Olympus E-M1 Mark II Announced! A Pro Level BEAST. Up to 60 FPS + More.

Olympus E-M1 Mark II Announced! A Pro Level BEAST. 60 FPS


WOW! I have been waiting for this and 1st off, I WILL BE giving a full on report of this camera soon, VERY soon. But for now, Olympus just announced this E-M1 Mark II along with an amazing 25 f/1.2 Pro Lens (50mm equiv). Each time I wonder what Olympus will come up with next, they always surprise me. This time they have taken the popular E-M1 and added so much new tech to it, I am crazy excited to see it, use it and shoot with it.


The E-M1 Mark II is still water/freeze/shock proof. It has a new fast charge long lasting battery, a new EVF that is so hyper real, some early photographers have mistaken it for an OVF at first glance and use. The E-M1 MKII allows two SD cards as it has two slots, and it can shoot at UP TO a blazing 60 FPS, with locked focus.  Yes, 60FPS with full size RAW shots being captured. AF Speed and accuracy has been improved to a new level and IQ, according to Olympus, is on an all new level.


Using a new 20MP Live Mos Sensor, with high speed data readout, great ISO performance and improved Dynamic Range. The camera also uses a new imaging engine, TruPic 8. 

Looks like this new E-M1 MKII was well worth the wait. I will be shooting with it and all of the new Oly gear soon 😉 Stay tuned!

Other new gear announced today by Olympus: 12-100 f/4 Pro lens, 25 1.2 Pro lens, new flash system and a new 30 f/3.5 Macro. They are also introducing a pro level of support. Pro Service will offer three levels. 


But read the full official release below on the new E-M1II


Olympus developing breakthrough Flagship Micro Four Thirds® camera with advanced performance for the professional photographer

CENTER VALLEY, Pa., September 19, 2016 — Olympus announces the development of its newest flagship camera and the latest addition to the award-winning OM-D series, the Olympus® OM-D E-M1 Mark II, a compact system camera with performance capabilities that surpass pro-level DSLRs. The Olympus OM-D E-M1 Mark II will be designed to deliver incredible speed, superior image resolution and a host of new shooting features to expand the boundaries of photographic expression.

The OM-D E-M1 Mark II will be equipped with the newly-developed high-speed TruePic VIII Image Processor which is 3.5 times faster than previous TruePic processors and a new 20.4 megapixel Live MOS sensor equipped with 121 points of cross-type on-chip phase detection and contrast detection AF. These technologies will work with the camera’s electronic shutter to provide full resolution images at up to an unprecedented 60 frames per second in AF and AE lock, and up to 18 frames per second with continuous AF and AE tracking.

The advanced Dual FAST AF system will automatically select between contrast and phase detection AF depending on lens type, camera settings and lighting conditions to ensure accurate focus and sharp image quality. In addition, the continuous AF tracking performance will be dramatically improved with a new moving subject tracking algorithm.

The OM-D E-M1 Mark II will boast a wide array of shooting features including a new Pro Capture Mode for lag-free shooting that enables the capture of split-second moments, a 50 Megapixel High Res Shot Mode for images with incredible detail that rivals that of full-frame DSLRs, in-body 5-Axis Image Stabilization with a maximum of 5.5 shutter speed steps of compensation performance1, and 5-Axis Sync IS for a maximum of 6.5 shutter speed steps of compensation2 when combined with the new M.ZUIKO® Digital ED 12-100mm f4.0 IS PRO.

The OM-D E-M1 Mark II will be weathersealed to be dustproof, splashproof, and freezeproof (down to 14°F / -10°C) in a compact lightweight design, ideal for shooting in all types of outdoor conditions. The camera will exceed professional photographers’ performance requirements by employing a high-performance durable shutter designed to clear 200,000 actuations*3, dual memory card slots, and an improved battery capacity of 37 percent from its predecessor model.



