The new Olympus E-PL1 m4/3 Press Release

UPDATE FEB 3rd 2010: All of the specs and info is on the Olympus Site HERE. This E-PL1 appears to be gunning for the GF1 with its shape, style and direct movie button. I am going to try to get a hold of one of these as soon as I can to try it out. One thing is odd though. In the features list it does not list Manual Focus assist as one of the features. It does show this in the E-P2 feature list. It has the same LCD as the E-P2 as well. Hmmm, now that I look at it side by side with an E-P2 it does NOT seem to be a replacement for the E-P2 but more or less an easier to use/entry in to m4/3 for those who want a more point and shoot kind of camera. I also think that the E-P2 is a MUCH better looking camera.

The camera has now leaked and it appears to be a smaller, lighter body in the M4/3 arena. Same sensor as the E-P1/E-P2, with a plastic body and a couple of new features including a dedicated video button and built in flash. At $599 it will be the low cost entry in to the m4/3 system. This is not a replacement for the E-P2, but rather a cheaper alternative. I will review one as soon as it hits the streets. The website 4/3 rumours has posted some sample images from the camera. Yep, looks like the E-P1/E-P2 IQ!

Here is the full press release from Olympus:


Simple Operation + High-Quality 12 Megapixel Images + HD Video + In-Camera Creativity + Interchangeable Lenses = Total Compact Multimedia Package

CENTER VALLEY, Pa., February 3, 2010 – The new Olympus PEN® E-PL1 is truly greater than the sum of its parts, with a surprisingly small camera body packed with technology normally found in bigger, bulkier and heavier professional Digital Single Lens Reflex (DSLR) cameras and High-Definition (HD) camcorders. This third-generation PEN is built for shutterbugs who always wanted better pictures and considered a DSLR, but were intimidated by the bulky size and complex interface. The new camera’s simple design and easy interface enable consumers to easily create amazing images never dreamt possible. It will make you wonder how Olympus managed to put all of these powerful features inside such a compact camera for only $599.99.

The E-PL1 equals an affordable and powerfully simple all-in-one package that travels with you to capture life in the high quality that your memories deserve.

“Many of today’s consumers want a camera with the professional still image quality of a DSLR and HD video in a compact body that’s as easy to use as a point-and-shoot,” said John Knaur, senior marketing manager, Digital SLR, Olympus Imaging America Inc. “Thanks in part to an image sensor that’s approximately eight times larger in size than what’s inside the average point-and-shoot camera, the E-PL1 delivers outstanding high-quality images. Add the flexibility of high-quality interchangeable lenses, the convenience of a built-in pop-up flash, in-camera creative features and technology designed to produce images effortlessly, and the E-PL1 is the total consumer-friendly, multimedia package.”


This third generation of the Olympus PEN series combines powerful features in an easy-to-use package that will make capturing your life more fun. The new direct record button makes taking videos easier than ever and the new Live Guide functionality makes it simple to learn photography techniques without requiring the skills of a pro shooter.

New Direct Button for HD Movies

Recording HD movies with the E-PL1 is simple, thanks to an easy-to-reach red “direct button” (red record button) on the back of the camera body. If you’re about to snap a photo and you realize a video would capture the spirit of the scene even better, simply press the record button and instantly you’re capturing videos! Easily toggle back and forth between capturing stills and videos by using your index finger to press the shutter button or your thumb to press the red record button. Having the ability to shoot still images and videos opens up a world of imaging possibilities.

New Live Guide Sets the Scene Before You Shoot

The E-PL1’s new Live Guide interface simplifies great photography and gets the results you desire at the touch of a button. Want more vivid or muted color in your shot? Want warmer or cooler color? Want a brighter or darker subject, or a sharper or softer background? Or maybe you want to capture the fast-moving action of your subject with a little artistic blur, or perhaps freeze the action? Simply select Live Guide and press the up and down arrows on the back of the camera to slide through numerous photographic effects. Make adjustments and watch the LCD as the effects are made live – before the image is captured! Don’t worry about learning technical things like f-stops, shutter speed and white balance; jump right in by composing, adjusting exposure and more before the shot is taken.

