Oct 272015

The terror of the Studio | Shooting Alice

By Massimiliano Tiberi

Dear Steve and Brandon what a wonderful summer of review and inspiration by your site and community!

Here I am again but with something different from my usual Street Photography.

Three weeks ago, for the first time , I received an assignment to shoot one young model approaching the fashion system, the term seems to be “new faces”. I was honoured to be chosen for such work but at the same time my experience in shooting in studio was really limited. But when chance appear to let it go is not so clever. I had something like two weeks to prepare my self for the shooting and that time was used to look at the Studio, understand the light, read books and chat with the Make Up Artist to give a direction to my shooting.

I have to admit that nothing can help a photographer more than a good book and the web : those can unlock the imagination of anyone around the world and helped me so much to understand how to do what I want to do. The terror I had at the beginning day by day start to disappear as much I got confidence studying lighting books, watching video on youtube and following some lessons on platform as Lynda.com or Kelbyone.com.

But there was another problem the last problem, the BIG problem: THE CAMERA. I never used a medium format camera, never used a digital back. I took the chance to go one week before to try the camera hired by the studio and hold an Hasselblad H2 with Phase One P40+ digital back is really incredible and when I saw the first testing shoot in the studio I freak out. Yes today, 40Mp are going to be the “standard” on 35mm camera as Sony did recently but on a medium format camera is still something so beautiful to to see. The H2 is a great camera, so easy to use and with so many feature, When you hold it on the hand you understand it was created for the studio. Yes it is big but not difficult to handle, with the gear where you expected to find it. It was a surprise for me but at the end the last problem was fixed.

For the lighting I choose a simple set up with one light over the model and one for the background and some light modifier to reach the style I was looking for. All the rest were done by the Model, the MUA and the lens.

Here some shot I took in studio, wishing is liked by you all reader!


attractive_face_AliceAlice full face


Some more here:

Jul 082014

The Sony A7r and project “Speak Soccer”

By Alex Kroke

Living in New York City my inspiration comes from all around, it was no different for Lisa and I with our project Speak Soccer. The premise of our idea began at the start of the Brazil World Cup 2014 while we were having lunch at an outdoor cafe talking about sports and fashion.

Lisa Capezzuoli is a creative graphic designer and art director of EVOL design, she wanted to create some artsy fashion , then we observed that the italian sports “Gazetta dello Sport” paper is pink, and it would be great to make it a dress . We then noticed how other International Newspapers were covering the event and the possibilities for design with the other countries.

Once we nailed down the idea of creating fashion around the way each country covers their national team in the press, the production process flowed easily. In the end we shot, nine models, from our friends circle, in “word” dresses constructed with newspapers from USA, Brazil, Germany, Italy, Spain, Netherlands, Uruguay, UK, and Argentina.

See more HERE.

The shoot was on a Sony A7r and the 55mm 1.8 tethered to a computer. 4 Elinchrom lights. Images below:











Jan 282012

The SLR Magic 50 T/0.95 in the Studio – Noctilux vs Hyperprime

So here we are at Day two of the LA workshop and everyone is having a blast. The day started with an amazing talk and presentation  from Jay Bartlett  on studio portraiture. Everyone took to the studio with their M9’s, E-P3’s, Fuji X10’s and X100’s and even a GRD III. The results were amazing and everyone came away with some beautiful shots. Mostly due to the great lighting setup from Todd as well as our lovely model, Jade Corrin. The image above was shot by Ashwin Rao with his M9 and Zeiss 85 Sonnar, one of the most beautiful portrait lenses ever for  the M system. I decided to shoot a quick portrait with the SLR Magic 50 T0.95 Hyperprime and I fired off 3 shots and 3 shots only to see if this lens would be acceptable stopped down for portraits. The Results?

Click the image below for full size file. I cropped some off of the left and bottom but the is STRAIGHT from camera, processed as RAW. M9-P, SLR Magic 50 LM Hyperime T/0.95

Not bad huh? Thats about as sharp as you can get and for a lens optimized for 0.95…what else can I say? Beautiful color and rendering. Everyone at the workshop who has shot with this lens wants one. Now.

Just for fun comparison – Bokeh wide open at minimum focus distance – Noctilux/Hyperprime

The following images are in no way scientific. We were at lunch and messing around with the Hyperprime and Noctilux and decided to do a quick “minimum focus distance” comparison, wide open. The Noctilux at f/0.95 and the Hyperprime at T0.95, which as you may know is FASTER than f/0.95. Add in the closer focusing capability and the depth of field is extremely shallow. The good news is that this lens performs amazingly well stopped down as well.

Many of us have been shooting the lens here in Los Angeles and no one has spotted any focus shift or lack of performance when stopped down which is pretty incredible when you think about it.

On to the “just for fun” comparison…click each image for the full size out of camera file.

As always…more to come. Tomorrow is our full street shooting day here in Los Angeles…can’t wait!

one more to show how sharp this lens can be wide open. Focus was on the eye as you can see…

A group of the Hyperprimes  – Notice the all black “stealth” version on my M9-P :)

and finally a few more with the SLR Magic.

From left to right – Andrew from SLR Magic, me, and Ashwin Rao. Wide open!

Once again, using the lens at the aperture it was meant to be used at. Testing low light and wide open performance at a distance…no problems. Oh and this image below was shot at ISO 2500.


Get every new post delivered to your Inbox

Join other followers:

Skip to toolbar