10 Reasons why the Sony A7RII has been my most used camera for almost two years
By Steve Huff
90% of the photos here were shot with the A7RII over the last two years. A few are with the A7II and A7S as well. A true testament to just how good this entire system is. I love my Sony A7RII and this is why.
VIDEO OVERVIEW OF MY 10 REASONS
While testing the 70-200 G Master I snapped a kid who had just caught a ball. He was happy to show it off!
Can’t tell but that is Alcatraz in the background. Shot this with the cheap Sony 50 1.8
IN fact, after all this time the only time I Have been frustrated with this camera is with the battery life. To me, this is truly a weakness. I have six spares in my bag at all time as when shooting video, this camera eats through battery life. I am hoping that when Sony follows up this camera with something new it will have a updated battery system, for pro use. In fact, I am still holding out hope that Sony is going to release that PRO A9 that has been rumored for two years now. Their latest sensor tech, bigger battery life, pro build, dual SD slots, blazing AF, huge EVF Ala Leica SL… if they can do this, they will have an almost unbeatable camera in the 35mm world.
A7RII and the 85 G Master. Photo of Chris from the Phoblographer.
But coming from me, a guy who gets new cameras in the mail each month to test out, the fact that the A7rII has been my most used is pretty incredible. I have access to Leica, Fuji, Olympus, Panasonic, and anything else that is out there. Canon? To be honest, I have lately invested in some Canon L glass as I have been finding their recent offerings to be exceptional and hey, that leads me to reason #1 why the Sony A7RII has become my most used camera.
10 REASONS WHY THE SONY A7RII HAS BEEN MY MOST USED CAMERA
#1: You can use almost any lens on this camera for 35mm. Adapters are everywhere for just about anything you want to mount. Want to mount that Leica M lens? Sure, just grab a cheap adapter (or a good one like this) and away you go. How about Canon? Sure, grab an adapter (like this one) and you can use Canon glass, with full speed AF and IQ. I love the Canon 16-35 2.8 III, the Canon 24 L 1.4 II, and the Canon 50 L 1.2. Since I also own a Canon C100 MKII for video projects, I can now use these lenses on my Sony A series camera. Nikon? Sure. Vintage Leica? Sure. Any full frame lens from almost any manufacturer can be mounted to an A7 series body. To me, that makes it the most versatile camera already.
Using the Voigtlander 35 1.7 – an amazing lens!!
The Canon DREAM LENS! A very cool lens to use on this system.
The Petzval 58 1.9 on the A7RII
A Jupiter 3 lens. This was an old vintage one, but a new one is now being made…
#2: The fact that there are loads of 3rd party manufacturers making glass for the E mount now. Lenses are plentiful for this system and more so than any other system in the 35mm world. Sure, you can use many lenses on Fuji and Olympus via adapters but you are not getting the full character of the full frame lenses. Sony, to my knowledge, is the only full frame digital camera capable of mounting almost any glass, and now that 3rd parties are making glass left and right just for E Mount, there is a limitless number of native lenses for this system. As I said, super versatile in the lens dept. All depends on what your wants and needs are and how much you want to spend.
#3: Excellent in low light, high ISO. Sure the A7SII is the best in low light and for video in this size of camera, but the A7RII is no slouch. I have been able to shoot in near darkness with video and photo and be pleased with the results. Will it get even better? Sure, it always does but man, if Sony releases that PRO version of these cameras I think that will be the holy grail. I may as well close up shop here and enjoy using it. If they get it right, I see nothing in 35mm beating it, in any way. We shall see soon I hope. So low light, no problem for any of the A7 MKII versions. Versatile. Period.
#4: Set and forget it. The Menus with the Sony cameras of today are not bad at all. In the past they had a horrendous menu system with their NEX line, but now it’s easy and while the choices are plentiful, once you set it up, assign the buttons to your preferences and all of that good stuff, you really never have to go in and mess with the menu. I shoot RAW and JPEG and if I use JPEG it is usually with the Natural preset with some tweaks. So I have set my A7RII long ago, and I rarely go into the menu. All I need is outside by my fingers.
#5: The EVF of the A7RII is starting to show its age but it is still pretty damn nice. Large enough, WYSIWYG and easy to frame or use manual focus. These days I much prefer a EVF over any optical finder. One reason I stick with mirrorless over DSLRs, and the EVF tech is getting better and better all the time. Can’t wait to see what is coming next…
#6: Manual focus? Easy with magnification and focus peaking. I have used many Leica M lenses on my Sony and never have an issue. It would be even easier with a Leica SL style EVF but for now, I can not complain.
