and they soon saw little use.
When digital came along I got the D40 and then the D5100. Like many enthusiasts, I ended up rarely taking my camera out due to the size and weight. About 1 1/2 years ago a friend of mine turned me on to the Sony RX100. I was blown away by the size and IQ along with the ability to shoot RAW. I began taking my camera everywhere and photographing everything. This piqued my interest in upgrading to a small interchangeable lens system.
I started researching on-line and discovered the M4/3 cameras as well as your site. I loved the size and IQ of the system and ended up with a Panny GX7. In addition, I have since added an Oly E-M10 which I love. I also discovered the Sony RX1 and was intrigued by it. However the price was out of my range.
Last October I received an unexpected small inheritance and decided to splurge on an RX1 or RX1r. I wasn’t sure which one but after researching further I decided on the RX1r. Your reviews were very influential in my decision. A year later I can truly say that I’m thrilled with my choice.
The RX1r is in my mind a true classic…a small powerhouse FF camera with a fast, high quality 35mm Zeiss lens that is designed specifically for the sensor. The rendering of the Zeiss lens is gorgeous. You have aptly described it as “creamy” and I heartily agree. I’m not a pixel-peeping tech kind of guy nor am I into debating the quality of bokeh…I just know what I like and the RX1r definitely floats my boat when it comes to size, weight and IQ.
I added a few accessories that for me are essential…optional Sony EVF, Gordy leather wrist strap, Fotodiox grip and Fotodiox lens hood.
I shoot in manual mode but primarily use auto focus. Control layout is minimal and fairly well laid out. That being said I do have a few small niggles with the camera. AF could be better, I would prefer an EVF built into the body like the A7 series and I would like an articulated LCD. There is also a bit of a CA issue in high contrast situations such as foliage against a bright sky.
DR and low light high ISO is excellent (the David Grissom band image and my self-portrait were both shot hand-held at 3200).The quality of the noise is very pleasing and grain-like IMHO. I shoot strictly RAW so I can’t comment on JPEGs. The image detail is outstanding as is the RAW conversion out of camera color and contrast, although the last two things aren’t as important to me as I do extensive post work on the RAWs.
The RAW files are extremely malleable which is important to me since post work is a major part of the overall photography experience for me personally and this is where the magic happens with this camera. I’ve been working with Photoshop since 1996 and have incorporated Lightroom along with Topaz, Nik and On One plug-ins as well. The RX1r files stand up beautifully under heavy processing. I love both B&W and color as you can tell from my photos. I’m not above doing extensive processing but I love a simple B&W image too. I just love all the different aspects and styles of photography in general. Due to my eclectic tastes I don’t focus on one specific genre…possibly to the detriment of developing my own signature style.
Many people think of the RX1/r as limiting because of the fixed 35mm lens. Not so in my experience. I find the RX1r to be fantastic for all kinds of photography in general from landscapes to macro. Granted it’s not useful for sports or birding but those are genres of photography that require fairly specific equipment in the form of long lenses. In addition to its versatility the RX1r is inconspicuous and quiet. I tried to select a wide range of photos to showcase what I think is the RX1r’s versatility.
My favorite subject is my 90 year old mother who suffers from dementia in the form of severe short term memory loss and lives with me. We go walking every afternoon on the local nature trails and afterwards stop at the local coffee shop for hot chocolate or coffee. I always take my camera with me and document our walks. Although I only included three images with her as the subject (the portrait of her, the image of her in the straw hat from behind and the image of her hand on the gear cog) you can find many photos of her at my website, particularly in the two galleries, The Memories Of Margaret V. and A Walk Through The Seasons: Portraits In Dementia.
The first is highly processed, conceptual composite images while the latter is simple B&W photos. Both are photo essays meant to be viewed as an whole rather than as individual images. Note that not all the images from those were taken with the RX1r. The Memories gallery also contains a video of the images with an accompanying music track which was written, played and recorded by me as well. Unfortunately the image quality isn’t that great due to SmugMug’s video size restrictions.