Seeing the results before snapping the image ensures you are getting the shots you want, and it will change the way you photograph. Shooting Tips are also included with Live Guide, so you can leave the manual at home.

Automate Everything

Live Guide is just the start of automated technologies on the E-PL1 designed to free you up to focus on your subjects instead of focusing on your camera’s settings.

➢ 19 Scene-Select Modes: From portraits to sunset shots, the E-PL1 is equipped with 19 Scene-Select modes for effortless picture taking, including Fireworks, Sunset, Children, Macro and Panorama, to name a few. Capturing beautiful portraits is easy with the ePortrait Mode that enables you to smooth your subject’s complexion.

➢ Intelligent Auto (iAuto) Mode: When you don’t want to use the scene-select modes, the iAuto mode automatically identifies what you’re shooting and adjusts settings for you to capture the best result depending on the situation.

➢ Face Detection: Reduce the chance of blurred subjects in images by recognizing up to eight faces, tracking them within the image area, and automatically focusing and optimizing exposure for sharp portraits.

➢ In-Camera Panorama: Capture three images and stitch them together to create one amazing, seamless panoramic picture. Or use the included OLYMPUS [ib] software to stitch up to 10 images together for the ultimate panorama.

➢ iEnhance: With this mode the warm yellow and orange colors of a sunset are heightened to a dramatically lifelike color that’s truer to what you see with the naked eye. iEnhance can be used in any mode, and automatically engages when using iAuto to enrich color in any subject.

➢ Share: Just connect the camera to an HDTV with an optional HDMI cable and use your TV remote to control playback functions and navigate the camera’s menus from the comfort of your personal front-row seat. The E-PL1 records to SDHC (Class 6 recommended) media cards that can be plugged directly into many devices and accommodate large files, including videos.

New Powerfully Simple Pop-Up Flash

The E-PL1 is the first camera in the Olympus PEN series with a built-in pop-up flash that makes it easy to illuminate low-light subjects, reduce red-eye and fill in dark areas. The camera is also compatible with a range of optional external flashes, including the Olympus FL-36R and FL-50R, which can be controlled wirelessly by the E-PL1 so you can dynamically control lighting as your photography skills grow.


How do professional photographers capture the stunning images you see in the pages of glossy magazines and coffee-table books? Talent matters, of course, but you also need the right equipment. Rest assured that the E-PL1 has everything you need to produce vibrant, professional-quality images: a large image sensor, in-body Image Stabilization, Imager Autofocus, the proven Olympus Dust Reduction System and the TruePic™ V Image Processor.

Big Sensor, Not a Big Body

At the heart of the E-PL1 is a large-size image sensor that’s the same sensor as the one inside the Olympus E-30 and E-620 DSLR models. The only difference between this sensor and what the pros use is that this big sensor is inside the much smaller body of the E-PL1. This high-performance 12.3-megapixel Live MOS image sensor (eight times larger than the average point-and-shoot camera sensor) delivers excellent dynamic range, accurate color fidelity, and a state-of-the-art amplifier circuit to reduce noise and capture fine image details in both highlight and shadow areas.

Stabilize All of Your Lenses

Instead of selling more expensive lenses that have image stabilization inside them, Olympus takes a different approach by having image stabilization built right into the body of the E-PL1. This means that any lens (Micro Four Thirds™, Four Thirds and any third-party lens) attached to the E-PL1 will deliver blur-free images thanks to three modes of In-body Image Stabilization that automatically compensate for camera shake, including in low-light situations or when shooting without a tripod. Since the PEN cameras are the world’s smallest interchangeable-lens cameras with image stabilization built inside the body, you can take the E-PL1 with you and capture great images, and it won’t weigh you down.

Track Your Subjects Wherever They Roam

The E-PL1’s Continuous Autofocus (C-AF) Tracking and Autofocus (AF) Target Registration locks your subject into focus and constantly adjusts focus and brightness whether you or your subject is moving. With this mode, a simple push of the shutter release enables you to keep moving subjects in focus – tracking them from left to right and from front to back – within the frame, automatically ensuring that even active subjects, like kids playing sports, are captured clearly.