#7: SONY IS PROGRESSIVE, FORWARD THINKING..So I know they are committed to their camera systems, especially the A series and the FE mount in general. They have been putting out amazing lenses, bodies and tech for a few years now, and are hell bent on steam rolling on through to lead the full frame mirrorless world. They are doing it as no one else offers a full frame mirrorless solution that is anything near what the Sony is capable of. Most are still using APS-C or smaller sensors, or going to full blown medium format system, which for me are more for landscape guys or fashion/commercial guys. For daily driving, for me, a smaller system is preferred over Medium Format. Just one reason I am not interested in the new Fuji MF System. It would stay at home just like my old DSLRS used to, due to size and weight. While the Sony A7 system is not tiny, it is when compared to a Canon 5DIV or Medium Format rig, and this Sony can do more than a Medium Format setup in low light, for on the go shooting, and daily use.
#8: It is a RELIABLE Memory Maker. For me, this camera has created just as many memories I am fond of as my Leica M cameras have. Sony has truly led the way in digital imaging for those who desire to use full frame sensors and lenses. While they also offer killer APS-C cameras such as the A6500, my love affair will always be with the full frame cameras. To me, they offer a balance of everything. We get superior low light, Depth of Field control going from shallow to deep, better color than smaller sensors (normally) and all we give up is usually some AF speed, but the AF speed here is pretty good and never had any issues for my use. But the camera has proven to be crazy reliable FOR ME. Never a break down, never had to send it in, and even though a color run, covered in colored powder in every crevice, it survived and is like new after a clean up. I have traveled all over with my A7RII. In bags, luggage, getting examined by TSA and it still performs as it did the day I opened it.
#9: VIDEO! I shoot a lot of video that is not for this website or part of my life. I have shot well over 100 hours of video with my A7RII and besides eating batteries like they were fruit snacks, it has given me all I could want for, for my needs. Focus is slower with video, and I hope this is improved in the next version of the camera but even so, I mostly use MF for video anyway. Sharp, great color and even nice for serious use. I do not shoot 4K so I am still doing normal 1080OP at 24FPS. For this, the A7rII is fantastic. While the Sony A7SII is king of video next to their serious video cameras like the FS5 and FS7, for me, the A7RII is great. While I now own a Canon C100 MKII for most of my video work, I still use the Sony as well.
#10: It’s size and form factor. As I stated, it is not as small as some cameras, nor are some of the pro level lenses which are just as large as most DSLR lenses. But we can create a small and light system here that packs a huge full frame mega punch. Lenses like the 28 f/2, or the 55 1.8 are small, and some are even smaller. So no NEED to go big here, but you can if you want all out performance. This guy packs a serious punch even today in 2017, almost two years after it was announced, and for Sony that is an eternity, lol. I feel with whatever they come up with next…it will be INCREDIBLE. I feel it. I hope I am right as if so, it will be exciting and motivating as well. But the A7RII is here to stay with me regardless. I have bonded with it over the last couple of years after it has created hundreds, if not thousands of memories for me.
So there to go, ten reasons why this A7rII has been my most used camera over the last two years. Many come, many go. Some stay. Some stay for a long time. Since I get to try and test anything I want, the fact that this camera stuck with me says A LOT. I highly recommend this camera even today. Even if a new model comes out that knocks us out, expect it to cost quite a bit more than a A7RII today. One can even pick up a used A7rII today for a great price. BUT you can get new deals as well, like this one with all kinds of extras and free prime shipping.
Sony ups the game every year or two, and they have been at it for many years now. I remember the days of the NEX system when everyone moaned about there being no lenses for the Sony system, and they were right! There were minimal, average kind of cheap choices. But today that has changed, and changed dramatically. Today you have access to just about any lens you would like to use when you own a Sony A series camera. THAT IS HUGE. Full frame, low light, good AF, good video, in a semi small package. What could one ask for? Sure, better battery, Pro 4K video specs, newer higher res sensor, improved low light and AF, and a sleeker design. I can not wait to see what Sony brings us next. Hopefully we do not have long to wait.
Have a great weekend everyone!
Great article, detailed analysis of the Sony A7RII, thank you for sharing and I enjoyed the Sony A7RII. Looking forward to sharing more information about the camera
What lenses do you find that you use the most on the Sony?