I’ll end by saying I enjoyed your recent article about what you’ve learned from street photography. I had to laugh when I read the line about photographing what you love even if it’s flowers, trees and leaves. Those are three of my favorite subjects, in particular leaves. But the advice rings true…photograph what you love and forget about what others think. That’s not to say you should ignore criticism. On the contrary, constructive criticism is how we learn and improve at our craft. But take criticism with a grain of salt and stay true to yourself, not worrying about what others think. Never hesitate to take chances and stretch yourself in order to grow.
Thanks again for all you do for photography and for the opportunity to share about the hobby and camera I love.
R.A. Krajnyak AKA QuintaQuad
Five Weddings, Five Cameras, Five Images
Steve and Brandon, like so many others who visit your website, I want to thank you for providing a rich source of information for all of us who appreciate straight-forward, real-world reviews and insights about photography. You do a great job, and I appreciate all of your hard work to make such a wonderful website work so well.
My photography life was so much easier back in the days when I shot film. I had my Nikon F2 and Nikon FM, later to be replaced by an F4 and an FE. That was it. Three primes, two always on camera, and I was ready to go. No muss and no fuss. But, digital came along, I got older, and GAS crept into my life. I eventually wound up with five digital cameras (after buying and selling others!), and though I’ve wanted to thin the herd, I enjoy all of them and didn’t know which, if any, I could let go of to simplify my photography life a bit more.
Then, it happened. INSPIRATION! My wife and I got invited to five weddings over a seven weekend period this spring. Five weddings, all located here in North Carolina, but scattered throughout the state. I knew that each wedding would have a pro dutifully documenting each event, and many guests would have point-and-shoots, phones with cameras, and a few DSLRs. Everybody is a photographer, right?
What an opportunity for me! I had no obligation to capture the events. I had no responsibility at all other than to be there, be generous with gifts, and have a great time. So, I decided that I’d be selfish and take photos for myself and not be concerned with capturing images for the wedding couples or their families, despite the fact that each family knows of my passion for photography…the guy who takes a camera everywhere he goes. And besides, maybe I’d get a better feel for which of my cameras I should sell.
This was the plan. Having these five cameras and there being five weddings, I decided to use one and only one camera for each wedding. My goal was to create one shot from each wedding that I was really happy with. Of course, I took more than one shot at each wedding, but I didn’t take all that many. Remember, there was the professional and all those other folks with their image makers already doing that. Each of my five images was to be very different in content and rendition. I didn’t care what the subject was. All that mattered was that the shot had to be taken at the wedding. All shots would be taken in raw, and I would use Lightroom however I wanted to create my final versions. I wrote the names of my five cameras on pieces of paper, put them in a hat, and selected one piece of paper at a time for weddings 1 – 5. I was inspired!
For the first wedding, I shot my versatile Olympus EM-1 with 12-40mm lens. It’s ironic that my wedding one image turned out to be of the newly-married couple driving off to their honeymoon. One would think that that shot would be best if it was from the fifth wedding. But, this is not a photo essay. As for this image, I found it interesting that as I shot the sequence of the couple pulling away in the car, the two pros were fumbling with lenses and missed the entire thing. The newlyweds loves this shot. ;-)
For the second wedding, I made a grave mistake! I brought my SONY RX1 with a low battery level. When the SONY went dead, I reached into my pocket for my backup battery only to discover that it was a battery for my Olympus. Don’t make this same mistake kids. Fortunately, I had already taken a few shots that I thought would be good candidates for my project. This one catches the mood and landscape for me, as we all relaxed after the wedding. There is something both formal and informal going on here.
I brought my Leica M-E and 50mm Zeiss Planar lens for the third wedding. I have a love-hate relationship with the Leica. I love the files…love…love…love…, but my aging eyes really don’t like manual focusing all that much anymore. More about this later. The image? Well, you can’t tell from my photo, but the young bride was wearing her great-grandmother’s wedding dress. Wow! I decided that I wanted a “vintage” feel to the image, but to also include the modernity of the moment, a young woman in her 20s getting married. Thus, the tattoo emphasized along with the vintage rendition.
I would have preferred to stay with smaller cameras for each wedding, but my Nikon Df came up on the fourth pull out of the hat. I didn’t want to be all that conspicuous with a camera, so I stuck with my 50mm kit lens with no hood rather than my 24-120mm lens. Not a small package, but not all that large either. The outdoor location for the wedding was the North Carolina mountains, west of Asheville, and I just couldn’t resist the shot, even though it doesn’t have “wedding” written on it. Hey, it’s my project, right?