Main Features

1. High-Speed Sequential Shooting and Superior AF Performance

Live MOS sensor and TruePic VIII Image Processor
The newly-developed high-speed TruePic VIII Image Processor and a new 20.4 megapixel live MOS sensor will work in concert with the camera’s electronic shutter to provide full resolution images at a maximum 60 frames per second in AF and AE lock, and up to 18 frames per second with continuous AF and AE tracking.

The TruePic VIII Image Processor will boast a dual quad core system with four CPU cores and four image processing cores that achieve image processing speeds approximately 3.5 times faster than the TruePic VII Processor. Because camera operation and image processing functions will be carried out in parallel, transfer speeds and menu operations will be vastly improved over previous models. A new Pro Capture Mode will provide lag-free shooting so users can capture high-quality full resolution images at precise moments with no compromises.

Advanced Dual FAST AF
The advanced Dual FAST AF will automatically choose between on-chip phase detection AF, contrast detection AF, or will utilize both phase and contrast detection simultaneously. This system will boast 121 cross-type on-chip phase detection focus points in order to dramatically improve accuracy. The simultaneous use of contrast detection and on-chip phase detection AF will enable accurate focus in difficult lighting conditions, while a new moving subject tracking algorithm will rapidly and continuously measure the subject-to-camera distance to precisely maintain focus. Finally, an in-camera AF limiter will be included to achieve faster focusing by limiting the focus range of the lens, thus preventing time-consuming focus hunting.

Autofocus functions such as AF Target Mode4, AF target position, and face/eye priority AF will be easily set with a single action. AF operations will be enhanced with a new cluster display, which illuminates active sensors to assure the user of focus subject accuracy. The AF Targeting Pad feature will allow users to select the AF point by sliding their finger on the rear touch LCD while looking through the viewfinder.

High-magnification, high-speed electronic viewfinder
The performance of the 1.48x (35mm equivalent) high-magnification, high-resolution electronic viewfinder will rival those of professional full-frame interchangeable lens cameras. With high-speed operation that includes a maximum frame rate of 120 fps and a minimum six-millisecond display time lag during shooting, users will never lose track of fast-moving subjects.


High-speed response
Superior response will be facilitated by a significant improvement in shutter release lag time; this time will be reduced by approximately 30% from that of the predecessor model so users will never miss a photo opportunity. In addition, frame advance speed during playback will be approximately three times faster for faster scrolling and review of images.

2. Outstanding Portability and Reliability

A compact, lightweight system with excellent portability
The OM-D E-M1 Mark II will feature weatherproof construction in a compact and lightweight design. Coupled with an Olympus M.ZUIKO lens, the OM-D system remains extremely compact, providing the ultimate in portability for shooting and transportation. Hand-held super-telephoto shooting will be possible with the M.ZUIKO Digital ED 300mm f4.0 IS PRO lens (600mm focal length in 35mm equivalent), and this camera and lens combination will even be compact enough to store in carry-on luggage when flying.

Weatherproof construction and Super-Sonic Wave Filter dust reduction system
The OM-D E-M1 Mark II will feature high-performance weathersealing for excellent dustproof, splashproof and freezeproof (down to 14°F / -10°C) performance so that users can shoot in the harshest of conditions. This weatherproofing will not be limited to the camera body alone: it is extended across the entire OM-D system, including the dustproof, splashproof, and freezeproof M.ZUIKO PRO lens lineup5. In addition, a Supersonic Wave Filter (SSWF) dust reduction system will vibrate the image sensor more than 30,000 times a second to virtually eliminate any dust that may land on the sensor while changing lenses.

High-performance shutter rated for 200,000 actuations
A newly-developed shutter will be rated for 200,000 shots3 to withstand consistent daily use in professional environments.