The E-PL1’s Imager Autofocus in Live View enables you to compose, focus and capture the shot quickly and easily without ever taking your eyes off the camera’s large, 2.7-inch full-color, high-contrast HyperCrystal LCD for an easy, seamless viewing experience when shooting still images or videos. The LCD also provides a wide viewing angle of 176 degrees, which ensures that images can be composed from even the most obscure angles.

This Camera Leaves Others in the Dust

If you’re just starting out with a camera that has interchangeable lenses, you don’t have to worry about dust spots on your sensor ruining the perfect image every time you change lenses. Spend more time shooting with the E-PL1 and less time worrying about dust with the proven Olympus Dust Reduction System that produces spot-free photos with the exclusive Supersonic Wave Filter™, a patented ultrasonic technology that vibrates to remove dust and other particles from the front of the image sensor, capturing them on a special adhesive membrane every time the camera is turned on.

True-to-Life Color

The E-PL1’s Live MOS image sensor is complemented by Olympus’ TruePic™ V Image Processor, which produces clear and colorful photos using all the pixel information for each image to provide the best digital images possible. The image processor is noted for accurate natural color, true-to-life flesh tones, brilliant blue skies and precise tonal expression; it also lowers image noise in photos shot at higher ISO settings (ISO 100 to ISO 3200), enabling great results in low-light situations.


Express yourself with in-camera creative features. Professional images are rarely unedited images. Video and still image pros use computer-editing software to render their images with effects that set their shots apart from the pack. Olympus appreciates that you may not have hours to spend retouching your images at the computer, so the E-PL1 incorporates editing effects inside the camera to save you time. Whether you apply in-camera creative effects while shooting an image, or apply them later to images captured without the effects, all are inside the E-PL1, so you can achieve dramatic results on the go without a computer or editing software.

The E-PL1 has six in-camera Art Filters, including a new filter called Gentle Sepia. This filter gives your images and videos a soft, warm sepia cast similar to historical images from the early days of photography. The sepia tones are softer and the blacks are a true black, unlike traditional sepia images. The new filter joins Pop Art, Soft Focus, Pin Hole, Grainy Film and Diorama (the filter that makes everything look as small as the E-PL1).

With the E-PL1’s Multiple Exposure function available for still image capture, you are free to tell a visual story your way. The image capture options enable you to shoot one shot, then another and combine them in real time, or capture both shots separately and combine them within the camera later. Take a shot of your significant other, and overlay your self-portrait on top to figure out what your kids will look like. If you have kids already, overlay your kid’s face on top of a shot of his or her favorite cartoon character for laughs. Your ability to manipulate space and time makes this new creative multimedia device a veritable time machine.

You often can achieve greater photographic expression by framing a scene in a unique way. The E-PL1 provides four aspect ratios that serve as masks to frame your image to the desired proportions, including the standard 4:3 aspect ratio that is suited to an 8 x 10-inch enlargement; the 16:9 aspect ratio that will display beautifully on a widescreen television; and other popular aspect ratios, such as 3:2 and 6:6. The Multi-Aspect Shooting further expresses your creative vision when combined with in-camera Art Filters and Multiple Exposures.

With the E-PL1, you have your own living library of still images, HD video and audio to remix at your command. In playback mode, you can seamlessly mix stills and movies inside the camera to create a multimedia slideshow, and dub in one of three built-in dramatic background music options to provide a soundtrack for your cinematic creation. With so many creative options, there’s no limit to what you can create. Choose whether or not you want to play back just pictures, just movies or a combination; also control playing back the whole movie or just a clip.


With a basic point-and-shoot camera, you get one lens built into the camera. One lens, that’s it. And it’s likely a small lens, which doesn’t allow a lot of light through to hit the image sensor. So, you may have a difficult time in low-light conditions. And without the option of adding more lenses, you’re limited to what that one point-and-shoot lens can do. The E-PL1 solves these issues by accepting a variety of lenses to maximize its functionality. Whether shooting still images or HD video, you can add everything from an extreme wide-angle fisheye lens to a super-telephoto lens for a wide range of expressive options.