The final wedding. The final camera. The final shot. I took my trusty SONY RX100 M2 for this one. I love this little camera. However, another SNAFU, but not with the camera, exactly. The wedding was to be taken outside near the water, but a storm was threatening and at the last minute, chairs were set up in the reception area inside the country club. It was dark (Where’s my Df when I need it?), cramped, and a lot of light was coming through those windows backlighting the couple. Nevertheless, I got this shot. With a lot of help in Lightroom and Silver Efex Pro, I created an image to my liking.
Five…Five…and Five. DONE!
I’m not a great photographer, I just know what I like. I was moaning about having too many cameras when a situation presented itself that inspired me to do a photo project. I had a great time with it and learned some new things from each of the wedding experiences, some while shooting, some while working in Lightroom. Now, I look for everyday situations to inspire me further. I love it.
As for the five cameras, all served me well. I did sell the ME…but I ordered a Leica T!
Thanks, Brandon and Steve!
Father’s Day just recently passed in Brazil. As past year I’m writing to you on this date, and as past year I’m sending to you a few pictures of my inspiration, my precious daughter. I realized that I never had sent pictures in color to you. Just because I don’t get so many that way — a good composition in color is harder to do, at least for me. So this time may I share some few, in color.
Be proud of your dad I’m absolutely sure he’s proud of you — working so close to him, and following his steps — it’s a dream for any father that comes true.
If you do will it would be a pleasure to see these few posted like an inspiration that might inspire. I’ll be glad and proud, she either.
My best wishes, in color. And happy father’s day,
PS > Don’t know if this is important (the exif data) — I keep shooting with my old M9, and keep enjoying it…
Photographing 100 Strangers with Fuji
By Justin Holder
Earlier in the year, I started what seemed like a mountain of a project, planning to meet 100 strangers over the next years, interviewing them and compiling them into a book for my two sons. The project is called “Advice For My Boys” and has ended up being not overwhelming, but an incredible journey.
Just last Friday, a couple of days before Father’s Day, I had already hit my 100th stranger since mid February.
I have a Canon 5DMKII and a host of L-lenses, but I knew that would add an intimidation factor, beyond what there would already be. So, I shot the entire project with my Fuji X100s, Fuji X-E1 and then the Fuji X-T1. As many of the other Fuji fans know, these cameras offer such incredible results, yet seem so cosmetically casual and unassuming. I could not be more pleased with the results.
Now, over 100 deep in the project, I have decided to keep going. I always ask my strangers initially three questions: happiest time of your life, toughest time of your life, one piece of advice for my boys. Amazingly, not ONE person has said no to the project.
Even more cool has been the ripple effect of it. One of my favorites, Lois, who worked at McDonald’s said, as we were sitting down to talk, “you know, this is the first time in my life I’ve ever been noticed.” I asked what she meant. “Oh, I’m just one of those people who goes through life and you don’t really notice if I’m there or not.” The next day, lots of readers of the project showed up at her McDonald’s with cards, notes, little gifts, etc. Even the president of the bank went over to see her. She emailed me that evening and said it was the best day of her life. There have been so many similar stories in this project…and I feel certain there’s not one stranger I’ve met by chance.
We’re all fans of Steve’s site because we love cameras and photography, but even more the opportunities and experiences they often allow. If you’ve been considering doing something out of the box, I’d urge you to make the leap. Yes, it’s intimidating, but the rewards greatly outweigh the risk. Cheers to all of you!
Website for the project: www.AdviceForMyBoys.com
An Evolution Through Passion
By Marlon Co
Thank you so much! Your site and its contributors are truly an inspiration to me. I check the site everyday and the combination of technical information and passionate art-makers make this site a place where anyone can feel welcome, which is why I write to you today. I am a young 25 (soon to be 26) year old based out of Westchester, New York. I am a graphic designer by trade and a photographer by passion.