Dual memory card slots
The OM-D E-M1 Mark II will feature dual memory card slots to allow simultaneous use of two SD cards for more versatile shooting. The slots will be positioned in a staggered layout, making cards easier to insert and remove. Users will be able to select from four types of settings: “Standard” will record to the specified card; “Automatic Switching” will automatically switch to the second card when the first card becomes full; “Dual Independent” will record to both cards according to the specified image quality setting assigned to each; and “Dual Same” will record identical files to both cards simultaneously. Slot 1 will support UHS-II and UHS-I cards, while Slot 2 will support UHS-I cards.

High-capacity battery and rapid charger
With an improved 1720mAh rating, the new BLH-1 lithium-ion rechargeable battery will have a capacity that’s approximately 37% higher than that of the BLN-1 used in the predecessor model. The Olympus OM-D E-M1 Mark II will display the remaining battery life percentage on the rear monitor so that users will never be surprised by a depleted battery. Also, the new BCH-1 charger will be 50% faster than the previous version.

3. Exceptional Image Quality

Higher resolution and improved dynamic range
The new 20.4 megapixel Live MOS sensor will offer 25% higher resolution than the predecessor model, and the absence of a low-pass filter further enhances image quality. A higher dynamic range6 will improve the reproduction of highlight and shadow detail, and an anti-reflective coating on both sides of the sealing glass over the sensor will further enhance contrast performance.

Improved image quality at high ISO settings
The newly-developed TruePic VIII Image Processor will dramatically improve image quality when shooting at high ISO settings, making it possible to capture images with minimal noise. The normal sensitivity ISO (ISO AUTO) range will be expanded to ISO 6400 for greater flexibility in a variety of shooting scenarios and Fine Detail Processing II will ensure that no detail will be lost due to over-sharpening.

ISO 64 equivalent ISO LOW setting
The ISO LOW setting will be equivalent to ISO 64, providing greater flexibility to shoot at wider apertures even in brightly-lit situations, making it possible to achieve beautiful shallow depths-of-field.

50 Megapixel High Res Shot Mode
A High Res Shot Mode will utilize the Voice Coil Motor (VCM) system of the 5-Axis Image Stabilization System to precisely shift the sensor in half pixel increments while capturing a total of eight shots. The camera will then automatically composite the shots into a single 50-megapixel equivalent ultra-high resolution image7. This unique Olympus technology is a necessity for any still life photographer or anyone that requires ultra-fine detail reproduction. The new TruePic VIII Image Processor will effectively suppress blur due to subject movement, making it possible to utilize High Res Shot Mode in a wide variety of shooting conditions, such as gently-blowing grass, tree leaves, or ocean waves. In addition to 80 megapixel RAW and 50-megapixel equivalent JPEG images, it will be possible to select a smaller 25 megapixel equivalent file size.

In-body 5-Axis Image Stabilization
The Olympus OM-D E-M1 Mark II will be equipped with the latest in-body 5-Axis Image Stabilization that compensates for all types of camera shake. An optimized correction algorithm will boast outstanding compensation performance with approximately 5.5 shutter speed steps of compensation*1. Also, when combined with Olympus lenses equipped with in-lens image stabilization, 5-Axis Sync IS will provide the world’s most powerful 6.5 shutter speed steps of compensation*8 for blur-free handheld shooting of stills and video.

4. Stunning UHD Video Capture

Digital Cinema Standard 4K videos
The OM-D E-M1 Mark II will support Digital Cinema Standard 4K (4096 x 2060 pixels) video capture*9 at a 24P frame rate and a bit rate of up to 237 Mbps for authentic movie production. The 20.4 megapixel Live MOS sensor will provide a read speed three times faster than that of the predecessor model for effective suppression of movement distortion, resulting in sharp, clear image quality. The video-specific picture mode “Flat” will be ideal for color grading and finishing the footage exactly as envisioned by the videographer.