Late the game, but this is a great article. I own an A7Sii since I primarily shoot video, in hindsight I probably should have just gone for the A7Rii as I do feel the lack of megapixels when I try to us the A7Sii for photos. I can’t crop in as much as I’d like sometimes which is unfortunate. I also don’t find myself shooting S-Log3 too often because I always forget that I need to overexpose otherwise the image gets so grainy it’s almost unusuable.
Great article Steve. I love your reviews and the practical and down to earth angle you bring along with humor. Thanks for the review. Have a great weekend!
Great post! I share your sentiment toward this wonderful photographic tool. I purchased it upon launch and I haven’t looked back. It is my sole camera and I couldn’t be happier with it.
It’s been a real pleasure watching the Sony ecosystem grow at break-neck speeds in support of a growing consumer base. The concern of a lack of lens support is no longer an issue.
Although, I don’t think I’d need it anytime soon, I am excited to see what direction Sony goes next with their upcoming FF camera announcement.
Hi Steve, I follow all your reviews with interest because they are often inspiring for a passionate photographer like me.
I have a question about a picture of this article taken with the sony A7R2 which I use.
This is the Gordon Laing portait at 102400 iso…the grain quality in this image is fantastic but my OOC picture at high iso does not show it, instead appear more electronic…any particular in camera setting to have this result?Thank you. Mike
Well, I set NR to off or low, and keep in mind that shot was in B&W which makes a difference in the way noise is perceived. Also, lighting will make a difference as well. But that shot was out of camera, JPEG, shot in B&W at that ISO.
Could not agree more Steve. Well written!! A great system that I will stick to, I suspect, a very long time.
Fantastic review. Time for me to upgrade my A7 to an A7Rii.
Great post Steve, as always !
no. not great!
everytime I’m here I leave with a new craving…
Nice work, Steve. I’m playing with the A99 II now, very different but has a similar chip. Let’s see what happens.
A99II is supposed to be fantastic. Have not tried it myself but many whom I respect have and loved it. Enjoy!
This is a marvelous impressive camera I use with M lenses and Nikon Ais lenses. Thanks fir this awesome articles. I ve only now Keicas and Sony, Nikon Canon, bye
Yes, the A7R2 is terrific. I left Canon when the Sony A7s came out and had so much fun with it. As soon as it was available, the A7R2 became my main camera and it has been a real delight. One feature I love is the silent shutter which has allowed shooting when shutter noise would not be acceptable and it’s also less intrusive even when shooting family events. For long lens sports and wildlife, I’ve become enamored with the Olympus E-M1 mk2 but overall, the A7R2 is THE ONE for me. Your review reminds me of the many reasons why.
Hi. I’m a bit of a novice but have the a7rii with a 24-70 2.8 and I have a terrible time with noise in my shots even with reasonable light as well as terrible focusing. I use focus peaking and it seems to be obviously getting my subject but once I look at it in my PC the subject is out of focus with the background mostly in. It’s been infuriating. I only get good focus usually when I take my time and manually focus. Appreciate any suggestions on being as please as you are with this body.
Hmm. I do not own the 24-70 but it sounds like something is off. Noise? I never have this issue. What ISO are you set at or using? If you shoot indoors, with a high ISO you will get noise. Set your lens to f/2.8, set to AF center mode for focus (most accurate way to focus) – in fact I have used center point only for 12+ years. Only way I ever use AF – focus, recompose works fine, and is accurate and quick. If you are using a field mode your camera may focus on something you do not want to focus on. Set ISO to auto with a limit of 3200. Shoot in A mode, with the lens wide open. With these settings you should not have noise issues. Shoot RAW, and JPEG, see what you prefer. I turn my Noise Reduction off or to the lowest I can on all cameras.
As an added measure of loyalty to the product and to further compliment this post, now would be an excellent time to move the SL down the ladder on your gear list and place the A7R II at the top where it apparently belongs. Maybe even consider using an actual photo of the A7R II instead of the A7R. Thank you.
The way the gear is positioned on the gear page is not in any order or preference. So no need to move anything around. The SL beats the A7RII in many ways, but the cost is just too much for some. Also, the SL is not as versatile due to lens availability. The reason the A7rII is my most used is due to versatility, and what it can do. The cost is also a factor as to why it is a fave of mine. While the SL has a better build, feel EVF, and even IQ the Sony offers more for less, in a smaller package.