My interest in photography began in my freshman year in high school. I remember my girlfriend at the time asking me what I wanted for Christmas and I said without hesitation: a digital camera. What I had pictured in my mind was a DSLR, but I knew that was a lofty request. Instead I received a Sony point-and-shoot that was interesting but didn’t provide me the control I was seeking. Plus it was almost unusable given the fact that it devoured AA-batteries, burning through a pair after about 20 shots or so…insane. Nonetheless this was still a blessing to me as it prompted me to do some more research into the tools I needed to achieve what I wanted to in photography. In a sense it gave me passion and G.A.S. This is of course a good thing at the beginning of one’s photographic life. Experimentation with techniques and equipment is paramount to finding out what works for you. But as we all know, once you figure out what does work, G.A.S. does not easily go away. You still have the urge to try more stuff, especially given the current leaps technology is making.
Fast forward to my senior year of high school; I dropped photography for a while in those in between years, but still did research online. I explored different styles of photography to see what I was attracted to and more importantly what I enjoyed—initially this was street like many others before me. While this stimulated my interests, I still did not have a camera to work with. Naïve as I was, I had not considered film at all; a much cheaper alternative to buying digital for high school student at the time. Desiring to get what I wanted, I set out looking for work. After a year of working at a chocolate shop after school I had saved enough to purchase a Canon Digital Rebel XT. It was with this camera that I first began exploring the world and light.
Follow Your Own Direction, Leica M9, 50mm
I practiced throughout my college career and while my shots were OK in my eyes, they never reached the level I wanted to accomplish. I blame a lot of that on the fact that I was just blindly shooting things, not shooting RAW, and not knowing enough about the photographic workflow; especially in processing. I was still snap-shooting but not CRAFTING shots with purpose, care, and intent. Slightly discouraged by my perceived lack of skill, photography took the back seat while I played with graphic design in college.
It was four years later in my last year in college that I had the opportunity to rediscover my love of photography. I have the darkroom to thank for that. Most importantly I am thankful for my professor who taught the only two classes in photography at my university; the only classes I ever took. It was in his first class that I went back to the roots of photography and learned the beauty of film and the darkroom, shooting with the standard AE-1. In the second class we developed our styles and each decided on a series to individually produce for a final show at the end of the semester. These classes truly shaped and solidified my passion.
It’s been four years since I graduated…I pursued graphic design as my career path but photography remained (and so did G.A.S). Since then, I’ve been continuously shooting with a variety of cameras. I eventually landed on an M9-P last year when I found out I loved the small size and awesome little lenses of rangefinders after shooting a Zorki-4 (now broken) and an R-D1s. My next investment will be the M (or next incarnation), but that’s down the line…
Follow Your Own Direction, Leica M9, 50mm
This time last year, at the close of a long-term design project, I decided to give-in to my passion and I started looking for work in photography with the simple desire to learn more and to grow. I never got any “real” jobs, but I still kept shooting. My subject matter and style was as eccentric as I was. A few months later, I was hired by a friend from high school and got to shoot my first paid gig as a photographer; a wedding of all things! While this was not my first time shooting at a wedding—I had previously snapped at two weddings for fun— this was the first time it meant anything because now it wasn’t just for me, it was for someone else; I had to produce. The couple trusted in my ability and style. At the end of the day I think I did a pretty good job for my first time. The bride mentioned that she cried while looking at the shots I had taken, rest assured they were tears of joy, so I think the newly weds enjoyed them as well!
Woodland Dance, Leica M9, 50mm
They were a truly fun couple to photograph.
Laughing During the Ceremony, Leica M9, Voigtlander 75mm
That event further changed me. It proved to me that someone out there thinks I am good at this and instilled in me a confidence that I could pursue photography. However, as we all know working in art is extremely difficult and is easier said than done. The term “starving artist” doesn’t exist merely by random chance, it describes the struggle that we as artists have to go through to be “successful.” Most times, especially in our formative years, that means doing a lot of work for essentially no pay–but if we really cared about cash, we would’ve done something else right?
Around the same time, another friend offered me the chance of a lifetime. He is a comedian who wanted to travel the United States to do shows and pursue his own art. Fortunately for me, he wanted someone to document the adventure. Being a photographer, he thought I would be a natural fit to film the entire journey. So on October 8th, 2013 we set out in a 31ft RV and traveled the United States. We left from New York and moved down the East coast to Miami, zig-zagging through the Southern states until we reached the Pacific, then headed up the West coast to Vancouver, B.C. Eventually we made our way back through the middle states until we arrived home in New York. Frequent stops allowed us the time to really see the land and meet its people.