5-Axis Image Stabilization combined with electronic stabilization for video
With four times the resolution of Full HD, 4K videos are easily affected by camera movement and typically require a tripod, mini jib, crane, and other specialized accessories for movie recording. The OM-D E-M1 Mark II will pair its advanced 5-Axis Image Stabilization with electronic stabilization specialized for movies (M-IS)*10 to effectively reduce camera shake, making handheld 4K video capture possible. This outstanding image stabilization system will allow videographers to easily shoot movies with virtually no visible camera shake. The camera’s rear vari-angle LCD monitor will be adjustable to the user’s preferred angle for shooting convenience.

HDMI monitor connection and recording synchronization
The HDMI monitor connection will provide the ability to view live video output live on a larger display while shooting. Users will be able to select from Monitor Mode for an external monitor and Recording Mode to capture uncompressed video directly from the HDMI port. The OM-D E-M1 Mark II will be equipped with a synchronization signal so that video recording to an external device may be started or stopped from the camera. A 4:2:2 external output will be provided to meet a wider color correction range. An audio synchronization function will make it easy to synchronize audio recording when using Olympus’ Linear PCM Recorder LS-100 while recording video, and a Slate Tone function will facilitate the syncing of recorded audio and video.

5. Advanced Shooting Functions

Silent Mode
Silent Mode will utilize a silent electronic shutter to eliminate all mechanical noises while shooting. Silent Mode will be especially useful for shooting in situations where noise of any kind is not appropriate, including stage performances, concerts, and even sleeping children. Also, it will be possible to deactivate the AF Illuminator, autofocus confirmation beep, and flash for practically silent operation.

Focus Stacking / Focus Bracketing Modes
Depth-of-field is especially shallow when taking macro photos, making it difficult to capture an image that is completely in focus from the foreground to background, even at smaller apertures. Focus Stacking Mode will capture eight shots at different focal positions and composite them to form a single shot that is entirely in focus. The depth-of-field provided by Focus Stacking will be far deeper than even the smallest aperture at close distances. Focus Stacking Mode will be compatible with seven Olympus M.ZUIKO lenses for a variety of shooting scenes*11.

Focus Bracketing Mode will capture up to 999 shots at different focal distances with a single shutter button press, allowing users to choose shots with the optimal focus point or use commercially-available software to composite all images into one picture with stunning depth-of-field.

Live Composite / Live Bulb Modes
Live Composite Mode will be available for shooting fireworks and cityscapes against starry backgrounds. While using Live Composite, the exposure of dark areas remains constant, while areas of light that change during the exposure are updated, creating trails of light from stars or fireworks. Live Bulb and Live Composite Modes will allow users to easily check the image on the LCD monitor in real time, instead of relying on intuition.

Keystone Compensation
The camera will be equipped with Keystone Compensation for photographing architecture. Keystone Compensation digitally provides tilt and shift functions with all M.ZUIKO lenses, and because trapezoidal compensation may be applied simultaneously to both vertical and horizontal directions, it is possible to shoot various subjects in a wide range of situations.

Tethered shooting with Olympus Capture
Olympus Capture is now available in Version 1.2 and will support tethered shooting with the Olympus OM-D E-M1 Mark II. High-speed data processing and transfer via the USB 3.0 Type C port will be four times faster than with Olympus Capture Version 1.1. A cable clip will be bundled for securing and stabilizing the cable to a strap when the camera and computer are connected.

Additional features
• Customizable C-AF tracking sensitivity will allow users to choose the best setting for their subject to optimize C-AF tracking performance.
• AF Scan will allow users to adjust the lens scan operation settings in low-contrast environments to prevent unnecessary hunting.
• Preset MF will let users quickly set a preferred focus distance when using manual focus.
• AF Home Settings will be assignable to a customizable function button. Users will be able to program their most frequently used AF target position, AF Target Mode, and AF Mode as an AF Home setting.
• Lowest Shutter Speed Setting on the camera will allow users to predefine a minimum shutter speed so that the ISO sensitivity will increase in low-light situations rather than slowing down the shutter speed. This is convenient for handheld shooting in low-light environments.
• Users will be able to back up customized camera settings on a computer so that they can be re-applied to the camera whenever necessary, especially useful for using the same settings on multiple cameras or maintaining settings after a firmware update.
• Specify Folder function will let users select a folder as a recording destination and create new folders to make image editing and management easier.
• Grid settings will allow users to set a highly visible grid color for display as a guide when shooting in dark locations such as theaters.
• The “Date/Time/Second” display will let users organize images by a second unit. This is an effective feature for high-speed sequential shooting.