The M. ZUIKO DIGITAL Micro Four Thirds lenses are designed to be more compact and portable like the E-PL1. Choose from the ED 14-42mm f3.5/5.6 zoom lens (28-84mm equivalent in 35mm cameras) sold with the E-PL1, the ED 17mm f2.8 lens (34mm equivalent), the new super wide-angle zoom ED 9-18mm f4.0-5.6 lens (18-36mm equivalent) or the high-power wide to telephoto zoom ED 14-150mm f4.0-5.6 lens (28-300mm equivalent).

If you want to have even more options, the MMF-2 Four Thirds System Lens Adapter makes the E-PL1 compatible with all Olympus ZUIKO Digital Specific™ lenses and other Four Thirds System lenses from Sigma, Panasonic and Leica. Olympus OM film-based lenses can be attached to the E-PL1 with the MF-2 OM Lens Adapter, and there are third-party adapters developed for lenses from most other manufacturers.


The E-PL1 incorporates an accessory port for connecting the optional VF-2 live-finder, a detachable electronic viewfinder, or the new optional SEMA-1 external microphone adapter set (which includes the EMA-1 adapter, the ME-51S stereo microphone and a cord) for those who want to capture enhanced audio with any microphone that has a 3.5mm plug. These optional accessories easily slide into the camera’s accessory port and hot shoe.

Consumers who wish to hold the E-PL1 up to their eye rather than use the LCD will appreciate that the optional VF-2, which provides 1.15x magnification and a 100 percent field of view with sharp resolution, brightness and contrast. The viewfinder refreshes quickly to minimize image ghosting on fast-moving subjects. It also rotates up to 90 degrees to enable photographers to look down into it, which is useful when shooting subjects from challenging angles. The built-in diopter adjustment and high magnification offer easy viewing with and without glasses.

The E-PL1 offers OLYMPUS [ib] software that includes photography workflow, browsing, editing and unique photo-organizing functions. You can organize your photos by person with automatic face-recognition technology, by location with a Geotagging function or by event. You can easily view photos on an HDTV or on the camera’s LCD with the Photo Surfing or Slideshow functions. The name [ib] stands for image bridging, image browsing and image brightening. The software will be available for Windows operating systems only.

Underwater Housing for Aquatic Adventures

The new camera’s compact design makes it the perfect companion for all of your dive trips. The PT-EP01 underwater case has been specially customized for the Olympus E-PL1 and is waterproof to a depth of 40 meters (approximately 130 feet). With its durable, high-quality polycarbonate construction, this Olympus housing protects the camera from water while also cushioning it from knocks and bumps on land. The housing enables viewing from either the camera’s LCD screen or an optional electronic viewfinder. The flash connectors allow optional use of up to two UFL-2 underwater flash units via fiber optic cable. A nonremovable front lens port accommodates multiple Micro Four Thirds lenses.

New Exterior Design, Same PEN DNA

The E-PL1 streamlines the Olympus Micro Four Thirds PEN series form and is available in three new body colors, including Black, Champagne Gold and Slate Blue. Thanks to its compact size (4.51″ W x 2.84″ H x 1.63″ D excluding protrusions) and light 10.4-ounce body, the E-PL1 won’t weigh you down when you’re on the go.


The Olympus E-PL1 will be available in March 2010. It includes the E-PL1 Body, M. ZUIKO DIGITAL ED 14-42mm f3.5/5.6 Zoom, USB Cable, Video Cable, Li-Ion Battery Pack (BLS-1), Li-Ion Battery Charger (BCS-1), Shoulder Strap, OLYMPUS [ib] software CD-ROM, Manuals and Registration card.

U.S. Pricing / Product Configurations

E-PL1 Body with M. ZUIKO DIGITAL ED 14-42mm f3.5/5.6 Zoom Lens

Estimated Street Price: $599.99
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  1. Dear Steve,
    Your web site is great I enjoy it a lot. Can you tell me whether the Olympus EP1 is better than the EP1L as the EP1 is now cheaper to buy than the EP1L by quite a lot. I can get the EP1 plus the
    17mm 2.8 lens for about 414 Euro.
    I would love a camera with a sharp photo image that is easy to use.