Raheem the Jewler, Leica M9, Canon 50mm 1.2 LTM
He tried to sell me various lenses after seeing my M9 while I was walking around a flea market in Florida. While he did not have any M lenses, he had a kind heart and was eager to have his picture taken, something I find quite rare in people.
Abby and Nick, Leica M9, Voigtlander 35mm 1.4
Fast forward to now, nine months later—yes, you read that correctly—I emerge from that experience tired, but ultimately more whole. Leaving your comfort zone so entirely and spending that much time away from all that you love reveals a lot about person. It provides you with a whole new perspective and I wouldn’t have given up this experience for anything. Photography is about perspective after all; it is a point of view on the world.
Now what’s the point of all this? Especially that title at the top that has, so far, had nothing to do with anything other than being a mini biography of my photographic life? Well I’m about to get to that. The common thread that is meandering through these various phases of my young life is this: passion. Not once in all those years did I ever lose interest completely. While there were times of self-doubt, as there always will be, my passion for this craft kept me wanting to learn and now it inspires me to produce.
Last year, I foolishly thought that the only thing I needed to become a fully realized photographer was a job in photography. I felt that if I worked in any field that involved photography I would be recognized as more “professional.” In a sense I was looking for validation from those already in the field that I was good enough. At times I still feel this way, but I now realize that it really doesn’t matter as long as you produce and do what you love. Who cares what other people think? If you like your work, you like your work, and that’s what matters. As long as you produce (practice) you’re succeeding as an artist; and hopefully simultaneously promoting your own happiness.
The trip around the US provided me with the realization that my dreams are as real as I make them. If I want to be a photojournalist (arguably my favorite type of photography, and one of the hardest fields to get into), I simply have to create my own stories. Just because I haven’t gotten a job as a photojournalist doesn’t mean I’m not one. I am as much a photojournalist as I make myself to be and now that I am home I have taken a retrospective look at my work to find common themes and stories in my photography. In parallel to this I am also diving into the stories I want to start to work on. In a nutshell, I just want to DO. I want to stop waiting around, talking, and thinking; I want to produce and do so with purpose.
Exhale, Canon Digital Rebel XT, 50mm 1.4
Probably one of the first chances at photojournalism. My brother called me at 3AM telling me I needed to pick him up on I-287 in Westchester. He narrowly avoided the car wreck on the right coming home from work, but got a flat from the debris. This police office walks slowly back towards the scene, his breath visible in the February night.
So this is my philosophy now: to just produce, produce, PRODUCE! To chase the stories, images, and ideas that interest me with abandon, but without losing clarity and focus. If the art gets noticed, it gets noticed, but that’s not the important part. It’s giving yourself to your passions fully. If you’re not producing, you’re not practicing, and if you’re not practicing, then you’re not evolving/growing. Simple as that.
While this is all just the rambling thoughts of a 25-year-old who has tried to pursue a path less traveled; I think the lesson applies to everyone who may have doubts about their own passions. At times I felt defeated, but that defeat came from within. Similarly, success also comes from within, so if you love what you do: DO IT! At all costs, through all challenges and doubt. Indulge in your passion and you will get better, you will evolve, you will grow, and you will become more yourself. No person or job title can take that personal success from you, much less define it; you have to define yourself on your terms.
Now that you’ve gotten to know me and my (possibly) not so eccentric ideas, I’d like to show how I’ve started to put these ideas into practice, in pictures now! Don’t worry not so much reading left!
The first set is an incomplete series that I “discovered” while looking at old photos and have decided to expand upon into the future. My brother and I have always traveled around NY when it experiences harsh weather conditions. For the New York Tri-State area, this typically means hurricanes and big snow storms. Protected by my brother’s jeep, he calls it the Mongoose, and believe me this thing growls, we carefully navigate our hometown and occasionally venture into NYC to witness the power of nature. I always have a camera during these bonding moments between us, and often find a moment of calm in these storms.