Optional Accessories

HLD-9 Power Battery Holder
This dustproof, splashproof and freezeproof power battery holder will be specifically designed for the OM-D E-M1 Mark II. With the HLD-9, users will have the power of one BLH-1 lithium-ion rechargeable battery in the camera body and a second one in the HLD-9. The rear of the HLD-9 power battery holder will be equipped with the same directional pad, two control dials, two function buttons, and shutter release as on the camera body for identical controls whether the camera is held in a vertical or horizontal position. An optional AC-5 AC adapter may be used for studio photography or other situations when using the camera for long periods of time.

FL-900R Weatherproof High-Intensity Flash
This is a high-intensity flash boasting a maximum guide number of GN.58m. This accessory on-camera flash has the highest sequential shooting tracking performance in its class at 10 fps12. It features a lightweight weatherproof design with a wireless RC mode for simultaneous control of multiple flash units, and supports Multi Flash, High Res Shot, Focus Stacking and Focus Bracketing Modes. The FL-900R is also equipped with a built-in LED light for recording videos. For additional details, please see the FL-900R press release.

STF-8 Weatherproof Macro Flash
The STF-8 will be the world’s first macro flash built with dustproof, splashproof and freezeproof construction13. The flash heads and controller will feature a lightweight compact design. When combined with the Olympus OM-D E-M1 Mark II, Focus Stacking and Focus Bracketing modes will be supported for flash photography, useful for capturing flowers, insects, and commercial photos in the studio. The bundled adapter ring will be compatible with the M.ZUIKO Digital ED 30mm f3.5 Macro, M.ZUIKO Digital ED 60mm f2.8 Macro and M.ZUIKO Digital ED 12-40mm f2.8 PRO. When using both flash heads the GN will be 8.5m. In addition to a TTL Auto Sync Mode for precision control, users will be able to set the flash in 1/3 step increments on the camera when in Manual Mode and in one step increments with the flash dial. The main flash will also be able to be used as a commander to control multiple flash units. The flash head angle will be adjustable within a range of -60 to 40 degrees.

RM-CB2 Release Cable
This release cable with a pin jack terminal (2.5mm diameter) will feature a bulb lock function convenient for long exposures. The connector terminal will feature an L-shaped design ensuring a compact form when connected to the camera.

PT-EP14 Underwater Case
This compact underwater housing will provide water depth resistance up to 60 meters. It will provide a clear field of view to each corner of the screen, designed to be easy to hold to frame and zoom your shot easily. In addition, the PPO-EP03 Macro Lens Port will provide compatibility with the M.ZUIKO Digital ED 60mm f2.8 Macro and M.ZUIKO Digital ED 30mm f3.5 Macro14.

CBG-12 Large-Capacity Backpack
This large-capacity backpack will easily fit multiple Olympus cameras and several interchangeable lenses, including the M.ZUIKO Digital ED 300mm f4.0 IS PRO. This backpack will feature a padded back and straps that reduce strain, side openings for quickly removing necessary items and water-repellent materials for superb functionality. The CBG-12 will feature a genuine Micro Four Thirds mount emblem in the center of the backpack.



  1. Does anyone know if it will be able to send audio via hdmi if I use an external recording device? I have a Black Magic Assist that I might use and my EM5 MK2 only lets a videosignal pass through the hdmi port

    Chris, Denmark

  2. dont lose the guarentee iv had three olympuses. two em10’s and one em5. and the pixels have failed in two of them

  3. Can I simply just say what a relief to uncover a person that truly understands
    what they’re talking about over the internet. You actually understand how to bring an issue to light
    and make it important. A lot more people have to look at this
    and understand this side of your story. I was surprised that you are not more popular because you surely
    have the gift. Thanks, Darrin.

  4. Would this be a camera that would be recommended for an upgrade from a Sony Nex 3N?
    I am currently debating between the Olympus OMD E5/E10 Mak II and Sony a6300. With the recent announcements of the Sony a6500 and now this camera…not sure which one to buy given this will be a significant upgrade from the nex 3N. Any help would be great!

  5. Spouse is so pleased with her OM-D-EM10-II that she has promised me the new OM-D-1-Mark-II for Christmas… if it ships! Jazzed as heck by the coverage at Photokina, but have searched fruitlessly for a ship date. Starting to realize it won’t go on sale in time for the holidays, but if not then, when? Do you, Steve, or does anyone else have word? Even a rumor? THANKS!

  6. I think the sleeper feature is the “pro” capture feature where by half press on shutter button the camera holds up to 14 frames in memory – so when you push down to take a photo you get about a seconds worth of what happened before. A killer feature: now you may still get the decisive moment even if you *just* hit the button a fraction late!

  7. Steve, if all goes well with review. I will be buying this camera off your site. Thank you for keeping it honest unlike a host of other sites.

  8. Does anyone know if it will allow slow motion for video 120pfs or more, even if just in HD?
    This would actually be the game changer if it did!

  9. I’ve had the E-M1 since 2013 and remain delighted with it. The Mark II seems a very useful advance for sequence capture, and the new 25/1.2 and 12-100 zoom lenses will be a plus.

    I also have the Leica SL .. I tend to use it more at present because I like using my old Leica R lenses so much. The E-M1 produces photos of comparable quality, despite the smaller sensor. Image quality comes down to the lenses in the end, and Olympus lenses are very very good quality. (Obviously, the SL’s larger sensor/more pixels/etc generally nets a bit more sensitivity and a little less noise, but for my shooting, normally at ISO 100 to 1600, the differences are very slight. The SL’s larger format nets more depth of field control, which is why I’m using it more for the work I’m doing at present.)

    • What about the $5,000 difference. By the way the SL is not made in Germany as Leica says.
      They are “Lieca” it is made in Portugal and Austria and assembled in Germany. I live in Germany. I know them. If the olympus at less than $2000 can be as good as a $7,000 SL, something is wrong…

      • Who said the E-M1II would be as good as a Leica SL? NO way for IQ..cant match the big Leica in that regard. In everything else, it would cream it though 😉

  10. Does anyone know if the size and layout is the same as the em1 mk1? They loom similiar but hard to say from pictures. I have a underwater housing for my em1 mk1 and would like to know if upgrading to a mk2 will require investing in a new housing too. I hope not but am not very confident.

  11. hey Steve.

    I’m an action sports photographer and I’ve been using the em-1 exclusively for 2 years now. I got so used to the size and portability that it eventually replaced my full-frame gear on adventure trips but image quality and the constant battle with the EVF had me about to jump back to a Nikon. I was about to pull the trigger on a d750 when I heard the rumours of the new EM-1 mk2 being tuned to action sports photogs. I waited and after watching the keynote I still have some reservations…

    I’d be interested to see some real world tests of the AF and EVF for tracking fast moving subjects in low-light. Straight on shots of horsemen in the very bright, wide-open steppe are all well in good but I primarily shoot mountain biking in the dark, dank woods of the PNW.

    • Why would you want to jump to a D750 if you are an action sports photographer? The D500 is designed for sports and blows everything out of the water. I’m still trying to decide if the E-M1 II will be good enough or should I jump ship for my sports photography.