Indeed, Steve, those are all the right arguments! It’s so appropriate to put them in a list once more. And, like you, I will never go for medium format. Nor do I think that many will – not even serious enthusiasts. Not many will. It’s just too big, too heavey, with not too much gain on any level, given the fact that the FF IQ will indeed always further improve and after a while it will always keep up with medium format. FF just offers more than I could ever want! Anything bigger would make me feel the slave of my gear.
Isn’t it incredible, to stick to a camera body this long, nowadays?! And personally, I doubt if I would swap it for the coming pro A9, since the pictures I’ve seen of it so far show a considerably larger body, that I, moreover, find not so beautifully designed as the 7, not so attractive. I don’t think I’d wanna take that with me so easily, if at all. I think it’s for another target group – those that still shoot Canikon DSLRs. I don’t really mind two cards slots, nor higher MP, nor even longer battery life (when MF-ing stills, I don’t see any problem with the current battery system). I would care though for a further improved EVF and low-light capability IN THE SAME SIZE/WEIGHT/DESIGN PACKAGE!! I would even loudly applaud when it would get slightly smaller/lighter, maybe in a “basic-just-for-stills” version (although that’s probably too unlinke Sony, but one can only hope). So I wonder what the A7RIII will come up with.
Anyway, for a camera that didn’t even get your “camera of the year” title, this is a pretty amazing achievement. I’ve seen the last camera’s-of-the-year come and go, but the A7RII is still going strong, because indeed it combines the best of “all” worlds. So maybe you should call the A7 system your “camera system of the decennium” 🙂 the more since it brought high IQ FF photography to the average enthusiast.
I have fools hope, that there will be simplified “just for the stills version”. Preferably copied leica / fuji controls, better, next generation evf, could be made in rf style, as for example fuji x-e series. Could be even without image stabilisation, I think that given todays abilities of high iso, there is no necessity of ibis.
But, thats my fools hope 🙂 But maybe, someday…
Last year I visited my dad in Greece, carrying my A7RII and the Batis 25, mostly an outdoor lens. Then I learned that there would be a youth theatre performance that evening and wouldn’t it be nice to photograph it. Bummer, I should have come with the 24-70 f2.8. But no bother. I adapted my dad’s manual Nikkor-S 50mm f1.4 from 1970 and shot the whole event with available light, from one spot, silently, no AF, no zoom. I felt quite pleased with myself. That is why I love my A7RII.
WOah Steve when did you meet Yael Grobglas? Awesome capture!
Must have been a year ago or so. Thank you.
Wow! What a read and what a library of marvellously varied shots! This is the kind of write-up which can be enjoyed as a photographic experience even by those of us who will probably stay APS-C for the rest of our lives. Such praise coming from a Leica man also has to be taken seriously! Thanks a lot and show us more sometime!
Thank you John
I agree with you for the most part on all counts. I like all sensor sizes, although half-frame (APS-C) is my personal choice. Nothing wrong with the RX10 or RX100 though. They’re only going to get better, and they are going to be the press cameras of choice eventually.
There are lots of great photos here. My favourite is the one of the young woman with the glasses. That’s a fantastic, sensual portrait.
I think the A7rII is arguably too good for portraiture. Actually most modern digital cameras are too good. I think film suits portraiture better, but the simple solution would be to use a diffusion filter, such as those by Tiffen or Schneider.
It’s worth reminding people that there is no point in taking great photos if nobody gets to see them. Don’t be a Vivian Maier! Lots of people think she’s great, but I think she’s a perfect example of how not to be a photographer.
I like your review Steve because it holds true to me with my cam the A7Rmk2 as my all time fave camera (I’m using it 95-98% most of the time because of its versatility & rugged use). Compared to my other cams like my Sony (A99V, NEX-7, A7mk2, A7S, A7S, A7R, RX100, RX100mk3, RX100mk4), Fuji’s (XT1 & XT2), Canon (7Dmk2, 5D, 5Dmk3, 1DX), NIKON (D7000, D800, D3S), Olympus (EM-1), Panasonic (G7X)……This cam A7Rmk2 IMHO packs a heavy weight punch when it comes to Image quality & sharp resolution that I currently apply & employ in my art form called SNAPZ (Acronym of SnapZ: SketchTography Nonetheless an Alchemy of Photographic Zest)….. Just like you Steve in my kinda world… Sony A7Rmk2 since its creation fits all the glove of my SNAPZ World. Again, Thanks for your honest & oh so good truth to tell review Steve.
LOL, you own every camera made on this planet !