Golf Course, Hurricane Irene 2011, Nikon D90, Voigtlander 40mm
A golf course near my old home in Larchmont, NY transformed by Irene into a lake.
Random Snowstorm, Canon 50mm 1.4
I left the shelter of my friends home to find these tracks in the empty street and untouched snow.
Along the Edge, Hurricane Sandy, Leica M9, Canon 50mm 1.2
Literally just an hour before Sandy made landfall, my brother and I were driving around Mamaroneck, NY to find these people taking a walk, despite the rising water and inpending storm. The hulls of the boats are usually not visible from this angle and the next day four of these trees were gone.
Going Home, winter storm Nemo, Leica M9, 35mm 1.4
During a late night drive in this storm, my brother was wiping off the accumulating frost on his windshield wipers when this brave soul was slowly biking home in the snow.
This next series is what I’ve titled “Colorful Patchwork” and it represents my experience of the vast North American landscape as I traveled on the RV road trip. These photos came out of my internal need to produce a photographic project while on the road trip. I never expected it to turn out this way, as I mainly shoot with some human element present, but the images are simply half-memories of what I thought was beautiful at that moment as the world passed by the RV window or when I stood still long enough to really see. For this series, I put a general constraint on the composition of the photos and what I noticed is that, while somewhat repetitive, the set as a whole is stronger because of those guidelines. Another important lesson I learned: create with intent and purpose, focus.
Chesapeak Bay Bridge, Canon 5D MKII, 75mm
A really amazing bridge, but somewhat discomforting when in the fog and you can’t see the end 23 miles later.
South Beach, Miami, Leica M9, 50mm
Atlanta, Leica M9, 50mm
Waking-up to the Pacific, Leica M9, 50mm
After 3.5 months of driving and reaching California at night, waking up to this sight in Malibu nearly brought tears to the eyes.
So you start producing, great, but what happens now? Well, you keep going thats for sure, but you also put yourself out there if that’s part of your goals. So here at the beginning of my newest adventure (the first time I’ve ever submitted to a major blog such as this one), I am beginning a process of bringing my work to a larger audience to see what happens. I’m jumping in head first and running with it.
You’ve seen quite a random selection of what I do as a photographer, like I said my style and subject matter is eclectic. You’ve also gotten a glimpse of how I evolved with my photography. That whole process is now propelling me into the future of my work with a new motivation and even stronger passion.
So here I am. My name is Marlon and I love photography. The world—this life—is beautiful if you choose to see it that way. I hope my photos remind people of that.
If you liked my work feel free to check out my links below. If you didn’t like it at all, well you’re entitled to that, no hard feelings! I have plenty of years ahead to get better and maybe change your mind!
A few more shots:
Seven years with one camera
By Amirali Joorabchi
Hi steve , hi everybody!
I’m AmirAli , a reader of this awesome blog for about two years. I’m 23 , live in Tehran. I do painting and photography as an enthusiast. I started photography when I was 14-15. As a gift my family bought me a Canon 400D and a 50 f1.8 and if I’m right I have this set and been using it for about 7 years ! Well it’s 10mps , ISO800 isn’t clean , ISO1600is only usability in monochrome , the LCD is 2.5″(240k). The camera and two lenses weighs in at about 850g…and yes I’m still using it !
This lest seven years that has passed by..well, photography has changed a lot (which you all know better than me). The wave in digital photography started with Canon 350D (affordable DSLR for everyone) then led to this following seven years. Companies got competitive with each other , introducing new models like a mad man ( canon 40D/50D… Nikon D80/D90… Canon 5D/5DmarkII Nikon D700/D800/D610 Sony A900/A800/A99 , then mirrorless Olympus , Panasonic , Sony , Fuji…).
The more technology went further , the more prices came down , which now you have so many affordable options (heck you can buy a full frame for 1600$ which weighs less than 500g). In theory this should help people but , instead , it turned out to be a huge problem for us!
For example it became like an idea that “because a pro photographer has that camera/lens then he can take pictures that I can’t”. So I started to blame the gear and I thought if I had better camera I would have made a better photographs. This is the point when your endless loop starts (even if you are aware of the fact that getting new gear won’t make you any better), where you buy new cameras when the one you have is already very qualified. Jumping from one system to another or jump from one brand to other. You fall into this endless loop where you waste time and sources on the wrong side of the photography.
I was about to fall , but a wise photographer told me this: “Changing your gear won’t change your view , it only replaces the last window with a new window to the same view , you’re the one who should change the view “ It hit me really hard. I still didn’t know about composition , lightening , color management… My VISION was weak yet I blamed the camera that I still have. He showed me that how much VISION is more important than gear , that your vision can create beauty , you have to train it to get the most out of it. Although the truth was clear but still resisting the new gears was hard. I get another advise : “loan and play with the new ones , the hype will come off of your mind”. I took the advice and it worked most of the time.
I tested Canon 40D , Nikon D90 , Canon 1DsII , Canon 5DII , Sony A900 with zeiss 85F1.4 (this lens didn’t came off ever) , Canon 17-55F2.8 , 24-70F2.8 , 14F2.8 , Nikon 80-200F2.8 , 18-135… . All of them are far better than my set , but using them I realized that my results weren’t that different… if not worse ! The brand was different , the format was different , the lens different , but my vision was the same. Yes , new gear makes it easier to take photos like more pixels , better ISO , better OVF/EVF… . These things are not necessary to capture a master piece. These are tools to help us create. But the features has spoiled lots of photographers’ minds. A slight change in light/composition can make a mediocre photo into a master piece , yet we waste our time wondering about gear…
Well , the question is , which is worth to you more ?
1.Having G.A.S and taking mediocre images , or
2.Mastering your vision and taking eternal images
Buying Leica M8 in London – First experiences
by Ruben Laranjeira
Hi Steve, I am Ruben from Portugal and I have 28 years old. I visit your site every day, since late 2008. And you have influenced me to be passionate about Leicas, and Leica look in photos.
So here I am, 5 years later, ready to buy my first Leica. Due to Leica high prices, I have chosen to buy a used Leica M8 in London, and a new Voigtlander 40mm 1.4.
This is a short story about a dream come true.
Since I began searching for photography and for photo machines, it didn’t take to long until my search got into stevehuffphoto site.
This site amaze me since my first contact with its very best articles on internet about real photography. For amateur/enthusiastic/professional people interested in photography and it’s gear. We can find here very precise technical information, and principally how to get passion about this form of art.
So since 2008 I knew I want a good-looking camera, with strong capabilities to turn my day by day pictures into something memorable. I ended buying a canon 50d and started shooting inside water the surfers riding waves. But I knew one day my little Leica would ended on my hands. This moment appears when I realized that used Leicas on eBay, and no Leica lenses was cheaper than I thought.
So I tried to put all together and planed not to buy that online, but buy than in London.
One month planning the trip with my girlfriend, reading every single day every article about M8 or M8.2, about voightlander wide-angle or 40mm, etc etc… So my plan was first get the lens, and then get the camera, because I can’t imagine have a Leica in my hands for a second with no lens attached.
Ok, voigtlander 40mm 1.4 lens with me, let’s get to the Leica dealer. Two nice cameras to choose, one mint condition 1600 actuation M8 and one 36000 actuation M8.2 with strong sings of use and 200 dollars cheaper. For what I read online, I have chosen the M8.2 with 6 month warranty.
I never had used range finder in my life, or manual focus, but my first shoot wide open, on a LFI magazine was easy and in focus. So I have thought, so far so good! Let’s do the payment and get outside with this beautiful day in London.
With this camera I really feel the inspiration to record the best moments I will find trough my life, and I can get the camera inside my coat easily with no big monster point to people’s faces. I have found this camera really easy to use, even with the big ISO issues, but you can do just awesome B&W when the colors are not good. I have used aperture priority on almost all the frames and tried to put ISO160.
All the photos have little LR process, some B&W haven’t nothing to retouch.
I found the photos super sharp, and you can see the CCD Leica look, and you can get beautiful black and white pictures. The camera is not perfect but “After all, a photograph that is technically perfect that has no soul isn’t memorable.”
The next photos shows you a little what I got with my very first experience in RF world with the best RF you can get in a big beautiful city with a beautiful girlfriend as a model.