      I think bringing up the performance numbers of the electronic shutter is pointless. I’ve tried shooting in silent mode. Its useless for movement. And the new one shoots only 10fps in continuous autofocus with the mechanical shutter according to mirrorless lessons. It shoots 15fps as long as it locks focus on the first shot. Which is useless if the subject is moving towards you.

      I’ll be testing the D500 with the Nikon 300mm f/4 PE lens in late October. I’m shooting a high school football game under the lights. Can’t wait to see what all the hoopla is about it. And the Nikon 300mm f/4 PE is half the weight of the Olympus m.zuiko 300mm f/4. And $500 less.

      If Olympus really wants to keep me, they better be able to sell me the E-M1 II and the 300mm f/4 PRO for less than what I can get the D500 and the 300mm f/4 PE. Thats $4000. My guess is the E-M1 will come in around $1799. Add the $2499 for the 300mm f/4 PRO, the Olympus comes out more expensive.

      • Hey Jeff.

        I have a d5 as my primary body but I had good results with a rental D750 after shooting some video with it so chalk it up to a good experience. Careful with that 300 f/4…you won’t want to give it back.

        I agree with you on the pricing Em-1 mk2/300 combo. I’ve been crunching numbers myself and add 35-30% bump for those of us dealing in Canadian dollars and it gets pretty spendy very quickly.

        Curious about the new Oly pro-service as well…

      • You’re statement about ” 10 fps with fixed focus” is totally bogus. Look at the article.

        “The newly-developed high-speed TruePic VIII Image Processor and a new 20.4 megapixel live MOS sensor will work in concert with the camera’s electronic shutter to provide full resolution images at a maximum *** 60 frames per second in AF and AE lock ***, and up to <<>>”

        Try to get the facts especially when they just above on the same page!

  12. I had an EP-2 and loved it, however I then moved over to Nikon with D600. In recent days have been considering going to Fuji XT2 in that I’d like a bit of a smaller setup. I think it really comes down to how they operate in the field. I’d love a comparison between the XT2 and this new Oly..

  13. Hi Steve,
    The EVF is interesting. I read that they kept the 2.36M-dot EVF, but is now 120fps. Wonder how it will compare to the Leica SL that has a 4.4M EVF ( no idea of fps). I suspect Leica EVF is better but the Olympus EVF is a big improvement. Looking forward to your verdict.

  14. Amazing tech packed into this body but as each year goes by micro 4/3 seems like a poor decision. Sony has miniaturized FF cameras with the A7 series and even medium format cameras are now coming out in small, mirrorless bodies

    These little Olympus cameras are great but at the end of the day there is only so much you can do with a micro 4/3 sensor.

    • Lenses, Clint. Lenses. I don’t care that a sony A7 body is similar size. It’s lenses remain huge.

    • I think there’s room for both formats, Robert. I already own a Sony a7rII and maybe a half dozen lenses for same, but the power of the M43 format really revealed itself to me on our last trip, when my Sony telephoto died and I started using my wife’s EM10 Mark II to shoot waterbirds. The IQ was quite a revelation, the touchscreen was a godsend — and the overall speed with which I could shoot and ease of handling lenses overcame any shortcomings from sensor size. Plus, the lens choices are fantastic — I hope to be toting the new OM-D1-Mark II and the 100-400mm Panny-Leica lens on our next trip, together with my Sony rig. With the equivalent of 800mm in the same size body as my Sony 70-300mm zoom, plus the speed afforded by the new Mark II, Olympus can run with the big dogs and maybe beat them some times. I’ll enjoy finding out!

  15. What are the practical implications for low-light shooting? The low-light capabilities of the Sony cameras have tempted me more than once, and as much as I’d like to upgrade from the OMD EM1 MK1, I’m wondering if this improves low light enough to keep me from migrating to another platform.