  2. Good evening Steve, and everyone. You can see some more information about the new camera at wich can solve some questions in this post. It seems the EPL1 has some good advantages over the EP-1 and also the EP-2. And dont forget that this new digital cameras is not only about lenses or even sensors. It’s just like a computer, we have also to balance the new and improved hard and software. Althoug some new computers might seem slower then older models, they work much better. It seems the focus problem has improved a bit over the EP’s, but can’t say how much, or if it is “much” enough. Hope Steve can try one in his “magic” hands to see the results.

  3. First impression: looks like Oly is trying to overcome E-P1/P2 marketing shortcomings relative to the GF1. Heck, it even looks more like the GF1 than it does the E-P1/P2. By “marketing shortcomings,” I mean lack of flash and autofocus speed (although the new Oly doesn’t appear to address that problem).
    Adding flash and a cheaper price point might make it more attractive to first-time DSLR shoppers, but I don’t see this as a second camera for more advanced photogs. I think they’ll still steer towards the E-P2 or GF1 for better build-quality, handling, and durability.

  4. I have shot with a Leica 90 Elmarit on the E-P2 using in body IS. For me, the IS did not work to well with this lens which became a 180mm. I tried it with images and video and had shaky results. I have tried it with a 35 with great results and a 50 with decent results, but longer lenses did not seem to fare so well.

    BTW, I did change the focal length in the IS menu and it did not seem to help. I am still experimenting with it and will have all of the details in a future article about shooting the M lenses on the E-P cams. Thanks

  5. Has really nobody any experience how well the in-body image stabilization that even this m4/3 Olympus has, works with M-lenses (if it works at all)???

    It would be great if somebody had any expereince with this, because an E-P1/2/L with a 50mm Summilux + effective in-body stabilization would make a pretty unique short tele low light combination! Thanks in advance.

  6. Thanks guys! Yea, looks like Oly has a winner and the camera looks great in black. I just wonder what was up with the E-P2 release just 2 months ago if they knew this was coming? Odd. Oh, it looks like it does indeed have manual control with video!

  7. I have the same view as Walt, the on-board flash of E-PL1 is significant to me. I was looking at GF1 and EP1/2, much preferred the Olympus jpg quality and its built-in stabilizer and of course their lower price. But without on-board flash as fill light I just couldn’t justify getting the Olympus. Now they have a winner!

    Steve, I am from Malaysia, I enjoy your reviews and photos very much, keep it up!

  8. Steve, I should have elaborated. Stills are potentially better due to the on-board flash. I find this to be invaluable for family snaps, for example. It also adds useful fill light when the going gets dark. And video is aided big time by the direct movie button. I wasted a lot of time and often remained in the wrong mode with my EP1 in having to select between stills and movie mode via the mode dial. Quite often after shooting a still, I wanted to launch into video but wasted 10 or 15 seconds mucking about before video capture could commence. This often led to losing valuable footage. A responsive camera is key when trying to capture that “decisive moment”.

  9. I was wondering. I plan on getting the E-PL1 or GF1, probably in March. I want to build up my lenses collection for the future. Would you want to buy micro 4/3 specific lenses, or would it be smarter to buy 4/3 lenses? I want to upgrade in a year or two to a more serious camera. Do both micro 4/3 lenses and 4/3 lenses work on both? Or it it that only 4/3 lenses work on micro 4/3 camera’s? Keep in mind, if I sound like I don’t know what I’m talking about, I don’t. 🙂

  10. I hear ya Walt. But the E-PL1 has the same sensor so it will not take better photos and video than the E-P1 or E-P2 🙂 Also, I did not see it mentioned that the E-Pl1 has the manual video option, so not sure on that one unless I missed that somehow.

    I guess we will see when it hits the shelves next months. Thanks for all of the comments.

  11. The Leica like simplicity of the EPL1 is very appealing. And it comes in silver, black and more. In the end, however, it is the photographic capabilities that count. And the EPL1 seems to match the features of the EP2 (sensor, Art modes, AF tracking, “Olympus color”) plus it adds a flash and a direct video button.
    Why would anyone pay a hefty premium for an EP2 when the EPL1 is capable of taking better photos and video?

  12. Something I’ve always wondered is if the EP-1/2’s built in IS allows M-lenses (or other third party non IS lenses) to be stabilized? That would be a significant difference compared to the GF1 which relies solely on lens IS.

  13. Seems to me like Olympus has just forced me to go with the EPL1. I plan to get into the micro 4/3 system and build my lenses, then jump to the next level up once they release the next improvement, hopefully one that covers all the bases. I love the look and feel of the EP-2, but this really makes it impossible for me to start with one with money considerations.

  14. I think this camera is a competitor to the cameras like the Canon G11 and not to the E-P1/2. I can imagine that DSLR photographers who want a compact “everydaycamera” will switch to the E-PL1. Advantages: bigger sensor, MFT lenses, Raw, compact size. All these features on a very good price. I think there are some unique selling points for the E-PL1 vs. other compact cameras.

  15. It’s smaller, cheaper build, and in my opinion, not as nice looking or ergonomically as good as the E-P2, also, you do not get the EVF with it. Will they fade out the E-P series? I do not think so. I think the E-P3 will have a built in EVF, but that will be a while. For the new series they dumbed down the build, much like a Nikon did with the D3000. This is all what I am hearing BTW…cam is not yet released.

  16. how is the EPL1 an alternative when it does the same things as the Ep1 and Ep2 for a cheaper price?
    Coming from a disgruntled Ep2 user.

  17. @ Ole
    I think the IQ deference of the GF1 and EP-x are mostly in Jpegs, so it comes down to if you shoot Jpeg or Raw, Me, personally.. I always shoot Raw and that’s one of the attractions of these camera’s.
    I have the GF1 and like it a lot, can’t wait for a 14mm Prime.

  18. Oh i haven’ seen that there are two comments 😉
    The body of the pl-1 is black, too. There are three different colours (black, champagne gold and slate blue) withe the evf i think the pen looks 🙁 of course it’s good to have one. and the other advantages you list are only gimmicks, I think: For that the pl-1 has aspects that the e-p2 does not have (Scene Select modes and panorma…). With this lineup, i think, Olympus has to release an e-pl3, because the e-p2 has no really right to exist 😉

  19. Thank you very much for helping me and answering so fast. Very cool. I have read that the image quality of the GF-1 in jpeg is very poor or is it as good as the e-p2? and the gf-1 is a longer time on the market, so i must fear of an update 😉

  20. E-P1/2 vs GF1 – All personal pref. They both take great images and have great quality. I love the E-P2 and have no complaints other than not being a huge fan of the m4/3 sensors. The GF1 has faster AF but the AF in the Oly never made me miss any shots. The Panny lenses are better IMO but they all work on the Oly’s.

    The GF1 is the more popular camera and it is technically the better buy. Go with your gut and buy the one that draws you in more.

  21. The E-P2 has the included high res EVF which is beautiful for an EVF. The body is black, there are two new ART filters, the video can now shoot and adjust the aperture and shutter speed for those cool shallow DOF effects in video (this is how I shot my latest 50 summicron review video) and it has AF tracking which will follow your subject around the frame.

    I may have missed something but that is the jist of it.

  22. Can anyone tell me what the e-p2 has, that the new e-pl1 not includes? I don’t find any differences, only advantages of the e-pl1. Why should i pay more for the e-p2? Only because of evf or the “better” design?
    By the way @Gordon: Panasonic will never integrate a stabilizer in their m4/3. because what should they do with their OIS lenses then? 😉 It’s almost like Canon or Nikon in comparison to Pentax or Sony. So waiting is not advisable. 😉
    I’m wondering between this new or the GF-1. I don’t know which camera gives me best image quality. It’ very hard for me 😉 I have read that the photos of the GF-1 right out of the cam aren’t very good. Can anyone help me?

  23. Thanks for the prompt reply. 🙂 Will keep on waiting for the next generation of GF1 with build-in stabilizer then. BTW, I love your blog and visited it at least once per day. Great stuff, thanks.

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