The prices are around 1900$ US for the used Leicas M8’s
Voigtlander SC 40mm 1.4: 459$ New
I bought a new Leica batery for 150$
first day: 66 photos
second day: 59 photos
3th day: 30 photos
Focus missed: 15
And here is some of my other work:
For me the king of them all – The Nikon D4
By Villager Jim
After many months of avid reading i thought it time if i may to put pen to paper from here in the UK and let you know my thoughts afetr owning a D4 for a year or more. I am lucky enough to also own a D800 and a Fujifilm X100S, both of which are fantastic cameras, but for me above all lies the quiet king of the all – the D4.
I enjoy with a passion wildlife photography , which of course, like sports photography requires at certain times the quickness and speed of reaction that cameras like this simply move away into a league of their own above the snapping and snarling frenzy of the mid range pack. But this short piece isn’t about those moments. This is about those other moments that other cameras can attain but somehow the D4 does without you or the camera taking a moment to think. I have owned 2 leica M9s , both of which i sold after trying so very hard to settle down into the world of the thoughtful and the structured, sometimes being in love with this special skill, sometimes driven crazy when so many shots went amiss because of lack of skill on my part of grabbing the moment. So many times i ended up just welling up with frustration over weeks and weeks of hard graft trying to calm myself and see this new world of photography where thought and composure fought against my constant need of seizing the moment .
So to get to the point my D4…. My D4 is simply the best camera in the world today, my D4 is by my side in 99 out of 100 situations , so strong is the need to have it with me, my D4 is simply a mechanical extension of my arm like no other. My D4 just is. And just does. I can find no better description than from a review i read someplace whilst waiting those painful months until release date, and it simply said IT JUST DOES. That for me after owning one for a year cannot describe any better the true genius of this camera, for me allowing all those ‘ thoughtful’ and ‘composed’ shots to be done , but just in a millisecond.
Thank you D4!
I am out in the wonderful Preak District countryside in the UK every single morning of my life and would ask anyone to follow my daily adventures on my facebook page at
Keep up the fantastic site Steve , fast becoming for me one of the top camera sites in the world today.
It’s all about Inspiration!
By Sebastien Chort
First I’d like to deliver a huge THANK YOU
I’ve been working for a long time in the so-called “graphic/animation/movie industry” therefore I’ve been dealing with picture composition, lighting, framing for years. But I mainly spent my time behind my computer creating images in 3D for animation studio or VFX companies. I always had an interest for photography but when digital cameras appeared my envy to snap pictures kind of vanished (IQ was disappointing) and I gave most of my energy toward my pro activity.
Eventually I started to feel frustrated with the long process it takes to create Computer Graphic images and I started to lurk again toward photography with the high expectation to create spontaneous pictures. Then while I was looking for a decent digital camera 2 years ago, I stumbled across your blog and it opened the Pandora box. The flow of great pictures and great reviews you share helped me a lot to find inspiration and to renew my interest toward photography.
I bought a GH2 which caught my interest for its movie capacities and later on I couldn’t resist the OMD EM5. I loved using the GH2 but the OMD is such a great tool I can’t thank you enough for advising it so loudly. I started to go mental with photography gear to be honest and bought a lot of lenses (C-Mount, Canon’s FD, and pretty much everything I could on Panasonic and Olympus MFT).
Finally I started to look back to some film camera as well and I’m the happy owner of a Hasselblad CM with 3 lenses, a Rolleiflex from 1928 and recently I acquired a Leica M3. This might sound like a G.A.S. issue, but I don’t feel that way. I’m experimenting a lot with all my cameras, I love to carry them, to shoot with them, those are just symptoms of an ongoing passionate story with a great medium to create pictures.
I mainly do portraits of my relatives or street photography, but I feel like I’m barely starting to discover how much fun I can get with photography, so it’s a permanent excitement to know I still have to learn about landscape, sport or studio photography.
So I think you have a large responsibility in my renewed passion for photography and I can’t thank you enough for that. I hope you’ll like the few pictures I’m sending and I wish you the best for the years to come
Thanks for reading me ;)
WebSite : http://sebastienchort.com
From Steve: Thanks so much Sebastien! I am glad that reading my site has inspired you but I must say that it is readers just like you that inspire ME in a day to day basis. Seeing so many great photographs helps to push me to get out there and shoot every week. So thank YOU!