  16. The camera looks fantastic, but the 60fps image capture is very misleading, as it is a pretty useless feature for most shooting, since it’s only 60fps in electronic shutter mode. Unless they also created a global shutter, then the actual read off the sensor will be 1/15s to 1/30s max, which will result in massive warping of the image when shooting action, which is the main reason you’d want 60fps. It could be good for shooting group shots, though, where you want to catch that split second where everyone is smiling and not blinking.

    Still, the 15 fps mechanical shutter is still really, really fast, so it’ll still be a good camera for action.

    • According to Mirrorless Lessons, the 15fps only locks on focus in the first frame. Great if your subject is panning. But in continuous autofocus, its only 10fps.

      • According to Olympus 15fps is mechanical shutter max speed in C-AF(continuous tracking AF), 18fps with electronic shutter. 60fps is locked focus on first frame.

  17. Did I read correctly that the ISO only goes up to 6400? Is that a typo? Also, what’s the price for the body?

  18. EM1 MK2 can do 60 fps sf raw, plus its 2x buffer size than em1 (50 raw or jpeg, 34 raw+jpeg).

    What does this mean? Game changer in cinematography and photography at the same time!!!

    A 6.5k 20mp 60fps raw video camera for 2-4 seconds, with the possibility of raw and jpep simultaneous recording. Ask any TV ads or MTV shooter, 3 seconds are enough.

    Let alone the 5.5 stops IBIS, which is even better than EM5mk2. I saw EM5-2 can stabilize 150mm in video mode. The only gripe for this sync IS is that Oly 12-100 and 300 are too expensive! But the combination will change the movie industry.

    The things I am conserved about this camera:
    1. Dynamic range. It seems OM-D always lags behind Nikon and Sony, even not comparable to Canon.
    2. AF tracking performance in real world video making.
    3. How good legacy 43 lenses will perform on This Game Changer.

  19. EM1 MK2 can do 60 fps sf raw, plus its 2x buffer size than em1 (50 raw or jpeg, 34 raw+jpeg).

    What does this mean? Game changer in cinematography and photography at the same time!!!

    A 6.5k 20mp 60fps raw video camera for 2-4 seconds, with the possibility of raw and jpep simultaneous recording. Ask any TV ads or MTV shooter, 3 seconds are enough.

    Let alone the 5.5 stops IBIS, which is even better than EM5mk2. I saw EM5-2 can stabilize 150mm in video mode. The only gripe for this sync IS is that Oly 12-100 and 300 are too expensive! But the combination will change the movie industry.

    The things I am conserved about this camera:
    1. Dynamic range. It seems OM-D always lags behind Nikon and Sony, even not comparable to Canon.
    2. AF tracking performance in real world video making.
    3. How good legacy 43 lenses will perform on This Game Changer.

  20. Looks impressive. But, no handheld hi-res mode?

    Rumors said there were actually 2 versions being developed: one with a 20mp sensor, and another with an advanced 16mp sensor. I guess marketing felt they needed the mp increase more.

  21. Olympus raise the bar again. This looks like a significant upgrade in almost every important area while retaining everything that I love about the Mk1. Can’t wait to click the Amazon link Steve. That 25mmm PRO is going to have to come along with it too 😉 Olympus have developed a first class system capable of pleasing even the most jaded pros. Merry Christmas!!!!

  22. well its not really a product announcement. they only announced that they are DEVELOPING it which is kind of silly really.

    • It’s real and ships this year. I will be using it very soon. It’s a real product, just about ready to goship…it is NOT being developed. It is developed and my guess is it will ship in November.

      • i don’t doubt it. i just thought it was kinda funny how the press release was worded. it was like making an announcement without officially making an announcement (with ship date, etc.). i don’t shoot m43, but it does look like a beast of a camera.

          • The E-M5 (Mk I and Mk II) where available in silver from the very first minute. The silver version of the E-M1 also didn’t need years.

        • I sure like the look of the silver/black. I would gladly pay a little more for it. Just makes me want to hold it and go shoot. As Gollum would say, “My precious…

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