My time with the Pentax K1000 & Super-Takumar 50mm f/1.4″ By Khunya Pan
Hello Steve & fellow followers,
This story will talk about my time with the Pentax K1000 & Super-Takumar 50mm f/1.4, and how I ditched nearly all my equipment for this simple and brilliant setup.
I started taking pictures seriously about 5 years ago when I was 19, when my father bought a Pentax K10D DSLR. He hardly used the thing and I started to get interested in it. Next thing I know I’m taking it everywhere with me, upgraded to a K20D and the SMC-31mm f/1.8 Limited lens. It was a great way to learn the basics and fundamentals of photography. I eventually had an exhibition of my work done exclusively with the K20D and the 31mm. It was a great experience, but it was time to move on.
One night I was watching TV and a film called “Blow-Up” came on. I was instantly intrigued by the movie due to its main subject being photography. But the thing that stuck with me was the camera the lead character was using. No, it wasn’t a Pentax, it was a Nikon F, but it was a classic film SLR. Even though the actor had no idea how to use a camera in the film, I was still very intrigued by 35mm and film, and I wanted to try it out. Sick and tired of the point-and-shooters all around me calling themselves “photographers” just because they took pictures of their vacation or family gatherings, I wanted to do something quite different for my age group and actually learn “real” photography (wink).
I eventually got the K1000, mainly because I could use my 31mm on it, thanks to Pentax making a series of lenses that can be used on digital and film. Instantly I was hooked on it, and eventually learned how to develop my own film and scan it myself.
This sparked me to start a weekly mailing list where I would send out a photo a week, and while it hasn’t grown to a huge number of followers, it has kept me motivated to continue taking pictures. The pictures I was taking were making me happy, but I still felt like they were missing some kind of magic. Then I discovered the Super-Takumar 50mm f/1.4…
There is not much in the way of reviews or web presence on this lens, and I seriously wonder why. The early versions of the lens were released in the mid 60s, and continued until 1971 where the SMC-Takumar’s were released. These did away with the radioactive coating. Some say they are better, some say they are worse. My version is one of the early ones, with the obvious yellow coating on the front element. In color, it doesn’t distract or cause any bizarre effects, and in B&W it’s absolutely stunning. My guess is Pentax was going for a Leica/Zeiss killer, and maybe on a technical standpoint they failed, but on an aesthetic and artistic point of view, they succeeded tenfold.
The setup has been my primary carry-around shooter. I have used many other cameras and lenses throughout the years. I’ve tried my hand at a Yashica & Rolleiflex TLR, a FED2 Russian camera, a Leica M3 and a Leica M9, and the Fuji X100 and X-Pro 1. Honestly, none of them are quite bonkers enough. I always go back to my K1000 and Takumar. Yes, sometimes the weight and bulkiness of an SLR are annoying, and it is far from an ideal street-shooter, but I really don’t shoot street photography, and the Takumar is not meant for that, nor is the K1000. This is a setup that makes you get in close. It is intimidating, as it should be. It is a $150 setup that produces $10,000 Leica results.
Sometimes I feel a bit amateurish walking around with what is essentially a “student” camera. But I think I’ve finally gotten passed the vain part of photography and trying to “look cool” while I take pictures. In the end, it’s the photograph that counts, not what the silly man behind the camera looks like.
I eventually sold my K20D and 31mm lens, and now I shoot exclusively film. From time to time I will borrow my girlfriend’s K-x and use an M42 adapter so I can shoot the Takumar on that, but it’s not very often. I am quite amazed though by the results of a nearly 50-year-old lens on a crisp and clean digital sensor. The lens has such a soul to it, it’s delicate and I worry if I accidentally whack it on a counter or something, it will fall apart with ease. But if you treat it well and with respect, it will be a lifelong companion and always give you outrageous and amazing results.
And so concludes my story, enough with the text and on with the photographs. The first three are from the K1000 and 31mm, the rest are the K1000 and Takumar. You can compare them for yourself and see if I’m talking total claptrap.
Thanks for reading and looking!
Additional images can be seen here: